Category: History

  • Could Torture Ever be ‘Right’?

    The recent appointment of Gina Haspel as CIA Director is a sign of a growing official approval for the use of torture, despite its illegality under international and US domestic law. It is widely known that she previously helped cover up US government torture.

    FRONTLINE reported recently that ‘Haspel ran one of the first black sites – secret CIA prisons where the agency held perceived high-level terrorism suspects. She also participated in the controversial decision to destroy evidence of interrogation sessions in which detainees were subjected to waterboarding.’

    President Trump repeatedly praised torture techniques, too, announcing during his campaign that, ‘Torture works. Ok, folks? You know, I have these guys – ‘torture doesn’t work!’ – believe me, it works.’

    This idea that ‘torture works’ is often taken as moral justification for its use. Furthermore, while explicit moral argument in favour of torture is unusual, it is implicit in the characterisation of ‘terrorists’ as ‘baddies’. Even if an act of torture is regarded as unsavoury, it may still be deemed worthwhile if lives can be saved by using it. These arguments, however, are deeply flawed, as I will explain.

    In the absence of an internationally-agreed definition of terrorism I use this one adopted by the UN Security Council in 2004:

    … Criminal acts, including against civilians, committed with the intent to cause death or serious bodily harm, or taking of hostages, with the purpose to provoke a state of terror in the general public or in a group of persons or particular persons, intimidate a population or compel a government or an international organization to do or to abstain from doing any act, which constitute offences within the scope of and as defined in the international conventions and protocols relating to terrorism.
    (UN Security Council Res. 1566, 2004, para. 3)

    “Terrorists”, therefore, are defined as individuals who commit criminal offences, such as those detailed above, for the purpose of creating “a state of terror in the general republic”.

    Terrorism is also a crime under specific domestic codes, including the UK’s Terrorism Act 2000. Specific offences include: ‘Membership of proscribed organizations, fund-raising for terrorism, directing a terrorist organization, and incitement of terrorism overseas.’ A person can be described as a terrorist, and prosecuted for criminal acts under domestic and international law as terrorist, for a wide range of deeds, ranging from simply being a member of a terrorist organization, to hijacking a plane.

    Let us assume for the purpose of this piece that any terrorists who is about to be tortured has already been found guilty of one of the criminal offences detailed above, rather than being merely suspected. So I will be talking about people who are guilty of offences that contribute to terrorism.

    My focus is on the state as a moral actor, rather than individuals working for the state; though there are interesting dilemmas in terms of individual responsibility.

    In 1984 the UN defined torture as:

    Any act by which severe pain or suffering, whether physical or mental, is intentionally inflicted on a person for such purposes as obtaining from him or a third person information or a confession, punishing him for an act he or a third person has committed or is suspected of having committed, or intimidating or coercing him or a third person, for any reason based on discrimination of any kind, when such pain or suffering is inflicted by or at the instigation of or with the consent or acquiescence of a public official or other person acting in an official capacity.(United Nations Torture Convention of 1984)

    This definition does not include, however, ‘pain or suffering arising only from, inherent in or incidental to lawful sanctions’ as The Telegraph put it in 2005, such as the death penalty.

    We may assume that Fyodor Dostoyevsky‘s description of the plight of a person sentenced to death by the state in The Idiot is biographical, considering his own experience of narrowly avoiding a Czarist firing squad, allegedly for taking part in anti-governmental activities. By comparison with the fate of a person assailed and killed by brigands he says: ‘the whole terrible agony lies in the fact that you will most certainly not escape, and there is no greater agony than that’. He asks: ‘Who says that human nature is capable of bearing this without madness?’

    This effect of lawful actions is important when it comes to deciding what form of torture, if any, could be permissible, as it implies that exceptions can be made, and in general there is ambiguity around what is generally understood as torture, and that which is actually illegal.

