Tag: Hubert Butler

  • Substituting Memory for History in the (Mis)information Age

    History, Stephen said, is a nightmare from which I am trying to awake.
    James Joyce, in ‘Nestor’, from Ulysses (1922)

    If there is any substitute for love, it is memory. To memorize, then, is to restore intimacy.
    Joseph Brodsky, in ‘Nadezhda Mandelstam (1899-1980) An Obituary’, from Less Than One: Selected Essays (1986)

    One of the more contentious trends in contemporary historiography, and philosophy of history, is the weird juxtaposing of memory and history, with the latter being privileged (perhaps unsurprisingly, by professional historians) as somehow superior, or more objective. This is evident, for example, in the work of Roy Foster (e.g. ‘Sorry is not enough’, London Independent, 17/07/1999), and of David Reiff (‘The cult of memory: when history does more harm than good’, The Guardian, 02/03/2016). This tendency may have partly originated in a reaction against the work of French historian Pierre Nora, who, in his efforts to define what constitutes a ‘true’ history, instigated this opposition between history and memory. Because outright political agitation and national imperatives dominate readings of history, he argued (see Realms of Memory (1996/1998), therefore there is no objective truth to be found there. However, he went further, adopting the nihilistic perspective that because memory, although preferable, is also selective, there is, effectively, no such thing as a recoverable past. In his somewhat opaque attempt to reconcile Marxist dialectics with an underpinning theology, ‘Theses on the Philosophy of History’ (1940), Walter Benjamin took a more measured, if equally audacious approach. In Thesis VI he wrote:

    To articulate the past historically does not mean to recognize it the way it really was’ (Ranke). It means to seize hold of a memory as it flashes up at a moment of danger. Historical materialism wishes to retain that image of the past which unexpectedly appears to man singled out by history at a moment of danger.

    But how exactly has memory come to be viewed as the poor relation of history? For what else is history, ultimately, but the product of memory? Or, at the very least, a consequence of the urge to memorialise? If only because Memory (Mnemosyne) is the mother of History (Clio), as she is of all the muses.

    This shift in status is compounded by the current fearmongering panic and paranoia about the threat to humanity and the humanities by the dreaded Artificial Intelligence. While AI is NOT nothing to worry about, it should be remembered that narratives of conflict in contested spaces have always been distorted by misinformation: it is known as ‘the fog of war’ or, more commonly, ‘propaganda’. All that has improved (or disimproved, because of the uses to which it is put) is the technology. As the great Irish essayist Hubert Butler wrote in ‘The Sub-Prefect Should Have Held His Tongue’:

    Speed of communication has increased, and we are expected to have strong feelings about an infinite series of remote events. But our powers of understanding and sympathy have not correspondingly increased. In an atmosphere of artificially heated emotionalism truth simply dissolves into expediency.

    That was in 1956. It was ever thus. Whatever the contemporary concerns about manipulation by A.I., data harvesting, algorithms and bots, it seems to me that digitally native under-30s are more than capable of dealing with the vagaries of the media with which they have grown up and are therefore adept at handling because of easy familiarity. When it comes to being duped online, the kids are savvy enough. It is the supposed adults in the room you have to fear for and keep an eye on.

    Perplexity as to the status of historiography as a somehow tainted literary representation or a scientific unbiased recounting is nothing new, with E. H. Carr’s What Is History? (1961) provoking fierce responses like that of Geoffrey Elton’s The Practice of History (1967), because of Carr’s relativism and his rejection of contingency as an important factor in historical analysis; that is, his almost proto-Baudrillardian notion of history as a partisan pursuit, a simulacrum written by the winners, or at least by those whose relative perspectives are skewed by vested interests or their own agendas. Elton, on the other hand, was a strong defender of traditional modi operandi and was appalled by postmodernism and multi-narrative histories, seeing the duty of historians as empirically gathering evidence and objectively analysing it.

    Thucydides Mosaic from Jerash, Jordan, Roman, 3rd century AD at the Pergamon Museum in Berlin.

