Tag: cross-cultural branding

  • Post-Pandemic Marketing Strategies

    Contemporary marketers must simultaneously think global, local, and glocal factors in order to stay ahead of the curve, or just keep up, given evolving market conditions and a growing attention to ‘bespoke’ needs.

    The IT revolution – plus the possibilities that AI, deep and machine learning have to offer – have washed away static approaches to marketing.

    Moreover, although it is widely known that internationalisation is a process of firm expansion into new markets, the importance of marketing is often overlooked. There are cultural, regional norms, leadership and change, and also cross-cultural branding amongst others that need to be prioritised while planning.

    International business essentially covers international transaction of economic resources as well as international production of goods and services, and, as such, the broad forms of business internationalization cover trade, technical collaboration and investment.

    While in the past, trade was undoubtedly conducted internationally, never before has it had the broad and simultaneous impact on nations, firms and individual households as today. What is more, global trade has been consistently outperforming domestic transactions over the past few decades. As a result many new countries and firms, especially in emerging markets, now prioritise international markets.

    Internationalisation of trade has been accelerated and facilitated by rapid technological advances through 2G to 3G to 4G, and now 5G.  In many respects, this has reduced the world to a Global Village where producers, customers and other stakeholders can all engage collaboratively.

    Global Village, Dubai.

    Differentiating global, international, and glocal marketing…

    ‘The international market goes beyond the export marketer and becomes more involved in the marketing environment in the countries in which it is doing business.’

    There is a crossover between what is commonly referred to as international marketing and global marketing, which are terms often used interchangably. International marketing is simply the application of marketing principles to more than one country. That is to say, International marketing is a simple extension of exporting, whereby the marketing mix is simply adapted in some way to take into account differences in consumers and market segments.

    Global marketing, on the other hand, takes a more standardised approach to world markets and focuses upon sameness, in other words, commonalities in consumers and market segments.

    Evidently, international business expanded at lightning speed over the past decade. The reasons for this rapid growth can mainly be found in new technologies, but also supportive institutions, the openness of many economies, as well as intensified competition in many sectors.

    Myanmar, for example, is now making a foray into the energy sector; while Bangladesh has emerged as a tough competitor to India in the field of ready-made garments, a sector that Russia is now also interested to participate in internationally.

    Finally, a significant difference between domestic marketing and international marketing is that in the former case business remains confined to the political region’s jurisdiction, where government rules and regulations are generally consistent; while in the latter case, once cross-border trade begins it is subject to the rules and regulation of the host country, making the situation far more complex.

    When marketing domestically, a company can have the same policies and strategies, while international marketing calls for varying strategies when promoting products and services.

    As every country has distinct laws, firms must develop an awareness of the codes, practices and norms that apply. Moreover, consumer tastes and preferences may also differ, so marketing strategies should be formulated with different consumers in mind.

    Cabbage market by Václav Malý.

    The Customer Remains King

    Both globalization and glocalisation have led to more companies pursuing the same customers, while at the same time, customers have become more sophisticated (often seeking whatever is ‘bespoke’), while information technology enables analysis of competing products, allowing consumers to make informed (and sometimes ‘rational’) choices.

    No doubt, the discovery of online alternatives by consumers has brough greater comparison of offers. Furthermore, many products have become virtual commodities, while rapid changes in technology have dramatically shortened product life cycles.

    Often similarities between offerings make it quite difficult for firms to differentiate themselves from  competitors, which, in turn, further empower customers. That is to say: a decisive shift from supplier-dominated economies towards ones dictated by customers.

    Adapting to the ‘New Normal’

    Historically, during any crisis such as the pandemic today, consumers expect proactive action, not only from their government, civil society, and local neighbourhood, but also the brands they purchase.

    For a business aiming to remain financially successful, and sustain a good reputation it is often not about the products and services, but more importantly: a corporate identity.

    Thus, one of the key ones is to keep the customers ‘informed’. Thus companies balance financial responsibility with the need to keep consumers engaged, especially during periods of long term uncertainty.

    Thus research by the American Association of Advertising Agencies indicated that 43% of consumers find it reassuring to hear from brands during lockdowns. In addition, 56% said they like learning how brands are helping their communities during the pandemic. Only 15% said they’d rather not hear from companies.

