Category: Literature

  • Poem: Rental

    Rental

    Motes swirled in windows
    like stars in The Starry Night.

    Water stains framed
    mirrors in bursts of gray-gold.

    The landlord’s lips were thin,
    her lipstick coral.

    She braved the tropical storm
    to unlock closets:
    her Waterford crystal.

    Branches needed pruning
    but all I seemed to do

    was dream of Heathcliff.
    I never scrubbed

    or mowed enough.
    I leaned my bike—created tracks—
    against the accent wall.

    She said No.
    No need to search

    for my replacement.
    She’d done living with my choices.

    Feature Image: Daniele Idini

  • The Death of My Marriage and JFK Junior

                It happens. After four years of marriage, I’m madly in love…just not with my husband. I feel like Diane Lane in Unfaithful, guilt-ridden, and giddy as I face my new reality. I am a terrible wife…but…I was becoming a fantastic girlfriend. 

    You may deem me a horror, but the truth is never a fairytale. Only weddings are, and mine was no exception. In Camelot fashion, I rode to church in a horse and buggy. I should have known something was wrong when looking out the lace-framed carriage window I thought, “I could escape through the woods in this thing.”  To say we have one soul mate, one person we marry until death is to commit to madness. However sour that sounds, I still believe in love. I believe in Rocky and Adrian, couples who meet and mate for life. There are swans out there, and then there’s me.

    As my horse clickety clacks through the trail to church, I thought of where we met. My soon-to-be husband and I were waiters for an elite caterer who specialized in spoiling the rich and famous of New York. On any given night, we served an array of society members, rich bitches, charming bastards, and boring bankers. They all had the same nose, the same stifling perfumes, the same board-certified plastic surgeons. There were exceptions, rare guests that made even the most jaded waiters’ hearts skip a beat. There was Princess Dianna, who graced The New York State Theater with a presence that was otherworldly and English garden. Then there was our homegrown prince, John Kennedy Junior. He was intelligent, handsome, rugged — a bona fide American hunk. The only son of the late President John F. Kennedy was often alone, then later in the company of his wife Carolyn. She was stunning and stepped into the Kennedy dynasty as if the glass slippers were hers all along. Whether they were holding hands or mingling separately at a party, they were always in sync.  I thought of how secretly jealous I was of them, of their inexplicable beauty, and the life of ease they were born into. I thought of all the splendor we lavished on John and Carolyn, and how ironic and lovely that we were finally having our splash of an event.

    My future husband Robert was kind, respectful, and a planner. Everyone loved him and encouraged our flirtations. “Robert is one of the most emotionally mature men I’ve ever met,” said a co-worker. On the surface she was right. He was grounded, and generous – the opposite of the selfish tools I had experienced. But a deeper dive into his psyche revealed a gully of childhood trauma. I came to learn, in graphic detail, how his father had taken his own life when Robert was just a boy. And how his unspeakable death released a brutal barrage of white water on his family – for just as one wave of unrest was cresting, another would hit.

    Initially, I found Robert timid, but as our dating progressed, the sheer goodness of his nature won me over. On the morning after our second date, I was treated to a romantic poem left on my voicemail. It was impressive as Robert was a trained actor who sidelined his dream for steady work teaching. Though flattered by his gesture, I was puzzled by his spontaneous outburst. What had I done to deserve this? I perceived that our spark was not the brightest. He didn’t ask me many questions. So…was it my looks? Right face, right time? I didn’t care. He needed a place to put his love, and I needed a safe place to land.

    Our relationship progressed as he spoiled me with thoughtful gifts and a steady stream of attention. After three and a half months of dating, I moved into his place. I never thought of marriage as my life goal, I had already turned down proposals from two different men. But I was at that age where dormant domesticity busts through DNA, like weeds in cracked concrete. For there I was, a few months later, saying yes to this man who fell to one knee on a foggy night in July and asked me to marry him.

    Four years later, I wasn’t just breaking my vows, I was pulverizing them beyond recognition. Like all first-time offenders, I felt culpable but soon grew accustomed to my crime. My brain became an IV, slowly dripping rationalizations to assuage my conscience, conveniently removing all traces of guilt from my heart. The merit of my sins softened, as I recalled the things my husband and I had and hadn’t done. We HAD sex, TWICE…on our two-week honeymoon in Italy. I never got kissed under that Bridge of Sighs, I got a sweater. It was a really nice sweater. Every time I wore it, I remembered Venice – the churches we lit candles in, the canals we floated over, the arches we never made out under.

     

    I’m not a modern girl. I never had one of those razor-chopped haircuts, I had cookbooks. On any given night you’d find me making dinner for Robert like an old-school Italian wife.  Yet here I am, standing barefoot on my lover’s kitchen countertop and I’m not even cooking. I’m five feet off the floor at his insistence; “Take off your shoes and climb up,” he says. “Changes your perspective. Right?” I must have nodded yes, but in my head, I’m thinking, “My husband would never let me do this. He barely lets me in the house after he mops!” I met Jack at a master acting class in Manhattan. The teacher was a famous Beverly Hills guru. He was part Scientologist, part psychic. If you had a chink in your armor, he sniffed it out with vampiric accuracy. Once, when sitting in the hot seat after my scene, he noted the following, “You’re a passionate woman. But you exist in a passionless relationship, yes?” I take a breath before I answer, “Oh my husband’s…very supportive.” I’m barely exhaling as the guru stares through me. He needs no words, for the truth he sought was shifting in my eyes of a thousand lies. I panic, knowing I’m caught. But like a dog suddenly surrendering a steak bone, the guru lets me go and turns his attention back to show biz. He tells me to straighten my curly hair and rise above the middle-class vibe I’m projecting. The guru makes it clear that being middle-class is akin to poison and kills the spirit of an artist like slow-moving arsenic.

    About 2 weeks after the start of the first class, I’m slated to work with an actor named Cal. Now Cal was a loose cannon who pulled an actual gun on a woman in rehearsal, but I didn’t care. He was interesting and I was primed for artistic arousal. But word had it that bat shit, crazy Cal booked an acting job and wouldn’t be coming to class anymore. The director of my scene needed someone to take his place and chose Jack as my new partner. I admit, I was disappointed to miss out on loose cannon Cal. I could have used a gun to the head, and the only thing Jack was pulling out of his pocket was wax for his surfboard. No, he wasn’t a surfer, but he looked the part. One day during a lull between scenes, Jack reaches a row behind him, extending his hand to me. In a hushed tone he said, “Hey, it’s you and me.” I was thrown by the warmth of his gesture and the excitement in his voice. His friendly spirit and enthusiasm didn’t match the story that played in my mind. I had seen him outside of class many times pacing downtown Manhattan like a caged cougar in search of his soul.

    Jack was cocky, opinionated, an artistic bully at times, a 360 of my pragmatic husband. He confessed crazy things; like how he made 200 grand one year and had nothing to show for it but the pants on his ass. When I asked him where the money went he said calmly, “Jeans?” He was gentle, yet rough. He threw me off balance yet managed to keep me standing…barely. Once, during rehearsal, he got so pushy, that I almost quit. I couldn’t handle being terrible in my scene with this guy. How could I convince the guru I was more than middle class? In our scene, Jack was supposed to kiss me, and when he did it was forced, mechanical, the worst kiss I ever had. I’m supposed to be attracted to this? How could I desire a guy I wasn’t even sure I liked?

    One day after rehearsal, I find myself walking with Jack to the subway. I would later discover that his train was nowhere near mine. He had walked me out of his way just for the sake of my company. In Manhattan terms, it was a trek from our director’s Lower East Side apartment to my Brooklyn-bound F train. “F stands for failure,” I say with a laugh. But Jack’s dead serious and starts rapidly firing questions: What was my childhood like? My father? Mother? What were the parts I played, and wanted to play? As I answer his questions, I wonder why this man with a resume that dwarfed mine, was interested in my meaningless credits and boring Jersey life. “Hey, I grew up in New Jersey too, a town away from you, young lady!” he says with a cheeky smile. I’m five years older than him, but I love that he’s made me younger. As we wait for the train, we discover that we even shared the strange dentist at one point. Learning these trivial commonalities should have dimmed his light, but it only sharpened his luster. For me, he became the boy next door – the one I never met and would never be allowed to love.

    Jack knew I was married from my first confession in class and told me about the young woman he’d been dating. We both had significant others, and I rationalized that our friendship was safe. Our master class had been extended, so our weekly meetings progressed to impromptu hangouts. After lunch one afternoon, we find ourselves amid a torrential downpour. As we take cover under a storefront awning, I’m grateful he’s inches behind me, unable to see my burning red face. The air is thick with the obvious, our relationship was NOT safe. It’s downright dangerous, and I don’t fucking care. For the rain had passed, and when I turned around, I saw this man, the one I thought I detested – and like lightning strikes a steel rod in “The Omen,” I was smitten.

     

    Trying to describe why I loved him is like making a case for lasagna. It’s just lasagna, and It’s delicious. I’m not a high-risk person. I never wanted to climb K2. I’m the type of person who’d get to base camp and say, “I’m cold. Let’s go!” Even standing on his kitchen countertop was freaking me out. Now I’d been to his apartment before but class was over. I was now coming to his apartment on purpose. Nothing had happened, but we knew we were headed. We went as far as making plans to spend the weekend together. I considered backing out, but when I called him the night before, his enthusiasm for my visit won me over. “Morana…I feel like it’s December 24th.” That’s what he said. I couldn’t back out now. How could I bail on a man who just called me Christmas Eve?

    Months before our tryst, I went on an auditioning warpath, rising at ungodly hours to stand in packed performer lines in mid-town Manhattan. After weeks, I finally got cast in a summer stock production of “Bells Are Ringing.” It was a throwback musical conceived for Judy Holliday – a comedic film star of the 40s and 50s. It was her Broadway bust-out vehicle; a story about a quirky woman named Ella who worked at an answering service. Ella gets so involved with her answering service clients that she falls in love with one of them. Now I didn’t get cast as Ella, but as her best friend, Gwen and I’m fine with it. I was quite frankly too fucked up to carry an entire show. So I welcome the second banana distraction, for it took me from Brooklyn to Vermont, away from my husband and my burgeoning affair.

    After three weeks of intense rehearsal, “Bells” is up and running. Our cast is wiped out and excited to have off two days in a row. Now I could have stayed in Vermont, gone to a cheddar cheese tasting, a blueberry patch, or just slept. But when two of my male cast mates said they were missing their boyfriends and driving back to the city, I jumped at the chance to ride along. I was missing my boyfriend too. My fellow actors drop me off at 42nd Street. It’s midnight and I quickly put on my Jackie O. sunglasses, because I’m a proper adulterer now. After the slowest cab ride on Earth, I arrive at Jack’s. I’m standing in front of his apartment door poised to enter. I know it’s open because he never locks it. An emotional epidural of jubilation and terror shoots through my spine. I feel my lower half may melt. If my husband in Brooklyn finds out I’m in town, I’m fucked — and not in a good way. How would I justify my sudden arrival in New York? Our marriage had become combative and lackluster. If I got caught, I’d have to kill myself before Robert killed me. Maybe I’d turn around and taxi back to the Brooklyn Queens Expressway. In light of my sins, it seemed fitting to walk into oncoming traffic. I consider it but know it won’t work. The “BQE” as we affectionately call it is so congested that with my luck, I’d never get hit…So I knock.

    As he opens the door, I move to embrace him…” Wait! Lemme look at you.” he says. Seconds pass as his eyes travel the length of my body. Then like a kid in a candy store, he says, “Okay!” My overnight bag drops as I plunge my face into his chest, sucking one glorious whiff of the cigarettes and cologne on his freshly laundered shirt. I’m finally home, and this is so fucked up.

    I wasn’t the only one taking a risk this weekend, Jack was too. If caught, he’d face the wrath of a freight train, a locomotion of shame he couldn’t handle. His girlfriend was rabidly jealous, suspicious of every stray hair on his bathroom floor that did not match hers. Jack and I had stayed respectful. But on the very last day of class, he kissed me for real backstage, behind a curtain. It was spontaneous and special until he made a huge mistake. He told his girlfriend. She went ballistic, calling him every name in the book, throwing comparisons to her philandering father, and then threatening to tell my husband and destroy my marriage.

    I was not ready to be kicked to the curb. If my marriage was going to end, it would end on my watch, not with tantrums from a 20-something. I get it. I’m horrible. She’s the innocent victim, Anne Archer, and I’m bunny-boiling, Glenn Close in Fatal Attraction. But I hated her for threatening to invade my life. I had crossed the line, but not with her…Jack did. And by throwing that kiss under the bus, he was running me over too. For what? Relief of his guilty conscience? I was furious, but mostly at myself and my lousy luck. Out of all the men in the universe to have an affair with, I had picked the ONE guy with scruples!

    Cussing him out would have been futile. He made a mistake and couldn’t un-ring the bell. The person who should have been an angry, suspicious, freak-out mess – was Robert. Weeks prior, I had my brush with getting caught. Robert was a neat freak. Everything in our apartment had a place. Disarray equaled discontent. He came from spaghetti on the walls abuse, and anything that came into our apartment was put away – immediately. This included my class prop bag.  It contained my costume, wax paper from an eaten Italian sandwich, and all objects used in my scene. At the bottom of the bag was also a handwritten note from Jack. We agreed to do this corny exercise where we wrote each other notes in character.  It was my idea, and I wrote him a whopper of a love letter. My note to him was an in-your-face, admission of lust.  Jack’s note was different. It was simple, and sophisticated and concluded with the poem “What If You Slept” by Samuel Coleridge-Taylor.

