Tag: death

  • Who is my Neighbour? On the Death of Renee Good

    It’s very possible that Renee Nicole Good reasoned, as I would’ve, that her whiteness would protect her when she put her Honda Pilot, dog in tow, in the path of ICE vehicles on a Minneapolis street less than a mile from where George Floyd’s last words were, just six years before, “I can’t breathe.” Unfortunately for Renee—a poet, wife, and mother of three—neither the historically privileged color of her skin nor her citizenship were sufficient to shield her from three shots fired at point blank range by an ICE officer after a brief and startling confrontation. The officer was briefly hospitalized and released the same day.

    Ordinary Americans can add this outrageous bloodshed to a growing list of Orwellian events prompted by the Trump administration, which includes both the killing itself and subsequent state-propagated lies seeking to style Good as a ‘domestic terrorist’ and ‘professional agitator.’ Today, I woke to news of a flurry of resignations from top prosecutors: four senior leaders in the division that investigates police killings have resigned in protest, and six federal prosecutors in Minnesota have jumped ship, not to mention the FBI denying local MN authorities any access to their investigation.

    Our times (and our enforcement officers) are trigger-happy, and the socio-political hot buttons have long since boiled over. There is palpable temptation—on all sides of the American partisan spectrum—to give into violence, or despair, or both. Reaching into an exhausted rattle-bag of the faith in which I was raised, “love thy neighbor as thyself” – a Levitical commandment echoed by Jesus of Nazareth—sits like a cold stone in my palm.

    Christ was an effective radical because he knew when to flip a table and when to restore a sword-shorn ear lopped off in protest of his own arrest. Angry Americans flip tables with zeal. It’s the cathartic part, the part that soothes our sense of wounded moral dignity and our desire to see immediate justice. But I fear that until we understand the counterintuitive nature of this rattle-bag text – counterintuitive because we do not get to pick and choose the identities of our neighbors, and because we are completely entrenched as a society in ‘othering’ those outside our given and (especially) our chosen ‘tribes’ – we will continue to see blood in the streets and lies on the screen.

    POTUS is set on besmirching the name and legacy of Renee Nicole Good—who died standing up for her neighbors. I’m certain we will not see these calumnies retracted any time soon. A closeted melancholiac, I’m left mourning Renee, a fellow artist, and imagining what it means to bring up my young son in such turbulent, hate-stricken times. I know I’m not the only one.

    We might finally start living when we learn to kill each other with kindness. Until then, we seem doomed to proceed without the last two words and suffer the consequences.


    SOMETHING GOOD
    by Haley Hodges

    Sky, road, rain, one great
    grey. Into this toothless homogeny
    come fanged questions—
    must we raise our children
    in a police state? Was the grey,
    say, two generations back
    (grand grey to this grey)
    softer, somehow? Fault fate
    if you must. How to return
    to iridescence—to joy—
    despite this—despite all—
    before we return to dust:
    that’s our operation, our
    immutable mandate. Let
    slates be wiped and crammed
    with this endeavor. Light,
    it’s time. Come like cream
    to the top. Crown each
    seeking life, lives going
    to the lengths men with guns
    and covered faces go—
    but oh, finally gently. And
    for something good.

    Feature Image: Uniformed HSI SRT agents in Los Angeles

     

     

  • The Death of My Marriage and JFK Junior

                It happens. After four years of marriage, I’m madly in love…just not with my husband. I feel like Diane Lane in Unfaithful, guilt-ridden, and giddy as I face my new reality. I am a terrible wife…but…I was becoming a fantastic girlfriend. 

    You may deem me a horror, but the truth is never a fairytale. Only weddings are, and mine was no exception. In Camelot fashion, I rode to church in a horse and buggy. I should have known something was wrong when looking out the lace-framed carriage window I thought, “I could escape through the woods in this thing.”  To say we have one soul mate, one person we marry until death is to commit to madness. However sour that sounds, I still believe in love. I believe in Rocky and Adrian, couples who meet and mate for life. There are swans out there, and then there’s me.

    As my horse clickety clacks through the trail to church, I thought of where we met. My soon-to-be husband and I were waiters for an elite caterer who specialized in spoiling the rich and famous of New York. On any given night, we served an array of society members, rich bitches, charming bastards, and boring bankers. They all had the same nose, the same stifling perfumes, the same board-certified plastic surgeons. There were exceptions, rare guests that made even the most jaded waiters’ hearts skip a beat. There was Princess Dianna, who graced The New York State Theater with a presence that was otherworldly and English garden. Then there was our homegrown prince, John Kennedy Junior. He was intelligent, handsome, rugged — a bona fide American hunk. The only son of the late President John F. Kennedy was often alone, then later in the company of his wife Carolyn. She was stunning and stepped into the Kennedy dynasty as if the glass slippers were hers all along. Whether they were holding hands or mingling separately at a party, they were always in sync.  I thought of how secretly jealous I was of them, of their inexplicable beauty, and the life of ease they were born into. I thought of all the splendor we lavished on John and Carolyn, and how ironic and lovely that we were finally having our splash of an event.

