Tag: Podcast

  • Podcast: Murder Most Foul: Amanda Knox on the Lucy Letby Case

    American journalist Amanda Knox joins Frank Armstrong to discuss the case of English nurse Lucy Letby. Knox was herself falsely charged with murdering her roommate Meredith Kerchner in Italy in 2007 and spent four years in prison.

    Lucy Letby was a nurse working in the neonatal unit of the Countess of Chester hospital. She was found guilty of murdering seven babies in her care in 2023, based primarily on statistical evidence and statements she made apparently implicating her.

    Amanda has found parallels with her treatment by the British media, and points to major flaws in the prosecution case.

    Episode Credits:

    Host: Frank Armstrong

    Music: Loafing Heroes – ​​https://theloafingheroes.bandcamp.com

    Produced by Massimiliano Galli – https://www.massimilianogalli.com

  • Podcast: Ward Bosses and Alligator Bishops: Irish Americans and Tammany Hall with Terry Golway

    For this Saint Patrick’s Day episode, Luke Sheehan asked Irish-American historian and New York history expert Terry Golway to help create an overview of the Irish American experience, with a focus on post-famine migration and the infamous Tammany Hall.

    Episode Credits:

    Host: Luke Sheehan

    Music: Loafing Heroes – ​​https://theloafingheroes.bandcamp.com

    Produced by Massimiliano Galli – https://www.massimilianogalli.com

     

  • Podcast: Why I Joined the Revolution in Rojava

    For this episode, we have asked our friend and contributor, Greek journalist and filmmaker, Alexis Daloumis, to sit in for an interview with Luke Sheehan about his newly released Documentary Belki Sibe.

    Back in 2015 Alexis travelled in northern Syria to Rojava, to join the Kurdish Syrian Democratic Forces and soon was deployed on the frontlines as a member of the International Freedom battalion.

    His documentary depicts with unprecedented candour and rawness his eighteen-month journey through war and revolution, during the advances and victory against Isis, the liberation of Raqqa in 2017, until then, the Islamic State capital and stronghold.

    The documentary also includes new footage and interviews from his subsequent visit in 2021 to the same places and cities where he once fought.

    Now, as a journalist, his camera turns to scrutinize civil life and institutions under the autonomous Kurdish administration.

    In light of recent developments, we asked Alexis to talk about the making of his documentary, his experiences on the frontlines and that of his comrades, as well as the potential dangers that loom over the area and its people, now that United States has withdrawn its support to the autonomous Kurdish administration in favour of the newly established Syrian Central Government after the fall of the Assad’s regime.

     

    Host: Luke Sheehan

    Intro: Daniele Idini

    Music: Loafing Heroes – ​​https://theloafingheroes.bandcamp.com

    Produced by Massimiliano Galli – https://www.massimilianogalli.com

     

  • Podcast: ‘Turkey’s Phrase of the Year: Gözaltina aliniyorum’

     

    The Turkish phrase Gözaltına alınıyorum translates simply as: ‘I’m being taken into custody.’ This was selected by the independent media outlet T24 as the phrase of the year for 2025. Had it not been that, in my view, it just as easily could have been Türkiye’de yargı bağımsızdır, meaning ‘the judiciary in Turkey is independent,’ a line repeated endlessly, like a tongue-twister, by Ministers and MPs from Erdoğan’s ruling party, the AKP. And yes, I’m being ironic.

    On March 19, Turkey woke up to a morning marked by an operation aimed at eliminating the possibility of a change in power through elections, and declaring open war on institutional opposition.

    The mayor of the Istanbul Metropolitan Municipality (IMM) and the opposition’s presidential hopeful, Ekrem İmamoğlu, was taken into custody along with dozens of IMM employees and close members of his team. Shortly afterward, university students organized and gathered in front of Istanbul University main campus, marching toward Saraçhane, which is the location of the Istanbul mayoral headquarters, just a couple of kilometers away.

    Then more people joined. And more.

    Emergency bans on unauthorized demonstrations and marches were imposed at lightning speed. Metro and bus services were cancelled by government decree to block access to the area. The police presence and traffic checkpoints increased rapidly. Even these hastily implemented measures – designed specifically to prevent people from gathering in front of the IMM headquarters – failed to stop hundreds of thousands from filling the streets within hours.

    In the days that followed, people maintained a vigil through the nights, both at Çağlayan Courthouse, where Mayor İmamoğlu was taken, and in front of the municipality building. They refused to leave the Squares.

    While all this was unfolding, people like me – those watching from afar living abroad – fell into a grimly familiar ritual. Every morning around 6am, opening X (Twiiter) meant watching your entire timeline fill, within seconds, with posts like:

    “I’m being taken into custody.”