    I was home no longer than 20 minutes before I realized Robert had unpacked for me. It wasn’t a favor; it was a violation. My prop bag was empty, not even a crumb from my Italian sandwich remained. That’s how thorough he was. I shook my head in disbelief and then remembered the note. It was not in the bag.

    “If something’s going on, you need to stop it.” That is what he said. I had fast-tracked it to the kitchen, like a zombie on speed. Now I’m standing here – caught like a kid, my right arm, elbow-deep in the garbage. He spoke low-voiced and parental. I remained silent and took my scolding like a pro as I let Jack’s note fall back in the garbage. We didn’t have sex that night. We never did. I lay there pretending to be asleep, then waited patiently for his first snore. Robert slept like a marine on watch, so I had to creep back into the kitchen without waking him. As I open the cabinet to the garbage can, I find remnants of Robert’s dinner splashed on my love note. I blot it off delicately, careful not to smear his handwriting. I flatten the wrinkled note as best I can. I could hide it, I thought, or ram it down Robert’s throat while he slept.

    Something in me turned that night, for what should have scared me straight, sent me crooked. It was not on purpose, or out of revenge. I gathered it was just my nature, bending me back towards the separation I’d always felt as a child. Why was I like this? I thought as I pumped my legs on a swing set. And where would this weirdness, “the left-out-ness” of my personality would take me? I felt akin to my guru, who shared stories of his grunt years as a butcher in the meatpacking district. I felt how he stood there, in a bloody apron and gut-splattered shoes, a reluctant Sweeney Todd, watching beatnik actors and would-be famous directors walk by his meat locker window.

    My pedicure was barely dry as I fly out of the Korean nail salon. I was slinking around the Upper East Side like a jewel thief passing time while I waited for Jack’s return. Closing his door with my wet nails, I feel my dream happening now, not in the past of our combined mistakes, or the future of whatever may never be. The brick walls of his apartment are warm like him – framed posters of all the movies he loves surround me. I soak in everything – his candles, his books, his oddness. With his return, we catch up on our uneventful day. And then I feel something bad is about to happen, like that moment before you throw up. He looks at me with the sobering awful truth in his eyes, “Meeting you was the BEST and WORST day of my life. Best because I met you, worst because you’re married.” In less than 24 hours, the laughter, the lovemaking, and the friendship will end. I’m back to the middle class, to second banana status in a dated musical in Burlington, Vermont.

    I want to stay in his place forever, but he won’t let me. “It’s not that I love her more, I’ve just been loving her longer.” That’s what he said. He was telling the truth, and I knew it. Now I’m the vampire reading his mind. He loves me. That’s the worst part. She’d just gotten there first. “Congratulations,” I say to myself. “You are the unfortunate recipient of less time in.”

    He was moving to California with his girlfriend. I was going back to Robert in Brooklyn, but not just yet. The curtain was closing on our silly little musical. Thank God, because I was starting to hate this show. But I loved my review: “Isabella Morana is the only actor in Bells Are Ringing, that plays an authentic New Yorker.” You see theatrically, I’m authentic, real-life…totally fake! I hadn’t the guts to leave my marriage or the wherewithal to stay and make it work.

    My husband visits me in Vermont for the last few performances. We’re staying in one of those generic motels, the kind where even the soap isn’t interesting enough to steal. I’m sitting on a flowery bedspread while my husband putters around our room. We were set on doing some crunchy granola stuff that day. Maybe we’d visit a covered bridge, a maple syrup factory, an open hole in the ground — who cares! I needed our day occupied, away from the awkwardness that had become us.

    I turn on the television while my husband changes his clothes. My summer top smells like Jack, but I refuse to change it. I want another whiff of him. I’m an adamant, adulterous, high-rolling bitch now. If Robert smells Merit Lights and men’s cologne on me, I’d blame my cast-mates. Chorus boys are notorious smokers. It was believable. I switched stations to the Mets who were losing, so I’m grateful for the break-in: “We interrupt this program for this special report. John Kennedy Junior’s small plane, The Piper Saratoga, is missing over the coast of the Atlantic. Kennedy was flying with his wife Carolyn and sister-in-law, Lauren Bessette. They left Essex County airport and were scheduled to land in Martha’s Vineyard, before continuing to a wedding in Hyannis Port.”

    July 17th, 1999 was not the glamour year Prince sang about. It was hot, weird, and getting weirder. I see too much open water and an empty blue sky on every channel. Helicopters and the Coast Guard are all out and looking for John. “But why are they searching the ocean,” I think. “They should be searching Central Park because that’s where he rollerblades!” Pictures start flashing on CBS: a shirtless Kennedy skating down Columbus Avenue, another shirtless shot – John playing frisbee on the back lawn of The Met Museum. Robert stops what he’s doing to watch with me. I read his thoughts before he speaks. He’s got this habit of regaling stories I already know; how he did private home catering for the Kennedys, how friendly and real they were, and on and on. His comments on the impending tragedy made me want to scream, “I’m the tragedy. I’d rather be him…MISSING…Free from explanations of my whereabouts, but wholly at peace in the knowledge that I…AM…Free.”

    Turn off the television. Let’s drive to the county fair. We’ll drown our sorrows in maple syrup. We would, but we’re glued to the set. John, Carolyn, and his sister-in-law Lauren are still missing, and the photos keep coming. Only now it’s the two of them: John and Carolyn leaving their apartment, at their wedding, walking into a gala, out of a gala. I notice how in almost every John is kissing her from behind, and how effortlessly his arm drapes around her shoulders. He was always turning her to the camera as if he were treating the world to the elusive beauty that was his bride. That’s what I’m missing, I think — someone who resembled ease, who wanted ME more than the IDEA of me. With every flashing picture of John, I realize the man I married was the opposite of ease. I chose wrong, and like the current disaster unfolding before me on national television, it was in fact, preventable.

    After two days of scouring the Atlantic Ocean, it surfaces…a piece of luggage with Lauren Bessette’s name. Then more pieces, bits of a rubber tire, some carry-ons, and finally the bodies; all three, upside down in the water, still strapped to their seats. The autopsy reveals that John, Carolyn, and Lauren all died on impact, a minor comfort in a sea of sorrow.  For years I’ve read accounts of every flight instructor, pilot, and disaster specialist. I became a non-expert, “expert” in all things crash-related. I had to know what happened. If I couldn’t figure out my disaster, I’d solve someone else’s. I’d find that fateful ejection lever that leads to the end. There were many details, and countless contributing factors that led to the crash: the traffic they hit, their late departure, the weather, and the moon. But in the end, it didn’t matter, for this domino effect of unfortunate events kept pointing back to one thing…John. He didn’t have the experience to be flying in that weather, on that low moonlit night. He fell victim to something called spatial disorientation. It happens to pilots who are visually trained, but not instrument-rated. John knew this and planned for a daylight departure, but the traffic Lauren and Carolyn hit in Manhattan would push them into a twilight departure. A flight instructor at the airport who knew John was inexperienced at night, offers to co-pilot. But John refuses saying, “I want to do it on my own.” John would be flying solo in the dark, relying solely on his senses. But instead of landing safely in Hyannis Port on that hazy July night, his senses send him 1000 feet into the Atlantic Ocean. He couldn’t tell Earth from sky and neither could I.

    The wedding of Rory Kennedy and Mark Bailey was postponed that day. I can’t imagine how that bride and groom felt when the celebratory atmosphere became funereal. How could they reconcile that the happiest day of their lives would be forever laced with what-ifs?

    I pictured the Piper Saratoga going down in that ocean as if it were my life. The pictures of that plane in pieces morphed into memories of my engagement night. I recalled how Robert knelt in the sand, on a small beach in Martha’s Vineyard with a poem, his nerves, and a tiny black box. I recalled the wild waves thudding the sand with the sounds of the upcoming storm. I laughed, remembering how uncharacteristically lit my future husband was — a combination of too many cocktails and proposal butterflies. And how utterly responsible his drunk ass was, as he handed me the keys to our rental car, “You’re driving,” he said. I remembered how blindly I drove into that dense fog, relying on nothing but my impaired vision to guide me. With my high beams on, I still couldn’t see. I was guessing. Instead of my senses guiding me safely down the road to our quaint hotel, they send me the wrong way, down a one-way street…right into the warning lights of a police car. I was caught, but not arrested, for Robert came to my rescue, taking my left hand and proudly displaying my sparkly new ring. “Please, let us go officer. See? We’re engaged.”

    July 19th, 1999 – The National Safety Board concluded that there was no instrument or navigational failure on the Piper Saratoga that night. John’s disorientation sent the plane into a spin, a graveyard spiral of epoch proportions, due to the pilot’s error. I had found my lever, in an answer that yielded no relief. The death of my relationship will always be synonymous with July 19th, 1999. You might say I was lucky, to never get caught, to land safely in the comfort of my slickness. I did it. I decimated my wedding vows. I did this to a man who was kind to me. That day, I knew my marriage was over. It took me six more years to leave the party.

    Feature Image: Jacqui Kennedy Onassis, 4 November 1968, London. Keystone Press / Alamy Stock Photo.

  • Fiction: Dos Lunas

    The Gallego, Dos Lunas, sat on the low wall of the Mirador San Nicolas hurling abuse at the tourists that passed him by. ‘Idiotas!!’ He shouted with his hand waving about in the air, until his mind soothed and he returned to the comfort of his can of Vol Damm (at 8% it was the strongest beer available in the Albaycin and his favourite beverage of all. Water, the elixir of life, flopped over the line a bedraggled second). His long black grey white hair fell about his shoulders which he occasionally used as a disguise by leaning forward, especially when the Guardia Civil were on their rounds. I said to him ‘Mira’ and started to sing Hotel California while pointing down the white painted lane at the orange orb sun, as it hovered over the branch of a tall palm tree. He laughed as he connected the song to the image and drank back the rest of his beer, letting out a long sigh in the afterglow of the gulp.

    As the first star appeared in the evening light, a young man approached us on the wall from the other side of the mirador. It was the head the ball Ignacio, resident of the road, almost toothless, wan and thin. He had been kicked out of his home in Valencia and after making his way south alone had been living rough on the streets of Granada. Dos Lunas noticed him and raised his can in acknowledgment of his arrival but said nothing else. Ignacio’s clothes, caked in dirt and dust hadn’t been changed for many days and his shoes were held together by miracles. I was sitting close by and heard their conversation. Ignacio asked Dos for five Euros to which Dos belched loudly whilst simultaneously managing to produce the word ‘no’. Someone nearby laughed. After the third time of asking Ignacio picked up his belongings and left, making his way down the cobbled path that leads to the Alhambra.

    One of the most spectacular aspects of Granada are its sunsets. As the day draws to a close the setting sun can sometimes be enough on its own but for the really spectacular ones what is needed are clouds. As I looked across over the Alhambra, I saw that one great cloud that stretched away like a canopy over the mountains had become an orchestra of light. Within the sun set, I counted no less than seventeen colours in the sky. How many shades I couldn’t tell. Perhaps thousands. Born from a blood red sun it danced its way west through oranges and yellows and greens and ochres, stretching its arms to a colour I didn’t know the name of, before pirouetting on a turquoise pillow, and finally it took a bow on a golden river of light.

    Dos Luna’s eyes glazed over as he stared into the middle distance. I was sitting next to him, untalkative and drinking also, as the sun thought about bed. In the summer, time moves differently in Andalucia than it does in other parts of the world. I had the slightly disconcerting feeling that anything that could happen probably would, but I was able to put my fears aside and we sat there boozing under the cloudless Andalucian blue. Dos Lunas seemed fixated on something on the other side of the mirador. It was as if he had seen a ghost. In the scope of his vision, balancing precariously between the past and the future, between regret and hope, was the veil that protects life from death. That is the veil that men named God. Dos Lunas had neither name nor care for such an entity. He felt that God had betrayed him a long time ago, so his illusion failed, doomed as he was to a certain reality. His eyes returned to the mirador and his expression lost its fire.

    He tilted his head slightly back and again drank deeply from the warming can. Again, the reaction in his veins apparent in his eyes. The dark nectar poured through his body chasing away his conscience for another moment, and then he burped loudly, lifting his leg only to replace his foot on the cobbles, immediately fearing he may follow through. He knew that he hadn’t eaten anything but rubbish in the last week, half eaten sandwiches gifted to him, left over tapas outside the Albaycin bars, that kind of thing. He suddenly became at ease when he realised that he hadn’t shit himself in public and a smiling countenance returned to his face. A woman walking her Pomeranian nearby reeled slightly in disgust as his gnarly teeth became visible in his smile. “OOP EEE!!” He sang out as they made eye contact. She extended her middle finger at him as if she were simply waving hello and carried on down the steps without altering her pace. Her bluntness made him laugh out loud. Tears of joy welled in his eyes. For Dos Lunas mirth and offence were often intertwined. He finished his can with a crushing fist and tossed it against the side of the adjacent bin. The two recently arrived Guardia Civil officers either failed to notice or tried to ignore the attempt. They knew him well. For thirty long hot years he had made the Mirador San Nicholas his home. He had seen them come and go. The two officers looked over at us, arms folded with their guns in their holsters, presumably ready to fire at a moment’s notice, or what’s the point? It was often hard to tell their intentions as their eyes were permanently hidden behind dark glasses. They knew as well as us that the eyes were the window to the soul.