    As exposed by the water-boarding controversy, there are certain actions that are widely believed to constitute torture, but which can be defended as legal on technical grounds. In other words, if some actions generally considered torturous, are permitted, then there is the possibility that some actions are ‘torture’, without being illegal (domestically and internationally).

    That leaves the potential for certain torture techniques to be, not only legal, but seen as ‘right’ as in accordance with the law. It is precisely this loop-hole and the ambiguity in understanding of what is legal, and what is ‘right’, which opens the doors to the possibility of legally-sanctioned ‘torture warrants’.

    Which, if any, torture, could be considered ‘right’, then? Is something always ‘right’ because it is ‘legal’? Is it ever ‘right’ to legalise actions, such as those in self-defence, that are otherwise wrong? Could torture be one of those exceptions?

    Without delving too deeply into moral philosophy, we can take two approaches. The first, that of moral realism, identifies an action as inherently and objectively wrong. The second approach is utilitarian: which advocates the course that benefits the most people, maximizing general happiness and minimizing total pain.

    Utilitarianism is a form of Consequentialism, which broadly states that an action’s ‘rightness’ depends on the consequences of that action. We need not focus the discussion too much on ‘increasing utility’ and happiness; instead, I think it makes sense to consider the subject of torture pragmatically, as well as consider the wider consequences of using torture. Consequentialism is the stance often used to justify the use of torture, so let us consider whether the end ever justifies the means.

    It is difficult to find a justification of torture adopting moral realism, although there are manifestations of moral realism – Christian just law theory for example – which leave room for retaliation, and might be used to defend torture that is punitive. Our main discussion of torture, however, concerns that which is used to interrogate terrorists to extract information, because it is that use which tends to be defended.

    When might the ends justify the means to torture terrorists? Three significant arguments are adduced: (a) The Ticking Time Bomb Argument; (b) Secret Torture; and (c) the Machiavellian Approach. I will argue that none of these approaches are persuasive from a practical, Consequentialist perspective, and explain why torture is ineffective, morally wrong, and should never be legalised. I will finish by arguing that the institutionalisation of ‘legal torture’ is a problem in itself, and reiterate the danger inherent in legalising actions that are widely regarded as torture, even if a state’s lawyers can find ways to avoid official acknowledgement.

    I will argue that a zero tolerance approach to torture is the only way to avoid not only grave human rights abuses, but also the undermining of the Rule of Law. ‘Borderline’ or ‘legal’ torture methods, such as water-boarding, as well as the ‘torture warrants’ proposed by Alan Dershowitz are never the ‘right’ option either, precisely because any legalisation risks terrible consequences that far outweigh any positive outcomes.

    (a) The Ticking Time Bomb

    Many torture-sympathisers are fond of the ‘Ticking Time Bomb’ argument, which is a Philosophical thought experiment designed to test the limits of a moral proposition. It defies the ethical intuition that it is morally wrong to ever torture somebody, by constructing a situation in which there appears to be moral justification for using it. It is said that if someone doesn’t torture Terrorist X a certain number of civilians will die, that Terrorist X is guilty, and definitely knows where the bomb is, and that this is the only avenue of investigation open to the police.

    I would argue, first of all, that if this is really the only line of enquiry then the authorities have already failed, because even if they do torture Terrorist X, they are unlikely to stop the bomb from going off. Terrorists are often trained to resist torture, and those with an Islamic Fundamentalist background may actually seek martyrdom. Neither death, however slow and painful, nor the threat of it, or just the pain, is likely to persuade them to divulge any useful information.

    If the bomb is ‘about to go off’ then Terrorist X will know that, and will therefore be aware that he will not have to endure the interrogation for very long (should he be a terrorist averse to pain, rather than one trying to embrace it, if anyone truly does that). Another practical point in response to this scenario is that under such pressure Terrorist X may simply lie about the bomb’s whereabouts, to stop the torture, which would be detrimental to any counter-terrorist operation, as such information would be a waste of time.

