Category: Culture

  • The Sunset Drive-in Cinema

    I watched the flamed sky
    as the earth rolled back
    and made it seem
    like the sun had set.

    ‘When I was just a little girl…’

    I remember waiting
    for the dark to start
    as we sat in the car
    at the drive-in cinema.

    My mother loved Doris Day.

    Strange business on earth
    all the cars kept apart
    by a long wood fence
    with the whites to the right.

    ‘Que sera sera, what will be…’

    Separate development
    they called apartheid
    and I developed separately
    determinedly differently.

    ‘The future’s not ours to see…’

    I watch the flaming sky
    as the earth rolls back
    and makes it seem
    like the sun is setting.

  • Roger Casement’s Example Inspires me to Protect the Amazon and its People

    Over the course of 2019 there has been a sharp increase in deforestation in the Brazilian Amazon rainforest. Human rights violations and ecological decimation in the region are more of a concern than ever under President Jair Bolsonaro, the so-called ‘Trump of the Tropics.’ Brazilian activist and humanitarian Bruna Kadletz calls on the international community to act in protection of the forest, before it´s too late.

    The Amazon is burning
    The pain of our beloved rainforest
    burning in flames is our pain
    It is the pain of all living creatures
    The Amazon is burning through the criminal hands
    Of agribusiness and our politicians

    I first heard of Roger Casement on a visit to the Amazon region in 2017, when Alan Gilsenan, the Irish filmmaker who wrote and directed ‘The Ghost of Roger Casement’ (2002), told me about the Irish-born British diplomat’s journey into the rainforest at the beginning of the last century.

    It was only, however, in the evening of August 18th 2019, during a film festival featuring Casement´s documentary in São Paulo, Brazil that I fully grasped his importance. Particularly at this time, when human rights violations and ecological decimation in the Amazon region are more concerning than ever.

    Casement´s humanitarian efforts had gained him international recognition by 1904, when he reported on the torture and enslavement of indigenous peoples during the rubber boom in Congo under King Leopold.

    In 1910 the British government sent him to the Amazon rainforest to investigate similar violations in the region of the river Putumayo, Colombia. There he described mutilation, rape, torture and exploitation, carried out under the rule of Julio César Arana, a Peruvian entrepreneur and politician. He also provided humanising narratives for the Putumayo people, emphasising their beauty and bravery.

    Up to this day the indigenous people of Putumayo revere Roger Casement. In one part of the documentary an elder connected the survival of his people to the diplomat, adding that the Amazon needs another Casement to save the forest, and its people, from modern forms of exploitation.

    I fell sleep inspired by Casement’s bravery and humanitarian commitment to bring an end to oppression, imperialism and violence against indigenous peoples.

    On the following day, August 19th, a blanket of smoke cast a dark shadow over São Paulo. By 3pm the day had turned into night. Black, low-level clouds swallowed up the largest city in South America. The overcast winter afternoon had been caused by wildfires raging thousands of kilometres away. In Northern Brazil the rainforest had been burning for weeks, as wildfires passed through the states of Acre, Rondônia, Mato Grosso and Mato Grosso do Sul, reaching the border with Bolivia and Paraguay. The smoke travelled with the wind from north to southeast Brazil, darkening that São Paulo afternoon.

    This corridor of fumes was also a symbolic reminder of the dark atmosphere pervading Brazilian politics, society and wider environment.

    Far-right President Jair Bolsonaro, along with Environmental Minister Ricardo Salles and other supporters, must be held accountable for policies which have brought about this destruction. Prioritising the interests of agribusiness and the extractive sector has caused huge damage to invaluable ecosystems and suffering to native peoples.

    Bolsonaro´s agenda has been catastrophic for Brazilians and the world. Now it is time for the international community to wake up. Individuals can exert pressure on national governments, leading to economic sanctions against the regime.

    Image © Bruna KadletzThe Brazilian National Institute of Space Research (INPE) reports that so far in 2019 the country has experienced the highest incidence of wildfires in five years, registering 74,155 outbreaks between January 1st – the date Bolsonaro came to power – and August 20th. This figure represents an increase of 85% compared to the same period in 2018.

    Data collected by the Institute of Environmental Research in Amazonia (IPAM) links the fires to deforestation, which is not solely explained by a period of drought. IPAM discovered that the ten Amazonian municipalities with the highest number of fires are also the ones with the highest deforestation incidences this year.

    At the beginning of August, encouraged by Bolsonaro´s discourse, farmers in Pará state declared a ‘day of fire’, when several sites in the state were set alight. On August 10th, authorities registered 124 outbreaks in Novo Progresso, 194 in Altamira – followed by more than 237 the following day.

    These criminal acts clear the land in preparation for cattle ranching or growing crops, including genetically modified soybeans, maize and canola that are imported all over the world, generally as animal feed rather than for direct human consumption.

    Last July Ricardo Magnus Galvão, then director of INPE, attracted the attention of Brazilian and international media when he defied the president by revealing the extent of deforestation under Bolsonaro´s administration. The President dismissed scientific facts and attempted to discredit INPE´s data in a failed attempt to mask the rainforest’s grim fate. In exchange for exposing the truth Galvão was removed from his post.

    The Amazon is burning and dying a painful death, while Brazilian agribusiness celebrates governmental permits to deforest and exploit the rainforest. In Tocatins, a state located in the heart of the Amazon region, within a single day of August the government issued 557 authorisations  to deforest specific areas of the state – all aimed at exploiting the land for agriculture.

    Altamira, in the state of Pará, registered the worst concentration of deforestation in Brazil. Between 2013 and 2018 the municipality had seen clearances of 1.9 thousand square kilometres of rainforest. In 2017 I visited Altamira, including the area where the controversial Belo Monte Hydroelectric Complex was built.

    To clear space for the canal, diverting water from the Xingu River to the dam, Belo Monte construction had cut down large stretches of the rainforest. Along the route to an indigenous village deep inside the jungle, we drove by what seemed a graveyard of trees. Tens of thousands of massive tree trunks laying silent on the ground told a vivid story.

    The municipality illustrates another alarming link – the relationship between deforestation, natural resources exploitation and violence towards human beings. Altamira is the second most dangerous city in Brazil, with one-hundred-and-thirty-three recorded homicides for each one hundred thousand inhabitants. Thus, according to Daniel Cerqueira, coordinator of the organization Violence Atlas: ‘The cities with the highest deforestation rates are the ones with the highest numbers of homicides.’

    In the years I lived in Maranhão in legal Amazonia, I witnessed aspects of this dark reality. Most of the numerous occurrences of illegal logging in protected areas were closely associated with violence against indigenous people.

    Like many Brazilians I feel a mixture of despair, powerlessness and sadness over the direction our country and political system has taken. It is painful to watch what is happening, and even more so to realise this is only the beginning in an era marked by climate breakdown, ecological decimation and societal collapse.

    As the elder of the Putumayo indigenous people stated in ‘The Ghost of Roger Casement’, we are in urgent need of a contemporary version of Roger Casement to denounce the atrocities, human rights violations and ecocide, especially in Brazil. And, more importantly, to bring about a shift in consciousness. But will politicians and world leaders listen to the pain and suffering of Pachamana and those fighting for her survival, for all our survival?

    We must preserve hope, even in these dark times. I am constantly searching for motivation to confront how everything seems to be falling apart, and when my greatest source of inspiration is burning down.

    Roger Casement inspired me to delve deeply inside myself in order to find the courage to walk straight into the heart of suffering, shed light on human rights violations and ecological devastation, and help instigate transformation.

    Featured Image is of Roger Casement among the Putumayo people c.1913.

    If you enjoyed this article you might consider purchasing our new hard copy Cassandra Voices II.

    Become a part of the Cassandra Voices community through a monthly donation on Patreon.

     

  • Leah’s Gaff

    I was born in Dublin, but I don’t know where I’ll die.

    The early summer of 2011 was schizoid. I walked for hours in a soft downpour, the sun crawling in and out the haze, getting the best of both climates.

    I kept my pace relaxed, cocooned in my anonymity, just the way I liked, the streets uncoiling before me. I carried my old sportsbag slung over my shoulder, within which was concealed the noxious implement for Leah’s death: a helium canister. The strap felt disarmingly light in my hand against my neck.

    There was little cause for worry, though. Outside the city centre, Dublin was quiet that day. Both people and traffic were sparse. I ignored the familiarity of Harcourt Street, the LUAS snaking past, crammed with punters, clanging as it went. I tried not to think too hard about what I was about to do.

    It was the 23rd of May. In just a few hours, Barack Obama was due to give a major address in College Green to a crowd of thousands, after being helicoptered up from Moneygall, the alleged hometown of his ancestors. The city centre was filled to capacity, or so I’d heard. The papers had been wanking with delight over the tenuous connection the American president had to the old sod, with headlines about roots and ancestral pride and the potential economic recovery that might happen as a result of his visit to Ireland. RTÉ live-tweeted the event as it happened, from Air Force 1 landing in Dublin Airport that morning to the pints of Guinness being supped by the President and First Lady in small-town Offaly pubs. To read all this, and how the majority of people spoke of it, you’d think the nation was about to undergo some sort of cosmic rite of redemption, after several years of bailouts, austerity, unemployment and the I.M.F., by Obama’s presence alone. Part of me believed it would, too.

    Guards were swarming all over the city and traffic was halted for the day. A raised platform and speaking podium stood in front of the Bank of Ireland’s stone portico. Periodic hollers of ‘Yes we can!’ ricocheted all around the square. Actors, pop singers and politicians pranced one by one out onto the stage in a flurry of speeches and light effects. The crowd took up every square inch of the plaza as I passed the security railing: starry-eyed students who still believed Obama was some sort of 21st-century messiah, Secret Service agents in suits and shades overseeing security, photojournalists jostling to and fro, trying to snap the best shot, parents holding kids aloft on their shoulders, all waiting to be wowed by the Presidential homily. Everyone I saw was making in some way or other for the city centre.

    I was probably the only man walking in the opposite direction. I could walk that route blindfolded, I knew it so well: the sickly neon light, the uphill curve of Harcourt Street, the glaring and swollen dome of Rathmines church, redbrick side-streets and electricity in my heels. The wrought-iron gate leading down to the door. The dim glow of the low-wattage bulb in the ceiling that kept the place lit. The promise of seeing her with each footstep. This was the route I took on the day Leah planned to die. For the last time, I knew.

    *

    I’ll bet you’ve never played Stoned Olympics, no? Ah man, it’s a fuckin’ scream, so it is. What you do is, you smoke your spliff down in one go, and then you try standing on a skateboard; you can’t take either of your feet off it. You then try manoeuvring it around the room and do a sliding jump over the sofa. Extra points if you manage not to break your back or your leg. I was never much good at it.

    Leah came up with that game, though she never actually took part. She just sat on the scaldy-looking armchair in the corner, blowing smoke rings, while me or Jay or whoever tried to snap the board tail back with our heels and leap into the air, falling on our arses in the process. She was the only girl I knew who could blow smoke rings.

