Todo lo que vemos o nos parece, no es sino un ensueño en un ensueño!
‘Everything we see or seem to see is nothing but a dream within a dream’
– Ruben Dario
My father was cremated in Dublin, but he belonged to the heat. In Ireland, he carried Nicaragua on his shoulders—low, heavy, as if the land itself rode with him. He spoke in a voice that never lost the edge of elsewhere –somewhere tropical, somewhere distant. He loved it here, but never lost fully his unique Latin American flair, which, as you can imagine, stood out in a place like Dublin. He wasn’t like the other Irish dads. I used to think he sounded like a story half-told. Now I wish I had asked for the remainder of that story. However, when we wish, it is always too late.
As I stood there, the street, Calle Cuba, was quieter than I remembered it. After many years, I had returned to Central America, my father’s land – the land of my origins and where half of my blood line lies. I wondered what I was going to do. I was now twenty-five, no longer a child, and no longer accompanied by my mother – or, by my father. Having decided to go back to Nicaragua with a backpack, a grief-stricken heart, and many unanswered questions, I was now present in the liminal space of my father’s past. This was where his roots lie. Where he grew up, worked hard. Where he looked to escape from. This particular neighbourhood in Managua now seemed dusty and desolate, with only the curious eyes of the odd passerby and the noise of distant traffic from the main street. The fragments that remained in my memory from when I saw it last seemed louder– brighter. I had come here when I was twelve years old, too young to know the meaning of what was rooted in this land, or the meaning of what it is to be of mixed nationality. Or the meaning of anything, really. No one at home in Ireland ever talked about this side of my heritage. But dad, he ensured I made the journey with him across the wild Atlantic to see the little house that he was building – for me. He always spoke with a quiet pride about what home was to him, or about relatives that I didn’t know. There were a multitude of them. I knew names and names knew me. But that was about it. Even then I felt like a guest in my own story – always listening intently – yet thinking that the stories seemed too hot, too loud, and too far away.
Memory plays funnily in soft focus. Sun-drenched and half-formed, Nicaragua, until I returned, lived more in feeling than in reality. Both he and the past were never truly mine to hold. Learning to count to ten in Spanish when I was twelve was the closest I ever got to it. Jumping up the staircase in the family home with a cousin, one step at a time. Uno, dos, tres. The numbers slipped easily off my tongue, like butter. They were always there, but never had the chance to emerge. Little me was so estranged. Happily Irish, but unaware of this other world that ran through my blood. I remembered the mango tree that grew above this unfinished house, and eating the fruit that would drop lazily onto the roof. I would suck the tropical, flesh-like yellow goodness, right down to the seed, and eat it with salt. I recall the noise of the streets and the colourful birds—how alive everything felt. Even the pavement was breathing, or shimmering rather in the hot sun my mother could not handle.
I remembered the bitter, cacao smell of the coffee plantations we would visit, the sun-lit bamboo, the verdant palm trees and the wild dogs whose bones protruded like knives. I remembered the distant relatives that embraced me with besos and amor. How loved I felt – as the big brown eyed, curly-haired Anita, who had come all the way from Ireland. I felt almost like a prize that my dad had brought to showcase from that far away, capitalistic land in the Western world. And mostly I remembered how, over there, my father was central to it all. The magnet that connected the pieces. His energy was magnetic – too powerful at times – causing friends and family to flock to him. Fast forward sixteen years, and things had changed. He was no longer there to protect me, and the stillness that I felt when I stepped out onto the street reflected exactly that.