    My future husband Robert was kind, respectful, and a planner. Everyone loved him and encouraged our flirtations. “Robert is one of the most emotionally mature men I’ve ever met,” said a co-worker. On the surface she was right. He was grounded, and generous – the opposite of the selfish tools I had experienced. But a deeper dive into his psyche revealed a gully of childhood trauma. I came to learn, in graphic detail, how his father had taken his own life when Robert was just a boy. And how his unspeakable death released a brutal barrage of white water on his family – for just as one wave of unrest was cresting, another would hit.

    Initially, I found Robert timid, but as our dating progressed, the sheer goodness of his nature won me over. On the morning after our second date, I was treated to a romantic poem left on my voicemail. It was impressive as Robert was a trained actor who sidelined his dream for steady work teaching. Though flattered by his gesture, I was puzzled by his spontaneous outburst. What had I done to deserve this? I perceived that our spark was not the brightest. He didn’t ask me many questions. So…was it my looks? Right face, right time? I didn’t care. He needed a place to put his love, and I needed a safe place to land.

    Our relationship progressed as he spoiled me with thoughtful gifts and a steady stream of attention. After three and a half months of dating, I moved into his place. I never thought of marriage as my life goal, I had already turned down proposals from two different men. But I was at that age where dormant domesticity busts through DNA, like weeds in cracked concrete. For there I was, a few months later, saying yes to this man who fell to one knee on a foggy night in July and asked me to marry him.

    Four years later, I wasn’t just breaking my vows, I was pulverizing them beyond recognition. Like all first-time offenders, I felt culpable but soon grew accustomed to my crime. My brain became an IV, slowly dripping rationalizations to assuage my conscience, conveniently removing all traces of guilt from my heart. The merit of my sins softened, as I recalled the things my husband and I had and hadn’t done. We HAD sex, TWICE…on our two-week honeymoon in Italy. I never got kissed under that Bridge of Sighs, I got a sweater. It was a really nice sweater. Every time I wore it, I remembered Venice – the churches we lit candles in, the canals we floated over, the arches we never made out under.

     

    I’m not a modern girl. I never had one of those razor-chopped haircuts, I had cookbooks. On any given night you’d find me making dinner for Robert like an old-school Italian wife.  Yet here I am, standing barefoot on my lover’s kitchen countertop and I’m not even cooking. I’m five feet off the floor at his insistence; “Take off your shoes and climb up,” he says. “Changes your perspective. Right?” I must have nodded yes, but in my head, I’m thinking, “My husband would never let me do this. He barely lets me in the house after he mops!” I met Jack at a master acting class in Manhattan. The teacher was a famous Beverly Hills guru. He was part Scientologist, part psychic. If you had a chink in your armor, he sniffed it out with vampiric accuracy. Once, when sitting in the hot seat after my scene, he noted the following, “You’re a passionate woman. But you exist in a passionless relationship, yes?” I take a breath before I answer, “Oh my husband’s…very supportive.” I’m barely exhaling as the guru stares through me. He needs no words, for the truth he sought was shifting in my eyes of a thousand lies. I panic, knowing I’m caught. But like a dog suddenly surrendering a steak bone, the guru lets me go and turns his attention back to show biz. He tells me to straighten my curly hair and rise above the middle-class vibe I’m projecting. The guru makes it clear that being middle-class is akin to poison and kills the spirit of an artist like slow-moving arsenic.

    About 2 weeks after the start of the first class, I’m slated to work with an actor named Cal. Now Cal was a loose cannon who pulled an actual gun on a woman in rehearsal, but I didn’t care. He was interesting and I was primed for artistic arousal. But word had it that bat shit, crazy Cal booked an acting job and wouldn’t be coming to class anymore. The director of my scene needed someone to take his place and chose Jack as my new partner. I admit, I was disappointed to miss out on loose cannon Cal. I could have used a gun to the head, and the only thing Jack was pulling out of his pocket was wax for his surfboard. No, he wasn’t a surfer, but he looked the part. One day during a lull between scenes, Jack reaches a row behind him, extending his hand to me. In a hushed tone he said, “Hey, it’s you and me.” I was thrown by the warmth of his gesture and the excitement in his voice. His friendly spirit and enthusiasm didn’t match the story that played in my mind. I had seen him outside of class many times pacing downtown Manhattan like a caged cougar in search of his soul.

    Jack was cocky, opinionated, an artistic bully at times, a 360 of my pragmatic husband. He confessed crazy things; like how he made 200 grand one year and had nothing to show for it but the pants on his ass. When I asked him where the money went he said calmly, “Jeans?” He was gentle, yet rough. He threw me off balance yet managed to keep me standing…barely. Once, during rehearsal, he got so pushy, that I almost quit. I couldn’t handle being terrible in my scene with this guy. How could I convince the guru I was more than middle class? In our scene, Jack was supposed to kiss me, and when he did it was forced, mechanical, the worst kiss I ever had. I’m supposed to be attracted to this? How could I desire a guy I wasn’t even sure I liked?

