Cassandra Voices

Tag: back

  • Putting the ‘Public’ Back into Enterprise

    Part I of this series examined Mario Draghi’s recent proposals for reforming the E.U.’s economic model. It explained how one key tool was missing from his new industrial policy toolkit. That missing tool was public enterprise. Here in part II, we take a closer look at commercial State-Owned Enterprises (SOEs). Particularly regarding their role at times of market failure, and how they can be used to channel investment into promising new sectors, with positive spillovers.

    The role of SOEs as drivers of Irish industrial policy may seem like a thing of the past, or at least very much peripheral to Ireland’s tax-driven industrial strategy. However, a new debate is starting to take root. Although long overdue, it should be welcomed, particularly when we consider different options for how the €14 billion Apple tax receipts should be invested.

    Note the government’s proposal to use some of the funds for their shared equity scheme is exactly the opposite of what’s needed.

    A New Debate or a New Departure?

    As part of their pre-election campaigning the various Irish parties of the broad left offered different public enterprise solutions for various challenges.

    For instance, both People Before Profit and Labour called for the establishment of a new construction related SOE. There are differences in how each proposed it would operate in practice. Part III takes a closer look at these. It will also briefly touch on the Spanish government’s recent announcement that it’s to establish a new housing SOE, and ICTU’s call for the creation of ‘a new housing semi-state- Housing Ireland.’

    Sinn Féin in their election manifesto called for existing SOEs like the ESB to drastically increase the number of craft apprenticeship places they offer (electricians, plumbers, etc), to help address shortages of key skills and improve workforce planning. They’ve also called for €2.5 billion of the Apple money to be used by the state to take equity stakes in joint energy ventures undertaken by the ESB and private providers.

    The Social Democrats, for their part, called for an increase to Bord na Móna’s capacity to deliver large renewable energy projects (onshore and offshore wind). They also had Dr Rory Hearne elected as one of their new TDs, so it’s possible his previous research on a new national home-building agency could influence party policy in this respect.

    So, it’s clear that we’re noticing something of a shift away from a narrow (and reductive?) focus on tax and spend; toward a more ambitious and positive conception of the role of the state in helping to shape markets, and drive socio-economic outcomes.

    President Michael D. Higgins in a speech last year celebrating the 20th of anniversary of TASC highlighted the ‘dearth of progressive or heterodox policy debates’ over the last few decades. Something he rightly attributed to the ‘dominance of neoliberalism’ and its ‘economic orthodoxies’.

    Mainstream (neoclassical) economic theory says remarkably little about SOEs. This is despite their scale, scope, and importance in the history of economic development and industrialisation. In an Irish context, they have traditionally entered public consciousness at times of some proposed privatisation, or in reflection on the failures of past privatisations.

    It’s time our thinking evolved. Michéal Martin said the Irish left ‘doesn’t get our enterprise economy’. The problem is that there are many people who feel they aren’t ‘getting’ much out of it. Perhaps it’s time we put the ‘public’ back into enterprise.

    The Business of the State

    So, what’s the purpose of the state directly entering commercial activities via SOEs? The most common rationale is correcting market failure, and the OECD/EU provide several theoretical reasons:

    • The private sector’s not providing sufficient goods/services, which are deemed necessary.
    • The need to provide public goods (housing, health, education) which a free-market system won’t provide adequately.
    • The decision to become involved in an activity where the private sector overproduces certain undesirable good with negative externalities (e.g. pollution, carbon emissions)

    Other supportive arguments include the countercyclical function they can serve in terms of investment expenditures/employment during a downturn. Their ability to promote industrialisation by launching new industries that may have significant start-up costs and the requirement for long-term investments. Their use as vehicles for innovation, knowledge dissemination, and technological spillovers. Lastly, for national security reasons and to contend with monopolistic sectors.

    There’s no one size fits all model when it comes to SOEs. In practice there’s significant variation observed. There are commercial and non-commercial SOEs. They can be owned at the national level (e.g. Government Ministry), the sub-national level (municipal/local authority) or through some other entity (e.g. a sovereign wealth/development fund or a Central Bank).

    There’s different levels of ownership and control observed, ranging from full state ownership to a more limited shareholding. Some have shares privately held, with others having some equity traded publicly. The degree of control also varies from those directly answerable to a Minister/Department, to those subject in more indirect control. Part III returns to the variation in organisational structure in an Irish context.

    Despite the large-scale privatisations that have occurred with the ascendancy of neoliberalism, the relative importance of state ownership has increased in recent decades (OECD 2023). Data-driven research over the last quarter of a century has been somewhat limited, but we are currently seeing something of a resurgence.

    This is partly being driven by the ‘renewed interest’ in SOEs amongst policymakers (World Bank 2023). But also, by a multilateral institutional realisation that the footprint of the state in commercial activities is far larger than previously thought (figure 1).

