Tag: Damien McKiver

  • Dog Years

    Then the Lord said, “Because the outcry against Sodom and Gomorrah is great and their sin is very grave, I will go down to see whether they have done altogether according to the outcry that has come to me. And if not, I will know.” – Genesis 18:20-21

    They were an ancient and patient race. Sympathetic. Considered. Sarcastic.

    The first they knew of us were radio waves which pierced their silence like dilating klaxons. At first, they couldn’t fathom the meaning of those faded, tinny excretions. Their initial thought: a cosmic butt-dial of some distant world’s collective mental breakdown. After prolonged examination, the significance of the messages became clear and, even clearer, what they needed to do about them.

    It took time to get psychologically and technologically prepared. There were details to be drawn out. Matters to be pondered.

    Through a freak of physics I cannot explain, they reached Earth long before the messages which dispatched them to us. They were a little disappointed when they learned they would have to wait a while for Eurovision and the last season of Succession and for Dr. Pimple Popper but, as mentioned, they were a patient race and took some comfort in having arrived just in time to witness firsthand the legendary fall of Troy.

    It was to be their first encounter with humanity’s propensity for exaggeration.

    “This shithole?” one of them exclaimed on first sighting the mythical city of horses and discovering it to be a place of meagre towers and ramshackle fortifications, behind whose crumbling walls lay a sprawl of hovels.

    “Neither epic nor poetic,” someone remarked.

    “A packed lunch might be in order,” another cautioned, indicating the worrying proximity of food preparation to sanitation.

    They thought it best not to bust right in. They didn’t quite have the saying “First impressions…” but it was close enough. They brainstormed the best approach and decided to remain in stationary orbit over a different country for fifty years each, and to quietly observe (occasionally shop). They took our word that countries or political states were the best way to chunk the task up. Boy, did they come to regret that.

    They held position above us and watched carefully over years which became centuries and centuries which became millennia, waiting for the right moment.

    They picked up and discarded accents, nurtured short-lived loyalties in the manner of ardent telenovela devotees (which they would also eventually become) and squandered hope on numerous lost causes (including, eventually, many of the aforementioned telenovelas).

    Again and again, they were bemused by our ability to disremember, or to downright forget. They saw whole civilisations lost to memory: Atlantis, Arcadia, dusty old Troy. Again and again, they witnessed reality turned inside-out and history stitched from the torn lining.

    “Do these people write anything down?” they frequently wondered.

    They never failed to be impressed by our ability to bend the truth, to sweep inconvenience beneath the most conveniently located carpet and to normalise the most extraordinary fuck ups.

    Many of our greatest achievements, they viewed with distrust or scorn. Despite having had a ringside seat for the construction of the Hanging Gardens of Babylon, the Great Wall of China and the Taj Mahal, they could only view these projects the way we might a child’s meandering sandcastles: estates driven by ego rather than necessity.

    “Hanging, my arse,” one concluded acidly.

    “Oooh,” another cooed, “you can see it from all the way up here.”

    “Not at all a massive waste of bricks,” someone deadpanned.

    They were stationed over Britain during the industrial revolution and watched with contained alarm as six million tonnes of coal was ripped from the ground each day to feed mankind’s growing appetite for boiling water.

    “You can see why they might think this is a good idea,” one noted.

    “What could go wrong?” another sighed.

    They saw Hitler coming from miles away. Literally.

    “The facial hair doesn’t exactly scream stability,” one observed.

    They were not overly fond of wars or revolutions. Not that they were squeamish; it just meant a lot of re-work. All that coming apart, then coming back together, resulted in devilish admin. Political pacts and alliances meant more red tape. The Foedus Cassianum, Treaty of Versailles, the EU; each gave them pause but, in the end, they stuck to their guns and to fifty years per country.

    In this way, they’d covered sixty-four countries and had been over the sixty-fifth, Ireland, for about forty-five years when word came through.

    It was time.

    Mary and Dessie were given the assignment and they took a small craft down to the surface, coming in low over the Irish capital.

    “Should I engage the cloaking device?” Dessie asked.

    “Have you seen their air force?” Mary said.

    They landed on the grounds of the official residence of the President of Ireland but not before they’d made a spectacular pass over North Dublin.  A group of young men in loose-fitting leisurewear (embellished with the branding of a mid-table American basketball team none of them had ever seen play) briefly suspended their assault on two German tourists to allow their jaws tip wordlessly open as the silver craft banked overhead with a loud, satisfying whine.

    By the time they disembarked, a hurried cordon had been thrown around the craft, which Dessie had parked somewhat inelegantly between a waterless fountain and a stone bench on the large front lawn of the estate. A steady stream of curious citizens trespassed onto the parklands along the northern boundary, edging closer with each minute, as news of the visitors spread.

    A local news crew had been diverted from interviewing dog walkers about the amount of dog shit on surrounding pavements in the nearby Phoenix Park and now perched at the opening of the cordon, hand-combing windblown hair and assembling game-faces while allowing themselves full-contact daydreams about Sky News discovering them and the opportunity this might afford to invite Mister Feeney, their dictatorial news director, to stick his maggoty job sideways up his hole.

    The president, a short, ancient, scholarly man with a friendly face but accusatory eyes which lurked beneath scurrying eyebrows, tarried on the edge of the lawn, torn between a sudden clench of self-preservation (spawned by vivid recollections of sensationalist Cold War films in which proxy commies in rubber alien outfits rampaged through cities with ray guns) and a bone-deep drive to fulfill his solemn duty as welcomer-in-chief. With a stoicism born of a hundred rugby international red-carpet greetings he came down on the side of duty.

    The president was flanked by his wife, the first lady, and his aide-de-camp, a military woman with a serious, square face, thick angry eyebrows and a ceremonial sword which she stroked mercilessly.

    The president’s wife, a sturdy, astute Cork woman, piloted her husband with the merest contact to his elbow, weaving a delicate path through growing numbers of police, soldiers and officials as a long liquidy gangplank telescoped out from the silver craft and the two occupants made their way slowly and carefully down the ramp towards them.

    The visitors appeared to be a regular man and a woman in their late twenties, dressed in what the president would have called “casual attire” if he hadn’t thought it might earn a tired eye-roll from his wife. The president’s wife recognized the female visitor’s blouse as one she’d considered for her own daughter’s birthday during a shopping trip on Grafton Street a few weeks earlier.

    Céad míle fáilte,” the president said, bowing somewhat pompously as the two lithe, youthful-looking figures reached them.

    Go raibh míle maith agat,” Mary answered in stumbling Leaving Cert Irish.

    Dessie smiled and whispered something to Mary but she cut him off with a silent elbow to the ribs.

    “You speak our native language?” the president asked, somewhat confused but permitting his face to emit only professional delight.

    “Just at an Irish level,” Mary answered with an impertinent wink.

    “Excuse me?” the president said.

    “That was a joke,” Mary said. “I meant badly. Like everyone else here.”

    “Ah, right,” the president said with a nervous laugh. He was a proud Gaeilgeoir but wasn’t sure his beloved cultural heritage warranted a full-blown inter-galactic diplomatic incident so he pumped a curious, jolly smile into his face and said, “Very good. I’m glad to see you share our…” he hesitated, “Earthling sense of humour.”

