Author: Maggie Armstrong

  • Getting Away

    Margaret didn’t like Walls, so why had she agreed to go walking with him in the mountains, and afterwards for a drink in a remote hotel bar? She had no self-control, she broke all her promises, she was weak and gormless. Flaws she contemplated, unlacing her boots at the fireplace.

    “You should take off your socks too,” said Walls. “So that your feet dry off properly. Hang them off the mantlepiece, here.”

    “Can we just do that?”

    “Do you think we have to behave ourselves in this dump?”

    Margaret smiled with warm disapproval. It wasn’t a dump, but she liked that he wanted better for her. She felt nice; she felt a sense of belonging. It was the end of December and it was a strange, antique hotel – empty, save for some old people at the collapsing little bar. The chairs shook. The evergreen strung along the mantlepiece looked feeble, picked clean by time, and even the fish in the boxes on the walls were dead.

    “Evening.” A narrow-faced unsmiling man lowered a tray of hot ports to their table.

    “Thank you, Sir,” said Walls. “Hits the spot – we feel we deserve it, too. We were out at Glendalough today, hillwalking with the best of them. Busy, here, this time of year?”

    As the men found things to say Margaret cupped the port in her hands and dipped her nose to the bitter scent of liquor, lemon and cloves. She took a long drink, gazing affectionately around. The empty floral armchairs sat facing each other, backs reclining, arms outstretched as if caught in a ghostly confab. A grandfather clock sounded. The clock was strict, censorious, like a clacking tongue.

    “It’s just so pleasant here.”

    “It’s a nice place to come and disgrace yourself anyway.” Walls picked up The Shooting Gazette and read from a story about gundogs and winter grouse, making Margaret laugh. He propped the ankle of his desert boot up on his bulky knee and leaned back, testing all the strength of his chair. His legs were long and sturdy. How much were the rooms here anyway? She didn’t have to decide on anything yet. Margaret gulped her port, sinking back, sinking further inside an evening she’d never imagined she’d agree to.

    On Christmas Eve she’d sat on a kerb on Dawson Street with her bags of shopping spread around her and into her phone typed: “Not only do I not love you, I don’t even like you, now get away from me.” She sat in the sleety cold, reading back through all their texts: the block paragraphs of his voluble accusations alternating with her neatly edited retorts. She did not feel safe. The shadows of ruthless passers-by bore over her, feet thumped, her ass froze on the cold stone.

    Margaret pressed send, then put up her furry hood and fled the streets. Their love was over, and it hadn’t even been. On Christmas day, she kept her phone switched off for discipline with the benefit of also torturing him. On Boxing Day, she turned back on her phone to face three new emails from him. One sad belated Groupon offer for ice-skating – even the offer had expired. A press release for a pantomime, subject headed ‘Matinée with me?’ Then a sonnet, typed into the body of his email and evidently authored by him too in some dismal late-night rage: the couplet ended with the words ‘dishonour!’ and ‘suicide?’. (His punctuation).

    Then on the 27th of December, she wrote that she hoped he had had a good Christmas. He wrote back that it was awful. ‘Awful’, he wrote. ‘I’m sorry,’ she replied, not knowing what for. On the 28th they chatted all day about themselves. Now we find the former soulmates on the 29th December in a hotel with buffalo horns displayed in the creaking hallway – something about the Boer War, the unsmiling concierge had told Walls – and sullen photographs of aristocrats in sporting gear. Why had she come all this way? Because that morning she’d opened her curtains to a bright winter sky booming down on her. ‘Beautiful day’, she texted, and exactly an hour later she pulled into the traffic island opposite Donnybrook church, grinning and waving at Walls as if he was a friend. He got into the car, bulky and ungainly as the wrong jigsaw piece. He looked so suspect, checking around him – always guilty, stigmatised by some certain yet unclear wrongdoing. She liked the boyish glint, the boyish smile – he was terrible, incorrigible – he was her punished pupil. They got along well. They both liked walking in the mountains, they liked wine, books, planes. He liked politics, man’s worlds. Both liked the idea of causing trouble – of escalating something, shocking other people. He edited a little online magazine in his spare time and she’d been his intern and his girlfriend the past year. His protégée, unpaid apprentice, the weirdo in the corner of his study eying him while he worked, blushing at his glances, her amorous eyes – though never undressing him there and then. Their fantasies remained just that, ethereal, abstract ideas transacting between them, through a fug of newspapers, laptops, coffee cups, vape and sandwich wrappers. All physical sex was had after dark and in the dark. About once a week, or twice a week, one of them would say something pointed and disruptive and they would argue. Arguing would last hours or days. Arguing became yelling, slamming, became toxic waste – life was flammable and unhinged, something she couldn’t control. Once, on holidays abroad, he drove her drunk late and night and told her he had the power to kill the both of them. He speeded up the car and scared the shit out of her. Then he slowed down the car. She never asked him about it afterwards, she told the story only to herself, she reasoned with its oddness; it was all bluster, wind-up. A joke – just a stupid joke.

