Category: Literature

  • The Secret Garden

    The leaves of Greenwich Park were the soul of Autumn as I walked slowly up the hill to the secret garden in the quiet rain. I opened the gate and entered to find there was no one there. Maybe there was nobody in the whole park. A red squirrel went on eating in the middle of the wet lawn, untroubled by my presence. Above me sat the Observatory on its perch, a great seat of learning. An opportunity for humankind to understand the universe. Once upon a time you could see the stars from here on a clear night, but not now. Not since industry. Not since work.

    I opened a can of beer and lit up and made my way on through the drizzle wet, and felt lonely but not sad, this feeling of rain, delving sublime, richer than silk indigo was Inigo in ideas, deeper than feeling, in my own world almost auto stick, non-verbal, who are the same as us and yet not the same. One with everything, if only those little beauties could understand. I can’t. I went over and sat on the damp bench at the picnic table, content to be alone, for now at least. I had the plants and the trees and rain for company and that was all I needed. It’s a good time to think about people, when there’s no-one there.

    I don’t remember how long I spent in the secret garden. The time pieces of Greenwich had all floated clocks among the rainclouds tick-tock until sun’s return. The great orange ball at the top of the Observatory was obscured by mist. I noticed the clouds after that and drank deeply and rolled the cherry on the edge of the wooden bench, the place was damp so nothing could set fire. I put my hood up and felt the unmistakeable tingling of comfort. My eyes were good, and ears, and legs and arms and heart, nothing appeared to be dying. Nothing at all, not even the hiding sun.

    It felt good to finish the can of beer and crush the empty can in my fist. Especially as I had another one in my bag. Plenty I believe the word to be. It can be a good thing, better than drought. The trick to life is appreciation, in knowing when enough is enough, but knowing what enough is, has always been hard for me, because the memory of the shit never goes, so let the good times roll. There is a great beauty in this world of ours, remember, the world that created us, against all the naysayers. Yes, it’s beauty I made sure before I died.

    The squirrel has gone and I am alone with the half Red Stripe. Keep on smoking, careful not to get it wet as the rain isn’t easing. Under the picnic table with the paper and the tobacco and then the filter and finally the lick and flip. The new lighter is a good feeling and works first time producing a burst of smoke in the downpour. Maybe shelter soon but not just yet. I can hear the rain on my rain proof hood like music. Sit a while.

    I’ll leave this place before the rain lifts. I stand up and then rattle the can. I spy a bin and move towards it to leave my mark. I look around and think the place was worth visiting in all seasons, in all weathers. I am a little drunk, it was a long night, a good night, but genuinely, peaceful reader, nothing I can’t handle yet, my body holds out still as fifty approaches like an old friend I have fallen out with. The things that can’t be avoided must be confronted, who said that? Good mothers probably.

    And so on up to the top of the park and the General Wolfe statue who must have defeated the French in Canada. Let’s build a statue to remember wars won. Then it will have meaning, if it is remembered. But only then. I can see the days of Nelson from where I stand, and the days of Raleigh on the riverbank and we can see what happened when we hear the toothpaste advert from the other side of oceans, in a different accent of course. Why all the war, all the carnage, all the misery and death? Something to do I suppose. “Man cannot stand a meaningless life.”

    I can see all of London, but better to stay in the park and nature and rain. Different company. Maybe a teenager is being stabbed out there but maybe not, it doesn’t happen every second or every minute. Not enough for the politicians to get involved. Ten million people and a couple of hundred slaughtered youth on the street, lying in pools of their own blood. Nothing to see here, nothing to see here. Nothing to see.

    I turn and make my way past the pavilion and into the Flower Garden. Good name. The Flower Garden. Rain is letting up now. They had a good drink today. Strange thing, that nature has no control over itself, it spreads where it can when it has a chance, and now beyond where was once impossible. I spy the Observatory again over the brow. Let’s build monuments to war and keep the deers in the enclosure, they’ll be safe there. Good idea. One of them looks over at me through the fence. Through the misty rain. It’s free in its own world. Like me. Maybe a prisoner could be free if he had the right mind. If he was in control of his imagination, then where would he be?

