Tag: your

  • Poem: ‘And Not Your Garments’

    And Not Your Garments

    Lord, Lord this my heart full

    of secrets, seeds I know
    you did not send—Lord, I

    cannot rend.

    If I am choked, therefore,

    by weeds,

    I will not ask
    for a mended garden, I

    won’t beg your holy pardon
    at scythe’s end.

    These were difficult to bury,
    so little loam left in me. You,

    perfect,            alone
    apprehend.

     

    Feature Image: De intrige, (James Ensor, 1890); collection: Koninklijk Museum voor Schone Kunsten Antwerpen

  • My Team / Your Team

    In the first part of his essay concerning his enduring lifelong fandom of Manchester City FC, and the club’s current owners’ wealth vis-á-vis his left-wing politics, Desmond Traynor recounts his origin story as a supporter of the club, and offers a critique of the Irish soccer commentariat’s biased attitude to City’s success.

    After many years in which the world has afforded me many experiences, what I know most surely in the long run about morality and obligations, I owe to football.
    Albert Camus, article in Racing Universitaire Algerios club’s alumni magazine (1957)

    Looking back, I can see that my attraction in starting to support Manchester City F.C. in 1968, at the age of seven, was perhaps the first indication of a budding contrarianism. Not that I had enough self-consciousness at the time to recognise it as such. What is interesting about certain decisions one makes as a child, adolescent, and even as a young adult, is that they are usually made prior to one having the full story, about oneself or others, or in general about this thing we call Life – if, indeed we ever get the full story. They tend to be instinctual, or even pre-cognitive, and so revealing of particular bedrock character traits in a still-forming personality. However, lest we kick off on the wrong foot, please note that I have not bestowed this questionable epithet on myself; rather, it has been attached to me by others. I do not necessarily think of myself as a contrarian, or even contrary. I just like different things than other people do, or have different reasons for liking the same things that other people also like. Which, obviously, could be said of anyone else’s idiosyncratic likes and dislikes. It’s called Taste, and there is no accounting for it – good or bad.

    The origin story runs like this: 1968 was the year Manchester United won the European Cup, and almost everyone in Ireland who was not already a fan of that club became one. They captured the floating voters. I thought to myself: ‘Screw this for a game of soldiers, I’ll be a Manchester City fan’. This was not merely, or only, evidence of a latent, wilful desire to be atypical or antagonistic, or the product of a childish caprice: we had a good side then, and won the League that same year, the F.A. Cup the following season, and the European Cup Winners’ Cup and the League Cup in the 1969/70 campaign. The team was full of gifted players, heroes whose magical names rolled off the tongue, which still resonate today (among City fans, at any rate): Francis Lee, Mike Summerbee, Neil Young (no, not that one!), Tony Book, Joe Corrigan. Best of all was Colin Bell, one of the greatest midfield playmakers England has ever produced. Shrewd, languid, possessed of incredible stamina (his nickname was Nijinsky – after the racehorse, although ballet dancers require considerable stamina too), he could run box to box, but he didn’t always need to, as he could pick out a defence-shredding pass from forty yards. He was the definition of ‘silky skills’. Such was my infatuation that, as a fledgling player, I modelled myself on his example. I even persuaded my mother to sew a number 8 onto the back of my boyhood City jersey, in his honour. (Speaking of jerseys, another reason for my plumping for City was that I preferred the sky blue they wore to the red sported by the Red Devils.) Bell’s career was cut short in November 1975 when, at the age of 29, his right knee was severely injured in a challenge by Manchester United’s captain Martin Buchan, during a League Cup derby at Maine Road.

    But then, apart from winning the League Cup in 1976 with a victory over Newcastle United at Wembley, we had a bad forty years or so at the office, with mid-table mediocrity gradually giving way to spells in the old Second Division (1983–1985, 1987–1989, 1996–1998, 1999–2000 and 2001–2002), yo-yoing between the top flight and what is now the Championship. We even endured the ignominy of being relegated to Division 3 for a year in 1998–1999 – as chronicled by Mark Hodkinson in a weekly column for The Times, later collected together in his book Blue Moon: Down Among The Dead Men With Manchester City (2011). Thus did the phrase ‘long-suffering’ come to be applied whenever City fans were spoken of by those of other allegiances. Hell, we even bestowed it on ourselves, often adding the equally derisive ‘typical Citeh’. In some unfathomably fatalistic way, it seemed I had been destined to support this club: its ethos suited the wry resignation of my ‘What can you do about it?’ temperament, with early promise curdling in to the predictable compromises of average adult living.

    Colin Bell b. 1946,

    City of Lost Souls

    All that has changed now, of course. ‘When City are great again…’ wrote Mancunian music critic and lifelong City fan Paul Morley, in a short article titled ‘City of Lost Souls’ (Arena, November 1998), and lo it has come to pass. In August 2008, City were purchased by the Abu Dhabi United Group, and massive investment ensued – not only in transfer spend on players, but on infrastructure, the youth academy, and the regeneration of east Manchester with facilities for the local community. Gradually, results began to match the upturn in player and managerial quality. 2011 saw City secure their first trophy in thirty-five years, with a 1-0 win over Stoke City in the FA Cup final. 2012 brought our first League (by then Premiership) title in forty-four years, with the famous two goals in injury time against relegation threatened Queens Park Rangers to turn a 1-2 deficit into a 3-2 victory in the last minute, thus beating United into second place on goal difference (having already thrown down a marker by thrashing them 6-1 at Old Trafford earlier in the season). Every City fan remembers where they were at 93:20 on that sunny Sunday afternoon in May, otherwise known as the ‘Agüeroooo!’ moment. Me, I kept watching replays of Sergio’s winning goal for a week afterwards, in an effort to make sure that I hadn’t developed mild psychosis and entered an alternative reality. It confirmed for me that football provided the last vestiges of Greek drama in contemporary society, except that this was aleatoric theatre – a pop-up, if you will – for if you wrote it as fiction no one would suspend disbelief at this patently manufactured deus ex machina finale. Just when we thought it was going to be another case of ‘Typical City’, we emerged into a bright new sky blue dawn. The second Golden Era, it seemed, was well underway.

    City won the Premiership again in 2013–14 under Manuel Pellegrini, who had replaced Roberto Mancini, the man who had presided over the beginnings of our historic resurgence. The arrival of tactician extraordinaire Pep Guardiola as coach in 2016 signalled the start of a period of sustained success for the club. City have won five out of a possible six Premiership titles between the 2017–18 and 2022–23 seasons, only finishing second behind Liverpool in 2019–20. 2018–19 saw City complete an unprecedented domestic treble of English men’s titles – the Premiership, F.A. Cup and League Cup. Add in a rake of League Cups over the same period, and the rosy picture is almost complete. But 2022–23 turned out to be the greatest season in our club’s history, as we not only won our third consecutive Premier League title, but also the F.A. Cup final against old foes Manchester United, and the long-awaited supposed Holy Grail, our first European Champions League Cup, in a final versus Inter Milan (incidentally, my favourite Italian team – almost a win-win situation, if there is such a thing), thereby achieving a rare feat – the continental treble.

    Which just goes to show: if you wait long enough, everything comes around.

    Envy and Ire

    Unsurprisingly, the influx of such vast resources, and the on-field dominance it has brought, has aroused the envy and ire of supporters of other clubs. (I hesitate to use the term ‘rivals’, as it suggests that there are teams capable of challenging us on a consistent basis; in this case, can we settle on ‘competitors’ as the designation least offensive to all parties?) This discontent at City’s serial successes is exacerbated by a sense of injustice, as accusations of City’s breaching of both UEFA’s and the English Football Association’s Financial Fair Play rules fuel feelings that the club has bought its way to the top, due to the deep pockets of its owners and their skulduggery in the dark arts of creative accounting. Furthermore, there is the implication that because said proprietors are one of the ruling families of the United Arab Emirates, and the U.A.E.’s human rights record is less than pristine, then City’s wealth is tainted and its fans are hypocrites. Friends and acquaintances have asked me, often goadingly: how I can profess to be any kind of socialist and yet continue to support a team which represents the triumph of monied elitism? What kind of cognitive dissonance is involved in advocating for Boycott, Divestment and Sanctions against apartheid Israel, when migrant workers are routinely treated appallingly in Abu Dhabi, and reports circulate of government critics of the U.A.E.’s repressive regime being imprisoned and tortured? Am I ultra-selective in the causes I choose to espouse? One of the things this essay is, is an attempt to address, and hopefully explain – if not quite reconcile – some of these apparent contradictions.

    This air of grievance is felt especially acutely in Ireland. There is a sketch by comedy trio Foil, Arms and Hog, where an applicant for Irish citizenship is asked a catalogue of questions as a test of knowledge for eligibility. One of the queries goes: ‘What are the two main religions in Ireland?’ Our candidate doesn’t miss a beat, responding with the quip, ‘Manchester United and Liverpool’.

    While there are devout members of other denominations – for example, Chelsea, Arsenal, Spurs, Leeds, Everton, Aston Villa and West Ham all enjoy healthy fanbases on these shores, and I have even met the odd adherent of exquisitely eccentric sects like Ipswich Town and Stoke City – the overwhelming majority of Irish soccer fandom of English clubs is comprised of faithful followers of either United or Liverpool. To be sure, there are often sound reasons for such gargantuan support, such as family tradition or connections with one or other of the clubs, or the presence of many Irish players or players of Irish extraction in current or previous squads. Yet, just as often, Irish people attach themselves to an English club for motives which are almost entirely arbitrary – the colour of a jersey or the first game they ever saw or a favourite player. (This is true of sporting loyalties, including football, everywhere. Although a Mancunian born and bred, qualified lawyer and professional investigative sports journalist David Conn, while hailing from a predominantly United family, became a City fan almost by accident, rather than orneriness: when he was six years old, and asked to choose between the two local clubs, he looked at their respective badges – United’s a red devil with horns, City’s a rose beneath a ship – and opted for light blue. Incidentally, Conn’s Richer Than God: Manchester City, Modern Football and Growing Up (2012) remains one of the best books about football ever written – and not just for City fans – combining as it does a forensic trawl through City’s financial dealings with the changing attitudes and mixed emotions of a lifelong fan witnessing the monetisation of the modern game. In many ways, my own effort here is just a pale imitation of Conn’s achievement, albeit from an Irish fan’s perspective.)

    But the most common explanation for the popularity of Liverpool and Manchester United in Ireland is, I submit, because both clubs were, in the past, serial winners, just as City have become today. Many of these could be termed ‘legacy fans’ (the same is true of Arsenal, Chelsea and Leeds) – relics of when their clubs were much more successful, which was when they started supporting them. It’s easy to back a winner, and there is safety – and solidarity – in numbers. The herd instinct kicks in. This is why one notices a more than average quota of fair-weather fans among their number. When their team of choice hit a bad run of form, or their trophy haul is depleted, you will hear all kinds of excuses for slackening of interest, and the declaration ‘The game is gone for me’ because of the deleterious influence of floods of cash, or the introduction of VAR, or the corruption of governing bodies, or whatever.