    Herodotus vis-à-vis Thucydides

    The Carr/Elton debate can be seen as a more recent reenactment of a controversy which has reoccurred throughout (as it were) history, for example in relation to perceptions surrounding the virtues and drawbacks of Herodotus vis-à-vis Thucydides as historians of Ancient Greece, or of Suetonius in contrast to Tacitus of Ancient Rome, the methodology espoused by each echoing the practice of their predecessors. Thucydides and Tacitus may be more analytical and less anecdotal than Herodotus and Suetonius, but their histories are still based on interviews with participants and eye witnesses, and then drawing their own conclusions. How do we know if these interviewees were telling the truth, or if their memories were accurate or faulty? They could be deliberately lying, or accidentally misremembering. Plus, these informants are rarely named. Then there is the question of how much bias effects the reliability of Herodotus’ Histories and Tacitus’ Annals of Imperial Rome, given their respective Athenian and Roman sympathies, which they freely admit. Herodotus may have been accorded the accolade the ‘Father of History’ by Cicero, but at least as early as Plutarch’s pamphlet On The Malignity of Herodotus, he has also been known as the ‘Father of Lies’. When introducing his English translation of the Annals, Michael Grant even refers to Tacitus’ ‘mask of austere impartiality’. Meanwhile, much of Plutarch is pure entertaining hearsay. Furthermore, it is worth remembering that the Greek word Ιστορία (historia), from which our own specialised meaning is derived, meant ‘research’ or ‘inquiry’, rather than the definitive account, and is how Herodotus’ titled his work.

    So, while from an early twenty-first century perspective, Herodotus may seem more like a chronicler rather than an analyser, it is important to remember history’s origins in storytelling, and the influence of Homer’s Iliad and Odyssey – the stories from both of which were recited orally long before they were ever written down – on Herodotus’ mindset and methodology. Indeed, in an echo of those tales told around a campfire, which rhymed to facilitate ease of memorisation, it is believed that Herodotus would have given public readings from his Histories in Athens. For this reason, we may find it more understandable that he is nebulous about the differences between tradition and history, and that he did not always realise that eye witness accounts of the same event can vary. If literature is what is written, and Herodotus was writing history, we should not forget the debt both literature and history owe to the oral tradition.

    Of course, professional historians will argue that historiography has come a long way since antiquity, especially through the use of documentary evidence – inscriptions, manuscripts, treaties, newspaper and (latterly) television and radio reports, court records, archival material and archaeological discoveries, etc. But all of these (un)reliable sources are, finally, human products and personal artifacts, and thus subject to the fallibility of the species – certainly in their interpretation if not equally so in their inception. Just because something is written down does not make it true, or even representative. What pressures were being exerted on those doing the writing and signing, and what did they stand to lose or gain by their acts of scrivening – their Oaths of Allegiance and their Declarations of War? How far can we even rely on those who observed them, or who claim to have done so? Indeed, overreliance on these constituent parts privileges literacy over the oral tradition, one which Herodotus (influenced as he was by the Homeric epics) came out of and which historians have always relied upon – however unreliable it, in turn, may be, based as it is on folk memory. To favour the written over the spoken word does a great disservice to so-called ‘ordinary’ people, and smacks of a ‘made by great men’ approach to historiography. In this prejudice originates the elevation of History over Memory.

    History Faculty building on the Sidgewick Site of the University of Cambridge.

    Worthwhile Academic Pursuit

    None of the foregoing is intended to denigrate the study of History as a worthwhile academic pursuit. But one has only to trace the history of nationalist, revisionist and counter-revisionist narratives of past events on our own island over the preceding century or so to glean an inkling of the fluctuations of fashion in how history is done and disseminated, and to be aware that all readings of history, whatever the original sources or new evidence which come to light, are necessarily provisional. Plays by Brian Friel like Translations and Making History engage with how this history has been made, and remade. The presentation of the past, whether in memory or history (or historical memory), and the relation of both forms of presentation to the ideal of an unmediated past – that is, to an account of the past not distorted by the medium in which it is presented – is illusory. In this regard, every form of (re)presenting the past is a construction and an attempt to pass on something that is already forever lost.

    The concept of historiography as representation, which can easily shade into fiction, while being presented as factual truth, has correlatives in our own time. Herodotus’ treatment of the Persian invasions under Darius and Xerxes implies an underlying conflict between the absolutism of the East and the allegedly free institutions of the West, between Persian monarchy and Athenian democracy. The fact that we have no Persian record of the Persian Wars is down to the fact that Persia was an oral culture, and their version has been lost in the mists of time. In this case, written words would have proven useful. Herodotus’ contention that democracy was the cornerstone of Athenian superiority, and his praise of it as responsible for Athens’ pre-eminent position, might make us mindful of the justifications invoked for the 2003 invasion of Iraq by the United States and Britain. While bringing the benefits of democracy and freedom to a former dictatorship was the general goal of the invasion, the proximate goad was the supposed presence of weapons of mass destruction within the jurisdiction of that regime, a piece of ‘intelligence’ which was subsequently exposed as a faulty, if enabling, fiction. However, that the reason for going to war ultimately proved to be another instance of imaginative invention, every bit as much a representation (or spin) as elements of Herodotus’ Histories, did not bother the advocates of that invasion unduly after it was discovered, evidence that people are still as enthralled by mythic embroidery masquerading as objective fact as they ever were.