    “Police raided my home at dawn. I’m being taken into custody.”

    “The police came to my apartment in Şişli around 4:30 a.m. Please take care of my dog. I think I’m being taken into custody.”

    There were dozens of such tweets. Some days, without exaggeration, hundreds.

    Turkey Isn’t Outside the West. It Helped Build It

    Fast forward to today. Ekrem İmamoğlu, along with over 400 others, has been held in pretrial detention for nine months. Those detained include sixteen mayors from the main opposition Republican People’s Party (CHP); his lawyer, Mehmet Pehlivan; his election campaign adviser, Necati Özkan; his drivers, Recep Cebeci and Zekai Kıratlı (whose names do not even appear in the 4,000-page indictment); his assistant, Kadriye Kasapoğlu; district mayor Murat Çalık, a two-time cancer survivor currently undergoing treatment; and hundreds of others I cannot possibly list here.

    As I write these lines, social media is once again flooded with news of fresh crackdowns targeting the Istanbul Metropolitan Municipality. The municipality’s deputy secretary general, the head of the fire department, Remzi Albayrak, and dozens of others have been taken into custody as part of the ongoing operations against İmamoğlu and his circle.

    All of these individuals are accused of forming a criminal organization, corruption, causing public financial loss, and terrorism – charges that, over time, have increasingly been reframed as espionage, alongside several other alleged crimes.

    According to legal professionals and academics, these accusations are laid out in an indictment of roughly 4,000 pages that does not read as if it were prepared with professional rigour. The document has been widely criticized for being grossly inflated, riddled with technical errors, filled with repetitive sections, reliant almost exclusively on anonymous “secret witness” testimony, and strikingly devoid of concrete or substantiated evidence. More troubling still, some of the more than 400 people currently in detention are not even named in the indictment, yet they remain behind bars.

    Very recently, the European Court of Human Rights decided to fast-track Ekrem İmamoğlu’s case, specifically his application concerning unlawful detention. The application was filed by his lawyer, Mehmet Pehlivan who is himself currently in detention.

    Yet the European Court of Human Rights, along with international institutions more broadly, is increasingly portrayed by the Erdoğan government, now in its twenty-third year in power, as anti-national, foreign-backed, and unpatriotic. In official rhetoric, these institutions are cast as insufficiently “domestic” and allegedly hostile to Turkey’s national interests.

    This framing follows a familiar authoritarian script, but reality is more complicated, and far less convenient. Turkey is not an outsider to the Western political and legal order. It helped build it.

    Turkey is a founding signatory to the European Convention on Human Rights and a member of the Council of Europe, making it legally bound by both the Convention’s provisions and the case law of the European Court of Human Rights. It is also a party to the core United Nations human rights treaties.

    What, then, is the purpose of this fabricated, anti-Western, exclusionary narrative?

    ‘Down With Tyranny, Long Live Freedom!’

    The aim is to crush resistance, normalize sweeping losses of rights, freedoms, and prosperity, and impose a “new Turkey” modelled on a hybrid of Central Asian authoritarianism, Russian-style rule, and the institutional failures of parts of the post-colonial Middle East.

    This vision is fundamentally incompatible with Turkey’s realities: its diverse socio-cultural fabric and, more importantly, its socio-political legacy of more than two centuries of struggle for democracy and modernization.

    That legacy dates back to 1839, a decisive turning point in Ottoman history, when decades-long, Western-oriented reform efforts were institutionalized through the Tanzimat Edict. These reforms eventually led to the establishment of the first parliament and the first civilian constitution in 1876.

    With the Tanzimat Edict, Ottoman subjects were recognized as equal citizens for the first time. Egalitarian reforms in areas such as taxation and military service aimed to ensure that non-Muslims, alongside Turkish Muslim citizens, bore the same duties and responsibilities toward the state.

    The reforms also sought to guarantee the security of life, property, and honour for all citizens; to ensure property could be lawfully inherited; to establish transparency in judicial proceedings; and to prohibit executions without due process.

    These principles were not merely rhetorical. Concrete regulations gave them legal force, and the constitution that followed formally limited and distributed the powers of the sultan.

    In 1858, homosexuality was decriminalized, making the Ottoman Empire the second state in the world, after France in 1791, to take such a remarkable step.

    The path toward building a republic grounded in parliamentary democracy and equal citizenship, however, was never linear. As in France, Italy, or Japan, and many other democracies, progress came through reversals and ruptures. The Ottoman Empire’s first constitution was suspended and parliament dissolved, only to be reinstated three decades later. As borders across Europe were redrawn through wars and upheaval, this turbulent process culminated in the founding of the Republic of Turkey.

