Tag: poem:

  • Poem: September is Here

    September is Here

    and I want to feel the tingle
    of autumn over the horizon.
    The palette of skies, laying themselves
    nightly before my eyes like Turkish
    carpets in the souks of Istanbul.
    I want to anticipate the nuanced change
    of the leaves, delicate as if the maestro
    himself draws them into the rising
    crescendo of the orchestra – slowly,
    softly, instrument by instrument,
    tree by tree, colour by colour
    until the cymbals clash and the double
    basses vibrate their music through
    the woods and lanes.

    I want to watch the swallows gather
    on the telephone wires, line upon
    line, their eyes on horizons I cannot
    even imagine; waiting for the wind
    to call them, the stars to set their orbit
    across the world.
    I want to see the berries fall
    ripe and rotten into the hollows of
    the hedge, so unseen creatures
    can have their bacchanal,
    their last fling of the  season, then
    reel home through the undergrowth
    replete and tipsy, to sleep the winter away.

    I want to walk to the shore and hear
    the waves rising up in anger,
    beating back the beaches,
    sucking up the stones and hurling
    them at the cliffs in fits of
    equinoctial rage.

    Most of all, I just want to feel
    vibrancy, not deal with autumn playing
    fast and loose – doling out fitful sun,
    welters of drab rain; gales that blow
    and pause and then roar in again, battering
    my garden of deceased flowers and sad
    stalks bent double with despair,
    rotting where they fall. And all
    in light that barely lifts its head,
    light that is just a brief apology
    for being short and low and hesitant;
    no longer flaring with summer’s lusty
    fervour – breaking in and waking me
    at 4am just to whisper sweet nothings
    through the chink in the curtains.

    I want something other than
    the torpor of half-arsed endings.
    What happened to mellow fruitfulness?
    Give me liquid golden light that makes me
    look up, look out; something to cradle
    in my mind through winter. Give me
    that wild transition I know this season
    keeps secreted up its sleeves, to
    compensate for all the untold things
    summer always snatches as she leaves,
    like a jilted lover.
    So autumn, please, no fickle
    promises of crisp, cold days that don’t
    materialise. Step up; pull your finger out –
    go French – Italian – go Portuguese;
    bring on the colours and the lights,
    run your hit show again. You can do it.
    Don’t tease, don’t cheat by sneaking limply
    past, skulking like a thief between the hot
    dog days and winter’s sharp retreat.

  • Poem: The Revolutionary

    The Revolutionary
    Andrée Blouin, 1921-1986

    A hungry child can never truly sleep. In the orphanage
    for sinful offspring – our fathers white, our mothers
    African – the nuns were merciless, severe. I shook
    by night inside a narrow, iron cot, aware only
    of my body’s hunger, a heavy shadow
    shuttering my limbs. I prayed for pity
    in the nothing-blue that slowly turned
    to grey – another dawning misery. My later
    love for liberty began beneath the weight.
    Softened after rain, I ate the red-mud bricks
    that walled the yard in fingerfuls, to ease
    the ricket-sting within my belly. Eventually
    I sickened; a nurse and officer appeared
    to valuate my case; the reverend mother
    eyed me down. Knuckle-tough, the holy
    order washed their fists of me, like dirt.
    Cruelty, you see, ensures reiteration:
    the orphanage and colony were images
    of one another, their legatees incurably
    suspicious, incapable of kindness
    to the Africans they ruled. Sickly, sore,
    dispatched away, my life began again
    in freedom: mending coverlets and dresses
    for imperious françaises, plantation wives
    intent on delegation. I worked, in truth,
    unendingly, determined to survive:
    my labour served me well. When
    Guinea first, and then the Parti Solidaire
    demanded heartened soul, unstinting
    dedication, day and night, I gave my all,
    humming like a never-empty engine
    of vivacity for Africa, my nation. Long
    debased, the cresting Congo filled
    my veins with euphony and joy – a song
    of jubilation, born of fire, tears, and blood,
    now winnowed to an ache. I strode as one
    among the risen generation. Possessed
    of an uncommon poise, Gizenga always
    seemed at home in quietude: the Belgians
    feared his silence, knowing him a strategist,
    percipient and fierce; he listened like a man
    in meditation, untroubled by the fray
    to which he nonetheless devoted
    both the clarity and passion of a saint.
    Struggling together, comrades in the fight,
    I considered him a friend. And dear Patrice…
    as if in fever, I recall his grace, the easy
    trust he held in those around him, and
    the smiling way he seemed to bless
    the people he addressed, gliding
    lightly when he stepped, alive to hope,
    assured of the integrity of service
    to the cause: the Congolese empowered
    by the Congolese themselves, the copper-
    hearted mercenaries tossed into the tide.
    A dignified idealist, he radiated calm.
    Assessing the equation, the European
    lackeys sprang a trap: the president
    renditioned, his body would be cut
    in blocks, and dipped in acid
    swilling in a barrel. They burned
    the living trace of him to vapour, ordering
    the rest of us to leave or disappear.
    They kept a single tooth for decoration.
    His dream and he are vivid to me still.