    At Glendalough, the surrounding hills were plush and velvety with deep colours, and snow lit up the mountain peaks. The cold air blanched her face as the soles of her shoes gripped the railway sleeper tracks along their path. They chatted happily, normally, like decent people, offering nods to ruddy-cheeked women and their dogs. The sky grew dark and the hikers dispersed, leaving them alone in the mountain ranges. She felt shy and elated; she wondered if they would touch. When her ankle turned on a rock along the track, she almost fell, but he grabbed her wrist and held her glove, looking at her with tender fright. After that she let him hold her ungloved hand.

    The man came carrying two more ports, and a Christmas cake, encased in white marzipan, with little mince pies in paper cases laid out on a doily, their pastry tops dusted with icing sugar. Margaret spooned whipped cream all over a mince pie and ate it.

    “I adore whipped cream! I think whipped cream must be my greatest pleasure. If I had cream every night I’d be happy for the rest of my life.” She licked her lips of cream and sugar powder.

    “We could actually eat before we go,” he said.

    “We could. But the ice. Would the ice be dangerous?” She had no interest in the answer to her question, a formality in the resistance she would need to provide. Her limbs felt heavy, her skin baked in the heat of the flames.

    “They have a table, if we want.”

    “Oh, you already asked them?”

    She tilted her head as if she was considering something. “I suppose I am very hungry.”

    The grandfather clock ticked, jaunty, like horses galloping. Tick-tick-tick-tick-tick-tick-TICK, it went. So percussive, so repetitive it couldn’t possibly signal change, or progress.

    “Leave your boots.”

     

     

    The dining room was a solemn rectangle with every table set and nobody there. Serviettes were ironed into fans, candlesticks loomed unlit. Margaret admired a very big fork, and touched the white table cloth as if it was a sheet of gold. “This is all so nice!” She gave a histrionic shiver and at this cue, Walls took off his suit jacket and tossed it on her shoulder. The jacket buried her in warmth, and as the chill eased from her body a big bottle of red wine came. The bottle did seem bigger, fatter than an average bottle, and she assumed it was expensive. Getting home was going to be impossible, though they both had a history of reckless driving – she was chaos, did not take care with things. Food arrived with the rapid pace of an establishment with very little to do: scrolls of ham with out-of-season melon cut in half moons, thick slabs of game terrine. A blue fish with a crispy eye was placed in front of Walls and for Margaret, a duckling’s breast stewed in dark juices.

    “How are we going to make it back? I’m so tired for driving,” Margaret announced after a time.

    “Look, the rooms are fine, if you want.”

    “You think.” She let her voice trail off – she would not contribute any more to this discussion.

    “Only €75 a head, dinner included,” he said. “And it’s on me.”

    “You don’t have to.”

    “I owe you anyway.”

    “That’s separate.”

    “Sure.”

    He must have been referring to the fee he normally paid for two articles, for which she had invoiced him, and which he still hadn’t paid her for. She sliced a piece of meat in two and ate quickly and unhappily the morsels on her plate. Next week, she’d have to send him the invoice again, for the third time. They sat in silence for too long. Walls sloshed wine into her glass, and she drank as much as she could in a mouthful.

    “Let’s order dessert. Apple and rhubarb pie, sticky toffee pudding, blancmange, or – oh goodie. Baked Alaska. Or did you see the cheese on the trolly earlier? I think I saw cheese.”

    The door brushed over the carpet, and in came the serving lady and behind them, a tall fair-haired couple in handsome coats. Margaret’s head lifted and turned as the man and the woman crossed the room. Her eyes were tugged, locked, as the man pulled off his hat to reveal a face that was as familiar to her as it was intimidating, in its classic lines of beauty and clear, healthy skin. His name was Antonio, and he was the tech millionaire who had taken her to the party where she first met Walls. Millionaire, or billionare. Secret investor – someone of great worth, great wealth. She didn’t care about wealth, but. Antonio, she knew, moved easily in the world, had experiences. He had fulfilled more of his dreams than, for instance, Margaret.

    Walls was saying something.

    “Sorry, what?” she was dazed. “Sorry – It’s – did you see, who just came in?

    Antonio and the woman had seated themselves at the furthest corner, leaving a barricade of empty tables between them and the suddenly inferior, suddenly scruffy Walls and Margaret. Margaret touched her hair, damp and unbrushed, and seized a silver spoon to check her reflection – she had the face of a bumpkin, nose, lips, eyes blown up. She tilted in her chair, trying to catch Antonio’s eye while also paying Walls extra attention.

    “Did you see the dessert menu?”

