{"id":12439,"date":"2021-10-13T14:50:35","date_gmt":"2021-10-13T13:50:35","guid":{"rendered":"https:\/\/cassandravoices.com\/?p=12439"},"modified":"2021-10-13T14:50:35","modified_gmt":"2021-10-13T13:50:35","slug":"baudelaire-as-phenomenologist","status":"publish","type":"post","link":"https:\/\/casswp.eutonom.eu\/index.php\/2021\/10\/13\/baudelaire-as-phenomenologist\/","title":{"rendered":"Baudelaire as Phenomenologist"},"content":{"rendered":"<p><span style=\"font-size: 12pt;\"><strong><em>Three Poems by Charles Baudelaire<\/em><\/strong><\/span><\/p>\n<p><strong><em>IV &#8211; L\u2019ALBATROS<\/em><\/strong><\/p>\n<p><em>Souvent, pour s\u2019amuser, les hommes d\u2019equipage<br \/>\nPrennent des albatross, vates oiseaux des mers,<br \/>\nQui suivent, indolents compagnons de voyage,<br \/>\nLe navire glissent sur les gouffres amers.<\/em><\/p>\n<p><em>A peien les ont-ils deposes sur les planches,<br \/>\nQue ces rois de l\u2019azur, maladroit et honteux,<br \/>\nLaissent piteusement leurs grandes ailes blanches<br \/>\nComme des avirons tra\u00eener \u00e0 c\u00f4t\u00e9 d\u2019eux.<\/em><\/p>\n<p><em>Ce voyageur ail\u00e9, comme il est gauche et veule!<br \/>\nLui, nagu\u00e8re si beau, qu\u2019il est comique et laid!<br \/>\nL\u2019un agace son bec avec un br\u00fble-gueule,<br \/>\nL\u2019autre mime, en boitant, l\u2019infirme qui volait!<\/em><\/p>\n<p><em>Le po\u00e8te est semblabe au prince de nu\u00e9es<br \/>\nQui hante la temp\u00eate et se rit de l\u2019archer;<br \/>\nExile sur le sol au milieu des hu\u00e9es,<br \/>\nSes ailes de g\u00e9ant l\u2019emp\u00eachent de marcher.<\/em><\/p>\n<p style=\"text-align: center;\"><strong>IV &#8211; The Albatross<\/strong><\/p>\n<p style=\"text-align: center;\">Often, to amuse themselves, ship crews<br \/>\nBrought aboard Albatross, those great birds of the sea,<br \/>\nAnd who often were their indolent companions,<br \/>\nAs their ships glided upon the bitter waves.<\/p>\n<p style=\"text-align: center;\">And, almost as soon as they let them out on deck,<br \/>\nHow these great sky kings suddenly then appeared ungainly and awkward,<br \/>\nTrailing piteously their great white wings<br \/>\nLike proud useless oars behind them.<\/p>\n<p style=\"text-align: center;\">These winged voyagers, how they appeared so out of place.<br \/>\nOnce the superb plungers, now they looked only comical and stupid.<br \/>\nOne shakes her beak about in frustration;<br \/>\nAnother mimes, as she clumsily walks, the infirm who fly.<\/p>\n<p style=\"text-align: center;\">The Poet is rather like these Princes of the Clouds,<br \/>\nThose who would fly above the eye of the storm, smiling<br \/>\nAs they look down. Yet, exiled upon the earth,<br \/>\nTheir great wings impeding even the most local movements.<\/p>\n<p>Consider the <em>L\u2019Albatros<\/em>, that most ungainly bird alive, used by the poet as an unforgettable metaphor for when s\/he is confined on Earth. Reaching the sky, its natural habitat, it glides for hours without flapping its great wings. This is analogous to the invigoration a poet feels when they are in the act of composition.