    As the OECD (2023) notes, the number of SOEs in the list of top 500 global companies has tripled, and at the end of 2022 ‘the public sector held almost 11% of global market capitalisation of listed companies, amounting to $10.6 trillion, with public sector ownership in some markets amounting to over 30% of listed equity’.

    SOEs in the 21st Century

    SOEs are major actors in most economies holding assets of $45 trillion, equivalent to 50% of world GDP (IMF 2020). They’re also active across a wide range of sectors (figure 2). China’s sharp rise (see part 1) has supported the ongoing re-evaluation of the state’s role in the economy. But in the West the Financial Crisis (2008), Covid-19 and the energy crisis, which all saw partial/full nationalisations, government backed recapitalisations and a host of other state subsidies, has also fed into the ongoing re-evaluation.

    In 2009 the Harvard International Review argued that there was ‘no reason to believe’ that the SOEs of the 21st century would be like their counterparts from the 1980s/1990s. Criticisms of that period centred on the favouritism shown by the state, governance issues, inefficiencies, and so on.

    This assessment proved to be prophetic as extensive OECD research (2021) found that the ‘noteworthy trend’ has been that ‘states are operating increasingly like professional investors.’ That is, most had a commitment to ‘competitive neutrality’ meaning favouritism was not shown toward SOEs, and competition law and public procurement law were used to create a level playing field.

    They also noted for corporate governance it was now ‘common practice’ to have auditing and accounting standards (International Financial Reporting Standards) equivalent to stock market listed companies.

    MacCarthaigh (2008) in a review of Irish SOEs found that performance indicators were used extensively, with their use having increased significantly from previous years. Financial results and profitability were the focus, but other societal performance metrics like environmental and corporate social responsibility were also observed.

    Notwithstanding the recent work by multilateral institutions, academic research on SOEs over the last quarter of a century has been somewhat limited. The results of extant studies are also relatively mixed and lacking consensus. Table 1 provides an overview of some studies that have been carried out.

    SOEs have been studied across a range of issues, including: profitability performance vs private firms; level of innovation vs private firms; general performance following privatisation; effects on economic growth etc.

    There are some studies which found private firms tend to perform better in terms of profitability, with others finding no such evidence following privatisation, or that this brings higher costs in the provision of formerly public goods. Some found SOEs to be more innovative than their private sector counterparts.

    One study, examining their effect on economic growth, found that it was neither negative nor positive per se. Rather, their effect was conditioned by the institutional environment they operated within, meaning in the presence of good quality institutions their effect was positive, and in the presence of poor-quality institutions their effect was negative.

    This reminds me of something a former professor of mine once said. The answer to any question in economics is always – ‘it depends’! SOEs are not some kind of magic bullet. How they perform will depend on a range of factors. These factors can also apply to private firms.

    Factors like whether its organisational structure is sound. The presence of sound management and a board with a strategic vision, which are in alignment with its shareholder goals;[1] a good understanding of the market conditions they are operating within etc.

    Where they have differed in the past is that private firms could be quicker to exit a market when it was no longer competitively viable.[2] The case of Irish Steel – nationalised to save jobs – is a good case in point. It continued well past its sell by date, despite no longer being economically viable.

    But SOEs like private firms can adapt to a changed environment. For example, Bord na Móna went from being a major peat harvester to making good progress in renewable energy.[3]

    Lastly, it must be noted that SOEs may not be solely driven by maximising profit, measured via financial metrics (gross/net profit margin; return on equity (ROE); return on assets (ROA), etc).

    As commercial enterprises they will still need to make a profit, but they often have a so-called double bottom line, meaning they also look to maximise a second objective, such as capital investment, social impact, environmental performance, etc.

    So, comparing their profitability to private firms which are explicitly profit maximising is not necessarily a fair comparison. Next, we’ll take a brief look at specific Irish SOEs in historical perspective.

    Table 1
    Authors & year Research area/concern Findings Comment/limitations/ implications
    Shirley & Walsh

    (2000)

    		 Reviewed 52 studies (1980s to 1990s) which examined the difference in performance between SOEs and private corporations. They reported that there were only five studies indicating that SOEs outperformed private corporations Only monitored firms in monopolistic utility sectors
    Omran

    (2004)

    		 Examined the performance of 54 newly privatized Egyptian firms against a matching number of SOEs (1994-98) His analyses showed that privatized firms did not exhibit significant improvements in their performance relative to SOEs. These findings questioned the benefits of Egyptian privatization Cautioned that ‘changing ownership’ has no instant magical effect on performance, and greater consideration should be given to market structure or the power of competition
    Anderson (2007) Examined the impact of privatisation in Latin America (Ecuador), in relation to natural monopolies and public goods The privatisation of SOEs in involved in the provision of public goods can head to lower output and higher costs in the long run Noted that for Ecuador to develop the public sector still needed to play a significant role in developing human capital and physical infrastructure
    Mazucatto (2013) Examines the role of the state/public funding in the US economy’s success. Tackles the myth of neoclassical economics which juxtaposes a supposedly bureaucratic state versus a dynamic, innovative private sector The role of government as both a risk-taking funder of innovation and a market creator is widely understood. Public/state-funded investments in innovation and technology has been the driver of success, rather than free market doctrine Correctly recognises that governments form an essential role in the innovation chain. Points out that state has not only fixed market failures, but has also actively shaped and created markets. Sometimes successfully sometimes not.
    Benassi & Landoni