    The visitors exchanged a brief smirk and the president’s wife observed a florid diffusion in her husband’s cheeks.

    “Well,” Mary said, “You might say we are distant kin of yours.”

    “Might you,” the aide-de-camp said, directing an incredulous look towards the president who was too busy casting his hands in small, delighted circles to notice. His wife tightened her smile patiently. She loved her husband but this was his second seven-year term and sometimes she wondered if she hadn’t married into an intricately stitched straight jacket.

    Timid introductions were made. The president’s wife noted the visitors’ accents: the female’s an inner-city crumble, less frequently heard in recent years; the male’s a ringing specimen of the west Dublin twang; machiney and discordant.

    “I must say,” the president remarked excitedly, “I was expecting you to have more…exotic names.”

    “Those names are very exotic where we come from,” Mary said.

    “Ah, of course,” the president said, trying to recall some alien names from what little science fiction he’d seen or read but only coming up with “R2-D2”.

    “We like to adapt ourselves to local customs wherever we go,” Dessie explained. “We’re very…” he cast about for the right word, “adaptable.”

    Mary rolled her eyes and shrugged apologetically.

    “Those names were all the rage when we came to Ireland first, in the early 80s,” she said. “These days,” she offered a small shrug, “not so much.”

    “The 1980s?” the president’s wife exclaimed. “You’ve been observing humankind since then?”

    “Since long before then,” Mary said. “That was only when we came to this country to observe your people more closely.”

    The aide-de-camp fixed Mary with a baleful look.

    “I suppose,” she grumbled, “you’re the ones going around the place abducting innocent folks and subjecting the poor craters to cavity searches and mind probes and who-knows-what indignities.”

    “I can assure you,” Mary said, “we’ve no interest in abducting you and even less interest in your cavities.”

    “Must be someone else,” Dessie assured them.

    The first lady wafted the aide-de-camp’s remarks away with the back of a hand and gave Mary — what she hoped might be — a reassuring pat on the shoulder.

    “J’know, I can’t believe you’ve been here since the 80s,” she said. “Sure, you don’t look a day over twenty-five, dear.”

    Mary’s lips lingered in a smile.

    “Well, you should see the daily beauty regimen I have to go through to look like this.”

    When the introductions had been completed and small-talk indulged, the president suppressed thoughts of ray gun-toting aliens blowing his beautiful furniture to smithereens and gestured towards the Greek-style portico, saying, “Won’t you come inside?”

    The small group made their way past official seals, lithographs and stately pictures, acquiring more unsmiling security and glum secretarial staff as they moved further into the building. The aide-de-camp stroked the brass hilt of her sword urgently now as she entertained visions of alien necks careering against its blade and springing into the air like popped champagne corks. She tipped the silver scabbard forward and back in time to her metronomic step, like the implacable arm of a grandfather clock.

    When they were seated around the large conference table, food and drink was offered but Mary waved it away.

    “Thank you for your hospitality,” she said, “but we have something very important to speak to you about.”

    “We’re all ears, as the Americans say” the president said with a modest guffaw, his palms upturned inoffensively.

    “No doubt, the Americans will be along very soon,” Mary said with a bitter smile. “As will others. This matter affects everyone.” She unclasped her hands and spread them on the table and looked around the room. “Very well. To get right to the point, we are here to let you know that your time is come.”

    There was a collective gasp among the presidential party, security staff, dignitaries, secretaries and service staff.

    An unpretentious tea lady from the Northside of Dublin was in the process of filling the president’s cup. She looked up suddenly and said, “Ya bleedin’ wha’?”

    The misdirected teapot scalded the president’s hand and he released a shrill yelp.

    “Watch what you’re doing, Molly,” the president’s wife scolded as the president hurried the meat of his hand into his gob and the maid withdrew the pot, staring fixedly at Mary with her mouth tipped open.

    “What do you mean, our time is come?” the aide-de-camp prodded.

    “I’m sorry for putting it so crudely,” Mary said with a shrug. “Our leaders felt, given your history, the message might carry more weight if we used stark, biblical language. What I mean is: the human race is to be destroyed. In precisely seven days.”

    A new collective gasp surpassed the first in volume and participation.

    “Destroyed?” the president said removing his burnt hand and emitting a nervous purl of laughter. “This must be an elaborate joke. Why would you want to destroy the human race?”

    “To prevent a fate worse than death,” Mary said.

    “What fate could be worse than the death of billions of humans?” the president asked prodding his burnt hand delicately.

    “The fate which will happen if humans remain on their current path,” Mary said.

    “And what fate is that?” the president’s wife asked, wetting a napkin in a glass of water and dabbing blindly at the burn on her husband’s hand.

    “Untold suffering for humans and the total destruction of all life on this planet,” Mary said as Dessie provided an accompaniment of tight-lipped nodding.

    “That’s a bit vague,” the aide-de-camp said.

    “I doubt you’d enjoy us being more specific,” Dessie said with a wink.

    “How can you be so certain that this is our fate?” the president’s wife asked.

    “Because,” Mary said, “where we come from, this has already happened.”

    “Happened?” the president said, almost in a daze. “To whom has this happened?”

    Mary pointed at him and then allowed her finger to roam about the room,

    “To everyone here. To all of you. It was—will be —a global event.”

    “But that can’t be.” the president spluttered. “That’s simply incredible.”

    The aide-de-camp’s eyes narrowed suspiciously.

    “How do we know you’re telling the truth?” she said.

    “You don’t,” Mary answered, “but whether you believe it or not will have little impact on whether it happens. What we are proposing is the only humane option available. Your destruction is happening one-way-or-another. I think you know this.” She looked around the table. “Deep down, you all know we speak the truth.”

    A few people among the wider staff allowed their faces to sink into devastation. Some stood rigid with anger. Most slumped in naked awe, unable to process what they had just heard.

    “Wait,” the president’s wife said. “Does that mean you’ve travelled back in time? Doesn’t that also mean you can go back in time again and change the course of history to avoid this disaster?”

    “I’m afraid it doesn’t work like that,” Mary said.

    Dessie nodded glumly.

    “Time is a tricky one,” he said, “and time travel a very tricky one. It’s not like your movies. Unpredictable as hell. For example, we’ve been here much longer than we’d intended to be.”

    “How long, exactly?” the aide-de-camp asked.

    Mary and Dessie exchanged a look and Mary nodded her consent.

    “Thirteen or fourteen thousand years,” Dessie said. “Give or take a few hundred years.”

    “Fourteen thousand years!” the aide-de-camp gasped. “For fuck’s sake. Why haven’t you warned us about this before now?”

    “We have tried in many ways,” Mary said, “but you appear to need to be on the brink of destruction before you pay a blind bit of attention to the reality sitting right under your noses.”

    A burst of static came from a red-faced man with a blonde crew cut and a white earpiece and he leaned into the president and whispered something which lifted him out of his seat.

    “POTUS?” the president said breathlessly and the red-faced man turned a shade redder as he nodded carefully.