    During the pandemic, certain global companies invested heavily in new market analytics in order to adapt rapidly to new trends. A COVID-19-ready ‘client-agency’ relationship is the new norm for customer relationship managers and marketing teams.

    In the second quarter of 2020, Amazon recorded high growth in the face of COVID-19, with profits reaching a staggering $89 billion. Following that trend, companies such as P&G and GSK have also doubled their investment in the e-commerce sphere more than ever before.

    New Trends in Post-Pandemic Marketing

    Once again, recalibration is required through innovative product design, packaging and also pricing models to survive in the ‘new normal.’ Among the new ‘differentiators’ for brands is ‘health and safety’ protocols, offering bookable shopping times, fully sanitised delivery, and at-home ‘make-up’ experiences. This phase of marketing innovation is, however, costly for firms.

    Firms will surely be able to operate once against under radiant blue skies, after the dense clouds of masks and hand-sanitisers slowly fade over time.

    COVID-19 didn’t bring an end to competition; and any forthcoming slump seems likely to accentuate it. Most firms, particularly those with an established ‘brand’, will need to have multiple plans ready to go.

    They must, however, be willing to let go of an existing idea of what is ‘the right way to go’ and devise innovative ways to reach customers, suppliers, civil society, and others. This should lead to the prioritisation of people, planet and profit.

    Over the course of the crisis we have been bombarded with video ads, emails and other digital outreach initiatives. But with all the noise, especially on social media, consumers seem likely to be drawn towards a softer, more subtle, tone.

    Some brands have opted to move slowly as markets reopen, ‘playing it safe’ on the path towards reactivity. Then there are those who remain conservative, considering the sensible choice to be unadventurous, amidst continuing uncertainties around how long the crisis will last. Although the show must go on, many entrepreneurs have slowed down on marketing and PR activities.

    Leveraging #workfromhome

    Little fresh content is being created in this phase, notwithstanding how many creative ‘zoom’ screens appear in the ‘lockdown creativity’ slots on popular news channels. Most creative companies and marketers are spending the time building new campaign narratives, initial creative, copy, and baseline graphics.

    This can be a fertile period during which creative staff from media, R&D, marketing and sales are encouraged to engage in ‘blue sky thinking’ – brainstorming without limits – so as to deliver consequential output when the right time arrives. Executing new campaigns post-pandemic will demand muscle memory, not mental horsepower.

    Business marketing over the years has demonstrated that leveraging genuine empathy can be a real asset. Think of the 90s ads for Nescafe and the story building ads of ‘a lot can happen over coffee.’

    During the pandemic some companies have appealed directly to the issue. In the automobile sector for example Jeep released positive messages to encourage social distancing and ‘stay at home’ practices. It also says in online commercial that ‘with a little patience, the views will get better.’

    Company databases retain the customer feedback and other date from research programs. This is an opportune time to develop an understanding of the emotions underlying people’s shifting attitudes and behaviours in the market.

    Instead of repeating adverts, companies need to ensure they understand the process of customer engagement. The cultural and cognitive connection is equally important.

    Best Practices Shared? Further examples…

    There are some prominent examples to share in light of the above. Thus Dove created a slot shining a light on the courage of health care workers.

    Also, companies like Budweiser and Burger King are focusing on social distancing and encouraging people to play their part by staying home. While Apple quickly mobilized their resources to produce much-needed PPEs, and Nike has temporarily removed its subscription fees for its health and exercise app to help people stay fit under quarantine.

    Also, in some developed countries, there is growing appreciation that the ‘retail heroes’ who have often been working around the clock during the period of lockdown – a period that has strangled the capacity and also ability of the supply chain to function effectively.

    While regrettably severe job cuts have already happened all over the planet, big-box retailers in Canada such as Loblaw and Save-on-Food have been paying extra wages to their front-line staff as a gesture of appreciation for their efforts. And they are certainly ensuring customers are up to date with these initiatives.

    It is a good time to take stock and recalibrate. This is a period of inaction in many sectors, which at least gives a space for businesses to rethink their messages in newsletters, and how ‘new content’ on social media can be created; along with considering how all the adverts, emails, webinars and podcasts may be overhauled in light of current consumer priorities.