Perhaps a part of the reason for my going there again amidst a backpacking trip throughout Central America was to gain some sense of closure. I thought that by being in this foreign and mystical land far from home, I would feel a noteworthy connection and something within me would stir. This, I suppose, was ultimately the goal of my trip, having travelled down through Mexico, Guatemala, El Salvador, and finally, five months later, to Nicaragua. When we arrived on a night bus from El Salvador, the air was hot and heavy as everyone unloaded from the van. There were no presents under a tree, no jingle bells, and certainly no partridge in a pear tree. But this is where I chose to spend this Christmas. A year and a half after my father’s funeral, I guessed being there would allow the unresolved within me to resolve itself. Untangle the threads of grief gently full of quiet resolve, like loosening a knot in silk– carefully, slowly, so nothing tears. Perhaps this was all I thought I had left to reach my father again. And when it didn’t, when it wouldn’t budge, I felt the stillness, the nothingness, that comes after death. The quiet whisper in the dark that tells you ‘there are no more chances’. No more years to resolve the distance or work on a relationship that, just maybe, could have been better. I discovered then, that with death comes release. And instead of idealising and imagining the place in my mind from afar, I saw it in its true colours, miles and miles across the rough Atlantic.
I lost him in a physical sense in June of 2023. Though we hadn’t always been close, his absence tore something open in me—something I hadn’t known was holding me together. It felt like I had lost a layer of myself, the kind that only one who has lost a parent can conceive of. Grief quickly arrived as a hole in my heart that I thought could never be filled again. It’s funny how time works, it plays tricks. Now I feel guilty that I am not sad enough. At first, the sadness was all-consuming. Now, it feels insufficient. When I think back to the weeks following his death, the loss seemed unconquerable- almost like an impassable landscape. Tears would come as I drove to work, causing me to pull over. A song would play, and sadness would follow, my mental state undone by a single lyric. I thought then that this hole could never be filled, that this experience, or the dark shadow of it, would shape me forever more. Now I know that, although this hole can never be truly filled, light can filter in. It can come streaming gracefully in hues of gold, through love, people and moments, and slowly allow me to come back together.
I found out he was sick in spring, and he died in summer. The sun was beginning to slip behind the terracotta rooftop of my home in Central Valencia, Spain, when my phone began vibrating. I had finished teaching English for the evening and my feet were outstretched on the terrace, as I took in the honeyed light that makes you forget that the world can be cruel. When the phone rang I picked up right away, delighted to practice my now fluid Spanish with my father.
He spoke, ‘the doctor says my cancer is terminal, and that I only have months to live’.
I paused. I questioned. The soft breeze blew.
‘What do you mean?’
‘The cancer has spread- to my skin, my lungs, all over.’
I drew in a breath.
And with that, came the kind of loud silence that hangs, the only kind that follows the word terminal.
Dirty Old Town
With that I made a return to Ireland, heading straight to my dad’s apartment in a heavy mist, the grey weather cloaking the city like a shroud. It was a stark contrast from sunny Valencia. Dublin was the same as it always was, red brick and grey, the dirty old town I had grown up in. I loved it and hated it at the same time. I sensed that there was a storm coming. The car radio had said so.
When I arrived at his building, I paused before knocking. He opened the door, and immediately I could see the physical decline. In just a matter of months, the cancer had begun to eat him alive. Inglorious sickness, and soon to be untimely death. Through cigarette smoke, he pulled me into a hug, but the strong and macho man that I knew him to be was fading. He had grown more fragile, and instead of muscle I felt bone. His face had lost some of its colour. It was still my father’s embrace, but it carried the unmistakable weight of what had begun to slip, slip away. The potential to build on our relationship, get closer again – slipping and scattering like sand through open fingers.
I saw in him, the fading light of a slow dying star.
In the following weeks, I came to understand that there is no substance to time. Like light or air, it is ever present but cannot be grasped; even if you know it is running out. I also learned that there are limitations to language, and that sometimes more than words are needed to express meaning. Words cannot fill the void which follows such a loss. I did not want to believe that the doctor’s words were real when a fresh afternoon in April brought us to the GP. Sitting in a cold room in the practice in Phibsborough, she repeated the words again: ‘Months, or weeks, to live’. The words were loud, flying off her lips and into my consciousness. My father laughed when she said them, but I saw the pain in his eyes. He didn’t want me to hear them either.