    One day after rehearsal, I find myself walking with Jack to the subway. I would later discover that his train was nowhere near mine. He had walked me out of his way just for the sake of my company. In Manhattan terms, it was a trek from our director’s Lower East Side apartment to my Brooklyn-bound F train. “F stands for failure,” I say with a laugh. But Jack’s dead serious and starts rapidly firing questions: What was my childhood like? My father? Mother? What were the parts I played, and wanted to play? As I answer his questions, I wonder why this man with a resume that dwarfed mine, was interested in my meaningless credits and boring Jersey life. “Hey, I grew up in New Jersey too, a town away from you, young lady!” he says with a cheeky smile. I’m five years older than him, but I love that he’s made me younger. As we wait for the train, we discover that we even shared the strange dentist at one point. Learning these trivial commonalities should have dimmed his light, but it only sharpened his luster. For me, he became the boy next door – the one I never met and would never be allowed to love.

    Jack knew I was married from my first confession in class and told me about the young woman he’d been dating. We both had significant others, and I rationalized that our friendship was safe. Our master class had been extended, so our weekly meetings progressed to impromptu hangouts. After lunch one afternoon, we find ourselves amid a torrential downpour. As we take cover under a storefront awning, I’m grateful he’s inches behind me, unable to see my burning red face. The air is thick with the obvious, our relationship was NOT safe. It’s downright dangerous, and I don’t fucking care. For the rain had passed, and when I turned around, I saw this man, the one I thought I detested – and like lightning strikes a steel rod in “The Omen,” I was smitten.

     

    Trying to describe why I loved him is like making a case for lasagna. It’s just lasagna, and It’s delicious. I’m not a high-risk person. I never wanted to climb K2. I’m the type of person who’d get to base camp and say, “I’m cold. Let’s go!” Even standing on his kitchen countertop was freaking me out. Now I’d been to his apartment before but class was over. I was now coming to his apartment on purpose. Nothing had happened, but we knew we were headed. We went as far as making plans to spend the weekend together. I considered backing out, but when I called him the night before, his enthusiasm for my visit won me over. “Morana…I feel like it’s December 24th.” That’s what he said. I couldn’t back out now. How could I bail on a man who just called me Christmas Eve?

    Months before our tryst, I went on an auditioning warpath, rising at ungodly hours to stand in packed performer lines in mid-town Manhattan. After weeks, I finally got cast in a summer stock production of “Bells Are Ringing.” It was a throwback musical conceived for Judy Holliday – a comedic film star of the 40s and 50s. It was her Broadway bust-out vehicle; a story about a quirky woman named Ella who worked at an answering service. Ella gets so involved with her answering service clients that she falls in love with one of them. Now I didn’t get cast as Ella, but as her best friend, Gwen and I’m fine with it. I was quite frankly too fucked up to carry an entire show. So I welcome the second banana distraction, for it took me from Brooklyn to Vermont, away from my husband and my burgeoning affair.

    After three weeks of intense rehearsal, “Bells” is up and running. Our cast is wiped out and excited to have off two days in a row. Now I could have stayed in Vermont, gone to a cheddar cheese tasting, a blueberry patch, or just slept. But when two of my male cast mates said they were missing their boyfriends and driving back to the city, I jumped at the chance to ride along. I was missing my boyfriend too. My fellow actors drop me off at 42nd Street. It’s midnight and I quickly put on my Jackie O. sunglasses, because I’m a proper adulterer now. After the slowest cab ride on Earth, I arrive at Jack’s. I’m standing in front of his apartment door poised to enter. I know it’s open because he never locks it. An emotional epidural of jubilation and terror shoots through my spine. I feel my lower half may melt. If my husband in Brooklyn finds out I’m in town, I’m fucked — and not in a good way. How would I justify my sudden arrival in New York? Our marriage had become combative and lackluster. If I got caught, I’d have to kill myself before Robert killed me. Maybe I’d turn around and taxi back to the Brooklyn Queens Expressway. In light of my sins, it seemed fitting to walk into oncoming traffic. I consider it but know it won’t work. The “BQE” as we affectionately call it is so congested that with my luck, I’d never get hit…So I knock.

    As he opens the door, I move to embrace him…” Wait! Lemme look at you.” he says. Seconds pass as his eyes travel the length of my body. Then like a kid in a candy store, he says, “Okay!” My overnight bag drops as I plunge my face into his chest, sucking one glorious whiff of the cigarettes and cologne on his freshly laundered shirt. I’m finally home, and this is so fucked up.

    I wasn’t the only one taking a risk this weekend, Jack was too. If caught, he’d face the wrath of a freight train, a locomotion of shame he couldn’t handle. His girlfriend was rabidly jealous, suspicious of every stray hair on his bathroom floor that did not match hers. Jack and I had stayed respectful. But on the very last day of class, he kissed me for real backstage, behind a curtain. It was spontaneous and special until he made a huge mistake. He told his girlfriend. She went ballistic, calling him every name in the book, throwing comparisons to her philandering father, and then threatening to tell my husband and destroy my marriage.

    I was not ready to be kicked to the curb. If my marriage was going to end, it would end on my watch, not with tantrums from a 20-something. I get it. I’m horrible. She’s the innocent victim, Anne Archer, and I’m bunny-boiling, Glenn Close in Fatal Attraction. But I hated her for threatening to invade my life. I had crossed the line, but not with her…Jack did. And by throwing that kiss under the bus, he was running me over too. For what? Relief of his guilty conscience? I was furious, but mostly at myself and my lousy luck. Out of all the men in the universe to have an affair with, I had picked the ONE guy with scruples!