    The president sped excitedly to the windows, as though the leader of the free world might suddenly spring from behind the emerald green curtains. He performed a rushed, unpersuasive chortle and pointed out the lights of various news helicopters as they dipped and clattered over the nearby parkland.

    “You’ve certainly got our attention now,” he said, turning to them, his face a mask of grim determination. “The world will listen. Humankind will change. I’m absolutely certain of it, given this second chance.”

    “I’m afraid not,” Mary said with a curt shake of her head. “Your destruction is inevitable. This is just us giving you a chance to make peace with your end.”

    The group stared back at her in silence and disbelief and with the helpless anger of those who feel certain they have been cheated by fate.

    Mary looked at Dessie and they exchanged a silent nod.

    “Our leaders thought you might struggle to accept our message,” Mary said. “They felt a parable from your bible might be apt and may help to explain the severity of the situation you face: the story of Sodom and Gomorrah; two ancient cities which brought destruction upon themselves through their own actions and inactions. I believe most of you will be familiar with that story?”

    “Of course,” the president said, “the Cities of the Plain in which God—”

    “Oh, shut up Maurice,” his wife scolded, “and let them speak.”

    “Thanks,” Mary said, “but, to be honest, I didn’t have much to add. We just wanted to establish the reference in your minds. We’re not big on unnecessary elaboration.”

    The president fidgeted nervously with his good hand. Like most Irish people of his generation, he was more than a little familiar with those passages of the bible. It was a tale which had scalded many a young mind, including his own.

    “But that story talked about terrible evil,” he said in an imploring tone. “Irredeemable evil. Surely that doesn’t apply in our case. Humanity has made some mistakes, I’ll grant you, but we have so much potential for good.”

    “Unfortunately,” Mary said firmly, “it is your potential for destruction which you seem to have fulfilled.”

    “That’s rather harsh,” the president said belligerently. “Humans have done incredible things. Music. Poetry. Literature—”

    Mary cut him off with a raised hand.

    “Yes, yes, incredible things, but that doesn’t change the fact that you’re…” she hesitated, searching for the right words.

    Dessie nipped in.

    “A bag of fucking spanners.”

    “I was going to say terrifying procrastinators,” Mary said, “but that works too.” She turned to the president. “I’m afraid we are not philosophers or debaters. Our people are relatively plain-spoken and among them we are considered direct. We were chosen because it was felt we understood your culture best and might have a better chance of being listened to.”

    “What will happen in seven days?” the president’s wife asked, the simplicity of her question and the terror in her voice provoking a sudden silence in the room.

    “Don’t worry,” Mary said, “it’ll be very peaceful. You’ll barely know it’s happening. It will be as though you’re being swept away in a storm of sweet ecstasy.”

    “Jesus but don’t you make global euthanasia sound fierce comforting altogether?” the aide-de-camp muttered bitterly.

    The president’s wife had been raised on the same terrifying Old Testament stories as her husband and struggled to contain images of fire and sulphur raining down on them but, in that moment, the biblical reference suddenly offered a chink of light. She held a single index finger aloft to register her thought.

    “In the case of Sodom and Gomorrah,” she said with something approaching a litigious tone, “didn’t God give the citizens a chance of redemption if his angels could find just fifty good people?”

    Dessie nudged Mary but she shook her head as she swished an outstretched index finger decisively before the first lady’s nose.

    “Oh no, no,” she admonished, “you’re not pulling that ‘fifty good men’ shite.”

    She indicated Dessie with a flick of her forehead, “Sure, this eejit would spare the lot of ye just to save Lionel Bloody Messi. No, no, no. We’re not going down that road.”

    Dessie shared a sympathetic frown.

    “It’s not like we’re happy about the situation,” he explained with a shrug. “We’ve become very attached to you and your ways. I mean, I’m only three seasons into Breaking Bad and my team just got a new manager. We might finally get somewhere.”

    “For Christ’s sake,” the aide-de-camp muttered bitterly, “mankind’s fate is in the hands of fucking Man U fans and we all know they’d rather the world end than see them relegated.” She glared at Dessie, “Which they fucking will.”

    “Caroline!” the president scolded his aide-de-camp. “These people are still our guests.”

    “Sorry, sir,” the aide-de-camp said as she comforted herself with the molded end of her sword.

    “It’s okay,” Dessie said with a shrug. “She’s probably right about United facing the drop.”

    Mary waved her hands for calm.

    “I am sorry,” she said, “but this is the only way to avoid the terrible conditions which will occur if we don’t intervene. You have seven days. I’m afraid there isn’t much more to say. Of course, we’re happy to reiterate the same message to your television cameras.”

    “Do you think you could hold on a few hours?” the president said, looking nervously at his watch. “The American president is on his way.”

    “I’m afraid not,” Mary said.

    The president’s wife looked around the room at the growing despair and confusion.

    She rose and held her hands out for silence, then faced Mary.

    “I believe you,” she said, with tears rolling down her cheeks. “I believe every word you’ve said. You’re right about us. We can’t seem to stop ourselves acting stupidly. To anyone sane, we must seem hell-bent on our own destruction.”

    Mary nodded quietly to Dessie who nodded back as the president’s wife continued.

    “But we deserve more than seven days to make peace with our end. If you are as straightforward and honest as you say, you’ll have to admit that’s fair.”

    Mary seemed to consider for a moment.

    “How long do you suggest we give you to make a good end?” she asked.

    Without hesitation, the president’s wife said, “A year.”

    The rest of the group exchanged questioning looks and the president’s wife cast an interrogating look back but no one seemed able or willing to provide a correction to her timeline.

    “A year?” Mary repeated and she looked at Dessie who bobbed his head in consideration.

    The president’s wife completed her scan of the room and nodded somberly but certainly.

    “Give us a year to make a good end,” she said.

    Mary rose.

    “We are not negotiators, nor are we empowered to make this decision, but I will take your request to those who are and we will provide an answer within twenty-four hours.”

    “How will we know if you’ve agreed?” the president’s wife asked.

    Mary gave an ironic smile.

    “We will give you a sign,” she said with a light chuckle. “If we agree to your proposal then you will see a red sky at sunset tomorrow evening.”

    “A red sky at night is a common occurrence this time of year,” the president said. “How could we be sure it was your signal?”

    Mary smiled again.

    “I doubt you will have seen a red sky like this one,” she said, “and I doubt a red sky everywhere is a common occurrence. There shouldn’t be any doubt.”

    They held their press conference. By this time, reporters from television stations across the world had gathered and the words of the visitors went out live around the globe.

    The American ambassador was keen to revisit the timelines. His team suggested detaining the visitors — by force, if necessary — until the matter could be thoroughly unpicked but this was politely rebuked by the Irish presidential staff and, with the cameras of the world’s press filming them, the small group made their way back through the crowd towards the visitors’ craft. As if by magic, the silver ramp extended from the ship and touched the grass in front of the party.

    The president’s wife hugged the visitors. Tears jeweled her eyes but she retained a determined look. She pressed Mary’s hands lightly in her own.

    “If we can change in this year, can disaster still be averted?”

    Mary looked at her with pity.

    “You have the means,” she said, “but it is unlikely that you will change. It’s better you make your peace with it. Whatever happens, you will not see us again so I’ll say goodbye now.”

