Tag: Rosita Sweetman Cassandra Voices

  • The Last Christmas

    The afternoon of Christmas Eve, just as it’s beginning to get dark, Mum opens the  black oak sideboard in the hall.

    We crowd around, the little ones shoving and pushing. Frantic to see the treasures inside.

    The whole house already smells of Christmas – the ham simmered overnight in its blanket of floury paste, now stripped and baking in the oven with bay leaves, cloves and onions. The Christmas tree, fetched by Dad with two of the bigger ones earlier in the day, waiting for its decorations in the dining room, smells of forest and cut wood. A wobbling stack of ivy pulled off the granite walls in the garden for winding through the bannisters, sprigs of holly for tucking behind pictures, sits by the stairs.

    Mum lifts the fairy lights up from their bed of tissue paper, dried needles from last year’s tree rustling in the hollows in their cardboard Mickey Mouse box. The tissue paper,  re-used year after year, feels like soft cloth.

    It’s Eldest Brother’s job to check each bulb inside its plastic casing. ‘Gently’ says Mum.

    The lights never work first time.

    Eldest Brother, breathing hard, protruding tongue clasped between teeth, his go to concentration mode, says it’s a closed circuit. It can’t work until all the bulbs are A.1. I’ve no idea what closed circuit means. But I like the sound of the words. Closed circuit. A One.

    The little ones, jigging with impatience, carol: ‘Put them on the tree!

    Eldest Brother hunts through tissue paper for spare bulbs. Miraculously two appear. Sellotaped to a piece of card and stowed safely away by Mum last Christmas.

    The spare bulbs work! The little ones go silent as Eldest Brother gingerly carries the lights over to the tree. A bump against Dad’s chair and they all go off again. No!

    Everyone has ideas where the lights should go. Up higher! You’ve missed the bottom branches! The yellow ones are hidden!

    ‘Too many bloody Indians’,  Eldest Brother complains.

    Mum is now taking out the glass balls and bag of tinsel. One ball has smashed, its jagged edges sticking up like a broken eggshell.

    Next the cardboard box marked Calor Gas tied with yellow satin ribbon. Inside are the crib figures wrapped in more tissue. A larger cardboard box, decorated with ivy, a painted yellow star inexpertly fixed over the centre, awaits. The figures, sent by Mum’s cousin in Germany, are very beautiful. A young Madonna, a baby Jesus with a detachable gold crown and upraised arms in a crib made of briars, old man Joseph grasping a shepherd’s crook fixed through a hole in his fisted hand, forever getting lost as the little ones take it out to play with. ‘Where’s Joseph’s crook?’  There’s a lying down brown cow, a standing grey donkey. The three kings bearing gifts must be hidden behind the box until after Christmas and its their turn to arrive.

    After Christmas? An unimaginable concept.

    The little ones argue over who gets to put Baby Jesus into his manger. The bigger little one thumps the smaller one in the back: ‘You did it last year.’

    Howls of outrage.

    ‘Look’ says Mum, ‘here comes the music box.’

    Also from Mum’s cousin in Germany, the music box is a wooden cylinder painted gold and indigo. Wound up, it solemnly twirls, plucking out Silent Night, sending kneeling angels holding golden trumpets, around and around.

    Stille Nacht! Heilige Nacht!’ goes Eldest Brother. ‘What?’  ‘German for Silent Night’, says Middle sister.  Eldest Brother claps his heels together and does a Nazi salute. All the big ones laugh. But I feel afraid. Everything about Hitler, the Nazis, the War, the terrible camps, frightens me. Could it all happen here?  A tank appear at the end of our road?

    The little ones jostle to wind the music box up, send the angels twirling.

    Mum holds up ‘Flying Santa on a Goose’. Bought in Woolworths by one of the big ones he immediately stole the show. Looped from the light over the dinner table, Santa, a skinny rakish version, sits astride a goose with articulated, real feather wings that go up and down as he sails backwards and forwards over the heaped plates, the crackers, the red wine, the silver candelabras – until OOPS! he’s sailed too close to the lighted candles.  A strong smell of burning. The goose feathers, Santa’s beard, are singed! Dismay from the little ones: Santa. The big ones shout with laughter. Mum laughs so she gets tears in her eyes.

    Finally here’s the Christmas fairy. She’s from Mum’s childhood and has her own box. The little ones are a bit frightened of her. She looks like one of those dolls that might snap awake at midnight and do stuff.

    A perfect china face, china arms and legs, a soft fabric body. Real, pale blonde hair, a small pursed mouth, blue eyes, a tiny patch of rouge on each cheek. She is wearing an ankle length dress made of real satin trimmed with lace.

    Eldest Brother, standing on one of the dining room chairs, ties her to the top of the tree using the yellow satin ribbon that holds the crib box together. We crowd around the tree: ‘A little bit to the left!’  ‘No a little bit more to the right!’ Eldest Brother gets fed up: ‘She’s fine.’