How can one possibly process this information? Did his life, or what it had been until this moment, flash before his eyes? Did the unfinished house in Managua, far, far away, rise like a mirage in his mind?
But the doctor didn’t laugh, she was dead serious in fact. She furrowed her brow.
‘You’ll need to consider making funeral arrangements’, she said. I didn’t respond, and neither did he.
Her words hung in the air and we allowed them to sit there for a while.
Outside, cars whizzed by and people went about their daily lives, chatting about this, that, and the weather.
The Hospice
In the months that followed I was consumed by hospice visits, surrounded by illness.
I was very much alive, and a regular attender in a space filled with dying people. His room was at the back, and had a view over the beautiful garden where flowers were in bloom. Pink hydrangeas, mostly, and potted plants that were scattered all around. On good days, we spent afternoons outside in the sunshine. I would bring him out in a wheelchair, as by then, walking left him breathless. We sat together in the sunshine and shared cigarettes. It felt like a quiet rebellion on his part. No chemotherapy, no quitting smoking. The killing object between his lips had, perhaps, lost its power to kill. Without saying so, he knew the damage was done. Ordinary instants passed uneventfully as I waited for the world to shift beneath my feet. But the days were normal. We did not speak much about death. In fact, we spoke about everything other than what was actually happening. Denial and avoidance echoed – loud, and strangely comforting. Family came from overseas – Nicaragua and Atlanta – to visit. We took pictures, shared meals, and still, I could not cry. I felt as if I was a character in Dali’s Dreamscape, ever present to witness his melting clock and the unraveling of time. Reality danced and played and all we could do was wait for him to become the photograph on the mantelpiece.
They say that people choose their time to die. When it happened I was the only one in the hospice room with him. It was a sunny day in mid June, in St Francis Hospice, Raheny. The head nurse, Anne, an angel complete with white hair and a heart of gold, had called me out of work to say that his condition had grown weaker; he was slipping. I got there as soon as I could, and once I ran into the room, his frail body reached out to me. The flip had officially switched, I was now the strength that my father needed, just as I had, my whole life, needed his. Although he could not speak properly, he saw me. There was still life in his eyes although the rest of him had given up. I think he knew that it was his time. Over the course of an hour or so, nurses came and went from the room. Outside, I could hear the soft clatter of trolleys and the low murmur of them exchanging life updates. They attended to us as they attended to other patients. His condition was notably weaker, but nothing unusual – they still thought he had weeks. Every noise from outside or notification on my phone was a terrifying reminder that time hadn’t stopped. But, to me, it had.
We were approaching the summer solstice and the clouds outside drifted and resembled white silk on a canvas of deep blue. As the light in the room changed, my dad’s breathing did too—long, deep, and laboured breaths. He was slipping like smoke from a fire no longer burning. My heart racing, I panicked, rang the bell. Anne came to help. I spoke to him, telling him everything would be okay. He looked at me; a helpless look that still haunts me. Anne began to speak, words of comfort and affirmation. Softly she said ‘yes, nice and easy, that’s it, it’s happening’. I just held his hand. He gasped. And gasped again. Looked at me with those shining brown eyes. Fixed his gaze. And suddenly they were glazed. A glazed look that I will never forget. His hand slipped from mine, and went cold. Silence. Anne walked over, gently took his silver bracelet off and placed it on my wrist. The room was still. But of course, it was filled with pain and release. She closed his eyes.
There is a fine line between life and death, and in that moment I experienced it. I left the room and went into an adjacent one; a reading room overlooking the garden, intended just for visitors. I cried out louder than I ever had before. Everyone around heard me scream. Finally, the emotion had surfaced. The tears had come.
Or should I say: the release of love.
There is no proper way to grieve, just as there is no overarching meaning to be found to life. Letting go feels like a betrayal. But perhaps it is essential for the living to stay living, while the dead remain close to our hearts, forever. Just maybe this is how we keep living—carrying our loved ones; not in the past, but in the breath between ordinary moments.