    Marketing campaigns are known to have solid long-term goals, especially in the case of brand management. This pandemic has asked us to rethink some of our fundamentals afresh. For example, short term planning and incremental innovation may work wonders in the immediate post-pandemic stage.

    Therefore, there will be new markets created, and new products introduced factoring in new demand amidst altered consumer patterns and long-term behavioural changes. Relying on detailed long-range planning may actually hurt an institution.

    With rapidly changing market dynamics survival may become the priority rather than turnover (of profit and not of employees) to ensure a firm’s viability. As markets, and the nature of markets, evolve with e-tails (Amazon, Alibaba, etc.), AI-driven SMEs, green supply chain etc., the essence of marketing and its channels must realign with company goals and values. They cannot simply rely on on flooding inboxes and other ways of dominating our screens.

    Feature Image: Daniele Idini

  • Unforgettable Year: December 2020

    The restrictions in 2020 presented more challenges for some careers than others. For musicians in Ireland it was an unprecedented year when most were unable to perform live.

    We sought an Optimistic Note, a Pessimistic Note, a Practical Note and an Existential Note from musicians and others in the music industry.

    Image (c) Daniele Idini

    In a long read, meanwhile, Marcus de Brun contemplated The Algorithm of Evil that advertising uses to increase our consumption of products we often don’t need.

    What role does the Algorithm play in the election of a President? In taking to the streets in Dublin because a black man is murdered in America? What role does it play in hatred? In being afraid of a virus, or in wearing a face mask? In taking a vaccine, or in taking one’s own life? The darkness in our world may not be the workings of conspiracy – nor the consequence of irrational political allegiance – it might just be a consequence of sublimation: of a gullible embrace of the thoughts of others.

    In December Frank Armstrong turned his attention to penal reform as an estimated one-in-every-two prisoners re-offend within three years of release. He also revealed a poignant episode in his own family history regarding a great-grandfather Luke Armstrong (1853-1910) of Tubbercurry, Co. Sligo who ‘was arrested in April, 1884 and charged with his fellow conspirators with being a member of the Fenian Society, and conspiring to murder a land agent.’

    Thankfully, given the gravity of the charges, all the accused were acquitted based on the unreliability of the Crown informant’s evidence.

    That month David Langwallner turned his attention to the U.K.-based, German writer W. G. Sebald:

    The attention in W. G. Sebald’s writing to the fascist era in European history anticipates many of the controlling measures of our time. Images abound throughout his work, leading to observations and recollections both of historical incidents, literary tradition and the lives of friends and immigrants, as well digressions on nature. We find a unique blend of memoir, historical and philosophical disquisitions, and a form of narrative storytelling based on fact with the occasional intrusion of fiction.

    Boidurjo Rick Mukhopadhyay turned his attention to Cross-Cultural Branding: ‘Glocalisation.’ He recalled a social experiment conducted by Enrique Iglesias. A performance at a packed auditorium where ‘even the cheap seats went for about $100 a pop’ was greeted by ecstatic applause. Later on, however:

    he decides to go into a subway station in New York city (which had great acoustics). He dresses up as a busker, posing as a random musician on the street trying to earn a crust.

    Iglesias sang the same hits with the same gust one weekday morning. There is security around, nonetheless. You can imagine what happened next. A crowd gathered and everybody was hushed and mesmerized, and it all ended with a big applause at the end.

    No, it didn’t go that way.

    In the run up to the festive season, Andrea Reynell considered Christmas traditions old and new, tracing many of our practices to a pre-Christian era:

    The practice of putting up and decorating a so-called ‘Christmas’ trees – usually an evergreen conifer – can be traced to the pagan worship of Ancient Rome. Evergreen wreaths were brought into Roman homes during the Saturnalia celebrations (a festival for the god Saturn).

    In this month’s underwater episode Daniel Mc Auley took us on a journey to Hook Head in County Wexford. There:

    The sedimentary rocks of the peninsula are festooned with fossils of long departed sea creatures, which creates a very special ambience. These soft rocks have been pounded by violent waves, where the Irish Sea meets the mighty Atlantic.