    I knew her through Jay, who’d been my mate since primary school, and from whom I now bought most of my hash. I didn’t, and still don’t know, any other girl like her. Anyone else, and the lads would’ve told her to fuck off back to the kitchen, but they never did with Leah. They wouldn’t have dared. She’d this way of making you listen, of commanding your attention without even trying. Even her flatmate Lorcan, who spouted a bottomless river of shite, shut up whenever she spoke. You just wanted to hear more off her; know where she was taking you.

    ‘Everyone treats mass protest in this country as a joke,’ she’d say. ‘Guards, students, everyone. It’s all just a big day out for them.’

    ‘Well, can you blame them?’ Lorcan’d counter. ‘What normally happens when a protest is held here? Full power of the State falls down on you. That’s what it means to protest in this fuckin’ kip.”

    ‘Then why play along with the socially-acceptable form of protest at all? I mean, you see all these marches for abortion, with pink ribbons and signs and all that shite, and it just reinforces the idea that women are whining their way into getting what they want. It’s just government-sanctioned protest, to my eyes. No more effective than writing a letter to your local TD. It’s just so fucking quaint, and pointless, too. I mean, start a full-on riot if you want to get anything done. The last time women wanted something as significant as abortion was suffrage, and that was violent as fuck.’

    She was on a roll, and, stoned as we all were, we knew better than to interrupt her. She was entrancing like that; you just knew she was onto something. She just didn’t give a fuck who heard or disagreed.

    Lorcan encouraged her, grinning like a mad thing: ‘So, what do you suggest should be done?’

    ‘How do you mean?

    ‘Well, for starters, how would y’deal with the pigs? They shut down all the cop shops out in the backarse of nowhere because ‘there’s no funding’ for them. So, why are they always out in force whenever there’s a protest on?’

    Leah inhaled her spliff and carried on: ‘Me, I’d treat it like a state of emergency. Get in their face, make it impossible to get into Dáil Eireann. We’re talking literally blocking the doors, and filling up Government Buildings. That’s how you get something done. Make it impossible to do their jobs until they deal with it. Make it impossible for them to live their daily lives. If you’re not willing to get a nightstick to the head, then just get out the fucking way. If you’re out on the street, it should follow that you’re passionate enough to get in someone’s face. You need to scare the shit out of people.’

    ‘And how would you scare the shit out of people, Leah?’

    ‘I’d get every woman in Ireland to fill up water balloons with their period blood, and lob them at Government Buildings. It’d take months to clean off. And I wouldn’t do it on a fucking Saturday either, when the government aren’t in session. I’d do it during the week, so they couldn’t ignore it.’

    We were all laughing by now. ‘What do I know,’ Leah shrugged, cracking open another can of Tyskie. ‘It’s just one my sick fantasies.’

    Her flat, just off on the crumbling laneway of Oxford Road, always reeked of hash, before she’d moved in, even. The more I went over there, the more I liked it. She found it after a nightmarish house-hunt which ended up costing her nearly a grand in phone bills, over several hundred emails, and her sanity. There’d been a sharp increase in rental prices that year. Leah was only in her second year in college at the time, but she’d lied about being a young professional on her application; Dublin landlords hate students the way neo-Nazis hate immigrants and travellers. She took the flat because fuck-all else was coming her way.

    The guy she was renting off was an ex-garda, ex-garda detective no less, and he never checked his accounts, or his property. He owned six more houses around Dublin, his official tenants having all moved out. He still put up for rent on the sly for unsuspecting students, dole rats and lowlifes; the only time he’d ever call around was to collect the monthly cash Leah owed him. Far as I know, he did absolutely nothing to repair any of the hazards afflicting the place. He just didn’t give a fuck; so long as he got his rent money, he was happy enough.

    And yeah, it was a shithole – a garden-level basement under a stock-brick Georgian townhouse, germ-infested and cramped, low-ceilinged and airless, reeking of unwashed clothes and the hovering, organic reek of hash, dried piss and cider cans, no insulation and the carpets speckled in a decades’ worth of dust – but it was warm. When Leah moved in, it could only ever have been a student’s gaff, frayed Breaking Bad and American Psycho posters festooned the living room, along with the lurid smear of graffiti on every surface.

    Leah shared the place with three absolute spacers: Lorcan, an ex-architect (or so he claimed) and aspiring DJ with twenty-five grand in redundancy pay and fifteen grand’s worth of musical equipment in his room; my mate Jay, the closest we had to a ladies’ man, despite his potbelly and acne scars; and Olly, last of the Celtic Tiger Cubs, who described himself as an ‘earth-warrior.’ The four of them fucked off to Body and Soul one weekend, leaving me with several stacks of mould-smeared dinner plates to wash up.

    How Leah put up with us, I’ll never know. Her and Olly was the only ones paying rent, for starters, while we were just glorified squatters. She’d put in a day’s work in college and usually had a job or an internship going somewhere; Jay and me were officer-class vets in Ireland’s standing army of the hardcore unemployed, drifting between bullshit FAS courses to occasional nixers on film sets as extras, all the while collecting your hard-earned tax dollars from the dole office and using them as beer vouchers.

    I’d nowhere else to stay then, so thank fuck for the mates I had. On the rare occasion Leah or the lads couldn’t fix me up with a couch to kip on, I’d wander the streets of Dublin until my legs couldn’t take it anymore, or else I found somewhere I could lie down for the night. Usually I’d end up on the grassy patch under the bridge at Charlemont Street. Or else in a doorway somewhere, or down some shadowy laneway. I’d huddle into my sleeping bag, the cold sucking at me, listening to the water seethe in the dark. Then I’d get slowly out of it on my own, if I was able. The vodka and hash coursing through my system made me think I could endure anything. It dawned on me one night that I kind of liked living this way. It was only a miracle I didn’t fall into the canal and drown.

    I was never officially living there, but Leah and the lads didn’t mind having me over too much, either because they were usually too drunk or stoned to care, or because I always knew when to make tracks. All I had to worry about then was paying Lorcan a tenner back for the odd Dominos we’d order. Whatever dole money I had went on cans, anyway.

    I got the couch whenever I was over. The number of times I woke up on it after a night on the gargle is too much to count. It began to smell like me and moulded itself to my shape.

    It was dead handy, having posh mates. Lorcan and me got our dole on Tuesday; Jay got his on Wednesday. There was a pub next door, so we were never stuck for a few cans. The barman there was sound; he gave us take-outs after the off-license closed, just because he knew we lived next door. We’d pool whatever we had into a six-pack each and as much hash as we could afford. Usually, I’d only my lighter and a packet of skins to dish out. We’d head back to the flat to get doggedly, religiously stoned in the front room, talk shite and play Gears of War 3 on the Xbox, while 2Pac or Aphex Twin blared scratchily on Lorcan’s poxy stereo speakers. We used the rear wall and a photograph of one of Jay’s exes as a dartboard. Other times, we’d bitch about austerity and the government disbursing the dole money that we blew on weed every month. And, despite the lack of insulation, we never got any complaints about the noise. Maybe the neighbours were too afraid to complain.

    That was my life for a good while, counting the hours until dole day and taking cover at Leah’s gaff. Spliffing and swigging cans with Lorcan and Jay whilst Ollie hid in his room and Leah lost herself in her headphones. Gurning away at nothing as the volume was turned up and her head fell back and she was off in her own little nirvana once again.

    Ollie was sound enough to lend me his laptop if I ever needed to check emails. Sometimes, if they were all out at work or college, I’d let myself in with the key under the mat, make myself a cuppa and lie back on the sofa. Or spend hours online, sucking up the net’s boundless wisdom. Unanswered emails. Facebook updates. Other times, I’d log onto Leah’s Netflix account, killing the hours with American crime dramas or art films, obscure documentaries on the Dark Web and Islamic terror groups, whatever the algorithms were able to dredge up for me. Go over endless paragraphs of vitriol, mutual friends arguing about whatever in the comments section. I could on like that for hours. Until someone arrived home and we got down to spliffing.

    The welcoming pall of smoke never seemed to settle or lift, which was fair enough for everyone. Deep down, we knew the country was well and truly sunk and we were the rats left clinging to its driftwood. No-one had the ambition or even the energy to get angry about it. All we really wanted was weed and beer vouchers, and to enjoy our twenties while we still could; finding a job could fuck right off. The hassle with the banks, the endless plummet into national disrepair, the spike in suicide rates, was all I ever seemed to hear on the news. I actually gave up listening to it, I was that sick hearing about it all. I didn’t need to be reminded; everyone I knew was either skint or emigrating. Basically, the country was in a heap. I didn’t need the airwaves to keep rubbing it in.

    So, for a full year, Leah’s gaff became our little fortress against it all. The discoloured brickwork, too-low ceilings, Lorcan and Ollie’s bikes chained to the railing outside, the relentless damp and mould-caked jacks we all had to share; bound together like a unit of survivors, we were cordoned off in a warm, wasteful cocoon of nihilistic lassitude. Or, as Jay put it, ‘ridin’ the state, doggie-style!’

    But my main memory of that year was how cold it was; so cold, the canal froze over. The pavements were strewn with yellowed, crinkly leaves. Sheens of sugary-looking frost crusted the grass in the dawn air. Streetlights glowered in harsh, pelting blurs of misty rain. I walked far slower out of doors, still stoned from the night before, because any second I knew I might lose my footing and crash hard on the icy asphalt, the loveliness of winter abruptly shattered along with my elbow or kneecap. My face often felt like it was being scalped off me as I made for the dole office on Richmond Street.

    Any family I had by then was lost to me. My aul’ pair had kicked me out, my sister Lily had gone to live off in Canada. My dealings with her were limited to the occasional email and at least one late-night catch-up session on Skype each month, if I was able to get my hands on a laptop. No Leaving Cert to show, a virtually non-existent history of employment. I wasn’t too hassled by any of this, though. I preferred being closer to Leah.

    You never got the feeling she was as idealistic as she made out; she was at an age where one is usually ablaze with left-wing zeal, the first pangs of social conscience gnawing at the mind and heart. She repeated all the usual quixotic slogans declaiming equality and progress, but I don’t think she really meant any of it. She said them almost with a tone of bitter mockery, as if the systems of egalitarian belief picked up in lectures dedicated to feminism and intersectionality and post-colonial social theory had zero chance of survival in the real world. She earnestly lectured us on our male privilege, telling us time and again to check it, and then laugh off her own words after. She could seriously wreck your head that way; you never quite knew where you stood with her.

    And she was far wilder than any of us, and I don’t mean in a good way. She didn’t need drink or yokes to feel the thrill. If she felt like it, she’d get her kit off, and I mean, we’re talking tits and gee on full display, and her and Olly would race each other down the full length of Oxford Street to the canal, whopping and wailing like mad things. And this was during the daytime! In fairness, it was a great laugh whenever they did that. Worth it for the look of pure shock on some yummy-mummy’s face from over on Mountpleasant Square who decided to jog down our way.

    Other times, Leah might vanish for a week without so much as text or a call and then arrive back at the house out of nowhere, claiming with a flippant grin that she’d slept in the bedsit of some fella she just met at the Bernard Shaw, or had ended up in a rave out in Brittas Bay that got shut down by the guards. If what she told us was true, it was a miracle how she somehow always managed to emerge from these mis-adventures alive, or at least, relatively unscathed. She was mad. I know you’d have liked her.