    (2018)

    		 Deals with the role of SOEs in innovation processes through two case studies (STMicroelectronics in the semiconductor and Thales Alenia Space in the space industry Illustrates how SOEs can contribute to innovation by exploring new opportunities and recombining different sources of knowledge. Highlights the conditions under which success can be realised. Highlights how these SOEs succeeded through a continuous wave of agreements, mergers and acquisitions. This has bearing for some of the proposals Mario Draghi has made (see part 1)
    Asian Development Bank (2019) Using a large sample of firms with cross sectional data, compares SOEs to private firms across various financial performance measures Found that SOEs ‘be less profitable than privately owned enterprises’. Argues SOEs should shift to profit maximising behaviour, although this runs counter to the double bottom line they often have
    Lee et al

    (2021)

    		 Examined the innovation performance of SOEs vs private corporations in Asian middle-income countries (2012-15) The authors note ‘somewhat surprisingly’ they found that SOEs in the study population tended to innovate more than private firms Noted the scarce data availability for empirical comparisons, meaning survey data was used instead
    Szarzec et al (2021) Examined the effect of SOEs on economic growth in 30 European countries (2010-16) Impact of SOEs on economic growth is not good or bad per se, but conditioned on the level of institutional quality. SOEs are positive on economic growth in a good quality institutional environment, and negative for poor quality institutional environments
    Castelnovo (2022) Analyses the innovation performance of more than 2000 SOEs vs private firms, using patent applications as a proxy for innovation value Results suggest that cross-industry heterogeneity exists. Overall, SOEs innovative performance is comparable or even superior to that of private firms Paper restricts attention to developed countries (EU Member States). Therefore, its findings cannot be generalized to developing countries

     

    Poolbeg Generating Station Ringsend, Dublin.

    Irish SOEs in Historical and Contemporary Perspective

    In the wake of the financial crisis (2008-10) a report for the Department of Enterprise noted that there was renewed global interest in SOEs in ‘promoting economic development’, and their ‘significant contribution to the economic and social development of Ireland since independence’ (FORFÁS 2011).

    At the time there were calls by ICTU to establish a strategic investment bank ‘to address the collapse in domestic demand’, to help support infrastructure investment and address the loss of jobs.[4] Such calls went unheeded. Instead, we got the below value sale of An Bord Gais and the attempted privatisation of our water services.

    Let’s briefly consider some of our current and former SOEs in historical perspective (see below), before considering some of the impacts of privatisation.

    • the ESB,
    • the Irish Shipping Company,
    • the National Building Agency,
    • Telecom Éireann,
    • ICC Bank,
    • Aer Lingus

    ESB

    At the time of independence/partition agriculture was Ireland’s main industrial sector. Yet most farms had no electricity or light, severely hampering profitability, productivity, and incomes (Schoen 2002). The ESB in helping to electrify the state had an immediate impact on economic, social, and industrial development, and average sector level income.

    Today it remains a large employer (supporting 0.5% of total employment). It’s a major capital investor (€6.7bn in the period 2018-23) and continues to provide strong returns to the state in the form of taxes, payroll, purchases, and dividends (€2.7bn in 2023). 

    The Irish Shipping Company

    The outbreak of WW2 threatened supply chains as many private shipping operators were unable to service Ireland. According to the old Department of Industry and Commerce, in 1939 only 5% of the total tonnage required for the Irish import and export trade was provided by Irish-owned vessels. During World War II, the U.S. initially refused to enter the warzone around Irish waters, meaning they couldn’t transport directly to Ireland.

    Other ships moved to the British register leaving a crisis in the availability of ships for transporting imported/exported goods. The establishment of the Irish Shipping Company was vital for the continued importation of energy supplies, as well as supporting exporting businesses in maintaining their trade routes, incomes, and employment. It was also considered essential to the preservation of Irish neutrality.

    National Building Agency

    The shift toward trade liberalisation and our FDI-led model in the 1960s was at first impeded by a lack of housing, as neither the private sector nor local authorities could meet demand. The National Building Agency was established for ‘facilitating industrial expansion through the provision of houses and ancillary services.’