    Yet, if I had a penny for every ardent United or Liverpool fan I’ve ever met, and inquired of ‘Have you ever been to Old Trafford / Anfield?’, and drawn a blank – well, I would have a lot more pennies than I do today. For, as Paul Morley put it in his piece mentioned above: ‘To support United is too easy. It’s convenience supporting. It makes life too easy. There is no challenge. It is a cowardly form of escapism, a sell-out to the forces of evil…to support them is heroism in a can.’ Since the wheel of fortune has spun kindly in the direction of what legendary former United manager Sir Alex Fergusson once called their ‘noisy neighbours’, doubtless many United fans now feel exactly the same way about City. In United’s glory days, there used to be a loose coalition of fans of many other clubs congealed around the banner of ‘ABU’: Anyone But United. Nowadays, it has been supplanted by the amended acronym, ‘ABC’: Anyone But City. Fans of every club are inclined to partisan paranoia when they feel things are not going their way. But here’s the twist: there are far more Liverpool and Manchester United fans in Ireland than City fans. Is it any wonder that we City fans sometimes feel like a persecuted minority? And all for the crime of playing exciting, entertaining football – at a level rarely, if ever, seen before.

    Etihad Stadium, Manchester.

    Anti-City Bias

    This anti-City bias is not confined to the foot soldiers of the red hordes (as I tend to think of the innumerable fans of these two clubs found in evidence hereabouts – rather than envisioning groups of radical revolutionaries huddled under beds around the country), but is also noticeably visible and voluble among the many high priests of their persuasion present in the Irish soccer media – hardly surprising when one realises that the majority of sports reporters and analysts here are drawn from the ranks of one or the other red menace. Clearly, fans of other clubs, and their public representatives, frequently hate on us too. But the gross preponderance of Reds’ affiliates in the make-up of the national football commentariat is not difficult to account for: if Ireland as a nation has large contingents of Liverpool and United fans, then print and broadcast media – dependent as they are on advertising revenue – will broadly pander to and reflect the views of that massive target audience which, in a classic case of vicious circle marketing, comprises a large section of its readership and viewership.

    It is difficult to delineate this prejudice without mentioning some names. Certainly, the old guard were dead against us, with Eamon Dunphy publicly venting his dislike of ‘the City project’ when he was a freelance contributor on RTE television. Presenters such as Joanne Cantwell regularly goaded him on. But then, he used to play for Manchester United.

    Of the current crop, Ken Early’s latent loyalties are easily identifiable from his Irish Times article headlined ‘Manchester City’s dominance a reminder the rich always get their way’ (20/01/22). Among many contentious statements contained therein, a pair of standouts were, ‘Most of us don’t watch football for technical quality or tactical intrigue. We’re watching because we want to feel something – and the risk of defeat adds savour to the joy of victory’, which he then linked to the ludicrous claim, ‘Look at the joy Manchester United have given the world these last several years. Lurching from crisis to crisis, they continue to be more watchable than City’s vastly superior team.’ The first is an appalling admission from a paid pundit, whose job it is to keep abreast of the strategic evolution of the game. Besides which, Manchester City still and always will be beatable – just like any other team – and watching them gives rise to a great variety of emotions in me, and other City fans. Plus, discerning neutrals can and do admire the precision of a well-executed game plan which City provide. As for the second, even diehard but cleareyed United fans know it is not true. They would acknowledge that United have for some time – since the retirement of Sir Alex – been a mismanaged laughing stock, which is why many of them have flocked to green-and-gold wearing protest club, Newton Heath. While there may be considerable schadenfreude to be derived by fans of other clubs in watching United’s steady decline into a comedic soap opera, they are surely no longer heading to Old Trafford to witness object lessons in how the Beautiful Game should be played. At the time of Early’s salvo, I wrote a fulsome rebuttal to the Letters page of the IT which was not, as was only to be expected, selected for publication. I subsequently penned a one sentence rejoinder, quoting his ‘more watchable’ assertion, which did see the light of day. It simply read: ‘Would it be impertinent to inquire as to what (red) planet he is living on?’

    Meanwhile, the Sunday Independent is a virtual Liverpool FC fanzine, platforming as it does the Scouse-loving triumvirate of Dion Fanning, Eamonn Sweeney, and Declan Lynch.

    Of the three, Fanning is the most measured and fact-based (evidently qualities not much valued at the Sindo, as his work is now more often to be found in the pages of the Irish Examiner, and he has been involved with podcasts for Joe.ie and The Currency.ie) in his criticisms. But his allegiances are easily discerned from a piece like the one headlined ‘A different Liverpool story in a parallel universe’, with standfirst ‘Liverpool’s golden age is ending but is it any consolation if one day they discover they were cheated?’ (The Irish Examiner, April Fool’s Day, 2023). Ineluctably, he highlights that City have been ‘charged by the Premier League with 115 breaches of financial regulations’, and refers to claims that City have ‘used shadow contracts to pay players’. However, he fails to address the argument that such ‘artificial rules’ are designed to protect the existing elite, other than to counter that ‘most rules in sport are absurd and all clubs in the Premier League agreed to these ones.’ Nor does he mention that City had since won their appeal against UEFA at the Court of Arbitration for Sport, for the alleged use of such shadow contracts, and for the alleged hiding of owner investment as sponsorship money – even if the Premier League charges have still to be answered. In fairness, Fanning could not have known at that point that Rui Pinto, the hacker who made public his ‘Football Leaks’ revelations, which were subsequently covered by German news magazine Der Spiegel, and led to the initial UEFA two-year ban on European competition for City, would be sentenced to a four-year suspended prison term for his crimes, including extortion, in September 2023.

    Sweeney is a different case entirely, as he is the source of the most vicious and sustained attacks on Manchester City in this Mediahaus organ. A brief selection of sample headlines from recent years will suffice to illustrate his naked animosity: ‘Looks like Guardiola’s best days are in the past’ (10/11/2019) (that one wore well); ‘Man City’s manager is the figurehead for an organisation which represents all that stinks about modern sport’, the intro of which reads ‘Manchester City are football’s most despicable club and Pep Guardiola its most despicable manager’ (18/07/2020); ‘Soulless City will win title, but Liverpool have hearts and minds of fans’ (19/12/2021); ‘A classless man in charge of a classless club run by classless people’ (22/05/2022); ‘Ugly truth behind the success of City’ (29/04/2023). Without parsing each article word for word, take my word for it that, in any other context – and undoubtedly if it were directed against his preferred Liverpool or many others’ preferred Manchester United – his bile would be widely regarded as libellous incitement to hatred.

    As for Hot Press alumnus Lynch, one is never quite sure as to what extent his tongue is firmly in his cheek or how much he actually means it (probably some weird admixture of the two), due to his unremitting deployment of ironic overstatement. In ‘Big Money meets Big Football meets Big Law’ (26/05/2019), having bemoaned the evils of leveraged buy-outs of clubs by ‘rich-guys-with-no-money’, he continues: ‘Now we’ve got rich-guys-with-money, indeed the problem with the rich guys who own City is not just that they are considerably richer than the rich guys who own Liverpool or Spurs, they are limitlessly rich as only oil-rich countries can be, they are ludicrously, crushingly rich. And still… still they’re in trouble with UEFA, accused of breaking rules in relation to Financial Fair Play.’ As though rich-guys-with-no-money are somehow preferrable to rich-guys-with-money. He endeavours to bolster his case by arguing, ‘One is reminded of the fact that football of the American kind is considered so important, it is rigged like some socialist experiment’, when it could just as easily be framed as being so important that it is rigged like a capitalist experiment – like the rest of U.S. society. By-the-by, he concludes that week’s column with analysis which lays the blame for Brexit firmly at Jeremy Corbyn’s door, a good indication of where his ideological sympathies lie.  This is what passes for informed, astute political commentary in the reputed highest-circulation Irish Sunday newspaper. In ‘Don’t mention the war: filthy rich Manchester City were once hilarious losers just like Basil Fawlty’ (11/02/2023) he states: ‘There are complexities within this story of the Premier League charging Manchester City with breaking 115 financial fair play rules…But there are great simplicities to the case too, the most obvious of which is this: I don’t know any fans of Manchester City. I know fans of Man United, Liverpool, Arsenal, Chelsea, Spurs, Aston Villa, Everton, Leeds United and West Ham. I even know a Nottingham Forest fan. But I don’t know any fans of Manchester City.’ Maybe Lynch should get out more. He is welcome to attend one of the triweekly meetings of the City Supporters Club – Dublin Branch (of which more anon) to check out how many City fans there really are hiding in plain sight in his midst. But it is in the terseness of his tweets that Lynch gives himself revealing free reign: ‘City are not a good side’ is a gnomically reiterated mantra of his; while ‘Would love to see the Arsenal winning the league obvs, yet I fear City* have aimed for a narrow win this season to maintain the illusion that the competitive structure hasn’t been wrecked by their incessant, hydra-headed cheating’ (8/05/2023); ‘Interesting to see comments about the Arsenal ‘bottling’ it from football writers who “bottle” the mention of those 115 charges against Man City* every day of the week’ (18/04/2023); and ‘No, the biggest bottle in history is the abject failure of so many English journalists and broadcasters to even mention that City* are facing 115 charges of cheating’ (15/05/2023) enter the realms of conspiracy theory nonsense. (It took a while for me to figure out why Lynch habitually places an asterisk after every obsessive mention of City, but eventually Merriam-Webster furnished what I presume is the answer: ‘the character * thought of as being appended to something (such as an athletic accomplishment included in a record book) typically in order to indicate that there is a limiting fact or consideration which makes that thing less important or impressive than it would otherwise be.’

    John Aldridge

    John Aldridge

        The Sunday World features a ghost-written column by ex-Liverpool and Republic of Ireland stalwart John Aldridge. Week in week out, in plain man’s language, he trumpets Liverpool’s cause: the reason they are not able to compete is City’s perfidy. He is quoted in an interview with Kevin Palmer headlined, ‘It’s time to hammer Man City if they are found guilty’ (9/02/2023): ‘Everyone knows this has gone on from day one. They have done well to get away with it for so long. We will have to see what comes out in the wash and give themselves a chance to prove their innocence.’ Was no subeditor at the SW alive to the patent contradiction covered in the space of those three short sentences? In his own ventriloquised voice, in ‘Surprise guys can claim a Champions League spot’, he tells his red readership, ‘As I’ve mentioned in my Sunday World column, Manchester City’s dominance at the top of the Premier League table is a big problem for the English game, as interest will wane if they win the title by a mile every year’ (24/9/2023). Even if City have succeeded by nefarious means, is that even true? The Bundesliga attracts more than fans of serial winners Bayern Munich (eleven consecutive titles, and counting).