    There are other serious difficulties with the scenario. It is not meant to be ‘practical’, precisely because it is a thought experiment. It is what Bob Brecher calls ‘a fantasy’, in the sense that rarely, if ever, could such a scenario occur in real life. Basing legislation and even moral theory on a fantasy, is simply irresponsible. It is one thing for moral philosophers to test their intuitions; quite another for policy-makers and lawyers to base legislation on it.

    Thus torture is unlikely to help stop the bomb, so the consequences of using torture here are ineffective, of no benefit to society, the counter-terror operation (whose time may be wasted), or, obviously, Terrorist X. Moreover, even in the extremely unlikely scenario that Terrorist X speaks, and the bomb doesn’t go off, the wider repercussions of using torture are so dire that even then, it is not right to use it.

    Firstly, it undermines the authority and integrity of international law. If a state finds a loophole in it that permits torture, then principles of individual human rights are clearly breached. Further, should a state use torture without legal sanction, and gets away with it, then international law loses its authority, in that its laws are broken without any consequences, rendering the international legal system weak and ineffectual, in actuality and in reputation.

    Abu Ghraib, a stain on the reputation of the United States.

    A state’s reputation is also ruined if it permits torture, especially where it is known and admired for being a liberal democracy. It will be seen as hypocritical, and as acting in a way that undermines its own values. The use of torture by the United States at Guantanamo Bay and Abu Ghraib prison, for example, has lowered many people’s estimation of the United States, which is now widely regarded as hypocritical and aggressive, rather than an inspiration to democrats and republicans worldwide.

    Reputational damage is problematic, furthermore, as it sets a bad example for other states, who may then use torture using the argument that, ‘If [America] can use torture, then why not us?’ Within a state, also, the legislation of even some ‘borderline’ kinds of torture may lead to a wider tolerance and use of worse torture, and might lead to it being used not just against terrorist, but other criminals and alleged criminals.

    In addition to these harmful consequences of even the limited use of torture, it may also prove to be not only ineffective for counter-terrorism (and even if it does ‘work’, the evidence collected under duress would be inadmissible in court), but also counter-productive. Torturing terrorists is likely to lead to retaliation and further terrorism, rather than diminish it.

    (b) Secret Torture

    One response to the negative consequences of the use of torture on terrorists outlined above, is that if it is hidden from public view, most of these repercussions could be mitigated. It is true that if it is kept under wraps, then the state in question could avoid undermining international law, superficially at least.

    If international law does not allow, or is not used to justify torture, then at least its integrity is kept intact, and in public its authority too. In keeping torture absolutely secret, furthermore, it avoids acquiring a bad reputation, which may also prevent the slippery slope of other states drawing legitimacy from the torturous state. Torture may also, if kept secret, not lead to retaliation.

    So if torture has few negative consequences, as outlined above, through being covered up, then perhaps it could be ‘right’ on some level? The first problem with this solution, however, is that keeping torture secret is almost impossible. Many states in recent history – the US and UK to name a couple – have failed in their efforts to do so, leading to all the negative consequences outlined already. Moreover, even if the secret is kept, it would be the height of hypocrisy for a liberal democracy to behave in this way, and completely undermines the Rule of Law.

    Another problem with this ‘solution’ is that even if kept secret, torture not only has damaging effects on the victim, but also on the torturer. Torture corrupts the perpetrator, and anyone who allows it. To allow, even to obligate, a person to torture another for the sake of his state, is destructive. It means that that person will possibly suffer horrendous guilt, Post-Traumatic Stress Disorder in some cases, having accepted a level of personal responsibility.

    When torture is carried out in secret, there will always be people who know that it has happened, who have been involved at an individual level, and are aware that a state has permitted actions entirely contrary to its supposed values. It is highly unlikely, anyway, that something as grave as torture would remain a secret forever, even if the state in question ‘gets away with it’ in the immediate sense of not being punished for violating international law.