    “All I saw was you staring at him.”

    As ever, it came in a single rough blow.

    “I wasn’t – ”

    “You were.”

    “But – ”

    “You were staring at him like a little girl in a shop window.” Her cheeks were hot, and her heart beat in a way that hammered, weighted her. Superglued to where they sat, stitched into the furniture, she felt that life would run on, this way, facing Walls, answering to Walls. She looked around her, so as not to have to look at him, and Antonio turned around just in time.

    “Ah!” He said, and stood from his seat.

    Both men faced each other, chests puffed as they shook hands. Antonio kissed Margaret’s cheek, and the other woman and Margaret kissed politely. “Pearl,” she said. “Pearl,” Margaret said, forgetting, for a moment, her own name. Pearl and Margaret talked for a few minutes about their jobs.

    “I’m hoping to specialise in equine law,” Pearl finished.

    Margaret dropped into her chair to see puddings and cheeses all laid out in front of her.

    “This is really great” said Walls. “I’d have to say the food has really been first class, you wouldn’t have thought it.” Hunched forwards, he sawed into his tart. “Taste, here.”

    Margaret recoiled. Like a child she shut her lips to the advance of his laden fork.

    “What? Oh, are you annoyed or something? Because I teased you for looking at Antonio? Come on, weren’t you? Don’t tell me you weren’t staring at him doe-eyed – don’t tell me you’re not mesmerised. I don’t blame you – he’s a handsome guy. You know, who cares. I’m not annoyed with you. Are you? Are you annoyed with me or something?”

    “No.” Margaret smiled politely, and then did something strange. She asked the serving lady for the bill, and she paid it using her credit card. She zipped up her wallet, threw his jacket on his lap.

    “That was very generous,” he said.

    “I’m feeling generous.” An eerie pause. She started to laugh. “Because I’m so happy. Really, you have no idea how happy I am. Because I remembered something, just there. I’ll never, ever have to do this again. I’ll never have to see you again. You have nothing to do with me anymore. You are a hole – you don’t exist. Oh, this is a relief” She tore a handful of grapes off a branch and popped the grapes between her laughing jaws. “And you know maybe I was looking over there. Maybe I wasn’t. I can actually look at people, ha ha, I can look at whoever I want, whenever.”

    Margaret hacked out a wedge of yellow cheese and lined up three crackers. “And you know I will think about all these other people, other men maybe. I might even kiss them too, on the lips.”

    “Yeah!? he goaded.

    “Yeah! I will probably go to bed with them!” Margaret flashed her eyes at her defeated lover. “And then, well, who knows what might happen? Once I’m alone with them.” She leaned over a debris of cheese rinds and blue crumbs and broken biscuits. “I’ll take my clothes off, everything. One by one. Down to my underwear, and then I’ll sit on the bed, with no clothes on, and they will look at me. Oh! I am so young, and you are not. I am so young and free, and you are so irrelevant!”

    Should she go on. Tell him all the things that she could do, with these imaginary men, or just carry on insulting him, get all the bile out on the table. No, someone had to drive them home. Margaret was over the limit. And she knew enough not to eliminate the fear that he could try and kill her, or at the very least, threaten to do so, which is also blood-chilling. She drew in a series of deep, imperious breaths, then picked up the wine bottle and upturned it in her glass. She drank the rest and sat up.

    “I’ve to go.”

    “Go,” he repeated. “Just go, just like that.”

    “Yes, now.”

    “And you probably want to go home without me, do you.”

    “Oh god yes.”

    “I booked a room. But you don’t care.”

    “Nope.”

    “That isn’t very nice – I thought we.”

    “Nope. Cut it out now. I want to go. Now. And you should drive, because I’m too drunk. And I don’t feel like driving.”

    Margaret handed Walls the key to her car, or rather, her mother’s car.

    In the dark of the courtyard, he turned the key. The engine breathed, and omitted a lengthy energetic death rattle, then cut out. He tried again. It cut out again.

    “Look,” he said. “I know you think I was out of order –”

    “Start the car.”

    “I was just going to say.”

    “Start the car.”

    He stamped his foot and the sound of pumped gas wheezed, then thinned into the night air. Tree branches crouched behind them.

     

    Later, under her duvet, fully clothed and shivering with adrenaline, Margaret’s head raced. With outrage, disbelief. Revulsion. She felt excited by the hate in her, enriched with its potency. She was free and alive, shot of him – what had she been thinking; of course, he never would have killed her, not like that.

    New year came, like a homecoming, a beneficent place of safety. And as the years passed, she still triumphed in the afterglow, the feeling of survival. But he came with her, he lived in her. His voice was in her mind, talking and lecturing and murmuring and making her laugh. It was his face that hovered in her dreams, his eyes that spotted her in a crowd, or narrowed on her in quiet moments. ‘Get away from me!’ But he wouldn’t get away. She couldn’t get away. She couldn’t get him out.