    The Flower Garden is beautiful. The rain has returned so I put my hood back up. I remember I was here one hot summers day in nineteen eighty-five. Wouldn’t it be a thing to have dates for those childhood days of summer. They are now lost in time, they are time. The only time we know. The pinnacle of childhood, using imagination on everything. I look at the tree that has changed less than me since then. It is magnificent then and now. The tree, nature’s gifted form, blown about by the winds but always rooted. Only disaster and time can kill it. Like us. The rain is back for sure. I put my hood up and leave through the gate on Maze Hill. Back into the world, for now.

    Feature Image: Royal Observatory, Greenwich

  • Poem: A Partial Epitaph

    A Partial Epitaph

    My friend, with many an article and book
    saved in the Cloud, would censure Robert Emmet
    for attitudinising in the dock.

    We’re most of us the beneficiaries
    of ordered states; opinion-formers wanting
    Emmet stopped is something that one sees. 

    But this rant? Picture him in middle age,
    pardoned, respectable, like Thomas Moore
    a frequent guest at the Vice-Regal Lodge.

    Which to begin with doesn’t get Tom Moore,
    friend of the stranger, dining with Zacchaeus,
    his harp a bow strung for the indigenous poor.

    I leave them to it – their vast carelessness,
    their Twitter feeds correct and comfortable
    above the whole world’s pitiable distress.

    Those by whom Robert Emmet was condemned
    no doubt imagined some long-term improvement
    in how the poor lived. Difficult for them,

    his edge, his relevancy; or to foretell,
    in cabins and coffin-ships we’d breathe his name;
    our grá for justice his memorial.

    Feature Image: Depiction of Robert Emmet’s trial (Image is available from the United States Library of Congress‘s Prints and Photographs division under the digital ID pga.02521)

  • Open

    The boy was wretched. He sat on the bed in shorts and T-shirt his hair a tangled mess. I noticed they had put him in a single room, the last on the corridor beside the fire escape. I examined his chart, apart from the nurse’s hourly checks no one had spoken to him since he had been admitted three days ago. I introduced myself.

    ‘I’m Dr Peter Philips your doctor.’

    The boy looked at me. He had piercing blue eyes and an odd way of tilting his head as if he was asking a question. There was no hostility, but it was obvious he was terrified.

    ‘Do you hear voices?’, I asked.

    He looked puzzled.

    ‘I mean do you hear voices other than your own in your head?’

    He still didn’t seem to understand what I was asking. I tried something else.

    ‘Your mother said you threw yourself from an upstairs window. Were you trying to kill yourself?’

    ‘No, I just wasn’t ready.’

    I withdrew from this cryptic comment and closed the interview.

    Later that day I looked through his case notes. He was involuntarily admitted, his mother had brought him in. The duty registrar had done the paperwork noting that the boy was unwashed, and he rambled on about a bird, a pet bird maybe? He was delusional with suicidal tendencies. Normally I would move on to treatment, but something about the boy bothered me. He obviously didn’t suffer from auditory hallucinations and there was something odd about his suicide attempt. I looked at the other entries on his file. He had never been in trouble with the Guards not even a scrap on the street. His mother had been interviewed separately. She was unwilling to say too much and appeared to be overwhelmed by what was going on. She did say her son had become obsessed by birds of prey. I didn’t draw any conclusions from this I was satisfied he was delusional.

    Nightfall, a nurse came into the room with a tray of medication. The boy took the pills and turned to the wall.

    ‘Alright Pat?’

    ‘Yeah’, he muttered.