<\/p>\n<blockquote class=\"twitter-tweet\" data-width=\"500\" data-dnt=\"true\">\n<p lang=\"en\" dir=\"ltr\">Peter O&#39;Neill considers Une Charogne (A Carcass) by Charles <a href=\"https:\/\/twitter.com\/hashtag\/Baudelaire?src=hash&amp;ref_src=twsrc%5Etfw\">#Baudelaire<\/a> to be among the greatest poems of the 19th Century and of particular importance for today<a href=\"https:\/\/t.co\/SMIXEi4zcN\">https:\/\/t.co\/SMIXEi4zcN<\/a><a href=\"https:\/\/twitter.com\/broadsheet_ie?ref_src=twsrc%5Etfw\">@broadsheet_ie<\/a> <a href=\"https:\/\/twitter.com\/ARTSOVERBORDERS?ref_src=twsrc%5Etfw\">@ArtsOverBorders<\/a> <a href=\"https:\/\/twitter.com\/IlsaCarter1?ref_src=twsrc%5Etfw\">@IlsaCarter1<\/a> <a href=\"https:\/\/twitter.com\/EdwardClarke20?ref_src=twsrc%5Etfw\">@EdwardClarke20<\/a> <a href=\"https:\/\/twitter.com\/NMcDevitt?ref_src=twsrc%5Etfw\">@NMcDevitt<\/a> @wadeinthewate11<\/p>\n<p>&mdash; CassandraVoices (@VoicesCassandra) <a href=\"https:\/\/twitter.com\/VoicesCassandra\/status\/1349333661536165890?ref_src=twsrc%5Etfw\">January 13, 2021<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p><em>Verse Junkies<\/em>, the name of a publication I came across some years ago, vividly conveys the idea, at least in English. Most proper poets \u2013 there are so many pretenders these days \u2013 see in this creative act a power, or force, that gives them the ultimate or peak sense of personal achievement; so much so that they come to see themselves \u2013their most fundamental sense of self \u2013 as intrinsically bound to the role of poet\/artist.<\/p>\n<p>The thematic link with the preceding poem B\u00e9n\u00e9diction is also clearly evident. This is another singular element to <em>Les Fleurs du Mal<\/em> in that the poems follow a very close chronological order, almost like a novel.<\/p>\n<p>I can think of no other work, barring Dante\u2019s <em>Commedia<\/em> and Shakespeare\u2019s sonnets, which approach Baudelaire\u2019s ambition. Petrarch, Pushkin, Walt Whitman and Emily Dickinson come near in terms of scope, I would agree, but there is something all -consuming in Baudelaire\u2019s project which somehow, at least for this reader, leaves those other illustrious poets in his wake.<\/p>\n<p>Perhaps, it is the rather systematic way in which Baudelaire goes through the different topics, or the complexity of the interplay between the poems and the famous correspondences. Thus, after reading <em>L\u2019Albatros<\/em>, with all its invocation to flight, you turn the page come across <em>\u00c9l\u00e9vation<\/em>.<\/p>\n<p><strong><em>IV \u2013 \u00c9L\u00c9VATION<\/em><\/strong><\/p>\n<p><em>Au-dessous des \u00e9tangs, au-dessous des vall\u00e9es,<br \/>\nDes montagnes, des bois, des nuages, des mers,<br \/>\nPar-del\u00e0 le soleil, par del\u00e0 les \u00e9thers,<br \/>\nPar-del\u00e0 les confins des spheres \u00e9toil\u00e9es,<\/em><\/p>\n<p><em>Mon esprit, tut e meus avec agilit\u00e9,<br \/>\nEt, comme un bon nageur qui se p\u00e2me dans l\u2019onde,<br \/>\nTu sillonnes gaiement l\u2019immensit\u00e9 profonde<br \/>\nAvec une indiscible et male volupt\u00e9. <\/em><\/p>\n<p><em>Envole-toi bien loin de ces miasmes morbides;<br \/>\nVa te purifier dans l\u2019air sup\u00e9rieur,<br \/>\nEt bois, comme une pure et divine liqueur,<br \/>\nLe feu clair qui remplit les espaces limpides.<\/em><\/p>\n<p><em>Derri\u00e8re les ennuis et les vastes chagrins<br \/>\nQui chargent de leur poids l\u2019existence brumeuse,<br \/>\nHeureux celui qui peut d\u2019une aile vigoureuse<br \/>\nS\u2019\u00e9lancer vers les champs lumineux et sereins;<\/em><\/p>\n<p style=\"text-align: left;\"><em>Celui don\u2019t les pensers, comme des alouettes,<br \/>\nVers les cieux le matin prennent un libre essor,<br \/>\n&#8211;\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Qui plane sur la vie, et comprend sans effort<br \/>\nLe langage des fleurs et des choses muettes !