    It soon undertook multiple large-scale developments and won plaudits from across the aisle. Even Fine Gael’s arch-conservative T.D. Oliver J Flanagan stated: ‘In my own constituency the NBA have provided what I consider to be the best type of houses that I have ever seen erected, in record time and to a plan and a design second to none.’[5]

    It was noted during one debate of the period how it had worked closely with the IDA, and after a decade in existence it had constructed multiple large scale developments, having ‘brought new techniques to Irish workers’, and ‘coordinated very well with the trade union movement’. The NBA was also an early pioneer in modular built structures and underfloor heating.

    Telecom Eireann

    The onset of the Celtic Tiger has multiple explanatory factors, but one often neglected was the quality of our telecommunications network infrastructure (Harris 2005). Thanks to the heavy capital investment of Telecom Eireann, by the early 1990s the network was amongst the most digitalised and modern in the world, and essential to attracting emerging ICT and financial services industries.

    At its height it provided employment to 18,000 workers, and by the mid-1990s the telecommunications infrastructure had become 100% digitised. It was privatised in 1999 as Eircom (now EIR).

    ICC Bank

    The Industrial Credit Corporation (ICC Bank), first established as a strategic industry lender, later became key to the SME sector. It made strategic equity investments in venture capital in the software sector, which was one of the successful indigenous export industries to emerge from the Celtic Tiger period (Kirby 2011).

    It expanded steadily, enjoying consistent profitability, and made equity investments totalling £36.9 million. At the time of privatisation (2001) it had grown its balance sheet to €3 billion.

    Aer Lingus

    Aer Lingus when it was an SOE was very entrepreneurial in its diversification activities, designed to mitigate the cyclical nature of the aviation industry (Sweeney 2004). It diversified into activities like financial, computer and engineering related services.

    It established successful subsidiaries like Airmotive, TEAM, Aviation Traders Engineering, Aer Turas, Pegasus and Futura, to name but a few. Aer Lingus, and its then employee Tony Ryan, can also lay claim to leasing one of the world’s first aircraft, which helped to create a global industry (aircraft leasing) in which Ireland now holds a 65% market share (PWC).

    Today Ireland’s remaining SOEs continue to contribute to the Exchequer, not merely in terms of employment and taxes paid, but also in terms of the dividends they have returned to the state. For example, in the period 2013 -2020 they contributed almost €2.5bn (Table 2). To put this in perspective, that is somewhere around where the final cost of the new National Children’s hospital will land.

    We can see from the foregoing the significant contribution that public enterprise has played throughout the state’s short history. And whilst there will always be those who assert that ‘the state has no business in business’, the above examples should demonstrate how erroneous that thinking is.

    It should, however, be said that when it comes to economic planning on the part of the state, it has often been found wanting (Casey 2022). The relationship between SOEs and the Irish government has often lacked ‘clearly articulated policy or objectives’ meaning public debate has rarely evolved beyond ‘the issue of privatisation’ (MacCarthaigh 2008).

    Table2 : Dividend payments to the exchequer from SOEs (2013-2020)

    Irish Privatisation in Perspective

    The importance of SOEs in Ireland has declined in relative and absolute terms since the early 1990s, through a combination of privatisation and the growth in the economy. In the 1980s SOEs employed ninety-one thousand people, accounting for 8% of total employment, falling to less than half that number and 2% of total employment by 2008.

    The wave of privatisations, with the ascendency of neoliberalism, saw major state divestment in sectors like construction, transport, telecommunications, other utilities, and finance (Parker 2021). In Ireland, arguably the biggest privatisation since the foundation of the state wasn’t from the sale of a single SOE, but rather the sale of more than half of all the public housing stock (Sweeney 2004).

    Ireland’s experience with privatisation largely mirrors the mixed results and disappointments seen elsewhere, as Table 3 sets out.[6] Despite promises of greater efficiency, cheaper and superior quality services/infrastructure, etc; often the reality failed to match the hype.

    In certain instances, privatisation had very costly consequences for households, businesses, the state, and its competitiveness.[7] As we can see below (table 3), four of the six SOEs (TE, ICC, IS and BG) were all profitable at the time of their sale, one of which had reached record profitability, and were returning dividends to the state.

    Of the two which were loss making; the Irish Shipping Company had been ‘a viable and successful state enterprise’ (Barrett 2004) before it made significant losses from speculative charter agreements, entered into by management without the approval of its shareholders (Minister for Finance/Transport).

    In the case of Irish Steel, major changes in global steel markets beginning in the 1980s, meant it became a significant loss maker and was no longer commercially viable. It was sold for £1 in 1996 and the new private entity would shut its doors in 2001.

    The impact of the privatisations of late 1990s/early 2000s were particularly acute. The sale of Telecom Eireann led to two leverage buyouts (think private equity) with much asset stripping and loading the company up with debt. There was then significant underinvestment meaning Ireland lagged behind EU peers in broadband connection for a long time.

    This privatisation was described as the ‘the biggest own goal’ for the state, next to the blanket bank guarantee. Although some of the proceeds of the sale were used to capitalise Ireland’s first sovereign wealth fund (the National Pension Reserve Fund), this of course would later be raided to bail out the banks.

