Tag: Daniel Wade.

  • Unforgettable Year: February 2020

    By February 15th there was a scent of danger in Bull Moose’s nostrils. Discussing which Democrat candidate would take on Donald Trump – would Mike Bloomberg have beaten Trump? – he brought our attention to coronavirus, a new viral danger emanating from China, which seemed quite exotic at that point.

    Coronavirus might be the trigger to collapse this deck of cards. How soon? Probably by April, maybe May. The virus is expected to peak around April, but by then the quarterly earnings will have been impacted.

    Should most of us in the U.S. be afraid of Coronavirus? It depends. If you’re healthy and don’t work in healthcare you’ve little to worry about. Based on the limited information we can glean from the Chinese news bubble, people with an otherwise healthy immune system, who are not regularly exposed to the virus, can rest easy. Apparently it is doctors, the elderly and other vulnerable categories who are susceptible to infection.

    But that won’t stop many of us from cancelling cruise ship vacations, holidays to Asia, and even overseas trips to trade fairs. It will also impact global supply chains, which rely heavily on China. All this means lost revenue, which will hit the markets once results first show up on balance sheets in April.

    The length of this market downturn will ultimately decide November’s election result.

    Meanwhile in Ireland, Frank Armstrong was contemplating a ‘political earthquake’ in advance of February’s Irish General Election, with Sinn Féin predicted to become the largest party in the Dáil chamber for the first time. He also charted the emergence of the far right in Ireland.

    For the moment opposition to the centre-right mainstream of Fine Gael and Fianna Fáil is coming from the left, responding in particular to an ongoing Housing Crisis. But Ireland is not immune from the wave of identity politics sweeping far-right Populists into power elsewhere.

    Another recession might easily trigger far-right Populism within the existing framework, bringing together an unholy trinity, seen elsewhere, of xenophobia – including opposition to E.U. membership – climate change denial and opposition to abortion services.

    Elsewhere, Caroline Flack’s untimely death in February prompted consideration by Sarah Hamilton of the shocking grief caused by someone taking their own life.

    Caroline Flack.

    It is a natural reaction for us to want to cast blame somewhere. We point the finger at nameless, faceless entities manifesting greater evil than we would ever be capable of – whether trolls, social media or the tabloids. We assure ourselves these remote actors are the true killers.

    The hardest thing I have ever had to learn – one I am still struggling to get my head around – is that with suicide, we never fully know.

    February was a major month in our music coverage. First, we had renowned fiddler Musician of the Month, Caoimhín Ó Raghallaigh discussing his forthcoming duo album with Dan Trueman called ‘the Fate of Bones’, that would feature his 10-string hardanger d’amore fiddle and a fascinating collaboration with graphic designer Rossi McAuley.

    Then Vincent Dermody clairvoyantly discussed the huge challenges facing musicians in Ireland in a piece entitled: Almost Nobody Speaks For Musicians Anymore.

    Centuries of suffering and persecution of people on this island become a footnote to the realignment of power structures, our identity shrouded in myth and broad sweeps, as bit-part actors in nearly a millennium of recent existence. And I think, an internal struggle between our natural impulses as sardonic inhabitants of a dark, wet and green North Atlantic island.

    The coming wave can be extrapolated to a similar battle in the area of artistic self-expression that has been raging for most of our history. What do we value about ourselves and how should we express that in the public sphere? Is society thriving? If not, then am I hearing this reality represented in the everyday art that I encounter?

    Live Music in Dame Street, Dublin, October 2019. Pic Daniele Idini

    Paul Gilgunn was also contemplating the challenges involved in creation in the digital era. Thus:

    In an attention economy devised to distract and occupy consciousness, the exponential flow of information generates continual flux in its wake.

    Image: Daniele Idini

    There was also an essay by electro-acoustic composer Roger Doyle who charted his journey into experimental music in A Composer’s Story.

    Young peoples’ lives become filled with music on records, video, in films, on radio and TV, during Saturday nights, in supermarkets, in amusement arcades, on the streets and in concerts. Culturally exploded thus, they sit down to Mr. Beethoven and wonder what on earth this glaring composer from the distant past has to do with the rhythms they feel and the harmonies they hear.

    In his Public Intellectual Series in February David Langwallner’s explored the legacy of Christopher Hitchens, who he once encountered:

    I had a brief encounter with the man himself one enchanting and admittedly drunken evening. Being then youthful I was somewhat dazzled by his presence, yet more so when the bill for the wine and cognac arrived.

    I found Christopher Hitchens almost preternaturally eloquent, even when plastered. Industrial quantities of booze only seemed to inspire him to new heights, as it does many artists. Nonetheless, he was fortunate to have the constitution of an ox – a unique case and liver to boot. Predictably, it was the cigarettes that killed him in the end.

    David Langwallner clearly got around as evidenced by another treatment of Samuel Beckett, who he also encountered:

    I had the good fortune to encounter in the flesh arguably the last in the line of towering figures, Samuel Beckett, in a café in Montparnasse, Paris in 1982.

    Ireland had just won rugby’s Triple Crown in what was then called the Five Nations, before succumbing to the French team at the Parc de Princes, and Beckett was primarily inclined to banter about rugby and cricket with his countrymen. It must be stressed that he was a charmingly convivial person, and while austere, decidedly good company; even when pressed to do so he sedulously avoided discussion of his own work, preferring to muse on the artistic contributions of others.

    That slightly detached dignity, captured in John Minehan’s award-winning photograph was exactly as I found him. A kind and decent man, who concealed a madness arising out of intense creativity. A burning gaze alone revealed the creative fire that raged inside.

    Ronan Sheehan also drew on personal recollections in his review of Frank Connolly’s novel A Conspiracy of Lies based around the events of the Dublin-Monaghan bombings in 1974.

    Dublin and Monaghan people remember where they were on the 17th May 1974, the day three bombs exploded in Dublin and one in Monaghan. A UCD undergraduate at the time, I was in the library in Belfield when news of the bombs in Parnell Street, Talbot Street and South Leinster Street came through.

    We were shocked. Some rushed from the library. Others, myself included, obeyed a caution from the librarian to stay put. My father’s office at 1 Clare Street faced onto South Leinster Street. When eventually I reached my mother by telephone, I learned he was OK. The blast had smashed all the windows in his office and knocked him over. Otherwise, he was unhurt.

    Image courtesy of Dublin City Public Libraries.

    One of the most amusing articles we have ever published came from Bob Quinn that month in his account of how one summer night in 1956 Gene Shepherd invited his listeners to conspire with him in inventing a book which actually did not exist.

    We also began to cover unfolding events in Lebanon through our correspondent there Luke FitzHerbert as protestors took to the streets to block a key parliamentary vote and bank ceased to issue dollars.

    There was also coverage of rugby from Frank Armstrong, who looked forward to the guilty pleasure of the Four Provinces of Ireland coming together to form the national team:

    I yearn for Six Nations matches at this time of year. Despite my worthier self, I cannot take my eyes off a psychological drama and physical spectacle offering respite from interminable winter.

    The violence is terrible, but it seems life-affirming that these specimens can, for the most part, withstand the battering. At its best, it conveys life-in-action, a primal dance and irrepressible human spirit.

    In what was a frenetic month for Cassandra Voices there also fiction form Daniel Wade, whose Heart of the City evokes the unmistakable atmosphere of Dublin city:

    On O’ Connell Street, rush-hour crowds pitch and roll at traffic lights. She ignores seagulls screeching from the boardwalk, convoys of buses and LUAS clangs, Deliveroo cyclists dodging cycle-lanes, bouncers invigilating in doorways, the fluorescent glare from Supermac’s, haggard junkies lurching between double-yellows and taxi ranks. Under the GPO’s bullet-bejewelled portico, she spots a young girl huddled in a sleeping bag, forlornly holding out a styrofoam cup like an offering. Homeless in her hometown. She leans and drops a few coins in the cup, then keeps on walking, barely hearing the weary “Ah, thanks, Love” the girl murmurs after her. Two guards turn to watch her pass. They notice her scar, but she ignores them. Their high-vis jackets sting her eyes.

    And from Gary Grace, whose Synapse Fire contemplates the excesses of a misspent youth.

    One of the main things I characterize my misspent youth by, is a knack for exploiting the trust my middle-class parents misplaced in me. At seventeen, I was too old to be dragged along with them on what seemed like monthly getaways, but too young to exercise any degree of responsibility or restraint. My folks had a mobile home near Ballymoney beach, which had hosted many a night of debauchery for my older brother and his cronies. He was away in Amsterdam, so I’d decided it was my turn. That bank holiday weekend, I had access to a car, three malleable mates and in the palm of my hand, an assortment of different colored pills.

    There was also poetry from Lynn Caldwell, ‘Holding Velum to the Light

    And from Brendan McCormack ‘omeros is unforgivable’, and ‘midnight in the soupcans of desire.’

    As well ‘Poem Written in Old Age’ by David Hillman:

    The light that streams across the universe
    Brings evidence of other worlds than ours
    Where midst the flux of fields and particles
    Eternal wisdom older than the stars
    Unweaves her web of possibilities
    The patterner experiments and plays.

    Unforgettable Year: January 2020

  • Niall

    Dublin, 2015

    Four hours after his head gets kicked in, he’s wheeled into the A&E on a gurney. Splayed, supine, he looks like a crash test dummy; blood soils his tracksuit. Only the saliva oozing from his lower lip tells them he is human.

    His breathing is shallow but steady, hence why none of the nurses see him. They think he’s sedated from the morphine. He is still dazed, but resurfacing. He keeps his eyes shut and listens, sneaking the occasional glance around the room to which he’s been brought. Best not draw any more attention, he tells himself.

    The corridor they leave him in reeks of piss. He reckons it always does. Dried pools of blood splatter the floor; someone has recently tried to haphazardly mop them up. Bodies and scarring lie in both directions; from outside, the wail of sirens say yet more will soon come crashing through the door, battered and gory as he. Wearing blood-speckled gloves, nurses ricochet between patients, administering drugs and wrapping bandages. He hears a shrill bleeping noise followed by a monotone voice crackle over the intercom: “D reg to resus, please.” Passing around packing gauze or tubes, orderlies and paramedics shout to one another. A girl lies on the gurney next to his, frayed mini-dress blanketing her fractured limbs and her face smeared in mascara. On the other side, a man is awake, his shirt torn off and draped in IV wiring, a white tube bandaged to his wrist; he looks as if he is doing his best not to scream. Opposite them are a pair of lads covered in blood; some aul’ one wailing that she wants to go home, the drunk in the next stretcher making stifled gurgles, while a phlebotomist with panic in his eyes works hard on pumping his patient’s stomach. Wailing fills the air as a senior doctor stands at the centre, clipboard in hand, under the laser-like arc lights.

    He doesn’t expect anyone to take much notice of him, because in the grand scheme of things, his injuries are minor. He’s probably one in a thousand that night at St. James’ Emergency Ward, and with a number like that, far more pressing concerns than his bloody mug go on around him. In rooms like this, blood is everything. It has to be preserved, or rinsed clean of whatever disease threatens to pollute it. And yet, for the nurses and medics, like antibiotics or stale coffee, it remains just another part of the job.

    He must’ve been unconscious for hours. At first, he wonders what difference the initial injection makes. He is quiet, probably the only quiet patient in the entire ward. The pain, an insistent throbbing in his head, thuds at a low intensity, unlike before, when it had been the sun and the moon, the sum of all life, a rogue wave flooding his body, burrowing into every limb and pore, robbing him of even the sense to scream out. Or was that just his hangover, stinging vestiges of the cider he’d skulled back at the hall? But to be able to breathe normally again was a relief.