    (c) Machiavellian Approach

    A cynical approach to the problem of torture and the modern state, is simply to dispense with the liberal democratic ideals that prevent (at least in theory) certain states from using it. Indeed torture could be the ‘right’ option for a state unconcerned by its reputation, either domestically or internationally. Its government may not mind undermining international legal structures, and have no problem with setting a bad example to other states, provoking retaliation, and losing a virtuous reputation.

    If a state is utterly Machiavellian, and wishes to instill fear in its enemies then the use of torture could seem attractive, and ‘right’ in the distorted sense that torture might lead to the acquisition of power and wealth.

    Niccolò di Bernardo dei Machiavelli 1469-1527.

    Even if a state adopts this attitude, however, it is nevertheless in breach of international law, which has consequences, whether that state respects it or not. Although international legal structures are often criticised for being slow and ineffectual, they are still a force to be reckoned with. Twinned with the reputational damage, (whether the state in question cares about its reputation or not), it is unlikely that a ruthlessly Machiavellian, torture-happy state would escape sanctions from other countries and international legal structures.

    Even the most secretive, Macchiavellian state would likely run into trouble at some point. If the entire world became cynical and Machiavellian, then perhaps one such state could avoid punishment – as Nazi Germany sought for instance – but in such a situation internal opposition would surely emerge eventually, and certainly result in retaliation in some shape. Endemic violence, whether within state borders or otherwise, is never a favourable outcome, and certainly never ‘right’.

    Torturing a terrorist is never the ‘right’ thing to do, even in a hypothetical scenario of someone knowing where a ticking time bomb is located; even if it is kept under wraps, even if a state’s lawyers find a loophole in international law, and even if a state is utterly Machiavellian in its disregard for human rights, international law, and reputational damage.

    It is never right, even on a practical level, because the negative consequences outweigh whatever benefits there may seem to be. It risks retaliation, international opprobrium and possibly intervention (through the application of international law or otherwise); it damages state employees as well as those tortured; and imperils the integrity of its founding ideals (assuming the state is not Macchiavellian): these risks are simply not worth any short-term benefits one could possibly gain through torture.

    For a liberal democracy to permit the torture of terrorists, in the hope of gaining more power over them, ultimately reduces that state to the level of the terrorist, if not becoming a ‘terrorist’ in the conventional sense, then ‘terrorist’ in it wider meaning. There is too much of a family resemblance between he who terrorizes and he who tortures to take seriously the idea that someone who tortures a terrorist is really any better than him, really any more ‘right’. Torture lowers the perpetrator to the level of the terrrorist, embracing her own moral demise.

    Christiana Spens is a writer and academic, currently based in Scotland. Having read Philosophy at Cambridge, she then completed a Masters and PhD in Terrorism and Political Violence at the University of St. Andrews. She has written several books, most recently Shooting Hipsters: Rethinking Dissent in the Age of PR (Repeater Books, 2016) and The Portrayal and Punishment of Terrorists in Western Media  (forthcoming from Palgrave Macmillan, 2019). She writes regularly for Prospect, Studio Internationaland White Noise, on art, politics and literature. 

  • Post-Modern Decrepitude

    If you are complaining about Climate Change, Brexit, Donald Trump, and all the cozening of late capitalism, I will not take you seriously if you have accepted, without very much thought, that there is only ever an arbitrary relationship between a signifier and what it signifies.

    I will say to you that you are closer than you realize to being an embodiment of the world’s problems, and I will ask: have you considered how our future shall have been changed if the divine is awakened in man through poetry?

    A widespread feeling of intellectual decrepitude among my generation is bound up with acceptance of the pseudo-philosophies that spread from France in the late 1960s. A dumbed-down account emerged in Terry Eagleton’s best-selling Literary Theory: An Introduction, now in its second edition.

    Each January I lecture on critical theory at Sarum College in Salisbury, and have grown increasingly frustrated outlining Jacques Derrida’s assumption of Ferdinand da Saussure’s argument that meaning in language is a simple matter of difference. In that lecture I explain – mostly to retired vicars or shamans, or both – that a sign is made up of a ‘signifier’ (like a written word) and a ‘signified’ (its meaning).