    ICC bank was sold in 2001 despite being quite profitable and returning increasing dividends to the state. The proceeds of these sales were used ‘to cut direct taxes, incentivise property investment and so boosted the Crash’ (Sweeney 2018). In other words, successful public enterprise was sold off, partly used to lower taxes, and fuel the crash, and partly put aside in a new sovereign wealth fund, which would then be used to pay for the cleaning up of the mess.

    Bord Gáis, which was described as ‘extremely efficient in operational terms’, was sold under pressure from the Troika, and for less than its worth. Between 1976 and 2009 it had returned €689 million in dividends to the state. At the time it was still in public ownership, Ireland had one of the lowest energy costs in the EU, a situation which has now been drastically reversed.

    Table 3
    SOE, lifespan & industry Rationale for existence Max employees Performance prior to privatisation Aftermath of privatisation
    Telecom Éireann

    (1983-99)

    Communication

    		 To roll out digital telephone switching technology along with extensive fibre optic. 18,000 ·        Went from loss making (-£83 million) in 1983-84, to earning profits of £94 million by 1990-91.

    ·        In 1998 it made pre-tax profits of IR£223m, up 9%, on turnover of IR£1.35 billion.

    ·        By the early 1990s, the Irish network was amongst the most modern and most digitalised in the world and by the mid-1990s had become 100% digitally switched.

    ·        In 1999 it had debts of €340 million which rose to €4.27 billion by 2007 after privatisation.[8]

     

    		 Underwent two leveraged buyouts (LBOs), asset stripping, loading company up with debt, significant underinvestment, Ireland lagged behind EU peers in broadband connection for a long time.

     

    A report by ICTU noted that next to the blanket bank guarantee, the privatisation of Telecom Eireann ranked as “the biggest own goal” for the state.
    Industrial Credit Corporation – ICC Bank

    (1933-01)

    Finance

    		 Setup as strategic lender for industrial expansion.

    Later acted as key lender to SMEs, indigenous businesses, and venture capital.

    		 358 ·        Expanded steadily, enjoyed consistent profitability, and made equity investments totalling £36.9 million.

    ·        Grew its balance sheet through its own efforts to almost £3 billion at the time of privatisation.

    ·        Paid regular and increasing dividends to the Exchequer over the previous two decades.

    ·        In the five years before privatisation, dividend payments amounted to £14 million, while corporation tax payments in the same period came to £10 million.

    ·        The bank made a profit of €47 million the year before it was sold.

    		 Return on assets (ROA) declined after privatisation, asset size increased (Reeves).

     

    Post-crash, loss of ICC cited in support for establishing State Investment Bank (NESC 2013), (ICTU 2011).

     

    Credit demand muted after GFC, accessing finance today for SMEs remains a challenge with 66% having difficulties.[9]
    Irish Shipping Company

    (1941-1984)

    Transport

    		 Setup to protect imports and exports during WW2, to promote greater self-sufficiency and protect neutrality. 300 ·        Liquidated following significant losses from speculative charter agreements entered into without the approval of its shareholders (Minister for Finance/Transport).

    ·        Liquidation cost £101 million, which was £13 million more than allowing the company to keep trading.[10] Its ships were sold off.

    ·        Prior to this mistake with the charter agreements it was “a viable and successful state enterprise” (Barrett 2004).

    ·        It was described as having “offered good careers to many” and brought “benefits to our commercial reputation as a nation”.[11]

    		 Claims cost of liquidation would be £50 million whereas C&AG reports for 1984, 1985 and 1986 estimated in excess of £100 million.
    Irish Steel

    (1947-96)

    Basic Materials

    		 Initially nationalised to “save jobs” 1,200 ·        Loss of competitiveness from other EU markets and declining steel prices.

    ·        Although modest profitability in the 1950s/1960s, problems emerged in the 1970s and despite significant state investment in 1980s, and workforce changes (90s) it made a loss of £20.7 million (1993-94) and a loss of £5.8 million (1994-95).

    ·        Serious environmental damage caused from dumping of toxic materials.

    		 Often cited as a “white elephant” project.

    Was not viable as a commercial enterprise. Firoz (2003) argues that the significant drop in steel prices in the 1990s was a major problem for producers without trade protections, strong state subsidies, and increased competition from the developing world (China).
    Irish Sugar Greencore

    (1933-91)

    Agribusiness

    		Commercial and wider social reasons like promoting regional development and employment in the West 1,757 (1991) ·        Experienced rapid growth and improvement in the pre-privatization period.

    ·        Heavy investment in the 1980s and diversified into other agribusiness streams.

    ·        Turnover in the year ending September 1990 was £271 million, which was also a record year for net profits £18.4 million.