    Cussing him out would have been futile. He made a mistake and couldn’t un-ring the bell. The person who should have been an angry, suspicious, freak-out mess – was Robert. Weeks prior, I had my brush with getting caught. Robert was a neat freak. Everything in our apartment had a place. Disarray equaled discontent. He came from spaghetti on the walls abuse, and anything that came into our apartment was put away – immediately. This included my class prop bag.  It contained my costume, wax paper from an eaten Italian sandwich, and all objects used in my scene. At the bottom of the bag was also a handwritten note from Jack. We agreed to do this corny exercise where we wrote each other notes in character.  It was my idea, and I wrote him a whopper of a love letter. My note to him was an in-your-face, admission of lust.  Jack’s note was different. It was simple, and sophisticated and concluded with the poem “What If You Slept” by Samuel Coleridge-Taylor.

    I was home no longer than 20 minutes before I realized Robert had unpacked for me. It wasn’t a favor; it was a violation. My prop bag was empty, not even a crumb from my Italian sandwich remained. That’s how thorough he was. I shook my head in disbelief and then remembered the note. It was not in the bag.

    “If something’s going on, you need to stop it.” That is what he said. I had fast-tracked it to the kitchen, like a zombie on speed. Now I’m standing here – caught like a kid, my right arm, elbow-deep in the garbage. He spoke low-voiced and parental. I remained silent and took my scolding like a pro as I let Jack’s note fall back in the garbage. We didn’t have sex that night. We never did. I lay there pretending to be asleep, then waited patiently for his first snore. Robert slept like a marine on watch, so I had to creep back into the kitchen without waking him. As I open the cabinet to the garbage can, I find remnants of Robert’s dinner splashed on my love note. I blot it off delicately, careful not to smear his handwriting. I flatten the wrinkled note as best I can. I could hide it, I thought, or ram it down Robert’s throat while he slept.

    Something in me turned that night, for what should have scared me straight, sent me crooked. It was not on purpose, or out of revenge. I gathered it was just my nature, bending me back towards the separation I’d always felt as a child. Why was I like this? I thought as I pumped my legs on a swing set. And where would this weirdness, “the left-out-ness” of my personality would take me? I felt akin to my guru, who shared stories of his grunt years as a butcher in the meatpacking district. I felt how he stood there, in a bloody apron and gut-splattered shoes, a reluctant Sweeney Todd, watching beatnik actors and would-be famous directors walk by his meat locker window.

    My pedicure was barely dry as I fly out of the Korean nail salon. I was slinking around the Upper East Side like a jewel thief passing time while I waited for Jack’s return. Closing his door with my wet nails, I feel my dream happening now, not in the past of our combined mistakes, or the future of whatever may never be. The brick walls of his apartment are warm like him – framed posters of all the movies he loves surround me. I soak in everything – his candles, his books, his oddness. With his return, we catch up on our uneventful day. And then I feel something bad is about to happen, like that moment before you throw up. He looks at me with the sobering awful truth in his eyes, “Meeting you was the BEST and WORST day of my life. Best because I met you, worst because you’re married.” In less than 24 hours, the laughter, the lovemaking, and the friendship will end. I’m back to the middle class, to second banana status in a dated musical in Burlington, Vermont.

    I want to stay in his place forever, but he won’t let me. “It’s not that I love her more, I’ve just been loving her longer.” That’s what he said. He was telling the truth, and I knew it. Now I’m the vampire reading his mind. He loves me. That’s the worst part. She’d just gotten there first. “Congratulations,” I say to myself. “You are the unfortunate recipient of less time in.”

    He was moving to California with his girlfriend. I was going back to Robert in Brooklyn, but not just yet. The curtain was closing on our silly little musical. Thank God, because I was starting to hate this show. But I loved my review: “Isabella Morana is the only actor in Bells Are Ringing, that plays an authentic New Yorker.” You see theatrically, I’m authentic, real-life…totally fake! I hadn’t the guts to leave my marriage or the wherewithal to stay and make it work.

    My husband visits me in Vermont for the last few performances. We’re staying in one of those generic motels, the kind where even the soap isn’t interesting enough to steal. I’m sitting on a flowery bedspread while my husband putters around our room. We were set on doing some crunchy granola stuff that day. Maybe we’d visit a covered bridge, a maple syrup factory, an open hole in the ground — who cares! I needed our day occupied, away from the awkwardness that had become us.

    I turn on the television while my husband changes his clothes. My summer top smells like Jack, but I refuse to change it. I want another whiff of him. I’m an adamant, adulterous, high-rolling bitch now. If Robert smells Merit Lights and men’s cologne on me, I’d blame my cast-mates. Chorus boys are notorious smokers. It was believable. I switched stations to the Mets who were losing, so I’m grateful for the break-in: “We interrupt this program for this special report. John Kennedy Junior’s small plane, The Piper Saratoga, is missing over the coast of the Atlantic. Kennedy was flying with his wife Carolyn and sister-in-law, Lauren Bessette. They left Essex County airport and were scheduled to land in Martha’s Vineyard, before continuing to a wedding in Hyannis Port.”