    Of the five of us, she and Lorcan were the only ones who’d finished college. Somehow or other, despite all the lunacy she got up to, Leah always managed to pass the year with flying colours. She stayed in her room, assiduously drafting essays on state power and Thomas Hobbes, all the while making plans to apply to masters’ courses overseas once she graduated. She’d get them, too. I knew that in school, she was a model student, always studying, destined for a great Leaving Cert and a place in Trinity. I’m sure teachers and parents and bosses, even her college professors, loved her, thought her mature, sensible, hard-working, a shining example of industriousness to her more wilful peers. But I’ll bet none of them ever saw her gurning off her face at three in the morning at a session on Baggot Street, or running naked through the general campsite at Knockonstockon in the early dawn air, wailing like a banshee. Leah was smart enough to know that, if you’ve the tiniest smidgen of respectability that comes with attending one of the A-list private schools and colleges in Ireland, you can get away, more or less, with whatever you want. I liked the way she always dyed her hair a different colour, usually over the space of three or four days. She dressed all in black, outsized sweaters and second-hand Doc Martens. She could deck herself out in a shredded bin-liner for all I cared. I’d still have fancied her.

    Perhaps I was just hardwired to. But I’ve known from any early age to keep love buried in taciturnity. It fosters itself, like heat in a boiler, swelling until my lungs are in bits. I said nothing about it, so it wouldn’t be contaminated. I felt both free and taken hostage. My nights were sleepless, endless cigarettes burning themselves out between my fingers as I contemplated her face, watched her sleep, staved off the biting urge to grab and hold her to my torso. I’d have gone cold and without food just to kiss her throat.

    There were nights when, unable to sleep, I’d get up from the couch and stand on the landing outside her bedroom door. Just stand there for hours, listening to her breathe and dreaming of climbing in under the sheets with her, letting her warmth and scent wash over me. The only thing stopping me from going into her was the dead certainty that I’d never be welcome in her gaff or near her ever again.

    Not that I’d a prayer of getting with her. I’m better off on my own, anyway; I decided that about myself a long time ago. Aside from the lads, I can’t imagine who in their right mind would ever have me for a friend. Or as a boyfriend. Or even as a fuck-buddy, come to that. But I’d grown to kind of like not having to answer to anyone, bar the cunts in the dole office where I signed on. Relationships just really aren’t my bag. I’m happy enough with just my hand, my prick and my imagination.

    But I wasn’t alone. All the lads fancied her. Soon as she left the room, they’d talk about her in vexed, fascinated tones, commenting on the fact that she was clearly insane and yet still seemed somehow able to function; they’d all insist in the same breath that they saw her as a sister at best, not as a girlfriend, nor even as a friend with benefits. I knew that was bollocks; she’d gotten off with all three of them at different stages in the past, and yet, miraculously, the equilibrium in the house remained more or less the same. No rows, no sour looks or split blood, no avoiding each other, no awkward silences, no fistfights, no-one moving out. She’d been with Lorcan the most, and still occasionally got into bed with him when she was really off her face. Plenty of our mates who’d come for a session tried it on with her; a good few succeeded. But of the three living there, only Ollie seemed to really ignore her, after the one night he’d shagged her when he was pissed on cider. I don’t think she even took much notice of me.

    I can say with only the debatable clarity that retrospect brings, that none of us knew how ravine-like her depression really was. Living in that house definitely didn’t help. The more I stayed there, the more I noticed the white plastic tablet containers that she left lying around, as carelessly as she would her cans or her lighter. Towards the end, her hair, still lined with dull blonde highlights, grew more wiry and unwashed, her flat stare underscoring the pale outline of her bones.

    I never saw her cry, but there were plenty of times when I’m certain I heard her sobbing to herself from behind her bedroom door. I’d glimpse the trail of ashen scars tapering down her shoulder if her blouse sleeve came loose, and say nothing. If any of the lads noticed, they never said.

    ‘She’s a fuckin’ looper, man,’ Jay said. ‘I mean, don’t get me wrong, she’s a ride and all, but I wouldn’t want to give it to her twice.’

    ‘Bit too intense for my likin’,’ Ollie agreed.

    ‘Too much baggage,’ Lorcan slurred, lobbing his emptied Tuborg out the back door where it landed with a dull clatter.

    Things began to go wrong for us, as they so often do, almost innocuously. We went one afternoon in March for a few pints in the Bernard Shaw and ended up staying out the entire evening. As we staggered back down Oxford Street after closing time, Lorcan’s beer munchies kicked in, specifically for a popcorn chicken snack box from KFC. Lorcan’s need for KFC chicken was more or less the same as Jay’s need for gee: once he got a craving, it didn’t let up until he got it, and it usually ended the same way, tearful and unsatisfactory and discarded in some back lane somewhere.

    Anyway, we ended up in the nearest chipper, and immediately started rooting around in our pockets for loose change. Some knacker was lurking at the end of the counter, hunched over what looked like a sherbet dib-dob. He eyed us all as we rolled in, and kept staring at us as we made our orders, before slithering over to Jay and whispering, ‘Here, lads. D’yis want a dip?’

    We copped the small box in his hand. ‘What’s that?’

    ‘It’s 2C-I-,’ he whispered encouragingly.

    We laughed. ‘Is in me hole,’ Lorcan grunted.

    ‘I’m not messin’ wit’ yis lads, it really is,’ the kid insisted. He sounded like he was pleading.

    Ever the daredevil, Lorcan said, ‘Alright, so, let’s prove you wrong,’ dipped his middle finger into the box, scooped a bit of the stuff out, and licked it. Ollie, Jay and I followed suit, dipping our fingers in and placing it on our tongues, waiting for it to dissolve.

    Bang. Turned out it was 2C-I- after all. That, or it was flour with hairspray laced in, because it had a horrible stingy taste to it. Went down fairly well with the spice burger and chips I ended up having, though. We all had only the one dip, and already we were flying. Lorcan, on the other hand, kept horsing loads of it into him, the grin on his face getting more and more gleefully stupid by the second. He’d be tripping hard for the next few hours, we knew.

    By the time we got back to the flat, it really started to kick in as we lit up in the front room. We were still carrying on like normal, skulling cans and slagging and laughing like a troupe of gee-eyed clowns. I forget where Leah was that night; her absence, as always, was strongly felt, even under the loved-up haze we were all in. It didn’t stop me laughing at everything. The room, the chairs, the ways the lads seemed to be melting before my eyes; it was all such a fucking scream to me. I felt like I was on the verge of pissing myself, I was laughing that hard. I needed a new lung the morning after.

    Anyway, Jay had split up with his most recent girlfriend at the time, and Lorcan was talking non-stop, trying to offer him some dubious advice on the matter.

    ‘Don’t let her bring y’down, man,’ he spluttered. ‘Sure, we all know she left yeh ’cause you’ve a tiny mickey anyway.’

    ‘Fuck up, you,’ Jay retorted, but not angrily. He was too out of it to be angry or maudlin about it. Besides, it wasn’t really like him to get hung-up on his exes.

    ‘Sorry, man, but it’s true. Sure lookit, don’t be worryin’, yeah? Plenty more fish in the sea, as the fella says.’

    ‘Suppose,’ Jay muttered. He was the most wrecked of us that night, so he turned and made like he was heading off to bed, passing by the chair where Lorcan was sitting.

    ‘Night so, Tiny Mickey,’ Lorcan called after him. Jay stopped, stood behind him, looming in. Lorcan was so out of it by now he didn’t seem to notice or care. Next thing I knew, Jay had unbuckled his belt, grabbed him by the wrist and shoved his hand down his trousers, cheering sarcastically. We laughed. Lorcan grimaced loudly in revulsion, trying to wrench his hand away. But Jay was the stronger of the two, so he managed to wiggle Lorcan’s hand around for a bit before allowing him to snatch it away. Then he turned and shambled out of the room as if nothing had happened, leaving his belt undone and his cock still hanging loose, his boots clumping down the corridor.

    ‘Y’ fuckin’ wanker!’ Lorcan yelled. ‘You’re a bleedin’ dirtbird, Jay, so y’are!’

    Jay was in the habit of sleeping in the nip, even when it was freezing. So, an hour later, when Ollie had gone to his own room and I was left nodding off on the couch, Lorcan had gone scurrying up to Jay’s door. He’d crept up to the bed, threw the blankets off, grabbed Jay by the leg and tried dragging him out. Jay awoke and leapt up like a gorilla, roaring madly. He chased Lorcan out of his room and all around the gaff, still in the nip. Lorcan stumbled back to the kitchen, where I still was, laughing. Jay wandered blearily back to bed, locking the door this time.

    That was when the trip got worse, as it always did with Lorcan. He just didn’t have the head for yokes. With him, you just never knew if it was going to be a good buzz or a nightmare. Trouble seemed to follow him the way fleas follow a dog. Off my face as I was, I’ll never forget what happened next.

    Lorcan told me afterwards, he started thinking he was Johnny from Grand Theft Auto: The Lost and the Damned; he needed to get to the casino fast, or else he’d be shot. All I know is, he walked back into the kitchen, and started to violently bang his forehead repeatedly off the counter, convinced the bullet was coming at him. That just made me laugh even harder, the way his skull seemed to erupt into little bloody shards and then put itself back together again every time he slammed it off the Formica surface.

    After a few minutes of this, Lorcan decided to smash the kitchen up. He opened the cupboard and smashed up every dish we owned, tossing them on the floor and letting the fragments build up around his feet. I was still sitting on the chair on the corner, laughing my hole off. It really was that funny to watch. Lorcan was on a mission that night. When he got bored with the counter, he put his foot through the oven door.

    By now, he was really paro. He thought someone had nicked the last bit of hash he had in the house, when it reality, he just couldn’t find it. So between the loss and the hash, which, it eventually turned out, was just under his bed where he always kept it, he started smashing things, looking for stuff apparently. He wanted everyone to wake up and help him find his hash. He fell into the living room, and tried smashing the TV with his skateboard. He ended up breaking it clean in two. My heart sunk when I realized we wouldn’t be playing any more Stoned Olympics after that.

    Lorcan took no prisoners. He shattered the windows, and ripped the smoke alarm off the wall. He broke the toilet and the cisterns. If the house was a glorified hovel with at least some chance of being cleaned up when I first arrived, it was an untenable kip by the time Lorcan was done with it.

    He apologized afterward, but we’d no food for a week. We were reduced to eating crisps from the shop on the corner. Leah fairly tore him a new one about it. She was pretty scary when she was pissed off. The landlord suddenly remembered they all existed, came round, took one look at all the damage, and booted all of us, bar Leah, out. Jay found himself another squat, Lorcan seemed to have some sort of epiphany and jacked in the spliffing and sessioning for good, and I don’t know or care what happened to Olly. Leah told me I was still welcome to stay on the couch as long as I kept quiet. She had a plan, as it turned out, and a far better use for me in it than the others.

    I’m not trying to be elusive, just to draw you in. I have a story to tell, and all I ask is that you listen. It runs as unevenly in my mind as it will in yours, like an unmapped stretch of road.