    It wouldn’t be long before those old demons would be back to claw at his brain like the hungry cats the old gypsy woman shooed away with her straw broom outside her cave house up in Sacramonte. It was a cave house Dos Lunas knew well, but only from the outside, having passed by it a thousand times on his zig-zagging walks home to his own cave, which was situated on the far side of the hill. The walls of the old gypsy’s cave were patterned with blue China plates and red and yellow flowers. There was a certain aesthetic, a certain beauty about her home where the old gypsy woman had lived since she was a little girl. Now well into her nineties she had looked out on this city since before the name of Franco was even a whisper. Dos Lunas had never been invited into her home. In a way, he feared the gypsies, and lived outside their world. She thought he was slightly mad, but not dangerous, like almost everyone else in the barrio did.

    There were times when the sun was high in the August sky that the demons he housed in his brain would begin to boil and bubble his mind, like the hot cobble stones under his feet.

    “Idiota!!” He shouted out.

    “You’re the idiot!’ Someone replied and he laughed again, glad of the interaction. I was becoming increasingly embarrassed by his behaviour and wondered if one day my friendship with him would result in me getting beaten up. It was possible. Some people court disaster more than others. And there are people who are simply dangerous. He took the opportunity to ask for money from a passer-by and another middle finger was raised firmly in his direction.

    Work to him was as mysterious as heaven. He saw others engage but had no evidence of it himself. He regularly saw the bin men and road sweepers doing their rounds but paid it no mind. He had turned loafing into an art. His aversion to work put the flâneurs of Montmartre to shame. He was now in his sixties and had been punched many times, (on no less than twelve occasions in the face), as a direct result of his method of instigating conversation.

    He knew that this wall that he sat on all day, every day, was in the heart of the tourist quarter, and that those that he interacted with he would almost certainly never meet again. His actions were soon forgotten, which is perhaps why he repeated them so often. Many timeless summers had passed since his first day in the Albaycin. Long, short years. He was young when he arrived and the glowing sense of joy he felt as he looked out on the Alhambra, framed by the snow tipped mountains of the Sierra Nevada, put a kind of lock on his soul. But that was thirty years ago. Or “thirty fucking years” as he was fond of saying. The arduous living of life sometimes felt to him like eons, with its tedium and sorrow, but its recollection as old age approached felt like a fleeting moment in time, all those years lived, only a lightening flash over an ocean storm.

    The truth was that when the sun was hot in the sky and he had enough money to drink and smoke, he didn’t fear death. It’s true. He would often say it. ‘No tengo miedo.’ And his eyes would glaze over, truly unable to understand the conundrum of deaths reality. But when winter drew in and the nights turned cold and he felt the long years he had lived as cold in his bones, and all those hungry mornings came begging, he would whisper secretly to the cobbled ground ‘I am scared.’

    One day in the middle of August he asked some hippies that had just moved into the caves if they had a cigarette paper. He grumbled and cursed when they replied in the negative. ‘Hippies de mierda’ he said. It was a solid part his life now, to beg, and he had resolved many years earlier to accept the rough with the smooth. Ten or so minutes later he saw a cigarette paper tumbling across the cobbles in front of him but he was too lazy to get up and fetch it, and when he asked someone else to do it and they refused, he grumbled a moan tinged in bitterness. I went and got it for him. He said thank you as I passed it over to him but I wondered if here was a man who thought he had learned all the lessons life had to teach him, which is why he sat in the same place, doing the same thing, day in day out, through the changing seasons, year in year out. The superior attitude he had towards menial work was what had beggared him. His grandiose dreaming, the beating heart of his vagrancy. He was not the only one in the Albaycin guilty of this.

    Noon came and went and by two o’clock when I returned from the shop with a fifth consecutive litre of Alhambra the fierce sun was high in the sky. It was one of those Granada days where even the stray dogs wouldn’t leave the shade. The electronic thermometer near Plaza Nueva read forty-eight degrees. The Granadino’s had absconded to the coast and left the city near empty.

    Just before midday he saw a flash of light on the floor and to his amazement, he noticed a two-euro coin someone must have dropped. His heart leapt and he whispered under his breath, ‘God will provide’. He was always willing to denounce his atheism for money or drink. On that occasion he did move, but not to the shop, he got someone else to do the errand for him. The old Gallego was fussy about the coldness of his beer, a trait found in many who inhabit the region of Andalucia. When he felt the ice cold can of Vol Damm against his leather brown forehead he tingled with familiar glee. There would be life.

    He hadn’t returned to Galicia for decades and it was starting to show in his soul. Strange he never left Andalucia for a man that loved the rain as much as he did. There had been no rain in Granada for months. The Galicians are a sea-faring people, as his own ancestors were, but he was anchored in the mirador. I looked over at him and thought perhaps it was the memory of the sea that kept him in the mountains. Perhaps something bad had happened that he had put to the back of his mind. I looked again at his silent, half-drunk expression and knew that the truth, in all likelihood, would never be known.

    The police took their time but eventually got in their car and drove away. I sat by Dos Lunas on the baking hot wall in the silence of the siesta drinking cold beer and feeling young and happy. Looking out on the snowy mountains of the Sierra Nevada’s above the Alhambra never quite fails. He was wearing his shit-catchers and a vest T-shirt (no doubt gifted to him by someone or other). His clothing revealed the young man still in him, the one that wouldn’t relent. He seemed fully alive with the new can of cold Vol Damm. With another drink, another momentary lease of life.

    At the middle of the siesta the mirador was empty save for a few people with nowhere to go. There was no-one there to call idiot, except of course for myself, which he obliged when the can had been drained and he had crushed it in his hand and thrown it at the full bin, doing nothing when it tumbled to the ground with some other detritus. He burped loudly, farted callously, (all previous concerns about shitting himself had vanished) and then the same old vacant expression came over his face as he wondered where the next drink would come from.

    He began to check through his pockets as one of the blow-through hippies that had recently arrived up in the caves in Sacromonte approached him, nervously playing with one of the metal rings in his dreadlocks. The story the man had to tell brought a black cloud to the clear sky. The mad Ignacio, the slender youth with burning blue eyes and tanned skin who wandered around the Albaycin looking for food in the bins had been murdered the night before. Two differing stories emerged about the method of execution. One said he had been stabbed to death by a gang, the other version, told by another man who had arrived by the wall a short time later, said that he had been killed while sleeping during the night by the stream that runs under the Alhambra by someone throwing a heavy rock down on his head, crushing his skull. The hippie was unsure. That’s what he told Dos Lunas. One thing was for certain, Ignacio was dead, the death confirmed by others, including the police. I looked over at Dos Lunas and saw that all the mirth had been extracted from his soul. The Gallego’s face was weighed with sorrow. The burning sun had lost its charms as Dos Lunas began to tremble.

    The hippie retreated when he saw the Gallego’s mood suddenly change and he violently launched his foot out and kicked the bin in frustration. The empty cans that teetered on the top scattered on the ground and the noise of the clattering turned heads. I thought a drink might calm him down so I suggested we walked to the shop and get a beer. He was too lazy, so I performed the simple task alone. I looked down and saw the sun tan on my arms was coming along well. Sad tale I thought, on the walk down the cobble lane. The bright day, and the colourful flowers, reds and purples and blues and greens in the pots outside the houses made me forget the terrible event for a while. The heat provided me with a blessed, constant thirst. That was life in the summer for us in the Albaycin, cold Alhambra from the bottle was just petrol for the car, without it, moving was impossible. When I returned with the beer, I saw the solitary figure of Dos Lunas hunched up and bent forward like a crooked old lady. The embers of his eyes had been extinguished. He had retreated completely within himself. I passed him a can of Voll Damm and to my amazement he didn’t open it.

    “Something wrong?” I asked.

    “He was my son” he said.

    Feature Image: Miquel Rosselló Calafell

  • Poetry: ‘hospital suite’

    From hospital suite

    One

    no matter
    how

    the oak ward
    is word-less

    the light buzz
    of a garden

    through terminal
    windows

    without logos

    _    rationalise

    brother
    at rest

    _    through doors
    _    down corridors

    _    the sheen of
    _    sterile floors

    feet walking away

     

    Two

    angel
    _    blue light

    so
    _    far

    angel
    _    night-blue

    giro-phar
    _    your star

    is

    a light
    _    lightly here

    a light thing
    _    to bear –

    a way

     

    Three

    man seeks terminal
    illness for

    brief but
    arduous journey

    _    must like people
    _    must have own transport
    _    staying power
    _    clean license

    Damien Lennon was Cassandra Voices Musician of the Month in July, 2020.

    Feature Image: Daniele Idini

  • Murphy Walked into the Bar

    It was just after opening time when Murphy walked into the bar. He wasn’t welcome at any time of the day really. The Fat Landlord’s lazy wife, a picture of early morning sourness probably let the nuisance in, but who cared? It certainly wasn’t me. She was a miserable, cold unfriendly woman affectionately known as Choc Ice Lil. She rarely spoke, and never ever smiled.

    The bar itself was an ancient Edwardian masterpiece of metropolitan public house architecture. It was a pub by day, and a venue at night. Once a collection of snugs, billiard and dining areas it now consisted of two vast rooms, separated by a large square bar. Pulsing lights, throbbing speakers and yard upon yard of dangling wires now disgraced its crumbling ornate pilasters and fine baroque ceiling.

    Murphy paused in the sunlit open doorway scanning the long empty space before him. To describe him as a scrawny necked wreck would have been a kindness. Murphy had spent years living on the streets before ever I knew him, and it showed. Loose skinned and old enough to have lost several teeth he was as decrepit as the pub was.

    A long shadow of him now stretched across the greasy red carpet giving the remarkable impression that he was at least nine feet tall, which he wasn’t. Framed in dazzling sunlight the strange illusion of a giant Murphy cast across the empty bar was very soon extinguished. Instantly snuffed as the brown heavy door with head shaped dents in its leaded panes, bearing hints of dried blood closed silently behind him.

    The emptiness was an illusion too. As Murphy’s eyes slowly accustomed themselves to the natural order of the light inside, he would see that the early morning bar was not quite so vacant after all.

    I was there.

    I’d been working till past three in the morning the previous night, doing the sound desk for an astonishingly amateurish death metal band called Bugger Babies. Enthusiastic and young its members took themselves far more seriously than their dreadful racket could ever warrant. I was back by opening time, slightly shaky and enjoying the nutritious charge of a breakfast Bloody Mary. Extra Tabasco pepper to clean the mouth and put fire in my belly. I was waiting as usual for our very own host, The Fat Landlord to surface from his morning slumbers and pay me my money for the night.

    So I was there, unnoticed and unpaid in the musty corner facing the damaged door, and The Lion Tamer was there as well.

    I think his name was Dave. He was the doorman/bouncer in the bar and I’d actually known him for several years, but like most regulars he carried a moniker. Names in the bar were given, not told. He perched on a tall barstool like a giant daddy long legs. His tiny kneecaps pointing in opposite directions as his open legs splayed against the dark panels of the square wooden bar.

    Murphy was halfway across the floor before he even noticed there were people on either flank. He paused, and a slight nervous twitch showed upon his face before he broke into an exaggerated jaunty saunter towards the bar. Then, launching himself onto a nearby barstool, sideways to me, and facing The Lion Tamer, Murphy licked his skinny lips and stared.

    The Lion Tamer was a tall, solid, gawky looking man of well over six foot. His long spider legs and monkey arms were wrapped with sinewy muscles, like the intertwining strings of a sailors’ hairy rope. His feet and hands were unfeasibly large. The hands were a mass of gristle and scar tissue. Flattened knuckles and broken digits pointed crookedly in several directions, as if he’d been typing all day and his fingers had frozen in mid sentence.

    His huge feet were encased in dull black boots that looked like two leather ammunition boxes, and would anchor his towering frame to the floor. But it was his face that made him unusual. It was ordinary, even quite benign looking at times. Stuck on the front of a too small head. A face without mark or blemish. When he wasn’t being the doorman at various cheap clubs like ours he was a bare knuckle boxer in late night warehouse fights, and he must have been good at it.

    The Lion Tamer had a trick he used to show to the punters, especially those who he thought he might have a bit of trouble with later. He would line three coins carefully along the back of his hand. Then he would quickly flick them into the air and snatch each one of them individually with the same hand before they fell to the ground. It was a neat trick, and it carried its own unsubtle message. The Lion Tamer wanted you to know something. He wanted you to know that in the length of time it takes for a coin to fall to the floor, he could punch you three times.

    Murphy continued to stare. Apart from occasionally running his dry tongue round his lips again he did not move at all. He sat with his long bony spine completely straight and perfectly aligned to the square legs of the wooden barstool. It was like he was an extension of it. Murphy and the barstool, fused into one immovable staring object. I don’t know why Murphy stared at The Lion Tamer like that. It was odd.

    I mean anyone at all who drank in the bar could tell you The Lion Tamer didn’t really like Murphy all that much. It was even more confusing  because Murphy tended only to stare at people who gave him things, and who he trusted would be obliging enough to do so again. In fact it seemed to me to be his own unique and favourite way of asking for anything. Murphy would just sidle up to someone, touch their arm and then stare dolefully until they couldn’t stand it anymore. Eventually they might give in and offer him something, usually something he could immediately consume, but sometimes more, if he was lucky.