    July 17th, 1999 was not the glamour year Prince sang about. It was hot, weird, and getting weirder. I see too much open water and an empty blue sky on every channel. Helicopters and the Coast Guard are all out and looking for John. “But why are they searching the ocean,” I think. “They should be searching Central Park because that’s where he rollerblades!” Pictures start flashing on CBS: a shirtless Kennedy skating down Columbus Avenue, another shirtless shot – John playing frisbee on the back lawn of The Met Museum. Robert stops what he’s doing to watch with me. I read his thoughts before he speaks. He’s got this habit of regaling stories I already know; how he did private home catering for the Kennedys, how friendly and real they were, and on and on. His comments on the impending tragedy made me want to scream, “I’m the tragedy. I’d rather be him…MISSING…Free from explanations of my whereabouts, but wholly at peace in the knowledge that I…AM…Free.”

    Turn off the television. Let’s drive to the county fair. We’ll drown our sorrows in maple syrup. We would, but we’re glued to the set. John, Carolyn, and his sister-in-law Lauren are still missing, and the photos keep coming. Only now it’s the two of them: John and Carolyn leaving their apartment, at their wedding, walking into a gala, out of a gala. I notice how in almost every John is kissing her from behind, and how effortlessly his arm drapes around her shoulders. He was always turning her to the camera as if he were treating the world to the elusive beauty that was his bride. That’s what I’m missing, I think — someone who resembled ease, who wanted ME more than the IDEA of me. With every flashing picture of John, I realize the man I married was the opposite of ease. I chose wrong, and like the current disaster unfolding before me on national television, it was in fact, preventable.

    After two days of scouring the Atlantic Ocean, it surfaces…a piece of luggage with Lauren Bessette’s name. Then more pieces, bits of a rubber tire, some carry-ons, and finally the bodies; all three, upside down in the water, still strapped to their seats. The autopsy reveals that John, Carolyn, and Lauren all died on impact, a minor comfort in a sea of sorrow.  For years I’ve read accounts of every flight instructor, pilot, and disaster specialist. I became a non-expert, “expert” in all things crash-related. I had to know what happened. If I couldn’t figure out my disaster, I’d solve someone else’s. I’d find that fateful ejection lever that leads to the end. There were many details, and countless contributing factors that led to the crash: the traffic they hit, their late departure, the weather, and the moon. But in the end, it didn’t matter, for this domino effect of unfortunate events kept pointing back to one thing…John. He didn’t have the experience to be flying in that weather, on that low moonlit night. He fell victim to something called spatial disorientation. It happens to pilots who are visually trained, but not instrument-rated. John knew this and planned for a daylight departure, but the traffic Lauren and Carolyn hit in Manhattan would push them into a twilight departure. A flight instructor at the airport who knew John was inexperienced at night, offers to co-pilot. But John refuses saying, “I want to do it on my own.” John would be flying solo in the dark, relying solely on his senses. But instead of landing safely in Hyannis Port on that hazy July night, his senses send him 1000 feet into the Atlantic Ocean. He couldn’t tell Earth from sky and neither could I.

    The wedding of Rory Kennedy and Mark Bailey was postponed that day. I can’t imagine how that bride and groom felt when the celebratory atmosphere became funereal. How could they reconcile that the happiest day of their lives would be forever laced with what-ifs?

    I pictured the Piper Saratoga going down in that ocean as if it were my life. The pictures of that plane in pieces morphed into memories of my engagement night. I recalled how Robert knelt in the sand, on a small beach in Martha’s Vineyard with a poem, his nerves, and a tiny black box. I recalled the wild waves thudding the sand with the sounds of the upcoming storm. I laughed, remembering how uncharacteristically lit my future husband was — a combination of too many cocktails and proposal butterflies. And how utterly responsible his drunk ass was, as he handed me the keys to our rental car, “You’re driving,” he said. I remembered how blindly I drove into that dense fog, relying on nothing but my impaired vision to guide me. With my high beams on, I still couldn’t see. I was guessing. Instead of my senses guiding me safely down the road to our quaint hotel, they send me the wrong way, down a one-way street…right into the warning lights of a police car. I was caught, but not arrested, for Robert came to my rescue, taking my left hand and proudly displaying my sparkly new ring. “Please, let us go officer. See? We’re engaged.”

    July 19th, 1999 – The National Safety Board concluded that there was no instrument or navigational failure on the Piper Saratoga that night. John’s disorientation sent the plane into a spin, a graveyard spiral of epoch proportions, due to the pilot’s error. I had found my lever, in an answer that yielded no relief. The death of my relationship will always be synonymous with July 19th, 1999. You might say I was lucky, to never get caught, to land safely in the comfort of my slickness. I did it. I decimated my wedding vows. I did this to a man who was kind to me. That day, I knew my marriage was over. It took me six more years to leave the party.

    Feature Image: Jacqui Kennedy Onassis, 4 November 1968, London. Keystone Press / Alamy Stock Photo.

  • The Death of Blake

    The bed had been positioned deliberately near the window so the artist had a view of the sky. The sky embodied eternity. Our creations change with every era, each century brings a new art, but the sky, on a cloudless blue day or in the grey rain, appears as it did to our most remote ancestors. The wind on their skin feels the same to us. He lay there dying, looking up through the window with the eyes of his childhood self. The sky was a glimpse at something death cannot kill. On that day, the day of his death, the sun was shining over London and the artist was filled with joy.

