Tag: Massimiliano Galli

  • Podcast: Italian Election Special

    In our latest podcast Frank Armstrong is joined by Massimiliano Galli and Daniele Idini to digest the result of the recent Italian general election.

    This has resulted in a resounding victory for a Right or ‘Far Right’ coalition composed of The Brothers of Italy (Fratelli d’Italia) led by Giorgia Meloni, League (Lega) currently under the leadership of Matteo Salvini, and Silvio Berlusconi’s – ‘the Highlander of Italian politics’ – Forza Italia.

    For Massimiliano the result is entirely predictable, as Meloni led the only party that had remained on the side line during the period of Mario Draghi’s unity government. He adds that the only certainty in Italian politics is that the right will always form successful coalitions.

    According to Daniele, Meloni represents a wider movement of European conservative parties. But he expects her government to gain legitimacy, and not rock the boat in terms of European membership or NATO’s involvment in the war in Ukraine. However, he suspects that not much will change for the ordinary person.

    Daniele says: ‘Italian people like to vote for the new thing, even though behind the new thing there is the same people from the last twenty or thirty years.’

    He also draws attention to the electoral law of 2017 which favours coalitions, and which is now favouring the right. Nonetheless, he wonders how the parties will be able to govern effectively given their differences, particularly in terms of foreign relations.

    Massimiliano explores the undercurrent of resentment in Italy that leads to political instability. He draws attention to the low salaries compared to other European countries, and the paradox of working class people voting for parties that oppose a decent system of social welfare.

  • Cassandra Voices Music Podcast II

    Welcome to the second Cassandra Voices podcast introduced and written by Nicola Bigatti, and produced by Massimiliano Galli. This podcast was recorded in the heart of Dublin 8 in what used to be the studios of the 2014 indipendent project Radio Liberties.

    This podcast continues a journey through Italian ‘Library Music,’ a vast catalogue of records composed mainly in the 1960s and 1970s by some of Italy’s finest musicians, with Rome and Milan becoming centres of excellence.

    Although recording artists associated began with generic soundtrack music, this provided a springboard for an innovative music scene. From a commercial base in T.V. series and advertising jingles, musicians forged unique styles, and developed distinctive sounds such as that associated with Spaghetti Westerns, a genre known as Film Poliziesco-groove.

    Ennio Morricone in 2015

    Foremost among these composers was Ennio Morricone, who achieved global fame for soundtracks to films such as ‘Once Upon a Time in America’ (1984) and ‘The Good the Bad and the Ugly’ (1966). Morricone passed away in July of this year at the age of ninety-one, and this Podcast is dedicated to his memory.

    This Italian Library encompassed avant-garde composition, classical harmony, psychedelia, and funk with brash horns, guitars, and futuristic synths prominent. It was a fertile ground for experimentation and creativity, strongly influenced by the social, economic and political dynamics of that epoch.

    Composition occcurred under the shadow of political and social turmoil in Italy – ‘the Years of Led’ (Anni di piombo) as a succession of bombings and assassinations by extremist groups shattered an uneasy post-War consensus.

    Voice and writing: Nicola Bigatti

    Podcast Editor: Massimiliano Galli

    Playlist

    Riccardo Luciani: ‘Chanson Balladee, (1977)
    Alessandro Alessandroni: ‘A Fistful of Dollars’ (1964)
    Alessandro Alessandroni: ‘Afro Darkness’, (2019)
    Gianni Ferrio: ‘fai presto’ (1974)
    Piero Umiliani: ‘Nel Villaggio’ (1975)
    Daniela Casa: ‘giochi perduti’ (1975)
    Giuliano Sorgini: ‘Iniziazione’ (2018)
    Dindi Bembo orchestra: ‘Tangenziale Ovest’ (1977)
    Piero piccioni: ‘Charms’ (1969)
    Egisto Macchi: ‘Il Canto Della Steppa’ (1983)