    But perhaps the most egregious example of anti-City vilification comes courtesy of Miguel Delaney, who works for the London Independent but is of part-Irish extraction, and a known Liverpool aficionado. (He claims to support one Irish club and one Spanish club, but no Premiership club) Delaney tends to adopt the moral high ground, focusing more on the U.A.E.’s campaign of ‘sportswashing’ – an attempt to render their human rights abuses more palatable to the world – rather than on the resources the owners’ wealth places at City’s disposal. I will tackle these problems in due course, but for now, here is a smattering of Delaney’s critique. In his consideration of City’s 2023 title win, headlined, ‘Five titles in six years: Are Manchester City destroying the Premier League?’ over a standfirst of ‘Pep Guardiola has been given limitless funds to create the perfect team in laboratory conditions, and the result has been an almost total eradication of competition at the top of the Premier League’ (22/05/2023), he declares, ‘City have brutalised the very idea of sporting competition. There’s been no tension. There’s been no drama’, going on to assert, ludicrously, ‘That has meant there haven’t been any real memorable moments, beyond some great goals and the repeated image of Haaland and De Bruyne tearing at goal.’ Those images were, precisely, memorable moments. He concludes with, ‘The reality is all of City’s success is ultimately explained by the fact they are a state project.’ Prior to that, writing in his newsletter (17/05/2023) in the wake of City’s 4-0 win over European giants Real Madrid in the Champions League semi-final, second-leg at The Ethiad (a game I was lucky enough to attend), Delaney revealed that ‘sources within the game (and with Delaney, it is always unnamed ‘sources within the game’) are growing concerned with how City are brushing all before them aside.’ It is little wonder that Declan Lynch has commended Delaney on X (formerly Twitter), praising him for ‘doing God’s own work’. However, while other top clubs may be aggravated by City’s dominance, it is fair to say that City fans are rejoicing in it.

    It might be a good idea if all those engaged in public discourse around football in Ireland were required to declare their interests before being allowed to comment. On second thoughts, perhaps there is no need for this measure as, as has been demonstrated, many of them already do this freely, yet their outpourings are not met with the requisite scepticism – because they are preaching to the converted, and their favouritism is plain for all to see.

    In Part II Desmond Traynor continues his analysis of the financial and political morality of top flight English soccer, and attempts several rebuttals of the frequently voiced criticisms of Manchester City’s current success.

  • My Team / Your Team III

    In the final part of his essay on the joys and woes of being an Irish Manchester City fan, Desmond Traynor delves into psychological and emotional reasons for sustaining sporting allegiances, through thick and thin.

    Even if nothing in the foregoing fact-based rant convinces City-sceptics, it is not the main plank of my justification for my continuing City fandom. Facts don’t care about your feelings; but, equally, feelings don’t care about the facts. Support for City, or any sporting association, is an unchanging and unchallengeable tribal loyalty – it is instinctual. Economics is science, albeit it a dismal one – it aspires to rationality. These impulses speak to very different parts of our nature as human beings. Despite the discipline designation ‘Political Science’, politics is where instinct and reason try to intersect – and usually fail. The personal is political; but the political is also personal. My love for City is emotional – like the feelings of fans of any other sports club – and I will present the facts to suit my feelings as much as they do, because I love every single bedbug in the mattress I’ve chosen to lie on as much as they love whatever bloodsuckers are infesting theirs.

    My hero Michel de Montaigne wrote: ‘Mistrust a man who takes games too seriously; it means he doesn’t take life seriously enough.’ Perhaps this is true. But, then, it means there are an awful lot of people (and not only men) who don’t take life seriously enough – myself included. Noam Chomsky goes further in his criticism of sport. In one interview in his book Manufacturing Consent: Noam Chomsky and the Media (1988), the linguist and social commentator asserted that sport is one of the means by which capitalist ‘special interests’ that dominate government control public opinion, providing a distraction from more important and meaningful matters, after the manner of Roman ‘Bread and Circuses’ (food and entertainment) to mollify the unwashed masses. However, it is worth noting that Chomsky’s analysis was formulated before English football, as the late lynchpin of Manchester musical legends The Fall and lifelong City fan, Mark E. Smith, put it, ‘went middle class’, with all-seater stadiums replacing the terraces of old because of health and safety concerns following several crowd disasters at matches, the formation of the Premiership to replace the League and the Champions League to replace the European Cup, and the sale of television rights to the highest bidder (predominantly Rupert Murdoch’s Sky TV) – all accompanied by the concomitant rise in ticket prices to the exorbitant levels of today. What was once a boozy day out for a bunch of lads is now fireside family entertainment, or an adventure in corporate hospitality. Granted, many of those enjoying the Thatcherite dream of ‘everyone his own home-owning, sole-trading, small business operating entrepreneur’ middle-class heaven may have sprung from working-class backgrounds, but they could have chosen to spend their new found disposable income elsewhere.

    Besides which, such reductive critiques ignore the sublimatory social functions of sport. After all, battling each other on a soccer pitch, even in a particularly dirty game, is better than waging all-out war between countries. For example, for many nationals of both nations, England’s 4-2 victory over West Germany in the 1966 World Cup final signalled the real end of the Second World War. (It doesn’t always work, of course: football as metaphor for war can occasionally turn into actual war. As every schoolboy knows, the immediate casus belli for the so-called 1969 ‘Soccer War’ between El Salvador and Honduras was the two-legged World Cup qualifier and subsequent play-off the two countries played against each other, in preparation of the 1970 World Cup hosted by Mexico. But, in truth, longstanding tensions already existed between these two small and very poor Central American countries. For more than a century they had been accumulating reasons to distrust one another. Each had always served as the magical explanation for the other’s problems. Hondurans have no work? Because Salvadorans come and take their jobs. Salvadorans are hungry? Because Hondurans mistreat them. Both countries believed their neighbour was the enemy, and the relentless military dictatorships of each, forged at a U.S. factory called the School of the Americas, did all they could to perpetuate the error. El Salvador suffered about 900 mostly civilian dead. Honduras lost 250 combat troops and over 2,000 civilians during the four-day war.) Here, I cannot help but succumb to the temptation to quote one of former Liverpool manager (from 1959 to 1974), the late, great Bill Shankly’s most famous pronouncements: ‘Some people believe football is a matter of life and death, I am very disappointed with that attitude. I can assure you it is much, much more important than that.’

    Football is a serious business, then, for many. But what differentiates City fans from those of sundry other clubs, in my opinion, is that we retain an ability to see the funny side, to laugh at ourselves. Apart from their ubiquity, my other chief gripe against supporters of Liverpool and Manchester United is their ingrained sense of entitlement. They take it very seriously. Despite City’s accumulating successes over the past ten years, I cannot as yet detect the slightest note of triumphalism among our fanbase. Sure, we like to indulge in ‘the bants’ (as it is abbreviated) as much as the next person with a strong affiliation, a practice posh people call ‘schadenfreude’ but which is known locally by the more colloquial term ‘slagging’. While this practice can degenerate into mere trolling, that is largely a matter of perspective, as to how seriously one takes the banter. Where is the line, and when does it get crossed? Irish practitioners of the two major English footballing religions seem especially quick to take offence. But then, they are fundamentalists, who follow the one true faith. If you are looking for an illustration of real, blatant, vicious trolling, there used to be a banner United fans would unfurl across the Stretford End at Old Trafford for every single home match, in the form of a mock digital clock, a wind-up to commemorate the number of years their cross-town neighbours – us – had not won a trophy. This ticking Date/Time reminder was finally retired in 2011, with the notch stuck between 34 and 35, after we lifted the FA Cup v Stoke.

    Manchester City supporters invade the pitch following their 2011–12 Premier League title victory.

    Underhand Spying

    Worse than trolling was stealthy, underhand spying, as exemplified by Liverpool FC employees allegedly hacking into City’s scouting platform in 2013, to gain access to its database, resulting in an out-of-court settlement of £1m being paid by Liverpool to Manchester City – without any admission of guilt. Worse than that again was the attack by Liverpool supporters on the Manchester City team coach in 2018 (‘Let’s show them what money can’t buy’ ran the rabble-rousing rallying cry on their social media groups) as it made its way to Anfield for the Champions League quarter final first leg. Bottles, coins, flares and cans were thrown by home fans, rendering the City bus ‘unusable’ for the return journey. All the while the Liverpool Metropolitan Constabulary – who publicised the route the bus would take in advance – were noticeably uninterested in intervening in any potential standoff between supporters of either club, or in bringing any of the perpetrators of this criminal activity to justice. Liverpool FA were subsequently fined a paltry £20,000 by UEFA on foot of the incident.

    City was, and is, a club with a heart and a sense of humour, which is often turned on itself for good measure. They say we have ‘no history’. But every football club in existence has a history, from Grimsby Town to Leyton Orient to Wycombe Wanderers to your local GAA Under-15s squad. What they really mean is, ‘you have no history of winning big, important competitions’ – an approach curiously akin to the ‘great men’ methodology of historiography. Yet, as outlined above, even that is not true either, as we have won League titles and Cups in the past. As with most history, it all depends on how far back you want to go. Granted, no matter how far into the distant past you care to venture, until recently we’ve had no history in the European Cup/Champions League, as they are constantly fond of reminding us. So what? Neither have Arsenal or Spurs or Newcastle United. Nor Grimsby.

    We are an eccentric club, to be sure, with a neat line in self-deprecation – something I didn’t know when I became a devotee aged seven, but which I find is congruent with my personality now. Helen Turner, a flower-seller outside Manchester Royal Infirmary, would sit in the front rows of the North Stand and offer Joe Corrigan a sprig of lucky heather before every game, and then thunder her bell every time City won a corner. In 1978 the club bought Kaziu Deyna, the Polish World Cup captain, for a consignment of toasters and fridges, a deal arranged by electrical goods magnate and megalomaniac chairman Peter Swales. Someone once stumbled onto the away terrace at West Brom with an inflatable banana and, within weeks, there were thousands of them at every game, joined by paddling pools, crocodiles and fried eggs. (Such playthings have long since been banned by the F.A. as a health & safety hazard. It’s not the same in an all-seater stadium anyway.)

    https://www.youtube.com/watch?v=V5RtnXcQ_lw

    Poznan

    Then there is our adoption of the Poznan, a celebratory dance which involves supporters turning their backs to the pitch, linking arms and jumping up and down while singing favourite songs or chanting in unison. It all began in 2010, when City were playing in the same Europa League group as Polish side Lech Poznan, who came to the City of Manchester Stadium on October 21st of that year. Throughout the game the Poznan fans impressed with their noise, organisation and creativity. While City fans were initially unimpressed with the backs-turned bounce, they were gradually won over and soon appropriated it as a mark of respect. The Poznan supporters are still widely thought to be among the best away fans ever to have visited Eastlands. We acknowledge the debt by retaining the name. Now we ‘break out the Poznan’ when we score, or simply when we are dominating play. The explanation – if one is needed – seems to be that it is done in order to taunt the opposing side, as much as to say, ‘Our team is so good that we don’t even need to watch what is happening: we know we’ll win.’