    “All the best,” Dessie said and he pumped the president’s limp arm.

    The visitors waved once and walked up the gangplank through a salvo of camera flashes as the beams from overhead helicopters sliced the thickening gloom as though portioning the very air above them.

    The silver ramp disappeared into the craft and a low drone built as the ship slowly rose into the air above them and spun in a light smooth manner that could not be confused with any human vehicle. The disk bobbled in the air with a fluttering ethereality before surging suddenly into the sky and vanishing in the dark thunderheads which had formed above.

    Every word that had been spoken was reported and analysed in minute detail in the hours and days that followed.

    The American president, along with other world leaders, arrived in Ireland soon afterwards and an emergency summit of countries was hastily convened. The general consensus was that the Irish officials had handled the situation terribly. The Americans, in particular, castigated their hosts for the meek surrender of a one-year extension.

    “Fucking amateurs!” their officials lamented. “The opening pitch should have been ten years minimum. And how the hell did nobody mention money?”

    “It wasn’t that type of discussion,” one Irish official protested.

    “It’s always that type of discussion,” her American counterpart replied.

    But, for all the debate and self-important statements, all watched nervously as the sun set the following evening and crimson streaks filled the sky across the world, as though the sun were a gigantic blob of paint wiped across the firmament by a huge inestimable hand.

    Theologians and scholars scrutinised the visitors’ reference to Sodom and Gomorrah. Much focus was given to the use of that story rather than — what many felt would have been — the more fitting tale of the great flood and Noah’s Ark. It was cogently argued by some parties that the visitors had chosen very carefully in order to send a clear message for humanity to get away as fast as possible. Noah, they argued, had taken his time, constructing a vessel enormous enough to contain samples of every animal as well as humanity so that the world could be rebuilt. In the case of Sodom and Gomorrah, only Lott and his immediate family were evacuated and this was done with great haste and at the last possible second.

    Despite this, several Ark-like projects were initiated by tech billionaires with the goal of saving mankind, or more specifically, themselves, along with those tiny portions of mankind which might prove useful to a tech billionaire fleeing a doomed planet. Each contemplated the long hibernation necessary to reach distant, uninhabitable rocks with minimal potential for life and all considered the security of their person and their holdings during such a hibernation. Very little consideration was given to more practical concerns or to the fate of those who had no recourse to a tech billionaire. Nor did any of them attempt to save any other species. The visitors had been ambiguous about the prospects for other creatures and this had established a moral vacuum on the matter into which mankind poured their apathy.

    The concept of dog years took hold with many people. This was the idea that one could minimize sleep and use each second of each day more productively to eke out more value from the limited time we had. As with all human undertakings, it was carried out obsessively and profitably. Dog years became a huge industry with plans, training courses, gurus, TV shows and all manner of proselytising. To all intents and purposes, it became a new religion.

    Religions themselves — that is, the more established ones — felt strongly vindicated by these events. Priests and proponents relished the opportunity to say “I told you so” on a global scale but it was something of a pyrrhic victory. Imminent apocalypse had always been more useful when it was less imminent.

    Some efforts were made to change mankind’s path but these remained fragmented and unpopular. Again, the visitors were blamed for being too vague about what needed to change and many governments argued that the lack of specificity was proof that climate change, rampant consumerism or other obvious ills had never been the issue. More coordinated effort was put into the construction of sophisticated weaponry to enable humans to turn the tables on the visitors when they — so to speak — attempted to call time on us. Air forces and militaries spent huge quantities of time, money and effort scanning the skies above and launching physical and electronic attacks at sections of the atmosphere suspected of harboring enemy spacecraft. They were supported in this by a small residue of tech billionaires; those not busy planning their escape from the planet or who hadn’t already decamped to New Zealand in the misbegotten notion that changing their zip code and getting a new passport might spare them. These various maneuvers must have recalled for the visitors that legendary event — which they had witnessed first-hand — of Emperor Caligula’s troops futilely beating back the waves of the English Channel with their swords.

    Governments sent communications heavenward demanding more time or threatening legal action or sharing fudged statistics demonstrating mankind’s steady progress towards net zero, reforestation, world peace or any other targets they felt might sway the visitors. No reply was forthcoming and, as the year progressed, these upward communications became more desperate and self-aggrandising.

    For the majority of people in the world, however, surprisingly little changed. A year was an impossible horizon for those who did not know where their next sip of water would come from or when they might have their next mouthful of food. Also, for those who wondered when they might feel the next sudden kick through a thin, wet sleeping bag, the next rape, the next beating, the next honour killing. For these people, life continued as it was before. For these people, the end of the world was just another unaffordable luxury.

    Of course, the president’s wife was widely vilified for her role in events. Numerous conspiracy theories circulated online and in the pages of sensational publications, accusing her of having been in league with the visitors from the beginning. She was globally decried as a double-agent who had sold out humanity to save herself and her family.

    The president’s wife cared little for these lies. With her husband, she retired from public life. Their daughter made the bold decision to have a baby with her partner and it was as if the daughter’s body understood the great need for haste, because she became pregnant at the first attempt and, although her son was born two weeks premature, he was pink and healthy and went home the very next day.

    They named the baby Cervantes after the author of his mother’s favourite book, and the president’s wife, along with her husband, moved in with her daughter.

    Apart from his initial punctuality, baby Cervantes did not conform to the script demanded by the limited timescales. By day he was sweet and cherubic but, as the sunlight waned, he transformed into a despot and a sadist. All household members were called into action to walk, rock and coo the tiny screaming dictator into an unattainable sleep. They no longer spoke of dates or calendars anymore and, in their own exhausted way, found the dog years others craved.

    Sometimes, when the president’s wife saw her daughter with Cervantes, she wondered if they would all have been better off if she’d not asked for the extension, if it might have been easier to accept a single week to make their peace with everything, but she quickly dismissed these thoughts and joined her daughter and together they smiled and cooed at the child and spoke of a future that would never be. As all people must.

    Feature Image: Mark Bryan, Prime Directives.

  • “We Bury the Funsters” – Lethal Weapon Revisited

    With Christmas fast approaching, a familiar debate will resume in homes, offices and their Zoom equivalents as to what constitutes a legitimate Christmas movie. Much of the banter will centre on Die Hard as the preeminent example of an action movie which has legitimately crossed into the holiday season category. Some may even cite it as the film which kick-started the whole sub-genre.

    Nobody could deny Die Hard’s success in this department or its undoubted brilliance as an action film but the honour of first Christmas action movie belongs to another.

    A full year before Lieutenant John McClane dragged himself resignedly into that ventilator shaft in Nakatomi Plaza, Lethal Weapon exploded onto our screens in a hail of automatic gunfire, launching the concept of the Christmas action movie, while also providing the template for the modern video game (waves of anonymous baddies dispatched prior to a showdown with the end-level boss).

    This is the film which cemented the use of the 9mm as the weapon du jour for all self-respecting action heroes. In one audacious set-piece, the character Riggs pours bullets from his 9mm Beretta into a disappearing helicopter containing an enemy sniper; a scene which no anachronistically-red-blooded male can fail to mentally re-enact while awaiting his photo call in the white-pillared, lavishly-terraced hotel garden of a friend’s Spanish wedding reception.