    Christmas fairy, a little lopsided, looks down disapprovingly.

    It’s dark. Dad comes in. He’s smiling a lot. His hat on the back of his head. Even before the front door closes the young artist who took him out drinking is speeding away from the house in a battered cream estate.

    Dad walks unsteadily around the hall, arms out: ‘My darlings’.  Mum goes: ‘Oh for heaven’s sake’. Dad can’t stop smiling: ‘All my ducklings.’ He puts a hand on my shoulder. He avoids Mum’s eye.  ‘I shink maybe I’ll go up to bed’. ‘Good idea’, Mum says in a voice that means Goodbye and Good riddance. ‘Happy Crissmass’ Dad says, standing swaying at the bottom of the stairs, waving a bony hand.  ‘Go on’ Mum says.

    None of us says anything. We don’t mind Dad being drunk. But we don’t want Mum to be cross. Not on Christmas Eve. One of the big ones goes down to the kitchen.

    When all the glass balls, small ones and big ones, have been hung on the tree, the tinsel draped and the crib set up with the music box beside it, the big ones say they’re going to make supper in the kitchen. There’s ‘too much going on in the dining room’.  The big ones have made Mum sit down and have a sherry while they cook. The bottle says ‘Dry Sherry’. No matter how many ways I try to think it , I can’t work it out: how can a liquid be dry?

    We’re allowed our first slices of ham. It’s delicious! Sweet and warm and juicy and chewy all at the same time.  I wonder how long can eating and happiness last?

    *****

    It’s Christmas morning! We’re all awake before it’s light. Mum and Dad have left a long, grey, hand knitted stocking at the end of every bed. The bulging stockings, knitted by Granny, spend the rest of the year in the sideboard. They all have that special Christmas smell.

    We reef open the Santa presents – a potatoe gun, bubbles, a false nose and moustache set, a board game with a wooden spinning top. At the bottom, always, a tangerine.

    We stand outside Mum and Dad’s bedroom door. ‘When can we go down?’ Sleepy voices from inside call out: ‘Go back to bed. It’s not even six o’clock.’.

    By eight Mum and Dad have come down. Big Sister has started breakfast. Everyone is hungry. Us young ones because we’ve already been awake for hours. Mum and Dad and the big ones because they’ve been at midnight mass, wrapped presents and sneaked them into our rooms in the Santa stockings.

    The big presents are still all under the tree. Dad says we have to line up, outside the dining room door, littlest first, . He puts the Messiah on the gramophone, the hundred voices swelling up and filling the house, Hallelujah! Halleluhah! Ha,le,eh,eh,luh,jah! He tells us Handel cried when he first heard it performed. In Dublin. We only half listen. All we want to do is get inside.

    One, Two, THREE – and Mum opens the door.

    We thunder in.

    Mum and Dad stand either side of the tree, calling out our names. There are the big presents under the tree from them first. Then presents from Granny. Then smaller presents from uncles and aunts. The big ones get presents from girlfriends and boyfriends.

    Silence as presents are ripped open. Shouts of delight. Everyone makes a pile in separate areas.

    By the time the excitement has started to die down the big ones are bringing in breakfast. Because it’s Christmas they’ve cooked extra, piling the rashers and sausages, the black and white puddings, the tomatoes, onto the big oval dish. They bring the eggs and the toast in separately.  It’s always the best breakfast of the year.  Mum and Dad, at either end of the dining table, give each other a quick look: first stage of Christmas successfully completed.

    The preparations for the big Christmas dinner start immediately after breakfast is cleared away. Chopping onions, squeezing sausages out of their skins to make the stuffing for the turkey. Scrubbing and peeling the enamel basin full of potatoes. Making the bread sauce. Getting the plum pudding onto the stove for one last boil. Cleaning the brussels sprouts. Scrubbing the carrots. Checking the trifle in the pantry has properly set. Shoving fistfuls of stuffing into the turkey’s  yawning cavities.

    Next a small party of us are off with Mum and Dad to visit the maternity hospital where Mum’s father was once Master. The matron, large and spotless, has coffee, sherry, Christmas cake, mince pies laid out. Fig rolls and squash for us younger ones. She treats Mum like a beloved, special daughter. Mum looks beautiful in her green tweed suit, the gold watch brooch she won for a Point to Point on the lapel.

    Every year Mum brings in ‘layettes’ for the new-borns whose own Mums don’t have much money. Mum and the sewing lady who comes to the house to ‘turn’ sheets, make clothes, re-line old jackets, ‘turn’ cuffs, make a few every time the sewing lady comes. They’re set aside in the sewing chest of drawers, ready for Christmas.

    Mum and Dad both have sherry. Then coffee. We have mince pies, burning our tongues on the scalding fruit.

