Tag: Cassandra Voices Ryan Tubridy

  • The End of RTÉ’s “Drive Time” Omertá

    And so, the omertà as to the RTÉ personnel getting ‘freebie’ cars has finally broken. It’s no coincidence that this was the only outlet probing this matter five years ago. We knew the topic was highly unlikely to be picked up by media reliant on revenue streams from advertising cars.

    We also knew that covering the topic was unlikely to win any friends for this publication in the state broadcaster – generally not a wise move for a fledgling operation trying to make it in the Irish media landscape. Despite the obvious pitfalls, the editor published my original piece – and then followed up the matter in his own stoic fashion.

    Sure enough, five years on, despite countless topics having been forensically covered by Cassandra Voices, and despite the editor having previously appeared on prime time RTÉ shows, they have never contacted him or this outlet regarding any topic featured herein. Cassandra was ‘cancelled’ almost as soon as she commenced.

    Drive Time: The Irish Media’s Message

    Accounts and Accountability

    Over the last week a series of details have emerged of a culture in RTÉ of personnel entering ‘side-deals’ where they benefit either by additional cash payments, or in kind – by way of high-value items such as cars or other luxury outings to prestigious sporting fixtures. Nice if you can get it.

    This has come as a revelation to most Irish people – yet readers of this publication know that there has been a serious issue going back two decades. Unlike commercial operators, there is an onus on RTÉ to be accountable to the public as it relies on approximately €150 million in state funding via the licence fee each year.

    Hence, it has long seemed apparent that there is a clear need for transparency to avoid conflicts of interest, especially when RTÉ employees engage in extra-curricular commercial arrangements.

    RTÉ: Wrap Your Troubles in Dreams

    Á la CaRTÉ?

    Cassandra Voices has long since called on RTÉ to release an easily accessible register of interests, as occurs with personnel who work at the BBC. Yet RTÉ have steadfastly refused to countenance such a notion – and for that, they are now having to answer.

    It is now of crucial importance to assess whether a Freedom of Information (FOI) request filed by Cassandra Voices with RTÉ in 2018 was answered with full and proper disclosure, as required by law.

    At the time, RTÉ were asked to disclose records of payments, or payments-in-kind, from car dealership to leading RTÉ stars, approved by RTÉ ’s management since January 1st, 2017 under the Personal and Public Activities Guidance.

    RTÉ’s FOI officer responded to say there was no record of any such payments or payments-in-kind. That FOI request was filed with RTÉ following an article by this writer, in which we outlined instances where RTÉ presenters had vilified other road users, notably cyclists – without making it clear to their audiences that they had ‘side-deals’ with car companies.

    It seemed obvious to us that there was an ongoing culture of side-deals with car companies, especially given there had been previous public references to this by the then Labour TD, Tommy Broughan.

    In hindsight, it was very brave of Broughan to raise the topic, given that TDs depend on media coverage to be elected. Today it turns out, courtesy of the Independent that there are in fact numerous side-deals between many RTÉ personnel and car companies. How credible is the FOI officer’s claim in 2018 that no such deals existed when asked by this small, independent media outlet?

    BMW i3

    Buy a Car to Save the Environment…

    The real problem is not that personnel have enjoyed such arrangements, but that there is a lack of transparency – and that this coincides with an apparent de facto black-out of transport issues being covered in an adequate manner.

    Dublin has been rated as the worst European capital among thirty for public transport by Greenpeace in 2023. Moreover, last year the OECD issued a stern assessment that castigated the Irish authorities for transport policy that is dependent on electric cars and mega-projects.

    Yet there seems to have been little probing by RTÉ into the strategic issues underpinning this malaise. Instead we find the blithe assumption that the airport metro will be a panacea, and in the meantime, sure why not buy an electric car to save the environment?

    New cars, by their nature, are of course bad for the environment – and electric cars bring their own set of problems, not least issues relating to mining for batteries, disposal of same, and, potentially, greater erosion of road surfaces, arising from the increased weight.

    In many instances, it may make sense to keep an older vehicle, used infrequently, on the road – rather than buying a new car.

    It is understandable, if lamentable, that commercial media should shy away from damning stories as it may scare advertisers. That is why the role of a public broadcaster working in the public interest is so important.

    Train In Connolly Station – Dublin.

    Fail Rail

    A good example of how RTÉ operates is how they covered the ‘re-opening’ of the railway that passes through the Phoenix Park tunnel in Dublin. That railway connects the two main railway termini in Dublin, Heuston and Connolly Stations, linking the Cork and south-west commuter line from Heuston, through the north city centre, onto the Sligo and north-west commuter line that runs into Connolly.