    Like other nations, Turks did not abandon the desire for a better future or the struggle required to build it. Today, however, all of this is under threat.

    President Erdoğan has amassed more power than many Ottoman sultans and continues to seek more. Research by the V-Dem Institute at the University of Gothenburg shows that Turkey’s democracy score stood at 0.17 in the early 1900s, rose to 0.53 in the early years of the republic, reached 0.74 in 2002 when Erdoğan’s AKP first came to power, and has since fallen back to 0.18.

    It is no coincidence that a slogan more than a century old has returned to the streets: Kahrolsun istibdat, yaşasın hürriyet! meaning  ‘Down with tyranny, long live freedom.’ It has been one of the most frequently chanted slogans at the Saraçhane demonstrations following İmamoğlu’s imprisonment.

    For more than two decades, Turkey’s media has been monopolized by oligarchs handpicked by Erdoğan. As a result, the voices of ordinary, hardworking, middle class Turks have been largely silenced, especially abroad. Deliberate policies have severed society’s connection with the outside world, suppressed public expression, and helped cement an image of Turkey as a failed democracy which is a perception many in the West has accepted uncritically.

    The Syrian war, and the years-long influx of refugees have reinforced this distorted view. Since 2012, Turkey has become nearly inseparable from Syria in the Western imagination, as if the country had absorbed another nation entirely. Over more than a decade, this association has come at steep economic, political, and moral costs, leaving Turkey and Syria almost interchangeable in the minds of outsiders.

    It is precisely these deliberately erased realities of Turkey that I want to bring back into focus in this article.

    Through its constitution, Turkey is a parliamentary democracy, and until roughly a decade ago, it functioned as one, at least since 1950, around the same time many Western democracies were consolidating. Eastern Europe, by contrast, remained under authoritarian rule until the 1990s. Since 2017, however, Turkey has gradually morphed into an electoral autocracy, with steadily eroding rights and freedoms.

    Yet Turkish society itself is not defined by these trends. Erdoğan is attempting to impose a regime change against the will of the people.

    Even before the unlawful detention of İmamoğlu and hundreds of others, a 2024 PEW Research survey showed that 67 percent of Turks were dissatisfied with the country’s democracy. Among those under 35, that figure rises to 75 percent. Eighty percent of respondents support direct, electoral democracy, while 62 percent reject the idea of indefinite rule by a strongman.

    In another striking example, 56 percent of people in Turkey believe that religious texts – given the country’s Muslim-majority population, in this case the Quran – should have no influence over the constitution or laws. This figure is several times higher than in other Muslim-majority countries, where comparable research could be conducted.

    For context, the same survey analyzed thirty-six countries, including Tunisia, which experienced a brief period of parliamentary democracy between 2011 and 2021 and today scores slightly higher than Turkey on democracy indices. Yet Tunisia is excluded from the section of the study that examines the role of the Quran in politics simply because even asking such questions is socially unacceptable there, despite Tunisia being one of the West’s preferred points of comparison with Turkey. By comparison, the equivalent figures are 51 percent in the United States, 57 percent in Poland (referring to the Bible), 54 percent in Israel (Jewish scripture), and just 12 percent in India (Hindu scripture).

    Only 17 percent of people in Turkey believe religious texts should influence national laws. By contrast, the figure is 66 percent in Indonesia (home to Bali, often perceived as a globally famous, relatively secular tourist destination), 22 percent in our complex, love-hate neighbor Greece, and 28 percent in the United States.

    Why does this matter?

    The overwhelming majority of Turks, regardless of religiosity or whether they vote for Erdoğan and the AKP, support Turkey’s constitutional definition as a secular, parliamentary, democratic republic. They want these founding principles to remain intact, and they are deeply dissatisfied with the current system of governance.

    A new constitutional amendment is expected soon. Just as previous amendments were justified with buzzwords like “military oversight,” “judiciary status quo,” or “democratization,” the government is likely to use the cultural rights demands of Turkey’s ethnic minorities, particularly the Kurds, as a pretext for a full constitutional overhaul. In reality, these issues could be addressed through minor, targeted adjustments without rewriting the constitution.

    In the near future, many will try to tell you otherwise. Please, don’t believe them.