    Then I quote from Eagleton: ‘The relation between signifier and signified is an arbitrary one’: there is no reason why the three marks c – a – t should signify cat. He continues: ‘Each sign in the system has meaning only by virtue of its difference from the others … meaning is not mysteriously immanent in a sign but is functional, the result of its difference from other signs.’

    Such a theory may be correct from a strict scientific or linguistic perspective, but from a poetic perspective it is a negation. For W.B. Yeats, as for any other great poet, meaning is immanent in a sign. To disagree places functional rationality above a divinely creative imagination: perpetuating the potentially lethal metaphysical imbalance at the heart of our society.

    In fact, Derrida can be a relatively exciting author, but I get the impression he is rarely read in the original, outside of France, and a simplified account of his work has become a dangerous dogma. It is now a political tool used in the academy to excuse people from teaching or studying the literary cannon: why would you bother with Shakespeare or Milton any longer? This is a New Age delinquency in desperate need of Reformation.

    Eagleton further claims: ‘Poetry is a sort of trick, whereby an awareness of the textures of signs puts us in mind of the textures of actual things. But the relation between the two remains quite as arbitrary as in any other use of language; it is just that some poetry tries to ‘iconicise’ that relation, to make it appear somehow inevitable.’

    I will counter Eagleton by quoting a more circumspect Romantic perspective than my own: that of the American poet Wallace Stevens who described the real as being constantly ‘engulfed in the unreal’. Poetry, he stated, ‘is an illumination of a surface, the movement of a self in the rock.’ Elaborating this belief, he knew:

    A force capable of bringing about fluctuations in reality in words free from mysticism is a force independent of one’s desire to elevate it. It needs no elevation. It has only to be presented as best one is able to present it.

    Great poetry makes you apprehend, more than cool reason ever comprehends, that there is a sacred bond between word and thing or word and idea, expressed in the very making of poetry, work which is, as Stevens imagined, ‘on the threshold of heaven’. A great poet should be capable of teaching a linguist to have faith in a ‘story’ that his discipline cannot fathom, so that it ‘grows’ in Shakespeare’s wise Hippolyta’s words ‘to something of great constancy; | But, howsoever, strange and admirable.’

    George Santayana had asked: ‘How, then, should there be any great heroes, saints, artists, philosophers, or legislators in an age when nobody trusts himself, or feels any confidence in reason, in an age when the word dogmatic is a term of reproach?’ Stevens knew: ‘It is poverty’s speech that seeks us out the most. | It is older than the oldest speech of Rome.’ Meditating on Santayana dying in Rome, the poet apprehended the philosopher almost literally at the end of his poem: ‘He stops upon this threshold, | As if the design of all his words takes form | And frame from thinking and is realized.’

    These works I have listed could be a kind of mirror. If you believe that the relationship between signifier and signified is an arbitrary one, you will see that you have a quasi-hipster beard and haircut, and that you are engaged to be married to an intellectual hippopotamus. The shepherd-king’s curse might stick:

    For the mouth of the wicked and the mouth of the deceitful are opened against me: they have spoken against me with a lying tongue. They compassed me about also with words of hatred; and fought against me without a cause. For my love they are my adversaries: but I give myself unto prayer. And they have rewarded me evil for good, and hatred for my love. Set thou a wicked man over him: and let Satan stand at his right hand.

    As René Guenon has warned: ‘The word ‘satanic’ can indeed be properly applied to all negation and reversal of order, such as is so incontestably in evidence in everything we now see around us: is the modern world really anything whatever but a direct denial of traditional truth?’ I am convinced that post-modern literary theory has Satan as its right hand man.

    Edward Clarke’s last book was the Vagabond Spirit of Poetry. He is the Poetry Editor of Cassandra Voices. His poem Psalm 41 appeared in the previous edition.