    The Ocean swells have sculpted a labyrinth of gullies and rock walls, encrusted with a cornucopia of multi-coloured sponges and anomies. This unique topography, mixed with the clear waters around the Hook, gives the diver an impression of being on a flight through a surreal landscape.

    Musician of the Month for December Matthew Noone’s musical journey began with rock’n’roll in the Northern Melbourne suburbs before following in the footsteps of the historical Buddha to India, before settling in Clare in the West of Ireland:

    While living in Ireland, I became aware of the idea that there was some sort of connection between Irish traditional music and Indian culture. I wanted to explore how Irish music might sound on the sarode but I also wanted to avoid it becoming a gimmick relying on cliches. So, I undertook a four-year structured PhD (Arts Practice) in the Irish World Academy at the University of Limerick. During these four years, I apprenticed myself to a number of traditional musicians in an attempt to learn Irish music in somewhat of an authentic manner. Through Ged Foley I began to learn tunes on the fiddle and learnt how to behave at a session. Steve Cooney put me in touch with something deep and ancestral and Martin Hayes guided me into a world of feeling.

    Also in music, Greg Clifford announced his latest release:

    Brontide, which is defined as the sound of distant thunder (created by seismic activity), is a song and video about isolation, alienation, confusion and fading memories. According to Clifford, ‘this is an emotionally layered and charged production. Brontide, for me, symbolises impending doom and gloom. Dementia, in this case, is the suggested source of sadness’.

    Kimberley Wallis (c): ‘Resign’

    The Featured Artist in December was Kim Wallis, who has been photographing her daily commute for the past eight years:

    using windows, doorways and reflections to frame the people and their stories. It started as a way to bring some art creation back into my life. I had learnt photography from my father who taught me how to work a darkroom, film cameras and the joy that comes from capturing an image. I went on to study photography after school and fell completely in love. The years went on and the need for enough money to live, and then life pulled me away from the practice. But once I hit my thirties I realised how much I was missing, and it was time to make it happen once more. So I challenged myself to capture images on the way to and from my work. My obsession with commuters had begun.

    There was also fiction, Open Mike by Yona Shiryan Caffrey that explored the frailties of jobbing musicians in the South of France.

    There was plentiful poetry in the month of December, as Kevin Higgins berated ‘Our Posh Liberal Friends.’

    I ask the barman for more finger food,
    picture the ocean raging into the restaurant,
    and them still sat there muttering at the chicken goujons:
    the people we talk to won’t vote for
    such extreme solutions. No one wants to live in Cuba,
    one of them says, as she’s washed out the door.

    Edward Clarke meanwhile recalls, ‘One morning during the first week of Advent,/ When I was possessed, / After a birthday’s dark exhilarations,’

    Image (c) Daniele Idini

    And finally James Harpur brought us a poetic white Christmas:

    Christmas Snow

    Never came that year, and yet
    It came in other ways, remembering the Light;
    As suds frothing in the Garavogue
    Around bridge arches, a scuttled trolley;

    It fell from lamps in Henry Street
    Illuminating tracer-lines of sleet
    And shoppers gripping rods of sleek umbrellas
    As if playing giant straining fish;

    It fell as stars above the Sugar Loaf
    Lit up as cats’ eyes by the gaze
    Of a farmer standing by a gate
    Above Wicklow and its mercury lanes.

    (continues)

    Unforgettable Year: January 2020

    Unforgettable Year: February 2020

    Unforgettable Year: March 2020

    Unforgettable Year: April 2020

    Unforgettable Year: May 2020

    Unforgettable Year: June 2020

    Unforgettable Year: July 2020

    Unforgettable Year: August 2020

    Unforgettable Year: September 2020

    Unforgettable Year: October 2020

    Unforgettable Year: November 2020

  • Cross-Cultural Branding: ‘Glocalisation’

    Much (reasonable) Ado about Branding and its components

    HSBC. The world’s local bank. Clever.

    Pepsi brings you back to life. Not a smart one, since in Chinese this translates as “Pepsi brings your ancestors back from the grave[1]

    Mercedes Benz branded itself as ‘Bensi[2]. Blunder. “rush to die” is what ‘Bensi’ sounds like Chinese.