<\/em><\/p>\n<p style=\"text-align: center;\"><strong>IV &#8211; Elevation<\/strong><\/p>\n<p style=\"text-align: center;\">High above the ponds, high above the valleys,<br \/>\nThe mountains, the woods, the clouds, the seas,<br \/>\nOut there by the sun, out there by the ether,<br \/>\nOut there beyond the confines of the starred planets,<\/p>\n<p style=\"text-align: center;\">My spirit, bound with great agility,<br \/>\nAnd, like a superb swimmer it balms in the waves,<br \/>\nPlunging happily into the immense profundity<br \/>\nWith an inexpressible and male voluptuousness.<\/p>\n<p style=\"text-align: center;\">Fly out far beyond the noxious air;<br \/>\nGo and purify yourself in the stratosphere,<br \/>\nAnd drink, as if from a divine and pure liquor,<br \/>\nThe clear fire which replenishes the limpid spaces.<\/p>\n<p style=\"text-align: center;\">Leave behind the boredom and the vast sorrows<br \/>\nWhich super charge our so unclear existence,<br \/>\nHappy is he who with a vigorous wing can<br \/>\nFly upward to the luminous and serene fields;<\/p>\n<p style=\"text-align: center;\">Those which certain thinkers, like larks,<br \/>\nConverge to in the morning to partake in the flight to freedom,<br \/>\n&#8211; Who glide through life, understanding effortlessly<br \/>\nThe language of flowers, and other mute things.<\/p>\n<p><strong><em>IV \u2013 CORRESPONDENCES<\/em><\/strong><\/p>\n<p><em>La Nature et un temple o\u00f9 de vivants piliers<\/em><br \/>\n<em>Laissent parfois sortir de confuses paroles;<\/em><br \/>\n<em>L\u2019homme y passe \u00e0 travers des for\u00eats de\u00a0 nite s<\/em><br \/>\n<em>Qui l\u2019obervent avec des regards familiers.<\/em><\/p>\n<p><em>Comme de longs \u00e9chos qui de loin se confondent<\/em><br \/>\n<em>Dans une t\u00e9n\u00e9breuse et profonde\u00a0 nite ,<\/em><br \/>\n<em>Vaste comme la nuit et comme la claret,<\/em><br \/>\n<em>Les parfums, les couleurs et les sons se r\u00e9pondent.<\/em><\/p>\n<p><em>Il est des parfums frais comme des chairs d\u2019enfants,<\/em><br \/>\n<em>Doux comme les hautbois, verts comme les prairies,<\/em><br \/>\n<em>&#8211;\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Et d\u2019autres, corrumpus, riches et triomphants,<\/em><\/p>\n<p><em>Ayant l\u2019expansion des choses infinies,<\/em><br \/>\n<em>Comme l\u2019ambre, le musc, le benjoin, et l\u2019encens,<\/em><br \/>\n<em>Qui chantant les transports de l\u2019esprit et des sens.<\/em><\/p>\n<p style=\"text-align: center;\"><strong>IV &#8211; Correspondences<\/strong><\/p>\n<p style=\"text-align: center;\">Nature is a temple where living pillars<br \/>\nUtter at times confused words;<br \/>\nMan passes through the forest of symbols<br \/>\nWhich observe him with familiar eyes.<\/p>\n<p style=\"text-align: center;\">Deep echoes from afar become mixed up<br \/>\nIn a dark and profound unity,<br \/>\nVast like the night and lit through with<br \/>\nPerfumes, colours and sounds respond.<\/p>\n<p style=\"text-align: center;\">And, they are as sweet as the scent off children,<br \/>\nAs soft and as sonorous as the notes emitting from an oboe,<br \/>\nVerdant as prairies, and just as richly corrupted and triumphant.<\/p>\n<p style=\"text-align: center;\">Having the expanse of infinity,<br \/>\nLike amber, musk, benzoin and incense<br \/>\nWhose songs transport both the body, and the mind.<\/p>\n<p><em>Correspondances<\/em> is among the most discussed poems by Baudelaire, and one of the most influential, prefiguring the psychoanalytic schools of Freud, Jung and Lacan, which were to have such a profound effect on twentieth century art and thought.