  • Podcast: “He Bought Plato” a conversation with John Dillon

    John Dillon, Regius Professor of Greek (Emeritus) at Trinity College Dublin, is an Irish classicist and philosopher considered a world authority in ancient philosophy and Platonism. Born in Madison, Wisconsin in 1939, he returned to Ireland as a child and studied Classics at Oxford before earning a Ph.D. at UC Berkeley. He taught at Berkeley from 1969 until his appointment at Trinity in 1980, where he remained until his retirement in 2006. Dillon is founder and Director Emeritus of the Dublin Plato Centre and a member of several prestigious academies, including the Royal Irish Academy and the Academy of Athens. A professor Emeritus of the British Academy. He has published over thirty books and numerous articles, focusing on the transmission of Platonic philosophy.

    Episode Credits:

    Host: Luke Sheehan

    Music: Loafing Heroes – ​​https://theloafingheroes.bandcamp.com

    Produced by Massimiliano Galli – https://www.massimilianogalli.com

  • Podcast: The Ghosts of Monto: Terry Fagan on 1950s Dublin

    Terry Fagan is a renowned Irish local historian and storyteller from Dublin’s North Inner City. Born in the 1950s and raised in the historic heart of what was once Europe’s largest red-light district, the Monto, Fagan witnessed firsthand the rapid transformation, and often erasure, of the surrounding Dublin tenements and their culture.

    He is, to this day, one of the best living sources of lore and information about this lost world, as well as a collector of histories of it.

    In the 1970s, Fagan began his historical work by recording oral histories from local residents, many of whom remembered formative events such as the 1913 Lock-Out, the 1916 Easter Rising, and the War of Independence and Civil War. These interviews also documented memories relating to life in Dublin’s tenements, experiences in industrial schools and Magdalen laundries, dock work, women’s roles, deaths of children, money lenders, orphanage life, and more, covering both the public and intensely personal history of inner-city Dublin.

    Fagan’s work extends far beyond oral interviews. He is the longtime director of the North Inner City Folklore Project, an initiative that began as a jobs program and allowed him to preserve and publish stories from his community. Over decades, he has amassed a vast collection of tenement artefacts: photographs, books, letters, coins, dockers’ buttons, children’s toys. His vision has always been to open a dedicated museum so this vital social history is preserved within, and for, the local community rather than being housed elsewhere.

    This museum has been a reality in the past and Terry’s current passion is to reestablish it.

    Terry has published works such as “Monto: Madams, Murder and Black Coddle” and “Dublin Tenements: Memories of Life in Dublin’s Notorious Tenements,” both drawn from his extensive oral history collections.  He is also a popular walking tour guide, interweaving tales from his own life as well as audio samples from the collections he oversaw. The Monto tour includes tales about brothel madams, dockers, and a “hidden Dublin” many would prefer to leave interred in the past.

  • Podcast: Patrick Cockburn on Syria and Ukraine


    Are the Eurocrats and their allies most delusional about the topics they profess to find most urgent? Or are they just setting out to delude the rest of us?

    This was Ursula Von Der Leyen speaking at the 9th Brussels Conference on Syria, on Saint Patrick’s Day last:

    The agreement between the central authorities and the Kurdish SDF… is nothing short of historic. As is the signing of a constitutional declaration by interim President al-Sharaa. On the other hand, the attacks on security forces and the violence against civilians in Syria’s coastal region show that the situation remains fragile…

    The Syrian authorities’ commitment to bring the perpetrators to justice, to protect minorities, and form an inclusive government – all of this is vital for reconciliation.

    As these words were being prepared in the run-up to the conference, informed observers of Syria’s situation could see a different picture: targeted sectarian massacres of Alawites, not just “violence against civilians”, had begun. To precious little outcry in the West, death squads indifferent to calls for restraint from Damascus were fanning out in coastal Latakia. Far from cohering into a place of “inclusive government”, Syria looks more likely to be approaching a condition of volatility and chaos, not a “fragile” democracy with “freedom of opinion, expression, information, publication and press”, as claimed in the text of the interim constitutional document. Quoting an acquaintance living in Maaloula, a Christian town Northeast of Damascus, Patrick Cockburn relates how multiple groups have been plunged into trepidation: “The Christians are frightened, the Alawites are frightened, even the secular Sunnis are frightened…”

    That fear relates not only to who is supposedly in charge in Damascus, but to the extent of their control, if any, over the forces made up of jihadis from around the world who are now the primary wielders of military power across most of the core of the country. The Kurdish Syrian Democratic Council, meanwhile, has actually been outspoken in its criticism of the Islamist-shaded constitution, saying it has “reproduced authoritarianism”.

    Every single premise of Von Der Leyen’s statement as quoted above is questionable.

    Its conclusions are absurd.