    Murphy was always in the bar on a Sunday lunchtime. That was when they put out bowls of sea food, cockles and stuff on the bar, free to help yourself. Murphy would help himself alright if he could. He had a particular thing for the shell on prawns. He actually liked eating the heads as well. It was fascinatingly disgusting to watch him cracking the hard pink exterior with his few remaining teeth and sucking the rich fishy stew from inside. He couldn’t get enough of them, but it did nothing for his halitosis.

    Some people spoke to him but I didn’t. I couldn’t see the point really. I found him interesting enough and I saw him alright when I could. You could say we sort of shared the same living space even. Murphy came and went as he pleased though, and in truth I wasn’t really all that bothered about him. It certainly wasn’t possible for me to engage him in any viable, intelligent conversation as such, and I didn’t pretend to try.

    So there I sat watching from the gloomy corner. Waiting to be paid and struggling to guess what on earth Murphy thought The Lion Tamer was possibly going to give him. Whatever it was, from where I was sitting I couldn’t imagine it being anything less substantial than a swift and hefty kick up the arse.

    The Lion Tamer was not very well known for his bonhomie as it goes. He was now showing some pretty clear, and menacing signs that he didn’t really want Murphy to keep on staring at him like that. Murphy on the other hand showed no sign that he understood any of this at all and just continued his relentless staring down of The Lion Tamer.

    Finally he could take no more. Just as he was running his red tongue slowly round his narrow lips again, The Lion Tamer suddenly leaned over and poked his own one out. Murphy looked genuinely shocked. His tongue paused in its circular journey round his lips but now protruded from them foolishly, and in a similar gesture to that of The Lion Tamers’.

    There for a few long seconds they sat, eyes locked and poking their tongues out at each other. Murphy’s eyes wide open with surprise and The Lion Tamers’ half closed, and narrowed with intent. I sensed that Murphy was about to attempt a rapid exit from the bar sometime very soon and I was poised and ready to grab him when he did.

    Just then there was an all too familiar tap tap, tap tap sound fast approaching the bar in staccato quickstep. The bar room door suddenly flung open at the same time as a painful, high pitched screeched “Helloooo” assaulted our ears like a dentists screaming drill. The Tightrope Walker entered, spinning coquettishly into the bar. Her six inch pencil thin stilettos, silenced now by the aged Axminster were certainly no less obvious.

    Tightrope skeetered across the floor, like a marionette on a gyroscope. Brassy, blonde and now in her late forties Tightrope was a woman who would take no prisoners. From the moment she arrived anywhere it was immediately and sometimes painfully apparent to everyone else in the building that she had. She would have it no other way. Age and the drink had left but a vague imprint of the earlier sex grenade she had undoubtedly been. She was however, still explosive. Tightrope could hurl herself confidently into any congregation, like an immortal suicide bomber. Burning shards of her barbed wit sliced easily through any crowd she encountered, cutting them all to size without mercy or care.

    She could still draw men to her in an instant alright though, like flies to a cow’s arse, and she could shrivel a dick just as quick. She would cavort, cajole, flirt and entice. Thrilling and daring her gawping spectators to join her in her own hedonistic whirl of imminent self destruct, only to cast them casually to the ground. Tightrope would remain of course, teetering but intact in the limelight.

    Whenever Tightrope was around and wanted to play you knew for certain sure that someone somewhere was going to take a tumble.

    So Tightrope burst exuberantly into our small gathering, Choc Ice, The Lion Tamer, Murphy and me. Her eyes immediately lit upon Murphy. Surprisingly, and despite her hard exterior she did have quite a soft spot for him. I could never quite understand this one and Tightrope wasn’t the only woman who used to dote on Murphy. In fact he seemed to attract quite a few women, but if you ever found your face too close to him, you’d find he stank a bit. I’ve been told it’s a maternal thing. Somehow Murphy was some kind of surrogate for the children they never had. I found that thought quite disgusting myself.

    Tightrope certainly had some maternal affection for Murphy, which quite frankly baffled me. Anyway, whatever the reason, Tightrope made a direct beeline for him and poured herself onto his neck with that awful mawkish, “Awwwwww,” usually reserved for babies and cuddly toys. She then planted a long squeaking kiss on the top of his beaming head as a sort of bonus.

    Now this was all fine and dandy, even if a little peculiar to my mind. There was just one complicating factor that promised to add that little bit more excitement to the mornings’ entertainment. The complicating factor being that Tightrope was currently The Lion Tamers’ girlfriend, and The Lion Tamer was a very, very jealous man.

    I’m sure that Murphy didn’t realise any of this at all. He simply wouldn’t be capable of understanding how The Lion Tamer might think or feel about anything. The personal lives of people in the bar were meaningless to him. But even if he could read The Lion Tamer’s mind, the idea that Murphy could pose the merest waft of a threat to him about anything at all was just wrong.

    But then jealousy is a funny thing.

     

    The Lion Tamer had a very strong sense of propriety actually. He had his own very rigid code of ethics which he stuck to like they were The Ten Commandments. Only he had just three. He told them to me late one night when we were having a drink together, hours after the bar had closed and all good folk were long abed.

    In his slow, deep ponderous voice he leaned ever so slightly drunk into my face and said,

    “There are three things you must never never do to me. You must never rob me. You must never lie to me, and you must never, never never ever, talk to me while I’m eating”

    So there we all were. Murphy, The Lion Tamer, Choc Ice, Tightrope and me. Me still waiting for the Fat Landlord to pay me my money and getting a bit hungry now. So I decided to have another filling Bloody Mary, but this time with a packet of crisps. I was beginning to enjoy this. The whole ridiculous spectacle of The Lion Tamer wriggling around on his stool fuming like a stovepipe was just too good to miss.

    Tightrope cooed and fawned over Murphy, completely indifferent to The Lion Tamers presence. I noticed a small blood vessel pulsing on the top of his shaven head which reminded me a little of the valve on the top of a pressure cooker. Eventually he cracked and standing up said, “Oi! What about me then?” This was met, or rather ignored by Tightrope plonking yet another kiss on Murphy’s head. She then responded with something to the effect that The Lion Tamer should immediately buy her a drink and that he was also a bastard, which he duly did.

    Tightrope was very good at getting men to buy her drinks as it goes. Like the Lion Tamer she had her very own special bar room trick for the boys.

     

     

    Tightrope would go into a bar somewhere and spot a group of chaps out on the town. She’d teeter past and “accidentally” spill one of their drinks onto the floor. She would squeal and say she was very sorry. She would buy him another drink. It was her birthday. She didn’t normally get to go out very much. Then she’d add she might be just that, tiny tiny, weeny bit tipsy. All this followed up with plenty of eyelash flutter and a quick totter on the high heels. Her womanly bosom would squash against his manly chest of course, and her hand would steady herself casually upon his bum. Ten times out of ten her mark would be buying her the drink. “Oooh thanks darling, a large Vodka and Tonic please, ice and a slice dear.”

    She knew how to spot them alright. Rumour had it that that’s how she met The Lion Tamer in the first place.

    So there was Tightrope, standing next to Murphy with her drink in one hand and the other one casually stroking the back of his neck. She continued to fawn like an adolescent schoolgirl over Murphy as wafts of steam continued to rise from The Lion Tamers’ ears. While all this was going on Murphy still had his back to me and was completely hypnotised by the soft caresses on the back of his neck. Then it happened.

    Murphy ceased gazing adoringly at Tightrope for a moment and looked over towards The Lion Tamer. Since the arrival of Tightrope he’d taken over Murphy’s previous activity of staring and momentarily their eyes locked again. For some reason this appeared to trigger something in The Lion Tamer, and he began to rise slowly to his feet.

    The whole bar jumped into the air as there came a terrific rumpus and banging on the small side door leading into the bar. The one that nobody used anymore. It was unusual in that the handle was on the opposite side to where you’d expect it to be, but it still opened inwards as all doors do.

    Whoever was on the other side seemed to be frantically pulling at the handle towards them, while simultaneously kicking the door forwards in the opposite direction.

    We couldn’t see any of this of course. The entrance was sealed off from the bar by a heavy blackout curtain. This stretched in a curve from the door to a cast iron support pillar standing by the bar itself. Anyone entering there would find themselves in a small darkened closet area completely surrounded by a blackout curtain, which incidentally opened on the bar side for exit and entry.

    Eventually we heard the door burst open and the sound of our visitor tripping on the step and hurtling themselves heavy footed and rapidly across the floor. A single dull clang announced their precise moment of contact with the iron pillar. We then saw a great flurry of the curtain as the person behind it made their way back from the bar where there was an exit, towards the opposite wall where there wasn’t.

    Once there we witnessed what appeared to be a fight going on behind the curtain before the hapless visitor blindly felt their way back towards the bar and eventual escape. A further short flurry of curtain followed before a large sweaty head, topped with a pork pie hat burst breathlessly through. Red faced from his exertions and red nosed from the drink, he had an impossible grin and mad eyebrows. It was Coco the Clown.

    Swinging a bulging Bag for Life as if it were a counter balance the rest of  Coco swiftly followed. What came next in fact was a short obese man in said pork pie hat wearing cheap pinstripe trousers an inch too short and a grotesque green checked jacket. An orange T shirt proclaiming,” SAVE THE WHALE” in large bold letters across his chest and, “A SEAT ON THE BUS” written underneath, completed today’s ensemble. One thing you could say about Coco was that he didn’t have good fashion sense.

    Another thing you could say about him was that he had stupid feet, and he fairly flapped his way into the bar.

    I thought The Lion Tamer had incongruous kippers but Coco’s were in another class entirely. It was a wonder he didn’t fall over his feet more often they were that big.

    Coco was a wonder on the dance floor, and he often had significant amounts of it all to himself. I’m told he used to be a very good swimmer as well. Anyway, his feet seemed to have paddled himself right up shit creek here and Coco’s entrance could not have been worse timed.

    Blowing effeminate kisses to Murphy he pranced smilingly into the company. Now The Lion Tamer didn’t like that sort of thing at all and he already had another beef going with Coco anyway. The jigging vein on his head, which was already going like the clappers suddenly accelerated into a near perfect Fandango. Even Coco couldn’t fail to be aware of the penetrating glare emanating from the opposite corner of the bar for long. Eventually he stopped popping silly little kisses at Murphy and looked up, square into The Lion Tamers fierce, unwelcome gaze.

    Now apart from his red nose Coco had quite a pallid complexion at the best of times. Watching his face drain instantly from a light pastry to an urn ash grey was something I’d never seen before.

    Coco, among other things was a leading member of that noble band of cowboy builders that grace our green and gullible land. He could turn his hand to almost anything. He could mix concrete, do a bit of brickwork, carpenter, even put in the electrics, and he made a complete pig’s ear of the lot. In fact it wasn’t his appearance that earned him the name Coco the Clown at all. It was his remarkable skill in bollocksing up just about every job he was ever given.

    Typically he’d turn up ok the first day and do a fairly good job. The second day he’d be gone by lunchtime to buy tools or something. You can forget the third. On the fourth he’d turn up at eleven and need a sub to pay his rent. Then you wouldn’t see him until he was broke again.

    The job goes on so long that it never actually gets finished. Eventually someone else has to come in to complete the work and repair any damages the idiot has managed to do.

    How anyone could be stupid and trusting enough to employ Coco to do anything at all was frankly beyond me. But this of course was why The Lion Tamer was not at all so very pleased to see him today. The fact he’d come in smiling didn’t help one bit.

    Somehow Coco had recently managed to blag a few days’ work doing a bit of plastering round The Lion Tamers house. Typically of course, he had left quite a bit of mess on his nice new carpet. The Lion Tamer wasn’t very happy about this at all. Only yesterday he had to retrieve Coco mid drink from the bar and politely suggest to him that he might like to straightaway come back and clean it all up again. Well, Coco miserably got hold of an old carpet sweeper from somewhere and once back at the Lion Tamers’ he began to push it along, sweeping up his scattered bits of rubble and plaster.

    Still dreaming of his unfinished pint no doubt he was pushing along as fast as he could when he felt the rollers stiffen. Undeterred and too bone idle to actually stop and clear them of plaster he carried on, pushing even harder than before. Pausing to wipe unearned sweat from his brow Coco briefly glanced behind him. It was then that he discovered why it had been such hard work pushing the sweeper. Somehow during the course of his slovenly labours a piece of Stanley blade had got stuck in the roller. Coco had just cut a six foot slice straight up the middle of The Lion Tamers brand new bit of Persian.

    So there we all were, Murphy, The Lion Tamer, Tightrope, Choc Ice, Coco and me. The Lion Tamer positioned three coins carefully along the back of his hand. Raising one crooked finger into the air he beckoned poor Coco towards him. His smile upturned now Coco slowly removed his hat and gently placed that and his shopping bag on the nearest table.

     

     

    Then, shaking like old Shylock he took his more than several pounds of flesh up for negotiation with The Lion Tamer. I reckoned his best bet now was to rely on his solid reputation as a professional idiot, and hope to gain some sort of staff discount or something. With a bit of luck there could still be plenty of him left. In truth though I had the near certain feeling that I was about to witness one of life’s great clichés, the tears of a clown.

    Tightrope had sensibly turned her back on the proceedings and was repeatedly pumping pound coins into the fruit machine. Choc Ice was totally absorbed smearing bacteria round a dirty glass with a manky tea towel, and would see nothing. Murphy didn’t know his own good fortune. I could see Coco pleading desperately with The Lion Tamer but his face remained stony and unmoved. A long silent pause filled the room with an unbearable tension when suddenly he flicked three coins high into the air.