<\/p>\n<p>This one, short poem gives a clear idea of how far ahead Baudelaire was of his time. <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/cassandravoices.com\/society-culture\/society\/rimbaud-in-the-emergency-room\/\">Rimbaud<\/a><\/span> is the only poet to come anyway close, in terms of mind-expanding conceptualisation. He also embraced the idea, embodied in the poem, of poet as savant and visionary.<\/p>\n<blockquote class=\"twitter-tweet\" data-width=\"500\" data-dnt=\"true\">\n<p lang=\"en\" dir=\"ltr\">Inspired by Baudelaire, Peter O&#39;Neill fumes about &quot;The shitty structures which we maintain and perpetuate. \/ Up to our necks in it.&quot;  of climate changed world.<a href=\"https:\/\/t.co\/LQznExkcVq\">https:\/\/t.co\/LQznExkcVq<\/a><a href=\"https:\/\/twitter.com\/whittledaway?ref_src=twsrc%5Etfw\">@whittledaway<\/a> <a href=\"https:\/\/twitter.com\/PaddyWoodworth?ref_src=twsrc%5Etfw\">@PaddyWoodworth<\/a> <a href=\"https:\/\/twitter.com\/think_or_swim?ref_src=twsrc%5Etfw\">@think_or_swim<\/a> <a href=\"https:\/\/twitter.com\/broadsheet_ie?ref_src=twsrc%5Etfw\">@broadsheet_ie<\/a> @wadeinthewate11 <a href=\"https:\/\/twitter.com\/EllieKateLily?ref_src=twsrc%5Etfw\">@EllieKateLily<\/a><\/p>\n<p>&mdash; CassandraVoices (@VoicesCassandra) <a href=\"https:\/\/twitter.com\/VoicesCassandra\/status\/1382338448850358272?ref_src=twsrc%5Etfw\">April 14, 2021<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>The influence of hashish and other <span style=\"color: #0000ff;\">hallucinogens<\/span>, such as opium, which Baudelaire was to graduate to, are in clear evidence in a poem that might explain his popularity in the English speaking world during the 1960s with the advent of the counter culture movement, as hashish and LSD became the drugs of choice among the hippies and beatniks.<\/p>\n<p>Indeed I first came across Baudelaire while smoking hashish on a pretty regular basis just after leaving school. I was listening to the psychedelic music of poets, musicians and bands like Bob Dylan, Jim Morrison and Pink Floyd.<\/p>\n<p>Perhaps, with the increasing popularity of cannabis, having been finally legalised in numerous U.S. States and elsewhere, we will also see a revival of interest in the poet. He might provide a wake up call to the sleep-inducing Woke culture!<\/p>\n<p>Baudelaire wrote extensively on his drug usage, consciously following in the line of writers like Thomas De Quincey and Samuel Taylor Coleridge.<\/p>\n<p>Growing up in 1980s Cork I recall the drug-induced visions, mind-bending in their scope, of William S. Burroughs, foreseeing, like Baudelaire, an apocalyptic future. This, surely, is one of the key signs of a visionary, which Baudelaire certainly was<\/p>\n<p>Now looking around at the horrors of the twentieth century \u2013 ecocide, gross inequalities and more \u2013 it seems we are not so much inhabiting the world as living out nightmarish, drug-induced prophecies.<\/p>\n<p><strong><em>Helmut Newton<\/em><\/strong><\/p>\n<p>In the case of Baudelaire I remember very clearly, while living in Paris during the 1990s, the extraordinary images taken by the German photographer <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/helmut-newton-foundation.org\/en\/\">Helmut Newton<\/a><\/span> for the Austrian hosiery company <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.wolfordshop.ie\/newton-and-wolford.html\">Wolford<\/a><\/span>.<\/p>\n<p>They had been lovingly framed and encased in the bus stop shelters used by advertising companies. These latter-day Amazonians, shot in black and white, were illuminated in such a way that at night, when observed from a distance on a passing train or bus, they appeared like ghost emerging out of the smokey haze of one of Baudelaire\u2019s joints; clarifying young eroticised minds.