    		 In the decade post privatisation, its performance was not strongly associated with improved financial performance and productivity.[12]
    Bord Gais Energy

    (1976-13)

    Energy

    		 Established (Gas Act 1976) as owner of the national gas transmission & distribution systems, mandated with development and maintenance of the natural gas network. 1000 est. (2013) ·        Under pressure from the Troika the lucrative energy supplier valued at €1.5 billion was sold for only €1.1 billion, because no reserve auction price had been set.[13]

    ·        BGE had yielded rising profits with an EBITDA of €91 million in 2013.

    ·        It paid dividends of €689 million between 1976 and 2009,[14] the paid €30 million (2010), €33 million (2011) and €28.3 (2012).

    ·        It lost its profitable wind farms, plants and the right to supply gas to nearly a million customers in Ireland.

    ·        The SOE was a heavy infrastructural investor and was described as “extremely efficient in operational terms”.[15]

    		 Sold for less than valuation amidst much parliamentary/public criticism.

     

    Advisers’ fees for the privatisation amounted to €27 million.

     

    Irish electricity prices were 26% above EU average (Eurostat 2022), with Bord Gais like other suppliers having raised prices multiple times in 2022.


    Conclusion

    The late great Tony Benn once said there will always be those who don’t want public enterprise to survive, even where it succeeds. For instance, David Luhnow of the Wall Street Journal, recently issued sharp criticism of Mexican President Claudia Sheinbaum for saying she wanted her country to place a greater focus on its SOEs. He said it was like the economic evidence of the last half century had been forgotten.

    But what evidence does he think she has forgotten? Joseph Stiglitz recently pointed out that after forty years the numbers in: ‘growth has slowed, and the fruits of that growth went overwhelmingly to a very few at the top. As wages stagnate and the stock market soared, income and wealth flowed up rather than trickling down’.

    It’s not enough for the broad left to say that neoliberalism and privatisation has failed. We need to have a coherent program to start reversing it. One element of such a strategy could be public enterprise. The point here is not that the Irish state should return to direct involvement in previous areas it operated in like agribusiness or steel production, or even that SOEs are always the best option for addressing socio-economic problems or promoting industrial development.

    Rather it’s to recognise that in certain circumstances SOEs are the only actors capable of doing this when the private sector fails. It’s also to acknowledge that they can also be entrepreneurial actors, making the necessary long-term investments in transformational infrastructure, technologies and industries, when the private sector is unwilling or unable.

    [1] For mismanagement and misalignment can lead to ruin, as in the case of the Irish Shipping Company, which prior to its engagement of speculative charter agreements had long been a profitable and successful company.

    [2] Irish Steel is clearly an example of this where political pressure kept the entity alive well past its sell by date.

    [3] It recently announced the biggest change of land use in modern Irish history, 125,000 acres of bog land will soon be repurposed for wind, biomass and solar energy.

    [4] https://www.ictu.ie/news/jobs-plan-fails-deal-demand-deficit

    [5] https://www.oireachtas.ie/en/debates/debate/dail/1969-10-29/41/

    [6] Other SOEs privatised but not dealt with in Table 3 include Irish Life, TSB, the Agricultural Credit Corporation, Irish National Petroleum, British and Irish Line, BOI/AIB and Aer Lingus.

    [7] Poor access to broadband, housing crisis harming competitiveness, loss of dividends to the exchequer, proceeds of sale of privatisations of 2000s was used to reduce direct taxes rather than reinvestment, this helped to fuel property speculation, at time country was running surpluses, exacerbated the crash, etc.

    [8] https://www.ucd.ie/geary/static/policy/econconf/Reeves_Palcic01022013.pdf

    [9] https://p2pfinancenews.co.uk/2022/02/17/two-thirds-of-irish-smes-struggle-to-access-credit/

    [10] Recalling Irish Shipping liquidation – The Irish Times

    [11] https://www.oireachtas.ie/en/debates/debate/dail/1984-11-14/28/?highlight%5B0%5D=financed&highlight%5B1%5D=finance&highlight%5B2%5D=bill&highlight%5B3%5D=1932

    [12] https://www.tandfonline.com/doi/abs/10.1080/00036846.2015.1061643

    [13] https://www.tni.org/files/publication-downloads/tni_privatising_industry_in_europe.pdf

    [14] https://www.oireachtas.ie/en/debates/debate/seanad/2009-02-03/7/

    [15] http://www.irisheconomy.ie/index.php/2009/11/04/the-benefits-of-increased-investment-and-efficiency-in-public-infrastructure-and-utilities/

  • Kneecap – Don’t Look Back in Ongar

    Out with the old, in with the new. In the same month that Don’t Look Back in Ongar (2024), the final (27th) instalment of the Ross O’Carroll Kelly fictional autobiography was published, the Irish-language musical comedy Kneecap (2024) quickly became the year’s highest-grossing cinema release.