    ‘Why are they called ‘mince’pies’?’ we ask Dad in the car on the way home. Dad says it goes back to the 16th Century. They used to be made with real meat. Even, sometimes, tripe. ‘No’ we scream, making getting sick noises. Dad, who can persuade us to eat almost anything, hasn’t succeeded in getting anyone to eat tripe. It’s good for you!  Every so often Dad buys some in the butchers and cooks it up in a saucepan of milk with half an onion. Mum says it smells horrible. I say it looks like floor cloths.  Mum says it smells even worse than floor cloths. Nobody will taste a mouthful.

    ‘Dad. No! Yuck!’.

    By the time we get back to the house the older ones have Frank Sinatra on the gramophone and the house is filled with the smell of Christmas dinner cooking.  We younger ones bring our presents up to the drawing room where Eldest Brother has lit the  huge Christmas fire  – long curved black turves, chopped logs that smell of Sundays in the country.

    Dad goes to collect Granny, Mum’s mother, to bring her over for the big feast. We sit her in Mum’s chair by the fire.

    We hear screaming downstairs. A plate smashing. Big Sister and Mum have got into a fight. Dad goes down to calm things. We hear raised voices.  A door slams. My brother laughs: ‘Madame having one of her fits’. He means Big Sister. Granny pretends not to hear. Dad comes back: ‘Help is needed’ he says. The middle ones, groaning, get up and go down.

    Finally the call comes: Dinner’s ready!

    We force ourselves not to charge down the stairs shouting and jostling,  remembering Granny and how old she is. Her arm feels like a dry stick inside her soft woollen sleeve. Dad, holding out a crooked arm, says he will ‘escort’ her.

    The dining room is beautiful. The sideboard and the table are lit with candles, decorated with ivy and holly, a circle of crackers in the centre, the sideboard crowded with huge glistening turkey, the ham, bowls of heaped mashed potatoe, a dish of roast potatoes, bowls of brussels sprouts and carrots, silver boats of bread sauce, the gravy boats, a dish of cranberry sauce.

    All the best cutlery is out. The best china. The nicest glasses. The best napkins.

    Dad carves. There’s quiet as everyone waits. Another wait for gravy, bread sauce, cranberry sauce to be passed around. You look at your plate, so beautiful with the meats and stuffing and roast potatoes, vegetables, gravy and sauces.

    Everyone has to wait until the last person is sitting down, before you can begin.

    Yes!

    Pieces of delicious turkey meat dipped in gravy, roast potatoes cooked in turkey juices, mashed potatoe with butter dripping down the sides, ham with cranberry sauce, stuffing. Every mouthful is delicious. The turkey bought from a farmer Dad knows in Meath. The ham ordered from the pork butcher in town. The potatoes, brussels sprouts and carrots from Dad’s garden.

    The grown-ups and the big ones have wine. Granny, no higher at the table than the little ones, a shrinking doll in satin and pearls and silvered hair, raises her glass, smiling. To Christmas! shout the big ones.

    My brother, carving knife and fork raised, calls out: ‘Who’s for seconds?’ The adults decline as we smaller ones line up. My brother always gives himself the best bits when he carves, and seconds never taste as good as firsts, still, I can’t resist. ‘No thirds’ Mum says, ‘that’s just greedy’.

    More Christmas please, more!

    A rest and then, puddings.

    The dinner plates are cleared. The plum pudding is carried in. Then the trifle. Dad pours a glass of brandy over the plum pudding and holds a match to it. Blue flames dance and curl around its moist sides. We all want to get bits with the blue flames still going but they flicker out as the plate lands. Brandy butter runs down the hot sides. There’s trifle for those who don’t like plum pudding. Or for greedy ones – like me ! – who want both.

    For the grown ups there’s a special wine Dad has bought for Mum – a desert wine. ‘Do they make wines in the desert?’ The big ones laugh. ‘Of course not!’ ‘It means a wine you have with your pudding, silly.’

    Finally it’s time to pull the crackers. You cross your arms in front of you and share a cracker with the person either side. You pull like mad because you want to get the toy, the hat and the joke. Even though the grown-ups say they’re always rubbish, everyone pulls hard. There’s a little explosion, the smell pop guns make, a scattering of rolled up paper hats, toys and jokes. One of the littles sitting beside my brother screams. ‘He got TWO!’ Dad finds another cracker and pulls it with them, making sure they win.

    We all hope to get  good joke and make everyone laugh:

    ‘What did the stamp say to the envelope? Stick with me and we’ll go places’.

    ‘How did the human cannonball lose his job? He got fired’.

    ‘What is the nearest thing to Silver?  The Lone Ranger’s bottom.’

    The grown-ups, now in great form, laugh like anything. We young ones all want to own the fish that middle sister got in her cracker. It’s made of red, see-through cellophane. When you lay it on your outstretched palm both ends curl upwards – as if the fish was alive.