    The night was windy, and a twig tapped on the window, a message tap, tap, tap. A message from the trees whipped by the wind. The boy listened curiously; he tapped his knee in time. Then there was a lull in the wind and the tapping stopped. In the morning there was porridge for breakfast. The dining room was full. Pat looked around at the other patients most of them were concentrating on eating. After breakfast there wasn’t very much to do, the day gaped like a long empty corridor.

    We had a team meeting the morning after I interviewed the boy. I set out the psychopharmaceutical position to murmurs of assent. There was a girl at the conference table. She introduced herself as the new occupational therapist on the ward.

    ‘His mother said he’s quite good at drawing. Could we provide him with paper and pens and see what he comes up with?’

    I was sceptical at first, the fact that he was suicidal created all sorts of problems, but then so far, my attempts to interview him had proved unproductive so I gave her the OK on the paper and pens.

    The day was slipping past, it was already afternoon, the lunch things cleared away. A smell of boiled potatoes hung limply in the air. Sunlight streaked the floor tyles and Pat let it land on his T-shirt and his legs. He felt restless as if something was boiling away inside him. He could see the sky through the high windows and a bird only a speck above the city. For a moment he felt pure joy then behind him a nurse said:

    ‘Time for you medication Pat.’

    It was almost time for the night shift to come on duty when she came through the door. She was wearing baggy black pants and she carried a bag. The doctor he had seen the first night was with her and they stood talking at the other end of the ward. Pat looked at her carefully. Her fine red hair was clipped back in a ponytail. Then she laughed a small nervous laugh, barely parting her lips. She put her hand on the man’s shoulder and said something Pat couldn’t hear. The man pointed towards Pat, and she came over to him. When she reached him, she held out her hand:

    ‘My name’s Anna, I’m the ward occupational therapist. I’m told you’re interested in birds.’

    Pat mumbled something. She smelled sweet like honeysuckle and her eyes were the colour of morning sky. He wanted to tell her everything, the peace, the freedom, to be up there looking down. Instead, she opened her bag and took out paper and pens. She was saying something like draw what you see, put down what you feel. He hardly heard her; he was so happy.

    At first it was a tremor, a flash of light a sweeping glance across the landscape. He was fifteen when it first came over him crouched at his window ready to fly. That time it only lasted minutes, but he was already caught willing it to happen again. In his sleep he dreamt of a huge black bird that soared above the fields. He became impatient and tried jumping from the windowsill, that landed him in hospital with a broken shoulder and a fractured knee. Remembering the first time, he imagined the bird and the wind beneath him, now he could see with the bird’s eyes. He sat still in his room focusing on the breath, waiting, waiting for the flash of light. Without knowing how he knew he was ready; he opened the window, and everything was there. With raised arms, the wind rushed past his face, and he could hear rustling feathers. Nothing could stop him, his feet lifted off the sill and effortlessly he cleared the treetops, the shifting breeze carried him into the clear blue sky. He wheeled around and headed back home gracefully landing again where he had left.

    The drawings were spread out on my desk. Some were remarkable pictures of birds. Others were indecipherable. I picked one up.

    ‘What’s this supposed to be?’

    ‘Well,’ Anna said tentatively. ‘At first I thought it was some kind of pattern and then I came across drone footage, and I realised it was a drawing from the air.’

    ‘So, he can imagine what things look like from the air?’

    ‘Yes, it’s amazing, isn’t it?’

    ‘But you’re not suggesting he can actually fly?’

    Anna sank back in her chair.

    ‘Look our job is to treat his symptoms. He needs to take his place in society, get a job, fit in. Maybe you’re too close to him someone else can take over.’

    Pat hung around the ward pretending he wasn’t waiting for anything. By lunchtime he wondered why she hadn’t come. Then it was three in the afternoon and when the ward door opened  it was his mother looking anxious and distracted. They sat in his room without speaking. Eventually she took out a bottle of fruit juice and put it on his bedside locker along with sixty euros in twenty euro notes. She was crying and took him in her arms:

    ‘Be a good boy,’ she said.