    To be sure, in Herodotus’ day it was the Persian Empire which was the aggressor, looking to colonise Greece, and the united city-states, including Athens, were merely defending themselves. The notable difference in our day is that it is the democrats who are doing the invading, with the sanctioning intention of toppling an absolute ruler, or eradicating terrorism. Again, how often today do we hear the sound bite, employed not only in defence of Israel’s right to defend itself, but also in support of its continued existence, that it is ‘the only democracy in the region’? Without too much of a stretch, it could be argued that Herodotus was indulging in an early version of what Edward Said subsequently termed, in the title of his masterly book which almost single-handedly founded postcolonial studies, Orientalism (1978). Having initiated the debate, Said developed it further in Culture and Imperialism (1993), sensitising the average western reader to this strange and sinister colonialism of culture. Sadly, these tropes will not cease, for obscurantism is not the sole prerogative of any epoch, or political grouping.

    Said’s originality was evident in the way he defined the subject of his book.  Orientalism is, first, an academic specialisation: a topic studied by archaeologists, historians, theologians and others in the West who are concerned with Middle Eastern and North African cultures. But Said added two further meanings to the term. Orientalism is also something more general, something that has shaped Western thought since the Greeks: namely, a way of dividing up the world between the West and the East. What appears to be a simple geographical fact is, says Said, actually an idea. The division of the world into these two parts is not a natural state of affairs, but an intellectual choice made by the West in order to define itself. The third meaning for Orientalism is more historically specific. Since the latter part of the eighteenth century, when European colonialism in the Middle East developed most fully, Orientalism has been a means of domination, a part of the colonial enterprise. Said argues that colonialism is not only about the physical acts of taking land, or of subjugating people, but is also about intellectual acts. The academic study of the Orient is unthinkable outside its colonial context and vice versa. So, rather than just an innocent scholarly topic, Orientalism is a general way of imagining the world’s divisions and a specific mechanism for furthering the colonial quest.

    Following Foucault, Said describes the Orient as a product of discourse; that is, not as something in the world that is discovered and analysed, but as something created by Western institutions and ideas. The definition of the Orient is a means of regulating it; the apparent truths discovered are in fact ideas circulated and accepted as part of Western colonial activity in the Middle East. The sense of the Orient as a discursive construct, in turn, enables Said to make one of his most important and striking arguments: what the West believed it had discovered about the East tells us little about the colonised cultures, but much about the coloniser’s. The texts and disciplines that comprise Orientalism – historical narratives like that of Herodotus, analyses of religion, travel writing, etc – reveal the values and preconceptions of the West, of the way people in Washington or Paris or London, or indeed fifth century Athens, wanted to see themselves, their fears and ambitions and prejudices. In particular, the image created of the East is used as a means of constructing one’s own identity. The picture of the East functions as a distorting mirror image, enabling the West to say that whatever they are, we are not. This emphasises the way in which a duality, often referred to as a dyad, is set up: West and East, us and them.

    In spite of the growing influence of Asian nations and the recent ‘Easternisation’ of international politics and trade, such exclusively Western- or Euro-centric readings still predominate our understanding of global history. This is a mindset which has been challenged, in what can be seen as a continuation of the Orientalism project, by Peter Frankopan, in his The Silk Roads: A New History of the World (2015), and The New Silk Roads: The Present and Future of the World (2018). One would do well also to have a look at Palestinian-American Rashid Khalidi’s books Palestinian Identity: The Construction of Modern National Consciousness (1997) and The Hundred Years’ War on Palestine (2017), in which he depicts Israel as a settler-colonial state, and argues that the modern history of Palestine can best be understood as ‘a colonial war against the indigenous population’.

    Bakhmut_during_the_battle_(2023-04-05).

    Proxy Wars

    Both of the ongoing international conflicts which dominate the news cycle in these times, the Russian invasion of Ukraine, and the Israeli-Hamas hostilities, are in truth complex proxy wars. Appeasement, or its more recent first cousin, conflict management, does not work. As Professor Yossi Mekelberg, of the venerable Chatham House Think Tank, has written:

    One conclusion from the collapse of the status quo between Israel and the Palestinians is that conflict management is a fallacy that has failed time and again. As a long-term instrument it at best buys time until the next round of violence begins. More than 75 years of conflict between Israel and the Palestinians have seen periodic outbreaks of hostilities and periodic efforts to bring peace based on a two-state solution. For most of this time the focus has been on managing the conflict. This exposes a lack of belief that a peace agreement laying to rest the differences between the two peoples can be reached. It also shows that the international collective security mechanism set up after the Second World War has failed in its mission to peacefully settle conflicts.This conflict does not need management, it needs its root causes to be addressed.