    Finally it’s time to clear up.

    When the last dishes, cup, plates, have been carried into the kitchen and washed, the meats, puddings, turkey, ham, trifle put away in the pantry, everyone gathers upstairs in the drawing room where Dad has stoked the fire up into a fresh blaze.

    Granny is going to stay the night. She tells us stories about growing up in Chile. About how Mum and her brother used to ride out on their ponies, for miles and miles. How Mum was afraid of nothing. Mum looks stern. We know, though she never says, she doesn’t like Granny. We don’t really know why. Big Sister says Granny was very bossy when Mum was young. We can’t picture it. Tiny ancient  little Granny was so bossy she made Mum cross? Forever? It doesn’t make sense.

    Dad suggests we all play the ‘truth’ game. Mum says no, that game always ends in trouble. We take out the new Cluedo. Eldest Brother wins: Colonel Mustard. In the study. With the rope. Mum says, ‘that game is going to give them nightmares’, but she’s not cross.

    *****

    It’s January by the time the tree has to come down. The soft, early dark light of December has been replaced with the harsh grey blue light of January. There have been fights. Big sister has broken up with her boyfriend. ‘Oh do blow your nose,’ Mum says, which makes Big sister howl even more loudly and rush out of the room.

    The tree has to be taken out of its bucket filled with stones and pulled out through the back door and down into the garden.

    Middle sister says how come there is always one ball left on the tree no matter what? The ball this year, a small purple one, clatters across the tiles as Eldest Brother drags the tree out, leaving a trail of pine needles. Mum says, ‘Someone get the hoover’. ‘Hey Someone! Get the hoover would you!’ says Middle sister. ‘Don’t you be cheeky’, says Mum .

    In the garden my brother hacks off the Christmas tree branches with a small red handled hatchet, piling the lopped branches up in a rough stack. ‘Stand back’ he says and throws on a cupful of paraffin. Whumpf! The hacked branches, the armless tree, spitting and crackling go up in a shaking blue haze. I see Mum looking out the window. Suspicious. Her face saying: What did that boy throw on the fire to make it blaze like that? I thought I’d told him not to.

    Inside everything has been packed away into the sideboard – the Mickey Mouse Christmas lights, the crib figures from Germany, the singing angels from Germany, Flying Santa on a goose with his singed beard,  the plastic bag of tinsel, the glass balls, the long grey hand knitted stockings.

    All back into the dark of the sideboard until next Christmas.

    Middle sister has taken out the hoover. Pine needles go rushing up the metal tube in a storm of clicking. Like dried out, dead insects.

    *****

    Dad is in bed. He’s not feeling well.

    Christmas is over.

    How could any of us have known it was to be the last Christmas? The last happiness?

    How could any of us have imagined it was the beginning of the end?

    We didn’t. How could we?

    Feature Image: wikicommons

  • ENOUGH! Confronting Woody Allen

    These are extraordinary times. Last month serial sexual abuser Harvey Weinstein, had his 23-year sentence squashed; a Channel 4 documentary aired new sexual misconduct claims against Kevin Spacey, and Woody Allen and Roman Polanski are feted at the Venice Film Festival. ‘Hiding in plain sight’ – and having ruthless lawyers – still seem to work as a treat in the misogynist’s playbook.

    Let’s take Woody Allen. These days Woody Allen looks like someone’s favourite teddy that’s been savaged by a pitbull, but don’t be fooled – he’s as unrepentedly misogynistic as ever. And just as keen to claim his innocence: No Court Ever Convicted Me.

    Some days it feels as if #MeToo had never happened.

    So Woody is the guy who, since the very beginning of his career, made films about older guys glomming onto young women. Very young women. Mariel Hemmingway, in everyone’s favourite Woody movie, ‘Manhattan’, was sixteen-years-old. Sixteen! Being drooled on by a 40-something Woody Allen.

    When shooting wrapped on ‘Manhattan’ Woody drove her to her parents mansion and suggested she run away to Paris with him, where he would make her a star. Would there be separate bedrooms? Asked the kid. Eh, no.

    Praise the Lord (and pass the ammunition), that was the end of that.

    But Woody went on to make more, and more, movies featuring older men – very often himself – and younger, much younger women.

    Emma Stone, Allen, and Parker Posey at the Cannes Film Festival in 2015

    Cultural Icon

    Part of the blindness to this carry on arose of course from Woody being a ‘cultural icon’ for millions of Boomers. The softly-spoken, wonky-specked hero of their fav films, could do no wrong. Woody was their very own ‘Lovable, Neurotic Nebbish’.

    As Steven Kurutz of the New York Times wrote that Woody was the litmus test for all things groovy: ‘E. E. Cummings, Paris, 1930s jazz and the sophisticated, cultured world his films came to represent.’