    Niall Keane remembers nothing since he left the Dark Horse Pool Academy. He wasn’t brought here in an ambulance; that’s dead certain. Someone drove him here, in a van; someone whose face he can’t quite recall. No one knows he’d been out at the Dark Horse; not his ma or brother, nor even any of his mates. It might have been one of them who’d driven him here, someone who bolted the second they pulled up. But he shrugs that thought off.

    The hospital personnel aren’t worried about him dying. If they were, they’d have seen him by now, wrapped his head in fresh bandages like a teenage mummy, and sent him home. That’s a good sign. He thinks.

    He feels in his pocket; the solid square lump of his phone is a reassurance. Ma’s going spare, he just knows it. He sees her compulsively dialing his number and, once it goes to voicemail, leaving nervy, sob-wrenched messages for him to call her. The sound of his voice will calm her down, but only for a sec; she’ll bombard him with questions about where he is, and he’s in no humour for that.

    All the same, as he takes the phone out, he curses under his breath: the black screen tells him the battery is gone. More so than letting ma know his whereabouts, he wonders again who dropped him off here in the first place.

    Unmoved by all the chaos whirling around her, the senior doctor flip through her clipboard,. She has her eye on him. And with one eyelid open, Niall watches her turn to stride out toward the waiting room. None of the nurses seem to notice her leave. His vision is blurred; everything is unclear, fog-bound. Maybe she didn’t leave; maybe she hadn’t been there at all. He looks around; though he’s sure the noise in the room was close to operatic, he barely hears anything. Every agonized wail, every shout, every door-slam or slapping footfall from out in the corridor, amounts to a garbled drone in his ears.

    How the fuck did y’end up here, Horsebox? Who brought yeh?

    His brain swirls. He can’t concentrate; flares of light and sound, voices and faces he doesn’t recognize, drift and tangle through his skull like kelp, before sinking back into the ghostly murk of his subconscious. He’s unsure if he’s thinking to himself or babbling aloud.

    Well, sure, in a place like this, does it really bleedin’ matter?

    Damo’s voice rustles in his head. As it always does in moments of crisis.

    He wonders how many people in the ward will die tonight. No matter how hard the medics try, how much they inject or cut or bandage, he knows he’s sharing a room with a few soon-to-be corpses. Perhaps the nurses and medics know who’s doomed and who isn’t before they even set to work on them.

    But we’re all soon-to-be corpses, Horsebox. No-one gets a pass from tha’ queue.

    Rapid and fleeting, a shiver of panic, cuts through him: will he die as well? Can you die from a headwound that isn’t a bullet?

    So I believe, Horse. Depends on how much blood you’ve lost.

      How many others in the room have head wounds like his? Is he the worst to roll into the A&E that night? No, he couldn’t be. At least he’s sentient. He hasn’t forgotten his name. He’s not knocked out cold; the concussion didn’t kill him. But he’s going to vomit any second.

    It’s then that he remembers how he ended up there.

     

    *

     

    The usual shite of a Wednesday evening kicks off, but in a different place this time. The place being the Dark Horse, the time being after dark. It’s one of those pubs tourist manuals make a point of ignoring. Every county in Ireland has at least twenty of them. The boozers that time forgot.

       It’s a kip, an ancient kip. Despite the smoking ban, a tang of stale nicotine still ghosts it. Niall’s been inside three times already. It huddles at the end of Talbot Lane, an unwashed relic refusing to die well into the new millennium. Walking through its doors is like entering a filthier end of recent history, when people were masters at being skint and cheerless. The same five or six aged pissheads sit slumped over their pints, on any given night, with only the ticking of a clock for company. Des, the place’s lone, unsmiling barman, eyes all newcomers like he’s a hawk. The Clancy Brothers or Wolfe Tones or something similarly lachrymose blare harshly from the antique jukebox. Beams of dusty, slender light ooze through the lace-curtain window. The cigarette machine by the jacks glimmers for a euro. Cracked photos of everyone from Connolly and Pearse, Michael Collins, JFK, Archbishop McQuaide and Yeats, along with grainy, archival shots of Dublin from the early twentieth century, clog the wall like a hall of withered fame. There’s no cash register; an old jam jar half-full with coins and rumpled banknotes, placed beside the beer taps, waits for the night’s earnings.

        It doesn’t even have that aura of dangerous glamour that such places reputedly have; it’s just a kip. ‘Strictly over 21s!’ reads the sign above the entrance, but no-one’s ever bothered asking for his ID. One look inside tells him that things like late licenses and IDs aren’t a major priority in the Dark Horse.

        The more Niall is warned against going in there, the more his curiosity grows.

       It’s the pub’s poolroom, below in the converted basement, that gets him. It’s where the younger crowd goes; it’s where the billiards and dartboard are. They stay here after hours. They congregate at the table, arrange the red and yellow balls in a perfect triangle under the lamp.  Once the cue clacks off the white ball to scatter them, the game starts in earnest. Of curlicues, ricochets and pensive maneuvers, scores are vigilantly kept. Like sharks in a tank, you and the lad you’re playing against circle each other, choosing your targets, knowing the others will watch your every move. Every time you sink a ball or miss a shot, roars of approval or mockery bounce off the walls like a war-cry. But pool isn’t a yob’s game – you need to have a plan. The games usually go on long after midnight, closing time is never too strictly enforced, and there are usually girls around.

       No girls tonight, sadly. On a Wednesday, there never are. Felt most keenly by the lads, their unaddressed absence is an overwrought dearth that sinks into each boy’s bones, sullying the air like the cigarette smoke they exhale.

       Niall’s surprised there is no Garda van parked out across the way. Though he’d never admit it, the lads intimidate him with their pugnacity, their arch and profane banter, their predatory laughter at seeing him in their zone. They’re not unlike the lads at school; but these are men. Lords of the late hours, afraid of nothing and no-one. They make most of the cunts he has to call peers look like choirboys. Under their words seethes real danger, and he wants to join in. Finally, he dares himself to head out there, slipping down the laneway like a man going undercover.

       On a crisp March evening, bag sagging off one shoulder and resolve in his eyes, he stalls it into town on a DART. He gets off at Tara Street and shapes across the river to the northside, cutting down the side street which winds past Marlborough Lane, gulping from a can of Karpackie. Sporting his hoodie and Reeboks, he looks as dodgy and feral as any seventeen-year-old with no street smarts can hope to, in that part of the city. His phone’s switched off and no-one knows he’s here. The few mates he does have probably think he’s at home, spliffing it up by himself. His ma thinks he’s at evening study; she’s better off being left in the dark.

       In a week’s time, he’ll be sitting the first of his mock exams for the Leaving Cert; he’s done fuck-all study, and has fuck-all intention of starting. The life’s being slowly but surely sucked out of him with each day he spends hunched over one of the flaked and graffiti-slathered desks, trying to get his head around maths, geography or whatever they advise he fills his brain up with, in order to pass the year. Evening study, past papers, CAO applications; his head is wrecked by it all.

       Mainly, he does it for his ma,; to keep her happy and off his case. But if he were honest with her, in a way he knows he never can or will be, he’d say he wants out, that school’s a waste of time, that he’d just love to get hold of an Uzi and several pipe bombs and detonate the place, teachers and students alike, out of existence. He loves his ma, but since Damo fucked off to Australia, he’s now the centre of her world. All her hopes and dreams rest on his shoulders.

      “When you’re older, son,” she’ll say, eyes proudly glazed, “you’re goin’ to be huge. Brains to burn, so y’have.” And the way she says it, elated and satisfied, as if she’s witness to a heaven-sent miracle, really gets on his wick. Like it’s a sure thing, done and dusted. If he’s heard her say it once, he’ll hear her say it until his ears bled. These past two years, she’s been like an Antichrist about the whole thing. 

      Her thinking is, he’ll go on to pass his Leaving Cert, then get into college and earn a degree guaranteed to land him a good job, with generous wage packets and a good pension at the end of it. If this happens, he’ll be the first in the family to ever go to college. What he’ll actually study when he gets there, he hasn’t a clue, and nor does she. English or Art or History, maybe, because they’re the only subjects he’s ever been any good at; they’re also the three most useless degrees he can hope to pursue. Or so Damo always tells him. Better off doing Engineering, or Computer Science; at least they’ll get him somewhere job-wise. 

       But Niall doesn’t want a job. Or good marks, or a decent Leaving, or prospects, or any of that shite adults keep insisting he should want and have. He’s a different future lined up for himself.

      He isn’t like his brother Damo, who left school in fifth year and immediately went to Sydney for work. Ma had high hopes for him, too; but Damo was too thrill-seeking, too hungry for adventure to  remain in Ireland and was always more outgoing, more eager to throw himself into the scrum of life than Niall had ever been. He probably laughed to himself when the recession hit; the only man in Ireland to do so. It gave him the perfect excuse to get out. Most of his mates expected him to leave soon; and Niall was no different.

        After overstaying his visa, Damo was living illegally in Sydney for two years; he’d ended up doing three years on FIFO work in Perth. A few of his mates had already been arrested and flown back to Ireland when their own visas were overstayed. 

        Most of this he told Niall late at night over Zoom; Niall’d watch the fuzzy image of his brother on the laptop, the day-glo sheen of Damo’s work-jacket stinging his eye. At the other end of the world, his brother is just up and getting ready for work. The conversation always ends with him having to leave. Damo treats these sessions like he’s a Delphian master-guru, sacred and sage, and Niall is a pilgrim seeking his counsel. 

       “I don’t wanna come back, man. It’s buzzin’ down under,” he’d declare, in the cheerfully defensive tone he took when trying to avoid explaining himself. “I’m free out here. And sure look, you’re wasted on the aul’ 9-to-5. ’Course, the aul’ 9-to-5 doesn’t even exist anymore, but how and ever. Y’aren’t meant to be bolted up in some shithole office, firin’ emails back and forth all fuckin’ day. That’s just the dead end, man. No, you’re better and smarter’n tha’. Smarter than me, you. Better off bein’ your own man. There’s fuck-all else y’can ever be.

       “Lemme ask yeh somethin’, Horse,” he says, lacing up his work boots. “You’re a big boy now. Have y’no plans for yourself, no? No job lined up for the summer, even?” 

      “Ah, man, don’t start this again, I’m not in the humour,” Niall wants to snarl, but even over the crackly monitor, Damo’s stare commands a response.

       He says, “Dunno what I want to do. Maybe head out there and join yeh. Lookit, I’m just tryin’ to keep Ma happy. It’s not like she’s got anyone else. I’m goin’ for the grant to get in as well –”

       “Y’are in yer bollocks,” Damo cuts him off. “Ma lives in a fuckin’ dream world, man. They’re only exams, like. They won’t get yeh anywhere, not anymore. I know they tell yis all this, that yis need to get by in life. Believe you me, they fed us the exact same shite in school, but lookit. I’d no Leavin’ comin’ out here, but here I am, workin’ away in the sun with any number of mots to ride on any night of the week. Spendin’ cash like a mad thing, me. Would y’not join me, Horse?”

        Niall peers at the screen. “Y’know I would, man. But Ma needs me around.”    

       “Y’need to break free of her. For yourself, like.”

      “Ah, but I am. I’ll be headin’ off to college, sure. It’s what I want to do.”

     “Is it, though? Or has Ma just been drillin’ into your head all these years that it’s what y’want?” 

      Niall’s teeth clamp. Deep down, there’s a germ of truth to what Damo says. But Niall won’t give him the satisfaction of staying quiet. He tries to keep his voice even and low, so as not to wake his Ma in the next room.

      “It’s far better than fuckin’ off to Australia when things get rough.”

      “Here, I’m glad I fucked off! I’m after makin’ a shaggin’ life for meself, Horsebox. What was I at before this? Beyond pissin’ about on the streets of Dublin? No cash. No future and no fuckin’ prospects. You tell me what’s worse, yeah? Gettin’ the fuck out ’cos there’s nothin’ to live for, ’cept waste away on the dole, maybe?” 