    Pandemonium finally broke out. A great shout of, “Oi! You thieving little git!” bellowed across the bar.

    It was Coco.

    Spotting an opportunity Murphy had slipped unnoticed off his stool and made his way over to Coco’s bag on the table. Caught red handed, he was having a right proper rummage through everything he could find.

    Coco came running furiously round the bar, faster in fact than his oversized feet would allow. His bulbous nose crashed into the carpet as Murphy fairly scampered off towards the gents toilets to escape. This seemed to lighten The Lion Tamers mood somewhat and he fairly roared with laughter.

    Breathless with rage Coco clambered to his feet and looked inside his bag. “Flipping hell” he yelled. “He’s only gone and had me bleedin’ prawns away!”

     

    The Lion Tamer slapped his thighs and roared again. “He’s had you. He’s had you alright”, was all he managed to say between triumphant blasts of laughter. Coco, with his nose even redder than before, stood glaring angrily at the toilet door.

    I knew Murphy wasn’t hiding in the Jacks.

    There’s a door back there leading into a small enclosed yard where the empty barrels and rubbish are kept. I’d taken a few crates out earlier for Choc Ice so I knew it was left slightly open. I also knew Murphy had used that particular exit many times before.

    He was no spring chicken alright but Murphy would have been out, over the wall and far away by the time Coco had even counted his missing prawns.

    The Great Prawn Robbery would be told and laughed about in the bar for weeks to come. The Lion Tamer finally managed to declare he’d never really liked Murphy all that much before, but he’d gone right up in his estimation now. Wiping tears from his eyes, and evidently in a better mood than before, he made Coco an offer he couldn’t possibly refuse.

    The Lion Tamer had just got hold of an allotment. Coco was to dig it all over and paint the little shed as compensation for the carpet. Furthermore, he was to buy Murphy his own large bag of prawns every Sunday lunchtime until The Lion Tamer told him otherwise.

    Justice of sorts being served The Lion Tamer turned his attention back towards Tightrope. She in turn informed him he should immediately buy her a drink, and that he was also a bastard. Planting a kiss on his head she added reassuringly he couldn’t really help it, and that she loved him anyway.

    A crestfallen Coco was putting on his hat in readiness for his second trip to the fishmongers and I was losing hope of seeing any money that day. It was nearly lunchtime now and The Fat Landlord had still not surfaced. I decided to go back to bed for the rest of the day and try again later.

    It was only a short walk from the bar back to my flat. There was some instinct or smell or something that told me I was not alone. I was being followed. I had a strange sensation of something running past me, just out of sight as I cut across the play area.

    It happened on the stairwell on the way up to my flat as well and there was a short familiar snap sound like a large mousetrap going off. I was glad when I put the key in the door and got safe inside. I knew what was coming next.

    I walked the few short steps into the front room. The curtains were closed and there on the sofa, staring into the unlit gloom was Murphy.

    Our eyes briefly met and I made my way into the kitchen to get a can from the cupboard. I’d barely begun to open it before Murphy suddenly leaped off the sofa and came running top speed into the room.

    I could feel him writhing and weaving himself round and round between my legs. I emptied the contents into his dirty old bowl and placed it on the floor by his saucer of milk. Then, for the first time ever, I actually spoke to him. Bending down, I scratched behind his ear and looked deep into his eyes and said,

    “I love you Murphy.”

    Feature Image: Lyonel Kaufmann

  • Poem: ‘If I Could Only’

    If I Could Only

    I dream of roses blooming in the sky,
    of boys with guns, of body parts slung
    over broken toys in some unholy rite.
    And through mind-searing noise, I hear
    the  wail of mothers keening for their young.
    I dream of hell.

    But when dawn breaks,
    I wake to find that, silently,
    a veil of snow has fallen in the night.
    No severed limbs,
    no sightless, disembodied faces.
    Just snow.
    Its cooling calm fills all the small, slight
    spaces where, yesterday, deep shadows
    seized the waning light.

    No bombs. No blood.
    Here every twig is dressed in vestal white;
    and even while the cold-eyed, brooding
    dawn still dawdles into day, the sky is bright
    with snow, caught by its primal purity –
    the indrawn hush.
    This lustrous, arcane alchemy:
    the mint-ness of a clean-wiped slate.
    It seems a consecration, soft as
    the laying on of hands. It bears the grace
    of prayer – an urgent dream for respite
    everywhere.

    If I could only catch it up, reach out
    and gather in this white of new-washed
    sheets, flung over fields and trees;
    garner it in, then loose it on the scorching,
    hope-burned world. Stifle the fires and guns,
    the screaming drones. Re-write the
    countless stolen, rubbled lives.

    If I could only soothe this quenching
    silence over all the weeping and the
    wounds; make real this gift of new
    beginning. Of absolution.
    This unflawed state of grace.
    If I could only.

    Feature Image: Francesco Goya, Y son fieras (And they are fierce or And they fight like wild beasts), c. 1810.

  • Fiction: Change

    Neil went to tea break for the gossip, to find out what was going on, although he screened out the small talk about football and politics. The canteen overlooked the carpark with the smoking shed at the other end – another good source of information. It was raining the day he heard a replacement boss was coming at the end of the month. She was something new, a bit of an innovator. The rain continued as the men discussed this new woman. Some were dismissive of anyone making a difference. Neil was silent. Sometimes change was a good thing, there was certainly no point in avoiding it. He had joined the organisation five years ago after college and he still daydreamed about the future. Nothing would stop him, he smiled slightly. He had his plans and maybe this new woman would help him.

    By three thirty the rain had stopped, but the roads were flooded, pooling around the drains in large puddles. It was dark when Neil got on his bike to cycle home and, on the way, he was soaked through by unforgiving passing cars. His mother was in the kitchen boiling potatoes the windows running with condensation.

    ‘I have a lamb chop for your tea,’ she said accusingly.

    Neil took off his backpack and hung up his wet jacket in the hallway.

    ‘How’s the captain of industry?’ his father asked amiably as he passed.

    One day Neil thought, they’ll all see. He ate his dinner without comment reading The Evening Herald unenthusiastically and then went to his room. It was his belief that things would change, his life would be transformed. He was certain of it.

    The office was a large room on the third floor. Desks were mainly clustered around the windows with managers discreetly hidden behind wooden framed screens. They were the middle managers; the senior managers had their own offices filled with books and manuals of all kinds. One of them kept a full set of golf clubs leaning against a cupboard under the window while a framed picture of Humphrey Bogart in Casablanca hung on the wall. Neil wasn’t even a middle manager; he was an executive assistant which meant he was a nobody. In the afternoons after lunch he let his thoughts wander to his amalgamation project. Imagine consolidating all the programmes and centralising the funding. Think of the savings! He’d done the research, and it was possible. Why had no one thought of it before? It came up at his last annual appraisal. They were in the process of discussing his Key Core Deliverables when he took out his folder with all his ideas and the costings to back them up.

    ‘That would be a matter for Corporate Affairs,’ his supervisor said primly.

    Neil shouldn’t have expected more from Amanda. She’d been in the job so long she could remember when they’d worked things out on their fingers.

    Down in the pub he complained to his mate Kevin.

    ‘No one can see the bigger picture,’ Neil said taking a gulp of his pint. ‘They’re all so busy squirrelling away at their own jobs no one puts their heads above the parapet.

    ‘Good way to get it shot off,’ Kevin said glumly.

    ‘What do you mean?’

    ‘Well if nobody does anything then nobody makes a mistake.’

    Neil had to admit to himself that Kevin was right. He was having doubts about spending much more time in the place anyway. He’d already done two competitions for promotion without success largely because Amanda had commented that he needed to improve. She said he needed more training to bring him up to speed on the organisation’s mission and objectives. It was a polite way of saying he didn’t know his job, but the idea of training wasn’t a bad one and he toyed with it over his ham and cheese sandwich in the canteen. He thought about the training courses he’d done so far in management skills and accountancy. He really needed to get a qualification like a Masters of Business Administration. Meanwhile the replacement manager was due to arrive on Monday. Rumours spread wildly, on the one hand describing her as a ruthless manipulator to a listening ear on the other. Neil decided to wait and see.

    Over the weekend he googled admissions criteria for an MBA. None of the colleges were taking applications until the spring, still it was something to aim for. He took out his C.V. It wasn’t impressive. For the last five years he had been working for Amanda in the same job. It didn’t look good, and HR had blocked his application for a transfer because of his poor performance at his appraisals. On Monday Kevin emailed him:

    ‘Just met the new boss. Her name is Stella Reynolds, and she has the corner office across the hallway from the D.G.’

    So she was a highflyer, well that could be a good thing.

    Usually Neil didn’t discuss work with his parents. Occasionally his mother asked him if he was happy at the office. It wasn’t a question he asked himself. The job wasn’t about happiness. We’re not here to enjoy ourselves Amanda was fond of saying. He had good days when he got something done and he felt satisfied for a little while. A lot of the time though the days were long and tedious. He was twenty-six and Neil didn’t consider himself young anymore. At this stage he should be getting on with his career, things should be happening! Instead he woke each morning with a heavy feeling of apprehension about the day ahead. He looked at Kevin’s email again and wondered if he was fooling himself thinking there was anything significant in her arrival. At tea break he skipped the canteen and went down to the smoking shed. Kevin was there smoking and drinking a can of Red Bull.

    ‘Everything OK?’ Neil asked cautiously.

    ‘I’ve had enough,’ Kevin blurted out. ‘I’m going to my brother in New Zealand. He says he can get me a job.’

    ‘When are you going?’

    ‘Next month.’

    So Kevin had found an escape route. Neil was envious, but also felt a surge of energy, now he really had to do something. When he got back to his desk there was a notification about a presentation on Financial Efficiency in the board room on Friday at three. Stella Reynolds was the lead speaker. So this was Neil’s opportunity to meet her. He accessed the slides for the talk and the topics covered coincided with the work he had done on amalgamation. This was it; this was his chance. Kevin once asked him if he believed in God. Neil was so surprised that for a few minutes he didn’t say anything. Then as if it was obvious he said:

    ‘No I believe in myself.’

    ‘But what if you’re not enough,’ Kevin said. ‘What if you try and try and it’s still not enough.’

    Was that why he was going to New Zealand? Was Kevin looking for God on the other side of the world? It wasn’t true that Neil just believed in himself, he also knew that luck had a large part to play in it. Even the best plan could come asunder if you were unlucky. He thought about Stella Reynolds and looked up her staff details on the HR link. She wore glasses and peered anxiously towards the camera. It wasn’t a good picture. She was probably nervous about having her photo taken. Then he looked at his own staff details. The photo wasn’t too bad, but he was wearing that striped shirt that always made him look like a wide boy. On Friday he would look his best and his most confident. If this plan didn’t work, it wouldn’t be because he didn’t make the effort.

    On Friday morning he left for the house early and noticed that the day was fine and dry. The trees were still bare and wintry, but there was a brightness in the sky that suggested spring. At his desk he took out his folder and went through his spreadsheets again. It wasn’t perfect, but he was sure some of his ideas would work. Then he looked up and saw Amanda was standing beside his desk.

    ‘Come with me,’ she said tersely.

    He followed her to a large cupboard hidden by a row of filing cabinets at the bottom of the room. She opened the cupboard to reveal a mess of documents lying higgeldy piggeldy on the shelves.

    ‘These have to be ordered by subject and date then filed away.’

    ‘But this will take days.’

    ‘Have you anything else on hand?’

    ‘I wanted to go to the presentation.’

    ‘This takes precedence.’

    Neil reminded himself that there was nothing to be gained by getting angry and set to work. He tried to work quickly, but the task was more complicated than he realised. By Friday evening he reckoned he was about halfway through. He took a break around four and went down to the smoking shed. Kevin looked up and asked the obvious question:

    ‘Where were you?’

    ‘Don’t ask.’

    ‘Let me guess, Amanda. Why not bring your stuff up to Stella Reynolds anyway? You’ve got nothing to lose.

    The two young men sat in silence for a few moments, smoke hung in the air and the light faded gradually as the day ended. They talked about New Zealand and staying in touch. There was a note of sadness in their conversation. Neil finished the filing job although it was difficult to tell if Amanda was happy with it. She was nowhere in sight when he left the room and climbed the stairs to the fifth floor. He walked slowly to the corner office, the door was open, he went through. Stella Reynolds smiled at him and said:

    ‘What can I do for you?’

    ‘I’ve got something to show you,’ Neil said.

     

  • The Last Christmas

    The afternoon of Christmas Eve, just as it’s beginning to get dark, Mum opens the  black oak sideboard in the hall.

    We crowd around, the little ones shoving and pushing. Frantic to see the treasures inside.

    The whole house already smells of Christmas – the ham simmered overnight in its blanket of floury paste, now stripped and baking in the oven with bay leaves, cloves and onions. The Christmas tree, fetched by Dad with two of the bigger ones earlier in the day, waiting for its decorations in the dining room, smells of forest and cut wood. A wobbling stack of ivy pulled off the granite walls in the garden for winding through the bannisters, sprigs of holly for tucking behind pictures, sits by the stairs.

    Mum lifts the fairy lights up from their bed of tissue paper, dried needles from last year’s tree rustling in the hollows in their cardboard Mickey Mouse box. The tissue paper,  re-used year after year, feels like soft cloth.