    Why do we start by picking out the ancient Christian redoubt of Maaloula? This frame of reference helps to show how far back in time the communities of modern-day “Syria” go, as well as Cockburn’s in-person familiarity with their inheritors’ attempts to survive in the horrible present. Writing back in 2012,  Cockburn concluded a piece for the Independent by observing that “the sufferings of the Christians of Syria are no worse than those of the Muslims, but they feel that whatever the outcome of the Civil War, their future will most likely be worse than their past.”  The omens, he felt were not good. He was right.

    In Syria, they seldom are. This Post-Ottoman, Post-French mandate state goes back to 1945 in its current form. Will it even continue to exist in another few years? The massacres now taking place in Latakia, Cockburn would write a few days after our conversation, are being “ignored”, but “may shape the Middle East”. (iPaper, March 15)

    As the second part of the conversation in this episode outlines, European leaders and their friends are prone to magical thinking in the matter of their proximate crises as well as distant. In recent coverage on Ukraine for the iPaper, Cockburn has argued that “Western governments, media and PR firms” have crafted a depiction of the conflict as a replay of WW2. In this vision, “compromise was ruled out as practical policy, meaning that the war could only end with a Ukrainian victory and Russian capitulation – though nobody seriously believed this was going to happen since… the failed Ukrainian counter-offensive in the summer of 2023.” In an echo of that argument, Cockburn’s contemporary Peter Hitchens stated, in an interview in Slovakia’s Standard magazine:

    “The whole of the Western world has been told things about Ukraine which make it very difficult for a compromised peace.”

    On grave matters of peace and war, European leaders are failing to adopt a realistic vision, concludes Cockburn.

    This is something of an understatement.

    With Europeans apparently determined to tool up for armies that don’t exist (and would be unlikely to have much fighting morale even if they did) and prone to praising the emergence of “progressive” states that have all the long-term prospects of a snowman in the Sinai, we are looking at a new era of wishful, read delusional thinking.

    A final note:

    This conversation with Patrick Cockburn is his second with Cassandra Voices. One year ago, Patrick was our very first guest. Back then we mostly spoke about his father Claud, the subject of a new biography by his Cork-born son. This time, we jump to more familiar terrain: the battlefields of the present day, Ukraine, Syria, and Gaza. Cockburn once praised his late friend Robert Fisk as a “historian of the present”. Like Fisk, Cockburn began in Ireland, then spent decades doing mostly Middle-east-based journalism, mostly in person. This meant cultivating friendships, survival skills and a sense of discernment for the historical roots of ongoing events. More sedentary now than, say, the start of the Syrian Civil War 14 years ago, or the invasion of Iraq in 2003 (both of which he covered while on the ground), he is better placed than most to share useful perspectives on far-off theaters of fighting. We’re honored to have him back.

  • Podcast: ‘We Urgently Need a Global Vision’

    In a turbulent period in European history, and beyond, we are delighted to draw on the sage input of the former Irish ambassador to Russia, poet Philip McDonagh, who also worked for a long period on the Good Friday Agreement that brought peace to Northern Ireland. He explores the possibilities for a lasting, inclusive peace between Russia and Ukraine. He also laments the expansion in military investment in the U.K. and the rest of Europe, calling for a new global vision to contend with the troubles of our time.

    Philip McDonagh discusses the role of rhetoric in international politics, going all the way back to Aristotle and Thucydides’ History of the Peloponnesian War. A key concept, in his view, is a right to dissent: he considers this a vital component to democracy that is under threat across the world today. He refers explicitly to the lack of debate around the ‘triple lock’ on the Irish government’s ability to commit Irish troops to peace-keeping operations.

    Philip McDonagh worked extensively on the Good Friday Agreement as political counsellor to the Irish embassy in London, and was subsequently involved in various initiatives to bring lessons from this to other conflict zones, including India-Pakistan, India-Sri Lanka and Korea. The most important lesson he draws from these negotiations is the need to reframe the problem so that ‘all sides can see a better future.’

    He regards ‘small, potted statements on X’ as a huge impediment to diplomacy, considering this part of a wider cultural disaster that we are experiencing with the information environment. He would be delighted to advise Michael Martin before his visit to the White House, referring to the continued relevance of the OSCE, which offers a framework that includes the United States and the Russian Federation for peace-keeping and monitoring.

    As Irish ambassador in Moscow he conducted high level negotiations with Russian officials, and found their diplomatic service to be highly professional. He recalls ex-Soviet leader Mikhail Gorbachev saying to him that Ireland could reconcile Russia and the United States because of our friendship with the Americans, and what he thought would be our empathy with a Russian perspective.

    He refers to fears on the Russian side of entering negotiations, given the stated objectives of European sanctions has been to collapse the Russian economy. He maintains that they would see a pattern of discrediting or criminalising the Russian leadership precisely in order to prevent negotiations.