    Pat waited the excruciating hours until bedtime and still she didn’t come. In the morning at breakfast a nurse said quietly to him:

    ‘Dr Philips wants to see you as soon as you’re ready.’

    I saw him in my office first thing. He looked tired and hung his head as I went through his notes.

    ‘You’ve been doing some work with Anna. She’s been transferred to another ward, from now on you’ll be dealing with Carl,’.

    The boy looked shocked, and I made a note that he should be monitored carefully.

    When the nurse went into Pat’s room in the morning the small window over his bed was open. There was no sign of Pat. They never found him; he couldn’t have crawled out the opening the window afforded. Dr Philips maintained the door to the fire escape must have been left unlocked. Anna asked to see the room. She looked under the bed and lying there innocently waiting to be found was a glossy black feather. She held it up to the light and admired it, then she slipped it into her bag.

    Feature Image: AI Art Generator.

  • Poetry: Haley Hodges

    Belshazzar

    I never knew myself to have a Persian beard, now,
    This is odd, this will need some explanation
    So too the crown and concubines and all these
    Half-drunk vessels from the house of God
    Isn’t it 2023 or 2022—was I not, just now,
    Pulling up in a Subaru or whatever it is I
    Get myself around in? In fact I’m quite certain
    My father was born in 1959 and hardly Nebuchadnezzar,
    Though it is his second term as village president
    (He ran unopposed this time) for the Most High God
    Set him over it. TEKEL

    Says the writing on the wall of my lordly mind, haunting,
    TEKEL—you have been weighed in the balance
    And found wanting

    God I am always wanting
    Wanting wanting wanting I am
    Always wanting in or out of the balance,
    And there is no wisdom in these Chaldeans
    I have summoned to advise me, these useless
    Fuckwitted Chaldeans with parlor tricks who break
    My words with sticks and hurt me thus. How many more,
    (I wonder!!) how many more misdeeds before my kingdom
    Is divided, and given to the Medes?

    Feature Image: Rembrandt‘s depiction of the biblical account of Belshazzar seeing “the writing on the wall

  • Nicholas Battey: April Light

    April Light

    I’ve let the world of people go
    in favour of growing
    spring evenings,
    what all the buds know,
    the jonquils and the willow,
    the prattling birds,
    water chasing water to river,
    fold of showers.
    What sage said April is the cruellest month,
    the year’s promise
    in its tall shadows?
    Let the world of people go.

     

     

  • Poetry: It Isn’t Just a House

    It Isn’t Just A House

    It isn’t just a house.
    It’s the sacred place I took my babies home to after their tiring journey into this world.
    Their sweet new born cries filled the air
    with beautiful, new life!
    Their laughter, first steps, the almighty tantrums.
    Will the walls whisper their names when we are gone?

    It isn’t just a house.
    It’s our beloved home
    All of life taking place right here.
    For six years we have felt protected by these walls,
    Wrapped in a warm embrace,
    The fear vanished.

    It isn’t just a house.
    It is a sense of belonging,
    Community and friendship.
    A safety net when the world was a frightful place,
    A comfort to me and my children in hard times.

    It isn’t just a house.
    Will our laughter echo through the void?
    The shouts and cries signalling the demise of a big love,
    The tears and tender moments shared,
    Where do those go? once we are gone….
    This house holds the very spirit of my family.
    We reluctantly, tentatively, leave
    And step once again into the unknown.

    It isn’t just a house.
    It is part of us
    A piece of our lives we will never forget
    To you, a prudent financial decision, nothing personal.
    To us, a nightmare
    Forcing us into a life of fear and uncertainty and I ask…. for what?
    Adding insult to injury,
    The vaguely similar, misspelled surname on the eviction notice.
    Don’t you even care enough to know the name of the family you are making homeless?

    The fear returns.

    It isn’t just a house.

  • Poem: Hope in Despair

    Hope in Despair

    I have always loved museums, no doubt having a kind of prophetic disposition I realised the somewhat terrible and prodigious potency that was entombed in their almost sterile yet  paradoxically life-affirming grace. Loss, chronic loss, is the ultimate domain of all humans.