    It’s Eldest Brother’s job to check each bulb inside its plastic casing. ‘Gently’ says Mum.

    The lights never work first time.

    Eldest Brother, breathing hard, protruding tongue clasped between teeth, his go to concentration mode, says it’s a closed circuit. It can’t work until all the bulbs are A.1. I’ve no idea what closed circuit means. But I like the sound of the words. Closed circuit. A One.

    The little ones, jigging with impatience, carol: ‘Put them on the tree!

    Eldest Brother hunts through tissue paper for spare bulbs. Miraculously two appear. Sellotaped to a piece of card and stowed safely away by Mum last Christmas.

    The spare bulbs work! The little ones go silent as Eldest Brother gingerly carries the lights over to the tree. A bump against Dad’s chair and they all go off again. No!

    Everyone has ideas where the lights should go. Up higher! You’ve missed the bottom branches! The yellow ones are hidden!

    ‘Too many bloody Indians’,  Eldest Brother complains.

    Mum is now taking out the glass balls and bag of tinsel. One ball has smashed, its jagged edges sticking up like a broken eggshell.

    Next the cardboard box marked Calor Gas tied with yellow satin ribbon. Inside are the crib figures wrapped in more tissue. A larger cardboard box, decorated with ivy, a painted yellow star inexpertly fixed over the centre, awaits. The figures, sent by Mum’s cousin in Germany, are very beautiful. A young Madonna, a baby Jesus with a detachable gold crown and upraised arms in a crib made of briars, old man Joseph grasping a shepherd’s crook fixed through a hole in his fisted hand, forever getting lost as the little ones take it out to play with. ‘Where’s Joseph’s crook?’  There’s a lying down brown cow, a standing grey donkey. The three kings bearing gifts must be hidden behind the box until after Christmas and its their turn to arrive.

    After Christmas? An unimaginable concept.

    The little ones argue over who gets to put Baby Jesus into his manger. The bigger little one thumps the smaller one in the back: ‘You did it last year.’

    Howls of outrage.

    ‘Look’ says Mum, ‘here comes the music box.’

    Also from Mum’s cousin in Germany, the music box is a wooden cylinder painted gold and indigo. Wound up, it solemnly twirls, plucking out Silent Night, sending kneeling angels holding golden trumpets, around and around.

    Stille Nacht! Heilige Nacht!’ goes Eldest Brother. ‘What?’  ‘German for Silent Night’, says Middle sister.  Eldest Brother claps his heels together and does a Nazi salute. All the big ones laugh. But I feel afraid. Everything about Hitler, the Nazis, the War, the terrible camps, frightens me. Could it all happen here?  A tank appear at the end of our road?

    The little ones jostle to wind the music box up, send the angels twirling.

    Mum holds up ‘Flying Santa on a Goose’. Bought in Woolworths by one of the big ones he immediately stole the show. Looped from the light over the dinner table, Santa, a skinny rakish version, sits astride a goose with articulated, real feather wings that go up and down as he sails backwards and forwards over the heaped plates, the crackers, the red wine, the silver candelabras – until OOPS! he’s sailed too close to the lighted candles.  A strong smell of burning. The goose feathers, Santa’s beard, are singed! Dismay from the little ones: Santa. The big ones shout with laughter. Mum laughs so she gets tears in her eyes.

    Finally here’s the Christmas fairy. She’s from Mum’s childhood and has her own box. The little ones are a bit frightened of her. She looks like one of those dolls that might snap awake at midnight and do stuff.

    A perfect china face, china arms and legs, a soft fabric body. Real, pale blonde hair, a small pursed mouth, blue eyes, a tiny patch of rouge on each cheek. She is wearing an ankle length dress made of real satin trimmed with lace.

    Eldest Brother, standing on one of the dining room chairs, ties her to the top of the tree using the yellow satin ribbon that holds the crib box together. We crowd around the tree: ‘A little bit to the left!’  ‘No a little bit more to the right!’ Eldest Brother gets fed up: ‘She’s fine.’

    Christmas fairy, a little lopsided, looks down disapprovingly.

    It’s dark. Dad comes in. He’s smiling a lot. His hat on the back of his head. Even before the front door closes the young artist who took him out drinking is speeding away from the house in a battered cream estate.

    Dad walks unsteadily around the hall, arms out: ‘My darlings’.  Mum goes: ‘Oh for heaven’s sake’. Dad can’t stop smiling: ‘All my ducklings.’ He puts a hand on my shoulder. He avoids Mum’s eye.  ‘I shink maybe I’ll go up to bed’. ‘Good idea’, Mum says in a voice that means Goodbye and Good riddance. ‘Happy Crissmass’ Dad says, standing swaying at the bottom of the stairs, waving a bony hand.  ‘Go on’ Mum says.

    None of us says anything. We don’t mind Dad being drunk. But we don’t want Mum to be cross. Not on Christmas Eve. One of the big ones goes down to the kitchen.

    When all the glass balls, small ones and big ones, have been hung on the tree, the tinsel draped and the crib set up with the music box beside it, the big ones say they’re going to make supper in the kitchen. There’s ‘too much going on in the dining room’.  The big ones have made Mum sit down and have a sherry while they cook. The bottle says ‘Dry Sherry’. No matter how many ways I try to think it , I can’t work it out: how can a liquid be dry?

    We’re allowed our first slices of ham. It’s delicious! Sweet and warm and juicy and chewy all at the same time.  I wonder how long can eating and happiness last?

    *****

    It’s Christmas morning! We’re all awake before it’s light. Mum and Dad have left a long, grey, hand knitted stocking at the end of every bed. The bulging stockings, knitted by Granny, spend the rest of the year in the sideboard. They all have that special Christmas smell.

    We reef open the Santa presents – a potatoe gun, bubbles, a false nose and moustache set, a board game with a wooden spinning top. At the bottom, always, a tangerine.

    We stand outside Mum and Dad’s bedroom door. ‘When can we go down?’ Sleepy voices from inside call out: ‘Go back to bed. It’s not even six o’clock.’.

    By eight Mum and Dad have come down. Big Sister has started breakfast. Everyone is hungry. Us young ones because we’ve already been awake for hours. Mum and Dad and the big ones because they’ve been at midnight mass, wrapped presents and sneaked them into our rooms in the Santa stockings.

    The big presents are still all under the tree. Dad says we have to line up, outside the dining room door, littlest first, . He puts the Messiah on the gramophone, the hundred voices swelling up and filling the house, Hallelujah! Halleluhah! Ha,le,eh,eh,luh,jah! He tells us Handel cried when he first heard it performed. In Dublin. We only half listen. All we want to do is get inside.

    One, Two, THREE – and Mum opens the door.

    We thunder in.

    Mum and Dad stand either side of the tree, calling out our names. There are the big presents under the tree from them first. Then presents from Granny. Then smaller presents from uncles and aunts. The big ones get presents from girlfriends and boyfriends.

    Silence as presents are ripped open. Shouts of delight. Everyone makes a pile in separate areas.

    By the time the excitement has started to die down the big ones are bringing in breakfast. Because it’s Christmas they’ve cooked extra, piling the rashers and sausages, the black and white puddings, the tomatoes, onto the big oval dish. They bring the eggs and the toast in separately.  It’s always the best breakfast of the year.  Mum and Dad, at either end of the dining table, give each other a quick look: first stage of Christmas successfully completed.

    The preparations for the big Christmas dinner start immediately after breakfast is cleared away. Chopping onions, squeezing sausages out of their skins to make the stuffing for the turkey. Scrubbing and peeling the enamel basin full of potatoes. Making the bread sauce. Getting the plum pudding onto the stove for one last boil. Cleaning the brussels sprouts. Scrubbing the carrots. Checking the trifle in the pantry has properly set. Shoving fistfuls of stuffing into the turkey’s  yawning cavities.

    Next a small party of us are off with Mum and Dad to visit the maternity hospital where Mum’s father was once Master. The matron, large and spotless, has coffee, sherry, Christmas cake, mince pies laid out. Fig rolls and squash for us younger ones. She treats Mum like a beloved, special daughter. Mum looks beautiful in her green tweed suit, the gold watch brooch she won for a Point to Point on the lapel.

    Every year Mum brings in ‘layettes’ for the new-borns whose own Mums don’t have much money. Mum and the sewing lady who comes to the house to ‘turn’ sheets, make clothes, re-line old jackets, ‘turn’ cuffs, make a few every time the sewing lady comes. They’re set aside in the sewing chest of drawers, ready for Christmas.

    Mum and Dad both have sherry. Then coffee. We have mince pies, burning our tongues on the scalding fruit.

    ‘Why are they called ‘mince’pies’?’ we ask Dad in the car on the way home. Dad says it goes back to the 16th Century. They used to be made with real meat. Even, sometimes, tripe. ‘No’ we scream, making getting sick noises. Dad, who can persuade us to eat almost anything, hasn’t succeeded in getting anyone to eat tripe. It’s good for you!  Every so often Dad buys some in the butchers and cooks it up in a saucepan of milk with half an onion. Mum says it smells horrible. I say it looks like floor cloths.  Mum says it smells even worse than floor cloths. Nobody will taste a mouthful.

    ‘Dad. No! Yuck!’.

    By the time we get back to the house the older ones have Frank Sinatra on the gramophone and the house is filled with the smell of Christmas dinner cooking.  We younger ones bring our presents up to the drawing room where Eldest Brother has lit the  huge Christmas fire  – long curved black turves, chopped logs that smell of Sundays in the country.

    Dad goes to collect Granny, Mum’s mother, to bring her over for the big feast. We sit her in Mum’s chair by the fire.

    We hear screaming downstairs. A plate smashing. Big Sister and Mum have got into a fight. Dad goes down to calm things. We hear raised voices.  A door slams. My brother laughs: ‘Madame having one of her fits’. He means Big Sister. Granny pretends not to hear. Dad comes back: ‘Help is needed’ he says. The middle ones, groaning, get up and go down.

    Finally the call comes: Dinner’s ready!

    We force ourselves not to charge down the stairs shouting and jostling,  remembering Granny and how old she is. Her arm feels like a dry stick inside her soft woollen sleeve. Dad, holding out a crooked arm, says he will ‘escort’ her.

    The dining room is beautiful. The sideboard and the table are lit with candles, decorated with ivy and holly, a circle of crackers in the centre, the sideboard crowded with huge glistening turkey, the ham, bowls of heaped mashed potatoe, a dish of roast potatoes, bowls of brussels sprouts and carrots, silver boats of bread sauce, the gravy boats, a dish of cranberry sauce.

    All the best cutlery is out. The best china. The nicest glasses. The best napkins.

    Dad carves. There’s quiet as everyone waits. Another wait for gravy, bread sauce, cranberry sauce to be passed around. You look at your plate, so beautiful with the meats and stuffing and roast potatoes, vegetables, gravy and sauces.

    Everyone has to wait until the last person is sitting down, before you can begin.

    Yes!

    Pieces of delicious turkey meat dipped in gravy, roast potatoes cooked in turkey juices, mashed potatoe with butter dripping down the sides, ham with cranberry sauce, stuffing. Every mouthful is delicious. The turkey bought from a farmer Dad knows in Meath. The ham ordered from the pork butcher in town. The potatoes, brussels sprouts and carrots from Dad’s garden.

    The grown-ups and the big ones have wine. Granny, no higher at the table than the little ones, a shrinking doll in satin and pearls and silvered hair, raises her glass, smiling. To Christmas! shout the big ones.

    My brother, carving knife and fork raised, calls out: ‘Who’s for seconds?’ The adults decline as we smaller ones line up. My brother always gives himself the best bits when he carves, and seconds never taste as good as firsts, still, I can’t resist. ‘No thirds’ Mum says, ‘that’s just greedy’.

    More Christmas please, more!

    A rest and then, puddings.

    The dinner plates are cleared. The plum pudding is carried in. Then the trifle. Dad pours a glass of brandy over the plum pudding and holds a match to it. Blue flames dance and curl around its moist sides. We all want to get bits with the blue flames still going but they flicker out as the plate lands. Brandy butter runs down the hot sides. There’s trifle for those who don’t like plum pudding. Or for greedy ones – like me ! – who want both.

    For the grown ups there’s a special wine Dad has bought for Mum – a desert wine. ‘Do they make wines in the desert?’ The big ones laugh. ‘Of course not!’ ‘It means a wine you have with your pudding, silly.’

    Finally it’s time to pull the crackers. You cross your arms in front of you and share a cracker with the person either side. You pull like mad because you want to get the toy, the hat and the joke. Even though the grown-ups say they’re always rubbish, everyone pulls hard. There’s a little explosion, the smell pop guns make, a scattering of rolled up paper hats, toys and jokes. One of the littles sitting beside my brother screams. ‘He got TWO!’ Dad finds another cracker and pulls it with them, making sure they win.

    We all hope to get  good joke and make everyone laugh:

    ‘What did the stamp say to the envelope? Stick with me and we’ll go places’.

    ‘How did the human cannonball lose his job? He got fired’.

    ‘What is the nearest thing to Silver?  The Lone Ranger’s bottom.’

    The grown-ups, now in great form, laugh like anything. We young ones all want to own the fish that middle sister got in her cracker. It’s made of red, see-through cellophane. When you lay it on your outstretched palm both ends curl upwards – as if the fish was alive.

    Finally it’s time to clear up.