    Russia is part of Europe he argues, pointing to the geographic definition of the continent extending to the Urals, and pointing to the great Russian writers such as Tolstoy, Dostoevsky and Pushkin, as well as shared Christian and Muslim traditions. He refers to an unhelpful cancellation of Russian culture in parts of Eastern Europe in particular.

    Philip McDonagh says that the major task of diplomacy is to attempt to reconcile the interests of both sides in the Russia-Ukraine conflict. Notably, the potential expansion of NATO into Ukraine and Georgia was a source of serious discontent in Russia prior to the outbreak of the war.

    He takes a global perspective on the need to resolve the European conflict, arguing it is immoral for us to commit to spending huge sums of money on weapons, when so many around the world are starving. We need a methodology or framework to think about the future he argues – new spaces led by civil society. This requires a morally serious form of multilateralism he says, maintaining that to describe this as a planetary emergency is realistic.

    He concludes with a quote from Dietrich Bonhoeffer who said: ‘we must have the courage to believe in a future that is not visible in the alternatives of the present. That’s the future we have to enable with our political choices.’

  • My Mother (at the Time)

    This is a special episode of our Cassandra Voices podcast, where host Luke Sheehan travelled to Amsterdam to interview the Irish critic, art historian and Joycean named Patrick Healy.

    In a suburb of Tokyo, sometime in the future, a Japanese scholar of Irish literature is studying an obscure text. He has heard of it through a Joycean friend. The work is Beyond the Pale, an immersion into the mind of a character not unlike its author, Patrick Healy, who was an Irish critic and philosopher who spent much of his life in Amsterdam. The whole heavy volume of Beyond the Pale sits before him. It is a little daunting.

    Who is Patrick Healy?  The Japanese scholar has been finding out, bit by bit. Reliable information is hard to find.

    Some of this is by design. Some of it because of the cruelty (or at least indifference) of the writer’s early fate. Healy was a gifted child, but born to an unmarried mother in postwar Ireland, and thus was sent to foster families and to the care of various “Sisters” of the church.

    The Japanese scholar has been able to locate a separate, early text published by Healy back  in 1985, called Up in the Air and Down. It is a short novella, a stream of consciousness spoken from the point of view of a child living through such a reality. Near the start of this work he reads:

    I didn’t have a mummy or daddy because they died just like one of the cats who was Snowy’s mammy and now I remember I cried because the cat would never come back (p.10).

    The Japanese scholar likes this detail of the cat. However, he already knows this account of the parents may be an untruth told to the boy narrator, if the character can be said to closely match the real Healy. He finds more of this apparent attempt to placate and to steer the boy’s thinking on the next page:

    Sister was my mammy now and so were all the big girls and I was lucky because I had lots of mammies and daddies and Sister said that some little boys and girls have only one and I had lots and I should be very happy and that these two nice people who were going to be my mummy and daddy are waiting for their new boy and I wasn’t to be afraid and they lived far away but we would see them soon, but I wanted to go back and play and why was Sister taking me away and not being my mammy anymore, maybe Sister was going to heaven too, and I was afraid. (ps. 10-11)

    The short book ends with the boy narrator affirming his existence in the celestial terms of his day, showing his need for play and exploration:

    I am not a secret because God knows who I am even when I play with the yo-yo that goes Up in the Air and Down. (p.55)

    All of this is important because the huge, late-life opus the Japanese Joycean will now begin to study is likewise framed around a life in 20th century Ireland. A growing up given form by a dislocation of parenthood, and an attempt to seize upon a renewed existence in young adulthood, through language and music and sensation.

    The Japanese scholar knows that the Irish cultural output of books and films addressing the plight of “fallen” women who were separated from their offspring and often pressed into misery and forced labour in laundries and convents has been substantial. Yet here it is: a little-known testament by someone who emerged from such circumstances and sought to form his own mind, rather than let it be formed negatively by them. Not directly concerned with the young boy’s voice, it instead forms an internal, semi-conscious portrait of the man who emerged, grasping life through an adoration of words and ideas.

    The Japanese scholar begins to read Beyond the Pale, and he can hear the melodies of Healy’s voice, which he already knows from his epic recording of Finnegan’s Wake. It thrills him that this Joyce-evoking book begins with an unexpected burst of Japanese words: as the “story” (if it is a story) meanders out into existence, we encounter a young Irish lad being tutored in Japanese by a “Viscount Taffe”, who seems to be simultaneously preparing a beef consommé; a consommé “devoutly to be wished.”