    It seems to me that the problems here below on Earth have reached such an escalatory saturation point that we have been probing space, and for quite some time now, in an almost frantic bid to escape, but, as William Shatner recently said, and I merely paraphrase, space is just full of more cold, dark and hostile matter.

    The tremor of the tympany, the delicate frisson which all ten digits can bring, the storm of sounds trembling just as you are standing alone, right there on the brink…

    Slow read. Be not fraught with the weight and trouble of your servitude, but rather cherish the day and be more aware of it harbouring amplitude.

    Feature Image: The National Museum of Ireland – Natural History, Dublin, sometimes called the Dead Zoo.

  • Poetry: Marc Di Saverio

    SONNET XIV
    for Diane Windsor

    When I was still the husband of the wind —
    when I was Leopardi-sure I’d never
    know a woman’s body’s ways — when I
    was nineteen – when I was Prufrock-positive
    of mermaids never singing to me, either,
    of a life without betrothal or progeny –
                when I was one of the hideously-bodied —
                When I was still the husband of the wind,
                I would dream, like Pygmalion, of my donna perfetta,
                One whose soul was as beauteous as her body,
                One whose nature was sublime but unlikely,
                and I would dream that she would come to life,
                that she would meet me at the brow, and love me, and now,
                beside you, awake while you sleep, I see: she is you.

     

     

    FRAGMENT FOR A HEAVEN-FARER

    for Diane Windsor

    According to that Acolyte who some say saw the Second Coming —
               no greater love can a man have than this —
              than to lay down his life for his friend;
    According to that Acolyte who some say saw the Gallops of Glory —
    no greater love can a man have than mine –
    I’m warming outside James Street store-fronts where once
                        our sea-sky-lips would,
    stunning passers-by, horizon their romance-less eyes with
                                          each of our own perfect kisses;
    I’m slumming throughout air-stung hoar-frosts where once
                         our sea-sky lids would,
    shunning passers-by, thunderclap their romance-less hearts with
                                           each of our own perfect visions –
    Yet, take thought: the adversary’s maximum extensions are harpoons
                                      he swears are darts of amities knee-
                        jerkingly flung automatically as beams toward their
                                      midnight moons, or smiles of mothers
        whose conditionless love so helplessly blooms in the faces
                of red-eyed teens all synch-ly slouching at their court-hearing.
    I surmise The Devil has not heard, and I hope, Diane, you’ll finally know:
                         calm can only come by the one called
                         that violet-eye-light-beaming Jesus Christ –
             and, that, Lucifer, like a late autumn wasp with stinging wings
                            frosting in the twilight, KNOWS his death is near,
        so he quavers in fright, privately, yet, publicly,  like he does now,
    jabs a maximum of souls, which he considers his birthright;
    And, take thought: I often wonder if you,
    yes, Job-long-suffering you, weeping-willow-boughs
    -amid-the-winter-wind-unassuming you, ever
               owned the value to wonder: Might I be one to write as
    fast as the Almighty
    speaks, might I be the Stenographer of the Lord, never even needing
    any breaks (O Lucifer,  YOU believe
                                       that you will beat her hand at any sort
               of duel? Her hand is guided by the hand of God! O Lucifer,
                              she is ready!) So, Di, when you face him, Eastwood-easy,
                                                                DRAW!;
    And, take thought: the force that drives my spirit drives your own,
    yet the spirit of Satan dives
    like Iscariot dove from the rope-ripped-bough throughout the Hour
                                                               Of Shadows.  Remember,
    Satan, regardless of his wishes, despite being SMALL g god of this
    world, is merely the prop-foil-prelude
    secondary of so many myriad dualities created by
    The Trinity, his eventual Bermuda Triangle, until whose disappearance,
                                         is the mere adversary, the saw-weight
                         of the see-saw, the one alone the Lord esteems enough
             to consider the clearest, but maybe not His most fearsome opponent,
                                                    who has darkness both behind and before
         him! So how, Diane, is he even a Light-Bearer,
                                 since, wherefrom comes his light? He KNOWS
                             he is finite – he worships the finite, so how can he be
          bright — especially in the face of your light, woman-of-my-dreams-
                             and-of-the-the-dreams-within-my-dreams?