  • Twosome Twiminds in Casement and Joyce

    Where to begin the story of Roger Casement, humanitarian crusader, knight of the British realm, and 1916 revolutionary? Lawrence of Arabia wrote that he had ‘the appeal of a broken archangel’; Joseph Conrad said: ‘He could tell you things! Things I have tried to forget, things I never did know”; Edmund Morel described him as ‘suggestive of one who had lived in the vast open spaces’.

    Casement’s life involved crisis, fissure, disintegration, newness and transformation, enduring intersections at the heart of our modernity. He is open to endless interpretation, and also – crucially – by reading and judging him we may better understand ourselves. He remains an enigma not only to others but also to himself; a complex and infinitely curious human being in troubled and confused times.

    Born in Sandycove (close to where Joyce’s Ulysses begins) in Dublin in 1864, he spent much of his childhood on the coast of his beloved Antrim, Casement left for Mozambique while still in his teens, rising from a ship purser to an explorer under Henry Morten Stanley (the man who supposedly said ‘Dr. Livingston, I presume?’), and then to British consul. He was one of the central figures in exposing the genocide of millions[1] in the Congo region, then privately owned by King Leopold II of Belgium. His groundbreaking Congo Report in 1904 caused an international sensation.

    Eight years on, Casement was again in the international spotlight after the release of another even more horrifying report on the brutal mistreatment, enslavement and murder of thousands along the Putumayo River[2] in the Amazon, led by the Peruvian Amazonian Company, which was registered in Britain. Both massive atrocities emerged out of the Western powers’ demand for rubber. At that time, wild rubber could only be harvested in the great jungles of the Congo and Amazon. He was knighted for his pioneering humanitarian work by the British Crown in 1913, which did not prevent him becoming a revolutionary in 1916.

    The Putumayo atrocities in Peru, 1908 (photograph by Walter Hardenburg)

    Casement’s journey may lie ahead of us, providing a compass to rediscover our humanity in living for the world rather than merely in it. That is why I consider him a Joycean hero. Firstly, James Joyce’s heroism is to be a radical cosmopolitan – combining the local and global – which is, for example, to be and feel Irish and simultaneously think and feel globally, and even cosmically.

    A paradox central to radical cosmopolitanism is that we serve the present age by betraying it: Casement is hanged as a traitor for trying to liberate a people; Joyce is censored for endeavouring to revive a defeated people and celebrate their landscape and speech.

    In 1904, when Joyce and his future wife Nora Barnacle left for Trieste, he wrote a letter to her revealing his vocation: ‘I cannot enter the social order except as a vagabond.’ For Joyce and Casement, to be a radical cosmopolitan is to be an exile soul – ‘self exiled in upon his ego’ as Joyce put it in Finnegans Wake –  perpetually on a homeward journey. Thus, while every page of Ulysses is rooted in a specific place in Dublin, it is also what Yuri Slezkine called, ‘the Bible of universal homelessness’.

    II

    To be a Joycean hero is, secondly, to be driven by love – love for all living creatures, defined by a courage to oppose oppressive political systems; listening to an inner voice reminding us of our core values, shutting out belittling and paralysing chatter. The one time Leopold Bloom really sticks up for himself in Ulysses is in the Cyclops episode, when faced with patriotic bigotry and racism. He declares that true life is love. It is no coincidence that the only mention of Casement in Ulysses is in this same episode, as one who stood up for the indigenous peoples of the Congo and Amazon:

    —Well, says J. J., if they’re any worse than those Belgians in the Congo Free State they must be bad. Did you read that report by a man what’s this his name is?
    —Casement, says the citizen. He’s an Irishman.
    —Yes, that’s the man, says J. J. Raping the women and girls and flogging the natives on the belly to squeeze all the red rubber they can out of them.