    *

    Over the course of the year she’d lived in that kip, Leah’s depression inflated, cloaking her like a veil, stilting every conversation we had, leaving me almost as fatigued and distraught as she was. When and how that funereal condition first took hold of her, I can’t say. I only know it got unbearable by the time I was around.

    Leah was unable to find anyone else to share the place, and an eviction notice was promptly slid through the letterbox. Her immediate reaction was to wolf down a capsule of pills and wait for the long darkness to engulf her. Had it not been for one of Jay’s stoner mates, who was lying on the floor but still somewhat lucid, and who panicked when he saw her body sprawl next to his and quickly phoned an ambulance, she’d have been dead already. When she was finally let out of hospital, I was the man who she asked to help her give up the ghost. I wasn’t surprised by the request; had in fact been waiting for her to make it. She wanted to die still; and she wanted to do it right this time.

    ‘I want to die, Dara,’ she’d said, exhaling smoke. ‘I want to go away from here. I want to die and leave this world behind me.’

    I held her gaze, trying to keep my voice steady, praying I’d misheard her.

    And why do you want to die, Leah? You’ve plenty to live for.’

    She looked at me with narrowed eyes, her eyelids obtruding like bruised fruit. I remember how raw they looked. I knew then that she wasn’t play-acting or trying to disquiet me. Outside, Oxford Street glowered under a streetlight. Leah leaned forward and joined her hands on the table.

    ‘I’ll be needing your help with this, Dara. I’ve always been able to trust you,’ she said.

    ‘My help with what? With toppin’ yourself?’

    ‘Call it what you like. I’m asking you, just this once, to not argue, and just help me. Can you do that for me?’ Her voice was slow with a weary infuriation, as it only did when she was very drunk or very forlorn. ‘You’re one of the few men I know who hasn’t fucked me over…’

    ‘Leah, you’re stoned and talkin’ shite. Y’have my sympathy and all, but I’m not stayin’ here if you’re goin’ to be like this.’ I grabbed my jacket from the couch. I hated when she got like this.

    ‘Dara, please…’

    ‘No, Leah. This is just fuckin’ ridiculous. I’m after doin’ the nice-guy routine with you, saw you in hospital, bought you your shopping, picked up your pills from the chemist, came over and listened to you when y’were down. Come to that, have you taken your Sertaline yet?’

    ‘I don’t feel like taking it tonight,’ she murmured.

    ‘Fuck’s sake, Leah!’ I didn’t mean to snarl at her. But patience isn’t my strong point. I strode for the kitchen, looking to find the pills and make her take them. The hash was starting to wear off. It was the only time I think I ever raised my voice to her.

    She followed me and grabbed hold of my arm as I stood over the sink. Her hand felt claw-like, digging into my bicep. Her eyes were full of appeal.

    ‘Don’t do this to me, Dara. I need you here, alright? I need you here.’

    ‘There was a crack in her voice, frantic and trickling through her usually mumbling tone. She spoke those words with such quiet despair I felt my resolve weakening. So I sat down and listened to her. This was no false show, I knew, no childish bid for attention or pity. She sincerely wanted out.

    I remember her eyes, how narrow they were on that final, cheerless day. They were the eyes of a woman who couldn’t, and wouldn’t, dream anymore. She lay face-down on the rug, her body rippling with winded sobs. Her hair long, unwashed and uncombed, her face raw and her voice roughened from crying, her fingernails plastered in dried blood. All her confidence, all her poise and calm seemed to be robbed from her. The frailty of her hands as I helped her into bed. Her fingers tightening on my bicep the entire time, as she pleaded with me not to go.

    She said she wanted to go out on her own terms. Hers would be a painless death, coasting out of this life, hopefully with no imprint or even patent proof that she’d once existed. She spent the next few days drawing up her plans, as meticulously as she did her C.V. or an essay for college. She had a week to go before she was turfed out of the flat. So her death would take place on the day of Obama’s visit, as that way Ranelagh, as with everywhere outside the city centre, would be more or less drained of people. The landlord himself was going to the celebrations, so the building would be effectively empty. No suspicion could fall on me when her corpse was discovered. It would be taken for the suicide it was, and nothing else. I’d walk away knowing I’d helped her, without any weight on my conscience. There was to be no blood, no viscera, no carnal element to her demise. She would die cradled by the temperamental whisper of a city falling to sleep. I imagined her body’s paleness, how tranquil she’d make death seem.

    You’re probably wondering why I let myself get sucked into this macabre plan. I’m just too weak-willed, to be honest. At the time, I thought helping Leah commit suicide would be a sign of my friendship and loyalty, a silent means of demonstrating my love to her, even. I could have just told her to sleep it off and come to me if she’d any problems, but I wasn’t thinking straight. Also, I was afraid that if I walked out of the flat, she’d either do it there and then, or else get someone else to help her. There was no talking her out of it; at least, not with me, there wasn’t. She wanted my help and my help alone in her dying. I was to go in and dole out the last rites.

    The number of suicides used to belong just the Central Statistics Office. Now a victim of suicide gets their own memorial page on Facebook. There wouldn’t be one for Leah, though. I knew it.

    As I crossed the bridge onto Richmond Street South, I noticed a drunk pissing in the canal before trudging off toward the LUAS stop. Despite the early hour, a crowd was already gathered on the canal lock just outside The Barge. Young office types in suits, drinking cans or glasses of white wine. The weekend was only just beginning. The willows lining the canal bank caressed the water, which swarmed with froth and crushed cider cans sunk on its muddy floor. The bellow of traffic, now muted to hard-edged hum. The first indigo morsels of night seeped over the sky. If the city was powered by some vast subterranean engine, then I knew that engine was slowly deactivating for the night. I sloped down the narrow alleyway by the scrap yard, trailing my hands along the wall.

    I knew that Leah waited for me. I was reliable; I’d show up right when I said I would. When I reached it, I stood for a moment outside her door. The paintwork on it was flaking. Leah had given me the only key to the flat, just to ensure everything went smoothly. When I walked in, the gaff was a mess, as per usual. I don’t know why I felt a little shocked walking in though; a part of me thought she might have cleaned the place up as a means of imposing some semblance of finality to her last moments. But of course, what did it matter, really?

    The adrenalin fizzed in my gut. I knew that whatever happened today, I’d carry with me for the rest of my life. As I entered the front room, I saw Leah splayed on the couch, her hair loose and spread-eagled like a net. I stopped dead in my tracks, put the sportsbag down; for a second I thought she’d gone ahead and done herself in without me. When her eyes fluttered open, I exhaled in relief; her eyelids were swollen and red, but a filmy glint still sparked under their weight. She smiled a little at me; she looked relieved.

    I didn’t waste time on pleasantries. I asked her, already knowing the answer, whether she still wanted to go ahead with this. She nodded and then kissed me, for the first and last time. She then lay down on the bed, eyes on the ceiling, and held my hand. A part of me was convinced she just might change her mind, even now on the void’s cusp. But she took the nozzle in her mouth and inhaled deeply. I held the canister for her and left her to it, glancing constantly out the window, conscious of anyone who might be moving around outside. She sucked on the venomous fumes in short, sharp huffs for a full minute, her hand still tight in mine, before finally lying back on the couch, her breathing sounding ever-more stifled. Her limbs seemed to stiffen before finally relaxing. I watched her body until it stilled. She was dead in matter of minutes.

    I sat back in the chair, and breathed in. My head felt clear, wiped clean of all confusion. I didn’t mind that there was now no turning back from all this; I’d find a way to ride it out. But to do that, I had to act fast.

    I pinned a note she’d written with the words ‘Good night and joy be with you all. Leah’ on the table beside her, as per her instructions. I then deleted her number and every text she ever sent to my phone, along with the ones I’d sent to her. I wiped my fingerprints off the gas canister and door-handle, and finally, from her hand. Her flesh still felt warm, tantalizing, against mine. I found myself holding onto it longer than I meant to.

    I then stood up and silently prayed for that cunt of a landlord of hers to keel over in shock the second he saw her body. Before leaving, I took in the sight of her again, calm and shut-eyed and unbreathing. I wondered how long it’d be before she was found; probably until the time came to be evicted. But there was no taking her away from this place now, I knew; not even after it was shuttered-up and sold-off and bulldozed and replaced by another building where a fresh throng of fruitless lives could be stowed away.

    It was dark by the time I left the flat.

  • Artist of the Month: Bordalo II

    The Dublin Red Squirrel was taken down last week. I’m not mad about that as I’m the first one to say that my work is ephemeral, just like everything in life. I also incentivate [sic] progress, rebuilding when necessary, the use of dead areas of towns to make something better, the rehabilitation of the abandoned to give a new life to the city, definitely that’s the right way if it respects the environment and the local culture.

    I’m just sad that that company didn’t keep their word and didn’t wait until Tuesday as had been agreed, because we were making a special plan try to move the piece to a new location and document all the process.

    (Instagram post from b0rdalo-ii, August 6th, 2019)

    That was the Portuguese artist Bordalo II’s reaction to the removal of his installation from Tara Street, Dublin: a massive red squirrel on the window-less side of walls next to Tara Street DART Station. The simple and predictable reason for this sad amputation is the building of a new hotel on the same site.

    The Red Squirrel is part of a series call ‘Trash animals’ spread over twenty-four countries. These are intriguing and provocative installations of endangered species, constructed from discarded products; scrap we don’t need any more, but which are destined to last forever, and contribute to the extinction of these animals.

    Damaged bumpers, burnt garbage cans, and discarded tyres are among the materials that stimulated the artist’s inventiveness. He has transformed these into the shapes of a fox, an ostrich, a stork, a bear, a possum, a racoon, and a lemur. Whether walking through Paris, Los Angeles or Pattaya, it’s better you don’t know when you are going to come across one of these.

    You are greeted by massive, curious creatures: first their vibrant colours from huge murals; after that you make out the ropes and chicken wire used to fabricate hair, the bicycle frames used for bodies, the ball bearings for eyes, and then the appliances and plastic fencing shaping their expressions.

    Bordal II began his career as a graffiti artist, but as he matured, felt a need to express his disgust with the environmental problems of our time. He was inspired, and challenged, by the classical art world, in particular that of his grandfather, Real Bordalo. This brought out new creative processes – active, laborious, and multi-technical – what he calls ‘free-style.’

    He situates his pieces in abandoned places, recycling centres, car body shops, hidden streets; from a simple sketch he begins cutting, drilling, assembling, and finally spray-painting.

    The Dublin Red Squirrel

    The Dublin Red Squirrel project was developed in collaboration with filmmakers Trevor Whelan and Rua Megan, who filmed Bordalo II for two years, bringing him to Dublin, creating with the producer Glenn Collins memorable footage of his installations around Europe in an acclaimed short movie called: ‘Bordalo II: A Life of Waste.’

    Bordalo II chose the red squirrel for Ireland as the animal has been under serious threat of extinction from deforestation and a virus carried by the non-indigenous grey squirrel.

    The piece sends out an acute message, drawing attention to our wastefulness. Forming a creative dialogue with the city and its people, it became a much-loved and effective public art work.