    Apart from a few sharp eyed critics like Joan Didion who said Mariel Hemingway in ‘Manhattan’ was ‘another kind of adolescent fantasy,  a high-school senior with perfect skin, perfect wisdom, perfect sex, and no visible family’, or film critic Pauline Kael who asked, ‘What man in his forties but Woody Allen could pass off a predilection for teenagers as a quest for true values?’

    Most people played along. It was just Woody, playing out his ‘predilections’. Hahaha. Then came real life.

    It turned out it was the same Woody Allen who groomed, seduced, and had a secret affair with his and Mia Farrow’s sixteen-year old high school daughter, Soon-Yi. A young woman whom he had been de facto father to for thirteen years. A young girl, chauffeured to him in his apartment still in her school uniform.

    When confronted by a horrified Mia – she’d found the pornographic photos he had taken of  Soon-Yi on his desk – Woody went full DARVO. Deny. Attack. Reverse Victim and Offender. Who cared if he destroyed his family and his partner Mia in the process? Certainly not Woody.

    He denied Soon-yi was his daughter, that he had been in loco parentis for over thirteen years. Denied grooming her. Denied that Soon-yi, a Korean street child, surviving on trash until adopted by Mia and then husband Andre Previn, was peculiarly vulnerable, having never even had a boyfriend until Mr Specs moved on her.

    No no no, wrote Woody. ‘Here was a sharp, classy, fabulous young woman: highly intelligent, full of latent potential, ready to ripen superbly’.

    “Ready to ripen superbly.”

    Woody Allen and Soon-Yi Previn in Venice in 1996

    Worse to come

    During custody proceedings it turned out, as Dylan would testify years later in her open letter to the New York Times that Allen had groomed her, and abused her, ‘doing things to her that she didn’t like’ for ‘as long as she could remember’?

    Immediately, the vast army of lawyers, PR wonks, ‘experts’ employed by him to destroy Mia Farrow and allow him ‘have’ Soon-Yi, switched their attention to destroying the evidence of his then seven-year-old daughter, Dylan.

    In a classic Toxic Dad move, Woody lodged a legal appeal to gain custody of his and Mia’s three younger children: Moses, Dylan and Ronan, saying Mia was an unfit mother. A harridan. A bully. A crazy person. Whom her children hated. That these ‘false allegations’ of abusing Dylan were manifestations of Mia Farrow’s ‘festering anger’ against him. Part of a ‘bitter custody battle’.

    Woody was the first to bring up the toxic ‘Parental Alienation’ defence now poisoning thousands of custody cases in both America, the U.K., even here in Ireland, whereby abusive fathers can get full custody of children when their lawyers assert the Mums have ‘alienated’ them against the same abusive Dad.

    According to one top US lawyer, it’s ‘easier for the Courts to grant custody to an abusive father than to believe the mother’. Thousands of women, and children, have suffered terribly. Little comfort to them that the guy who dreamed up this latest patriarchal wheeze hacked himself to pieces in his kitchen with a carving knife as local deputies moved in with child abuse charges.

    As Woody’s attacks on Mia as ‘harridan’ were amplified by an adoring press, lapped up by fans, interview after sympathetic interview was conducted with our man, ‘as New York as the Statue of Liberty’. It was box office. Who doesn’t love to see a super-rich, beautiful blonde with a large, multicultural family, taken down?

    Luckily, Woody overplayed his hand. The seven week-long custody case didn’t go his way.  The judge, to Woody’s and his expensive lawyers evident astonishment, denied him custody. In case anyone was in doubt as to why the Judge spelled it out: ‘Mr. Allen’s resort to the stereotypical ‘woman scorned’ defence is an injudicious attempt to divert attention from his failure as a responsible parent and adult.’ Hurray!

    Mia Farrow at the 2018 Pulitzer Prizes awards ceremony.

    No Criminal Conviction

    Sadly, attempts at securing a criminal conviction against him for the sexual abuse of Dylan foundered.

    First, the New York hospital who conducted ‘interviews’ at Woody’s behest with seven-year-old  Dylan, destroyed all their evidence, then claimed she had either been ‘coached’ or was ‘deluded’. Before any judicial process could take place they allowed Woody Allen to hold a press conference on the hospital steps to ‘proclaim his innocence’.

    The New York Prosecutor was apoplectic. But hey, Woody was Woody. He brought millions of dollars into New York, right? What was a seven-year-old’s ‘discomfort’ compared to that?

    A young NYC welfare officer who interviewed Dylan separately, believed her. He was ‘instructed’ to find her allegations ‘unfounded’. When he refused, he was fired. His superior said: ‘The elite do whatever they want to do. There are no consequences’. She  resigned.