  • Poem: Maldon days

    Maldon days

    hēt þā hyssa hwæne    hors forlǣtan,
    feorr āfȳsan,    and forð gangan,
    hicgan tō handum,    and tō hige gōdum.
    The Battle of Maldon (991 AD)

    Galvanized into action,   my companion horses neighed
    as they galloped to the woods,   riderless and rudderless.
    I turned back to my liege lord,   reluctant to retreat,
    but he waved me away from him,   although I was his steadfast steed
    who had taken him into battle boldly before   on many occasions.

    In the woods, we regrouped.   Ealdorman Byrhtnoth’s proud hawk
    circled and swooped overhead,   dismissed as we had been,
    uneasy as we were.   We faced out towards the riverbank,
    watching the fighting begin,   watching the ruthless invaders wreak havoc.
    We waited for the command to return   but it never came.

    I went down to the battlefield first,   saw my beloved ealdorman
    bristling with spears,   slaughtered alongside his faithful warriors.
    Leaving our heroes, our lords lying lifeless,   we trotted back to our stables,
    knowing that our return would herald the defeat,   set off the lamentations
    of the families left behind,   filling us all with sorrow for our great loss.

    Feature Image: Battle of Maldon plains.

  • Poem: Discovery

    Discovery

    Discovery are coloured dark deep red.
    I heard one falling as I brushed the tree —
    a startled bird troubling bushy leaves —
    but with more plummet, accelerated

    power, crimson sinker parting waves of green,
    descending progeny, seeds sheathed in a cream
    flesh, webs of genes cradling what could be,
    bound for the food waste bin, sequence

    on sequence of supercoiled code unread.
    But another journey took place instead
    ascent through sound, to ears, into words
    as you can almost taste that zingy first
    apple of the season, sharp on your tongue,
    sweet on your lips, parted and showing crimson.

  • Poem: And Me

    And Me

    Naked for you, beneath
    some moon somewhere, which sounds
    like an ending, unless you begin
    with it. White as a page, as a unicorn’s
    horn, some skin—all of mine. So stare
    down—star-down is how I want to lay
    with you. Come further up. Go
    further in. Night is falling with us.
    Night, the witch’s sweet-tooth craving—
    she can’t stop biting it, can’t stop licking
    out the hours. Don’t think about that
    just now. Don’t watch her. Watch me.

    Feature Image: Two Nudes in a Forest, Frida Kahlo 1939

  • Poem: ‘No animals died’

    No animals died

    Our research on toads and carabids
    considered predator and prey.
    Japanese toads and bombardier beetles
    were ‘introduced’, let’s say.
    The relationships were explosive –
    but complied with current laws.
    We intend to show you footage.
    Please, hold your applause.

    Our methodology? Each beetle placed
    in tongue’s reach of a toad.
    Each swallowed.
    Chemical explosions soon showed
    toads bulging, swelling,
    changing shape –
    till finally, through emesis,
    they let their prey escape.

    Our results? All beetles were ejected –
    and survived. No toads died.
    We timed explosions, measured vomit,
    observed from every side.
    We’ve now described how toxic creatures
    can avoid digestion.
    Ah yes sir, at the back there,
    do you have a question?


    Reference
    Sugiura, S., Sato, T. 2018 Successful escape of bombardier beetles from predator digestive systems. Biol.Lett. 14: 20170647. http://dx.doi.org/10.1098/rsbl.2017.0647

    Feature Image: Japanese Common Toad by Yasunori Koide.

  • Poem: Vincent in Hiroshima

    Vincent in Hiroshima
    “A work of art is a corner of creation viewed through a temperament.”—Emile Zola

    I.

    Daubigny’s Garden, a late
    masterpiece of Vincent van Gogh,
    painted in July 1890 (the same month he died),
    now hangs in Hiroshima. Talk about
    ghosts of the blast. Beauty clings
    to Horror, and still clings, even when
    it let’s go; just as we suspected:
    Siamese twins.

    II.

    Glimmer at the edge of fog.
    Sphinx at sunset, red paws.
    Oval flocks of moons while drunk.
    A bow of measure in a coffee spoon.
    The way her delicate lips pucker
    while thinking of yesterdays
    you never entered. 