    The railway has been present for over a century, and for years, carried passenger trains between the two termini – provided the trains were empty. At the same time, Irish Rail, were proposing a multi-billion euro tunnel, DART Underground, so as to create a new link from Heuston around to the lines linking into Connolly.

    Hence there was a line that could have been used, which Irish Rail were effectively refusing to use – but were instead proposing to spend billions. Why wasn’t RTÉ probing this matter?

    Ultimately, the Phoenix Park line was brought into use in 2017, but the new operation is not without problems. Most obvious is that although trains now run between Connolly and Heuston Stations, the services do not stop at Heuston Station – and instead simply fly by an idle platform!

    Although the new service passes through some of the most densely populated areas in the state, such as Ballyfermot, Inchicore, Cabra, and Phibsborough – the train only stops once in fifteen kilometres at Drumcondra, between Connolly and Park West Stations. A fit-for-purpose public broadcaster would surely have examined the issues involved, flagged to the RTÉ Dublin correspondent John Kilraine at the time.

    Instead, having studiously ignored the existence of this railway for many years, on the day of the re-opening of the tunnel to passenger services, the matter was simply presented as a ‘good news’ story.

    The modus operandi of RTÉ in this instance appears to have amounted to a suppression of the facts, until state policy mandated a change, where upon it was a case of ‘hooray for happy days’. Such an approach is not good enough. Irish Rail would not have been able to obscure the existence of that key railway had RTÉ been doing its job properly.

    Irish Independent, 2008.

    UnchaRTEd territory?

    It remains to be seen if RTÉ staff can redeem the reputation of the state broadcaster. This week’s outings to the Dáil did not inspire much confidence – particularly when the Chief Financial Officer was unable to recall his own payment levels; two hundred thousand euro, as we subsequently learned.

    As RTÉ correspondent Paul Cunningham observed, it turns out that there has been a ‘special arrangement for special people’.

    Although Cassandra was the lone voice raising such unpopular questions a few years ago, the levee has now properly broken, and it has emerged there have been all sorts of ‘side-deals’ and unusual accounting procedures that have facilitated junkets, luxury outings, ‘freebie cars’ and hidden payments. It will be interesting to see what else comes out. The public deserves a lot better from its national broadcaster.

    Feature Image: Daniele Idini

  • RTÉ: Wrap Your Troubles in Dreams

    The significance of Joe Duffy (Liveline, June 26, 2023) insisting that Ryan Tubridy (from 12.30) “really is a unique talent” should not be overlooked.

    It isn’t simply that Joe and Ryan (along with a host of RTÉ’s household names) share Noel Kelly as an agent. It also reveals Joe’s interest in maintaining a near-feudal pay structure, rewarding “unique talent”.

    This seems to reflect Joe’s assessment of his own qualities, justifying a salary of €350,000 per year. Does it really take a “unique talent” to field complaints from parents about having to pay €60 for a child’s confirmation?

    Notably, Joe is fixated on maintaining high ratings for his show. As he put it in 2017: ‘One of the reasons I say that we have to have our numbers up [is] because it only works when the numbers are up.’

    The Joe Duffy Show is a careful balancing act between heart-rending accounts appealing to an older, pearl-clutching, audience – often sparking moral panic – and outright absurdity or light entertainment (including ‘Funny Fridays’). That is not to say that the show never addresses important issues or even breaks stories, but the formula is clearly calibrated by experienced – and even talented – producers. That’s why other presenters seamlessly ‘take the chair.’

    Undoubtedly, the issues they choose to lead on arise from careful consideration. Joe doesn’t simply allow members of the public to have their say. This certainly seemed evident during the June 26 programme, as a succession of callers ‘spoke out’ in favour of Ryan Tubridy.  At a point when most of the country was up in arms, wagons were circling.

    Joe’s particular skill lies in not offending anyone that matters; this extends to the car company sponsoring his show, but crucially finds him reinforcing key government messages.

    For example, during Covid, rather than allowing for a reasoned debate among experts on the thorny question of vaccination policy, Joe chose to platform an individual claiming the vaccine was a ‘mark of the beast.’ Naturally, reasonable Joe rode to the rescue to restore our collective sanity.

    Latterly, he has weighed in with belligerent statements on Russia-Ukraine that align with the government’s response. Thus in May, 2023 he opined: ‘War only ends primarily when one side is beaten by the other side.’ As Mick Heaney put it in the Irish Times: ‘He’s so impassioned that callers with mildly divergent views struggle to get a word in edgeways at times. Talk to Joe? Not when he’s in this form.’

    RTE Kitsch: Room to Improve.

    Tubridy’s Unique Ability?

    During his 9am radio slot and as presenter of the Late Late Show Ryan was rarely overtly political, although he was happy to endorse a complimentary biography of Leo Varadkar, and chose to interview Micheál Martin on his penultimate outing as Late Late Show host.