       His breathing crackles over the monitor. Niall gives him a moment. “So why’d y’leave?”

      “To improve, why’d y’think? For the fuckin’ scenery?”

      “Well, no, but – ”

     “Everyone I was in school with either fucked off like me, or else stayed back there to rot. Hopelessness, man, it’s a disease. Bad as the fuckin’ cancer. I was browned off in Dublin; I felt like an eejit with no life. I was an eejit with no life. And I wasn’t alone, believe you me. People act surprised that the suicide rate’s goin’ up. Doesn’t surprise me at all. Y’lose hope, so y’do. Ma’s kitchen knife starts to look like the right answer when y’can’t see nothin’ ahead. But not me. I didn’t want to rot at home, hopin’ things’ll get better, ’cause we both know they won’t. I’ve more experience now. And you should start doin’ the same.” Then, before signing out, he flashes a gleeful little smirk and asks: “So, ’mere to me, Horse: how’s the oul’ LC gettin’ on? Studyin’ hard, yeh?”

      This time, Niall decides to cut him off. He leans forward and says, casually as he can: “Tell us, d’you know where I can find Oren Collins?”

      The smirk disappears. “Whajusay?”

     “Where’s he? I’ve a thing I’d like to run by him -”

     “Here, you’re not to be hangin’ ou’ with him. He’s a fuckin’ dirtbird, tha’ chap!”

     “I thought he was yer mate.”

     “Yeah, was me mate! ’Til I got wise to him. Man, look, stay away from the likesa him. He’s not worth the shite on your boot heel!”              

      It’s at that point that Niall hits the ‘end call’ button and logs out.

     

    *

     

    “D’yeh know who he is?”

    “No. Never seen him before. He’s just some kid’s after ambled in. Shouldn’t’ve even been there, like.”

    “But y’brought him here in the van.”

    “Course I did. Coulda been my kid, man. Or yours, or anyone’s. Couldn’t just leave him there to bleed, like.”

    “Yeah, true enough.”

    “But man, every night in tha’ fuckin’ place, a few digs do be always gettin’ dished out.”

    “Who else was there?”

    “Oren fuckin’ Collins. He did this.”

    “Well, of course he was, and of course, he did. Holdin’ court, as per fuckin’ usual.”

    “And sure, when is he not? Only the king of tha’ kip, so he is.”

    “Not after tonight, he won’t be.”

    “He’s been in a bad way recently, from what I’ve seen. Ever since his brother died.”

    “Mmm. Heard abou’ tha’. Topped himself, didn’t he?”

    “He did, yeah. And it was Oren who found the body.”

    “Hard thing to do. To bury someone tha’ young, I mean. Wouldn’t wish it on anyone.”

    “Doesn’t excuse any of this, though.”

    “Jaysus, no.”

    “Gas thing is, he says he’d be doin’ fine, though, tryin’ to just get on with it, y’know? Not that I’d ever ask him about it, mind.”

    “That was how long ago now?”

    “The funeral was only a few months back. He wasn’t at it, I heard.”

    “Fuck. And how was he tonight?”

    “Ah, sure, y’know Oren. Full of piss and vinegar. Givin’ it loads tonight, so he was. More’n usual, if I’m bein’ honest.”

    “How do you mean?”

    “Well, he was playin’ against Niall, and he must have missed a shot, ’co Niall started takin’ the piss out of him. Only havin’ a laugh like, anyone could see tha’. But, before y’know it, he gets a dig in the head with the bottle.”

    “Fuck. Are y’serious?”

    “Yeh.”

    “That’s just not on.”

    “I know. Oren’s after goin’ too shaggin’ far this time. He was always well able to look after himself, but it’s not a man he’s after bottlin’ here. It’s a kid, man! And that kid’s now lyin’ in that A&E over there, with his head in fuckin’ bits.”

     

    *

     

    His arms shake in tiny, fitful jolts. He can’t stop or still them – they move on their own, mutinying against the rest of him. Niall’s blinks are rapid, in an attempt to clear his vision. Again, his skull has begun to boil and, as if in time to his ever-quickening heart, that  scar on his cranium throbs threatenening to unsew the crumbly, discoloured stitching that like a track-mark, trails down his face. Along with his body, the gurney’s rocking slightly as his fingers quicken and curl into claws.

    Now unglued, Niall swims  in and out of an ether where colour and noise bubble and erupt at him. If he was even able to scream out, in fear, more than any kind of pain, he  doubts it’d make any difference.

      Say that again, y’little shitebag. I fuckin’ dare yeh.

      He knows that voice, and never wants to hear it again, least of all in his head. Reaching  up, he  runs a shaky finger over the wound where his flesh was punctured. Beneath the gauze, he feels the dried crust and somehow, the bandage has come undone so that the blood is soaking through. Life is seeping out of me, he thinks. Like bilge from a ship, torrents of vitality ooze down his jaw, in oily teardrop, and with every heartbeat, another wave of it leaves him.

    I’ve no problem breakin’ your skull, pal.

      Fighting isn’t his bag, and, he reckons, never will be.  He’s always known better than to fire his gob off. Enough lads in his year have gotten their heads kicked in for less. He keeps to himself. For the full six years he’s been there, school is still a jungle. The lads rule the tarmac roost, smoking out in the lane and getting their pick of the girls. During lunch, when they’re all off playing football on the waste patch behind the prefabs, he retreats to the library, barricading himself among the shelves and dust-gathering spines where he knows no-one’ll find him. A will to survive drives him to do this, hammered into him by years of taunts, threats and clenched fists. He knows what an easy target he is, what ripened prey he makes for the hounds. He’s sick to his back molars of being afraid, of walking the gauntlet formed by their stinging tongues and casual cruelty, of always falling for whatever wind-up they drop. He’s determined to demonstrate, if only to himself, that he can run with the lions. The real hard men, the ones that even his schoolyard tormentors fear. Any funny looks and they’d gladly dance on your head. All of them sound as a pound one minute, raring to hit you a box the next. Too much hassle hanging out with them, his mates’d say. Fuck them all, he thought. Half of them’ll be locked up or dead before they reach thirty.

    Do yourself a favour, son. Don’t slag off a fella y’don’t bleedin’ know.

    What the fuck did he say to set him off? Had to have been something. Niall knew he wasn’t being cheeky; he hadn’t been trying to make a show of Oren, he was only having a laugh. Oren had a temper, but he wasn’t a headcase. At least, not before tonight he wasn’t. Niall knows none of the lads really like Oren very much, but Des lets him hang around the Dark Horse because he keeps them in line. Des is a decent skin. No way would he have let Niall lie there and bleed.

    By now, the ether is rolling over him. The nurses don’t notice him drift off. He wonders if Oren even said half the things he remembers him saying.

     

    *

     

    More than anything, he could do with a spliff. His brother’s words thud through his skull. He clears his throat.

         “Fuck up, Damo,” he says aloud.   

       His nerves crackle steadily; he wishes he’d a few cans more. The Karepckie wasn’t enough. He suddenly remembers to slow his footsteps, let his arms hang more freely by his sides, and loosen his schoolbag’s buckle. Even with the gargle in his veins, he doesn’t feel any braver.

      Down the lane, the Dark Horse looks like it’s waiting for him. A red-gold neon shimmer bleeds from the doorway, flanked by garish signs of ‘Strictly Over 21s!’ and ‘BYOB’. Niall is glad no smokers huddle outside. His eye is drawn to a battered Honda 600, padlocked to a nearby pole. He knows that bike; knows better than to go near it. 

      The hand painted sign tacked to the entrance grabs his eye: a horse’s silhouetted head against a burnt-gold background, flanked by two pool cues crossing one another, and the place’s name stenciled in bulky, Germanic lettering: Dark Horse Pool Academy. The low pulse of grind music throbs in his ears, like a heartbeat. It gives him little spur to linger.  

       Niall glances up and down the lane, alert for anyone. He makes for the door, aware that somewhere above him, a security camera is monitoring and storing away his face, his clothes, his shuffling movements, before he stops in his tracks.

      He finds himself standing there for a long time. He keeps his eye off the bike. Once or twice, someone walks down the opposite direction; seeing him on his own, in the soiled flicker of the hall’s entrance, and they pause, before carrying hurriedly on. Each time, he tries to catch their eye and hold it; they glance warily at him before quickening their pace. A junkie shambles past and eyes him for a second before shuffling back off into the nighttime crowds.

      He’s prepared for tonight. As Damo’d say, “Never go anywhere without a plan.” There’s only one way to get in with Oren – shoot a nifty game of pool. Niall knows he couldn’t play pool or hit the rails for shite, but that’ll soon change. With more dedication and enterprise than he’d ever shown in his life, he gave himself a month to hone his skills. Then he’d seek out Oren.

       The excuse he spins his Ma is, he’s either still at evening study, or else staying over at his mate Dalty’s gaff. During that full month he claims to be studying for his mocks, he’s trawled the halls, every evening and weekend  well spent sharpening his skills. A quick google search tells him where all the best tables are to be found. He’s played pool in Ryan’s, Fibbers, and even the Hideout – but the Dark Horse is where the real action is.

      He keeps an eye on his phone, so he can get home in time without arousing suspicion. Away from her prying eye, he’d wander in and see who he could get. The money she gives him for food ends up going on a game or a practice session – if there were any takers to his offer. He just hopes she doesn’t get worried and ring up the school to see where he is – that’ll be the end of him.

      Both games and practice are vital. He found he enjoyed pool; took to it more naturally than anything else in his life. Most of the lads he played against were men, with jobs and lives and experience, some of them just in for a quick after-work gargle and a game. He ran balls, sussed out which tables were good for a hustle. At the very least, it was better than being trapped in evening study or gurning over Facebook at 3am.

      The owners realized he wasn’t looking to get served or even cause hassle, just to shoot a good game; they left him to it, mostly. Niall didn’t drink when out there – he knew better than to expose himself. Kept himself confined to Cokes or Fantas. He had to, especially in the Hideout. The men who played there took full advantage of the BYOB policy, downing several cans to his single coke. Niall noticed this made them less steady on their feet, and no matter what their billiards skill was, less capable of pocketing balls with quite the same level of dexterity. He knew better than to feel shame if he lost – everyone likes a graceful loser, after all – and it wasn’t as if they were playing for champion-hood. If anyone got suspicious, he could run for cover elsewhere. Better off if he stayed quiet. 

       Gradually, Niall began playing a better game. His natural reticence allowed him to sharpen his eye to an opponent’s skills: his means of maneuver with a cue, the speed of his hits, how he handled defeat or the fact that he was losing to a kid. Soon he was playing as many as five, six or seven games a night, and winning most, if not all, of them. They were quiet games, and he knew better than to bet with cash he didn’t have or to shoot his gob without being able to back up his claims. He learned and memorised both the written and unwritten rules of 8-ball and 9, one-pocket or bank. The glare of overhead lamps. 9-foot-tables. A ball that isn’t struck by a cue tip meant a foul. Feel free to shark if you want your head kicked in.

        He wasn’t aiming to be champion – it was just a means to an end. 

       Still, Niall knew staying quiet meant they’d distrust him – the fact that he looked younger than he was, not even shaving yet, still made them write him off. Anywhere else, this would have melted his head – but in poolrooms, it could be underestimated and used to his best advantage. Once or twice some hothead he’d just bet hauled him off the floor by his shirt-front, and others rushed to his defence.     

        Finally, he pours the dregs of his can into a drain, throws his shoulders back, and heads inside.

       There’s no-one behind the bar. The pissheads don’t look up; he trundles past them to the door at the far end, down the narrow stairway leading to the poolroom, Reeboks clumping on each steel-edged step. Music rises to meet him, Dropkick Murphys blaring raucously from a jukebox somewhere. He pushes open the door. 