    A brand can be a name, term, sign, symbol or design, or a mix of them all[3], which are used to identify goods or services of one or a group of sellers. Branding helps in differentiation and enables consumers to recall memories, thereby facilitating the initial buying process, or perhaps triggering frequent purchases which brings customer loyalty.

    Historically, branding was pursued via effective advertising, both above and below the line. In the East and South Asian markets, however, word-of-mouth remains a key channel of marketing communication, leading to changes in the way branding has come about.

    The 3Es of Business Branding are Efficiency, Effectiveness and Experience[4]. It can be argued that although a business needs all three of them to sustain a successful brand, increasingly it’s the ‘experience’ component that differentiates one brand from another. Thus, it is not always about what makes you different, but more importantly, what differentiates you from others.

    Enrique Iglesias

    It’s increasingly difficult to have an efficiency advantage, or even an effectiveness advantage. Take for example, Enrique Iglesias – performing a selected list of his all-time hits and going live in a large music stadium. The auditorium is packed with two thousand people and even the cheap seats went for about $100 a pop. At the end of the performance the whole auditorium erupts in ecstatic applause.

    Later on, Enrique ran a social experiment (as he often does) to test what would happen if he took the same ‘product’ and placed it in a different context. So, he decides to go into a subway station in New York city (which had great acoustics). He dresses up as a busker, posing as a random musician on the street trying to earn a crust.

    Iglesias sang the same hits with the same gust one weekday morning. There is security around, nonetheless. You can imagine what happened next. A crowd gathered and everybody was hushed and mesmerized, and it all ended with a big applause at the end.

    No, it didn’t go that way.

    Only a few people stopped. Few gave him money and a thousand people simply passed by without paying the least bit of attention to a busker playing a few hit songs.

    So, what was different in this situation? Well, everything really – maybe it wasn’t the right audience. It was not the right time. They weren’t in the right state of mind or mood. They weren’t expecting it; they didn’t desire to hear this music.

    Or they simply couldn’t appreciate it without the branding; without the context; the stage; the auditorium; the advertising, and maybe the ticket prices they paid in the first place also led them to appreciate the pieces more. It was just not the same experience when he played for free.

    Substance over Style

    Between 1900 and the 1950s, the whole idea about business was efficiency[5]. It was about having access to the supply. It was about controlling the supply. Demand was far in excess of supply at that time.

    Among the famous products from that time was the Ford Model T. The famous car available in any colour as long as it was black.

    Ford Model T.

    The major innovation of that time was the assembly line. And the assembly line was all about efficiency. The objective was to try and get a certain level of output with diminished input to achieve economies of scale. And management of the time was all about the ergonomics of reducing waste in that sense. Their objective was to reduce waste by maintaining the same or reducing input with time, and increase the output – then finally to increase the value at the end of the day.

    Efficiency is alive and well today. Recently, Price Waterhouse Cooper interviewed a handful of CEOs, and asked them what were some of the major projects they were launching. 70% said a major cost cutting initiative[6].

    Does cost cutting actually work? There’s a recent report in the Harvard Business Review that looked at companies within their sector with below average costs, versus those who had above average costs[7]. It shows that very few of the companies with below average costs had above average profits. those with above average costs had above average profits. i.e., if one did have above average profits, it was typically because one also invested with higher attendant costs.

    So, when it comes to cost cutting, it’s okay to cut the bad costs, and not cut the good costs.

    Effectiveness

    Our next concept is effectiveness, at the industry level, whether a firm is into making automobiles, or maintaining a green supply chain, the focus is largely on value creation. As mentioned earlier, efficiency was all about having a certain level of output with less input – but value chain is quite different.

    This approach demands to know: how do you get more out of limited inputs? For example, if you think about it from a people perspective, one aspect of this is about: can I achieve the same end with fewer labour inputs? Basically, would firing people be a good option? Or from a value perspective effectiveness, can you train them?

    At a product level, we can look at something like a razor from the perspective of effectiveness. Think of Gillette’s original safety razor? It was a single blade and the idea was that you wouldn’t cut yourself.

    The next big innovation was the second blade. The first blade gently lifts the hair out of the follicle. The second one swoops in and cuts it off, giving your face the feel of a baby’s skin.

    Gillette Mach 3 razor, circa 2015.