    III.

    Back to Vincent in Hiroshima.
    Back to the gravity of collage. How each day
    slips into the groove of whirling
    months. How the garden

    swirls with flowers and a church
    tower in his final summer. How
    Vincent’s last words were:
    “I wish it were all over now.”

    How the true page is never printed. How
    the puzzle we call history shrinks
    as the world grows into one
    piece of a larger puzzle.

    Feature Image: Vincent Van Gogh’s ‘Daubigny’s Garden’

  • Poem: ‘Oblique Landscape’

    Oblique Landscape

    JP Jacobsen, I read your poem
    of a boundless heath with mossy stones
    where you were born and where you returned
    with the tungsind poet
    that ‘died the death, the difficult death.’ 

    Shadowgraph naturalist, translator of Darwin
    enduring sufferer of tuberculosis
    who loved six enraged steadfast women
    for the poet to tune the mood to its core. 

    JP Jacobsen, can you tell me of my oblique landscape?
    the thick darkness envelopes the drastic day
    I am visited by the Intelligent Angel,
    the Neutral Angel, and the Terrifying Angel
    each one brings a gift impossible to decipher.  

    Follow the footprints.
    We are walking.
    Let us be crooked once again. 

    The trembling question is asked
    whether the fourth New Angel is
    localized or metastasized.
    Generalizations are for the Devil. 

    Let’s focus rather on the moment:
    see the spider on the web
    listen to the rain on the window pane
    let’s be wildly polylogic
    my soul-explosion expands in laughter
    and expounds out onto outrageous love. 

    This walk is not straight
    it is a crooked tale
    my feet and fingers wander wayward
    isn’t it good to be lost in the wood?
    with the mind’s ears and eyes of darkness
    the screech owl glides through the dusk
    searching for philosophers who have gone blind
    madness is a forgotten way
    so let us be crooked once again.  

    Pay attention.
    This is my dialectic. 

    Meeting a badger for the first time in the midnight rain
    loping between the wood and the retreating road
    before descending into the multi-chambered sett
    hearing the magnificent frog
    croaking on a leaf in the tepid pond
    then leaps down diving into another world. 

    JP Jacobsen, can you hear me still?
    this is my diremption
    my broken middle
    forever dwelling in the contradiction.

    Bartholomew Ryan is the author of Critical Lives: Fernando Pessoa (Reaktion Books, 2024).

    www.bartholomewryan.com

  • Poem: Lovely Dead

    Lovely Dead

    If I were to let you go
    who would I show this garden to;
    who would be there to tell me ‘no’
    it’s not enough to say it’s blue

    in June, when echiums greet the bees
    (just as later they give finches seeds)
    and turns yellow in summer sun,
    burns to red with heleniums

    in autumn. I leave their raw
    shaggy stems all through winter now —
    food and shelter for birds and mice,
    hope and remembering too — but more
    for the texture they bring to cold light;
    though to say it’s not enough, I know.

  • Poem: ‘Where beckons the quiver…?’

    _        Where beckons the quiver…?

    Are there no spirits moving in the air
    _                       ruling the region between earth and sky ?

    And do you shine from the sky
    _                       goddess in decay,
    _                                   as respite from the spit of day ?

    For this world could not hold you ?

    Whose arm twitches with your pulse,
    _                       as your ghost drifts through the lining
    _                                   of the throat ?

    Whose voice crackles as it shouts,
    _                       Whose chest wheezes like a blade of grass,
    _                                   split for air to move through ?

    Were they torn by tongues of anguish,
    _                       the remnants of your melody,
    _                                   stretching a voice into a cry
    _                                   thwarting the borders of a heart ?

    You leave behind that crumpled piece of paper,
    _                       Not the wrinkles of your face.
    If language should leave you,
    _                       alone to the touch,
    where beckons the quiver of
    _                       ageless almighty ?

    Each one of us a teardrop,
    _                       enters the world’s heart chamber
    _                       and congeals before your eyes?

    Do you kiss the half-flown ivory tongues
    _                       that swipe across the many lips ?
    And do the stars cluster,
    _                       as though gulls in search of comfort,
    _                       their screams of spirals broken,
    _                       their feathers like stilled flames ?
    And were eternal chasms or a breath
    _                       to fill the shells
    _                       of their lost melodies ?


    Paul Downes’ latest work
    Towards a Concentric Spatial Psychology for Social and Emotional Education Beyond the Interlocking Spatial Pillars of Modernism (2024) is an open access book.

    Feature Image: The Flammarion engraving, c.1888.