       Standing in the doorway, carrying a tray loaded with empty pint glasses, is Des.            

       Niall halts.

       Des the barman doesn’t even blink as he takes him in. Of everyone there, he doesn’t look like he belongs. Niall expects any employee of the Dark Horse to be a tattooed, anabolic-fuelled gouger at the very least, with a hurley stick at the ready for anyone who dares order a white Russian, not this lean, balding fella of nearly sixty, wearing a black work shirt with the hall’s logo stenciled on the breast, who strains a little under the weight of his tray and stares hard at him and his schoolbag. Des’s specs make him look more like a scholar of Jesuitical philosophy than the night manager of a northside shithole; half-moon, they catch the dim light. Just over his shoulder, Niall sees the place’s logo again, the silhouetted horse and crossed cues, framed and nailed to the far wall. A pool table stands in the centre of the room, like an altar. Suspended above it is a low-hanging lamp, spilling a harsh radiance over its green, faded cloth. A cluster of lads are gathered at it, talking, laughing, sculling pints. Two are engrossed at the baize, several rounds in. Their abrasive chatter eddies in a cavernous, nonstop clamour.

      “Here, what’re you at?” Des barks.

      “I… I’m just here for a game,” Niall replies.

      “No games for y’tonight, kid. G’wan home to yer mammy.”

      Niall looks at him, hating the feeble, snivelling quality his voice has taken on. “Here man, I only want to have a game, like. Could y’not gis a chance, no?” 

      Des jerks his head with a sage click of the tongue. “Y’shouldn’t be down here. There’s nothin’ for you, kid. ’Mon, out.”

      “Ah, man, are y’serious?” 

    Out, now! I won’t tell y’again.” The sudden ferocity with which the bald, spindly man speaks is quite jarring.  

      Before he can answer, Niall hears the squelched gurgle of a toilet flushing, as one of the lads skulks out of the jacks, wiping his hands on his trousers. He clocks Des at the door and pauses. He sees Niall, narrows his eyes.   

      “Here, are you not Damo Keane’s brother? Fuck me, y’are! How’re y’keepin, kid?”

      Niall looks up at the newcomer.

      “Alrigh’, Oren. Whatsa crack?”

      He doesn’t notice Des’ head whip back to Oren, nor does he see his look of concern as Oren approaches Niall, pumps his hand up and down in a single grasping shake.             

      “Jaysus, man, lookat ye. All grown up since I seen y’last.” Oren’s teeth flash. “Yer a right little hard man now, wha’? Last time I saw yeh, y’were barely outta yer nappies. Niall, isn’t it?”

      “It is, yeah.” Though he’d never admit it, a flicker of pride that Oren remembers his name hits Niall.

      “Nice one, kid, fair fucks. Great t’see y’doin’ your brother proud. So what’sa story anyway? What has y’down these parts?”     

      “Well, thing is, I was lookin’ to head down and just, y’know, have a few games. Don’t think yerman over there wants me in, though.”

       Oren stares at him for a second and then at Des, who’s watching with stern-faced discontent, and smirks: “Don’t mind him, man, y’can have mine, sure. And anyway, no better place for a game than here. I’ll be shootin’ a few balls meself with onea them tossers now in a sec. ’Mon over, sure, let’s get mouldy.” He turns to Des: “Here, Dessie, bring us down two pints there, will yeh?”

        It’s a command and not a question. Des walks upstairs, shaking his head. 

       “There’ll be some craic had tonigh’ kid, donchu worry.” Oren steps in, prowling for the table. Niall scuttles after, nearly tripping over a loose shoelace as he goes.

      “Gis a shot of yer cue there,” Oren barks at no-one in particular. One of the lads promptly hands him the one he was using.

     

    *

     

    “So, what happened after?”

    “Well, Oren stood over him, breathin’ hard like he was after runnin’ a marathon. He stared at all of us, and at Des. Next thing y’know, without a word, he drops the glass and legs it outta there like a hot snot.”

    “Yis were all reelin’, I’d say.”

    “Man, no joke, I kept askin’ meself, did he just do that? I mean, it just happened so fuckin’ fast, like. And lookit, I’ve seen Oren do damage before, but this is diff’rent.”

    “Then what?”

    “Well, Des, fair play to him, was the first to snap out of it. He checked Niall’s pulse and then he told me to put him in the van and bring him out here. No time to call an ambulance. Your man’s pumpin’ blood out’ve him like a mad thing. I was too in shock to say no. And anyway, if Des gives y’an order, y’ don’t be askin’ questions, y’just work away and do it.”

    “Well, fair balls for mindin’ him. And y’didn’t just fuck off after y’left him?”

    “Well, how could I, man? I’ve to make a statement of some description soon enough.”

    “Will the guards be in, d’yeh think?”

    “They will, yeah, for all the fuckin’ good they’ll be. They’re great for the aul’ secrets in that kip. I know I won’t be sayin’ a word to them.”

    “Will y’be here for much longer, d’yeh think?”

    “I’ve to make a statement. For when the guards arrive, like. And it’ll take a while. I just know it, man.”

    “Fuck’s sake…”

     

    *

     

    Oren slips a twenty-cent coin into the table’s side-slot and presses it. There’s a hollow rumble as the balls slide up to the return box from the collection chamber. Rollie tucked behind his ear, Oren reaches gently inside, the leather stitching on his forearm twisting as he draws the balls out in twos and threes, like plucked fruit. As he racks them up, Niall can’t help but notice he’s grinning at him, a whetted incisor jutting over his lower lip. In the lamp’s buttery glare, Oren looks like a leering, unshaven prince.

       “So tellus, how’s yer bro? Been fuckin’ yonks since I seen him last.”

       “He’s sound,” says Niall.

      “He still down under?” 

      “He is, yeah. Fucked off to work out in Sydney. Might end up havin’ to follow him out there someday soon. Leave this fuckin’ kip behind.”

       “But he’s never been back since, no?” says Oren, frowning. “Not even to visit, like?”

       “If he has, no-one told me.”

      “He still bummin’ lads?” Oren peers at him and grins, but a nasty crease tugs at his mouth. He snorts. “’Monly messin,’ Soldier. He’s sound, your brother. Always was.”

      “So I believe.”

      “And so, c’mere, it’s just you and him, yeah? You’ve no other brothers, sure y’don’t?”

      “I don’t, no. Just me and Damo flyin’ the flag.” 

      Oren smirks. “Good man. And c’mere, how long’s it been since I see y’last?”

      “Few years now, it’s been.”

      “’Wan outta tha’.” 

      Oren is on the reds, and he’s soundly beating Darren, the fella whose cue he took, who now leans on his own, keeping watch. Oren stoops warily over the top rail, elbow drawn back as he readies his shot. The cue strikes the ball in a clean, straight hit; there’s a clack and the ball rolls from the left cleanly into the corner pocket. Oren throws his arms wide messiah-style.

      “Ah, fuckin’ whopper!” he howls.   

      “Nice one, Oren, fair play to yeh,” Darren, beaten, says timidly.

      “Skills, bud. They can’t be bought,” Oren replies, moon-dancing back and forth.

      “Yeah, good man, Oren,” Niall tries calling out, but no-one’s listening.

      The others give various approving grunts and mumbles as Des returns with Oren’s round. Oren hands him a folded-up tenner as he places two frothing pints on the rail.

      “’Man, Des, you’re a star,” he says. “Dig in, Young fella.”         

      Niall takes his pint with both hands, ignoring Des’s owlish glance. So far no-one’s said a word to him, or even made anything of his presence, but Niall’s fully confident that, from now on, getting served in here should be a doddle.

      The poolroom smells of disinfectant, with the residual reek of BO hovering in the air. Des keeps the place in good nick. Every square inch is scrubbed and polished to the point of sparkling. From doorway to table rail to ‘Exit’ sign, there’s no dust or spillage, not a hint of a stain anywhere. Even the scuffed floorboards are well-swept.

        Niall sips his pint, grimacing at the creamy flow of wheat on his tongue. One or two lads, he notices, look his own age, which boosts his confidence a bit, but not too much. He listens to scraps of conversation: one of them loudly boasting about some Estonian bird he claims to have shagged in a hostel down in Kerry, another talking bollocks about joining the Foreign Legion, hardest bastards in Europe, maybe the world, while his mate scoffs and tells him to fuck off with himself.

      They shoot pool like they’re born for it. Some for cash, others for pride or thrills; there’s no sole reigning champion. Anyone might wear the crown. And if girls are there, which may well be the case later on, the stakes are acutely higher for everyone.

       Niall keeps an eye out, but especially on Oren. He’s dangerous, his own man. Always has been, ever since he hung out with Damo in school. Oren was in Damo’s year, but got expelled long before he even did his Junior Cert. Ma never liked him.

      Them and their mates used to get gee-eyed on cans up in Damo’s room. Niall remembers lurking out in the hallway, feeling puny and inane, wishing he could join in, the scent of hash and the sound of lads’ stoned grunts seeping from under the door as they played Xbox to the hammering boom of Tupac or NWA or The Game, or else madouaveh in the field behind the estate.

       Oren owns the Honda parked outside, but Niall remembers him tearing up and down that field on his old scrambler, a mucky roostertail spurting up from the grass behind him, its abrasive buzz echoing for miles. Now, it seems, he’s graduated on to even louder, shittier things.

      Oren was a mad cunt, even then; in the breadth of a spark, things’d go from grand to haywire whenever he was around. There were lads four, five, six years older scared of him. The few times Niall met him, he always seemed to have a new black eye. Once, he saw Oren headbutt one of his mates just for asking if he’d a spare smoke. He didn’t know if it was the lads’ tense laughter, or the blood jetting from your man’s nose when he finally picked himself up off the floor, that shook him more. The last Niall saw of him was at Deco’s going-away piss-up before he left for Australia, three years back; he ended up getting barred from the pub they were in, for hitting the bouncer a dig. A few months ago, Niall friended him on Facebook, purely, he’d told himself later, on a whim. That was how he first heard of the Dark Horse.

      Most lads in Damo and Oren’s year ended up either on the dole or jabbing their veins full of gear; Damo got out by going to Sydney; Oren somehow avoided it. Throwing shapes and headed nowhere fast, he couldn’t give a single flying fuck. In fact, right now, he’s sucking diesel. When in the Hall, he always is, but everyone knows not to set him off. The lads surround him while he hogs the table and banter, scabbing smokes or coins and always at the top of his lungs. He’s the closest the place has to a bouncer. Even when standing still, he’s either tapping his foot or darting his eyes around the room.

      Whatever deformed home life he comes from, he makes sure only his most trusted mates know. No Leaving Cert, no qualifications. He works part-time as a bike courier for one of the smaller city-centre firms, whenever he’s not happily pissing away his dole on mots, pints or the Dark Horse.

      And he’s only just in from work now: his biker jacket still clings to his torso like armour, even though the Hall’s roasting; his helmet rests on a stool.

      Niall takes a longer sip. He gasps and splutters, grips the bar to steady himself. Oren suddenly notices and eyes him with malign glee.

      “Here you, Youngfella, d’yeh fancy a game?”       

      All conversation dies down; it’s as if the volume of the place has been suddenly shut off.

      “Yeah, no bother,” Niall says, doing his best to sound nonchalant.

      “Fuckin’ whopper,” replies Oren, handing him a cue.

     

    *

     

    “Darren, is it?”

    “Doc, howiya. ’S he alrigh’?”

    “He is alive, fortunately -”

    “Ah, thanks be to fuck.”

    “- but I’m afraid he’s still falling in and out of consciousness. We’ve notified his mother and she’s on her way down here now.”

    “Ah, Jaysus. D’you know when he might wake up?”

    “I’m afraid there’s no telling with this kind of trauma. He took a fairly hard blow to the head.”

    “I know, sure. Wasn’t it me who brought him here?”