    Meanwhile in separate proceedings in Connecticut where Mia and the children lived, another prosecutor believed there was ‘probable cause for a criminal case’. But it was this prosecutor and Mia Farrow who reluctantly decided to call a halt to further legal proceedings as putting a traumatised seven-year-old through any more of this brutality would be too much.

    Woody held another press conference: he was clean! More parties! More cheering!

    And he continued to make films, play jazz, and yes, actually get married to Soon-Yi. He was sixty-two, she twenty-seven.

    Most importantly, he got to keep his precious status as an ‘auteur’ and ‘proven genius’. One of the ‘greats’ of Western cinema.

    Ronan Farrow.

    Post Traumatic Stress

    He almost got away with it.

    His victims, daughter Dylan and partner Mia Farrow – though all the children in the family were affected –  were left with the pain, post-traumatic-stress, years of self-loathing, anxiety and depression, while he partied on.

    As Dylan wrote, ‘Sexual abuse is a life long sentence. It never goes away’.

    Woody said it was all ‘stupid’, ‘silly’.  There was nothing he could do. And, magic trick!, no court had convicted him. He was clean.

    Luckily, just when you think you’ve killed it off for good, the truth has a nasty habit of reappearing.

    It was the lionisation of her father at the Golden Globes in 2014  that drove Dylan, now a beautiful young woman in her twenties, into offering that open letter to the New York Times:

    For as long as I could remember my father had been doing things to me that I didn’t like…

    I didn’t like how often he would take me away from my mom, siblings and friends to be alone with him. I didn’t like it when he would stick his thumb in my mouth. I didn’t like it when I had to get in bed with him under the sheets when he was in his underwear. I didn’t like it when he would place his head in my naked lap and breathe in and breathe out. I would hide under beds or lock myself in the bathroom to avoid these encounters, but he always found me.

    Woody’s obsessive grooming culminated in taking the little girl to a ‘crawl space’ in the attic in the family home in Connecticut, making her lie on her tummy and watch her brother’s train set go round, while he touched her private parts, then penetrated her with his finger.

    He told her it was ‘their secret’.  That one day he would take her to Paris and make her a movie star.

    Horribly, the exact same line he’d used on Mariel Hemingway.

    Dylan’s letter to the New York Times was a bombshell. Twenty-two years after her mother’s initial disclosure of abuse, cultural indulgence towards male abusers had chilled. Significantly.

    Dylan’s younger brother, Ronan Farrow, who Allen had offered a ‘comfortable life’ to in return for speaking out against his sister and his mother, was developing a successful investigative journalism career.  His eyes were on that other elephant in the room of abuse, Harvey Weinstein.

    Crucially for Dylan, and for their mother Mia, Ronan became an ally.

    At first, he admits he was horrified at his sister’s public re-announcement of their father’s sexual abuse. He begged her not to. ‘It was the last association I wanted’. A bonfire in which friendships, powerful allies and those all-important connections would get burnt. Where Woody Allen’s ferocious spin machine would go into overdrive once more.

    Thankfully the #MeToo Movement was sweeping through the ‘entertainment world’.

    Woody’s ‘this is all too silly’ schtick began to look threadbare.

    Ronan’s book on the Harvey Weinstein scandal, Catch and Kill became a Pulitzer Prize-winning best seller. Hachette, poised to publish Woody’s memoir under the same imprint, pulped Woody, and championed Ronan. Amazon cancelled a four film-deal.

    The Tables Turn

    The coup de grace was a four-part HBO documentary aired in 2021, ‘Allen v Farrow’ made by Jane Doe Films. The details, painstakingly put together, paint an utterly damning portrait of an decidedly not nice little guy.

    Woody began to sound less sanguine, dismissing the actors who dared refuse to work with him, with: ‘That’s how actors and actresses are, denouncing me became the fashionable thing to do, like everybody suddenly eating kale.’

    As if kale had anything to do with justice. With little ones being abused.

    Rather prophetically justice has come for Woody and his ilk, Harvey Weinstein etc., via the media. The same media these men manipulated, for years.

    Far from being a ‘Trial by Media’ as these scions of the patriarchy like to characterise it, for abused women, going to the media, taking the fight to Twitter, or TikTok, or the New York Times,  is a ‘form of rebellion’. It is a way, said Baroness Helena Kennedy QC. with regard to yet another alleged sexual abuser, Russell Brand, for abused women to ‘throw a brick through the windows of the Criminal Justice System. A way of saying: You Have Let Us Down’.

    Throwing bricks through windows has a venerable feminist history. Smashing the windows of shops in London was an effective tool in the Suffragettes armoury. Not listening to us? How about this: Crash! Bang! Wallop! And down came the huge plate glass windows in cascading showers of splinters.

    The sexual exploitation and abuse of women by powerful men is still endemic in our culture.  However it is called out – through film, documentaries, social media, by incredibly brave young women like Dylan Farrow, by throwing bricks through windows – it is our way of saying ENOUGH.