    Unlike this hypothetical Japanese scholar, in the summer of 2024 I had the opportunity to meet Patrick Healy, in Amsterdam, where he was completing work on Beyond the Pale in a cavernous apartment looking like the workshop of an ancient Egyptian priest. Confined there during Amsterdam’s hard lockdowns, he had begun to submerge more deeply in his memories.  This was something of an intimidating foray into his world for me, at first. I had heard stories, including from my own father, and other intellectually-minded people of their generation, about this brilliant and erudite figure. Perhaps more than a little rogueish, he would sit in Bewley’s in 1980s Dublin and mesmerise them all with his sophistry. The reputation for seduction and for cunning behaviour was reinforced for the Healy of that long ago time by many. Yet his life in the meantime, hard to unwind and with very little detail available, made more sense through the encounter with him and with his work. He had invented a career for himself unlike those of his peers: as a scholar he spent significant time in Germany and German archives, mastering that language, eventually settling in Holland where he taught at the university of Delft. HIs links to Ireland were kept in tenuous health over the years. He was a very close friend of the barrister and historian Frank Callanan, also a personal friend, who had sadly passed away unexpectedly in 2021.

    Healy—who once performed a read through and recording of Finnegan’s Wake in the early 90s, getting through the whole thing in four days—has a famously fine voice.

    Selections from our affable 3-day conversation in Amsterdam follow here. After, you may access the bonus episode to hear more of Patrick reading at length from Beyond the Pale. Don’t worry about the Ariadne’s thread of the story, if there is one. Just try to hear the Irish soul that is alive in his voice. This is, I feel, the best way to savor the hidden currents and magical word play that Healy has worked into his text.

    Here below are two testimonials from writer and journalist Bridget Hourican and human rights lawyer David Langwallner

    Bridget Hourican

    I’ve been haunted by a poem of Patrick Healy’s called ‘Stoic Fire’ since I read it maybe ten years ago. The title, and as I recall it, the poem itself, is a kind of oxymoron because fire is passionate, a conflagration, and stoicism is dispassionate, quietly enduring. I think stoic fire describes Patrick.

    He is poet, visual artist, art critic, translator, philosopher of aesthetics and novelist. Before he was all those, he was – I’m told reliably by everyone who was there then – the best debater in UCD and Trinity (he attended both). His heckles were legendary, his voice astonishing. Reviewing his translation of Karl Kraus’s epic play ‘Last Days of Mankind’, Eileen Battersby shrewdly noted that ‘Healy’s musicality and feel for the rhythms of speech… possibly explains why his Kraus is so vibrant’. Perhaps the greatest use of his voice is his recording of Finnegans Wake, which my late husband, Frank Callanan told me, he listened to right through one night with Margaret O’Callaghan, and it left them shattered, delirious, in tears, ecstatic. I believe this was one of the things that spurred Frank to write his book on Joyce.

    Luke Sheehan introduced me to podcasts, more or less. Before he (or anyone) was making podcasts, he was seeking out unusual and arcane material and people. He would come back and recount his findings in ways that were unanticipated, circuitous, marvellously detailed (by marvellous I mean the detail was not where you would expect it) and funny, always very funny. Luke is also poet, critic and short-story writer but I’ve always thought his great gift was for oral narratives (or as we now call them, podcasts).

    Although I know both of them, I’m not quite sure how Luke tracked Patrick down and got him on the record, but what a fabulous thing that he has done this, and that we have Patrick’s voice telling his story and exploring his ideas, in this immensely subtle and moving curation by Luke. I noticed, very early on when I was with Frank, that every time he mentioned Patrick’s name, someone would whip round and demand with fierce urgency ‘Patrick Healy? where is he?’  It is like Luke to have acted on his own fierce urgency and brought us this.

    David Langwallner

    I am very pleased that Luke Sheehan is doing this podcast on Patrick Healey. From the late 1970’s through the late 1980’s  often in great penury he was one of the most outstanding cultural figures in Dublin. A winner of The Irish Times debating competition as he stresses as an individual where he became the kind of fool to the King Lears of his contemporaries.  Mostly dead.
    He is the greatest conversationalist and cafe side philosopher I have ever encountered and that includes the jurist Ronald Dworkin.
    He is man of Olympian intellect and great personal grace charm and civility which the Dutch through his architecture Professorship have recognized. The loss was Irelands. He was also a great mentor to me and when he played Oscar Wilde to my playing Edwards Carson in a reenactment of the trial of Oscar Wilde strange to say now with David Norris and Alice Glynn as expert witnesses he queues to the graduate memorial building extended the full extent of Westmoreland street. 
    In this trial Oscar won and so has Patrick! 
    Since then an interest we very much share in common and crucial to our times he has become an expert in the Viennese intellectuals of the Weimar Repubic most noticeable Karl Krauss.
    He is the last of great old Dublin Joycean in fact and one hopes his new book gets the attention he richly deserves.
    Otherwise he will be most upset.
  • “It is Abhorrent to Stage an Image” A Conversation with George Azar