    “Well, yes, of course. Anyway, I just want to inform you that you’re not yet free to go. I have a few forms I need you to fill out first.”

    “Will the guards be along, d’yeh reckon?”

    “They usually are, in cases like this. They’ll want a statement off you.”

    “Ah, here. They’ll be a long time waitin’.”

    “Why’s that?”

    “I was just told to bring him here. I saw fuck-all with what happened him.”

    “But weren’t you on the premises when it happened?”

    “I was, yeah. But I was in the jacks. I saw nothin’ after tha.’ I swear.”

     

    *

     

    “Alrigh’ Ginger, how’s tricks?” one of the lads slurs in his direction as he pockets a yellow ball. 

      “Grand, y’mad cunt, and yourself?” he hears himself holler back. The words just slip from his lips, clean and blunt and natural, as if he’s been one of them all his life. He doesn’t bother waiting on the surly reply; he’s not going to prance in and fire his gob off right away.

      Meanwhile, Oren’s giving it loads, his concentration divided between the game and the row he’s having with Darren about recent Irish history. He’s switched from Guinness to cider, and talking faster and louder. Niall chalks his cue, waiting for his shot. His own half-drunk pint, gone flat, lingers on a nearby counter. So far, Oren’s barely acknowledged him throughout the game, instead addressing the entire room. 

      “The Irish brought terrorism to the fuckin’ table, boys. Invented it, we did. There’s ragheads out in the middle of the desert right now usin’ Irish methods of blowin’ shite up.”

      “Yeah, themselves,” some other cunt says and they all laugh.       

      “Fuck up, you. Here, it’s my shot.”

      Oren takes his measure. He shoots well, with the cheery confidence of a victor. He’s impossible to shark. Knows every trick, and how to counter them. Even when arguing with Darren, he sinks balls with a fluid, crackshot ease. For his part, Niall reckons he isn’t doing too badly himself. Still and all, he’s happy to let Oren win. If only this once.

       “Two shots to you, soldier,” Oren says grudgingly, as his shot misses.

      Niall steps over, sees a stray yellow ball that lies over the right. He knows to keep his eye on it, but he’s more aware of Oren circling nearby, about to abruptly laugh or whistle or break into harsh, tuneless song. He leans in and cuts it. The ball reels in a slow, steady arc, somehow doesn’t collide with any of the others, and plunges headlong into the right side pocket. He gives himself a second before leaning back, his face calm.

      “Good one, man,” says Darren.

      “Yeah, fair play to yeh,” one of the others says.

      He doesn’t know if they’re acknowledging a decent shot or muting their approval, but he does his best not to grin.

      Then he hears his own voice, reedy and alien in his ears, say: “The mighty Oren Collins, gettin’ his arse handed to him by a kid. Never thought I’d see the fuckin’ day.”

      There’s a split second of silence. Oren’s jaw hardens. And then, out of nowhere, the others break their shites laughing.

      “This the beginnin’ of the end, boys?”

      “Didn’t see tha’ comin’.”

      “Won’t be showin’ his face in here again, that’s for sure,” giggles a fat lad seated at the table’s far end.  

      “Shuddup you, y’thick,” Oren spits. “Sure y’can’t even hit off that shaggin’ rail, never mind get the hole!”

      “Oh, d’yeh mean like when y’got your hole with tha’ fat bird outside the Czech Inn? Lovely big tits on her, and tha’ was it. Must’ve been like ridin’ a fuckin’ whale, man!”

      “’Least I got me hole that night. Couldn’t get yer hole in a room full of halves, you!”            

      The others laugh, but Oren’s eyes shimmer dangerously. Then, out of nowhere, he smiles.

      “He’s righ’, though, boys. Even great generals have their defeats. Must be losin’ me touch after all, wha.” 

      He turns to Niall, who stays quiet. Darren’s eyes dart between them, and round the back, Des stops whatever he’s doing and paces warily out from behind the bar, his mouth tight. The laughter dies down.

       But all Oren does is grin, and hit Niall a dig in the shoulder, a little too hard.

      “Nice shot, Soldier,” is all he says, and angles his cue back over the rail.

      Niall stays quiet. He’s resolved to keep his mouth shut from now on. But he might be accepted, almost like one of them. He just doesn’t hear Darren’s sharp exhale of relief, or see Des upend one of the fake leather stools over the bar and fix one of its fractured legs with wood-glue, eyes narrowed to the task. He does it freely; no more pints ’til the game ends.     

      Oren’s gone back to laughing and slagging, but his eyes are still lit.

      Des disappears down to the cellar to change kegs. Now that he’s gone, the lads’ voices grow louder than they had been, their banter more urgent. Last call isn’t far off; a crackle of resolve sizzles in the air. One or two have since left in order to catch the last bus or LUAS home; but most stay, eager for whoever and whatever the night might bring. The Guinness and cider roil through his belly, and all Niall wants to do is gulp down more. Wherever the boys are heading off to next, he’s determined to follow.

      AC/DC’s ‘Hells Bells’ plays; its snarling riff twitches at his muscle memory. He jerks his head back and forth in rhythmic, mesmerized bobs. Oren just sips generously from his Bulmers, mouthing the words. The final shot’s now in sight. He draws his right arm back in a triangle, his left stays even and parallel to the cue. Once more he leans over and sends the white rolling to strike the last red. It misses by an inch and recoils back towards the centre. Oren grits his teeth. Niall avoids his eye.

      “Listen, c’mere to me,” Oren says, out of nowhere. “Be thankful for Damo, yeah? Be thankful he was there. We don’t all have brothers. And yours was a decent skin. D’yeh know what I’m sayin’, like?”

      It occurs to him that Oren is far drunker than he realized. He wears a feral expression, eyes radiant and bulging and locked on Niall, and his knuckles have paled as he grips the table’s upper rail. He breathes heavily, grunting almost, as if working himself up for something.

      Niall realizes he’s waiting for an answer, and tries to conjure up a quick reply.                

      “Cheers, man, thanks. That means a lot. Really, it does.” 

      “Yeah, no bother,” Oren slurs, softly. His eyes drop to the floor.

      The others ignore them. Oren is the only man speaking softly amidst a sea of shite-talk and invective. And right now, Niall’s in no humour for solemnity. He doesn’t know what’s come over him, but he suddenly takes a step forward, throws a laddish arm around Oren’s shoulder and cackles in his face:      

      “And, sure look, Damo always said y’were a shite pool player, anyway.”

      He turns away and sees Des, who has since re-emerged from the cellar, gawp in sudden alarm, his half-moon specs glinting as he sees something beyond Niall’s shoulder.

      But Niall doesn’t turn around in time, and he doesn’t see the others freeze in shock, or Daly’s head snap up in confusion from his phone. All he hears is glass shattering and boots thumping clumsily as Oren cracks his Bulmers over the table and charges. He hears the brief interim of silence as ‘Hells Bells’ finishes and ‘Unforgiven’ by Metallica starts up. He doesn’t see Oren, broken pint glass in one hand and a mouth full of venom, roaring at him to say what he just said again. The glass clouts off bone, Darren blurts out the single word “Jaysus!” and silence wafts like mist through the Dark Horse Pool Academy. All Niall sees is a brief, blinding starburst of light as he hits the floor.   

    Image used by kind permission of Graeme Coughlan (graemecoughlan@yahoo.co.uk)
    www.graemecphotography.com

  • Heart of the City

    On the LUAS, she counts thirty cranes spiking the skyline. She hasn’t seen this many since 2007. The entire journey into town, she keeps her face visible; she doesn’t care who sees the scar snaking from her cheek to the bridge of her nose. Under her jacket, she grips the hunting knife, reassuringly heavy against her rib.

    She gets off at Westmoreland and heads across the river to the northside, cutting down a side-street that leads to the Pro-Cathedral. The cathedral, or the heart of the city, Gavin once called it. She keeps her head up and her pace brisk, ignoring the eddy of activity around her and the odd looks she gets for the scar.

    On O’ Connell Street, rush-hour crowds pitch and roll at traffic lights. She ignores seagulls screeching from the boardwalk, convoys of buses and LUAS clangs, Deliveroo cyclists dodging cycle-lanes, bouncers invigilating in doorways, the fluorescent glare from Supermac’s, haggard junkies lurching between double-yellows and taxi ranks. Under the GPO’s bullet-bejewelled portico, she spots a young girl huddled in a sleeping bag, forlornly holding out a styrofoam cup like an offering. Homeless in her hometown. She leans and drops a few coins in the cup, then keeps on walking, barely hearing the weary “Ah, thanks, Love” the girl murmurs after her. Two guards turn to watch her pass. They notice her scar, but she ignores them. Their high-vis jackets sting her eyes.

    The heavy timber doors creak open, puncturing the silence within. Gavin stands rock-still up near the altar, a bar of garish light spilling slantwise over him from the beaten-gold apse above. She recognizes his stance. Barefoot and stripped to the waist, his prized kukuri knife slung across his torso from a scabbard, he looks like some sort of urban savage. Even that far away, she can feel his gaze on her, assessing her face and movements. He could be grinning; he usually does when he sees her. Forcing the door shut, she mutes the city’s roar.

    The Pro-Cathedral is more like an art gallery than a place of worship. Gavin told her he hadn’t set foot in it since he was a kid. He’d hated the smell of incense, the bone-white texture of the pillars. He doesn’t mind it too much now, though; grim-faced statues of saints and garish Stations of the Cross seemed to console him. She’d never been inside it before. As she moves among the pews, she sees they are alone.

    Mass has long since emptied out. Not a lone parishioner left; she expects to see some still scattered amid the pews, heads bowed and hands clasped. There isn’t even anyone lighting a candle at the back. No danger of being seen or heard. It’s better to meet in places such as here, where no audience can assess them. He walks down the nave, meets her halfway. Coils of scarring – mementos from previous duels such as this – ripple on his chest and arms. Some she’s dished out to him personally, little welted tokens of her dexterity and skill. Of course, there are others she doesn’t recognise, fresher and angrier-looking; clearly given to Gavin by opponents who aren’t her. She notices him smiling as he advances.

    “Howiya. Fancy seeing you here. How’s that keepin’?” He nods at her scar.

    “I’m still here, aren’t I?” She stares and his smiles broadens.

    “And I’m glad y’are. Thought I scared y’off there.”

    “You wish, Gavin.”

    “Y’have what we agreed?” She nods, unzips her jacket to reveal the leather sheath slung across her waist. The pommel of her Damascus steel blade catches the light. He eyes it.

    “Let’s get to it, so,” he says finally. She glances up at the light pouring through the apse and walks backwards, keeping her eye on him. He turns and walks thirty paces back down the aisle, drawing out the kukuri as he goes. He seems to fill the entire cathedral, his movements tight and regimented like a soldier at parade and a flicker of misgiving darts through her. He almost seems to be planning each move as he snaps the kukuri this way and that.

    The kukuri hisses cleanly and flashes in the dim, dusty light and as he cleaves the air, the blade’s white arc blurs with the whirl of his strokes. She expects he’ll either accidently cut a notch off one of the pews’ varnished oak or dislodge it, but he’s too nimble.

    As long as she’s known him, Gavin has jealously guarded the kukuri. He’s owned many knives in the past, some new and some antique, some acquired locally or online, and others collected in far-off regions where knives rank as works of art and skill with them is in high demand. She’s seen his full armamentarium of Bowies and Swiss Armies, butterflies and sharpfingers. He often takes better care of these implements than he does his own body. He once boasted that, if he’d the time and resources, he could ensure his knife collection would last for centuries after they’re both gone.