    The Northern Ireland Peace Process, which culminated in the Good Friday Agreement of 1998 (‘Sunningdale for slow learners’), provides some hope that reconciliation is possible in ‘lost cause’ situations, even if underlying tensions still persist. At least it put an end to what were euphemistically termed ‘The Troubles’, with their violence and loss of life. A United Ireland will happen sooner or later, and it will be an economic problem, much as the reunification of Germany was: Britain does not want to continue footing the bill for the statelet, and the Republic of Ireland is charry of taking it on. Meanwhile, most of those resident in the territory – from whatever side of the Unionist/Nationalist sectarian divide – are more preoccupied about having to pay for G.P. visits and prescriptions, should they find themselves in a New Republic.

    The Russian/Ukrainian stalemate might be resolved if Putinistas were to be purged of their nostalgia for the Russian Empire and the former reach of the U.S.S.R., and had their fears over N.A.T.O. encroachment addressed; and if Zelenskyyites were not so ardent in their pursuit of N.A.T.O. membership. The Russian invasion was not, as is routinely heard in Western governmental and media discourse, entirely ‘unprovoked’. As Professor Jeffrey D. Sachs of Colombia University has written:

    A far better approach for Russia might have been to step up diplomacy with Europe and with the non-Western world to explain and oppose U.S. militarism and unilateralism. In fact, the relentless U.S. push to expand NATO is widely opposed throughout the world, so Russian diplomacy rather than war would likely have been effective. […] The key to peace in Ukraine is through negotiations based on Ukraine’s neutrality and NATO non-enlargement.

    As for the seemingly intractable Israeli/Palestinian conflict, with its attendant apartheid, ethnic-cleansing and genocide on the part of the more powerful and well-resourced combatant: if Israel were suddenly left to fend for itself, without being massively underwritten by the U.S. and the E.U., it would soon have to start behaving itself, and acting in a civilised manner with its neighbours – just as a reduction in Iranian (bankrolled by Russia), Qatari and Yemeni support for Hamas would greatly alleviate tensions in the zone. Alas, this is not going to happen, given the North American imperative for a strategic foothold in the region and Zionist funding of their politicians through AIPAC, coupled with German Holocaust guilt, and the onus on oppositional sympathisers to provide some sort of counterforce. The only difference between the I.D.F.’s war crimes and those of Hamas is that the latter lacks the technology to do as much extensive damage, because the former enjoys such disproportionately huge investment, and impunity.

    History makes no mistakes because it has no purpose – that much Hubert Butler must have known by that time (1930s and 40s) if only because at Oxford he read the Greek and Roman classics. In any case, the dishonesty, self-deception and self-aggrandizement of those evoking history to pull the trigger didn’t escape him, not did their utter humanness. His knowledge of Russian…and of Serbo-Croatian,not to mention his French and his German, helped him along the line, no doubt, enormously. The detection of humanness in those whose words and deeds obscure it is, however, his own feat. On the other hand, this must have been easier for him, an Irishman, since schizophrenic uncertainty is humanness’ integral part.

    So wrote the great Nobel Prize-winning Russian poet Joseph Brodsky in ‘On Hubert Butler’ (1994). In what could be read as a corrective to the notion of this blind, ahistorical history, he also gave this insight in his essay on the work of the great Greek pre-Modernist poet, Constantine Cavafy, ‘Pendulum’s Song’ (1975): ‘The only instrument that a human being has at his disposal for coping with time is memory, and it is his unique, sensual historical memory that makes Cavafy so distinctive.’ However, if the school principal in the ‘Nestor’ episode of Joyce’s Ulysses, Mr. Deasy, is blatantly antisemitic in his exchanges with Stephen Dedalus, Brodsky, in another essay, ‘Flight from Byzantium’ (1985), is patently Islamophobic, displaying a smug ignorance and revulsion of ‘the East’. Indeed, so vitriolic is his repugnance, it is tempting to speculate that he is intentionally verging into parody:

    The delirium and horror of the East.  The dusty catastrophe of Asia. Green only on the banner of the Prophet.  Nothing grows here except moustaches. A black-eyed, overgrown-with-stubble-before-supper part of the world.  Bonfire embers doused with urine.  That smell! A mixture of foul tobacco and sweaty soap and the underthings wrapped around loins like another turban.  Racism?  But isn’t it only a form of misanthropy?  And that ubiquitous grit flying in your muzzle even in the city, poking the world out of your eyes – and yet one feels grateful even for that.  Ubiquitous concrete, with the texture of turd and the colour of an upturned grave.  Ah, all that nearsighted scum – Corbusier, Mondrian, Gropius – who mutilated the world more effectively than any Luftwaffe! Snobbery?  But it’s only a form of despair.  The local population in a state of total stupor whirling its time away in squalid snack bars, tilting its heads as in a namaz in reverse toward the television screen, where somebody is permanently beating somebody else up.  Or else they’re dealing out cards, whose jacks and nines are the sole accessible abstractions, the single means of concentration.  Misanthropy?  Despair?  Yet what else could be expected from one who has outlived the apotheosis of the linear principle? From a man who has nowhere to go back to?  From a great turdologist, sacrophage, and the possible author of Sadomachia?