    As it approaches its 38th anniversary, the original Lethal Weapon is a film worth re-visiting as a snapshot of 1980s American chutzpah (or, perhaps, hubris) and a keystone in the development of the modern action movie; particularly what would become that genre’s relentless dedication to bullet-fuelled narration and the many bizarre justifications the makers of these films contrive to sustain the destructive pace.

    The ostensive plot of the film revolves around an investigation into the death of a young woman called Amanda Hunsaker, a “troubled teen” (to borrow that oft-used tabloid phrase), who, over the opening credits, snorts cocaine, disrobes and leaps from a penthouse balcony in downtown LA, smashing into a parked car below; all to the jaunty accompaniment of “Jingle Bell Rock”.

    The investigating detective is Sergeant Roger Murtagh, played by the wonderful Danny Glover, a veteran LAPD detective approaching retirement and already planning the many fishing trips he will partake of when he finally hangs up his trusty six shooter.

    It quickly emerges that Miss Hunsaker was poisoned, therefore, even had she not taken her ill-advised naturist leap, she would have died anyway. This seems a curious waste of bacchanalian ammo but 80s action movies were nothing if not bracingly steadfast in their observance of the twin pillars of liberal excess of that era: toplessness and cocaine. The new evidence means the case has suddenly become a murder investigation. At this point, old-school action movie fans may worry that this early plot twist portends cerebral challenges to come but, rest assured, The Mousetrap this ain’t. No mystery will be conceived between the credits which cannot be solved by copious rounds of automatic gunfire or by ploughing a hastily commandeered vehicle into it.

    Murtagh’s professional woes are amplified by the introduction of his new partner, Martin Riggs (Mel Gibson, eyes still swiveling from his tenure as Mad Max and sporting a mullet which, even in 1987, seemed extravagant). Riggs is a recently-widowed burn-out case who the police psychiatrist—in what, these days, would amount to a serious breach of data protection regulation and client confidentiality—has warned may be a suicide risk. The scenes depicting Rigg’s breakdown are actually rather moving but, this being the 1980s, are wholly in service to the plot. Accordingly, an encounter with “a jumper” in a later scene is barely empathetic, serving only to highlight Riggs’ cold-eyed efficiency. This brutal sense of purpose will come to the fore as the story introduces Amanda Hunsacker’s father, who served in Vietnam with Murtagh and took a bayonet in the lungs en route to saving Murtagh’s life (“That was nice of him,” deadpans a suitably unimpressed Riggs).

    “Have you ever met anybody you didn’t kill?”: Danny Glover as Murtaugh and Mel Gibson as Riggs.

    The Vietnam war casts a hefty shadow over proceedings. 1980s viewers would have been more than a little familiar with that particular conflict, having— by that point—been subjected to a veritable barrage of ‘Nam movies and would, therefore, possess the requisite shorthand to follow Hunsacker’s various references as he informs Riggs and Murtagh of his involvement with a group of ex-military operatives called “Shadow Company” (the US military really ought to give more consideration to the naming of their units; one can’t imagine “Rainbow Unicorn Company” getting mixed up in this sort of illicit activity). Shadow Company have organised a shipment (drugs of course since this is distinctly pre-Amazon, when it seemed the only thing anyone shipped anywhere was kilos or “keys” of cocaine) only to find that the police may have already been informed of the planned exchange.

    You see the problem (or, more accurately, a problem) with Shadow company, as highlighted by their main (possibly, only) customer, is that they are using mercs (mercenaries, not German cars). Clearly Shadow Company’s pre-sales brochure could have been clearer on these matters but this appears to be something of a red line for the customer in question, having, it seems, gotten used to dealing with regular street criminals who are, presumably, a more reliable breed and less given to prostituting their skills for the sake of a quick buck.

    The customer’s distress produces a wonderfully wacky scene in which the head of Shadow Company, General Peter McAllister (played with relish by Mitchell Ryan’s eyebrows) demonstrates the trustworthiness of his merc employees by having one of them, Mr. Joshua (a perpetually snarling Gary Busey), suspend his forearm stoically above the customer’s flaming cigarette lighter.

    “Mr. Joshua, your left arm, please…”: Shadow Company take their accreditation very seriously.

    Some clients might baulk at employee torture during a business meeting but this was the 1980s, before HR and concepts of workplace safety had gotten completely out of hand. Suitably reassured, though a little PTSD-ed, the customer departs to presumably close out the paperwork.

    The client’s concern about mercs, however, is rather borne out by Shadow Company’s response to the knowledge that the police may be onto their shipment. It seems Shadow Company are not the sort of agency to treat delivery dates with flippancy. If only more suppliers were so committed; imagine how many LUAS lines, Rainbow Gardens or National Children’s Hospitals we might be sitting on now (though contract negotiations of the Shadow Company kind may be a little too intense for your average junior minister). It also quickly becomes apparent that these mercs take a similarly blunt approach to InfoSec. By way of keeping everything mum, Shadow Company proceed to blow up a prostitute’s house using mercury switches (“Gaflooey! That’s heavy shit!”), embark on a drive-by assassination of Hunsacker from a passing helicopter (Mr. Joshua inexplicably dressed in cricket gear for his shift on sniper duty) and kick off a war on the LAPD by shooting Riggs and abducting Murtagh’s teenage daughter. This provocation merely galvanizes Murtagh and Riggs who embark upon the cerebrally direct plan to “bury the funsters”, to borrow the wonderful substitute phrase used in the censored version of the film when it was aired on terrestrial television in the 1990s (the golden era of television censorship; the art form reaching a pinnacle with the fabulous reinterpretation of Midnight Run, containing the excellent “I’m going to stab you through the heart with this broken pencil”). It seems the solution to the endless paperwork and unreliability of the American justice system is to shoot all the bad guys before they can lawyer up. There is, of course, a long tradition in American action movies (and increasingly, in real life) of police officers conveniently “forgetting” their badges; a legal loophole which allows them to more efficiently eradicate unwanted sections of the criminal underworld. The Lethal Weapon films take this to a spectacular new level. At the end of the film, LA’s finest cordon off a crime scene so that they can stage an embryonic version of the Ultimate Fighting Championship between Riggs and Mr. Joshua. In the second installment of the series, shrewd application of this technique allows Riggs and Murtagh to bypass the tiresome diplomatic immunity privileges of their South African antagonists.

    “Gaflooey!”: Riggs and Murtagh deal with the aftermath of Shadow Company’s somewhat robust approach to InfoSec.

    It’s worth mentioning that Shadow Company represented an “America First” approach to villainy at a time when home-grown talent more than held its own in the “bad guy” market—a situation soon to be undermined by an abundance of cheap foreign imports (see “Gruber v. McClane, 1988)”). It will be interesting to see if the new direction for American politics ushers in a return to home-produced miscreants.