    The differences between these two are more than apparent: the ROCK books and newspaper column have given us a satirical history of the south Dublin elite as the country bounces between booms and busts over more than 20 years, while Kneecap is the semi-biographical contemporary story of two working-class Belfast boys who team up with a schoolteacher to form Kneecap, the Irish-language rap group. But it’s also possible to imagine a baton being passed along here, especially when we regard the books and the film in terms of the linguistic shitscape that is modern Ireland.

    In the semi-fictional universe of ROCK, the contortions of the English language are the greatest source of comedy, the most pertinent commentary on class and gender difference, and the clearest exposition of Irish culture as being in a state of perpetual colonial aftermath. The bizarre renderings of various accents in ROCK, along with highly convoluted slang, its very narrow field of cultural references, and the characters’ sponge-like acquisition of Americanisms, are a turn-off for many. But they are flattering for readers who, by understanding the linguistic nuances, become themselves the objects of satire.

    Kneecap is more patently ‘about’ language. In the film itself and in the band’s music and branding (Kneecap is a band in the real world), language is described in the clearest terms as a political issue. The use of Irish, especially in the northern context, is an anti-colonial act – the campaign for the passing of Irish Language Act of 2022 in the British parliament forms the background to the story. Each word is a bullet fired for freedom, according to the mantra of the die-hard pre-ceasefire philosophy of one protagonist’s father (played by Michael Fassbender, who played Bobby Sands in Hunger some years ago). Alongside the fluently delivered postcolonial critique of language and empire, the film also plays on more subtle conflicts of personal battles fought with language – one protagonist whose parents have raised him in Irish and now refuse to speak it to him, another who refuses to speak English when detained by police, and another who hides his Irish-language musical activity from his language-activist partner.

    Cultural Divide

    These mutual misunderstandings will put ROCK readers in mind of the language barrier that is raised between Ross and his own son, Ronan, who has been raised in Finglas and speaks with a working-class Dublin accent. Now Ronan works in the highest government circles for his grandfather (Ross’s father), the Trump-adjacent Taoiseach. Father and son both speak English, and Ronan always understands Ross, but Ross often just does not get what his son is saying to him:

    ‘I shouldn’t be tedding you this, Rosser.’
    ‘You might as well tell me? I probably won’t understand it anyway.’
    ‘The Gubderminth ren ourra muddy.’
    ‘They what?’
    ‘Thee ren ourra muddy.’
    ‘No, it’s not catching.’
    ‘Thee.’
    ‘They.’
    ‘Ren.’
    ‘Ran.’
    ‘Ourra.’
    ‘Out of.’
    ‘Muddy.’
    ‘Oh, muddy! Okay, I get you.’

    The joke is partly Ross’s low intelligence, which is what he is referring to at the start when he says he probably won’t understand. Ross is completely ignorant, near-illiterate and unable to focus on anything requiring mental exertion. But he is firm in his self-identity and in the cultural values that count (rugby, private schools, luxury consumption, machismo, etc.). The joke is also of course based on class caricatures, and the working-class characters are treated with as much Swiftian mercilessness as anyone else.

    More than Swift, however, the contortion of English in the mouth of Ronan resembles the Joycean madness that descends on the language, on all languages, in Finnegans Wake in particular. When Ronan speaks, the Attorney General becomes the ‘Attordeney Generdoddle’ – and the reader finds themselves in the position of Ross, trying to transform this hibernicized monstrosity back into something comprehensible, back into the language of power. The ROCK books are full of these linguistic breakdowns and anomalies, of characters talking past each other, of language acting as a pick with which to dig even deeper into one’s own trench. The world of the ROCK books, like the language that is spoken in them, is chaotic, controlled by the wrong people, and full of injustices in every chapter. This dark portrait of Ireland, like the best satire, is delivered as a prolonged, stupid, sick, and yet funny, joke.

    Naoise Ó Cairealláin with Michael Fassbender in Kneecap.

    Labour of Resistance

    While the do-nothings in the south live free of the British yoke, the Belfast crowd are working hard at the labour of resistance. Education, self-motivation, organising are all positive attributes in Kneecap, which goes some way toward explaining the heavy emphasis on drug-taking hedonism that runs throughout, a careful counter to the characterisation of moralising busybody do-gooder that in other times and contexts has stuck so well to militant gaeilgeoirí. Indeed, when Irish does occasionally appear in earlier ROCK instalments, it tends to reek of worthiness, a tool for virtue-signalling southerners for whom gaelscoileanna are little more than feeder schools for the elite private institutions.

    That there is something important and vital at stake is absolutely clear in Kneecap. The achievement of bringing so many people to see an Irish-language film, both within the island and without, is enormous. The band and the film itself combine masterfully punkish attitudinizing and youth-coolness on the one hand, and mainstream institutional endorsement on the other. The Kneecap thing is slickly done and, with money from TG4, Northern Ireland Screen, Coimisiún na Meán and Screen Ireland, plus public endorsements from people such as Elton John and Cillian Murphy, and positive coverage everywhere from the Guardian to the LA Times, they will bring the Irish language and the reasons why it should be spoken to more eyes and ears than perhaps anyone has ever achieved. They also show no sign of toning down their solidarity with Palestine, which will surely hurt their chances when it comes to the Oscars, now that the film has secured the Irish nomination.