    Brodsky even goes on to argue that: ‘By divorcing Byzantium, Western Christianity consigned the East to non-existence, and thus reduced its own notion of human negative potential to a considerable, perhaps even a perilous, degree.’ He also implies that: ‘…the anti-individualistic notion that human life is essentially nothing – i.e., the absence of the idea that human life is sacred, if only because each life is unique’, originates in the East, and that Western Christianity’s neglecting the experience supplied by Byzantium is the reason why college campus killers are classed as mentally ill, and presumably suicide bombers are labelled religious fanatics, as opposed to just plain evil. If supposedly enlightened classical humanists can harbour such sentiments, what hope can there be for reconciliation and mutual understanding?

    Interestingly, in ‘A Man Must Not Be Too Moslem’ (1953), Paul Bowles (while admittedly, no friend of Said – See Hisham Aidi, ‘So Why Did I Defend Paul Bowles?’, New York Review of Books, 20/12/2019) took entirely the opposite tack, and was so prescient that the ideas contained therein could have been ripped from today’s headlines. He wrote:

    Rationalizing words like ‘progress’, ‘modernization’, or ‘democracy’  mean nothing because, even if they are used sincerely, the imposition of such concepts by force from above cancels whatever value they otherwise have. There is little doubt that by having been made indifferent Moslems, the younger generation in Turkey has become more like our idea of what people living in the 20th century should be. The old helplessness in the face of mektoub (it is written) is gone, and in its place is a passionate belief in man’s ability to alter his destiny. That is the greatest step of all; once it has been made, anything, unfortunately, can happen.

    Mit Gewalt aus Bunkern hervorgeholt (‘Forcibly pulled out of bunkers’)

    Victims of Oppression go on to Oppress

    It can be argued that what Israel is doing in Gaza, and has done to the countries which surround it since its foundation, partakes of the classic pattern of abusive behaviour, on a national rather than an individual level. ‘Those to whom evil is done/Do evil in return’ as W. H. Auden had it in ‘September 1, 1939’. It is not unheard of that victims of oppression go on to oppress even more. The Jewish people, who were victims of a genocide perpetrated by the Nazis during the Second World War, are now themselves perpetrating a genocide against the Palestinian people. Perhaps Brodsky’s Jewish ancestry accounts for his self-advertised blindspot: he was merely conforming to stereotype. But the Children of Gaza by now far outnumber Butler’s ‘The Children of Drancy’ (1968/78) – with the added developmental difference that now the whole world is watching their slaughter. Yet the majority of Western leaders persist in standing staunchly by Israel and its policies, paying mere lip service to popular calls for a ceasefire while continuing to supply the weapons used for the razing of Gaza and the annihilation of its people. The last thing our planet needs in this day and age is the continued endorsement and maintenance of yet another theocratic ethno-state. We in Ireland should know this all too well. George Santayana’s famous aphorism is usually misquoted as ‘Those who do not learn from history are doomed to repeat it’, but in its original form read, ‘Those who cannot remember the past are condemned to repeat it.’ Unfortunately, no one learns any lessons from history, and remembers only what suits them, which is why it constantly repeats itself – first as tragedy and then as farce.

    Bad things undoubtedly follow when any ethnic or national or religious grouping (often a toxic concoction of all three) claim to have all the answers, and so start getting notions that they are The Master Race, or The Chosen People, or undertake Crusades against the Heathen or Jihad against the Infidel, or any convenient Evil Other. Note that I include here such secular religions as Fascism and Communism, which too frequently manifest as latter-day utopian belief systems which can be used to sponsor mass murder.