    What really makes Lethal Weapon tick is the chemistry between the leads. Gibson (before he adopted a more method approach, which somewhat seeped into his personal life) is all frothing angst and distemper while Glover is brilliant as everyone’s dad trapped in a cop movie, muttering lugubriously to himself (quite possibly about the immersion being left on), attempting to rap and beat-box at the dinner table (to the mortification of his kids), making crude Dad jokes and showing off so much for his new alpha male partner that he forgets to take the bins out, earning a chiding from his eldest daughter. Yet, there is an obvious warmth between the mismatched pair which carries the film along and is a big reason for the success of the movie franchise. The lack of a similar rapport between the leads is probably a good reason why the more recent television reboot didn’t work. That, and that the world had moved on and what worked in the 1980s doesn’t necessarily work anymore.

    Indeed, much has changed since 1987 and this makes the original Lethal Weapon a fascinating re-watch. It’s not surprising that there are many areas where it strays beyond what would be acceptable today but this was a film and a franchise which always seemed displaced from reality even when reality was the 1980s and that tonal weirdness is even stranger looking back from a modern world in which, it seems, more-and-more so-called leaders would prefer we all travel backwards in time.

    It’s particularly interesting to see Lethal Weapon’s foreshadowing of the faux-disassembling of macho male culture. In it we glimpse the beginnings (and, given what’s happening now, possibly the endings) of men’s reckoning with their emotions, including a detective who confides his belief that he’s an “80’s man” because he cried in bed, adding that he was not with a woman (“Why do you think I was crying?”); the faltering baby steps towards some sort of male introspection (“Do you want to hear that sometimes I think about eating a bullet?”); the commodification of male culture hinted at by Riggs when he suggests their putative reward for dispatching the bad guys will be “shaving head” commercials. Side note: Why men’s apparel never embraced the bare-torso-with-denim-jacket look (sported by Riggs in the final act) is beyond me (though it remains a summer wear staple in some parts of Dublin).

    In subsequent sequels the Lethal Weapon franchise will, in its inimitable way, wrestle with Apartheid (“Free South Africa, you dumb son of a bitch!”), wildlife preservation (“Mom, Dad killed flipper!”) and — laughably — gun control (being careful to ensure that said control doesn’t extend to its gun-toting heroes). The writer Shane Black confessed he fretted daily about what the director, Richard Donner, would see or hear on his drive to the set which he might suddenly decide to include in the plot.

    For anyone questioning why sexism isn’t on that list of inclusions, I would propose that the whole Lethal Weapon franchise is collectively a powerful argument against men being allowed to run anything remotely mission-critical for the human race.

    Yet, for all its apparent moral probity, Lethal Weapon conserves its wagging to a single finger lest anything disturb the main task of depressing the Beretta’s trigger while spent cartridges spew from its belly with the metallic effervescence of a jackpotting slot machine. The screenwriter, Shane Black, is far too savvy for all of this to be taken completely serious and Lethal Weapon is a film which becomes more enjoyable the less seriously it is taken.

    So, as we count in another Christmas, there is no better time to revisit the OG in what has become a burgeoning movie subgenre. Modern audiences have embraced the concept of non-traditional Christmas subjects so what better way to shatter the hegemony of saccharine Santa Claus films than by watching a scowling Gary Busey unload his clip into a television set showing a reforming Ebenezer Scrooge.

    This holiday season, I invite you to a 1980s genre-crossover feast where we shall follow the spicy starter that is Gremlins with the palate-cleansing Lethal Weapon before closing out the seasonal fare with the hearty Die Hard. But, as you marvel at John McClane’s heroics in Nakatomi Plaza, remember that none of this would have been possible if Riggs and Murtagh had not “buried the funsters” in that first high-octane offering.

  • Friended

    We were best friends, each the other’s trusted wingman and sometime sponsor and crude litigator who called each other “brother” and “amigo” and “hermano” and “bud” and “homeslice” and took our shoes off politely at the entrances to one another’s new apartments and asked who we were seeing now and exchanged woes and lent each other a few bob and discussed books and listened to eclectic music and watched old noir flicks or so-bad-they’re-good karate or horror movies and told long uncurbed jokes and smoked and drank and pilled into the pallid dawn and chilled each other out when someone went too far or had taken too much or had gotten too hectic and revived one another with tea or coffee or biscuits or something stronger after a particularly spectacular nose-diving whitey and said “I know, man” and “Forget about her, dude” and “There’s plenty more fish in the sea” after a bad break-up.

    Best friends, except for that time he got off with the girl I told him I loved in Greek and Roman Civilization before I had a chance to ask her out and I flirted with his Russian girlfriend after he had asked her out and he tore my favourite shirt doing a headstand during a pub crawl and I roundhouse kicked him after he’d been in a street fight to show him the correct way to execute the maneuver and he crashed his motorbike into a snowdrift with me on the back on purpose to give me a near-death experience and I told him to fuck off and get someone else’s notes or maybe read the fucking Iliad himself or — hey — maybe even try going into a lecture every once in a while and he split owing two months’ rent and I chopped his upright piano into firewood when he was in Madrid for the Christmas break and he smoked all my weed when I was in my parents’ over Easter and I borrowed his Bukowski books permanently and he told Sharon Sullivan I was gay so he could hook up with her and years later I told her he’d joined the priesthood after they broke up and it took years before she found out the truth and he almost choked me to death, drunk on the Gaza Strip one night and, if we hadn’t been laughing so hysterically, I might be a good-looking corpse right now and I nicknamed him “Dracula” when he grew his sideburns out and he broke my kitchen window with a snowball and I told him the ending of The Usual Suspects before he’d seen it and he ruined The Exorcist by laughing through the whole thing and I ridiculed him publicly when he went head-over-heels after barely four seconds on a bucking bull machine in a dusty Texas bar and he loaned my favourite leather jacket with the perfectly faded folds to his brother, Bill, who lost it and I got him fired from his job because he didn’t show up for work after he twisted his ankle when I persuaded him to try walking home from Malone’s blind and he got me thrown out of Fibber’s for doing coke with his sister in the gents’ and I got him kicked out of hot yoga for shitting his pants a little doing the Pavanamuktasana pose, of all things, and he had me escorted from a writing retreat for plagiarizing Bukowski and I got drunk and fell off his roof through his favourite rose bush and bled bright red droplets all over his new cream carpet and he slept with my sisters, Kate and Elizabeth, and I slept with his aunt Geraldine and he threw out a painting I did of Mickey Rourke in Angel Heart that I was quite proud of and I threw up all over him while cooking him a meal and he moved house a day after I’d helped him paint his new flat, in fact did the majority of the painting, and he rubbed it in viciously when his football team beat mine in the final of the Champions League and I poured salt into his wounds when my rugby team beat his in the final of the Champions Cup and he didn’t come to my mother’s funeral and I was a no-show at his father’s and I successfully wooed Carrie Fitz  to “Hold Back the Dawn” from Storyville by Robbie Robertson before he did, even though it was his album and he’d met her first, and he didn’t change the water in my goldfish Bob’s bowl the whole time I was in Rome, even though that was the reason I’d given him my keys in the first place, leaving such a Gordian tangle of fish shit that I had no choice but to bring Bob’s bowl with Bob in it down to the river, a walk in congested traffic that felt like the Calvary scene in On the Waterfront with the morning iridescence scintillating the bowl into a disgusting lava lamp so that everyone knew so absolutely where I was headed and what I was going to do that I may as well have taken out an ad and each step resonated with my failings as the slow grey river waited with vigilant eyes and eager jaws lurking in the cinereous muck like devil inmates in hell waiting to jump a fresh, still sparkling, soul and afterwards I realised he’d also cleaned out my copy of For Whom the Bell Tolls and the first time I saw a picture of his beloved grandmother I said “Hey, it’s Elvis!” and he pissed into my sink one night when he was drunk on cheap boxed wine and I broke into his house and took apart his bed and left a spanner and a note on the pieces saying “You’ve made your bed, now lie in it” and he brought a prostitute to a dinner party at my boss’s house and I settled down and had a family and got boring and betrayed our friendship and he never showed his face again, never came to any of my weddings and never met my children and never saw me again and disappeared into the internet and became a fucking crank.