    His health was deteriorating and with each passing hour it seemed to his wife Catherine more rapid. Her hope of a recovery was fading. They had been married these past forty-five years and she knew him better than anyone, enough to know he was always capable of the unexpected, and for that, hope remained kindled as it waned. They had caused a stir walking around their garden in Lambeth naked together. They had shocked their neighbours, and the respectable people of the street thought them to be strange at least, others said they were patently mad. The Blakes had refused to bow to the outcry and continued with their nudism throughout the warm summer days. There was one neighbour in particular, a very old lady in the highest room of a nearby house that would sit there in her rocking chair and watch them dance among the azaleas and foxgloves with her long-ago youth flickering in her eyes. Seeing him lying there with his poorly head emerging from the blankets she smiled to remember it. He was a rebel by soul.

    Then there was the time they ate in a soup those strange mushrooms that Flaxman had brought up from the West Country in a small wooden box decorated with golden flowers. They had a psychedelic effect. The artist ate the soup, enjoyed the evening and laughed until it was time for bed. The next morning he went for a walk and when he returned full of thoughtfulness he said to his wife over cups of tea and bread and butter that ‘he wouldn’t be doing it again’ as he ‘had no need for them.’ Some years later she remembered out of the blue that he recalled the experience to her and said matter-of-factly that whatever ‘grows on God’s earth must be God’s creation.’ She had no reason to argue with his logic. She herself had enjoyed that evening very much.

    Catherine took the bowl of water and placed it on the bedside table before soaking the flannel and resting it on his forehead. The wet cold of the material opened the artist’s resting eyes and he smiled to see her and the sunshine flooding in behind her. Just the vision of her standing there, her face, filled him with happiness. She leant forward and he could see over her shoulder toward the window. He noticed a thousand colours in the dust particles in the air, each one with its own divinity, each one a galaxy. He watched carefully the movement of the dust in the beam of sunlight, slowly synchronising each angled manoeuvre until it became an entire day of his childhood. It was never difficult for him remembering being a child, how it actually felt, the lineaments of thought he once had and soaring of feeling he often experienced. And then his brother Robert died when he was still a boy which only served to intensify the clarity of his visions. He remembered everything. It was on Saturday mornings in the warm spring when his parents allowed him to go off roaming on his own that his relation with the eternal was born. Now this simple, sparse room in which he lay dying was to the artist a realm in itself. With his eyes closed he dreamt like all of us do, with his eyes open he saw worlds beyond worlds and time beyond time.

    Blinking slowly he opened his eyes and looked at Catherine’s eyes for a while. When she noticed, she held his stare. With a slight croak in his voice he began to speak.

    “Thank you.”

    “For what?”

    “For my life.” She didn’t quite know what he meant but inferred the meaning ‘I love you.’ She had never doubted it. Tears welled in their eyes. And then suddenly, seeing him lying there so ill, made her deeply sad. It was like a void, an almost violent, unexpected misery that befell her. After all those many long years of marriage she would soon find herself alone. It was only then, on that bright sunny day, that she really felt it for the first time, the potential of loneliness, and when it fell on her it fell hard and pitiful. But he was determined her future happiness reigned over their parting.

    The artist began to cough and splutter a little so she put a cup of water to his mouth which he drank from with difficulty. “Sit me up Catherine, I would like to see the river again.” There from the window he looked out at the Thames. Old father Thames was right, it had given birth, knowingly or unknowingly, to every Londoner there ever was or ever will be. “Look” he said “it shines like a bar of gold.”

    “It does at that.’ Catherine answered. They both sat there a while looking at the sunlight playing on the water, brave, complete, magically alive. He looked at it for a time and knew for certain that the pangs and pains of death could never crush his spirit. There was just no chance. It seems perhaps unreasonable now, but it was true. Blindingly, obviously true. He, she, we, are nature. The sun beam glittering in the bough of the tree like the melody of the crashing waves on the shingle, or a full bellied peregrine falcon with nothing else to do but fly, make up one whole. The artist leant his head back on the pillow and smiled.

    There was a wrap on the door. When Catherine opened it she saw it was one of the artist’s ‘disciples’ and a member of The Ancients, a young man named George Richmond. The Ancients were a group of painters that included Edward Calvert and Samuel Palmer, brought together in brotherly kinship by the love and admiration for the artist, whose life was now drawing to a sad close as he lay on the bed by the window at Fountain Court.

    “How is he?” Asked Richmond as Catherine ushered him in from the street.

    “He is gravely ill, and coming in and out of consciousness.” She began to cry. Richmond tried to give some kind words of consolation, but soon realised his words could not suffice. He rested his hand on her shoulder in an attempt to comfort her, as he himself now feared the worse. As they entered the room, the drifting of a cloud let a sharp burst of sunlight in. The artist heard the footsteps and his head turned with open eyes as they both entered the room. He recognised the young man immediately.

    “Ah. Richmond my boy! Welcome.”