    All wars are, at root, economic. The geopolitical importance, the religion and the patriotism, the toppling of tyrants and establishing of democracy, are just the attendant window dressing. (Doubtless, all those anti-materialists who would prefer to forget, or only remember in an approved way, will here dismiss my arguments with the classic cheap insult of ‘vulgar Marxist’ – incidentally, a phrase Foster has appropriated from Benjamin’s Theses, although used there in an entirely different context. Apparently, there exist kosher, refined Marxists, and objectionable, vulgar Marxists. Thus, E. P. Thompson is deemed acceptable within the academy, despite the fact that he expressed sentiments such as, ‘so great has been the reaction in our time against Whig or Marxist interpretations of history, that some scholars have propagated a ridiculous reversal of historical roles: the persecuted are seen as forerunners of oppression, and the oppressors as victims of persecution’ (from The Making of the English Working Class (Penguin, 1978).) Yet all wars also end eventually, if only for longer or shorter periods, either through disengagement, conquest, de facto surrender, formal surrender or negotiated peace agreement. The means of disseminating misinformation may be more covert, efficient and persuasive, but what does not change is human nature. The apportioning of blame, who has right (or God) on their side, is in most conflicts a question of ‘How far back would you like to go?’ (which is, in turn, a slightly more grown-up rendering of the childish playground staple, ‘You started it’). Would that be the first incursion or the latest atrocity, or any point on the calendar in-between?

    At some point, the origin of the primordial offence recedes from history into myth – found in sacred books and the stories people tell. Sometimes it is even, conveniently, the Word of God (be it Yahweh or Allah). Arguably, memory is more historically accurate than lots of competing histories. Indeed, as has been demonstrated, many of those histories, official and unofficial alike, are based on recollections after the fact. Ultimately, history is nothing more or less than memory. Yet memory fades, unless it is recorded – however rigorously or haphazardly – in history. We currently stand as helpless as we ever were when The Sleep of Reason Produces Monsters, as Goya had it, and Voltaire’s admonition, ‘Whoever can make you believe absurdities can make you commit atrocities’ is still, sadly, applicable.

    Feature Image Otto Dix, Sturmtruppe geht unter Gas vor (“Stormtroopers Advance Under a Gas Attack”), 1924.

  • Towards the Brink of the Cataract

    Unaware of the roaring cataract ahead, a small boy splashes in the dark river named Dodder, cheap buoyancy aids on his arms, flailing them in the manner called the dog’s paddle, eyes and mouth squeezed shut, neck stretched to keep his head above the surface. I shout a warning, which he must hear because he squints one eye open, manages an uncertain glance at me before he drops in slow motion towards the froth and blackness below, not screaming. An unseen piano makes clichéd sounds in the background and this musack is the main element that irritates me awake. I already know that all the children are safe in their beds, and this can only be a cheap movie scenario in which I am the small boy.

    Even my nightmares are cinematic clichés, retribution for spending most of my life trying to avoid them. It’s a bit late for me to invent a new scenario in which life itself might be a dream, the music not potently cheap, the mise-en-scène not too close to the bone; too late to wake up and start all over again. Best to count my blessings and face the end of my ninth decade with equanimity.

    Not much older than me, my island home has survived the past hundred, vaguely independent years before falling over the economic cliff. Despite having lived the greater part of my life in a contented region called Conamara in the waste of Ireland, it is impossible to avoid the suspicion that my personal and cultural identity are also falling to bits.

    Dara Beag O Fatharta from ‘Culchies – An Excerpt from ‘A Monk Manqué’

    My fellow-citizens and I have shape-shifted from being the credulous members of an imperial Roman Church, then being shanghaied as reluctant subjects of the British Empire, finally citizens of an embryonic European Empire, which looks like ending up as the Fourth Reich. But unconsciously we are, and have been for many years, carriers of the most recent imperial virus, this time North American. Now, as Hubert Butler predicted many years ago, ‘…there is nothing but Anglo-American culture to unite us.’

    In this chameleon state we exist, of course, less in the literal sense than imaginatively which, in the Irish psyche, certainly in mine, tends to be more real. Our new masters’ films – pardon me, movies – and TV shows have filled our waking hours and daydreams.

    Not many years ago I counted ninety cinema screens in Dublin in which not a single Irish film was to be seen. The bulk were American. Although I now require subtitles for the more recent manifestations of their staccato, one-phrase dialogue I have not quite mastered the Tarantino fashion of peppering my scripts with four letter expletives. Must try harder.

    The empire’s audio-visual avalanche has forged mine, my childrens’ and my grandchildrens’ dialects and tastes. We of an older generation cannot be excused; Jack Nicholson was for long my ideal actor and Humphrey Bogart taught me to smoke fifty years ago.

    A Monk Manqué II: Thaura Mornton

    The Truth of the Three Williams

    It should not upset me that my grandchildren prefer Rap to O’Riada. The truths of the three Williams – Faulkner, Saroyan and Goulding – were once gospel to me. American playwrights Arthur Miller and Edward Albee were in my mind long before Brian Friel became my favourite.