    When the last dishes, cup, plates, have been carried into the kitchen and washed, the meats, puddings, turkey, ham, trifle put away in the pantry, everyone gathers upstairs in the drawing room where Dad has stoked the fire up into a fresh blaze.

    Granny is going to stay the night. She tells us stories about growing up in Chile. About how Mum and her brother used to ride out on their ponies, for miles and miles. How Mum was afraid of nothing. Mum looks stern. We know, though she never says, she doesn’t like Granny. We don’t really know why. Big Sister says Granny was very bossy when Mum was young. We can’t picture it. Tiny ancient  little Granny was so bossy she made Mum cross? Forever? It doesn’t make sense.

    Dad suggests we all play the ‘truth’ game. Mum says no, that game always ends in trouble. We take out the new Cluedo. Eldest Brother wins: Colonel Mustard. In the study. With the rope. Mum says, ‘that game is going to give them nightmares’, but she’s not cross.

    *****

    It’s January by the time the tree has to come down. The soft, early dark light of December has been replaced with the harsh grey blue light of January. There have been fights. Big sister has broken up with her boyfriend. ‘Oh do blow your nose,’ Mum says, which makes Big sister howl even more loudly and rush out of the room.

    The tree has to be taken out of its bucket filled with stones and pulled out through the back door and down into the garden.

    Middle sister says how come there is always one ball left on the tree no matter what? The ball this year, a small purple one, clatters across the tiles as Eldest Brother drags the tree out, leaving a trail of pine needles. Mum says, ‘Someone get the hoover’. ‘Hey Someone! Get the hoover would you!’ says Middle sister. ‘Don’t you be cheeky’, says Mum .

    In the garden my brother hacks off the Christmas tree branches with a small red handled hatchet, piling the lopped branches up in a rough stack. ‘Stand back’ he says and throws on a cupful of paraffin. Whumpf! The hacked branches, the armless tree, spitting and crackling go up in a shaking blue haze. I see Mum looking out the window. Suspicious. Her face saying: What did that boy throw on the fire to make it blaze like that? I thought I’d told him not to.

    Inside everything has been packed away into the sideboard – the Mickey Mouse Christmas lights, the crib figures from Germany, the singing angels from Germany, Flying Santa on a goose with his singed beard,  the plastic bag of tinsel, the glass balls, the long grey hand knitted stockings.

    All back into the dark of the sideboard until next Christmas.

    Middle sister has taken out the hoover. Pine needles go rushing up the metal tube in a storm of clicking. Like dried out, dead insects.

    *****

    Dad is in bed. He’s not feeling well.

    Christmas is over.

    How could any of us have known it was to be the last Christmas? The last happiness?

    How could any of us have imagined it was the beginning of the end?

    We didn’t. How could we?

    Feature Image: wikicommons

  • Poem: Krismastime

    Krismastime

    It’s Krismastime
    Get confetti
    Slug wile
    Midnight
    Fly heights
    Seeing worlds beam by beam
    Don’t be a revolutionary,
    Be a revolution.
    Rise of the mind
    Ascension time
    Compassion is the fashion
    Send the bird
    With the scrolls in his talon
    Falcons mean business
    Business means fun
    How to game the game and crush a few outmoded systems at the same time?
    Don’t ask me
    I just twerk here
    Moonless
    Goonless
    Step free
    I exited the mind
    Fundamental
    Chronic got me healing
    Got me happy
    Got me rapping
    Why wait for daytime
    Moment is right now
    How long can it stretch?
    Til we spun and run out all the decks
    Oh, there goes the hex.
    3rd eye runs shit
    Left eye got infrastructure inside
    Yes it’s Styles Time
    Rhyme spree
    More Eiffel Tower than plastic marquee
    Good vibes
    No end of faces
    To clock the other times
    Moment is iconic
    We all got cured by bubonic
    Thanks gang
    8 billion
    We got one thing in common:
    Wuhan

  • Fiction: Everything Human

    “Have you ever been alone in an old theatre at night? There are no places on earth more haunted than theatres. An old theatre houses the ghosts of all things, at least, all things human. Cemeteries are where bodies go, not lives. Not like,’ he paused and looked up at the ceiling, ‘the theatre. We must use the imagination gifted to us. I mean, use the spectre of the performance, the trace of bygone acts. I don’t mean the supernatural. I mean the real ghosts, the people who really did live and die. Odd, that the supernatural would create the natural and then stay hidden within it. Anyway, I’m losing my train of thought, where was I? Ah yes, I remember. Think! Of all the actors and musicians of bygone centuries who have been forgotten, left to the wind whispering. And what goes for actors goes a thousandfold for humankind. I’m talking about the ones who made the theatre from nothing. The ones who brought the whole thing into existence. Most have been forgotten certainly, but have they been forgotten without trace? Hardly. We are actors because we want to make the thing last. What dreams they must have had! Yes, what dreams.” He turned his head away, fighting tears. “Think to when they were back stage on their opening nights, those sacred nights. Butterflies turning into eagles, soaring high to the Gods.” Fenwick made a quick flitting gesture with his hand accompanied by a half whistle through his teeth. “I remember that night better than any night of my life. With my fellow students. There on the stage we bowed on the final night of the run. It was a beautiful thing.” Now tears showed. “The faces of the audience were partially obscured in the dark, but we heard them. And how. How we wept with happiness. Joy swept into our souls, and kept.” His eyes glazed in the light of time’s memory. “And in that moment, everything was possible. To be loved, by strangers, and have evidence of it, to really feel it, that was their dream. And ours. To win and to be loved. To become a part of a dream, and know it. The most beautiful thing in the world, to save a life out there somewhere. That is our hope. That is us.”

    “My mother used to say you can tell the goodness of a person in their eyes.” Said Mary, who was one of the young actors.

    “Did she?” Replied Fenwick, after deliberating for a moment or two.

    Fenwick reclined in the tattered leather-bound chair and craved for the tobacco he had recently prohibited, knowing that he would likely soon succumb. He planned to keep going until all the hairs on his head were white, and then, and only then, give up. Fenwick was sitting with the young actors in one of the dressing rooms of an old London theatre, the mirror bordered with lightbulbs, surrounded by his ghosts, and speaking to the youngsters as if they were an audience that had paid to see him act. He wasn’t officially their teacher; it was more a play of mutual admiration. There they were, the younger ones, just sitting on the cushioned floor looking up at him through their smoke and hanging on his every word. He paused for a moment and took a good drink. He listened carefully to the gentle rattling of the melting ice cubes. It warmed his whole being and in the electric light he suddenly felt at one with the entire universe. No fear at all. His wide-open eyes seemed to be glaring past his surroundings, deep into some other place.

    “There was a woman I once knew that had the same dream as us.” His face became suddenly melancholy. “In her small hometown by the sea in the north of England her beauty was infamous. It had driven at least one young man to take his own life and sent four more completely mad, and they are only the ones that are known of. She was a legacy of the Viking shield maidens, a daughter of Freya, marooned in the twentieth century’. They waited for him to continue and glanced at each other before looking back up at him, cajoling him into revealing some secret worth knowing. They thought, perhaps because of the way he held his age, that he possessed wisdom.

    “Yes, she was beautiful.” He looked back in time. “Beautiful in an other-worldly, divine way. She had that thing that is impossible to describe in words, one of the things in this world that are beyond language. She possessed the genius of evolution. How it affected her I can’t really tell, but whatever it was, it became a desire to escape her little home town by the sea. That’s what she told me. She had walked alone on rainy northern nights, through the empty streets, thinking her beauty and talent were being wasted with every passing day. So, when the opportunity came to retake all those lost moments she grasped them in her fist, put them in her mouth and breathed them back into her soul. No one could ever take that away from her. And no-one ever did. Her moment of first success was her first true love. When the crowd cheered her for the first time, that night in the theatre in Manchester, she changed, because her soul had been satisfied. That’s what happens when you get what you want. You change.”

    “What happened to her?” His melancholy expression turned even more grave.

    “I suppose I will never know.” He said and returned to his whiskey.

    The two young actors had just graduated from drama school and were at the theatre to audition for a new play about a man who had gone rogue through music. For the last two years they had both been players in an immersive theatre company, which is where they had met. They were eager and anxious to learn. Spending time around Fenwick gave them solace, and occasionally invigorated their ambition. He reminded them that inspiration is only a part of the thing. They both imagined the woman he spoke about in their minds and wondered who she could have been. Mary looked up at Fenwick and said,

    “But surely as actors it is what is within that counts? Soul marks us out, as a profession I mean.” Fenwick smiled. The innocence of the young actor uplifted him. The moment made his own soul glimmer.

    “Yes, my dears. Quite right. Quite right.” He said. He went to silent thinking, and then Charles said,

    “But in our profession, how you look has meaning surely. I mean how you appear, and people prefer beautiful things to look at don’t they?  Or you put on make-up and prosthetics to make the character look more ugly, more despicable. But the appearance is still there, dictating to the audience thoughts. To engage the audience’s perception, isn’t that our work?  I think ours is the shallowest profession of them all, the one most based on appearances.”

    “Our job is to tantalise.” Said Fenwick. He rattled the ice cubes among the whiskey. “We don’t save lives. Like doctors.”

    “Oh?” Said Mary as her eyebrows raised like they were being winched to her hair. “I’ve seen it happen, oh yes Fenwick I have. Those at the end of their tether with life, inspired by what they have seen, art I mean………….’ She paused for a draw on her cigarette, ‘so he could ‘live on.’ At this Fenwick’s expression flickered between reminiscence and hope.

    “It happened to me with music.” Said Charles.

    “Aesthete’s value image, but that doesn’t make us shallow, necessarily. In the English language at least, image is close to imagination.”

    “As sophistry to sophistication” added Mary. She stood up in search of the next glass of wine. Fenwick wobbled momentarily due to the speed of her response.

    “Yes.” He said before he continued. “It is soul but then again it isn’t. It’s pretending. We are actors. We pretend. The nurse or the soldier deal with actual misery, actual death. We are pretenders. But that’s alright, it’s not a sin in itself. Real beauty can’t be pretended. So don’t take it for granted.”

    “But surely some performances, on stage, contain real beauty?”

    “Well in those moments they are not pretending then. They can’t be. They are acting out real emotions, do you see the trick? Be thankful for the gifts God has bestowed upon you. I wish I had your looks! Things could have been a lot different if I had. I was destined to rely on character more’s the pity, it was ‘you know who’s decree’ and his eyes reached to the heavens as his index finger joined in the upward.

    “But isn’t that what theatre is about? Character? If not, aren’t we just models on a cat walk?” Fenwick returned to his Glenlivet as Mary smiled, first at Charles for his remark and then more broadly at Fenwick who seemed to her in momentary retreat.

    “Our job is to make them gasp. Draw them out from their armchairs. Those pompous in their happiness we must encourage to remember the grave. But, don’t overdo it of course.” He tapped his fingers rapidly on invisible air. “We must make those that won’t forgive weep. That is our job. Our solemn duty. We must leave the rest to the writers, or do it ourselves, if inspiration takes us.”

    “Have you ever written anything Fenwick?”

    “Oh yes, but it’s true most of it went on the fire. When it comes to writing I only have one piece of advice. Write what you want to hear. Maybe it’s something no one else will say. And don’t let bitterness guide your pen. I must have thrown a thousand reems on the fire to discover it.” The young actors didn’t understand what he meant. Charles looked up at the clock on the wall. Soon it would be time to mount the stage and nerves were jangling.

    “I have to go in five minutes, can I ask you, may I be so bold……. any advice for the audition?’ Charles asked the slumped Fenwick as he stood up and brushed himself down. The reclining actor’s response was immediate.

    “Use your nerves. Let’s not call it fear quite yet. And remember, when you go on that stage, it’s life that you go to honour. Remember those that came before, and those yet to arrive of course.”

    “I shall try and remember that. Thank-you Fenwick.”

    “A ti.” Said Fenwick as his fellow actors kissed him goodbye and left the dressing room. The door closed and Fenwick’s world fell again into silence. He poured a little water into the ashtray to aid the extinguishing of his cigarette and then gazed into the dressing room mirror. He wondered why it was common in theatrical dressing rooms to have the mirror so well lit. All those light bulbs. He himself always wanted to hide before a performance. ‘The actor needs to know his own face is why’, he thought again. It was part of his character to keep coming to the same conclusions. He stared at himself unconsciously in the mirror. He didn’t even notice he was doing it until the wrinkled lines of all those long years jumped out at him. He hadn’t always looked like this. So strange how time changes the body, he thought. He could just make out in the reflection his six-year-old face and ten and fifteen and twenty-one and thirty-three and forty-eight and fifty-seven and all the fast times he had spent in between.

    The eyes in his head connected with the eyes in the mirror. They had lost none of their fire. He wondered what happens when dreams are fulfilled and wondered also whether the reward was happiness. The inevitable cannot be avoided. Old age was forcing him to ask certain questions which he didn’t seem to will. Questions that he never asked when he was young. Even though he was on the verge of old age he had the strong feeling that the great adventure always lay ahead. Maybe the great adventure was death. Maybe not. He didn’t know. Perhaps the true nature of things was a ludicrous sort of beauty. Then by accident he detected a flicker of fear in his own eyes. He wasn’t, in his nature, a man that dwelt on death, life provided enough of a preoccupation. When death or the expanding universe arose in his mind, neurons would fire, and his imagination would malfunction, sealing him in the firm grip of reality’s laws. He preferred the primary to the secondary world, unlike Ireton. He didn’t regard his imagination as one of the senses.