    On August 6th of this year, however, employees of Ronan Group Real Estate, or agents on their behalf, who are reconstructing the building, removed the installation, without warning, and despite a meeting with the filmmakers and the artist, where it had been agreed that they would film the demolition on an agreed date.

    Bordalo II’s sculpture is a masterpiece of its kind, depicting an ongoing environmental crisis. It begs the question as to whether an art work such as this is really ephemeral, when the public take it into their hearts. Is a sculpture simply rubble and rubbish that can be disposed of at the whim of a builder, without considering the artist or those who appreciate it?

    I wonder was this allowed to happen simply because no institution owned or funded it. Is it simply that patrons of the arts are only interested in the old masters and expressions of individual nations, allowing developers to demolish our contemporary inspirations?

    This episode confirms the vision of the artist. The Red Squirrel has reverted to waste products, an experience that reminds us of our own endangered status, our own endangered art.

    If you enjoyed this article you might consider purchasing our new hard copy Cassandra Voices II.

    Become a part of the Cassandra Voices community through a monthly donation on Patreon.

  • V.I.P.

    Pint-sized, the pub was a little too far off from Glendalough for foreigners to find.

    It hadn’t been designed for domesticated dads on the quest to Clara Lara Fun Park, but the Maze in Greenan grew close enough to spew a few tourists and persistent purists seeking a pew, found Byrne’s quaint. That faintly disowned dollhouse quality evaporated when the bottom of your boot slapped its splintered threshold. Indolent heads within would spin to squint right through you at the sun dipping down behind the clip clop of a horse drawn hearse bearing another soul for the sake of a wake.

    Byrne’s was dim. A tiny terrarium brimming with the torpitude of one too many scorpions sizing each other up to skim. These regulars would’ve been pegged as extras in a spaghetti western if to a man, they weren’t planning the next Tet Offensive. Almost posthumous their hostility arose like a mausoleum wall, a tall wave that drained down in to a frown of disdain aimed at your jugular. And still smug from having made the trip, you gave in to its grip at your throat for a remote reason. The profound desire to drink on the QT.

    They pointed toward the tumbleweeds out back when you needed to pee. And speaking of shoot-outs, I’ll spill the beans. Whatever you’ve heard about the casualty, it wasn’t involuntary manslaughter or a willing killing spree. It’s just an empty building left standing there. The little bar wasn’t bulldozed so far or bought but I’m distraught at any cost. Something’s been lost. I’m concerned that Byrne’s chose to turn up its toes.

    Inculcated in the mulch, every human needs a hutch condoned, a venerated touchstone. We’re a race that embraces the serenity only a proper pub extends to the psyche of men. Octopus-like a good publican can placate a pelican like me, simultaneously serving his minions and concoct potions or a myth of origin over porridge. And all without a pen.

    Moving over to the other side of these mountains, put paid to one perspective. The perfect pub is not a given, but decisively lived by certain soldiers who sharpen their blade on a constant crusade. Or not. Some people don’t bother anymore, what with the smoking ban, and joke if you can about choking into a breathalyzer at a morning roadblock. Locking up a driver on his way to work for where he lurked last night ain’t right.

    Borders breed discord. And barely a hare’s breath from Kildare, soon as I laid eyes on its pleasing proportions, I resorted to Seamus Mooney’s. The golden mean of authentic pub architecture should not be seen in its medieval and muscular design. King Solomon’s mines might buy more splendour to polish and sorely miss when it’s demolished. But the magical math, the real ratio kicks in when we leave a patriarchal landmark. If bereaved by darkness, we don’t have to head to the parking lot because we’re in crawling distance from home. Mr. Mooney’s genome heaved with a hundred years in the bar business but by far his most redeeming feature as a host was offering creature comforts just a laugh away from me gaff.  On foot, torch in hand, you understand the pitiless rhythm of my pilgrimages soon overruled scrimmages about the new tenant that moved in to the Old School.

    Seamus would’ve stood out even if the village weren’t so small. Always impeccably attired he presided like an influential sufi over precious sessions in a men’s shed of broad shoulders surgically enmeshed. Blameless and merely mortal, Mr. Mooney one day sealed his portal to his disciples’ dismay. I’ve the memories of a minx amongst Manxmen. And for that, when I pass a cherished pub now perished, I know I owe them an eternal thanks.

    These refined emporia of euphoria do decline into mostly ghostly relics in the sticks. Their saintly bones are tainted, facades repainted and tarted up for retail. Or I suppose like Moses in the reeds, you find them floating in weeds behind a sign saying For Sale.

    It was four years before I figured out Fridays were fun at Fletchers. Wade into its winsome symmetry, and there’s a sort of trinity that wins: See, Sound, Smell. This holy well of Tommy Fletcher’s had it in spades. Like a cathedral on speed it met all my needs for alcohol and deep thinking drinking pals. Tommy was born right upstairs and he’s kind of famous, a king of Kildare because once he ejected The Rolling Stones from his bar. Tommy did this in spite of band member Ronnie Wood being a fairly good customer in Fletcher’s hallowed halls. Even the boxer, Conor McGregor, comes from Crumlin to Naas in honour of this place. No fight there. But what licked me like a ton of bricks, was Tommy’s retirement. It hit me hard. How to retard this tide of bad luck? Like a nemesis I stalked the auction of this licensed premises. And it doesn’t suck for Tommy, because Fletcher’s fetched over a million bucks.

    But seriously, when they send in the clowns, where will our bender be? Do you not cringe at being hurled in to a world without a whiff of irony, undefended by the odd binge? Thirst aside, when that very important pub has died, if the last snug hugging Lugnaquilla comes unhinged, we’ll not have the first place to hide.

  • Mould Into Shape

    It has the power to last for a thousand years, but is often only used once. It is cheap to produce but expensive to dispose of. It has revolutionised the world of medicine and science, making it impossible to live without. Polyethylene Terephthalate, High-Density Polyethylene, Low-Density Polyethylene and Polyvinyl Chloride.

    What is it? Why do we use it? Where does it go?

    Mould Into Shape is a new sound-based performance which will premiere in the Dublin Fringe Festival this September. The listener is invited to hop on board a travelling soundscape of Dublin’s coast to unearth our national relationship to the material of plastic.

    Mould Into Shape has been devised over a two month period working with abstract sounds, conversations and collected interviews. Our aim is to create a tapestry of opinion, melting together the thoughts of nature specialists, politicians, civil servants, plastic researchers, children, cosmetic surgeons, waste disposers, commuters, etc. to create a poignant  and honest insight into how the material has gradually become an integral part of modern life over the last sixty years.

    The genesis of the project came about as a result of conversations between myself and my collaborator Shanna May Breen in 2018, while taking part in the Next Stage Programme as part of the Dublin Theatre Festival in partnership with Theatre Forum. At this time, we were seeing a large volume of international productions and engaging in conversations with colleagues around what our values were as global citizens – how we interpreted the world, and what art could do to engage with the climate crisis.

    We became really interested in the material of plastic, and the sheer scale of consumption going on in the world at the moment, particularly closer to home here in Ireland.

    We had the idea to create a meditation on action, to weave together multiple opinions rather than to yell our own. Shanna and I thought a lot about the idea of a pilgrimage, and how people go on seismic journeys all the time for religious or spiritual reasons, and began to imagine what it would be like to take a pilgrimage through sound, in honour of a material that has a complex and layered history, and which now occupies so much space in our life.

    Myself and Shanna May Breen are not from Dublin. I am from a small town called Lanesborough (just on the River Shannon) in Co. Longford, while Shanna hails from Birr in Co. Offaly. As two rural artists occupying space in the urban landscape of Dublin, we thought a lot about what it would be like bringing the audience outside of the city to a site that is directly affected by the material.

    As part of Mould Into Shape, we want to take people on a shared experience of individual listening. Expect some heartfelt truths, an actual journey, possibly some rain and most importantly a topic that can’t be neglected for much longer.

    Mould Into Shape

    by Luke Casserly and Shanna May Breen

    Presented as part of Dublin Fringe Festival, 2019

    Meeting point @ Science Gallery, Dublin

    21 September 12:15, 15:00, 18:30

    22 September 11:00, 14:45, 18:25

    Duration: 135 mins, with part of the performance taking place outdoors.

    Tickets €16/14 (concession)

    More information on booking: https://www.fringefest.com/festival/whats-on/mould-into-shape

    Team Details:

    Created by: Luke Casserly and Shanna May Breen

    Produced by: Richie O’Sullivan

    A co-commission by Dublin Fringe Festival and Science Gallery, Dublin. Supported by Pan Pan Platform at Dublin Fringe Festival in partnership with AOB Arts Management. Initially developed as part of the Next Stage Programme as part of Dublin Theatre Festival 2018.

    If you enjoyed this article you might consider purchasing our new hard copy Cassandra Voices II.

    Become a part of the Cassandra Voices community through a monthly donation on Patreon.

     

  • Reclaiming from Conservatism Perhaps the Greatest Irish Intellectual Edmund Burke

    A past competition, now sadly in abeyance, used to involve arguing over who was the greatest Irish intellect. The English held a similar competition some years ago and, unsurprisingly, chose Churchill ahead of Shakespeare.

    God knows what would happen if we had a referendum or phone-in-vote to decide this in Ireland today. Who might figure in our short-term attention span universe? Miriam O’Callaghan, Eamonn Dunphy or Bono present themselves as awful possibilities; Michael McDowell or even Leo Varadkar might even turn up.

    Yet, if we were to take such matters seriously, I think we should consider Edmund Burke the most influential and important Irish intellectual of all time. In fact, The Great Melody, as Conor Cruise O’Brien’s 1993 book on Burke is called – from William Butler Yeats’s 1933 poem ‘The Seven Sages’ – amplifies over time, and the poem unites Burke with Swift, and Goldsmith, in their hatred of oppression:

    The First American colonies, Ireland, France and India harried and Burke’s great melody against it.
    (from W. B. Yeats’s ‘The Winding Stair’, 1933).

    It is that hatred of oppression and injustice that makes him as relevant now as he ever was to Irish, U.K. and International Affairs. Of course, ‘The Great Melody’ of his life was a hatred of injustice, an overarching commitment to the truth and confrontation of the abuse of power.

    Commitment to the truth is badly needed in our post-truth universe, given the extent to which dissonance and disinformation has been disseminated by the alt-right and neo-cons.

    It seems deeply odd then that the right should venerate Burke and regard him as the founder and progenitor of Conservatism. George Bush had a plinth of him in the White House, as I believe did David Cameron.

    Republican Party ideologues, such as the towering figure of William F. Buckley, venerated Burke, and sought to convert Burkeian conservatism to nascent neo-liberalism. Buckley provided the intellectual foundations for this through such texts as God and Man in Yale (Regnery Publishing, 1953), and his editorship of the republic party intellectual rag The National Review.

    Buckley mis-translates Burke’s ideas into a diabolical, individualism or libertarianism. Indeed, other conservatives of that era despised Buckley for drawing Conservatism away from the spirit of Burke’s ‘community of souls’, and towards naked self-interest. This has led to the undermining of state institutions and now their actual takeover by the corporatocracy.