    The next innovation was the MACH3, three blades – so, what’s the third blade for? Maybe it exfoliates your skin? Within six months, the competition came in with four blades. Then a few years later, Gillette came out with the Fusion which has five blades. And today, we are aware of MACH14 with 14 blades.[8]

    This idea of effectiveness leads to a race in terms of performance. But all of these competitions lead to diminishing returns. The second blade adds a lot over the first blade, the third a little less, and so on. The more and more blades you get the greater the diminishing returns.

    When it comes to computers or smartphones companies are competing with diminishing functional benefits. Most people don’t even know what the RAM is on their PCs anymore.

    Now do we choose our Mac or iPhone based primarily on its quality? Do we really get a better battery life, higher screen resolution? If we did, we might have chosen an HTC or a Samsung. Therefore, the value chain missed out on a critical component, and that is the consumer of that value chain. Consumers pay over good money for what the companies have created, but they’re not part of the value creation process in any way.

    If we consider value within the chain, experience is where the real focus should be. The argument is that no value is created outside of the customer or consumer experience.

    Attention to ‘the three Es’

    Therefore, a few questions to be asked when working on your brand development. First, how much effort and attention are the top management paying to each of these three Es?

    Does the product or service actually have efficiency advantages? If they do, are they actually trading at a lower price compared to the competition? Is that their only differential advantage? Or are they similar to the competitors on the functional and utility benefits? And maybe, whether the firm knows it or not, the experience is actually what is differentiating them from the competition.

    A really important question is: if it really is about experience, how are you going to design and deliver experiences? This includes examination of how that experience is different to the design of the product or service itself. There have to be real and radical changes in the way firms design and deliver value to their consumers depending on the market.

    For effective cross-cultural branding, go ‘Glocal’ while still staying Global

    Word-of-mouth and virtual marketing are also extremely powerful tools in convincing us[9] to transactions frequently with specific businesses over a period of time. Advertising on social media and other channels has also proved effective in establishing brand names.

    For example, you may recognise Nike from its symbol or slogan (‘Just Do it’) faster than you would identify Adidas from theirs; Mercedes, BMW and Suzuki are most identifiable through their logos in their sectors, along with Coca Cola or McDonalds in theirs.

    Rear light of a Mercedes-Benz C-Klasse.

    Companies have continued to leverage these brand assets for decades now. At the same time, they have gone global, and through that internationalization arrived an understanding of the importance of global branding, but also a nuanced awareness of local factors, a phenomenon referred to as glocalization.

    Just think of HSBC’s slogan for example: ‘the world’s local bank. Local banks staffed by local peoples,’ which highlights the importance of local knowledge and inclusiveness.

    Marketing localization involves taking the source content and adapting it to meet the cultural environment of the target location. [10]. Transcreation on the other hand, is taking the message and recreating it.[11] From language to imagery, the original message and the ‘transcreated’ version can look very different.

    Lux Lessons

    Let us look at how cross-cultural branding may work in favour or contrary to the interests of companies who adopt it. Lux, a popular name in beauty-healthcare and toiletries, translates as ‘strong man’ in Chinese.[12] This fundamentally contradicts the image of a young lady on its package!

    Lux Soap.

    Lux entered the Chinese market in the 1980s and a popular Hollywood actress did their TV commercials then. While bathing herself in a large bathtub (certainly an exotic scene to the Chinese viewers at the time), she said seductively “I only use Strong Man. How about you?” Lux became a household name within a few weeks!

    However, given that the Chinese use characters based on ideograms and the majority of people are unfamiliar with the Roman alphabet, international brands have to be careful in choosing an appropriate Chinese name.

    In Taiwan, Lux means ‘beauty,’ which matches the packaging and how the image of Lux is projected in adverts. Marketing localization focuses on expressing a culturally appropriate message, whereas transcreation creatively transforms the message in order to maximize cultural resonance.

    As a language and culture loaded with symbolism and imagery, a direct translation can often lead to comical or negative results. A brand name that has some meaning to the consumer will be more easily recalled. In addition to linguistic cues, other factors that affect the translation/naming process are identified as follows: a) Reflecting product benefits or industry characteristics; b) Quality and brand positioning; c) Links to logo or packaging; d) Country of origin effect, and finally; e) Traditional values, Beliefs and customs.[13]

    The social standards of customers differ from culture to culture; one wo/man’s meat is another wo/man’s poison. The ethical values of an organisation determines its corporate image, and ultimately its brand identity.