     

     

    SONNET XIII
    For Diane Windsor

    Even the time I spend apart from you
    is yours. Even scarcely tenable
    quavers of your smiles are seen to the
    whole world inside my electric soul,
    even the memory of your voice’s lower-
    most echo, blasts away any noises, accompan-
    ies me through the loneliest, hollow silences.
    Even your Galatean shadow is bodied – and souled —
    in my heart. Even the time I spend apart
    from you is yours.  Even others with
    your name, are more forgivable
    to me. Even Angels of the Light
    discuss us, I believe. Even
    awake beside you sleeping, I cannot dream.

     

    A SONNET ON EPHESIANS 5:25
    for Diane Windsor

    And how you modern readers wonder why I call her thee?
    It is because you’ve never seen or known her apogee.

    And at the crucifixion-slow-mo-mentioning
    of me and you, the lovers of future Valentine’s
    Days will wonder, Romeo and who? No greater
    love can a man have than this: than to lay down his life for his friend;
    No greater love can a man have than mine; for you I laid
    down my life, and for you I’d lay it again – able by
    the aegis of the Lord, without whom I would be gone…
               If I did not, if I do not, if I
               would not so strive to love you just as Jesus
               loves His Bride, I’d flee from thee as the Devil
               fled the moment after he thirdly sought
               to tempt I AM; Calvary’s my only
               guide to loving thee, so my heart beats
               Di-ane, Di-ane, Di-ane, Di-ane, Di-ane.

  • Poetry: Rhys Mumford

    On Opening A Door

    When I left the cafe
    I planted my leading foot beside the door
    The front of my shoe just nudging the skirting
    And I reached for the handle
    with my opposite hand.
    I only mention this because
    (and eschewing false modesty)
    my positioning was perfect.
    It was perfect.
    My carriage optimally aligned,
    I was centred, in equilibrium,
    I was the Platonic ideal of a Archimedean lever.
    I pulled the door towards me
    with balance, fluidity and poise.
    In short I do not think
    I could have opened that door
    any better than I did.
    And if anybody were watching
    Perhaps they would have thought:
    We do not know the situation of this man
    His career-prospects
    Personality
    Or status of his soul
    But this we know:
    On one occasion
    Here, this day,
    he opened that door
    Magnificently.
    I wonder if
    anybody
    noticed.

  • Poetry: Gratitude

    Gratitude

    “Hate it here? But why?”
    I’m sick of your confounded cry.

    London is Open—
    But when is a kind word spoken
    At 8 AM when elbows stab your side,
    A slouching drunk swallows your Pride,
    And grinning altruists shiver and wait
    For you to blink and take their bait?
    And so we move in clogging thuds,
    Weave through drying gum and blood.

    London, what are you doing?
    Are you even awake?
    “City that never sleeps”? I’m suing.
    You plagiarize for tourism’s sake.

    London, you pander to the saints,
    Resign yourself as relatively quaint.
    You barely know where you end,
    You hardly care when around the bend
    The streets are piled with shoveled debris;
    You gentrify, refine, on your austerity spree.

    I want to love your complacency,
    That languid beauty in every face you see;
    You have extolled diversity.
    You lack sincerity.
    If Broadway bleeds, the West End is dry—
    Not “if”, that’s exactly what I mean by

    Passionless, reserved, ancient, tranquil;
    I repine, I whine, but still I’m thankful.
    As I dissociate on your timely Underground,
    Elton’s voice sings, “for the people I have found.

    Image: Daniele Idini