  • My Social Media Shame

    I went in my first chatroom when I was 12. My name was ‘Phoebe’ – she was my favourite friend – and every day after school I rushed to the computer to chat to the other liars in the chatroom who were probably aged 38. It was like stepping into Narnia. One evening I dialled up the Internet, let off some steam (or trolled people) and left the chatroom. I set up a new identity – possibly ‘Rachel’ –  and told everyone that I had terrible news. Phoebe had jumped out the window.

    It was fun when the sympathies came in, with people so shocked and sorry for the loss of my friend (myself). Rachel left the chatroom, and we never returned, me or myselves. The chatroom was, like Narcos episodes or Easter eggs, too much of a good thing. My life since then has been one chatroom disappearance after another, though the chatrooms have the more benign shape of ‘social media’ and the disappearances are not so dramatic, just the absences you don’t notice when the algorithm wipes people out.

    I never cared for networking sites, and Bebo and MySpace seemed to be just culchie hang-outs. Then one day people started using this Orwellian surveillance technique called Facebook. Now, I thought Facebook was the laughing stock of everyone. The Irish, enemies of narcissism, seemed to particularly hate it. Imagine having an online diary all about yourself, putting pictures of yourself online for all the world to see. Imagine being seen to think thoughts about yourself. People jeered, with the glazed look of the captive just before they enter the cult. In around Summer 2007, my friend Francis told me that within twelve months, everyone we knew would have a Facebook page. He eyed me. Everyone. Everyone except me, I promised.

    Then you move abroad and Facebook sounds like a good way of keeping in touch with old friends. Also I had the selfie application on my Apple Mac that took gorgeous pictures of the beholder (myself). So I handed Facebook all my personal details and took some gorgeous pictures of me and my flatmate in our new London pad, and posted the hell out of them one restless night. Friend requests came pumping in – it was viral, a friend disease, a cholera outbreak of camaraderie and everyone I’d ever met was stricken. I sat in bed enthralled by kite surfing conventions and weddings in Capri, envy infiltrating my shivering soul so quietly I didn’t even know it was there.

    The next night my flatmate knocked on my door.

    ‘You put pictures of us online in our pajamas.’

    It was all about learning, but it was all still very compelling, and I kept stalking people, kept infecting new friends. The picture slideshows were like a beautiful sedative. Evenings, mornings, were thrown away gazing at edited lives and it really didn’t matter. Facebook had rooted out an obsessive strain in my character and I wanted to click and click until I could be absorbed into the screen, indistinct from the digitised friends whose own friends’ lives I was preying on, and then I would just fall asleep. The friends which, by the way, were incongruously arranged. What was Bianca from Spain doing with those idiots from primary school, and my mum’s friend and that new girl at work who seems nice but boring. The whole thing was a fiasco.

    I stayed on Facebook about three weeks before trying to disappear. (‘Are you sure?’ They asked when I begged them to unchain me. What makes you so sure? What is your real reason for wanting to leave us? Would you like us to keep your personal information? It doesn’t matter, we’re going to keep your personal information anyway, and have it ready for the moment you come crawling back to us.’) The exit was labyrinthine, I recall, and even after I’d got away one of their men was crouched there waiting to intercept me.

    Many humorous articles were written at the time, parodying Facebook and taking issue with what these Californian kids were asking us to do with our ‘friends’. The ‘poke’ was a great source of naughty excitement. Privacy was a real talking point. Anonymity was much pondered as a modern belief system. Trolling, bullying and abuse were not okay. And over the years, Facebook listened to its critics, had some glossy AGMs, cleaned up its act, and created a more softly controlled ‘tool-kit’ for its ‘community’. Even when it recently got caught publishing fake news written by Russian teenagers, Facebook was terribly remorseful. Top nerd Mark Zuckerberg has been compared to Lennie, the giant in Of Mice and Men, for his helplessness in the face of his own power. Doesn’t he hate himself? I don’t know. I am way above Facebook now (aside from borrowing my mum’s password if I need to prey on someone). I went on Twitter.

    In an old diary, on ‘June 11th, or 12th, or 13th, probably 13th’, there is written in an angered hand: ‘Miseries, miseries. Today I entered Twitter, or it entered me, penetrating my thoughts and [illegible] and perceptions and thrusting onto me all the familiar friends and famous people I could ever hope to meet in Lillies [Bordello]. Oh the grimness. Most of the evening spent uploading a thumbnail image – what kind of [illegible] crackpot keeps thumbnail images of themselves on computers. Kafkaesque. Like introducing yourself at a dinner party you know you will never get out the door of.’