    If more evidence is needed that nothing is quite as appealing to City fans as the irreverent and the absurd, consider some of our oldest terrace chants. For example, ‘We never win at home and we never win away/We lost last week and we lost today/We don’t give a fuck/’Cos we’re all pissed up/MCFC OK’ did sterling service when we were ‘down among the dead men’. Another song of denial, Camusian in its sense of existential dread, was, ‘We are not, we’re not really here/We are not, we’re not really here/Just like the fans of the Invisible man/We’re not really here’ (sung to the tune of ‘We Shall Not Be Moved’). Various myths circulate about the origin of this one. Some say it began at Luton Town in the 1980s, when away fans were banned, while others claim it was a reaction to media claims that City had no fans. Another story is that the City fans who defied the ban on away fans at Millwall’s notorious Den began singing it after managing to sneak into the ground – although it is unlikely anyone who did that would survive to tell the tale. At first it was a fitting reflection on the woes and misfortune of the old City, a big club that found itself wallowing in the murky depths of English football. But in the last ten years it has metamorphosed into an ode to hope and joy, an expression of incredulity at the transformation wrought at the club by Sheikh Mansour’s takeover. Again, equally an expression of chronic insecurity as an affirmation of fragile or grounded identity, there is, ‘I’m City till I die/I’m City till I die/I know I am/I’m sure I am/I’m City till I die.’ Like a character from Samuel Beckett’s work, the verbal reiteration might just make it true, even if you’re not so sure. Then there is our official club anthem, the Rodgers and Hart standard, ‘Blue Moon’. With its narrative trajectory over three short verses and a bridge from the yearning loneliness of searching for ‘Someone I really could care for’ to finding ‘The only one my arms will hold’ and the Blue Moon turning to gold, it would seem perfectly to encapsulate City’s recent journey – although it was adopted as long ago as 1989. The fact that the first verse is sung as a slow-tempo forlorn ballad and the second verse speeded up to the breakneck pace of hardcore punk adds to the sense that it represents a reversal of fortunes.

    Finally, mention must be made of that recurring two-word phrase which has become a byword among City fans for the club’s travails: ‘Typical Citeh’. The Urban Dictionary sums it up well: ‘When Manchester City somehow mess up an easily winnable situation and everyone is disappointed but not surprised.’ We have never done it the easy way. Even the Agüero moment was ‘Typical Citeh’ after a fashion, although on that occasion we just about managed to win. It may have less currency now, yet it is part of the fabric of Manchester City, because it is living and breathing in every single one of the fans who can remember anything before 2010.

    Sadly, there is a feeling that, mixed in with all this hilarity, it was a product of a time when City had become a joke team. Fans of other clubs generally warmed to us, but there was a sense in which they were just patronising the lovable-losers. We were told we had a great sense of humour – a humour that was used, as so much humour is, to hide massive hurt – but secretly they were laughing at us, not with us. Well, no one is laughing now. Except City fans. They liked us when we were struggling. They don’t like us now that we are strong.

    Dublin Branch

    I have been a member of the Manchester City Supporters Club – Dublin Branch since 2011. Prior to that, I had thought I was ‘the only City fan in the village’. But the branch, founded in 1975, currently has 104 members, and there are other branches all over the country. A quick Google search helped me to unearth it – social media is useful for something. We meet every three weeks on a Monday evening in an upstairs room in a city centre pub. Apart from the social interaction, the branch is mainly a focal point for topping up one’s account and ordering match tickets – although, post-Covid, these functions have gradually shifted online. We travel to matches together, organise trips and social outings, yak about City. I enjoy the comradery. It is an egalitarian freemasonry – guys help relative strangers out, with lifts, loans, mortgages, that sort of thing, like any other mutual benefit society – with a conducive absence of petty politicking, where the only qualification for acceptance when you walk through the door is that you support City. (Liverpool-loving Declan Lynch is still welcome to visit, if only for research purposes.) You meet people from all walks of life, whom you might never encounter elsewhere. The brain surgeon mingles with the binman, the senior civil servant with the rank-and-file bank or post office clerk. Plus we have your usual quota of cops and taxi-drivers, your ex-cops who are now tax-drivers, or freelance ‘security consultants’. We have an accountant, a chef, and a postman (who used to be a car salesman). We even have déclassé, would-be literary intellectuals like myself. We are prepared for every eventuality.

    My feeling of welcome and at-homeness in the Supporters Club is all the more noteworthy because I am not, and have never been, a great joiner. Also, I tend to lack a competitive spirit. (Maybe I was more driven, once upon a time, but I can’t remember.) But I admire it in others – at least when there is something tangible at stake, be it as arbitrary as club affiliation, national pride, even individual will. As an inveterate observer, I am fascinated by people of action and ambition, probably because they seem to be animated by a force that I do not possess.

    In Crowds and Power (1960) Elias Canetti explored the recurring battle between individuality and the urge to lose ourselves in crowds. He writes:

    A crowd isn’t just a large number of people – it’s a mass in which members identify with one another. When that happens, people enter into something that’s greater than the sum of their individual parts: a crowd. In that moment, there’s a sense of equality. Every member enjoys the same standing, regardless of previous differences.

    Attendees at football matches and music concerts are more than familiar with this feeling. It is the same impulse which motives religious people to undertake pilgrimage so they can gather to be present at Mass offered by the Pope in St. Peter’s Basilica in Rome, or to go on Hajj so they can circle the Kaaba in the Al-Masjid Al-Haram Mosque in Mecca counter-clockwise seven times, in both cases blending in and losing themselves in the throng of their fellow faithful. Some may even be aware of the great paradox at the heart of such gatherings: how many times have we heard popular singers on stage in a large auditorium or stadium exhorting tens of thousands of their hysterical fans to ‘embrace their individuality’ and ‘just be themselves’? Canetti continues:

    Only together can men free themselves from their burdens of distance; and this, precisely, is what happens in a crowd… Each man is as near the other as he is to himself; and an immense feeling of relief ensues. It is for the sake of this blessed moment, when no-one is greater or better than another, that people become a crowd.

    Musicians, too, are cognisant of this transcendent feeling – not only in witnessing the euphoria of the audience, but also in the experience of playing with their peers. It may not happen often, but occasionally all egos dissolve in the performance of a piece, as it comes to seem that the music is playing itself rather than being executed by each individual participant. As with team sport when enacted with unselfconscious fluidity, it becomes a synergistic endeavour where everyone contributes to achieve something which is not only beyond what they could produce by themselves, but much more than what the ensemble could be expected – on paper – to realise as a functionally competent unit. Alas, this form of collaborative creative magic is one to which solitary writers are not privy.

    And so, I can understand the desire to gather, to club together, to compete, and to win (if only voyeuristically and vicariously) – even if, for me, it is largely confined to my support for a football club I was attracted to before I could rationalise my attraction to it. What I share with my fellow countrymen and women who are fans of Liverpool and Manchester United, and any other instance of the Not-Manchester City, is not only our common humanity, but the fact that we all have a passion. They have just chosen different – if more popular – sides in the pursuit of the same goal: the ecstasy of being part of a winning crowd.

    We are all party to the truth of group sport: when the tedium vitae hits, even when you think you’ve lost everything, even when you have lost everything, when you are at the lowest of your lows (as well as the highest of your highs) there is always your team, and your fellow supporters. As a means of developing a social network, and sometimes life-long friendships, it seems relatively benign. Even if, at least for the time being, my team is magic and yours is rubbish, or not as good as ours. In Ireland, you may be many, and we are few. But I realise that all I am really saying here is that, due to a penchant for independent thinking, my group affiliation in this land is more uncommon and less of a legion than your group of choice – and therefore partakes of the cachet that derives from esoteric exclusivity. My support betokens more rugged individualism than yours, which is, or was – relatively speaking – an easier route to glory. You just want to be on the side that’s winning, and for a long time you were. So, deep down, did we; and now, surprisingly, we are.

    So there: I have removed my fig leaf, transformed it into an olive branch, and am offering it to all of you now. Let us practice peaceful coexistence.

    All empires crumble. For my part, I hope City’s reign lasts for a thousand years. It won’t, of course. Is there any need to quote Shelley here?

    And on the pedestal, these words appear:
    My name is Ozymandias, King of Kings;
    Look on my Works, ye Mighty, and despair!
    Nothing beside remains. Round the decay
    Of that colossal Wreck, boundless and bare
    The lone and level sands stretch far away.

    But should City someday in the not so distant future wind up back in the Championship, or worse, League 1, stripped of every trophy we have won over the last decade, with all our star players hotfooting it to the exit doors for clubs where they can compete for top honours (and earn wages comparable to what they now rake in) – because we have been adjudged guilty of one or more of the infamous alleged 115 breaches of Financial Fair Play rules against us – I for one, and many others, will still be following them. To reiterate: I was there when we were shit. And I’ll be there again if we are shit again. Blood is thicker than principle when it comes to football. Your team is your team is your team, as much when it embarrasses or shames you as when it delights and gratifies you. How could I walk away from my team after all these years? Remember those words again, previously sung with shy ambivalence, now with full-throated force: ‘I’m City ’til I die/I’m City ’til I die/I know I am/I’m sure I am/I’m City ’Til I Die.’ And, who knows, maybe even after that.

    And that is how I can be Red-as-they-come politically, but when it comes to football, ‘once a Blue, always a Blue.’

  • My Team / Your Team II

    Desmond Traynor continues his analysis of the financial and political morality of top flight English soccer, and attempts several rebuttals of the frequently voiced criticisms of Manchester City’s current success.

    That was the attack. Here is the defence – bearing in mind that attack is often the best means of defence. (The middle ground will be contested later.) Let’s talk about the filthy lucre first, before moving on to the human rights issues – although the two are surely not unrelated, and are in fact inextricably linked.

    Regarding the lavish wealth, there is the glaringly obvious riposte to the criticisms outlined above that City’s accelerated spending was merely conducted in an effort to catch up with clubs which had previously always spent heavily. From this perspective, Financial Fair Play rules – as instituted by both the European governing body U.E.F.A., and the Football Association governing the domestic English Premier League – were introduced solely as a form of protectionism, under pressure from the then so-called ‘elite’ clubs who felt their positions at the top table were under threat. So, cordon off gains made, syphon off profits, pull up the drawbridge, and stop others following. But this circling-of-the-prestigious-wagons method was also the reason for the foundation of the Premier League itself in 1992 (replacing the old Division 1), and the Champions League too in the same year (supplanting the old European Cup). Both competitions came into being to prevent the threat of breakaway movements (‘super leagues’) by the crème de la crème clubs, and to maximise their bargaining positions when the contracts for television coverage came up for renewal. The counterargument to any aspersions cast at the motives for FFP goes that the already established clubs generate their own income, rather than depending on investment, but this line of thinking does not stand up to much scrutiny. FFP punishes spending, not debt, because this is the best mechanism for the elite clubs to ‘pull up the ladder’. Besides which, since when are business owners not allowed to pump personal funds into their own businesses to keep them afloat – even if they are throwing good money after bad? Few people complain about Jack Walker ‘buying’ the Premiership title for Blackburn Rovers in 1995 – but that was before FFP reared its questionable head. As for those who say that City signed up to FFP and must abide by it like everyone else, one could ask: what alternative did we, or anyone else, have? It was a gun to the head, if you wanted to keep competing.