    But the kukuri is his pride and joy. He keeps it in a handcrafted leather sheath, and no one, not even her, is permitted to touch it. It’s a combat weapon, trademark of the Nepali Ghurka tribesmen who made it famous. The blade is stainless steel and razor-sharp, hand hammered to a black, thermoplastic hilt. It can be cleaned, sharpened and repaired. Formidable in its simplicity, it can cut through any material she cares to name. Even when it’s no longer suitable for the job, Gavin will not discard it. The kukuri cost him a mint when he bought it online, and a single slash from it could lop her head clean from her shoulders.

    She has been careful in her own choice of weapon: the Damascus was bought second-hand from a vendor in town, its bone hilt smoothed to fit her grip. Her collection of blades isn’t nearly as extensive as Gavin’s, but she’s taught herself well with each of them. After much consideration, the Damascus is her best bet against the kukuri. She’s spent each evening of the week practising in her flat, once she is sure her flatmates have all fallen asleep. She is loath to go anywhere without it now.

    He faces her, and his grip tightens with a neat flick of the wrist. His other hand is held out, open. She removes her jacket and shoes, to leave them bundled on a nearby pew; her own scars, mainly on her arms and ribs, are now in plain sight. She shivers a little at the chill wafting over her. She scans the nave, calculates how limited her movements are actually going to be. Then she draws out her own blade, raises it, and walks up to face him. Of the two of them, she has the longer reach while Gavin has speed. He also has an exposed forearm, the tendons waiting to be severed. She notices them first.

    They meet like this once a month, and never in the same location. That way, neither of them is at an unfair advantage on familiar ground. Once they duelled at the end of the pier in Dun Laoghaire, at her suggestion; another time it was in a building site behind Gavins house. Once they agree on the place, there is no going back. Under no circumstances will either of them withdraw.

    Their rules are few and fair: there are only ten minutes to fight. He will fight with only his kukuri, and she with her Damascus steel. No nails, fists or teeth allowed. No point in even trying to emerge unscathed; getting cut or sliced is inevitable. The wounds must be inflicted cleanly and whoever draws the most blood wins.

    The last time they duelled, she’d been a hair too slow dodging his slash, and he’d given her the scar on her cheek. She remembered how he stood back, eyes glazing, in admiration of his handiwork, even as blood dribbled down her face. He helped her dress the wound afterward. She went home and practised knife moves in the dim of her flat, swearing to herself she wouldn’t make the same mistake again.

    This is their strangest arena so far. It’s always been out in the open until now. Manouvering will be difficult, unless she manages to back him up towards the altar. She sees her chances of that as being about even.

    He lunges, lightning-quick as a dancer, swinging at her forearm. His body becomes a fever of movement, limbs snaking and dashing at her, the force of his attack bringing her to heel. Were she still a novice, it would have happened too fast for her to even react. But she’s trained herself hard, and well. His curved stroke narrowly misses her. He chops at the air, butchering dust. The kukuri falls hard and heavy, and Gavin gains ground.

    She parries with the flat of her blade, blocking his blows and stabbing, to drive him back somewhat. Their steely clangs and clatters echo through the cathedral like the shrieks of ill-fated souls. To anyone else, that sound is murder on the ears. To her and Gavin, it’s sweet as an aria.

    She lashes out in between his blows, her blade nicking his sternum. It’s not a deep cut, certainly not enough to warrant victory for her, but enough for Gavin to grunt and stagger backward, dazed. He glances down, and his free hand locates the laceration as blood starts seeping down his chest and onto the tiles. The splashes, too, echo loudly and they both stand back, appraising each other and the damage. She sees his smile is askew and can hear his heavy breathing. Holy through his own blood, she thinks.

    “Nice one”, he says, with something like approval in his eyes, and raises the kukri to resume the salvo. But his strokes are sloppier and his breathing has gotten heavier. He tries hacking again, in a downward arc, but she dodges and his blade is stuck fast, lodged in a pew near the front. He wrenches his knife free, but a few noticeable notches are left behind in the wooden bench. Gavin grits his teeth and spits, approaching her with fury in his eyes.

    He’s starting to break one of his rules, the one he told her when she first picked up a blade: never get angry in a duel. It blurs concentration, makes you clumsy and more likely to be beaten. He’s no less dangerous for it, though. Droplets from the cut on his chest spray over the pews and floor; his feet leave prints in his wake as he swings and keeps missing. He flails now, aware slightly that a shift in the air has occurred and he is no longer at an advantage. Weakened, he wards off her advances on him, blocking her riposte somewhat, but it’s not enough. He forces her back a bit, but she charges, and he lists against a pew, grabbing on to it to catch his fall. With raspy breath and mouth agape, Gavin steps forward, blade lowered, staring wildly at her. His empty hand finds the nick and the blood pooling around it stains his fingers. The cut runs deeper than either of them thought. His face now registers something alien, for he has no facility to fathom defeat.

  • Nimbus At the Green Border

    Cyprus, 1965

    The lads of the 42nd Infantry Battalion sat slumped on the Land Rover’s steel floor as we lurched over dirt tracks; shade from the tarpaulin kept them cool as they spoke quietly together, in Irish. Since arriving in Cyprus, they’d spoken no other language. I knew most of them had joined up at barracks straight from the Kerry and Galway Gaeltachtaí. There was no one from Wexford, apart from myself. The Irish was oddly soothing to hear, if I ignored their wary tone.

    I sat in the driver’s seat, sunglasses shielding my eyes, and kept the Land Rover shuffling at sixty miles an hour. Its engine growled and sputtered, leaving smoky exhaust behind us.

    Beside me, Byrne, the company sergeant, lit a fresh Woodbine and rolled down the window. He spoke into the Land Rover’s vehicle-mounted radio, grunting our location back to HQ. His FN rifle lay across his lap, the barrel aimed out at the land. He paused, glanced over his shoulder.

    “Still talkin’ the Irish, lads? Too browned off with us Jackeens, yeah?”

    No one replied. He smirked and blew smoke out the window. Turning to me, he said, “Jaysus. The fuckin’ state o’ that shower, Ned. Thinkin’ we can’t understand ’em. Not as if we can’t hear ’em. Tell y’one thing, if they were as smart as they thought, it’d be them runnin’ the show, not me.”

    I made to reply, but a crackled squawk from the radio cut me off.

    “Infantry. 42, this is HQ, do you copy? Over.”

    “Yeah,  go      ahead       there,      boss,”      Byrne       responded       into      his       handset.

    “Don’t stay too long in Lefka, righ’. Just head in, get what yis need, and get out. Time’s not on your side.”

    I stared out of the windshield and kept going. Our convoy was led by my Land Rover. Two armed personnel carriers travelled behind us, along with the main vehicle of officers and heavy equipment. We were on the coast road, which uncoiled ahead of us.

    It was late afternoon. We were a patrol unit from the Irish branch of the UN Peacekeeping Force in Cyprus, with three weeks left of a six month tour of duty. We’d been sent in to maintain peace, following violent clashes between the island’s Greek and Turkish populations. For the last five years, the bloodshed had become too frequent to ignore. Greeks had been shot en masse in the grainfields. A crowd of Cypriot Turks had been massacred on the border of Limassol Province earlier in the year. At Famagusta Harbour, Greek-Cypriot guerillas had been discovered receiving arms shipments. Many inhabitants on the mainland fled their homes under cover of darkness after being looted.

    We were the UN’s fourth Irish deployment, taking over from the 7th Infantry Group, who’d left just before we arrived.

    Our orders were to refuel in the small village of Lefka, before continuing on to our outpost up in the Troodos Mountains, a neutral zone. Cyprus is an island of peaks. Driving an armed convoy through this landscape was a challenge I hadn’t expected.

    Byrne pivoted his head to look at me for a minute, before snapping it back towards the windshield. “Ned, how far off are we?”

    “Five miles to go, sir. I doubt the heat’ll let up anytime soon.”

    “Ah, stop. Last thing I need is more fuckin’ mosquitoes comin’ between me and my sleep.”

    “That’s true enough, sir.”

    Since leaving HQ in Nicosia, I’d been on edge. All of us were. We’d plenty of ammo and supplies. Our radios were all in working order. But even with every strategic position dotted around Cyprus, none of us really knew what to expect. So far, we hadn’t fired a single shot, but we knew the guerrillas were out there, crouched in wait of unwary targets. Snipers kept cover in eucalyptus groves and the vineyards. Gunfire might erupt on us from a roadside gully; there was nothing we could rule out. Turkish or Greek, it didn’t matter. How were we to know the difference between ambush and accidental discharge?

    On top of that, it was our stop-off point had us worried. We were briefed that while Lefka was a Turkish enclave, Greek-Cypriot cadres ranged the surrounding hills; we’d have to be especially vigilant passing through.

    Everything we needed to know was relayed to us the day before deployment. I remember being briefed with the entire battalion in the departure lounge of Dublin Airport by a stocky drill sergeant from the US Air Force. A tour of duty in Cyprus, he said. Peacekeeping operation for the UN. Troops from other nations taking part. Fatalities to be expected. For most of us, it’d be our first time leaving Ireland. Might as well have been the other side of the world to me, or Shangri-la, for all I knew about it. I remember boarding the Globemaster, the first time I’d ever set foot on an aircraft. Ann, my wife, had blinked back tears at the viewing lounge by the terminal. Maggie and Nicola, our two eldest daughters, held her hand and watched me leave. All around us, the lads were saying similar goodbyes. All of us were in uniform, as crisp as we could hope to be for the entire mission.

    “Look after yourself,” Anne whispered to me as I held her. I assured her I would, not really believing it. I kissed her and our daughters, promised them they’d see me soon. We’d five nippers by then; our sixth was on the way, shortly. I knew I wouldn’t be home in time to hear its first gurgles. I hoped that whatever apprehension I felt wasn’t showing.

    We’d been married for nearly a decade by then. Ann had had to leave her job after we got together, as the law dictated at the time. Whatever money we had came out of my army pay.

     

    The Land Rover moved quietly enough, but I was worried about giving away our position. Every so often, we’d pass through farming country. No checkpoints or OPs, no need for papers or passports, no furnishings of order we could resort to. The only people we saw were the hunched, black-clad figures of women at work in the vineyards. Men rarely ventured out in broad daylight, for fear of being shot; they’d stay indoors, drinking coffee. Only the women could move freely outside, picking grapes off stalks, their scythes flashing in the heat. I noticed they didn’t stop working, even when our convoy trundled past. A few would glance up and stare after us until we had vanished from sight, but none waved, or even stopped what they were doing. The sight of an armoured lorry, bristling with artillery and fatigue-clad men, didn’t seem to faze them. The few children we saw sat on the roadside, watching us wheel by without fear or amazement, their faces stretched down to hungry, staring masks.

    Our first time out on patrol was during harvest season. We took our position just outside Pergamos, setting up a small base-camp on the vineyard’s edge. Throughout the night we kept watch, scanning the dark horizon on all sides, until the order to head back to base came through.

    “Should we not be looking after them?” I’d asked Byrne, nodding at the hunched, slow moving figures that shuffled amid the grapevines at dawn. “We might save more if we hang on here.”

    “Save ’em from what, Private?” Byrne replied. “Have y’heard any shots since we arrived?”      “No, sir, I haven’t.”

    “No, well then. We’re not here to save anyone, Ned. We’re to keep an eye things. And you’ve to just keep your eye on drivin.”

    I didn’t reply, and closed my fingers around the small gold ring in my pocket. It was my wedding ring; I took it off whenever I was off base. I was too afraid of getting wounded or killed, and havin it stolen. Both me and Byrne were two of the few married men in the entire squad; most of the troops weren’t even shaving yet. At night, Ann swirled through my dreams, her dark hair brushing her shoulders, her eyes sea-green and inviting, her voice a soothing whisper in my ears. The longer I was away, the more she’d visit me in my sleep, until I swore I could smell her perfume and tasted the soft curl of her lips long after I awoke, surrounded by the wheezy snores of the others. The ring was the first thing I made sure I had on me, before my rifle or bullets or dog tags, every morning at parade. And I kept seeing her everywhere. In the rear-view mirror, on the roadside, amongst the women in the fields.