  • Shane MacGowan’s Madonna

    So, it’s Thursday night in Dublin, I’ve found some Poitin, and am thinking of Shane MacGowan. How very sad it is that he’s gone. ‘A Rainy Night in Soho’ playing on the radio.

    I had a funny connection with Shane.

    His wife Victoria gave me a photo of her and Shane for an auction, to raise money for a battle against a semi-state body spraying pesticides.

    I had to get it signed. ‘Come on over!’ Victoria said. Next thing I’m in their  house, Victoria has scarpered, and I’m alone with Shane.

    I’ve had the photo of them blown up and printed on canvas. Shane loves it,  grabs it, asks me what it’s for, takes a green marker and scrawls, ‘Fuck Those F—  Hypocrites! Love Shaney XXX’.

    Wow.

    Business completed, joints are rolled. Blue gin poured.

    My head is melting.

    My heart is too.

    Shane talks poetry. Seamus Heaney. James Clarence Mangan. The Famine. The Rising. Have I ever been ‘strung out’?. Where do I live? With whom? I explain I’m with my children and their partners. ‘A commune!’.

    Would I like some music? Absolutely I would. Shane leans over the arm of the sofa where he’s sitting to rummage through a box of CD’s.

    ‘I used to play with this band’ he says, shyly, ‘the Pogues’.

    I want to jump up and hug him. I want to say everyone in the whole world knows the Pogues and your incredible music Shane!

    ‘That would be lovely’ I say. ‘I’d love to hear you and the Pogues’.

    Shane slides in ‘Rum, Sodomy and the Lash’.

    Victoria re-appears.

    Shane looks around. ‘Hey Vic, give ‘er that’, he says, pointing to a floor tile on which he’s drawn the Virgin Mary.

    In brightest greens and blues, Mary is standing, holding one arm up. ‘What’s she doing?’  ‘Calming her people’ says Shane. ‘And the little guy with a Kalsnikov?’. ‘He’s minding her’.

    I’m unsure if I should take it. Victoria, who’s probably seen hundreds of items given away, is graciousness itself: ‘He’s delighted to give you something’.

    I finally leave, my head ringing, thinking when I’d asked Paul McCartney if he’d sign a rare Beatles EP, a frosty PR company replied: ‘Sir Paul does not sign memorabilia’

    Thinking how CRAZY it is that notorious hellraiser Shane MacGowan has just given me a picture of the Virgin Mary. On a floor tile.

    And also, this thought: it’s the middle of the recession. I can’t keep asking artist friends for help. I’ll collect Virgin Mary’s instead. And sell them.

    The Irish Museum of Modern Art IMMA made a beautiful print of Shane’s original, ‘Gra agus Beannacht’ added in Shane’s hand.

    I was on my way.

    I had to visit Shane and Victoria again to get the prints signed. Exhausted after a UK trip, Shane lined up something for himself and said: ‘Okay give me those fukken things’ then, gent that he is, signed them all.

    He and Victoria were guests of honour at our first exhibition of Virgins in the local Arts Centre. He the first to buy. A beautiful print of his beloved Sinead O’Connor as Mary by Aga Szot (who previously featured as an artist on Cassandra Voices). Nobody else moved. ‘Fukken tight fist fukken cunts’ Shane growled.

    Sinead O’Connor as Mary by Aga Szot.

    O Lord.

    Truth be told, a Catholic boarding school girl, I’d never much liked Mary. She seemed cold. Distant. Pastel. Shane turned me on to a different one. A powerful female icon. A warrior woman, ‘Calming her people’.

    With everything he cut to the chase.

    ‘I just wanted to shove music that had roots, and is just generally stronger and has more real anger and emotion, down the throats of a completely pap-orientated pop audience.’

    He sure succeeded. He sure was loved for it.

    He was beautiful. Impossible. Sensationally gifted. Honest. Punk. Sensationally sensitive. Spiritual. Political. Wild.

    ‘Gra agus Beannacht’ in the fullest measure.

    He will be sorely missed in this ‘pap-orientated’ world.

  • The Cruel End Result of the Affair

    In the wake of Taoiseach Leo Varadkar’s extraordinary gaffe in Washington the day before Paddy’s Day, I‘ve been thinking about Monica Lewinsky, the intern he so crassly referred to in his ‘off the cuff’ remark.

    So who was Monica Lewinsky? What went on between herself and Bill Clinton, then the most powerful man in the world, and twenty-seven years her senior? And what were the outcomes for her. And for him.

    Back to when it all kicked off. She was a bright, freshly minted grad who jumped at the chance of an internship at the White House. She developed a ‘crush’ on Bill and soon the ever-opportunistic Mr. President was inviting her into the Oval Office for an increasingly intense sexual affair.