    “William. Mr. Blake.” The sight of the dying man made him tremble suddenly. Richmond was only eighteen at this time and death to him, quite rightly, was an abstraction, a fake. He sat down in a chair by the bedside and saw the artists almost pug-like face, frail, wan, and devoid of rosiness.

    “How are you feeling Mr. Blake?”

    “Ha!” The artist looked over at Richmond and smiled. “I am dying. But do not be troubled. I am travelling to that country I have always wanted to visit!” Then, surprisingly to those present, Blake began to sing. It wasn’t the singing voice of a dying man, but rather someone bursting with life. Catherine became full of delight as the artist went on singing psalms and hymns and for a time she forgot about death, and suffering. He sang ‘Jesus Christ the apple tree’ ‘Come, oh thou traveller unknown’ and ‘Hark the Herald Angels Sing’ among others. He had always loved to sing. Always. Both Catherine and Richmond wept with joy when they sat witnessing these moments. These perhaps final moments.

    Then, as one hymn ended, the artist took a sharp intake of breath. His head rocked gently on the pillow. “Quick Catherine, get me my drawing things. I will paint a picture of you! You have been an angel to me.” He looked up at the ceiling and his eyes widened to their fullest extent, dilating with ecstasy. His mouth opened slightly in a sigh of joy. “Behold! The angels!” His mind cried out, but no words came, the only thing audible was the rhythm of his last breaths. Above him he saw his brother Robert in angelic form, bathed in white light beckoning him on, for his spirit to rise, and he saw the archangel Gabriel, smiling as old friends do. He looked at Catherine and thought ‘We will meet again.”

    And then, on that summer day, by the river of London, he died. A look of serenity came over his face, and his eyes were open, keen and eager at the last. The death mask that was made reminded The Ancient’s of one the good emperors, full of calm and wisdom. Richmond placed his thumb and middle finger on the artists eyes, and closed them gently. Catherine was still weeping as she showed Richmond out, and as a slight evening summer rain came down, Richmond himself began to cry and continued to cry through the streets and all the way home. Somewhere in those sad joyful tears with the rain wetting his head, he knew the words he would write to Palmer. So strange, in the eyes of the young man, how the artist had greeted death. The absence of fear. The way he sang.

    Feature Image: Oberon, Titania and Puck with Fairies Dancing (1786) by William Blake

  • Death by Drowning

    The Death By Drowning Of Twenty Seven Migrants
    In The English Channel on Wednesday

    It could have been twenty seven Cliff Richard fans
    who quite like that Boris Johnson really;
    twenty seven Noel Edmonds lookalikes
    whose wives stimulate themselves with The Daily Express;
    twenty seven former double glazing salesmen from Folkestone, Kent
    who blame everything on the French;
    twenty seven members of the Murdoch family
    (including Jerry Hall);
    twenty seven known business associates of the Duke of York;
    twenty seven potential Archbishops of Canterbury;
    twenty seven people with Allegra Stratton accents;
    twenty seven arthritic comedians who spent
    four years making Diane Abbot quips;
    twenty seven logical positivists
    who get their political philosophy from the tweets
    of Right Said Fred, Joanna Lumley, & David Baddiel;
    twenty seven OBEs, MBEs, and Commanders of The British Empire.

    Tragically, it wasn’t.

    Featured Image is of fencing in Calais (VOA/Nicolas Pinault).

  • Death

    I’m of an age to be intrigued by death.

    My 84-year-old grandmother, widowed, came to live with our family, and took over my bedroom. I was forced to give up the room, to share instead with a sibling.

    The old woman was hale and hearty, retained her wits, preserved her down to earth assessment of life, had referred to her late, much loved husband – my favourite male relation – as ‘the old fool.’ One day she said to me: ‘Ye’re just waiting for me to die, aren’t ye? Well yiz’ll be waiting a long time.’ I was taken aback at her frankness. She died a year later.

    When my old friend Dinno was on his deathbed handled matter-of-factly by his ex-nurse wife Oonagh – I asked him what he was thinking of. He said: ‘Gone-ness. I’m wondering what gone-ness will be like,’ and did not need to elaborate. We had understood each other well.

    My father roared indignantly on his deathbed in the old Mater hospital. His wife and other children had gone home, reassured that he had survived the first heart attack and would survive until morning. I stayed and was the only witness to his last belligerent protest.

    My mother spent her last days carefully organising her own funeral and the disposal of her one asset (a house). She waited only for my return from Canada until, in my presence she removed the oxygen mask from her mouth and stopped gasping for breath.

    I am of an age to be intrigued by these quite normal  dramas. Love dies. Beauty dies. Everybody and every thing dies. As Woody Allen said: ‘I’m not afraid of death. I just don’t want to be there when it happens.’

    What he might have meant was: better to lose your mind before your body gives up.

    Dementia and altzheimers are tragedy for the nearest and dearest but a blessing for the sufferers because they don’t suffer at all; they are unaware of the impending disaster. What a way to go!

    One of my brothers died in that condition. I envied him. One of my sisters died, still worrying about it. Poor thing. Another sister, the eldest in the family, is fortunately still alive. She’s lucky too; has no idea whats going on around her, I think.