    There is a trope in circulation that the Premier League is becoming, or has become, about as competitive as the Bundesliga, where Bayern Munich have won the title every year since Jesus was a boy. This ‘Bundesligafication’ states that nobody can cope with City’s ‘high ceiling’ (if in fact there is a ceiling at all), since they can ‘spend what they like’. Generally, it’s just not fair, we are constantly told. While some arguments carry a little more weight than others, this is one that does not convince for a minute. Since a Jurgen Klopp-inspired Dortmund carried off the German title in 2011-12 (ironically the same month Mancini delivered City’s first Premier League win since the fateful year of 1968), Bayern have been champions in the Bundesliga every single year. That is eleven consecutive titles. In the same period in England, Manchester United, Chelsea, Liverpool, Leicester and City have finished first. City have won seven of the twelve titles on offer and, admittedly, five of the last six, giving critics the chance to say this is the fast-moving ossification process of the domestic game. But Liverpool enjoyed similar dominance in the ’70s and early ’80s and were feted for it, while United in the ’90s and noughties did the same and were similarly acclaimed. If comparisons with the Bundesliga are valid, then it is worth looking east for a minute. Klopp, after all, managed in the top echelons in Germany for many years and was a serious challenger for honours at Borussia Dortmund between 2008 and 2015. Dortmund collected two titles in his time there and also reached the Champions League final. However, the club also sold Mario Gotze, Robert Lewandowki and Matts Hummels to Bayern, which would roughly correspond to City’s Director of Football Txiki Begiristain descending upon Anfield Road and splashing out for Mo Salah, Virgil van Dijk and Trent Alexander-Arnold. Those that tell us the Premier League is heading towards a closed shop may be right in a sense, but it has been on this trajectory since the mid-80s when what then constituted ‘the Big Five’ started their Machiavellian journey towards what we see today.

    City have, on the whole, spent very wisely. Liverpool, United and Chelsea have spent massively for decades, but if anyone else dare flash the cash, they are ‘ruining football’. After City’s initial splurge to gain access to the higher echelons, the last five years have seen spending on players and wages broadly bottom out to meet that of their nearest competitors. The dreaded net spend puts City at the bottom of a league table currently being ‘won’ by neighbours United. Judicious spending has been the answer at the Etihad, not careless overspending. Whilst City avoided the car crashes of Sánchez, Maguire and Ronaldo, United piled in regardless. While City refused to pay over the odds for Kane and waited for Haaland, Liverpool shelled out nervously on Núñez. While City offloaded the inconsistent scoring exploits of Raheem Sterling and Gabriel Jesus, they settled on Haaland to do the job. Maybe we should be asking how Liverpool, United and Chelsea can get their respective transfer policies so disastrously wrong and how City can more often than not get it right, nine times out of ten spending less. That City’s massive wealth has been put to better use than Liverpool’s massive wealth, and Chelsea’s massive wealth has been spent almost as willy nilly as Manchester United’s massive wealth, is neither City’s fault nor the dastardly work of a tilted playing field, but rather the application of dedicated professionals at the top of their game, on and off the Etihad pitch. If we consider budgets, all the sides in what currently constitutes the top six should be competing, and competing hard. Throw in the biggest spenders of the lot, Manchester United, and you have – potentially – as fascinating and thrilling a title race as those of the early 1970s that so many people now nostalgically eulogise. If City continue to be serial title winners the clamour of feedback noise will steadily increase to fever pitch. Money will surely be the ruination of the sport, we will hear. Perhaps it has already done untold damage, but the road to this bleak scenario can be traced way back to 1986, or 1992, not to the arrival of City in the game’s corridors of power in 2008; and the money ruining professional football is being spent on players who fail, not those who succeed. Besides all of which, what City are doing may be different in extent, but it is not different in kind. You either go along with the global monetisation of soccer, appalling as it surely is, or you don’t. But you can’t back out simply because another club suddenly has more money than you do.

    Malcolm Glazer (1928-2014).

    A Merchandise Club Based on ‘History’

    Erstwhile United manager Louis van Gaal (they’ve had six since Sir Alex Fergusson retired in May 2013 – including one ‘interim’, plus two ‘caretakers’ – all dispensations ending in tears) surely had it right when he asserted that his former employers were a merchandise club based on ‘history’. The owners, the six Glazer children of the late Malcolm Glazer, who bought the club outright in 2005, do not care about what happens on the pitch – or only insofar as it might effect revenue. Given that the club’s only discernible (business rather than footballing) policy is one of recruiting tactically ill-fitting star-name players to wear their jerseys, resulting in shirt sales remaining a marketable money spinner, this is hardly surprising. But such short-sightedness has come home to roost. Real Manchester United supporters know this, which is why they resurrected the original  United club Newton Heath as a breakaway protest against the club they follow being run into the ground. Already one sees fewer red United jerseys around Dublin, unless one is a regular frequenter of charity shops, their fans being too ashamed to parade them in public because of the ridicule they will invite. Most of the capital used by Glazer to purchase Manchester United came in the form of loans – rather than from his own funds – the majority of which were secured against the club’s assets in what is termed a ‘leveraged buyout’, incurring interest payments of over £60 million per annum. The remainder came in the form of payment-in-kind loans, which were later sold to hedge funds. It has been estimated that the Glazer buyout has cost the club more than £1 billion in interest and other expenses over the years. At the end of 2019, the club had a net debt of nearly £400 million.

    All the while, United were lashing out exorbitant sums for players who failed to do the business on the field after they arrived at the Theatre of Dreams. The flops include a club-record £89m for Paul Pogba, £85.5m for Antony, £75m for Romelu Lukaku, £73m for Jadon Sancho, £59.7m for Angel Di Maria, £44.5m for Anthony Martial and £40m for Donny van de Beek. (See John Brewin’s ‘From Sánchez to Sancho: Manchester United’s Lost Boys in decade of waste’. The Guardian, 6/10/2023). In fact, Manchester United have the highest transfer spend in world football since 2017, at £765m net. Sir Jim Ratcliffe, who has just bought a 25% stake in the club for 1.3 billion, is eager to find out how the organisation has blown £1.4 billion in the transfer market since 2013, for such little return. Their trophy haul since they last won the League in that year, Fergusson’s last, is: one FA Cup in 2016; one Europa League in 2017; and two League/EFL Cups in 2017 and 2023 – but most importantly, no title.

    When John Aldridge played for Liverpool in their heyday, every summer Liverpool would buy a couple of the best players around and pay what were, for the time, huge wages. Judging from his Sunday World columns, it seems Aldridge thinks this practice was okay then, but somehow not fair now. As for saying they could afford it because they were serial Champions, Liverpool were in fact on the brink of administration due to years of reckless spending and mismanagement, and were only rescued when Boston’s Fenway Sports Group purchased the club in 2010. Since then, they have not been shy about making record signings, which include: Alisson Becker (£65m from Roma in 2018) – then the most expensive goalkeeper in Premiership history; Virgil Van Dijk (£75m from Southampton, also in 2018) – then the most expensive defender in Premiership history; and Darwin Nuñez (£85.36m from Benfica in 2022) – the most expensive signing in the club’s history.

    United and Liverpool fans complain about their respective owners – United’s about the debt and lack of investment in infrastructure like their increasingly dilapidated stadium, Very Old Trafford; Liverpool’s about perceived parsimony in the transfer market (only really in comparison with City’s funds) – and want them out, yet they decry City’s owners, who run the project very well, and not exclusively for the purpose of financial profit. It is enough to make you suspect that jealousy is the chief motive for their rabid dislike of City, rather than any sudden faux concern for fairness, equality, level playing pitches, or human rights. It would seem that the glib rejoinder frequently mumbled among City fans is correct: ‘they hate us ’cuz they ain’t us’.

    Which brings us to the other main counterargument often voiced in opposition to City’s success: that there is a fundamental difference between clubs being owned by private individuals and companies (with finite resources), and those owned by a state (with infinite resources), especially when that state is using the club as a public relations exercise to camouflage its dodgy human rights record – a practice dubbed ‘sportswashing’. The flawed logic runs something like this: in a liberal democracy – such as the United States purports to be – private individuals are allowed to own private property, whereas in an elective monarchy like the U.A.E., theoretically the royal family owns everything. Therefore, private individuals in the United States are not directly responsible for the policies and actions of their government on the world stage, whereas the Abu Dhabi United Group (itself a private equity company and the official owners of Manchester City FC, which insists it is separate from the Abu Dhabi government – even if it is owned by Sheikh Mansour bin Zayed Al Nahyan, member of the Abu Dhabi Royal Family and Minister of Presidential Affairs for the U.A.E.) is directly responsible for all the policies and actions of its country. To me, this is merely the semantics of ownership. Does it mean that no tax-paying U.S. private citizen is ultimately responsible for any of their country’s misdeeds; or, indeed, that no U.S. citizen is above and beyond personal reproach? Conversely, does it implicate every U.A.E. national in responsibility for their country’s offences? Besides all of which, the resources of Abu Dhabi may be vast, but they are not infinite.

    Construction workers at the Burj Dubai.

    Human Rights Abuses

    As to the human rights abuses themselves, they concern both the Emirates’ domestic and foreign policies. Internally, between 80 to 90 percent of the U.A.E.’s over nine million population consists of foreign nationals – most of whom are low-waged, semi-skilled workers from Africa, Asia, and elsewhere in the Middle East – so the country’s economy is heavily dependent on migrant workers.

    According to Human Rights Watch, their wages are low, payments are made infrequently, and living, working and sanitary conditions are poor. Passports are routinely confiscated, either at the airport on arrival, or subsequently by the employers. The workers inevitably fall into situations of debt bondage and find themselves compelled to accept the terms and conditions imposed on them by contracts they signed without fully understanding them. This is particularly common among construction, domestic, and lower-level service workers. The U.A.E.’s labour laws exclude domestic workers from protections, and they face a range of abuses, from unpaid wages, confinement to the house, and workdays of up to twenty-one hours, to physical and sexual assault by employers. The ‘kafala’ sponsorship system ties migrant workers’ visas to their employers, preventing them from changing or leaving employers without permission. Those who do leave without permission face punishment for ‘absconding’, including fines, arrest, detention, and deportation, all without any due process guarantees. Many low-paid migrant workers are acutely vulnerable to forced labour. At the same time, Human Rights Watch also reports that ‘Scores of activists, academics, and lawyers are serving lengthy sentences in U.A.E. prisons, following unfair trials on vague and broad charges that violate their rights to free expression and association.’ Add to this laws which heavily discriminate against women and LGBT people, and you have what is regarded under western eyes as a toxic cocktail which should be roundly called out.

    But, and it’s a big BUT… (to anyone who will take me to task here for the crime of ‘whataboutery’: 90% of philosophical discourse depends on ‘What about?’; the other 10% originates in ‘What if?’) …it can be argued that we in the West are in no position to throw stones, considering the glasshouses in which we live. Here are three examples, chosen relatively at random.

    1) U.A.E. has many western accomplices. According to the Harvard International Review (29/07/2022): ‘Altrad, the French multinational construction company, is only one of the many Western establishments that seem to forget the laws and regulations of the countries they are based in once they start operations abroad in the UAE. Altrad is joined by New York University (NYU), Hilton, the Louvre, Guggenheim, and the British Museum in conducting alleged malpractice against migrant workers’. On this score, it might interest those occupying the high moral ground, especially Liverpool FC fans, to know that Fenway Sports Group’s third biggest shareholder RedBird are in business partnerships with Abu Dhabi.