    We are now fortunate to speak the American dialect of English because we need go no more with our bundles on our shoulders to Philadelphia in the morning. Philadelphia has come to us in the form of Google, Facebook, Pfizer, Hewlett-Packard and the rest of the multinationals, which are now the core of our island’s economic wellbeing as well as a reminder of our anxious dependency.

    The fact that up to seventy five percent of the resident I.T. multinational employees are non-Irish, while four hundred thousand of our youngest and brightest have in the last five years slipped quietly away only confuses the matter, but must not be brooded over. At least the multinational surveillance company (SGS) from which I must beg renewal of my driving license is harmlessly Swiss.

    Apart from the last exception, our cultural credentials are impeccable. If forty million United Statesians are deluded enough to call themselves Irish we must be entitled to return the compliment and claim documentation as Yankee Doodle Dandies. Unfortunately the US immigration authorities now screen us potential emigrants at source, literally on our native soil in Shannon airport. As Peter Fallon urged – and I know very well I am retooling his context – in a recent poem:

    Say never again to The Wild Irish Rover,
    No more to The Minstrel Boy.
    Give us back our sons and daughters,
    Say that Ireland is over.

    Northern Ireland, 1969.

    Great War

    How fragile our illusions of sovereignity have been, how transformed has been this trading post in the last century, since a teenager named James Toner – along with 200,000 other Irishmen who needed a job – ran away from his home in Dublin to join the British Army. As a private in the Royal Army Medical Corps young James’ task was to collect the body parts of his fellow youths killed among the bloomin’ roses in Picardy. He survived the horror and grew up to be my uncle Jim.

    I just looked him up in the British Military Archives.

    Conferment of the D.C.M. gallantry award was announced in the London Gazette (1920) and accompanied by a citation:

    Award Details: 61586 Pte. J. Toner. During the period 17th September to 11th November, 1918, while acting as a bearer, particularly at the capture of Bohain. There being a congestion of wounded, he repeatedly led forward squads of bearers over very difficult country during the night and greatly assisted in the evacuation of them.

    This means that Jim did something foolhardy, at least under cover of night,  in the midst of a carnage that was never revealed to us, his nieces and nephews.

    A Monk Manqué

    Back in Dublin with a small war pension, Jim married, begat no children and endured Irish patriotic resentment at his fighting for the Old Enemy. Even his brother-in law disapproved of him. When my father made the drawing of four-year-old me, Jim was not impressed. He acidly pronounced: “The boy may be alright, but he has the head of a bloody rogue.”

    I overheard that remark and worried about it. Surely he was joking? Or was he envious because he had no children himself? I now surmise that it was general bitterness because nobody, especially not my father, wanted to hear about the horrors Jim had witnessed in France. He had been informally decreed an Irish traitor in the British army.

    Sometime in the 1950s he decided to abandon his golf, at which he was local champion, and his buoyancy aid, whiskey, and put an end to the pain that was identified too late. It is now called post-traumatic stress disorder (PTSD) and is applied to the euphemism ‘veteran’. Uncle Jim put an end to his pain with the aid of a gas oven.

    There are other associations. When the British army abandoned our sacred soil in 1922, Uncle Jim’s sister Kathleen ran away with her boyfriend, a Tommy named George Thomas.

    A possible fatal attraction was the fact that both of their fathers kept pigs; science now says that personal odour is a most powerful sexual signal. I met the ageing lovers in their home at Abingdon, Berkshire in 1964 when Uncle George unexpectedly said to me: “I glory in you, Bob.”

    I think he meant that I appeared not to have inherited my father’s prejudices against the English. He was wrong; our parents’ prejudices are lodged in our DNA but, as a form of energy, can happily be redirected at more fitting targets, such as the English Public School system and all their imitators closer to home. Oh, the bitther word!

    When World War II (like War Number 1, a civil war between blood brothers, the Germans and the English) came along, one of Uncle George’s sons, Sidney, enlisted as a teenage frogman and acted, at nineteen, as one of those cockleshell heroes who attached limpet mines to enemy ships. He became a hero of mine and survived to produce a pretty daughter named Cathy whom I subsequently persuaded to elope with me briefly to Ireland where we had midnight swims at Killiney beach and were referred to as kissing cousins. Cathy later married a Red Devil, one of those RAF people who put on daring aerial displays.

    Early Days in RTE.

    Born in the Pale

    These connections make me wonder if I am not still a bloody rogue and worse, a fellow-traveller of that suspect class, a West Brit rather than a putative citizen of America.

    For a start, I was born in the Pale: Dublin and its environs. My first language was English, albeit in a dialect light years away from the BBC accent, whose Home Service provided most of my childhood listening pleasure; Radio Éireann broadcast only a few hours per day.