    Tubridy plays a different role to Joe Duffy, which I have previously argued is essential to a distinctively Irish propaganda. This is to maintain the feel-good factor. Light entertainment on the airwaves provides a comfort blanket for all sorts of troubles, from Covid to the cost of living. Indeed, Tubridy’s relentless chirpiness recalls the Depression-era song, popularised by Bing Crosby: ‘Wrap Your Troubles in Dreams (and Dream your Troubles Away)

    Almost uniquely on RTÉ Radio 1 – the Ray D’Arcy show has a similarly vacuous quality – Tubridy’s programmes became an extended commercial: a kind of dream factory or Late Late Toy Show for adults. Rather than engaging in tiresome arguments over our response to climate change, listeners and viewers are subliminally guided into treating themselves to the latest car model. Smile, it’s easy.

    In this argument-free zone, the mask occasionally slipped, as where Tubridy suggested on the Late Late Show in 2018 that cyclists who (legally) cycle two abreast should be ‘binned’.

    How Irish Propaganda Operates.

    RTÉ’s Peasant Revolt

    A significant proportion of the Irish public ignore RTÉ, and aren’t in the least bit surprised by the revelations. The real outrage emanated from RTÉ staff who did not take kindly to their highest earner being over-paid in an underhand fashion. This arrived at a time when, presumably, many are feeling the pinch during an extended Cost of Living and Housing Crisis.

    RTÉ staff are a formidable and influential body that seem to have gained control of the news rooms, even if the likes of the Joe Duffy Show may be acting in the interest of Tubridy. The sans culottes seemed determined to eviscerate the ancien regime. Whether the defenestrations of Dee Forbes and Ryan Tubridy will be sufficient remains to be seen.

    The looming question is whether these RTÉ journalists, who appear to be led by Education Correspondent Emma O’Kelly are committed to a long overdue overhaul of public service broadcasting. This ought to entail an end to programming that serves as a vehicle for so-called ‘talent’. Notably, BBC Radio 4’s schedule does not contain a single programme that takes its name from a presenter.

    But RTÉ staff may have to be prepared to cut their cloth further. It is unclear whether public service broadcasting is compatible with selling advertising space.

    A fully state-funded model would also bring its own problems – as we witnessed during the Covid-era when RTÉ often became a conduit for government propaganda – but safeguards, as in the BBC’s commitment to impartiality, could be put in place. A slimmed down model – with a primary focus on current affairs and high culture – would surely represent an improvement on the kind of schlock – epitomised by Ryan Tubridy – we have become accustomed to.

    A Basic Requirement

    In 2017 I lodged a Freedom of Information (FOI) request seeking details of payments by third parties to a number of RTÉ stars, including Ryan Tubridy, approved by RTÉ management falling under the Personal and Public Activities Guidance for 2017.

    The officer refused to divulge precise details, claiming this could be advantageous to competitors, might result in financial loss to contractors, and potentially ‘prejudice RTÉ ’s contractual negotiations in respect of future engagements with independent contractors’.

    He revealed, however, that ‘the total number of requests to engage in external ventures that RTÉ received was 122. Of that number, 114 were approved and 8 were refused. Of those granted, 97 were independent contractor requests and 1 was a RTÉ employee request. Of those refused, 7 were independent contractor requests and 17 were RTÉ employee requests.’

    That the vast majority of requests were approved, particularly to independent contractors, demonstrated that the organisation was taking a permissive approach on conflicts of interest.

    RTÉ claimed the majority of payments were for ‘non-commercial events, and mostly in support of charitable or other not-for-profit organisations’. In the absence of further details, however, it was impossible to verify this claim. If their work really was benign, why were they withholding the information?

    The claim that divulging information would “prejudice RTÉ ’s contractual negotiations” suggests the likes of Ryan Tubridy would have been lost to commercial competitors if information entered the public domain. That contention may be questioned, in the case of Tubridy at least. After moonlighting with the BBC in 2016 Tubridy admitted he had found connecting with UK listeners difficult, while leaving for Newstalk or TV3 would have represented a career regression.

    Most of RTÉ ’s household names found fame, and fortune, through extended exposure on RTÉ. The failure of Pat Kenny to draw a substantial number of his former listeners away from the station, when he departed for Newstalk, indicates most people are in the habit of tuning into the state broadcaster, rather than to listen to the unique talent.

    Transparency?

    This week I sent in another FOI seeking records (if they exist) of payments or payments-in-kind to the same ‘stars’, approved by RTE management falling under the Personal and Public Activities Guidance since 2017. It will be interesting to find out whether transparency is now given a higher priority than “contractual negotiations”.