    2) In the Republic of Ireland, we operate a system of Direct Provision for asylum seekers who are waiting for the outcome of their applications for refugee status. It has been criticised by human rights organisations as illegal, inhuman and degrading. The main bone of contention is the length of time people spend in direct provision, with the Irish Human Rights and Equality Commission calling the delays faced by asylum applicants as ‘systemic and pernicious’. The accommodation centres are run by private sector hospitality and catering companies under contract with the Irish government, and so living conditions and food provided are basic, so that these suppliers can maximise profits. Other problems include: not having permission to work until you have been waiting for six months for the result of your application; a paltry living allowance of €38.80 for each adult and €29.80 for each child, plus meals; overcrowding and consequent health concerns; and stringent sign-in and sign-out regulations and regular room searches by management and staff. People are robbed not only of agency, but privacy. Plans were underway to introduce a new system in 2024, whereby applicants for international protection will stay in a ‘reception and integration centre’ for no more than four months, with new centres run by non-profit organisations. However, this initiative looks set to be shelved in light of continuing accommodation pressures exacerbated by the influx of refugees from the Russian invasion of Ukraine. Given that direct provision was originally introduced as an emergency measure in 1999, these changes are long overdue. But, as Masha Gessen wrote in The New Yorker (‘Ireland’s Strange, Cruel System for Asylum Seekers’, 4/06/2019), ‘There are worse places than Ireland to be a person in need of international protection. The U.S. is one such place. In this country, people are routinely incarcerated in so-called detention centers.’

    3) The U.S. is also not a great place to be black, or from a disadvantaged background. The mass incarceration of African-Americans today is a continuum of America’s original sins of chattel slavery, which fostered ideas of white supremacy and black inferiority. Economic gain was the fundamental underpinning of slavery. In many ways, the contemporary prison industrial complex has similarly become an economic venture, with the emergence of private prisons in many states. The prison industry did not become a form of compelled, low-cost labour overnight: prison labour’s historical roots show how officials intended to use prison labour to counteract the elimination of slave labour and rebuild economies across the South. Slavery was an essential industry in early America. Slave labour allowed landowners and businessmen to expand their enterprises without paying workers. After the Civil War, that free labour source dried up. But many states were entrenched in an economic model that relied on free labour. Prisons offered a convenient and official way to maintain segregation, use free labour to drive industry, and largely eliminate black citizens from the American labour market. The expansion of the U.S. inmate population has resulted in economic profit and political influence for private prisons and other companies that build and maintain such facilities, and supply goods and services to government prison agencies. The U.S. continues to lead the world in per capita incarceration of its citizenry. The reach of the criminal justice system on American society is vast, as 70m Americans, representing one in three adults, have a criminal record of some description. There are circa 3m people in prison in the U.S. today, far outpacing population growth and crime. Between 1980 and 2015, the number of people incarcerated increased from roughly 500,000 to 2.2. million. Despite making up close to 5% of the global population, the U.S. has nearly 25% of the world’s prison population. 32% of the U.S. population is represented by African-Americans and Hispanics, compared to 56% of the U.S. incarcerated population being represented by African-Americans and Hispanics. In 2014, African-Americans constituted 2.3 million, or 34%, of the total 6.8 million correctional population. African-Americans are incarcerated at more than five times the rate of whites. The imprisonment rate for African-American women is twice that of white women. 7% of adults in the U.S. are under correctional supervision. That equates to one out of every 37 adults in the United States. In 2012 alone, the United States spent nearly $81 billion on corrections. Since 1991 the rate of violent crime in the United States has fallen by about 20%, while the number of people in prison or jail has risen by 50%. If African-Americans and Hispanics were incarcerated at the same rates as whites, prison and jail populations would decline by almost 40%. If this is not institutionalised racism, what is? At the same time, the death penalty continues to flourish in the U.S., both at the federal and state levels, and especially in southern states. Muslim countries are regularly castigated in the west for the severity of their horrific punishments of those found guilty of contravening their laws; but can you think of many methods of execution more barbaric than the electric chair?

    Ibrahim Hashem addressing the crowd at the Irish anti-war movement on the 26/03/22 in front of the GPO.

    Yemen

    Externally, the U.A.E. is criticised for its part in the Saudi-led coalition waging an ongoing war against the Houthi-dominated government in Yemen. However, in truth, the hostilities in the Arabian Peninsula between the Houthis in Sana’a and the Saudi opposition are part of a complex proxy war, essentially between Saudi Arabia and Iran, but with several other actors. Ironically, in this geopolitical situation, the Houthi rebels have links to Iran, while the Saudi coalition of which U.A.E. was a part, has U.S. logistical and intelligence support, and occasional direct military intervention. Criticising the U.A.E.’s participation in this Saudi-led coalition is akin to castigating Iran for its support of Palestine, which is an understandable counterweight to the U.S.’s backing and bankrolling of apartheid Israel, especially given the fact that the U.S. and Saudi are ostensible allies. I do not pretend to be an expert in this knotty arrangement of alliances, but I’d wager neither are the likes of Miguel Delaney. Besides which, in another instance of my ‘whataboutery’, are we being asked to conveniently forget that the United States has been involved in foreign interventions throughout its history – both through overt outright invasion and covert destabilising of democratically elected governments – too numerous to detail here? By the broadest definition of military intervention (including non-combative C.I.A. ‘psy ops’), the U.S. has engaged in nearly 400 such operations between 1776 and 2023, with half of these occurring since 1950, and over a quarter in the post-Cold War period. Of course, John Henry of the Fenway Sports Group or the Glazer kids are not in any way directly responsible for these overt and covert operations, and their ownership of soccer clubs is strictly business, and nothing to do with sportswashing.

    As outlined above, Delaney has been amongst the most vocal in bringing up the U.A.E.’s human rights record when highlighting the unfairness of City’s ongoing successes. It might be revealing to ask him if he feels conflicted by the fact that he is employed by Alexander Lebedev, formerly of the K.G.B., and Sultan Muhammad Abuljadayel, currently of Saudi Arabia – both major shareholders in the London Independent? It could be asserted that his conflicts-of-interest make his biased opinions extremely suspect. He regurgitates this geo-political guff every time City hand some team he favours (Liverpool? Real Madrid?) a hiding, or lift a fresh trophy. He spouts his sanctimonious codswallop while supporting Generalissimo Franco’s state sponsored Real Madrid, which is highly ironic, since Real are the original ‘sportswashing’ project, if ever there was one. Yet hypocrites like Delaney or Ken Early have few qualms about travelling to Qatar to cover the World Cup – because they are ‘only doing their job’. They attend, and then express their reservations – whereas if they had an iota of moral courage between them, they would have boycotted the whole affair.

    Fact: Ireland receives over €8 billion per annum in investment from Saudi, Israel and U.A.E. – but boo Manchester City for benefiting from such deals. Manchester United’s and Liverpool’s owners have made their billions from the fruits of North American free market capitalism – which never hurt anyone, right? At least ‘sportswashing’ has the virtue of the commitment of the owners to entertaining, class football, and to the ongoing development of the club which produces it. Also, if the project at City is being conducted as just a soft power PR campaign, as detractors allege, it appears to be singularly unsuccessful in achieving its intention: fans of rival clubs (or, more accurately, our closest rivals) still condemn us. How can something be ‘sportswashing’ when every time Abu Dhabi, Qatar or Saudi Arabia are mentioned in the sports media, the coverage is uniformly negative? Are there opinion polls which indicate that the public attitude to these countries has improved due to ownership of football clubs, or hosting of World Cups? Critics behave as though ‘oil money’ is somehow more reprehensible than the rewards of American neoliberal capitalism. Yet I’d sooner take my chances with oil-rich Arab sheiks than rapacious, profit-driven American (late) capitalists. Such is the relentlessness of the demonisation of these Middle Eastern states’ investment in football among the Irish soccer media mafia that it is enough to raise suspicions that the root cause of it is simply good old-fashioned Islamophobia.

    Neville receiving an honorary doctorate from the University of Salford in 2014.

    Gary Neville

    I disliked Gary Neville as a Manchester United player (for perhaps entirely subjective reasons), but have come to respect him as a pundit. His pronouncements in an interview last year (FourFourTwo, September 16, 2022) are noteworthy because they are refreshingly different from the typical anti-City jibes, particularly prevalent in Ireland but found across the water as well. Also, they affirm the arguments I have rehearsed above. (Like most people, I like it when people agree with me – especially when the agreement comes from an unlikely source.) Highlights include:

    I have more problems with American investment owners than with nation states. Nation states don’t want to mess with the format or rules or ethos of the game. American owners want to change the rules and structure of the whole game.

    American investment funds take and don’t give. They’re not involved in urban regeneration like what happened in East Manchester.

    Financial Fair Play was brought in out of self-interest and greed, to prevent other clubs emerging as competitive forces. There needs to be a space for Chelsea, Manchester City, Leicester and others to compete and win, otherwise it would have been Liverpool, Arsenal, and Manchester United at the top for ninety-nine years.

    Admittedly, it is hard to paint your club’s fanbase in Ireland as an oppressed and beleaguered minority, when you are so cash and asset rich, and are ‘winning everything’. How can you be leading a revolutionary charge when you are so patently nouveau riche? (On the other hand, rarely winning anything must be soothed somewhat by being part of a ‘moral majority’, when every second person you meet follows the same club as you. If misery – or a sense of injustice – loves company, then there is plenty of it to be found in this country.) But it wasn’t always thus. I was there when we were shit. Personally, I’m proud to be the football club supporting equivalent of a working class Lotto winner. What is more, it would take a propagandistic fascist show of strength along the lines of the 1936 Berlin Olympics as hosted by Nazi Germany to make me disavow my commitment to Manchester City as an abstract entity, simply because of whoever its owners might happen to be at a given time. One set of monied scoundrels – if such they be – is as good or as bad as another, and adopting a sliding scale of moral turpitude is to embark on a slippery slope – and it is foolhardy trying to get to the top, or slide to the bottom, of it. And I haven’t even got started on ventilating the argument that even if City’s current owners are an entirely unscrupulous bunch of cheats, great art – such as City are now producing – has always depended on generous patronage. The Medici and Borgia families, including the Popes they spawned, were not famed for having ‘clean hands’; but without them there would have been no funding for the Italian Renaissance. Que Anton Karas’ iconic The Third Man soundtrack theme tune, while Orson Welles delivers Harry Lime’s ‘Swiss cuckoo clocks’ speech.

    In the final part of his essay on the joys and woes of being an Irish Manchester City fan, Desmond Traynor delves into psychological and emotional reasons for sustaining sporting allegiances, through thick and thin.

  • RTÉ: Wrap Your Troubles in Dreams

    The significance of Joe Duffy (Liveline, June 26, 2023) insisting that Ryan Tubridy (from 12.30) “really is a unique talent” should not be overlooked.

    It isn’t simply that Joe and Ryan (along with a host of RTÉ’s household names) share Noel Kelly as an agent. It also reveals Joe’s interest in maintaining a near-feudal pay structure, rewarding “unique talent”.