    Born in 1959, George Azar was the descendant of Lebanese olive farmers who had set sail from Beirut a century earlier. They settled in South Philadelphia, a working-class enclave—later immortalized in the ‘Rocky’ films. It contained a mix of Italians, Irish, Polish, Jewish, and Lebanese families, a tough, mafia-controlled neighborhood where people staked their claims street by street. There was an old man on his block nicknamed “Titanic” because he had survived the 1912 disaster by scrambling up from steerage into a lifeboat. Tales of migration, survival, and identity—woven into the fabric of his youth—shaped Azar’s worldview long before he ever picked up a camera.

    A shepherd in a field of flowers: the cover of George’s book, ‘Palestine: A Photographic Journey’

    After graduating from UC Berkeley in Political Science, he postponed graduate school to see  first-hand a war he had only read about. He covered the Lebanese Civil War as a front line news photographer, immersing himself in the conflict. In retrospect, he says, it was his South Philly upbringing—where kids carried weapons, race wars were common and identities were constantly in negotiation—that equipped him to navigate Beirut’s sectarian divides.

    Girls on a hill in Beita, West Bank

    The war brought moments that could be scripted for an absurdist play, like the teenage Shia gunmen and snipers who called themselves “The Smurfs”. The dissonance between their youthful naïveté, and the brutal violence they lived mirrored the contradictions his photography sought to capture.

    ‘Nero’ of the Smurfs with adapted gun

    South Philly equipped Azar with more than just street smarts. He grew up in Philadelphia fight gyms. Boxing was a skill which served him well, not for throwing punches, but for knowing how to take them—and also, crucially, anticipating when they were coming. Those skills and instincts likewise served him in the unpredictable and brutal world of war photography.

    Crying old man and kids looking on, Bedawi, Tripoli

    Azar learned the unwritten rules of the new industry where the pictures most in demand were ‘Bang Bang’ photos: high-drama, front-line images that convey the raw violence of war.

    The ‘Smurfs’, west side of the Green Line, Beirut, 1984

    His first photo, captioned Machine Gun Alley, marked his entry into the profession. A strong image from the front line sold for $60, while a photo of a woman firing a weapon might land on front pages worldwide. Some photographers gave in to the temptation to stage scenes. Azar found the practice indefensible. “To me, it is abhorrent to stage an image.” The power of photojournalism lies in its truth, he says—a principle he now imparts to his students at the American University of Beirut as missiles rain down on the city once again.

    The Smurfs shooting their longe-range weapon

    But the photographs Azar values most capture often quiet, deeply human moments: an elderly man weeping into his bed; a mother standing amidst the ruins of her Gaza kitchen; the Palestinian shepherd in a field of yellow wildflowers that graces the cover of his book, ‘Palestine, A Photographic Journey’ (UC Press, 1991).

    PLO fighters walking past burning oil refineries towards the front line, Bedawi, north Tripoli

    Azar left Lebanon after the war, physically and emotionally drained. He returned to Philadelphia, and worked for the local newspaper. But the pull of the Middle East proved irresistible. The First Intifada drew him back, beginning a new chapter in his career, this time focused on the struggle for freedom in Palestine.

    Checkpoint with skull, near the corniche of Beirut, circa 1984

    In the 1990s, he also documented the life of Arab-British boxing sensation Prince Naseem Hamed, merging his passions for storytelling, boxing and the complexities of Arab identity.

    In conversation, Azar shared astonishing stories: the Irish junkies linked to the IRA who lived

    George Azar and friend by the Royale Hotel, near the Green Line, Beirut

    above him; Issa Abdullah Ali, a renegade African-American soldier who converted to Islam, defected and joined Iran’s Revolutionary Guard and fought the Israelis in the 1982 battle for Beirut; and his encounters with legends of journalism Robert Fisk, Patrick Cockburn and photojournalist Don McCullin.

    Boys in Tripoli, during the battle of the camps, circa 1983

    Our conversation unfolded against a backdrop of Israeli drone sounds, power outages, and rising tensions—all grim reminders that Lebanon is once again in the grip of war.

    The country faces yet another reshaping, one that will demand extraordinary resilience from its people and, perhaps, a reimagined political future.

    Yasser Arafat and bodyguards under fire, North Lebanon, circa 1983
    Workers at Erez gate checkpoint, Gaza, circa 2006
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