    Ulysses is set on a single day – the 16th June 1904 – itself a symbol of love for Joyce as this was his first official romantic encounter with Nora Barnacle. As the patriarchal, colonial powers of Britain, France, Germany and Russia locked horns in a horrific world war, sending millions of young men to needless slaughter, Joyce wrote his masterpiece of ineluctable love – embodying truth, beauty and freedom.

    ‘I cannot enter the social order except as a vagabond.’ – James Joyce, 1904

    Love incorporates both sundering and reconciliation, and remains a consciously unstable force in Joyce’s work. It resides ‘ineluctably constructed upon the incertitude of the void’ – a sentence from the penultimate episode of Ulysses, which could serve as Joyce’s definition for art, beauty and human existence.

    ‘… and finally when up in those lonely Congo forests where I found Leopold I found also myself – the incorrigible Irishman – I realised then that I was looking at this tragedy with the eyes of another race’ – Roger Casement, 1907

    Casement’s affirmation of life drove his love for the marginalised populace of an unprotected wilderness. Like Joyce, who wrote in the language of the coloniser on behalf of both the colonised and coloniser, Casement recognised the tensions between coloniser and colonised. He concluded a letter to his friend William Cadbury in 1911 with these words: ‘PS. If I wrote a history of the slavery I’d be kicked out of the public service.’

    III

    Thirdly, a Joycean hero acknowledges the ‘epic of the human body’ – Joyce’s  description for Ulysses. With nations and empires obsessing about war, obliterating the body and any hint of joyful sensuousness, Joyce and Casement’s war is an affirmation of the body, a resounding ‘Yes’ to life that is the last word of Ulysses.

    Joyce’s solitary writing of Ulysses, with each episode representing an organ of the body during the life-negating years of World War I, and Casement’s tireless campaign for the voiceless oppressed in the Congo, Amazon and Ireland – along with his anti-colonial and anti-war essays collected under the title The Crime Against Europe – represent a grand defiance and affirmation of the human spirit.

    Casement can be found buried deep in the fourth and final section of the second part of the four books that make up Finnegans Wake set in the ocean off the coast of Ireland, on embarking and disembarking: ‘… and after that then there was the official landing of Lady Jales Casemate…’ There is allusion here to both Casement and checkmate (‘Casemate’), jale (to work) and jail (prison). The Lady can imply Britannia a symbol of the British Empire, and equally can allude to an idea of a crossdresser or homosexual – also echoing the description of Bloom as the ‘new womanly man’ in the hallucinatory ‘nighttime’ episode of Circe in Ulysses.

    To Bloom’s ‘new womanly man’ and Protestant Jew subjected to racism and betrayal, Casement is a sensitive homosexual, who was also well positioned to understand deeply the oppression and silencing of the marginalised. As the mischievous, plural voice will say to the reader in the middle of Finnegans Wake, “do you hear what I am seeing?”

    IV

    Fourthly, the Joycean hero embodies the antinomies and conflicting identities of the human self, such that Casement is, what Joyce calls in Finnegans Wake, “two thinks at a time” and “twosome twiminds” – as Protestant/Catholic, British consul/Irish revolutionary, Christian/homosexual, and traitor/humanitarian. The “twosome twimind” is key to understanding Joyce’s thought and vision – seen in words such as ‘chaosmos’, ‘thisorder’ and ‘jewgreek’. The conflicted, dissolving, plural hero reveals the cracks and anxieties of his age – with Ireland a site of contradictions culminating in a bitter civil war (1922-23).

    The phrase “twosome twiminds” comes from the chapter on Shem Skrivenitch – Joyce’s thinly disguised self-portrait – in Finnegans Wake:

    […] a nogger among the blankards of this dastard century, you have become of twosome twiminds forenenst gods, hidden and discovered, nay, condemned fool, anarch, egoarch, hiersiarch, you have reared your disunited kingdom on the vacuum of your own most intensely doubtful soul.