    Buckley was a brilliant but repellent human being, as is very evident in the documentary made about his media punditry with Gore Vidal during the 1968 American election (‘Best of Enemies’). He has had an enormous, understated influence in moving the Republican party, via Reagan, towards Libertarianism and the disaster capitalism that is with us now.

    Yet the Republican Party and indeed much of the present Conservative party are not conservatives in the Burkean sense. They are neo-liberal extremists.

    Traditional Conservatism

    Burke was a moderate Conservative in the Disraelian sense, dedicated to preserving those traditions that ought to be preserved, and his career is an idiosyncratic mixture of radicalism and conservatism. He believed in the desirability of change, but not for its own sake, and advocated that all transitions should be incremental, with antennae raised to unintended consequences:

    Burke was also a passionately anti-extremist. His oft-criticised text ‘Reflections on The Revolution in France/French Revolution (1790),’ is a harbinger of doom – that might apply to latter day extremism and jihadism.

    It came before the blood-letting of the Terror, and the rise of the authoritarian strongman, which he had predicted. Take a bow Mr. Bonaparte. Take a bow Mr. Varadkar. Take a bow Mr. Trump. Take a bow Mr. Orban. I included those three as I would argue that the neo-liberalism they implement is a form of extremism – a new-fangled corporate fascism. I very much doubt whether Burke would endorse its excesses.

    Unlike neo-liberals, Burke believed in an ideal of a community as a group of associative obligations and reciprocal interactions. A moral and networked community. In contrast, the neo-liberal ideology is based on social atomisation and fragmentation. As Margaret Thatcher put it: ‘There is no such thing as society only individuals.’ This is a view running contrary to a Burkean ethos.

    In contemporary terms Burke might even be described as a Rawlsian or, dare I say it, a Keynesian capitalist which is precisely what Buckley was attacking.

    Burke might also appeal to environmentalists as he saw community as inter-generational: ‘Society becomes a partnership not only between those who are living, but between those who are living, those who are dead, and those who are to be born.’

    He held a defined sense of the public good that was not just where the dice landed in the casino capitalism of the market. Further, though a passionate advocate of rights and liberties, he was also a passionate advocate of restraint and moderation. He believed that rights should not be reduced to untrammelled liberties and licentious anarchy.

    Dislike of Crony Capitalism

    Though a conservative in terms of his invocation of habit, tradition and social order, as well as measures of fiscal rectitude, he was, conversely, an opponent of these in many respects.

    He led a hate campaign, lasting many years, against a man of significant merit, Warren Hastings and the East Indian Company, predicated, at one level, on dislike of the abuse of corporate and private power – what we now describe as ‘crony capitalism.’ This makes me certain he would have no truck with the excesses of neo-liberalism, the cartelisation of wealth and assets by elites, or the enforcement of austerity measures.

    After all, he grew up in an Ireland devastatingly captured by Dean Jonathan Swift’s satire ‘A Modest Proposal’ (1729) –  also part of ‘The Great Melody’. The Malthusian liquidation of the poor and disenfranchised inflicted in that period by British absentee capitalists is now being revisited, this time by neo-liberal extremists, whether from Brussels, or Canadian and American vulture funds.

    Burke’s Irish background of course influenced a lot of what he did. It engendered sympathy with the underdog, which threads through his career and was perhaps in no small measure a product of his Quaker education.

    Burke believed in the free market and free trade but not cartels or monopolies. He would surely be horrified by the Ireland we see today: a country controlled by oligarchical capitalism, and ruled by vulture funds and banks, along with a Euro-cracy imposing austerity, after a catastrophe for which it shares responsibility.

    An important point to bear in mind about Burke was that he was effectively in debt for most of his life; the threat of bankruptcy exposing him to the peril of losing his parliamentary seat, and ending up, like Mr. Micawber, in a debtor’s prison.

    Many of these debts were accrued through a resolutely independent cast of mind, and failure to sell out or cash in. Remaining true to one’s principle, then and now, is a luxury few can afford.

    He did not univocally criticise the concept of a revolution, and indeed supported the American Revolution in the face of great criticism. His argument was that they had been the victim of oppression and an injustice, which is the stand he always took. I would go so far as to say he would support such groups as Extinction Rebellion, or in Ireland the Anti-Austerity Alliance.

    Perhaps he would even have supported Brexit for similar reasons to his support of The Boston Tea Party. He held a melange of contrarian views, curiously relevant to this day and age – a qualified support for justified rebellion reveals an intellect neither exclusively right nor left.

    His life is a fascinating study, and his global influence is perhaps only paralleled by a select number of other Irish lives, such as Roger Casement’s. Here is someone who was privy to the inner machinations of two establishments, and though an outsider – and only an intermittent parliamentarian – the greatest statesman of his age, if not by universal acclaim then by consensus.

    Statesmanship

    That of course leads to the question of what statesmanship amounts to.

    First, I believe it involves standing back from the fray and detaching oneself; retaining independence and objectivity. Secondly, it requires that one does not sing exclusively from the party hymn sheet or accept the whip. Thirdly, a statesman does not court popularity.

    All these attributes of Burke’s statesmanship are evident in a critical electoral pamphlet he wrote on his obligations to constituents. In short, he committed to representing their interests fearlessly, but as a representative not a delegate. He would take an independent stance and not simply act as an amanuensis or conduit of popular views.

    His independence of mind – as it always does – alienated many. His opposition to anti-extremism prompted opposition to the French Revolution, but support for the Boston Tea Party and the American Revolution against British rule. This was intellectually consistent as the American revolutionaries upheld British values of liberty, and were subject to unjust rule from a distant, unaccountable, power. In deciding to oppose the French Revolution, on the other hand, he was resisting the rule of the mob and the sans culottes, with their appeals to abstract rights.

    This was also a conservative who inveighed against British injustice in Ireland. He was a staunch defender of the rule of law, and of the curtailment of arbitrary power, but he had little time for abstract rights. In this he was of course a product of his times. Indeed, Jeremy Bentham, his near contemporary, describe Natural Law as ‘nonsense on stilts.’

    He thus rejected the notional constitutional guarantees in the French Revolutionary Declaration of ‘The Rights of Man’ (1793). Similarly, the Irish Constitution exists in theory, but in practice the Court has done next to nothing over the past twenty years to protect the human rights contained therein, and curtail the abuses of state or private power.

    Far better for Bentham and Burke were empirically grounded protections, upheld by independent-minded magistrates. Both thus supported a legislatively grounded rule of law, not abstract aspirations, involving a precise relationship of rights to facts, and specific sets of circumstances.

    Through all of this in Burke there is a distinctly non-British quality, that of the wild Fenian intelligence, a passion grounded in reason, where rights are earned and injustices exposed through procedures and venerable processes.

    It is I think wrong to consider him a great theoretician. But he remains a great intellectual inspiration. Most of his central themes he expressed in ‘A Philosophical Enquiry into The Origin of our Ideas of The Sublime and The Beautiful’ (1757). There he displays empathy and imagination, a belief in social order but one related to religious belief. A commitment to human reason but an acceptance of bounded rationality.

    Thus, there are many themes that are not merely of historical interest but deeply relevant for the present day and age.

    Continued Relevance

    In summary, I regard Burke as the greatest Irish intellect of all time, as his ideas have stood the test of time and remain relevant to contemporary concerns. That relevance to our present dark age of late capitalism is for the following reasons:

    1. Burke offered a voice of reason and moderation, increasingly lacking in an age of extremes.
    2. He maintained a commitment to the truth and the rule of law, both of which are sorely lacking today That also entails a commitment to due process – although not airy notions of natural law which at times he is guilty of expressing. But in general his ideas follow the line that no man should be a judge in his own cause – an important point in view of how the corporatocracy now seeks to purchase justice and insulate themselves from prosecution.
    3. The statesmanship he adhered to was independent and uncompromised by support from vested interests; a politician must be able to distinguish between his private interests and the public interest or common good.
    4. Burke’s esteems for a community of interacting responsibilities recalls another of his contemporaries, John Donne, who wrote: ‘No man is an island.’ Burke is scathing of individual vanity and corporate greed that lays waste to communities – witness his often hysterical and sustained campaign against the not altogether nefarious Warren Hastings.

    In making the argument that Burke was the greatest Irish intellect, it is important to bear in mind that such a crown is not the sole preserve of left of right. Indeed, I can excuse his hatred of atheists. Then, and now, Irish Catholicism represents a pathological condition, and it obviously influenced an at times over-veneration of custom and tradition.

    I would argue that Burke also held too great an esteem for the common prejudice of the ordinary man. That is a dangerous approach used by ideologues of a deeply sinister variety, such as Mr. Bannon, who amplify an inherent fear of the other to dupe the masses.

    Burke did not uncritically accept the views of the common man, as is evident in his crisp understanding of the difference between being a representative, as opposed to a delegate on behalf of his constituents.

    He is admittedly only tenuously linked to the Enlightenment tradition of reason. Some, indeed, dismissed him as a mystic seer. Certainly, if he had met Voltaire at a dinner party that acid rationalist might have rudely dismissed him as a Romantic; another contemporary Edward Gibbons described him as ‘a rational madman.’

    Alas there is little intellectual tradition in Ireland of rigorous Philosophy, and what we are left with is Burke, who was not a systematic thinker, but a statesman, a writer, an orator and a commanding intellectual presence. He was a remarkably effective human being. His legacy for humanity is esteems for the rule of law, empiricism, anti-extremism, independence of mind and action, as well as moderation and balance. These are qualities in short supply in our time.

    I fear, however, that if a poll were to be taken in contemporary Ireland that it is more likely that it would be Jedward not Edmund who would come out on top.

    If you enjoyed this article you might consider purchasing our new hard copy Cassandra Voices II CLICK HERE.

    Become a part of the Cassandra Voices community through a monthly donation on Patreon CLICK HERE.

     

  • Musician of the Month: Stefano Schiavocampo

    The life of any piece of music is unpredictable. From its birth, flowing from the mind and fingers of the composer, the new-born takes delicate steps across rudimentary harmonies, revealing fragments of thoughts and emotions as it goes on. Its heart takes shape first, and then the brain. This can be sufficient.

    Sometimes a piece is sufficiently enticing and inspiring to be granted a degree of permanence through the cumulative enthusiasm of listeners. This has happened to many folk songs, created somewhere, somehow in the mists of time. Hearts and brains found a passage, a vehicle, through the lungs and fingers of others besides the author, raising the majestic creature to adulthood, until that moment when the song exists, in its own right, detached from the man or woman that translated it from the cosmic tongue.

    In this time of continuous noise, any musician releases their new-born with a sense of terror. How can one expose a beloved creature to this homogeneous ocean of grey matter called the Internet? Like nectar dropping into a pool of gasoline, its ripples will surely be swallowed by waves of ill-conceived music.

    That was my feeling anyway, until the editor suggested using this platform to release my latest record.

    Phew.

    Now I feel better. I may even try to tell you guys about it.

    In 2015 I left Dublin to its lunacy of multinationals. Not without regret. As a traveling musician I had found in the city a place to share, learn, and grow within myself alongside others. Under the jig-lit ceilings of pubs, the multiverse of festivals and the intimacy of tiny gigs in tiny places, I discovered a temporary oasis.