    The company’s culture, heroes, stories and beliefs play a significant role in shaping how its brand and related components are built. An example is how innovation and knowledge inform the different themes or logos owned or used in the Google search engine every day.

    Google’s glocal initiatives gives it a secure, trusted and all-encompassing image around the world. Albeit, there are privacy concerns now leading to serious accusation of wrongdoing. In addition to privacy issues, Google has also been a bad boy when it comes to paying taxes and exploiting tax loopholes. Such factors detract from a company’s brand image.

    Another example of a ‘glocal’ initiative is with how local level managerial delegation works for Microsoft. Similarly, in order to celebrate its long-term market share and participation, Coca Cola in Turkey briefly renamed itself Koka-Kola[14].

    Other examples from the fast-food market include how McDonalds serve dishes and meals that are specific to country contexts and diets. Thus, a meal in the Middle East would have very different ingredients (reflecting local tastes and taboos) from one served in India and China. Similarly, KFC in China serves rice with most orders.

    Cultural and cognitive connections are also crucial in international marketing initiatives as companies compete for market dominance. Marketing should establish immediate, cultural bonds with target audiences. Equally important, however, is to guard against over-indulgence in some markets. There may be a danger of patronising a culture when a brand is obviously trying to localise its offering.

    Waning Faith in Brands

    In 2015, The Economist presented the results of several surveys that warned about waning faith in brands.[15] In North America, consumers said they trusted only about one-fifth of brands. In Europe the proportion barely reached a third.

    In a world in which brands ruled for more than a century (e.g. Coca-Colonization, and Tesco-ization, or McDonaldization as presented in research on Globalization), what explains this trend? The ease of accessing information should theoretically make consumer-choice processes easier. Of course, even in the virtual world, full information is not possible.

    For brands striving to maintain ‘global-ness’ in their adverts and action, some suggestions would include effective communication of goals, messaging and brand values to stakeholders. This involves explaining, developing and encouraging your vision with employees as much as with customers.

    Another important approach is to make use of advanced Translation Management Systems (TMS) that can be used for storing industry-specific and company-specific terminologies such as a tagline or product features. This is mainly to get the tone of your advertisements right!

    The next issue is to increase communication with your transcreation team, throughout a project timeline. You should be on hand to to answer questions, discuss disparities, and offer support.

    Finally, it is necessary to spend time building trust in your team, by asking generic as well as specific questions, such as will the translation of a German slogan work as well in Canada or another European market? Will your imagery convey the same meaning in China as it does in the US?

    A well-established content in one market may not be appropriate for the new market and you have to trust that your transcreation team knows what is the best move. Thus, it is vital to choose a localisation or transcreation team that are aware of cultures and customs.

    Featured Image: Enrique Iglesias, Vilnius, Lithuania 2007.11.29 by Kapeksas

    [1] Zakkour, Michael (2014). China’s Golden Week – A Good Time To Make Sure You Don’t ‘Bite The Wax Tadpole, Forbes https://www.forbes.com/sites/michaelzakkour/2014/10/02/chinas-national-day-golden-week-a-good-time-to-make-sure-you-dont-bite-the-wax-tadpole/?sh=5ab534f8560f

    [2] Etymax (2014). Creating the right name for your brand to prosper in China, https://www.etymax.com/blog/creating-the-right-name-for-your-brand-to-prosper-in-china/

    [3] Academy of Management, AOM, https://www.ama.org/the-definition-of-marketing-what-is-marketing/

    [4] Wetzlinger, W. et al (2014). Comparing Effectiveness, Efficiency, Ease of Use, Usability and User Experience When Using Tablets and Laptops https://link.springer.com/chapter/10.1007/978-3-319-07668-3_39

    [5] Mukhopadhyay, B.R. and Mukhopadhyay, B.K. (2020) Efficiency, effectiveness, experience: Building Business Branding, https://www.sentinelassam.com/editorial/efficiency-effectiveness-experience-building-business-branding-504297

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