    This seems to reflect Joe’s assessment of his own qualities, justifying a salary of €350,000 per year. Does it really take a “unique talent” to field complaints from parents about having to pay €60 for a child’s confirmation?

    Notably, Joe is fixated on maintaining high ratings for his show. As he put it in 2017: ‘One of the reasons I say that we have to have our numbers up [is] because it only works when the numbers are up.’

    The Joe Duffy Show is a careful balancing act between heart-rending accounts appealing to an older, pearl-clutching, audience – often sparking moral panic – and outright absurdity or light entertainment (including ‘Funny Fridays’). That is not to say that the show never addresses important issues or even breaks stories, but the formula is clearly calibrated by experienced – and even talented – producers. That’s why other presenters seamlessly ‘take the chair.’

    Undoubtedly, the issues they choose to lead on arise from careful consideration. Joe doesn’t simply allow members of the public to have their say. This certainly seemed evident during the June 26 programme, as a succession of callers ‘spoke out’ in favour of Ryan Tubridy.  At a point when most of the country was up in arms, wagons were circling.

    Joe’s particular skill lies in not offending anyone that matters; this extends to the car company sponsoring his show, but crucially finds him reinforcing key government messages.

    For example, during Covid, rather than allowing for a reasoned debate among experts on the thorny question of vaccination policy, Joe chose to platform an individual claiming the vaccine was a ‘mark of the beast.’ Naturally, reasonable Joe rode to the rescue to restore our collective sanity.

    Latterly, he has weighed in with belligerent statements on Russia-Ukraine that align with the government’s response. Thus in May, 2023 he opined: ‘War only ends primarily when one side is beaten by the other side.’ As Mick Heaney put it in the Irish Times: ‘He’s so impassioned that callers with mildly divergent views struggle to get a word in edgeways at times. Talk to Joe? Not when he’s in this form.’

    RTE Kitsch: Room to Improve.

    Tubridy’s Unique Ability?

    During his 9am radio slot and as presenter of the Late Late Show Ryan was rarely overtly political, although he was happy to endorse a complimentary biography of Leo Varadkar, and chose to interview Micheál Martin on his penultimate outing as Late Late Show host.

    Tubridy plays a different role to Joe Duffy, which I have previously argued is essential to a distinctively Irish propaganda. This is to maintain the feel-good factor. Light entertainment on the airwaves provides a comfort blanket for all sorts of troubles, from Covid to the cost of living. Indeed, Tubridy’s relentless chirpiness recalls the Depression-era song, popularised by Bing Crosby: ‘Wrap Your Troubles in Dreams (and Dream your Troubles Away)

    Almost uniquely on RTÉ Radio 1 – the Ray D’Arcy show has a similarly vacuous quality – Tubridy’s programmes became an extended commercial: a kind of dream factory or Late Late Toy Show for adults. Rather than engaging in tiresome arguments over our response to climate change, listeners and viewers are subliminally guided into treating themselves to the latest car model. Smile, it’s easy.

    In this argument-free zone, the mask occasionally slipped, as where Tubridy suggested on the Late Late Show in 2018 that cyclists who (legally) cycle two abreast should be ‘binned’.

    How Irish Propaganda Operates.

    RTÉ’s Peasant Revolt

    A significant proportion of the Irish public ignore RTÉ, and aren’t in the least bit surprised by the revelations. The real outrage emanated from RTÉ staff who did not take kindly to their highest earner being over-paid in an underhand fashion. This arrived at a time when, presumably, many are feeling the pinch during an extended Cost of Living and Housing Crisis.

    RTÉ staff are a formidable and influential body that seem to have gained control of the news rooms, even if the likes of the Joe Duffy Show may be acting in the interest of Tubridy. The sans culottes seemed determined to eviscerate the ancien regime. Whether the defenestrations of Dee Forbes and Ryan Tubridy will be sufficient remains to be seen.

    The looming question is whether these RTÉ journalists, who appear to be led by Education Correspondent Emma O’Kelly are committed to a long overdue overhaul of public service broadcasting. This ought to entail an end to programming that serves as a vehicle for so-called ‘talent’. Notably, BBC Radio 4’s schedule does not contain a single programme that takes its name from a presenter.

    But RTÉ staff may have to be prepared to cut their cloth further. It is unclear whether public service broadcasting is compatible with selling advertising space.

    A fully state-funded model would also bring its own problems – as we witnessed during the Covid-era when RTÉ often became a conduit for government propaganda – but safeguards, as in the BBC’s commitment to impartiality, could be put in place. A slimmed down model – with a primary focus on current affairs and high culture – would surely represent an improvement on the kind of schlock – epitomised by Ryan Tubridy – we have become accustomed to.

    A Basic Requirement

    In 2017 I lodged a Freedom of Information (FOI) request seeking details of payments by third parties to a number of RTÉ stars, including Ryan Tubridy, approved by RTÉ management falling under the Personal and Public Activities Guidance for 2017.

    The officer refused to divulge precise details, claiming this could be advantageous to competitors, might result in financial loss to contractors, and potentially ‘prejudice RTÉ ’s contractual negotiations in respect of future engagements with independent contractors’.

    He revealed, however, that ‘the total number of requests to engage in external ventures that RTÉ received was 122. Of that number, 114 were approved and 8 were refused. Of those granted, 97 were independent contractor requests and 1 was a RTÉ employee request. Of those refused, 7 were independent contractor requests and 17 were RTÉ employee requests.’

    That the vast majority of requests were approved, particularly to independent contractors, demonstrated that the organisation was taking a permissive approach on conflicts of interest.

    RTÉ claimed the majority of payments were for ‘non-commercial events, and mostly in support of charitable or other not-for-profit organisations’. In the absence of further details, however, it was impossible to verify this claim. If their work really was benign, why were they withholding the information?

    The claim that divulging information would “prejudice RTÉ ’s contractual negotiations” suggests the likes of Ryan Tubridy would have been lost to commercial competitors if information entered the public domain. That contention may be questioned, in the case of Tubridy at least. After moonlighting with the BBC in 2016 Tubridy admitted he had found connecting with UK listeners difficult, while leaving for Newstalk or TV3 would have represented a career regression.

    Most of RTÉ ’s household names found fame, and fortune, through extended exposure on RTÉ. The failure of Pat Kenny to draw a substantial number of his former listeners away from the station, when he departed for Newstalk, indicates most people are in the habit of tuning into the state broadcaster, rather than to listen to the unique talent.

    Transparency?

    This week I sent in another FOI seeking records (if they exist) of payments or payments-in-kind to the same ‘stars’, approved by RTE management falling under the Personal and Public Activities Guidance since 2017. It will be interesting to find out whether transparency is now given a higher priority than “contractual negotiations”.

  • Finding Your Voice After Trauma

    Have you ever experienced that emptiness, that deep silence, that infinite ignorance following trauma? Well, I have. And let me tell you, it doesn’t always happen right away. Sometimes, you have to actually look past the first few weeks or months to feel it. You’ll eventually see it at some point, with support or not. You’ll find yourself entirely alone, in that nothingness where everyone else – maybe even you – thinks that enough time has passed.

    Time as an Almighty Healer?

    Like a lot of people, I used to picture time as the ultimate solution. Because that’s what we’re told since we’re little, isn’t it? “Time heals all wounds,” they say. You have obviously heard that phrase before, whether from your family, a friend, a TV show, or a book you once read.

    Now, I’m not a scientist, but I learned how wrong that expression is.

    It would be great, of course, to have one miraculous way to fix things, to simply go through life, ignoring all the issues you may have, because time will gladly deal with them for you. Except it doesn’t work that way.

    Seeing time as a cure is one of those made-up illusions we keep telling ourselves in order to feel better. It’s reassuring to think that if you’re still suffering, it’s not because of you or anyone else, but because you didn’t give yourself enough time.

    Don’t get me wrong, time does help. It sure makes you stop crying, but it won’t heal you. Letting time pass means going into a routine. Eventually you recognise the pain, the sorrow, the sadness. You know what it feels like, and you settle into it.

    Not long ago, I questioned a lot how humans respond to trauma and how we handle it, not just individually, but as a society. Well, usually, we hold it locked inside. Again, believing that time will sooner or later do its thing. I’m sure, if you’ve endured trauma, and talked about it, you’ve heard people say: “I’m here for you, but you just need a bit of time, really.”

    Like you, probably, I once thought it couldn’t hurt to speak those things. But recently, I experienced first-hand how painful it actually was.

    Time is personal. Some might need weeks, other months or years. It depends on so many factors: past trauma, education, environment, support… So truly, it’s “your time”. Now, let’s say, you need three years. Yet for a friend of yours, three months might sound enough. What happens then? What happen if you don’t improve in those three months? You gave yourself time, or at least, you suppose you did, and everyone around you assumed you did too. But still, you don’t seem okay. Well, guess what, you start feeling guilty about it. Like it’s your own fault if you don’t get better.

    It’s deeply anchored in society. Take therapy, for example. Some people, governments even, actually think that you only need a few sessions to deal with an issue, to “move on”. As if trauma only takes ten weeks to what, disappear?

    Now you see why I believe perceiving time as a healer is dangerous? Because once you start, you put a quantifiable value on trauma. Which also means that, eventually, everyone stop talking about it. For them, it’s in the past. Yet for you, it’s still very much a part of your life. So you find yourself alone, not being able to confide in anyone, feeling guilty for seeking support. Even the loved ones who first supported you think it’s all gone now, assuming that, with time, scars fade, as if they never happened.

    Yet here they are, inked. And to ignore them, worse, to declare they ceased to exist is not only a denial of reality, it’s indicating that a victim of trauma – whatever the trauma is – doesn’t have a reason to be one anymore. As they say: “It’s water under the bridge.”

    And so, it’s creating an excuse for people to stop listening, a true motive to silence the voices.

    Silencing the Voices

    You might think I’m cynical. However, by creating an illusion, you end up denying what life is like, sealing society in the unspoken and taboos. You’re not questioning the world’s problems, you’re not looking into the real issues; you’re merely waiting for things to wash away – silencing the voices in the process.

    By making the victims guilty about the depth of their recovery, you’re locking them in this inner pain, in the long aftermath that lasts only for them, for us. People get lost in that silence, in that emptiness where no one dares to speak up for fear of moving the knife again, of showing once more that “time has not yet healed all wounds”.

    Feeling as angry as I am? Well, don’t worry. It’s a good thing.

    Anger Led to Revolutions

    Want to learn something? Anger makes the changes. So don’t be afraid to awake her. Rise and shout until you turn the earth upside down. Scream at those who refuse to face reality, to see pain for what it actually is.

    Don’t look back. Don’t search your voice in some past you left behind. For she’s still here, within you. She’s in your rage, your sadness, your innocence, your beliefs, your joy, your sorrow, your despair, your fear, your bravery; she’s in all those emotions and those memories you locked yourself in when you noticed no one was listening. But make them listen; keep talking.

    For it’s not their voices that society needs to hear, but ours.