    Then, enough was enough, I embarked on a new adventure.

    For a long time after returning to my native Italy I felt torn and lonely. I was missing Ireland to the extent that it felt like a bereavement.

    At that point I got back into the work of a writer who has helped me understand the person I was while living on the island. I began translating into Italian John Moriarty’s mighty work Dreamtime, a project that remains to be completed. It was hard but illuminating work. Delving deeper and deeper, the map of the above-ground Ireland I had walked merged in my vision with a subterranean other world.

    As this happened a map of myself – displaced somehow – began to fit inside the edges of the Ireland I held in my heart, acting on it like sand-paper. Something had been released.

    I began to write furiously.

    The record opens with ‘Krymska’ (1), a song drawing on fragments of T.S. Eliot’s poem ‘Ash Wednesday.’

    Eliot has been among my favourite poets since adolescence. I return to him every year, always finding a little more depth, and even greater sense. The affinity between him and John Moriarty is huge: the same religious impulse arising from a deeply critical view of Western society and its cold, controlled rationality; finding resolution in the spiritual awakening of a man confronting nature alone, freed from the heavy structure of Catholicism and emancipated from a dominant materialism.

    These are feelings which we all have to deal with: what is our connection with the place we inhabit? What imprint am I entitled to leave on the land I walk?

    I believe a new wave of spirituality offers solutions to the injustices and devastations of our times: that is to say the gross inequalities in wealth and the rape of nature. But if we are to progress as humanity, we must first progress as individuals, finding within ourselves the essence of the world we wish to walk upon, and love. If you have read Krisnamurti you will understand.

    That is why I find these writers so inspiring: each traces a path towards a better Western man – someone who does not deny the mighty achievement of our society (democracy or theatre for instance), but passes them through a filter of a kind of spirituality often considered Oriental.

    And what a glorious turn in history it would be to witness a globalisation of spiritual beings!

    That is the main focus of my record, the title Metamorphose!, is both an invitation and an invocation to people around me and far away, and to myself too.

    In ‘Minotaur’ (2), a divisive political leader discovers that the walls he once erected among people are now divisions within his own psyche, and that the monsters he jailed for their individualities are now rising up.

    And now it’s your time to tell me’ (3) is a love song to John Moriarty. It’s a eulogy to a metamorphic soul who has touched many aspects of being in this world.

    I love thinking of him now. Ethereal in a space of no judgment, unequivocally carnal and majestic, his spirit flies towards human consciousness helping us reach a critical departure. He softly bends a wand – like the lightest bird diving into the ocean – towards a raging humanity; a presence ultimately devoid of purpose and freed from desire. Oh what a perfect place for you to be at John.

    In ‘Desert dogs’ (4) I recall a strange incident when I was attacked by starving wild dogs while journeying through the Atlas Mountain in Morocco. In the song, they eat me alive, transforming me into one of them so I can survey humanity from another point of view.

    In ‘Metamorphose’ (5) I trace my family origins to discover the first seedlings of my disposition to change and capacity for adaptation to confront the abyss.

    House by nowhere’ (6) is a parallel look at both the place I live in at the moment, an isolated house among Tuscan fields, and the Dublin life I led.

    In its peace’ (7) is a folk tale for our troubled times. A migrant travels up towards the Mediterranean Sea, knowing it is both a place of departure and arrival, where all love ends and all love may start again.

    It took me then three years to arrange and record the album, and to find the right place to publish it. It is a little present to John Moriarty and to all his loving readers, a eulogy of sorts, which, although it may not exceed its form, carries all the hope that emerges from studying the intricate patterns woven by the author.

    For the full album click here:

    Sincerely, Stefano

    If you enjoyed this article you might consider purchasing our new hard copy Cassandra Voices II.

    Become a part of the Cassandra Voices community through a monthly donation on Patreon.

     

  • Last Days in RTÉ – ‘I came to kill you’

    In 1967, the fidgets struck again. That was the year my mother died, rapidly following my father.

    I confess now that I was not obviously upset by the deaths of my parents. In the culture of my generation and class, love, certainly any public expression of it, was an embarrassment. Such namby-pamby language was confined to the worship of film stars, sentimental songs, Jesus Christ and drink. This lack I often regret, having, in the area of emotional expression a limited palette.

    Affection, attachment, addiction, obsession, sentiment, desire, lust, liking, fondness – I am familiar with them all. But love itself is awkward territory, partly because the language of its expression is so inadequate, so debased that I have come to believe that, ‘whereof man cannot speak, let him be silent.’ Predictably, when I am confronted by the technicolour emotions of a funeral, however tragic, what usually comes to mind is a black and white war etching by Goya whose chilling caption is: ‘Shut up and bury your dead.’

    But this is merely a defence, a carapace adopted because I have a dread of being caught weeping, which weakness I am occasionally prone to, especially on occasions musical. Only an embarrassed few have ever been allowed to witness this, my Achilles heel.

    Besides, there is Gerard Manley Hopkins’ poem, ‘Goldengrove’, in which a young girl, Margaret, grieves over the fall of Autumn leaves. Hopkins gently points out to her that as she ‘grows older she will come to sights colder’ and realise that it is actually her own demise she mourns. This applies to all funerals.

    I have no doubt that my parents – from their astral heights, of course – now understand the convolutions of my career. Including, for instance, why I declined to have my own children baptised in any faith, and why I have sung in both Catholic and Protestant choirs with no residue of belief in either of their dogmas – except as a useful social glue. I also admire the Semitic cultures of both Islam and Judaism and wish they would return to their pre-colonial mutual tolerance. My bets are therefore hedged. Music is my sole spiritual sustainer and default position on religion.

    What else could one expect from a flibbertigibbet?

    Decision Time

    Finally in 1967 I had had enough of the commercial dimension of television corrupting the concept of public broadcasting. Brilliant people in advertising were conspiring with TV managers, using reason to control the irrationalism of the masses and turn them into numbered consumers. But vestiges of common sense told me I needed to learn more about how the real world worked.

    A friendly philosopher, the late Jack Dowling, advised me to study Shakespeare. That was not drastic enough for me. I went to the RTÉ Programme Controller, said I had developed mental indigestion and was leaving television. That aesthetic man with a cigarette holder, the late Michael Garvey, said ‘stay brave’ and told me he would treat it as a sabbatical and pay my salary for three months. In retrospect it felt like compassionate leave. I got character references from people like Professor Ivor Browne and Mother Mary Nicholas and other sane people with whom I had made films. I then persuaded Tomás Roseingrave to get me into the University of Antigonish as an auditor in sociology. That’s when I really woke up.

    The philosopher, poet and ex-Jesuit Philip McShane once wrote to me: ‘Happy the man who preserves his illusions’. In Nova Scotia all of my more naïve illusions were demolished. I met Philip again, at a New Year’s party in Antigonish. Our pleasure at renewing acquaintance, expressed in the normal Irish epithets that hide affection e.g. ‘howiya, you old bollocks’, was overheard by our host, an old-fashioned Belfast Catholic immigrant. This stocky little man exploded, shouted that he would not tolerate ‘such fackin language in my house,’ and summarily evicted us into the snow and sub-zero temperature. We started walking, Philip forgetting his new young wife in the excitement. Loyally she followed in her car and saved us both from hypothermia.

    Through lectures in sociology, especially from Italian-American Vito Signorile,  I learned about the relativity of all cultural concepts, including religion, even knowledge itself. Vito was married to a feisty woman from Northern Ireland and he warned me about women: ‘When she has her period, she’s a monster.’  I learned that lesson too late.

    The last absolute I vainly clung to was a simplistic version of Marxism, even contradicting a young lecturer who derided that ideology as one which had never caught on. I sharply reminded him that Marx had not set a time limit for the self-destruction of Capitalism. That marvellous event did not happen for another forty years, in 2007, not too long after Socialism itself had self-destructed.

    Peace Outbreak

    My innocence of political reality also received a cold douche. To acquaint the Canadian students with their democratic system the youngsters were encouraged to imitate the national parties – Labour, Conservative and Liberal – by organising elections and establishing a mock parliament.

    We on the Left won in a coalition with the Liberals. On the first day of ‘Parliament’ we heard shots outside and a bunch of rifle-toting students on the defeated Conservative side burst into the formal Assembly. They were shouting that it was illegally constituted. Prudence suggested we leave  with dignity.

    One of the young gunmen, barring our way out, had his jaw broken by my closest friend there, Deets Kennedy, son of a tough Cape Breton miner. As I nursed a hangover on the following day I ruminated on life imitating art and thought hard about democracy. In case the vote didn’t work in your favour, you carried a blackthorn stick or a gun. What an effective system was democracy! At least in Ireland we merely forced the people to vote again and again until they got a referendum result right. I know what Deets Kennedy’s father would do in such a situation.

    I met Mr. Kennedy for the first and only time at a family wedding up in Sydney, Cape Breton. I felt honoured to be invited. On the way back from the formal nuptials Deets drove the car and entrusted his father to me, saying that no matter what happened I must keep his father beside me in the back seat. The earnestness of his request suggested to me that there were tribal tensions abroad.

    There had, of course, been drink taken. On the way, Mr. Kennedy behaved like a lamb, singing softly in my honour ‘Shall My soul pass through oul Ireland’ to the tune of Kevin Barry. The convoy stopped outside our party destination, Deets got out with a curt ‘You two stay there.’ Some altercation developed in front of the car. I leaned forward to try to identify the cause of the melee. When I turned to inquire of Mr. Kennedy as to the cause, he had vanished from my care. I soon recognised him on the footpath ahead, delivering a haymaker to one of the disputants.

    Deets later told me that the recipient was another son, always a troublemaker. Peace broke out and we had a wonderful party. I could only think: it is a devoted father who can identify and instantly defuse the one psychopath in the family, thus restoring equilibrium to the celebrations.

    I was a slow learner in every respect, trying to work things out rather than learn them by rote as I had once done with the penny catechism.

    Star-Gazer

    In December of that year I came home to assist in burying my mother and stayed for Christmas. At the wake in Hazelbrook Road, Terenure, I revealed to five grieving siblings and in-laws that each of the countless zillions of stars in the cosmos consisted of at least one departed human soul. It was, if not a metaphysical, then certainly a mathematical, possibility. Therefore our mother still existed. Despite my siblings’ reluctance  to accept this consolation, I persisted.

    I told them that no matter how simple and blameless a life such as our mother’s might seem, each human personality was so complex as to be beyond our ken and could not vanish into nothingness. The brain itself was a miracle of billions of electro-chemical processes. As it was largely unused during a person’s life, the reality of death must focus it wonderfully. In the final micro-second into which a life such as our mother’s was frantically compressed, there must be a surge of energy imaginable as no less than nuclear fusion. This process must transform the soul into an eternal incandescence. Simply put, the soul turns into a star.

    They should therefore not grieve for the dear departed but enjoy the astronomy.

    A tidy arrangement, I felt, having just read Teilhard de Chardin’s theory of the Noosphere.