<\/p>\n<blockquote class=\"twitter-tweet\" data-width=\"500\" data-dnt=\"true\">\n<p lang=\"en\" dir=\"ltr\">Peter O&#39;Neill argues that Charles Baudelaire as one of the few poets who can write about women and love in a truly remarkable way.<a href=\"https:\/\/t.co\/wKa592btoJ\">https:\/\/t.co\/wKa592btoJ<\/a><a href=\"https:\/\/twitter.com\/IlsaCarter1?ref_src=twsrc%5Etfw\">@IlsaCarter1<\/a> <a href=\"https:\/\/twitter.com\/broadsheet_ie?ref_src=twsrc%5Etfw\">@broadsheet_ie<\/a> <a href=\"https:\/\/twitter.com\/Andrea_Rey48?ref_src=twsrc%5Etfw\">@Andrea_Rey48<\/a> @wadeinthewate11 <a href=\"https:\/\/twitter.com\/hashtag\/charlesbaudelaire?src=hash&amp;ref_src=twsrc%5Etfw\">#charlesbaudelaire<\/a> <a href=\"https:\/\/twitter.com\/hashtag\/Baudelaire?src=hash&amp;ref_src=twsrc%5Etfw\">#Baudelaire<\/a><\/p>\n<p>&mdash; CassandraVoices (@VoicesCassandra) <a href=\"https:\/\/twitter.com\/VoicesCassandra\/status\/1360221028648165378?ref_src=twsrc%5Etfw\">February 12, 2021<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>In these singular images, one could say Baudelaire\u2019s ideal vision of Woman had been realised, and the world had become Baudelaire-ian.<\/p>\n<p>This is another aspect of his genius. Most of us walk around completely unaware of how he shaped the world around us, in particular through the artifacts of the everyday, such as advertisements for women\u2019s tights.<\/p>\n<p>It is through such details that his poetry manifests in the world. Just like when you hear snatches of a song by L\u00e9o Ferr\u00e9 emanating from a caf\u00e9, or when a black cat sidles up to you on the street, or when, for example, you hear the ticking of an alarm clock and you imagine the two hands strangling you\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Three Poems by Charles Baudelaire IV &#8211; L\u2019ALBATROS Souvent, pour s\u2019amuser, les hommes d\u2019equipage Prennent des albatross, vates oiseaux des mers, Qui suivent, indolents compagnons de voyage, Le navire glissent sur les gouffres amers. A peien les ont-ils deposes sur les planches, Que ces rois de l\u2019azur, maladroit et honteux, Laissent piteusement leurs grandes ailes [&hellip;]<\/p>\n","protected":false},"author":237,"featured_media":12490,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[847,1551,1552,1555,1556,1557,1558,1559,1561,1562,1564,1565,4049,7182,7341,9816],"class_list":["post-12439","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poetry","tag-baudelaire","tag-charles-baudelaire","tag-charles-baudelaire-1960s","tag-charles-baudelaire-correspondences","tag-charles-baudelaire-elevation","tag-charles-baudelaire-hallucingens","tag-charles-baudelaire-hashish","tag-charles-baudelaire-lalbatros","tag-charles-baudelaire-lsd","tag-charles-baudelaire-peter-oneill","tag-charles-baudelaire-the-albatross","tag-charles-baudelaire-translations","tag-helmut-newton","tag-phenomenologist","tag-poetry","tag-verse-junkies"],"_links":{"self":[{"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/posts\/12439","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/users\/237"}],"replies":[{"embeddable":true,"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/comments?post=12439"}],"version-history":[{"count":0,"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/posts\/12439\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/media?parent=12439"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/categories?post=12439"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/tags?post=12439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}