    Feature Image: Daniele Idini

  • Dust in your Eyes: War and its Image

    The bomb might be dropped any time soon now, apparently.

    The end of all ends, a nuclear war, looms among the narratives of where Ukraine and Russia’s war might end. Timothy Snyder warns in this regard that a nuclear bomb ‘would make no decisive military difference’; adding that looking at ‘the mushroom cloud for narrative closure, though, generates anxiety and hinders clear thinking. Focusing on that scenario rather than on the more probable ones prevents us from seeing what is actually happening, and from preparing for the more likely possible futures.’

    As much as we can agree with this statement, and as much as it is nothing but a prediction for one of the possible futures, other geopolitical analysts such as the Italian Lucio Caracciolo warn of the ease with which the nuclear option has entered public discourse, the talk shows and political debate.

    What now seems evident after Ukraine’s successful counter offensive in the north, and the ongoing systematic bombardments on its energy infrastructure, is that hostilities are continously escalating and we should prepare for a new phase in this war. If the unspeakable does happen, it will coincide with a new era of warfare. Maybe the last.

    How we develop historical awareness, and a particular narrative, depends more and more on which side of the Iron Curtain 2.0 we fall. For all our apparent enlightenment, time and again, we show ourselves incapable of building diplomatic bridges without brandishing the Sword of Damocles.

    The Bomb might be dropped anytime now. But a cultural bomb, the normalization of the possibility of nuclear war, has already dropped from the virtual skies that we carry in our pockets; conveying an endless stream of images, produced by and for everyone, but curated and filtered by a few.

    No one can say when it started dropping. Maybe with the invasion of February 24, or maybe 2014. Some say even 2001. Regardless of the date, we join other generations of humans that must now worry about the existence of nuclear weapons; of the apocalypse.

    The first shockwave comes in the form of war’s inevitability as soon as Russia’s tanks began rolling down towards Kiev; until the last moment many, including me, were unconvinced the troops amassed at the border would ever march. The taboo of a land war directly involving nuclear superpowers was still intact.

    We are generally shielded, or not even exposed, to pictures revealing the true horror of warfare. For the most part, what is put in front of us depends on the political agenda of warring superpowers or various forms of commodification of suffering. One wonders whether we are now even capable of autonomously creating our own memories; or freely perceiving the present and past, never mind the future under such conditions of conditioning.

    The effect of an endless flow of images, tailored and auto-curated to arouse emotions – residing alongside our most intimate obsessions – requires acknowledgement. Their capacity to induce fear and trigger desire are the preferred tools of contemporary propaganda and such tools are used by both side of the Iron Curtain 2.0.

    Global Civil War

    The political consequences of a lack of cognitive freedom in response to weaponized imagery and information are not new in history but, as with every historical constant, is a question that ought to be explored.

    The times we live through are what the philosopher Franco ‘Bifo’ Berardi calls the Global Civil War, where:

    ‘[…] relations among individuals are wired and subjected to automatic connections: political power, therefore, is replaced by a system of techno-linguistic automatisms inclined towards the automation of every space of life, cognition and production.

    For example, how we react to the pictures of Nord Stream II’s bubbles or the Crimea Bridge strike, depend mostly on which conveyer belt of opinions and positions (“the techno-linguistic automatisms”) we find ourselves exposed to.

    The same goes for how we perceive the veracity of the images of the massacre of Bucha, as well as Russia’s depiction of neo-Nazism in the Ukrainian armed forces, which was previously extensively covered in our media as well.

    Voraciously consuming images of war – of a particular war – I often consider the extent to which images are being used to perpetuate suffering rather than end it.

    Just like in the times of COVID-19 – if your memory stretches back that far – it now takes a great deal of discipline to regulate the right dose of news consumption, as the induced anxiety can be overwhelming. Never mind the moderation necessary to digest and discuss it; or put ourselves in another’s shoes.

    With a diabolical enemy in our sights, such as our culture demands, as well as a defined timeline of events, wherein we struggle to look past February 24, 2022, we weary of discussing strategic failures – reckless dependence on Russian gas – and broken promises – NATO’s expansion eastwards despite undertakings – over the last two decades by Western governments.

    Are we capable of comprehending and reconciling Russia’s (not just Putin’s) very real phobia around encirclement – something that history teaches us is hundreds of years in the making – alongside Ukraine’s legitimate path to independence, which also goes back centuries? Is there now scope for rational dialogue?

    Filo-Putinisti

    Recently, one of Italy’s most prominent newspaper, Il Corriere Della Sera, published the names and pictures of ‘influencers’ who, allegedly, the Kremlin benefit from. Labelled ‘filo-Putinisti’, among these are independent journalists, academics and politicians, treated as ‘enemies of the people’.

    It is not very different to how Clare Daly and Mick Wallace have been treated by the Irish Times.

    To call for a strategy that would include negotiation with Putin’s regime would be to go against what Italian journalist Nico Piro calls the ‘Pensiero Unico Bellicista’ (Unique Bellicose thought current). Unequivocaly taking NATO’s side is what counts. Whoever doubts the legitimacy or even the sanity of ‘interventionism’, even in the closet, is accused of aiding and abetting the enemy.

    How is it that we have been shielded from what has been happening in the Donbass since 2014? Fourteen thousand died in brutal trench war raging at the edge of Europe. Now, suddenly, we feel the heat of the battle across Europe, and simultaneously wonder whether we will have sufficient energy to heat our homes.

    Let’s keep pretending Putin’s invasion came as a surprise. Countries don’t invade each other anymore. Nuclear superpowers don’t engage in land wars anymore. Right?

    The mnemonic silence over the war in Donbass, has morphed into a cacophony of coverage in the wake of a fully fledge invasion, filling, for months, the void left behind by the receding pandemic, as ominously Europe faithfully follows the dictates of a declining US Empire.

    Actually, it seems that as much as rest of the world is preoccupied and even annoyed with Putin’s invasion, it is now giving the finger to the West, after centuries of exploitation.

    It seems incredible how the US, apparently so tired of being an Empire, and on the retreat elsewhere, is still willing to unleash the most pervasive and subtle of propaganda campaigns, suppressing dissenting opinions in countries it sees as vassals, perhaps in order to preserve itself, or what is left of its power.

    This is no time for negotiation is the message, or better still, there was never time for any. Negotiation cannot occur with a genocidal dictator, or can they?

    The propaganda operates not just to change the narrative of the past; it makes one forget that there was a past; or that the past is always brought to us through competing narratives on the battlefield of time and discourse.

    Now, with our sense of time destroyed, and with that an opportunity to discuss, and possibly negotiate, we become more and more ready, and even eager, to kill one other. This is the paradox of a time we had dared to call the “End of History”.

    The Dust

    To remember is, more and more, not to recall a story but to be able to call up a picture.
    Susand Sontag, Regarding the Pain of Others (2003)

    As Susan Sontag remind us, representations of war and suffering have a long history and contain codes of production and consumption: From Goya’s print series The Disasters of War; to Fenton’s Crimean war pictures; Picasso’s Guernica; and pictures of the 9/11 terrorist attack exhibited in the exhibition ‘Here is New York’.

    Francisco Goya Disasters of War – Museum Boijmans Van Beuningen

    Nonetheless, exposure, or really, the immersion in the infosphere, where the weaponization of images and messages is unprecedented, cannot be compared to any of the previous decades of warfare.

    There is now an overwhelming revival of violence in this all-pervasive info-sphere. The message of its inevitability seems a deliberate imposition to distract us from those past and present voices with a lot more to say than a fleeting frame destined to be rapidly replaced in our compulsive doom-scrolling.

    At the same time, it devalues those frames, often taken by the rare photojournalists who are able to go where it really matters – at great risk to their lives – and actually convey what their subjects are unable to. Often because they are dead.

    The curated, over-mediatic exposure of one tragedy instead of another is not really a novelty in the way we use and experience imagery of a current context of interest, but, as well explored in a recent podcast by the Economist, we live in a radically more transparent battlefield.

    The abundance of what is called Open Source Intelligence data, of which photography is a key component – its democratization as with the latest Iranian protests – is to be welcomed, even if it is a double-edged sword.

    On the one hand, we can say that we have never had as many tools available to us in the search for truth. On the other, the concept of truth, or what is truthful, has never eluded us to such an extent as in recent times.

    In an attempt to clear the view amidst the Fog of War, we create individual, atomized fog, which follows us wherever we go.

    Little wonder that in our so-called liberal-democratic hemisphere we have no idea how to bring democratic oversight to social media platforms; even leading some of us to cheer on the idea of Elon Musk, the richest man on earth, taking control of such a decisive device for dialogue and confrontation as Twitter.

    No amount of moderation, fact-checking, algorithm-driven-filtering or surveillance, can keep pace with the endemic disinformation present in our feeds; as much as no amount of critical thinking, rational argumentation and corroboration can prevail over a propaganda machine built right inside our minds.

    In Vogue

    There’s little doubt that photography carries the popular connotation of bearing truths: ‘the image doesn’t lie.’ But we don’t need not look too hard to work out how easy it is it for a photograph, and its caption, if not to lie, to deceive. If not to manipulate, then to be as alluring as a Vogue feature can be.

    Annie Leibovitz’s photograph of Ukraine’s First Lady Olena Zelenska before a grounded Antonov plane and surrounded by fierce special forces is, in my modest opinion, a photographic masterpiece.

    Having said that, going through Rachel Donadio’s piece, and Leibovitz other pictures I recognise how instrumental this is to the current war struggles. Via the gloss of what many desire – to be a celebrity or to become a hero – the image of a presidential couple of a devasted country becomes something we aspire to.

    With each blast we feel more and more impotent at creating the conditions for dialogue to occur. Is it possible that neither Putin’s Russia and his allies, nor the West, composed of thirty NATO members supporting Ukraine is willing to take a step back from the brink?

    How are we to create the conditions, if the dominant message is one founded on our utter impotence, because it’s always the other sides fault?

    Hannah Arendt remind us in her essay “On Violence” that

    It is often been said that impotence breeds violence, and psychologically this is quite true, at least of persons possessing natural strength, moral or physical. Politically speaking, the point is that loss of power becomes a temptation to substitute violence for power […] and that violence itself results in impotence.

    If we are actually talking about the possible, and rational, use of the most powerful weapon available it is exactly because power is slipping away from the Western alliance, as much as from Putin’s regime.

    Nothing new in that as the re-allocation of power is one of the preoccupations of history itself, seldom unaccompanied by violence. But what does it mean when the existence of nuclear arsenals capable of causing our premature extinction are carelessly normalized as facts of life? Like any other storm. Like any other crisis. Like something we’ll remember. You see the path? And where it leads?

    In 1955, Bertolt Brecht published a book called Kriegsfibel or War Primer. It was a collection of photographs, cut out of newspaper and magazines, which he re-captioned with his own verses.

    Such a document now exists not only thanks to Brecht’s artistic sensibility, but also because new generations survived to look at it again.

    “What are you doing, brothers?”-“An iron tank”.
    “And with these slabs here?”-“Bullets that will pierce those Iron armors”.
    “And why all this brother?”-“To live, nothing else”. From Bertolt Brecht’s Kriegsfibel