    This Jesuit palaeontologist had daringly suggested that the human capacity for reflex thought must evolve into a girdle of consciousness enveloping the planet. He called it the Pleroma and his religious superiors were not happy about his invention. I now suspect that members of my extended family also took my soul-stirring ideas with a pinch of salt.  They guessed that my peroration was a front for grief.

    Thinking back, my speculation required no more a leap of faith than the incredible religion in which we were reared and which I abandoned long ago. In my ripe old age I still believe my invention to be as reliable an explanation of life’s ultimate mystery as anything Aquinas or Avicenna, Darwin or Hawkins or Dawkins, Ibn Sina or even De Chardin invented. And for a practical reason: human consciousness is a form of energy and as such, if we are to believe Einstein, cannot die or decay; it can only transform itself – exactly as water gaily does from liquid to ice to vapour. There can be no limit to the transformation of us bundles of energy.

    Around that time too, I ceremonially flung an old copy of the same penny catechism into a fire. Jack Dowling reminded me quietly that people who burned books were capable of burning people. That pulled me up short.

    In January 1968 I returned to Nova Scotia to complete my ‘studies’ and at term’s end to have a look around North America. For three months another friendly Dominican monk named Luke Dempsey and I drove around that mighty continent, staying buckshee in his Order’s monasteries.

    We called on Chicago, New Mexico, Death Valley, San Francisco, even visited Las Vegas for an overnight. The highlight of that was a breakfast where we perched at a bar and the waitress shimmied along behind it. Her walkway was so elevated that her magnificent thighs moved directly at our eye level. To notice Luke’s eyes modestly concentrating on his empty plate was a hilarious reminder of how fortunate I was not to have had a call to the religious life.

    When we finally came back to Nova Scotia I had a lovely reunion with a sensitive mother of two, named Zane whom I had met in Montreal months before. Skinny-dipping in the local river was delightfully involved. When I returned to Ireland I wrote a poem about our encounter which fortunately I have mislaid. It could never compete with Solomon’s ‘Song of Songs’, astonishing love poems which I encountered at the back of the Catholic Sunday missal when I was an adolescent. They carried me through many a boring Mass service and subsequently came in useful in the business of wooing maidens.

    ”B e h o l d ,   t h o u   a r t   f a i r ,   m y   l o v e ;   b e h o l d ,   t h o u   a r t   f a i r ;   t h o u   h a s t   d o v e s ‘   e y e s   w i t h i n   t h y   l o c k s.

    T h y   l i p s   a r e   l i k e   a   t h r e a d   o f   s c a r l e t ,   a n d   t h y   s p e e c h   i s   c o m e l y :   t h y   t e m p l e s   a r e   l i k e   a   p i e c e   o f   a   p o m e g r a n a t e   w i t h i n   t h y   l o c k s .

    T h y   t w o   b r e a s t s   a r e   l i k e   t w o   y o u n g   r o e s   t h a t   a r e   t w i n s ,   w h i c h   f e e d   a m o n g   t h e   l i l i e s .”

    They may have been intended as paeans of praise to the Creator but I found them pleasantly erotic. My course was fixed.

    ‘Spitting blood’

    One night in 1968, having returned from Canada to resume my job in RTÉ, I saw darkness in the pale face of a man at the bar of Kiely’s pub near the RTÉ studios. I recognised him as Ed, the ex-husband of Zane. What was he doing in Ireland and especially in my neck of the woods? The old antennae of guilt immediately told me this was no coincidence, that there was something awry. My instinct was to clarify matters. I approached the bar and engaged him in as light a conversation as one can have with a brooding man. He was very pale, spoke in grim monosyllables and said he was staying in a nearby B&B. He told me he had hitched a lift from Montreal on a Canadian Air Force plane. I had never known he was a military man.

    Ignoring his clear hostility, I put on a show of welcome and resolved to keep him in my sights. I warmly insisted he come home for a drink in the house in which I was staying. After the short, wordless drive to mine host Dinno’s place, the latter – normally a sociable figure – excused himself and left the house. He told me later: ‘One look at that man’s face and I decided I wasn’t going to sleep under the same roof’.

    I didn’t sleep much that night, either.

    Next morning I boiled eggs for Ed and, as casually as possible, asked had he any particular schedule. ‘I came to kill you,’ he quietly said. So that was clear. I learned that he held me responsible for the break-up of his marriage. It was post-facto revenge because I had been given to understand by his wife that their marriage was long ended.

    ‘You really want to have a go at me?’ I asked. He nodded grimly. There was no getting away from it.  What could I say except: ‘I know the very place.’

    On the way to the wide open spaces of the Phoenix park he explained in detail that the Canadian Air Force had trained him in unarmed killing. He so worried me that I called in to my production assistant in the TV station, explained the situation and told her that, if I had not returned before lunch, she should send out a search party

    In a secluded spot in the Park we faced each other. By now I was more than nervous about his deadly skills. I had not had a fistfight since I played rugby but strict rules had governed that form of barbarism. Neither had the Marquis of Queensbury legislated for this circumstance. Ed ordered me ‘Take off your glasses.’ I reluctantly removed them, placed them carefully on my jacket and prepared for the worst. As I turned to meet my fate I was barely in time to dodge a sucker punch from Ed.  Fright made me go slightly berserk. I probably had the advantage in weight and after some minutes of my wild pummelling at him he held up his hands in submission.

    I drove him down to the nearest pub in Islandbridge where he vomited up the reviving brandy with which I plied him. As I deposited him at his B&B in Donnybrook I volunteered to meet him again that evening and show him the sights.

    He looked puzzled: this was no way to treat a sworn enemy. I pointed out that he was, after all, the son of Dublin emigrants to Canada but knew nothing of their city. The truth was, I felt sorry for him. When I later met him in the Scotch House on Burgh Quay he confessed to spitting blood since our altercation.

    I whisked him off to St. Vincent’s Hospital, then in Leeson St.,  where they decided to keep him overnight. He knew no-one in Dublin except myself, who dutifully called to the hospital the following day.  A nurse reported that Ed was suffering from kidney damage but had already signed himself out of the hospital, presumably to hitch an airlift back to Canada. I never heard from him again.

    Last year, in an email from his daughter – she found me on Facebook, where else?  – I learned that Ed’s curtains had recently been closed by cancer  and that our ancient encounter was now part of their family history.

    His daughter wanted the truth. I wrote a short hagiography of her father, stressing the honourable way he had tried to exact satisfaction from me. This was true. I had not realised that Ed was actually a mild-mannered dentist in the Air Force; he had probably never engaged in anything more violent than extracting a tooth. Apart from his pre-emptive, sabre-rattling about unarmed combat which had incited my overkill, the only other detail worth remembering is that, in Ed’s report of the encounter with me, he said ‘the old man was fitter than I thought.’ This ‘old man’ was thirty-three years of age at the time.

    Everything is relative.

    Resignation and Return

    ‘If winter comes, can spring be far behind’, quoteth the tearful lady herself when she landed on my doorstep some weeks later. She and Ed  had physically fought for possession of their two young children in the mud of their farmyard. She had lost the grim struggle and got the next plane to Ireland. I had not the indelicacy to respond: ‘It never rains but it pours’. We spent a short while seeing the sights that Ed never had. She returned to Canada and married a sculptor.

    Not long afterwards I resigned from my permanent, pensionable post in RTÉ, bought an old Volkswagen and drove to Tehran and back with my first wife-to-be. That is quite another story. Alone on the return journey home at Christmas I developed a mild but uncomfortable form of tuberculosis called epididymitis which related to the testicles.

    It meant a short stay in hospital where, besides telling me I had various similar lesions on my lungs which had cured themselves, a specialist said I could never father a child. Recovering fast, but having spent all my pension contributions on the trip,  poverty forced me to crawl back and ask for contract work with RTE.

    Compassionate as ever, the organisation welcomed me and set me to the unexpected task of making a history series for children. I knew this new job was a prudent test of my boredom threshold but I persevered for four months. Then one day on a filming excursion to Belfast I had a discussion with Pat Kavanagh, the solid cameraman.

    It was 1969, one of the years when there was a questioning of all certainties.

    ‘Never trust anyone over thirty’ was one mantra. Another was ‘selling out to the system’. Yet another was: ‘If you’re going to commit suicide, take one with you.’

    Over a liquid lunch in Newry I stoutly maintained to Pat that there was a single unique point in every life when the decision to ‘sell out’ was made. Or not. He disagreed and perceptively said that capitulation to the system just crept up on a person gradually – usually accompanied by a mortgage. I agreed: we were mere puppets on strings. But it was time we looked up and noticed who was pulling the strings.

    I had no mortgage, nor any other responsibilities. I declared that here and now was one of those points of decision and ordered him and the crew to follow me to the West of Ireland. Reluctantly they followed because in those hierarchical times the crew accepted a producer/director as the unchallengeable boss. I would never get away with it now.

    I led the convoy all the way across Ireland to Roonagh pier in Mayo where we boarded the ferry for Clare Island. Then I wrote a letter for my female assistant to bring back to the station. Its intention was to exonerate the crew from any accusation of being willing accessories to my solo flight of fancy.

    A day later my immediate Head of Department, Maeve Piskorski, arrived on the island to persuade her prodigal protege to return to work. After twenty-four hours of pleasantly lubricated argument she departed without me, shaking her head in bewilderment. And that was the end of my RTE career and, I vowed, the end of my involvement with film and TV. I stayed on Clare Island for a couple of months, the guest and labourer of Michael Joe O’Malley, sheep farmer and philosopher.

    If you enjoyed this article you might consider purchasing our new hard copy Cassandra Voices II.

    Become a part of the Cassandra Voices community through a monthly donation on Patreon.

  • White Woman Brown Heart

    Even the color of my skin belies who I really am.
    Always on the outside looking in . . . even with my own kin.
    Blonde and blue-eyed born into a brown world,
    I came to see myself through their eyes, their skin, their pain.

    White woman brown heart, I am.

     

    I didn’t understand when sister girl said it wasn’t fair
    that beauty and smarts went to someone like me.
    Doors so freely opened were closed to her, I could not see.
    Because sister girl, she looked the same to me.

    White woman brown heart, I am.

     

    Yankee white daddy my mama said is how I came to be.
    They spoke his name first on that fateful sixth year.
    My names were nothing then and they are nothing now.
    Cause I’m a nobody traveling through life on an inner dark sea.

    White woman brown heart, I am.

     

    Tethered by psychic roots running so deep that
    it matters not where I stand on the grid of space and time.
    I’ll never understand the difference between them and me,
    or why we only see what we see in the face of humanity.

    White woman brown heart, I am.

     

    The soul is what bends and shapes what we’re supposed to be . . .
    And that difficult repentance the poet confessed long ago.
    That’s what kept my days from always ending in that dark inner sea.
    And a whispered thank you for all that ever was and ever will be.

    White woman brown heart, I am.

    Nance Harding is a Texan living in New Orleans. As a psychoanalytically oriented consultant, she uses archetypal pattern analysis and creative mentoring to assist adults during critical transitions requiring transformative change.  She writes poetry and flash fiction.

    Feature Image: Marina Azzaro

    If you enjoyed this article you might consider purchasing our new hard copy Cassandra Voices II.

    Become a part of the Cassandra Voices community through a monthly donation on Patreon.