    Not only was the affair ‘reckless’ on his side, it took place as the Republican Party were gathering forces under a new, viscously partisan cabal made up of right-wing parliamentarians, partnered with a shadowy group of lawyers and key professionals known as ‘the Elves’, all desperate to bring this Democratic Love God down.

    This nasty lot had cosied up to a distraught young woman Bill had exposed himself to, and asked to, eh, kiss the mighty phallus.

    At the same time a years long, $70 million trawl conducted by Judge Kevin Starr into Bill and Hilary’s involvement in a land deal in Little Rock, had pretty much come to a dead end, when the circling sharks were handed live meat: forget the girl asked to kiss yer man’s pee pee, currently the President of the United States is shagging a twenty-two-year-old intern. In the White House.

    But, Monica Lewinsky was no longer in the White House. Her superiors, worried by this semi-blatant affair, had shunted her off to the Pentagon, where aged twenty-two, miserable, heartbroken and horribly confused – why wasn’t her powerful lover bringing her back to him? – she confided her woes in a tough older woman, named Linda Tripp.

    Tripp by name and Tripp by nature, the lovely Linda, surely spotting gold was to be made, began taping her conversations with the distraught young intern and doing the rounds of literary agents, and journos with dynamite tale in hand.

    It’s still blood chilling to hear this older woman advice a confused and clearly lovestruck Lewinsky to keep every gift the President has given her, make sure NOT to dry clean the blue dress with the President’s semen still on it, and not to worry, all will be well. All the while taping the conversations, leading the young woman deeper and deeper into a trap.

    Next, the judge who’d unsuccessfully spent millions trying to entrap the Clintons via a land deal in Little Rock, was tipped off by a helpful member of ‘The Elves’ as to what was going on.  Smelling blood in the water, he pounced. This could actually bring the President down.

    The sting took place one day in a shopping mall where Linda and Monica were to meet for coffee. Linda approached, flanked by FBI, and a terrified Monica was escorted to a pre-prepared upstairs hotel room where lawyers for Mr. Starr awaited.

    Monica, refused a lawyer, refused even a call to a lawyer, still unaware that all her conversations had been taped, and shared, was told she MUST co-operate fully and agree to wear a wiretap to entrap the President, and unnamed others. The alternative was years in jail. Jail perhaps also for her Mum and Dad?

    She was alone, terrified, mortified, suicidal.

    God love her, she refused to co-operate. She still loved Bill.

    Eventually, after hours of this travesty of justice, she was allowed phone her Mum.

    Her Mum, very sensibly, urged co-operation. Her Dad got a lawyer. Eventually she and her Mum were allowed creep off, battered and exhausted, to her Mum’s apartment where they holed up for months, the press camped outside their window.

    The big guns now turned their sights on the Pres.

    For months the American media, public, and Congress were convulsed  with fascinated horror as the details of the affair tumbled out.

    In thanks for her co-operation every snog, every orgasm, every breathless gush, pace Linda Tripp’s tapes, was made public. All detailed by Monica herself.

    The President eventually slithered free: ‘I did NOT have sex with that woman’.  Went on to finish his term, write a bestselling memoir, charge hundreds of thousands of dollars for speeches, and keep his marriage. Hilary her hair coiffed to within an inch of its life as the drama dragged on, standing by her man: ‘He was a hard dog to keep on the porch’. The hard dog grinning away, delighted with himself, doling out settlements for hundreds of thousands of dollars for women he’d sexually harassed to women he’d outright raped.

    Monica meantime was universally pilloried.

    She became a national joke. ‘A slut’. ‘A Bimbo’. ‘An over sexed blabbermouth who couldn’t keep her mouth shut’.

    Even solid gold feminists and lefties like Gloria Steinem and Michael Moore got stuck in.

    She was fair game.

    For years, in her own words, she ‘floundered’. She tried celebrity schlock. Handbag design. Dieting endorsements. But eventually removed herself from the public eye. She went to the London School of Economics and did a Masters in Social Psychology . She decided to take control of her story. She co-authored a book. She supported MeToo. ¸She did a Ted Talk. She became an ambassador for anti-bullying, helping ‘survivors of the shame game’. She openly criticised the ex-President who to this day likes to cast himself as the helpless boy and she ‘just a buffet and he couldn’t resist the desert’.

    It’s a tale Shakespearian in its breadth. And tragedy. But she is the one who has  emerged with flying colours. The President, and sadly his wife, once a proud feminist, and the cohort of savage Republican lawyers and parliamentarians, do not come out of this so well.  Oh no.

    So perhaps next time Leo goes off piste in one of his speeches he might do a little background reading first. Make certain who is the butt of his jokes, made only hours after cosying up to Mrs. Clinton.

    Fuck the Patriarchy. Let the Patriarchs starve.

    Feature Image: Clinton with Lewinsky in February 1997.