    Joyce jokes in A Portrait of the Artist that the best English in the world is to be heard in Lower Drumcondra. Ross O’Carroll Kelly would be dismayed to hear this, given that it is on the northside, but he would also have to admit that he is no judge. In fact, he might not even understand the statement, whether joke or not. Being in judgement about language, having an opinion of any kind, is a sophisticated thing in the ROCK universe. In a way, this is a kind of guarantor that the language that does get spoken there has a kind of spontaneous purity, as it flows with so little friction. In Kneecap, the characters can only dream of being so mindlessly expressive. When we look ahead to the process of unification that is surely underway at this stage, the unionist-nationalist divide will occupy much of our attention, but other, vast cultural gaps run through the island, as the difference between this book and this film illustrates.

  • Bringing Music Back to Dublin

    Promoter, venue and band manager, Conal Lee reflects on the experience of musicians over the course of lockdowns, and considers the ongoing difficulities for musicians and venues in Dublin, as  well as the challenges of dealing with new controls.

    Conal Lee.

    How have you survived through the lockdown?

    Having an enforced break, albeit as a result of the pandemic, was needed for two or three months as I had been working non-stop for a long time, and I was not going to take a break of own accord anyway. But the novelty soon wore off as I began itching to get back to work and start creating. My mind and wallet needed it. Unfortunately, there was very little to do. I could not create live music events, which is mainly what I do.

    What was the general mood among musicians you know? Did many acts break up, or come together?

    I think some musicians held a similar view that a month or two of a break was a nice opportunity to sit back and reflect on things, and record some music, but only a few months! Obviously, financially the past twenty months or so has been very, very tough on the pocket, but the effect to the mental health has gone unnoticed I feel. Musicians are artists, creative people, that need to be busy developing work and need to have that end goal of preforming the music live to an audience.

    There have been some bands that have fallen away during lockdown, after not being able to meet up, rehearse and play, which develops the band and keeps the momentum alive.

    What were the main challenges putting on gigs prior to the lockdown?

    Running a venue dedicated to blues and jazz, it is always going to be hard to pull in a big, consistent audience as they are very niche genres, and generally attract an older crowd. So, to find the balance between putting on the right act, on the right nights, and trying to attract a younger audience by having a mix of all the sub-genres of blues and jazz can be the most tricky part. Any venue’s bar has to make money as do the musicians and sound engineer, door person and myself, so another part of it is putting enough acts into this balancing act that tend to bring a bigger, thirsty crowd.

    Do you think there has been anything good to have come out of the lockdown for musicians? Are there new outdoor venues for example, or has a more tolerant attitude towards on street performance emerged?

    A lot of musicians have been working a lot for years. Gigging many nights and trying to raise family etc., so the time to reflect on what was important, and then to have some time to record singles, EPs and Albums where there may not of been enough time previously.

    Venus have closed and will not reopen, there are a few outdoor spaces that have popped up, but it’s of little comfort considering the amount that have closed or that just may not do live music again, as they will use the space for more drinkers/eaters to catch up financially on lost time.

    Now, as we return to ‘normality’, what new challenges are you facing as a promoter?

    I think many of my audience may be wary about going into a small, hundred-person capacity Blues and jazz venue. I will, like others, have to increase admission prices and do more ticketed events which most of my punters are not used too. Again, it’s generally an older crowd that attend those concerts. I’m hoping that there has not been too many bands that have broken up, as something like this could kill off these genres.

    How do you feel about venues having to require prior bookings and vaccine passes?

    It will suit some gigs, some audiences but not others and vaccine passes just added extra work, but if it had to be done then that’s fine.

    Are there specific reforms the government could make to improve the life music offering in Ireland?

    An area, or quarter if you like, that’s dedicated to top quality music or a variety of musically genres through the area seven days/nights a week.

    Bigger grants for sole promoters to help run venues as there are too many big companies promoting gigs in many of the venues in town

    What advice would you give to your younger self entering the music industry?

    Believe more in what you are doing and stick to your ideals

    What is your favourite venue in Dublin, and why?

    Possibly The Sugar Club for the different types of artists performing, the regularity of the shows and the size, and space or the venue. And of course Arthur’s Blues & Jazz Club.

    If you were to design a venue of your own, what would it be like?

    Apart from Arthur’s, a venue dedicated to folk and traditional music.

    What do you think is speical about the live music scene in Dublin?

    The level of talent for a small-sized capital city. Live music is part of the city’s culture. It’s the music and arts that makes the city special.

    Feature Image: Daniele Idini