    A mile off, I saw the asphalt coil away into a tangled cluster of fields. The mosquitoes were out in force. I cursed to myself. For all the heat, I noticed the grass was far lighter than in Ireland. White dust swirled on the roadside, whisked by wind. Heat fumes wriggled a mile off. Roads snaked every which way, as though trying to confuse me or render the map superfluous. Sunlight glinted off gunmetal. Beside me, Byrne grunted.  “Them mosquitoes must be takin’ orders from the Greeks. Fuckin’ relentless so they are, Ned.”

    “Yes, Sir. I suppose.”

    “Like rats in the desert, wha’? Fucked from here to there, says you.”

    “Sir?”

    “We’ll be grand, sure. ’Nother five miles never killed anyone.”

    “Yes, Sir.”

    I wasn’t in the humour for small talk. In my head I was thinking of what I’d put into my next letter to Ann, my wife. I’d be seeing her and our children soon, once the month was out. I wrote her every week, detailing everything as best I could in a way that didn’t get her worried. There was plenty I kept out. Mostly I talked about the sea’s lustrous aquamarine, the roads, faces of people I saw. In every letter, I was careful not to call Cyprus a battle zone. Right now, there was nothing to tell her.

     

    For all the Cypriot heat, it was a relief to finally be away from Dublin’s grey brickwork. I didn’t miss much about the old town. Beggars flung crumbs for the seagulls like feed, before shuffling off to drink the few bob they had in the early houses. Roadsweepers hauled refuse laden carts down the sidestreets; steam and coal dust choked the air around Britain Quay where the ships offloaded. On the Liffey, Guinness barges steamed to and from the brewery; slimy green strips of algae smeared the quay walls at low tide. Every second building seemed marked for demolition; the knock-down gang swarmed over them with shovels and pickaxes. On O’Connell Street, Nelson’s statue gazed skyward from its column; a year after I got back from Cyrus, it’d be blown to kingdom come.  Before signing up, I’d worked as a busman, driving Leylands for the CIE; City Hall to Dame Street, Phoenix Park to Dun Laoghaire. Mini cars and lorries swarmed around me as I stopped and started on the morning drive, all the way from depot to terminus. I saw so many faces on my routes and got to know the city so well, the rooftops and the lampposts, that I just got sick of it all. People were reckless crossing the streets then.  And before we tried keeping the peace in Cyprus, a different sort of peace was being bartered back in Dublin. The unions were on the warpath. I’d marched at the front of each picket line. Better pay for a better job. We’d earned it.

    In the end, the unions felt I was strong enough to speak on their behalf. I knew I was not. I’m not John Wayne, much and all as I wished I was then. In the end, it was me they wanted to be General Secretary. I said I wouldn’t do it. I’m not a leader. I never have been. The men needed someone who could stand for them, and wouldn’t be converted by bribery or coercion. I’m just not that kind of man. I could only be so outspoken until I’d be looking at the sack.

    Every man has an enemy against whom he’ll never win. That’s a lesson that never comes easily. If you’re anything like me, kindness is the enemy you know you’ll never beat. I’d heard and seen enough union men killed off with kindness, sniped by possibility of a better job, better pay, more decent living for them and theirs. And they always took it. They abandoned their men very quickly. I knew that I’d be going down that road as well, if I became general secretary. And my son had only just been born. It couldn’t be abandonment for him. Where we lived in Dublin, there were plenty of young fellas who grew up never knowing their fathers. A boy needs his da, I’ve always believed. Walking out the door to go and play soldiers out in Cyprus was a hard choice. He needed me there, to see my face every day and know who I was.

    Then again, Cyprus was the only choice I had left. After the Union, the jobs I could easily have taken seemed to vanish. Maybe I’d more certainty back then. Didn’t seriously think I would die out there. But the ten bob I made with my busman’s pay wasn’t enough. And now I wanted to see my son’s face again. In dreams, in the Land Rover’s rear-view mirror, in the faces of the starving children of that country, children the same age as him. Some of them did wave, mind, but they were far and few between. It was around then that I started having nightmares of my son, naked and bleeding, and chained to a paling post in a deserted field, crying. Crying with a child’s distraught frenzy, for me to come and rescue him, to cut him loose and keep him safe. I’d see his face, red and swollen with tears, and I’d lose sleep, wondering why I’d ever left Ireland. I should be at home, I’d repeat constantly to myself. I should be watching over my son.

    If there was a message to be found in any of the dreams I had, it was this: why did you leave him? Why did you leave your boy? He’s suffering now and you can’t help him. A father helps his son while he’s able.

    When I finally applied to re-join the army, one of the questions on the form held the caveat that I may very well die if sent into a battle zone. Was I willing to make that sacrifice for Ireland, they asked. Far as I was concerned, Ireland was a grey-green boil on Europe’s left arse-cheek. But I needed the work. So I went on basic training – seventeen weeks of hell in Wicklow, firearm drills at barracks, orienteering. I was able for it all. The only Irish I learned to speak or understand were the drill commands at the barracks: “Deas iompaig!” (Turn right). “Cle iompaig!” (Turn left). “Iompaig thart!” (Turn around).” “Seasaig ar ais.” (Stand at ease).

    Like all the others, I was stationed at the Cathal Brugha Barracks in Portobello. Of course, our actual experience in combat was negligible. It wasn’t until after I entered the barracks that I actually held and fired a gun for the first time. The weight of it in my hands was a shock. By the time I finished up, I was a top-notcher, instructing the newest recruits in weaponry. You name a gun, I was the man to talk to. I could give you detailed specs on an MK 4’s muzzle flash, a Gustav m/45’s blowback, or the recoil of a Browning semi.

    Before that, though, there was basic training. I’d my own induction among the lads. It was in the barracks barber shop. My name was barked out as I stood in line.

    “Private N. Wade, you’re up next!”

    I sat in the chair, while your man got his clippers ready. He grazed it over my skull, my locks fell to the floor. The fella in the next chair caught my eye.

    “Here, what did he say your name was?”

    I glanced over. “Eh, Private Nick Wade, sir. HQ Company. You?”

    “John McCormack. They call me the Count.”

    “Yeah? Y’much of a singer?”

    He smirked. “Am I fuck. Voice on me like a bleedin’ engine, so I do.” He peered at me.

    “Wade? Do I have tha’ righ’?”

    “Yeah.”

    “Like Ned Wade? The hurler?”

    “Eh, yeah. No relation, though.”

    “Ever seen him on the pitch? My jaysus, can he do damage. Rakes in the silver, he does.”

    His rapt expression told me I was already in his good graces. My surname could shore me up, come whatever may.

    “I don’t really follow the GAA. But I know of him.”

    “Well, they’ll find somethin’ for you right enough. A fella by the name of Wade does be needin’ somethin’ to keep himself occupied.”

    And that was that. I was Ned now, no longer Nick. Whenever I was introduced to one of the lads, or called on to give my name at parade, I called myself Ned. Some of the Gaeltacht lads even called me Eamonn. But most of the battalion never even found out my real name. The entire time we were in Cyprus, I went by a name that wasn’t my own.  After a while, I stopped being annoyed and just got used to it. Byrne told me I was better off calling myself Ned, anyway. “It’s good for morale,” he’d say. “Some of the lads used t’play hurlin’ before they signed up. If they know Ned Wade’s on their team, it’ll keep their spirits up.” But I’d never swung a hurley or hit a sliotar in my life.  I was an oddball, detached from the run-around nature of army life and yet oddly respected for it. Of course, I chatted and laughed with the others, engaged in the jokes and slagging, but on the whole, I kept quiet. The reason being that, during training, it was discovered that I was an excellent marksman. Snipers would be sorely needed in Cyprus.

     

    The water hurdled past my ribs as I plunged in, cold and heavy, soaking my fatigues. I dug my boot-heels into riverbed, waited for my balance to return against the current. Wind hissed through the grassy bank. Heavy grey clouds drifted overhead, grazing the shoulder of Lugnaquilla’s foothill. My weapon, which I’d slung to my shoulder, was a 7.62 FN MAG, an open bolt, long-range sniper gun with its own folding bipod, capable of taking a man’s head off a mile and a half away. If it was aimed right. Even in a high wind blowing downward, my eyeline smudged with dust and my target a thousand or so yards off and moving fast, I’d still manage to take it down.

    But it wasn’t a man I was scoping for, not today. The target was hidden amongst the trees, on the far bank. You needed a hawk’s eye to see it. I could just make it out through the scope, a skeletal little carving of a Celtic Cross, its silhouette black amongst the fronds. A thousand yards off, I heard a buzzard squawk.

    There was a rock mound jutting up further upstream. I sloshed a little deeper into the flow, until it lapped at my chest, clenching my teeth against the cold. The rock mound came up to my shoulders. I leaned forward, close enough for the water to brush my jaw, and shut my left eye to get a better look. Fastening the bipod to the gun barrel, I propped it on the rock. Before aiming the FN downrange, I put my eye to the scope.

    The world shrunk into a single, black-rimmed sphere. For a second, nothing existed but the curve of the trigger off my fingertip, the fine crosshairs and the target’s tiny outline. It lurked amidst a knot of gorse, nailed crudely to a tree, its nimbus spread wide. If I fired now, the bullet would zip through the air for a good half-mile before it hit anything. If the target moved, even the slightest motion would give it away. I always pulled that trigger slowly. Once I locked on it, I’d relax. Under those clouds, the surface of the water looked pitch-black. Despite the river’s heavy flow, there was barely a breath of wind. I was lucky to have kept the FN dry and above water. I took a breath, and squeezed the trigger back.

    The bullet spat from the barrel, a flurry of white smoke wafted over me, and through the scope’s ringed lens, I saw the cross fracture and drop before the echo faded away. It was a near-perfect hit, the nimbus cracked right down the middle. Lowering the FN, I trudged back upstream and into declared my headset: “That’s a hit, boss.”

    “Affirmative. Right under the crossbar. Ned Wade strikes again.”

    After that, I couldn’t ever look at a Celtic Cross, or any cross for that matter, and not think of a target.

     

    By the time we reached Lefka, the stench was unbearable, even with the windows open. I slowed to a halt at the checkpoint by the village entrance, which was nothing more than a long, striped pole extending across the road. Beside it was a makeshift medical depot, its grey walls riddled with cracks, while in the distance the golden-brown mountains loomed. Byrne signed us in to the sentry, who lifted the pole in the air, and the convoy snaked down the bumpy road into Lefka. Once we reached the centre, I parked and killed the engine outside a small cafe.

     

    “We’re not stayin’ here long,” growled Byrne, and he spat out the window. I’d gotten used to deserted streets, but Lefka was thronging. It was market day. Stalls were set up in the main plaza, and a steady stream of people, women mainly, drifted from street to street, haggling loudly. Dogs slept in the long, jagged shade of palm trees. Every building was boxy and whitewashed, coated in stucco. Depending which side of the border we were on, we usually saw either the Greek white-and-blue stripes, or the scarlet, star-and-crescent emblem of Turkey. Here, there were no flags, not even outside the depot or the mosques. Soldiers in UN stripes were dotted around, standing their posts or else pacing about absentmindedly, their rifles cradled. Guns and fatigues were now part of normal life in this village, it seemed. In the cafe, a group of men sat in the terraced shade, arguing amongst themselves. When they saw our uniforms, they waved us over.

    “You hang on here, Ned,” said Byrne. “I’ll find yeh a min’ral or somethin’. He climbed out of the Land Rover, sloped into the cafe. He’d be in there for a good while, I knew, downing cup after cup of dark coffee with the local head man. It was a show of hospitality that he, as patrol commander, couldn’t refuse.