    Still the face in the mirror stared back at him in the unwavering light. With each moment the image became less and less familiar until in the silent stupor of the room his mind registered the reflection as an imposter. A stranger yet to be understood, let alone befriended. But the expression in the reflection suggested the image wanted to converse with him. There was something that talking could expose that thinking never could. The image in the mirror dissolved and suddenly reappeared, metamorphosised into a man he used to know. It was an actor he had worked with in a theatre in Bristol when he was young. He saw the image of the face of this man from his distant past and became overawed with a dreadful panicked sense of fear that had within moments brought him to a fevered nausea. “Hello again.” Said the face in the mirror silently. Fenwick’s teeth began to peel back over his lips in terror and he put his arm over his eyes as if to protect him from the terrible light. He shouted “Go away!” Trembling with emotion. He rubbed over his eyes with the sleeve of his jacket but when he looked again in the mirror all he saw was his old face looking back at him in astonishment, framed by the glowing lightbulbs.

    Fenwick picked up a handkerchief and dabbed at his sweating face. He recalled beyond doubt that the shocking vision he had seen in the mirror was an actor he once knew. The actor’s name was Joseph. He had committed suicide by throwing himself off the Woolwich ferry into the black soul dark murk of the Thames only one week previously. It had been reported in The Evening Standard in a small clip on the back pages and he had been alerted to the news by one of his colleagues at the theatre. The news had caused a fissure in Fenwick’s mind. He didn’t mean for the man to die, he just wanted the job, that was all. It wasn’t malevolence. Charles and Mary went to lunch the following week and sat by the window of a pub near Holborn as the rain against the window made them both tingle.

    “I met Fenwick this morning.”

    “How is he?”

    “He seemed a bit troubled. A bit distant.” Said Charles.

    “You think so?”

    “Something has got to him. He was wan looking. Like he hadn’t slept properly for a while. He looked depressed to me. Like he was suffering.”

    “Poor Fenwick. I wonder what it could be.” Said Charles. Secretly Mary knew. The summer before she had stayed briefly with Joseph on the Isle of Wight. They soon developed a symbiotic friendship which had fully blossomed within a few long days. When news reached her that Joseph was dead, she fainted in front of the cast of the play, a production of Much Ado About Nothing at the repertory theatre at Frinton-On-Sea. And now as she slowly caressed the edge of her gin and tonic tumbler a look of great sadness came naturally in her eyes, a look that Charles registered. He knew her well enough and for a fleeting moment thought that she might be hiding something, some secret perhaps.

    “I was hoping you might know.” She said.

    That same afternoon Fenwick, (pronounced Fennick to himself and those that knew him and Fen-wick by those who didn’t, postmen, dole officer’s and the like) decided to leave the theatre and go for a walk over the river into the west end. It was an autumn day in England, the perfect conditions for facing depression and for clarifying moods. He walked through the thousand colour park and nature extracted his fear and anxiety. He became calm, like he was a child again on the green leafy sidings on the railway tracks on summers days in south London, where death did not exist.

    He liked to walk alone sometimes. But only sometimes. He would occasionally boast to people how happy he was in his own company, but the reality was since his childhood and all through his life he needed the company of others almost, at times, to the point of craving. That’s why his hermit allusions were myth. But then again, he saw the ability he had to delude himself as a great strength. He walked from his small flat on the council estate where he lived alone, along the busy streets of cars and buses until he came to the bridge that spanned the river and stopped to light a cigarette. He looked over the water and used imagination and memory to envisage Soho in his mind’s eye, an area of the world that was to him in hiatus. He recalled what the man had said to him about the glory days of London in the late 1960’s, the colour and the genius. “The best place……………….’ he paused for thought ‘in the world.’ His dreaming continued after the cigarette had singed his fingers. “Where are they all now?” He wondered. He imagined bodies in graves, decomposed, eaten by millipedes and worms. “There is a kind of beauty to all truth, even the most melancholic kind’ he thought. The autumn wind picked up and dry, dead leaves began to hit against the lower part of his legs. He walked across the bridge and stopped half way where he turned three hundred and sixty degrees to take in the scene. “Good old London.” He said aloud. Once he had imbibed his fill he carried on his way, concerned if he looked too long, he might break the spell. To Fenwick, London was a country. It was its own entity, its own nation almost, with its own particular history, its own customs, its own laws and above all, its own imagination. It could never be one thing because it was always changing. He would smile inwardly when the claim was made that there were greater cities in the world. He looked at the sunlight dancing on the Thames and saw Blake and Shakespeare in the mortal impermanence of the water. ‘Even Mozart has played here’ he thought.

    For the thousandth time he got on the escalator at London Bridge station and descended to the bowels. It was, until that day, the place he hated most. The dreary concourse churning out the same old stream. He looked at the crowd like bees in the hive, heads down, eyes fixed and drifting, ignoring each other as they went about their dull games. It was as if everyone’s life was on pause until they got somewhere else. He felt the old rancour conjured up by the soulless place. And then, suddenly, as he glided down the escalator, he saw it all differently. He saw the man with the hands in his pockets on his way out of London to visit his elderly Grandparents. It was kindness extant. He saw a woman carrying a violin case and wondered what music might be played soon. He saw two old friends meeting. What he had loathed, shunned and dreaded for so long, in a moment, became the source of all love.

    When he was away from the river and walking the streets towards the Strand, he retreated into his private thoughts watching the people busying themselves going here and there. His mind turned slowly to his own work. Out of all professions, the aging process is perhaps strangest of all for the actor. There are ways of making a young actor look convincingly old, but not the other way around. That’s how it was, at this time, for Fenwick. He no longer desired to look at his own face, (at least not for long anyway). He felt he had the face the people who rejected him deserved.

    He sometimes walked around London on his own precisely because it made him lonely, or perhaps more accurately, because it made him feel alone. As if he were apart and a part from, and of the human race. Once, when he was walking through Victoria Underground Station at rush hour, he saw a man lying on the floor having a heart attack. It’s true there was a ticket guard that worked there crouched over the ailing man calling his colleague for assistance but he never forgot the image of the droves of people that walked by en masse, as if they were a great herd of wildebeest, and a lion had come to take one of them away.

    It was just after midday. Thinking a couple of drinks would underpin the excitement and freedom of the morning he thought he would walk in the direction of one of his favourite London pubs, The Forlorn Hope, to greet midday with a clink. The one thing that could correctly steer his aimless London walks was booze or ‘the sauce’ or ‘the source’ as he was sometimes heard saying.

    Fenwick had become an actor at the age of sixteen when he appeared in a local play at the amateur dramatic society. He only had one line ‘I haven’t seen him today; did you try the Red Lion?’ a line which he never forgot. He was an actor constantly on the cusp, like the vast majority of that said profession, but he had had some good roles, some in west end theatres and a few notable television and film appearances during the 1970’s and 1980’s but by the last decade of the twentieth century his career had waned and, as in his private life, he struggled for even a walk on part. The keen glimmer in his stare remained true however. As he approached his 67th year he had remained remarkedly untouched by a lifetime’s hard living and he expected to keel over any day now, or worse, the thing that he really did secretly fear or let us say did well to keep locked away at the back of his mind was some sort of illness that would gift him a slow, lingering death where his memory would die before his body. A great insult he felt to those who never lingered when they did have life in them.

    Dark clouds appeared overhead and doused Fleet Street in rain so Fenwick made a twenty second walk to the nearest pub whose sign outside seemed to him like two open arms ready for a hug and he ducked in through the door just as two patrons were leaving with their faces contorting to the prospect of getting wet. He thanked them for keeping the door open for him and entered. He thought of what he had said about the ghosts that haunt the theatres and concluded it must also be true of pubs. He pushed his damp white hair to one side and he pressed his handkerchief to dry his face which came alive at its removal at the spectacle of the pub he had overlooked for many years. He used to go to Fleet Street in the great days of the newspaper, when the secrets of Whitehall were disseminated over strong beer and ploughman’s lunches. Now it was no more. Modern technology, or ‘progress,’ had seen to that.

    It would do until the rain passed, or he found someone to share a cab into Soho with. Hackney carriages had always been a great luxury to Fenwick, when it came to drink and walk or be driven sober, he would without exception opt for the former. He looked around the pub and saw the youngsters in suits on their lunchtime sojourn knowing that every working person there, which was almost the entire clientele, would soon vacate and he could even have the pub to himself.

    “Can I get a large Rioja please?” He spied the assortment of crisps and nuts behind the bar but then decided against eating as it was a Monday and he remembered that was the day he liked to fast. He turned around to see a man hunched at the bar and smiled as they made eye contact.

    “What the fuck are you looking at. You ain’t fucking Millwall.” The man spiked in an aggressive way. Fenwick turned his head and looked away and remembered the irrefutable logic of an old friend of his that had once said in response to Fenwick’s story about being the victim of a robbery ‘there’s cunts out there old son.’ Fenwick turned to the aggressive stranger and said “Wonderful thing chance. Have a good day.” He smiled at the aggressive young man and absolved himself of spiteful thoughts. The slightly bewildered man had no response. He turned, tutted and absconded, confused at having been forgiven.

    Fenwick had arranged to meet Ireton at the Dog and Bell but the torrential London rain was keeping him ensconced for the duration of the bottle of claret. Paradise. He savoured every mouthful of the elixir, courting the rain and venerating all that grows. He looked out at the people rushing around on fleet street in the rain and realised not only was he alive, but that he had done some good living. “Heaven is dying and knowing you brought at least a little love into the world. If I could write a letter from heaven that is what it would say. Alas, it looks like there is only oblivion out there.” He looked up at the clock on the wall and noticed that he was already late for his meeting with Ireton. They were old friends, different in character but similar in spirit. They had been friends since their early twenties. Fenwick had a dislike of British politics and a liking of England, Ireton had a loathing of Thatcher and her clan, and a strong desire to leave England behind. ‘Too many memories’ he said in an all-encompassing way. He had never welcomed the thought of a life in one place. He had in fact lived in many places and claimed once to Fenwick that he was only in London for work and it had been ‘twelve long dark years since’.

    Ireton entered the near empty pub and breathed in the aroma. He swirled it from his nostrils to his senses and then finally his mind as he rolled the smell of the carpet and the dish washed stagnant beer tang around, as if they were at the bottom of a wine glass. He looked around and saw Fenwick in the corner reading the racing post. This meant he was skint until payday. He always gambled when he was down to his last. It had always been like that. Resting by his glass of mild was a collection of Heaney’s poems. He was like that too.

    ‘Ah. There you are. I thought you were getting the bus,’ said Fenwick.

    “Solvitur ambulando.” Replied Ireton.

    ‘On the sauce already?’

    ‘The source?’

    ‘The sauce.’

    ‘The source of the sauce?’

    ‘No, I mean the sauce of the source.’

    ‘What is this sorcery? I can assure you I am in no way indebted to the black arts.’

    ‘Glad to hear it, I had my doubts.’ Unglazed, the eyes of Ireton made their way to the bar where he ordered two Glenfiddich’s, a pint of Guiness and a pint of amber ale from a landlord in a shirt and tie.

    “So, how have you been? Any work on the horizon? I see you’re reading the racing post. You’ve been thespianing.’ It was their euphemism for unemployment. To the two old friend’s unemployment was nothing to be ashamed of. In their own ways they had had the best times of their lives when unemployed, poor by choice, and free, with the constant support of sunshine and music. It was much harder psychologically to have nothing when it was cold. This, explained Fenwick, was the motivating factor of western history. “There’s an audition next week for an advert for a gin company. They want someone to play the waiter in some restaurant or other. Worth getting out of bed for.”

    “When are you going to try and do some serious work?”

    “You mean the comedy?”

    “Yes.”

    “Your guess is as good as mine. Cheers.” And they lifted their glasses and clinked. Before he downed the drink, he took a moment to notice the light shining through the amber gold liquid which made him think of the universe and evolution at almost the same moment, as he had done the night before. The whiskey rolled down his throat leaving the afterburn of the Scots in its wake.

    “How about you. Still at the same place?

    “Do you mean have I been sacked since last week?’

    “Yes.’

    ‘No.”

    They sat in silence in the corner of the pub both having the simultaneous thought that work was becoming more relevant and less interesting the older they got.

    “Let’s go outside for a smoke.” They bemoaned the smoking ban as they walked outside into the cold day but although they missed the freedom of the old days, they both accepted it was probably for the best. The thought of cancer always invigorated Fenwick, but never enough to ever make him give up.

    “I read this today.” Said Ireton and he produced a piece of paper from his pocket. ‘The highest goal of art is not to show the world as it really is but to show it what it could be.’

    He looked at his friend long and hard.

    “Maybe the worst thing in this world is to live in fear. Or should I say, devote yourself to comfort? Did you have the chance to do different things with your life but worried always about the loss of what you have. When you die you lose everything, and die we must. We only have our adventures, in the end.” Said Fenwick, in a failed attempt at a direct response.

    The next day Fenwick received the news he had failed the audition. In the moment of rejection his mind turned to Joseph, and to her. Her memory becoming more distant and vivid as each season changed. He looked into the shaving mirror, splashed the razor around in the foamy sink and wondered to himself whether enough books had been written, or was there still room for more. Should there be a new literature for this century, or should we just borrow from the past from now on. He felt a flex of guilt at even thinking the thought. He thought about Ireton’s note. ‘Of course there should be new art’ he said to himself.

    Feature Image: Donald Tong