    That was 2012, when there were still names for people who used Twitter, like ‘Twitterati’. Now Twitterati are just people. All of us. There is no special tribe. My first season on Twitter wasn’t a success. I didn’t know how to tweet, or even what a tweet was. Then one day, early in my unprolific and ongoing career in journalism, I wrote an article that struck a goldmine. It must have been about beautiful women or something. Everybody retweeted the hell out of it that fine, salubrious day. I watched my numbers build. Watched that tweet balloon. I was getting fans, influencers on my side. Like the gambler, flush from her first winning horse, I bet higher – wrote more daring tweets, with opinions. And nobody retweeted those. I disappeared, let my Twitter profile die of natural causes and returned to friendlessness.

    My late and unlamented LinkedIn presence must have emerged around then, too. I’d been having requests from all my mates – Vincent Browne, David McWilliams, Rosanna Davison, everyone really – to connect with me on LinkedIn. (It took time before I realized that the LinkedIn nerds and losers had a kind of hari-kari click, whereby with one slip of the hand you’d asked everyone you’d ever written an email, including that guy from the hostel in Buenos Aires, to be your peer in business.) So I thought I should make the career move. I spent an afternoon setting up a LinkedIn profile, publishing my work CV, which would surely be fascinating reading for people, and, thus whored to the Western elite, waited for something to happen. I wasn’t head-hunted instantly. The odd message came in, from an old real-life friend, who laughed with me about meeting like this. I never once used LinkedIn. I tried to disappear from it, tried hard to remember old passwords that would let me disappear forever, but LinkedIn is still loafing around the unwanted ‘Social’ section of my Gmail account, sending daily spams, together with its creepy sister Pinterest. Apparently I’m still ‘on’ LinkedIn. I haven’t used it in six years. Bit of a long-shot, eh, LinkedIn losers? Though it regularly tells me that so and so has been admiring my profile and I do get a little bit excited.

    Around 2013 I went back on Twitter for a second shot, keen to make it now. The years I spent in shared office spaces, where there were signs in the bathrooms asking office mates to kindly not steal toilet paper, I remember without fondness. Each morning, I would get a coffee and a double chocolate chip muffin and sit at my lair with a bleary kind of ambition. I was going to have a great day. I knew people who forced themselves to write 2000 words before they could open their Twitter machines, but not me, I was way above Twitter. I would go directly, nonchalantly, on Twitter, first thing in the morning, just to show how little it meant to me.

    And so I scrolled through the Neoliberally sorted parcels of news. And scrolled, and clicked, and engorged myself with other people’s success, until envy’s poison seeped into my veins again. I felt awed, embittered, and then, something I couldn’t put a finger on, something uncomfortable. Something that made me want to throw a few hardbacks out the window, or worse. Anger. I felt a great, blood-letting anger. And by the time the double chocolate chip muffin and the coffee had worn off and my little Twitter profile was still little, I felt as good as dead.

    Depression usually enters a person through an unconventional route. Not directly through consciousness, more through the back of the heart, and in around the stomach, through the legs, gently paralyzing them. I watched an old friend become ultra-famous on Twitter, and I think in real life – there’s no difference now. I conversed with him publicly on Twitter thinking – I’m not doing this for show, not to gain followers, not me. I watched as media storms blew up, over terrorist attacks or sexism or people captured and tortured by terrorist groups themselves formed by Twitter and Facebook; threw in some hashtags and lent support to causes that made me look pretty good, as a bonus. I watched as my ultra-famous friend wiped out thousands of followers one night. Just deleted us. Apparently it’s something you do when you get ‘there’, so that more people are following you than you are them, and I was lost in his genocide.

    It came to me one day. The backslapping lie of the whole thing. People only say nice things about other people with their names in the tweet, in order to get a mega retweet out of it and an orgiastic public massage. (@famousfriend. I can’t thank @famousjournalist enough for her amazing article about me in which I talk about @influentialfamousfriend. I love you all so much. #mybook. Blah.) It looks nice to be nice. Who doesn’t like niceness, when there are all those terrible trolls to contend with! And it also wins you retweets, when the person retweets the nice thing said about them. Niceness makes you a really big deal. So I said nice things about other people with their names linked into the tweet, in order to get a mega retweet out of it and an orgiastic public massage.

    How then do you even write an incredibly successful tweet? This was the next great challenge of my career. There were just 140 characters to hang your reputation on, those days. I’m sure they teach that at journalism college now but I had to learn it alone.

    When there was an article to plug, a ware to sell, that was easy. You just sent the link out to do your dirty work. But when I just wanted to tweet about something on an ordinary day – when I just wanted to be a natural, loveable wit. That could take hours. No matter how ingenious the idea, how hysterically funny the sentiment, how neat the observation, how succinct my little aphorism really sounded, it always ran over those 140 characters into the dead zone of untweetable words. (‘Your Tweet is too long. You have to be smarter,’ Twitter told me once. I think they’ve changed that auto setting – like Facebook, they’ve grown up, become nice young men.) Sometimes, seeing my tweet sit there unliked, or seeing one or two charity likes under it, I simply had to delete the wretched thing –  had to proverbially ball up the opus that hadn’t gone beyond the first draft. There were all too many of those. The ignominy of my tweets! My career was not blossoming, my articles not grandly shared – and by the way, every year I got hit by the mother and father of a tax bill. Journalism, on Twitter, was a stupid existence.