    I lay back against the headrest and shut my eyes. I thought about my wife, mouthed the first words I’d say to her when I got back to Dublin.

    A screech came piercing up from the plaza, jolting me upright. I could tell when I saw the woman, from the way she moved, something was wrong. I would have noticed her anyway, had she not been wailing to the heavens. The sun’s glare stopped me seeing her properly, but even at a distance I saw she was groping for something to grab onto. The street was crowded enough, but everyone, soldier and civilian alike, walked right past her, without even turning their heads. As she neared, I saw she was young, about my wife’s age, with dark hair. Her threadbare shawl, drawn up like a monk’s, told me she was Turkish. Only when she reached my passenger door did I see why she was stumbling. Her eyes were covered in cuts. She was blinded and bleeding heavily.

    My fingers closed instinctively around my wedding ring in my pocket; my spine tensed. Had there been an attack? We’d been briefed not to interact with Turkish women; their culture forbade them from talking with us. But I had to do something. I flung the door open and sprinted round the front of the Land Rover. She had tottered rearward and was now sloping against the café terrace, gasping for breath. None of the men took any notice. Almost as if they didn’t hear her. A part of me hoped Byrne would step out of the café to see what the noise was. Her wails still soared over the noise of the street. I approached her as I would a small animal caught in a snare. She flailed her arms limply, trying to grab hold of anything she could. I reached out, managed to grip her hand and shoulder, and hold her steady. She fell to me, huddled tight against my shoulder, squeezing my hand.

    She smelled of eucalyptus.

    “Can… can I help you, Miss? Hospital?”

    Once she heard my voice, her howls quieted to a scared whimper. Her free hand reached up, fingertips brushing over my nose, lips and jaw. Both her hands and wrists, I saw, were crisscrossed in deep scratches. I glanced up and saw several of the men in the cafe watching me, curious to see what I might do. Their expressions were blank. One of them blew smoke. Another swished around the coffee in his cup.

    I’m not one to disobey orders. But the medical depot was only a mile back up the road. I took a breath and lifted the woman into my passenger seat. Then I bolted back behind the wheel, and revved the engine up.

    She kept whimpering, heaving out words I didn’t understand. I think she was praying. But she also quietened a little once I shut the door, sensing now that she was shielded. I pulled out of the parking space and drove for the checkpoint, where the medical depot was. If any of the lads saw, or if Byrne ran from the cafe, bellowing at me to get back, I didn’t hear or notice. I kept one hand on the steering wheel while she held onto my free one. Her hands felt small and coarse on mine, and with her head resting on my shoulder, I saw and felt the blood more clearly. It oozed into her shawl and dress, and over my sleeve.

    It was then that I started wondering what colour her eyes had been. What was the last thing on earth she had a good look at, before her eyes were taken? Did she see a wayward eucalyptus branch snap back and plunge the world into stinging darkness? Or worse, a blade, swung at her? There was no telling what had happened to her.

    The soldier at the checkpoint flagged me down and, as I pulled up, looked ready to tell me off for speeding. But his expression changed the moment he saw her huddled beside me. All he did was nod and let me park at the depot entrance. One or two of the other sentries watched us climb out, but they made nothing of it.

    All this time, she didn’t let go of my hand. I led her under the low canopy, into a crumbling foyer. Stretchers were laid out in rows on the hard stone floor. A young medic, also wearing the UN beret, rushed over to us. He pointed me to the nearest mat, and filled a bucket of water. I knelt and tried to guide the woman down but she flailed madly, her hand still clenching mine. The blood on her cheeks was starting to crust. She tugged at my sleeve, until she was sure she lay on solid ground. It took me a moment to let her go. When I turned to leave, I saw the medic place the bucket of water next to her, and kneel down. The last I heard of her was the sound of her wails, echoing off the flaked wall.

    Outside, the sentry offered me a cigarette, which I declined. I was going to drive back to the village, I said, and he needn’t worry about any more irregularities. He gave a wordless nod and let me climb back into the driver’s seat. I turned the key once more and headed back down the ramp into Lefka. I hoped I hadn’t put the 42nd Battalion too far behind schedule.

    I turned down the main street. Byrne, his lips stained with coffee, stood outside the cafe. He glared at me behind his sunglasses as I got out and saluted. A few of the others were with him, some carrying sacks and boxes of supplies. “Nice day for it,” he said. “Enjoy yourself up there?”

    “Sorry, Sir.”

    He took off his shades. “I’m not havin’ you flutin’ around without my leave. That’s not what we’re here for.”

    “No, Sir.”

    “Make sure y’don’t do that again.” He turned to address the lads. “Right, men, let’s go. ’Mon, hurry!”

    There was a scramble as everyone piled back into the trucks. Byrne climbed into the passenger seat beside me.

    “Tell me why y’took the vehicle without notifyin’ me.”

    “Sir, with respect, a woman was badly hurt, and no-one else seemed to be helping. I acted on instinct.”

    “Ned, I’m only lettin’ y’away with this once. Pull another stroke like that, and you’re on half rations. From now on, y’don’t do a thing without my say-so. Am I clear?”

    “Yes, Sir. Crystal.”

    “Good. Then let no more be said about it. Get us out of here, Ned.”

    “Yes, sir.”

    I turned the Land Rover out of the gate and drove us west, out into the mountains. The lads went back to whispering in Irish, or sleeping. Byrne drank from his canteen and stared straight ahead. The radio crackled with static and blurry updates. An hour later, we’d reached our compound, and would be settled in by sundown.

    Image by Michael Klajban of Forest road in Troodos Mountains, Cyprus (wikicommons).

    Daniel Wade is a Dublin-based author. He was awarded the Hennessy prize New Irish Writing in 2015, and his poetry has appeared in over two dozen publications. Follow his progress on Facebook, Instagram and Twitter.

  • Poetry in 2020: ‘Dream and so create’

    At the end of 2019, I wrote:

    In these times it is perhaps inevitable that people will want to write poems about climate change, or Twitter and politics. But poetry knows in its heart, what has already ended inside your consciousness, to which you and the world are gradually catching up.

    In the greatest poems I have read, an old man or great lady has already died, to be reborn inside my imagination at the dawn of a new reality. That essentially linguistic act, or border experience, at the heart of poetry, means that this art is perennially relevant, or always ahead of its time.

    The poems to which a few will continue to return must be in some way about the experience of being able to write to them from out of eternity, which is always to be found in the future.

    And it is in times like these that we need to listen to a still small voice that speaks from that revelatory moment when poetry completes the eternal act of creation in its own last judgement. Like the ancient scripture of different traditions, the poet knows we are living in an iron age, or Kali Yuga, and in his or her work, we come to withstand the day or night when the son of man is revealed.

    As W.B. Yeats declared in The Tower (1928), ‘Death and life were not | Till man made up the whole, | Made lock, stock and barrel |Out of his bitter soul’; the world can only end were we to vanish from it; ‘And further add to that | That, being dead, we rise, | Dream and so create | Translunar Paradise.’

    Thoor Ballylee in County Galway, Ireland: Yeats’s ‘Tower.’

    New Year

    At the beginning of 2020, I’d still stand by those high-sounding words, but I would like to add that we have plans to make recordings of the poems we publish.

    Poetry may well be all that I have said it is, but it is also a deeply compelling, sometimes scandalously illogical, thing that exists in the ear as much as on the page.

    A revelatory moment for me in my twenties was listening to W. B. Yeats read ‘The Lake Isle of Innisfree’ and other poems on a 1930s radio broadcast. The slightly cantankerous old poet said that he would begin with this poem from his youth ‘because if you know anything about me, you will expect me to begin with it.’

    One senses here a Yeatsian slight disdain for a modern radio audience. Or could he have felt as George Orwell imagined the poet feels ‘On the air’: ‘that he is addressing people to whom poetry means something’? Surely, Yeats cannot have hoped that his ideal reader or audience would be listening, that freckled fisherman in grey Connemara cloth whom he imagined in ‘The Fisherman’ (1919): ‘A man who does not exist, | A man who is but a dream’.

    What struck me most about Yeats’s reading was its incantatory style. Before he started, he was careful to explain: ‘I am going to read my poems with great emphasis on their rhythm and that may seem strange if you are not used to it….It gave me a devil of a lot of trouble to get into verse, the poems that I am going to read and that is why I will not read them as if they were prose.’

    I can’t imagine that many poets today would read with quite Yeats’s emphasis on the rhythm, and even a hundred years before Yeats’s reading, William Hazlitt in 1823 could express suspicion of ‘a chaunt in the recitation both of Coleridge and Wordsworth, which acts as a spell upon the hearer, and disarms the judgment. Perhaps they have deceived themselves by making habitual use of this ambiguous accompaniment.’

    That said, I was at first somewhat disappointed when I heard Seamus Heaney read out his poems in such a casual, almost faltering, manner, at a literary festival to which I was once taken in my youth. It didn’t quite match my expectations from the work I had read alone to myself, and it was certainly nothing like the crackly elevated recordings I had heard of Wallace Stevens, or even Tennyson and Browning, which retain something of that still, small voice I seem to hear in the poems I love.

    It was also something of a revelation working with Paul Curran a couple of years ago, making a recording of him reading out some poems of mine for a radio documentary. As we sat under duvets in the improvised studio of a back bedroom of the producer’s house, I was taken aback by the care with which Paul was able to draw out nuances of meaning during repeated takes of the same poem. I knew I would have to smarten up my act at future poetry readings.

    But, then, Paul Curran is an actor as well as a poet. You should be able to hear him read a couple of his poems on the Cassandra Voices website soon.

    To be honest, I am slightly suspicious of the strongly performative element of a lot of contemporary poetry. Poetry is not quite rap or folk song. And why get some actor to read out your poems, when it’s so endlessly fascinating to hear the poet herself read her work?

    I would say that my work’s shape on the page is as important as its shape in my ear as I mumble it out during the often-long hours of composition. Its heritage is, after all, a literate and courtly one, when manuscripts might be passed around a small readership, to be read aloud perhaps in coterie groups. Of course the roots of that tradition are ultimately in folk song and ancient incantation.

    I wonder how much of what I have now said will be applauded or deplored by the poets we have already published on Cassandra Voices. In any case, I am delighted to say that over the course of 2019, we published the following poets: Michael O’Siadhail; J.P. Wooding; Quincy Lehr; Alex Winter; Bartholomew Ryan; Edward Clarke; Sammy Jay; Alberto Marcos; Navlika Ramjee; Nance Harding; Ben Keatinge, Mark Burrows, and Daniel Wade.

    These join a list from 2018 comprised of: Chris Robinson; Ned Denny; Ernest Hilbert; Paul Curran, J.D. Smith, Jamie McKendrick; Anthony Caleshu; Timur Moon and Paul Downes.

    All poems are complimented by compelling imagery, mostly from the photographic library of Arts Editor Daniele Idini, and I am looking forward to hearing many of these poems, hopefully, read out or recited by their poets so that we can make audio files available for you too.

    Edward Clarke is Poetry Editor of Cassandra Voices. To submit a poem for consideration e-mail Edward@cassandravoices.com

    Cassandra Voices Poetry 2018-19:

    Psalm 70 by Edward Clarke

    Psalm 95

    The Firstborn

    Demon Cum

    LA RÉSISTANCE

    Double Take

    From Psalm 119

    On Suicide

    Poetry – Out Walking

    Poetry – Daniel Wade

    Poetry – Mark Burrows

    Poetry – Ben Keatinge

    The Sunset Drive-in Cinema

    White Woman Brown Heart

    Visita de obra

    Carbon Negative

    Forest

    BREXIT – A Poem

    From Psalm 119

    Two Poems

    RAT RUN

    Two Poems

    Twinned

    Nonetheless

    Gitanjali – after Rabindranath Tagore

    B Road Blues

    Visitations

    Blaze