    I attempt a translation of this passage, alluding to our unconscious designs:

    a nigger among the white bastards of this dastard century, someone who has developed a dual or conflicting mind, going against the gods, condemned and foolish, containing elements of the archetype of the anarchist, egoist and heretic, and raising up your disunited kingdom upon the void of your own most doubtful or despairing soul.

    This could be an illuminating description for Casement as well as Joyce, who both performed the role of outsider. Each employed the term ‘the language of the outlaw’, and Joyce’s use of the word ‘nogger’, alluding to the offensive word ‘nigger’, is used in an opposition he shares with Casement to the colonial master. These controversial and conflicted figures – each one simultaneously magnanimous and egotistical – intertwined as servants and traitors of the ‘disunited kingdom’ (Ireland and/or the United Kingdom).

    In dueling opposites, Casement is a powerful example of combining the realist and the romantic: as one who casts a suspicious eye over human systems in his clear, jargon-free, reports on Congo and Putumayo. He was among those dangerous dreamers, living a mythic life of complexities and great challenges, a mediocre poet whose life became an epic poem.

    The Amazon River in 2017 (photograph by Bartholomew Ryan)

    V

    Finally, the Joycean hero’s journey is one of transformation. Casement became an orphan at the age of thirteen and then spent twenty years in Africa and seven years in Brazil. He embarked on a transformative journey from advocate of British colonial rule to humanitarian crusader and anti-imperialist.

    If we observe the stylistic differences between Casement’s diaries from the Congo and those from the Amazon it is as if each has been written by a different man. The cryptic statements, short-hand daily reminders and mini weather reports in the Congo diaries give way to the sprawling, dense, meandering Amazon journals, opening out like the great river itself.

    It is no accident that Casement loved and collected butterflies – the epitome of transformation. Transformation is deeply ecological. Casement was acutely sensitive to his environment. As he moved up river he was surrounded by the vegetation of the two largest jungles of the world. In his journals we find the eye of an ethnographer and environmentalist, who understands the intimate connection between any land and the people living there.

    This frontier environment at the limits of human endurance raises his awareness of the truly global struggle he was involved in. In a letter from Brazil after publishing the Congo Report, he wrote that it was deep ‘in the ‘lonely Congo forests’ where he found King Leopold II, who directed the enslavement of the country, along with himself – ‘the incorrigible Irishman’. The rivers and trees of the two mightiest jungles on Earth lead Casement to places few are willing to travel.

    The James Joyce Bridge over the River Liffey in Dublin today.

    Finnegans Wake may be viewed one day as the great novel of ecological thought, a theme hinted at in Ulysses. This is apparent on every page of his last work as words mutate in each sentence to become living, breathing entities, and as all things, animate and inanimate, metamorphise. Ultimately in this extravaganza of ecological vision, the river is crucial to emptying out, recycling and renewing. Hundred of rivers from all over the world are woven through the famous chapter involving the two washerwomen gossiping about Anna Livia Plurabelle on the bank of Dublin’s River Liffey (whom she is); the first word used in the book is ‘riverrun’; and Joyce’s final soliloquy is delivered by Anna Livia Plurabelle – meaning the plural, beautiful, river of life. The rivers and the trees are the site for transformation, creativity and redemption for Casement, Joyce and humanity.

    Bartholomew Ryan co-wrote (with Christabelle Peters) and performed a two-act monologue play on Roger Casement in Lisbon, Strasbourg and Bergen in 2016. He is a philosophy research coordinator at the New University of Lisbon (http://www.ifilnova.pt/pages/bartholomew-ryan) and leader of the international band The Loafing Heroes (https://theloafingheroes.bandcamp.com/)

    Featured Image: Daniele Idini

    [1] See Hochschild, Adam; King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa, Boston: Houghton Mifflin, 1999.

    [2] See Goodman, Jordan; The Devil and Mr. Casement: One Man’s Battle for Human Rights in South America’s Heart of Darkness. New York: Farrar, Straus and Giroux, 2010