    I quit the Twitter machine in December 2016. That’s when I went heavy on WhatsApp.

    WhatsApp led me back to something like the good old days in the chatrooms. It was just hanging out, with your closest friends instead of bots and strangers. And, you could post cute pictures for free. You could barrage close friends with cute pictures. Nobody would not find these pictures cute. Nobody would desert their friends. (‘X left’ in small font was your shame to live with if you tried.) You could keep in touch with your friends abroad, for free. You could make a plan for a night out together, and then change the plan, for a night out that never happened, then comment convivially on the night that never happened, then set up another group for a night that will never happen, as the group ‘Nite on the Tiles!’ sinks lower and lower into the graveyard of groups – down with ‘Table Quiz Larks’ and ‘Summer Swims’ and ‘Trip to Tayto Park?’

    I liked WhatsApp. Liked how the popularity contest wasn’t numerically driven, how we were all equals. Liked the dopamine punch-up when you threw something really successful, and nobody didn’t comment. Liked the crying-laughing emoji, the dancing girl emoji, pressing my finger on the crying-laughing emoji so you got a whole paragraph of them, just to show how heartbreakingly LOL all this was. I liked to see that such and such was ‘typing’ – I was glued to that. With one friend, we were both ‘typing’ so much, so cleverly, I felt sure our dialogues would be optioned for a major motion picture. I loved to share pictures. Any pictures, of any of the fabulous things I was doing in this efflorescence of my digital life – Campari cocktails at home, the beaches of Santorini, my little newborn’s first bath. WhatsApp was so safe. There were protocols, but of course. Some memes were not acceptable in the wider WhatsApp community, and silence was the loudest comment of all. But WhatsApp was a wonderful place to spend the evenings. I had events to look forward to: birthdays of people I didn’t like; Christmas parties planned years in advance; expensive lunches. I felt what I had been missing all that time on Twitter. I felt massaged. WhatsApp brought me and my friends so much closer together.

    And every waking minute was dedicated to catching up with the latest hilarious chat. There was a feel of unreality to the ever warm, congratulatory tones of WhatsApp. There were no trolls here, just the opposite of trolls – friends. Who, despite all the groups that kept multiplying, I didn’t actually ever see. I wanted something real. I wanted at least a good trolling. It was sitting by the fire one night with my family, shooting off sneaky WhatsApp replies between Snakes and Ladders moves, that I saw how antisocial social media is. Facebook, Twitter, WhatsApp, barbaric dating sites – they’re all free but we’re prisoners. Like the fawns of Narnia, they gave us the sweets, then had us frozen in pretendy-world.

    One day on the bus I was about to catch up with the latest hilarious WhatsApp chat but instead I pressed delete on the WhatsApp icon. Now everyone is gone.

    I still check my emails 248 times a day, so that’s social. And the Internet keeps my pancake brain nice and flat, so I want for nothing in terms of intellectual decline and death. As for personal validation, I can always be Peeping Tom via my mum’s Facebook password. So when this article goes out, it better be liked.

    Maggie Armstrong is the fiction editor of Cassandra Voices. Her short story ‘My Space‘ appeared in the last edition. 

    Feature Image: Daniele Idini

  • Hard at It – A Short Story

    And so the time came to rent an office space. We must all find our space. I wanted to read and create and explore, and where was everyone? Where were all the artists? Apparently they had ‘spaces’. One Friday evening I woke up in the National Library, my cheek pressed to the desk and a man’s face a few inches from mine. It was a big, sympathetic face.

    “Are you alright?” he asked softly.

    “I’m fine.”

    The library clerk was picking up books, the room was almost deserted.

    “You look awfully pale”, he said, and started gathering my books and papers for me. “Would you like to come and have a drink of something?”

    I wanted a drink of something alright but not with him. The man was a regular in the National Library, and on Fridays these many regulars edged up to you and asked if you’d like to join them for a drink over in Buswells that evening, or in Kehoes or the Duke. Where were all the young historians, the promising intellectuals pursuing PhDs? Absent from here.