    The phenomenon is an everyday one and still we wonder at it: In what sense are we alive one day and gone the next, vanished without trace? No body. No soul. All disappeared, remembered briefly, forgotten forever. How extraordinary. Even when we breed frantically, seeking immortality, knowing our seed will also die, we still do it, procreating, making stains on life, producing work, writing, building solid bridges and skyscrapers, empires. All made of dust. Even dinosaurs lived a million years and now are merely known as skeletons.

    People invented the idea of heavenly immortality: wishful thinking. They even invented god.  We are at heart optimists.

    There is no sting in death without consciousness; and nobody knows yet of what precisely that consists of. Fortunately death can be simulated under the surgeons knife until we wake and are reminded by pain of what we have mindlessly endured. Think of that.

    Some people choose euthanasia but that’s a sin, we’re warned. It’s a cop out. We should be allowed to enjoy this once in a life experience. It is unique to each of us, just like our birth, to be celebrated as a never-to-be-repeated exercise. We are born astride a grave with, not a silver spoon, but a shovel in our hands.

    I once speculated that nobody dies. We are bundles of transformed energy – the frantic impulses of copulation when we are conceived. Food becomes our energy fuel. What happens this energy at the point of death? Energy cannot be destroyed, only transformed like breath into gas, into condensation, into water into ice into steam etc etc. So what happens to us – bundles of energy? My speculation involves the millions and billions of galaxies and further billions of stars in each galaxy. Each of us, I suggest, becomes a twinkling star in the endless infinity of the universe. There is room for everybody out there.

    There’s a happy thought. Perish our tiny worries. We are immortal. We just leave our egos behind. And good riddance.

    A number of chapters from Bob Quinn’s latest memoir A Monk Manqué, mixing moments of hilarity with profound statements on the state of the world, are available on Cassandra Voices.

    Prologue

    Thaura Mornton

    Making Films

    Early Days in RTÉ

    Waiting for Colonel Ghaddafi

    Culchies – An Excerpt from A Monk Manqué

    Last Days in RTÉ – ‘I have come to kill you’

    Lament for Áirt Uí Laoire

    The Conman and Correspondence with Kurt Vonnegut

    Old Man Talk – ‘I used to ride young wans in here’

    ‘what a young girl in love will say to keep her man’

  • Diary of a Pandemic Doctor Part 2

    No one will want to read this, as this is about death.

    As we sit, quarantined in our homes, scrolling through the news of the pandemic, death seems to stand, ever present, in the corner of the sitting room. Our everyday behaviour is now invested with the knowledge of his presence. The actions we take, staying home, keeping two metres from one another, have a direct, logical relationship to the struggles of people gasping on ventilators in intensive care units.

    It is alien for us to have death at such close proximity. We have in the last decades managed to block it out, hide it away, to think that if we throw all our resources at it we might prevent it.

    But of course death is as natural to life as birth.

    Most of the time doctors battle against the humdrum vagaries of life: the sore throats, broken arms and anxieties; but now and then we are called upon to joust with death, and sometimes during this battle we have to lay down our arms and allow death take its prize.

    Some of my patients have begun dying from Covid-19. They have been unwell for a few days with fevers, chills, and muscle pain. Most get better after a week, but some suddenly develop hypoxemia, a low level of oxygen in their blood, and a few hours later are on a ventilator, mechanically deflating and inflating their lungs.

    If they develop the cytokine storm, a sudden rush of inflammatory cells entering the lungs, the immune system aberrantly attempting to combat the virus, they often die. Death walks the intensive care unit, taking every second patient.

    Just before the pandemic started I made several house calls to an elderly couple. They lived in an airy, high-stucco-ceilinged apartment, full of the accretions of a long life: family pictures hung on the walls, showing adult children, grandchildren; a straw parasol from a tropical holiday in the corner; coloured crystal glasses on the fireplace.

    In an overheated bedroom the elderly man lay on the bed, his limbs cachexic, his skin mottled with liver spots. His chest heaved unnaturally with the effort of breathing. The pump of his heart was failing, so his lungs filled with fluid.

    I had sent him to hospital twice, where they had tapped his lungs, but the respiratory physician called me on his final discharge to say that they would not take him again. I had tried, with diuretic tablets, to clear his lungs, so he could breathe more comfortably. But now even these were failing. It was time to lay down arms and give comfort, rather than fight.

    I took his wife and son aside in the darkened corridor and told them that I would be removing most of his medication, giving just the necessary to make him comfortable. His wife begged me to send him to hospital, saying that she had arranged things so the whole family would be home for Christmas to spend it with him.

    I tried, as best I could, to explain that now was the time to recognise that he would soon die, to gather the family quickly, to make him comfortable, and to spend that time with him. After a long discussion they became reconciled to the situation, took their places either side of the bed, holding the old man’s hands in theirs.

    The home nurse injected an infusion of morphine to relieve his distress, and I left to the sound of the quietening of his ragged breathing and his wife’s sobs.

    By recognising what death is we recognise what life is. That is maybe why this feels like such a moment of quickening. Death has come knocking at our doors and we are forced to open and acknowledge him. The door will close again, but the collective memory will remain, and when the pandemic is over this may help us to invest life with more meaning.

    Read the first installment of Dairy of a Pandemic Doctor here.