    But sometimes we Like each other’s posts.

  • Fiction: Old Poetry

    It was because of Daniel that Mary Ann remembered Tom again; because she’d found out about Daniel’s latest affair. “Latest” was how she would position it to everyone now; one of an incalculable number—whether spaced apart or pressed together didn’t matter anymore because Mary Ann could only see a faceless mass of paramours sprawled one across the other like bacteria floating desultorily beneath a microscope.

    Daniel had played the only card he had left, complaining about how long she’d sat on the knowledge and how she’d chosen to confront him when he was about to catch a flight to visit his sick mother, probably to see her for the last time. He’d used the word “scheming” as he punched his arms into his jacket, and she’d laughed at his big baby anger. But, as he stepped his shoes on, he seemed to think his way into a movie scene and returned to place his hands on her shoulders and to tell her he was sorry, and that he loved her.

    “I’ll call you when I land,” he’d said.

    “I’ll put you onto the girls,” she’d replied, closing the door slowly but firmly.

    She’d heard his shoes crunch forlornly and forcibly on the gravel driveway and heard him grunt “Bitch!” before the clunk of a car door and the long electronic whine of his Uber leaving.

    Alone, she poured a glass of white wine and watched a reality TV show about affluent Londoners almost half her age where the weekly relationship melodrama depended on the word-of-mouth testimony and half-remembered memories of a hard-drinking and careless cast. Of course, she’d always accepted that the premise of the show would disintegrate if the cast members were allowed to sprint pitch side to confirm what had really happened, like a referee in a football match ruling out an offside call. In this way, she’d allowed herself to enjoy the participants’ antics without committing to the idiocy of the premise, but the sudden debilitation of her own love-life had brought the previously unappreciated reality element of the show into sharp relief and after twenty minutes of rumour-fueled enchantment followed by a series of cruel and common betrayals she switched the TV off and turned on her laptop.

    She mixed a loose gin and tonic and surfed old 90s music online; frantic, dancer-laden and game semi-or-fully-dubbed live performances from shows like Top of The Pops. Even though, in some cases, the recordings were almost thirty years old, the participants still glowed with the sheen and irrepressible beauty of youth.

    The Spice Girls daisy-chaining to “Wannabe” like a toolbelt of pop perfection, Britney rocking her wireless headset like a sexed-up call center operator. Saffron from Republica performing “Ready to Go” and attempting to gin up a listless audience by shrieking repeatedly into the front row.

    She didn’t recall Tom until she hit Suede’s Saturday night, the opening guitar riff and the light yearning of Brett Anderson’s falsetto melting into her ears.

    He’s not her usual type. She normally goes for clean-cut, blonde, smart-casual types but he’s slim and dark-featured, his black denim shirt spilling over his blue jeans, the top button undone, the dark gully of his tanned neck visible in the sticky light of Coppers nightclub.

    He’s moving rhythmically and casually towards her, passing in and out of view as he rolls through the crowd with an ease that makes everyone around him seem insubstantial. Everyone but her, because the dark, smiling eyes stay on her as he navigates the swaying press.

    Now, he is so close, she can see the tiny circles of light swaying in the darkness of his irises.

    As the song builds, he takes her hand in his and she feels the warm curl of his palm as their fingers interlock and the tiny overture of a nail travels along her spine and he moves into her space and she into his and they inhabit the music while their lips, at first tentatively, seek, then fiercely, pursue.

    The sun empties upon their naked bodies as they wake in her single bed, unknotting slowly and experimentally while they exchange amazed smiles, as though recipients of an unexpected gift.

    Even dressed, he takes five attempts to finally leave, returning each time to touch noses and kiss her and to remind her how beautiful she is and, each time, she replies with a bright, clerical “Why, thank you” which makes him grin until finally he is gone and she examines his name—his full name—and phone number carefully inscribed on a torn section of tissue box and she swings her naked legs about and laughs.

    For their first real date, they go to the cinema. The film is a mainstream romantic vehicle; his suggestion but while they get drinks and popcorn, he stands apart from her with his head down as though hiding his identity. The shyness of the brightly lit foyer gives way to the comfort of darkness, and they touch and kiss and might even pretend the burgeoning onscreen romance bears some affinity to their own until, at the moment of consummation, as a slow song beckons the first onscreen kiss, the voice of a man in the audience nearby launches a distinctive, full-throated and uncontrollable laugh which the rest of the audience, including them, join into until the whole theatre is a roaring, hooting, vibrating mess. The romantic denouement, when it comes, plays out beneath an undignified aftershock of giggles.

    She goes back to his flat in a three-story Georgian house on the Southside. The downstairs hallway smells of curry and old smoke damage and the corners rattle with the enraged dither of trapped bluebottles, but his apartment is surprisingly spacious and clean, and she feels an exotic charge as they undress slowly in front of each other under the high ceiling with the bulbs blazing around them.

    Afterwards, she is lying against him, a pond of blond hair spilling over his chest. The main lights have been turned off and the orange glow from the lamp reminds her of a spotlight and lends a theatrical immediacy to their conversation.

    She points at the wall of books.

    “Have you read them all?”

    “They’re mostly to impress my sexual conquests.”

    She strokes his face to hers and gives him a long teasing kiss.

    “Mmmm, it’s working.”

    “You’re a scientist, right?” he says.

    “Student scientist,” she corrects.

    “You think the World Wide Web will kill off bookshops?”

    “I don’t think so.” She smiles. “People will always need places. We met in a place, didn’t we?”

    “What a place.”

    “My grandfather used to say that we’re only ever born in one place but when we die, we die everywhere.”

    He stares thoughtfully into the shadows on the edge of the lamplight.

    “Your grandfather sounds very wise.” He laughs. “And a bit dark. If this internet thing of yours catches on, maybe that’ll change and we’ll finally be able to die in one place, though knowing my luck it’ll probably be Geocities.”

    She gestures to the wall of bookshelves.

    “If it does catch on, I can always come to your place to get my fix of old-fashioned printed words.”

    “Anytime. You know old-fashioned printed words can save your life?”

    “Oh yeah?”

    She is waiting for him to make a playful joke. Instead, he slowly disengages from her, from them, and, still naked, scans the shelves gravely and returns with a slim, unadorned paperback. When he’s reintegrated beneath her, he hands her the book and she studies the title conscientiously.

    “Darkness Visible?”