    At this time I was reading many books on theatre, hatching my various theatre projects. I was going to the theatre too sometimes. I was definitely up to something, going somewhere, that was for sure. So I followed the inevitable drift into Stoneybatter. Everyone was in Stoneybatter, where rent was cheap. The artists, the few writers. They were all there. You passed them smoking rollies in the doorway of Walsh’s, or cycling down the easy hill that brought you into town, or they made you coffee in the friendly Italian place. In the mornings I would cycle in over the James Joyce Bridge with a mind full of ideas. I had big ideas for the stage then, ideas that collected in my head and conversed with each other; so many bubbling characters in my pot, for plays never to be staged. Never to be staged.

    The office space was on that narrow, twisting street, paved with rubbish and closing in with redbrick houses. You might know it as a historic street, a street not bothered by the present day. It wasn’t unusual to see a piebald horse clapping down it with a boy riding bareback, and the hardware shop and the fishmonger’s and the chipper had handwritten signs in the windows. Whenever I left the office the prostitutes were waiting on the street. They sometimes stood in the rain, and the raindrops splashed down their faces and soaked through their little outfits.

    The office had been set up by some business-like artists. I didn’t rent an office space because I wanted somewhere to work, but because I wanted a something like a husband, or just someone to have a kid with. Or just someone to bring me to the theatre.

    He was waiting the day I went to see the place. The artist with the keys took me upstairs, past a heap of broken lamps and old rucksacks and art nobody wanted. She opened the door, and his head swung out from behind a silver Mac screen. Thick tanned arms were spread around the desk. Kind brown eyes smiled and twinkled under a helmet of rich dark curls. He looked around the room shiftily, in the way of a person suddenly forced to assess their surroundings, because they’ve been intruded upon. He was eating chocolate biscuit cake from tinfoil. I was this intruder and this was my home. He was my collaborator and this was our home now. I told the artist I’d take the ‘space’.

    The rent wasn’t that cheap for a kip. The furniture was salvaged though it shouldn’t have been, and the bursts on the dog-brown arm-chairs were duct-taped. There were no floors, just bare concrete marbled with the remnants of older floors, the effect being that of a terrible skin condition, or gangrene. Lying here or there was your standard frayed Persian rug. The kitchen was a back-slum falling down with herbal teas and jars of delicacies, delicacies grown dusty with abandonment. These jars of dusty delicacies suggested there had been something like happier times in the building, but that those times had long passed, remembered only, maybe, on old Facebook pages. Everyone had moved on. Where were all the artists, who you saw outside Walsh’s and going somewhere on their bikes and serving you coffee all the other days? They didn’t have ‘spaces’ here. They were all in bed maybe. No one except the odd business-like artist with keys came into the building. But that did mean it was just me, and him.

    He was an artist. He came from Coolock, and he worked on apps. It was hard to say what he did but he was there behind his computer every morning when I got in, hard at whatever it was. With that same wistful sparkle in his eyes when he looked at me. On the first day I placed my bike carefully next to his. On the second day I thought, Hell, and let my bike relax into his, so the pedal caught in his spokes. It was winter all year round in that place, and every morning we lit a wood burner. We took it in turns to make coffee in the repulsive little kitchen. The coal ran out, and he got his hands on an old heater and kicked it until it worked. There was a balcony where we sat sometimes when it was summer, looking onto the neighbouring yards. Sometimes the woman from the friendly Italian cafe barbecued sausages underneath us, and the smells of someone’s comforting meal reached us. We felt, I think, very happy.

    He was handy around the place, as you might imagine. He installed apps on my phone. He gave me a cracked copy of Adobe Reader. He removed a virus from my computer. Pop-up screens had started appearing; dragons with spiked tails and little men bearing spears with ads for online poker, and then a real women with gold thighs straddling a heart-shaped chair. He ran a load of programmes and wiped them all from my machine.

    There was a lot of sexual tension in that space, I was almost certain of it. The dank and wet afternoons heaved with possibilities, when we could do anything together – go for a swim in the sea, to Walsh’s for pints, go to see a play, any time of day. We could cycle to a stream I knew near the woods in the Phoenix Park, and fall down on a carpet of leaves and get this thing over with for once and for all. Or I could march up to his desk, take him by the collar and yank him up – then a terrific scene would unfold, a blaze of passion, an unplanned pregnancy, a life of hardship, community spaces, theatre.

    We talked about our lives before Stoneybatter. London, Paris, Helsinki, West Cork. But Dublin was exciting, we’d say, and look up at the skylight that brought a single shaft of natural light into the rotting little room. There was loads going on in music, loads of art exhibitions, we’d say. The theatre scene was exploding.

    Though when I mentioned theatre, the space went quiet. He was from Coolock. He played Gaelic football. He liked Quentin Tarantino films. He was a bit of rough, but he was also a bit cultivated. If he talked about his degree he would say, “I done my degree”, but he’d also say “prior to”, instead of “before”, moving to Helsinki. He had a pride you didn’t want to mess with. I knew he would feel awkward if he knew that I knew more than him about something. I didn’t want him to know how much more I knew. I had no wish to emasculate him. The thing to do was to just get him out and knock back pints with him, to be swallowed whole by some night of pints and noise and theatre and more pints, with him.