    My early reading was what we called the comicuts, The Rover, The Hotspur, The Eagle, all published in England. My favourite authors were Robert Louis Stevenson, Arthur Conan Doyle, G.A. Henty, Agatha Christie, P.G. Wodehouse, John Wyndham, Leslie Charteris and so forth. Even the Irish language detective story writer Reics Carlo, who was obligatory reading in school, turned out to be English.

    But as I grew up I betrayed them all for the likes of Irwin Shaw, Kurt Vonnegut, Norman Mailer and Hemingway, and now I know I’m a virtual Yank. I assure you that this is less a form of ingratiation with the American Chamber of Commerce than one of realisation and resignation. No problemo.

    There are more ingredients in this cultural Irish stew.

    Among our official heroes, Pádraic Pearse’s father was from Birmingham; James Connolly came from Edinburgh and James Larkin was a Liverpudlian. No wonder I am ambivalent about nationalism, Irish, English and American and still cling to that long-lost cause: socialism.

    The last night of the Proms in the Albert Hall disturbs me, with its sea of Union Jacks and Hooray Henrys rendering Land of Hope and Glory – because I am moved by Elgar’s music (although he did not write the lyrics, which are as Kiplingesque and vainglorious as Deutschland Ueber Alles).

    When filming American schoolchildren with their hands on heart, reciting the daily oath of allegiance to their flag, I am also uneasy. Indoctrination of the unruly young starts early on that continent but, by contrast, nationalism has in recent years become a vulgar word in Ireland.

    How do the British and the Yanks get away with their jingoism? And where, apart from everywhere and nowhere, do we Irish really fit in? To those who, like myself, find all of this disconcerting I say, cop on, get a life, get the message, get over it, get with it, and other such novel and useful imperial edicts. No worries.

    Staying for a moment with the phenomenon of British and American nationalism, I wonder if the answer may not be that they were both empires whereas Ireland’s only imperial conquest was spiritual – mainly among the black babies of Africa – and that appears to have been erased by our national amnesia. As very soon must happen to me as, dragging my feet like a reluctant schoolboy, I approach four score and ten, intending that looming watershed to be more an act of defiance than any petty celebration.

    Last Day in RTE: “I have come to kill you”

    ‘Yourelookingreathaventchangedabit’

    On my ninetieth birthday I shall beware of those who say: “You’re looking great, haven’t changed a bit.”

    My exact contemporary, the late Ben Barenholtz, a survivor of Naziism and a New Yorker, who produced Coen brothers’ films and gave me a present of a book of all of Cole Porter’s lyrics, told me that he has an ex-friend, a liar who has said exactly the same thing to him every year for the past twenty years.

    The astonishing thing about this compliment is that we ancients believe it. We skip and dance down the road until we are forced to pause, whereupon we resemble the silent nun in Elizabeth Jenning’s poem who was breathless with adoration. We oldies, by contrast, have merely run out of breath, full stop, or period, as I should really learn to say.

    The truth of the above platitude, ‘yourelookingreathaventchangedabit’ is simply this: we are decommissioned. Joseph MacAnthony has described our aged generation as tourists in the departure lounge. We exist, persist, only in our anecdotage.

    Who would have thought that little Riobárd, the boy in the drawing, would survive so long? Certainly not himself, whose life expectancy as a film and TV maker was long ago estimated by an insurance Actuary to be no more than forty five years.

    What matter that this little Jackeen has spent more than half his life in the least colonised part of Ireland – the Gaeltacht of Conamara which, paradoxically, he has long known to be spiritually and economically closer to Boston than to Dublin.

    Who gives a tinker’s curse that the Jackeen in question, having read so many comments, references, articles, essays, even PhD theses about his minor oeuvres, now dares to give his version of the story?  But age confers a protective veneer of immunity, anonymity, even a kind of invisibility on the elderly so one is free to say what one likes.

    Kurt Vonnegut

    As Kurt Vonnegut – who in one of his modest communications to me referred to himself as an old fart who smokes Pall Mall – put it: “Old men are obscene and accurate.” We can experience a kind of lightheaded bliss when we notice our fuel gauge moving towards empty and we can offload petty concerns.

    The present words are thus an act of memory, which is equally an act of imagination and may be approached academically as sub-Proustian because although my life sentence has been long these sentences are, with a few exceptions, not.

    I also possess unlimited memorabilia – photos, letters, diaries, the usual bric-a-brac of a life – which may save me from downright lying. Besides, there are those modest films which constitute aides-memoire and, not least, may be treated as having been personal buoyancy aids, otherwise described as vain aspirations.

    I occasionally wonder, as I float towards the brink of the cataract, if I do not exist in some other, gentler person’s nightmare?

    Enjoy further episodes from Bob Quinn’s A Monk Manqué on Cassandra Voices