    “Uh huh.”

    She turns it around and reads the blurb and the reviews on the back then turns to look him in the eyes.

    “This saved your life?”

    He nods shyly and she caresses his cheek and ear and kisses him tenderly.

    “Oh baby.”

    But she has imprecise reservations.

    He is everything she isn’t. Dark. Wounded. Opaque.

    When she talks about her family and their modest but supportive upbringing, he nods and smiles but she can see in his eyes that he has no frame of reference for this, and she may as well be relating a popular myth which he is only hearing for the first time.

    He says next to nothing about his family, except to imply he hasn’t seen them in a while and what he hears of them now are whispers he would prefer remain unamplified.

    She tells him about her college courses, specialties and plans; plans that stretch into a far flung tomorrow of homes and children. He is amazed that anyone can plan so far ahead and in such detail. All his plans begin in maybes and end in places that sound like the start of a movie in which the protagonists all die horribly.

    “Maybe you can come visit me over there someday,” he says but then shakes his head, embarrassed at fastening her to such whimsy.

    “Someday,” she says with a smile and a kiss.

    They have their first fight a week later. They’re in Coppers again and they’ve both drunk too much. He’s angry about the never-ending parade of guys hitting on her every time he returns from the toilets.

    “What can I do?” she says.

    “You could try not being so damn friendly,” he says. “You like those guys in t-shirts that are two sizes too small for them. Wait and see: you’ll end up leaving me for one of them.”

    She laughs but her denial isn’t quick or passionate enough for him because they end up exchanging mis-heard provocations in the club then shouting at one another, no less incoherently, on the street outside and she cries and takes a cab home alone. He lights a cigarette and smokes sullenly as she gets into the taxi and she imagines him watching as her cab is absorbed into the exodus of lights on Harcourt Street.

    The next morning, she mopes around her apartment, finally drawn to the mailbox downstairs where she finds a hand-written unstamped envelope with her name on it. She recognises his handwriting.

    She extracts and unfolds a single sheet of white paper with a poem carefully handwritten on it:

    Breakfast, Morning After

    Everything on this plate is overcooked,

    I am too.

    Last night’s sentimentality boiled over,

    Now, it’s stuck on the pan of our two minds,

    Like incomprehensible glue.

     

    It’s the first time she’s received a poem that wasn’t written by a greeting card company.

    She returns to her apartment and dials his number, which is on the same piece of cardboard he’d first written it on, and which has sat by the phone since she got home the night before.

    His phone rings for an antagonistically long time but she keeps it to her ear until, finally, his downstairs neighbour answers it by bellowing the name of his company followed by his own name.

    Before either of them can say anything else, she hears a noise in the background and a smile in the neighbour’s voice as he somewhat demurely adds, “He’s coming now.”

    A few seconds later Tom’s voice gasps, “Mary Ann?”

    “I got your poem.”

    “I need to see you.”

    They last another two weeks. Two weeks of late-night club-crawling followed by all night lovemaking and all-day shut-ins. She misses so many classes that the head of her department calls to check if she’s okay and, at Tom’s encouragement, she bereaves herself of a beloved aunt-or was it was an abhorred uncle?

    Both feel themselves on the cusp of something, but neither can square the circle of difference that lies between them; the forking of paths already beneath their feet.

    Fittingly, it ends in Coppers.

    They both sense what’s coming and this foreknowledge lends an astral tenderness to the night. They sit in the beer garden so they can speak.

    She breaks the deadlock.

    “I’ve got to go back to classes or they’re going to turf me out.”

    He laughs and takes her hands in his.

    “I’ve got my plane ticket,” he says.

    “You’re really going? That’s great, baby. I’m so happy for you.”

    “I guess you shamed me into it with all those plans of yours that stretch into 2050.”

    They drink and make out and, near the end of the night, Suede’s “Saturday Night” is played. They rush inside and slow dance to it, folding into the mass of people on the floor until it feels like they are alone, the pirouetting axis of a cosy circle of darkness.

    Her memories slip on the gleaming surface of the past and when she recovers the memory, he is walking her to the taxi rank one last time, made debonair in her reconstruction with his jacket on her shoulders against the sudden cold.

    “I’ve got a confession to make,” he says.

    “What’s that?”

    “You know that movie we went to, where the guy started laughing during the love scene?”

    “Yeah.”

    “I went to see that film the day before I brought you, to make sure it was romantic enough to take you to. It’s not really my area so I needed to do a bit of research.”

    She stops to caress his cheek.

    “Oh, that’s so sweet baby.”

    “It was, until that guy tore the arse out of it.”

    “I guess now we know why he was laughing.”

    “Yeah,” he says. “I guess we do.”

    She reaches the head of the queue and hands him his jacket and they kiss one last time.

    “Good luck with the future,” he says.

    “You too,” she says. “Maybe I’ll see you in a place there someday.”

    “Someday.”

    She imagines herself not looking back and allowing him to disappear unseen into the anonymous crowd, but she can’t help seeing him standing there, staring at her taxi as it fades into the night, so perhaps she did look back one last time. She imagines their eyes meeting in that final look and something, unsaid, passing between them but can’t remember if that’s really what happened or only what she wanted to have happened.

    Mary Ann snaps back into the moment. Her phone shows three missed calls from Daniel but she scorns them and the voice in her head and pours herself another drink.

    She searches the internet for Tom using his full name and studies the images that come back, trying to match them to an imagined Tom who is 24 years older or to remove 24 years from the faces she sees but none of them have the dark eyes she remembers so vividly.

    She feels wrong about Googling the poem after all this time but a sudden wave of doubt that it might not have been original persuades her to search for it and the resulting screen of irrelevances prompts a loud sigh of relief.

    She searches Facebook and Instagram and Twitter, imagining as she does a settled-down but still-handsome Tom, spared a paunch and receding hairline with the concession of just a few strategically placed lines about the eyes and an intrigue of grey above one temple. A Tom who is finally free of doubt, hauling a wife and kids into a boring, normal future. A Tom who offers chirpy updates or pithy quotes. But this Tom is nowhere to be found on Google or social networks or anywhere else on the internet so, with a narrow pout of satisfaction, she imagines an unplugged free spirit in a remote beach bar on the edge of the Caribbean Sea and she imagines a transistor radio on the small bar playing Suede’s “Saturday Night” and this Tom pausing to remember her, perhaps even this very night.

    She goes back to YouTube and replays the song and closes her eyes, remembering again the two of them dancing inside that cosy circle of darkness.

    But Tom is not sitting at a beach bar by the Caribbean Sea. He’s not had a wife or kids and he’s never used Facebook or Instagram or Twitter because in 2003, when Mary Ann was on secondment for her company in Seattle, Tom was walking his dog by the Grand Canal in the early hours of the morning, not two miles from where she is at this moment, and the dog jumped into the water by the lock. And Tom, without a moment’s hesitation, dived in after it and got into trouble, the dog somehow escaping but Tom’s hands scrabbling uselessly at the slippery walls until the air poured out of him and he sank into the dark water, the circle of light, that was the sun, diffusing into darkness above him.

     

     

    Feature Image: René Magritte, The Lovers II, 1928.