    I trembled when it came to asking him for a pint. Some days, I was certain he was going to ask me, first. The room would howl with our silence and I’d catch him glancing over at me, then quickly back at his screen, and my chest would boil up unbearably until he stretched out his arms and said, “Aren’t there just so many passwords to remember? I have so many fuckin’ passwords”.

    Then he’d get back to his screen. He was shy. And I was buying time, a lifetime – I let too many nights go by. I let months go by, tapping away at my fucking theatre projects. Finally one evening the minutes droned on and on and when it came to asking him, my breath got trapped. I was stiff, I was being seized and throttled. I stood at the door, my chest an ice pack breaking open.

    I said: “I’m going for a pint in Walsh’s.”

    He raised a drooping head. There was dejection, misery and boredom in his eyes, distaste in his hanging jaw.

    “If you’re free?” I went on.

    “I’m not actually – eh, just, really busy.” He went back underneath his screen.

    This drove me wild.

    I really wanted to drink a pint with him. I really wanted to order a pint with him, down it fast, and drown in a load of pints together; head to the theatre and hang there with our heads spinning at the bar and everyone around us watching and then sink down together under a universe of pints. I could taste the particular pint one evening. It was cold and bittersweet and so refreshing, I had a glorious thirst for it. I was standing at the door, dangling my bike keys. But I was stiff and hot and being throttled again.

    “Want to just scratch all of this?” I asked.

    “What exactly do you propose,” he asked.

    “A pint,” I said.

    “I dunno,” he said. “I’m strung out with…”

    “I’ve tickets to a play,” I broke in – I couldn’t stop now. “Would you like to go a play?”

    “Fuck it, yeah, why not,” he said.

    He was getting up. Out of his seat. I needed to act on the panic before I could feel it, before it overcame us. I told him we had to rush – It started at 7.30. You could never be late to the theatre. Did he know that? They didn’t let you in. I wasn’t sure he knew that. He got the bikes ready and as I waited on the phone to Box Office – I didn’t really have tickets to a play, had to sort them then – he was downstairs, extracting the bikes from each other. We cycled through the city, me behind him – the heat was so unbearable I didn’t notice what was wrong until I pulled off my winter layers in the foyer. Tickets awaited us; the place was busy with half-familiar faces. It’s here, I thought. This is my home, and it’ll be our home.

    The play was set in a pub in the west of Ireland. It was your standard Irish play. When the curtain rose he sat back and exhaled. I too was relieved it was set in a pub. A barmaid was leaning on the bar, gazing stoically before her. She wore a yellow pinafore, and had a face from another time. Country lads arrived in one by one from the fields or the mines or what had you – all from another time. The script was witty, the boy and I laughed at every opportunity. “Your man’s gas?” I whispered to him. His laugh was a muffled guffaw, a TV laugh, not a theatre laugh. The space between our arms was warm. I was pretty light-headed now, pretty thirsty. I decided I would let him buy the pints at the interval.

    The first half dragged on and on. He checked his phone at least twice. I wished he had just switched it off.

    There were fisticuffs and the barmaid went hysterical. There was fratricide. There was howling. It was a bloodbath, in the country pub. After the bloodbath, the barmaid resumed her poise at the bar and gazed stoically out. It had all happened in another time. He shifted around and clawed at his jeans.

    The lights went down and everyone rose to their feet. We glanced at each other, then did the same. There were a lot of curtain calls, much bowing and beaming laughter from the people on stage. There was no interval.

    It was cold outside, and almost dark. We strolled towards our bikes in a strange hell. At the corner of O’Connell and Parnell Street I asked him what he thought of the play. “Your man,” I said. “Blew my mind.” He agreed, haltingly, as he reached for, I assumed, his money with which to buy me a pint. We were outside Foley’s bar now, where smoking men eyed us with possessive smirks. Beer taps flashed around my mind, I wondered what he drank; I pictured the pubs of Coolock, the slabs of lager bought for the boys after the GAA finals, by uncles and loyal supporters. He would drink Carlsberg, and so would I.

    He produced his bike keys then and nodded at Parnell Street. He was heading up that way, he said. I fished around for something to say. Oh yes.

    “The one thing that confused me though was the ending. In the play the girl emigrates. They must have changed – .”

    He stopped me.

    “I don’t know the play,” he said.

    He did not know the play: that much was clear. He said cheers for the ticket though. I watched him mount the bike, and rock forward on the handlebars. He cycled away and I went off fairly sharply myself. We never again mentioned the whole theatre thing. Even when we were lying in bed, we talked about Quentin Tarantino films.

    Maggie Armstrong is a writer based in Dublin.

    Featured Image: Daniele Idini