{"id":13901,"date":"2022-07-05T16:34:39","date_gmt":"2022-07-05T15:34:39","guid":{"rendered":"https:\/\/cassandravoices.com\/?p=13901"},"modified":"2022-07-05T16:34:39","modified_gmt":"2022-07-05T15:34:39","slug":"theatre-the-battle-of-kildare-place","status":"publish","type":"post","link":"https:\/\/casswp.eutonom.eu\/index.php\/2022\/07\/05\/theatre-the-battle-of-kildare-place\/","title":{"rendered":"Theatre: The Battle of Kildare Place"},"content":{"rendered":"<p><span style=\"font-size: 12pt;\">There is no fiercer battle than that between sisters. The sibling tension is ever-present in \u2018<span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.eventbrite.ie\/e\/the-battle-of-kildare-place-tickets-370345351917\">The Battle of Kildare Place<\/a><\/span>\u2019. <\/span><\/p>\n<p><span style=\"font-size: 12pt;\">This comedic play is a two-hander between two sisters: a corporate older one married with two children, and a ditzy, free-spirited younger one eking out a living as a proprietor of a small flower shop and architectural tour guide.<\/span><\/p>\n<table style=\"border-collapse: collapse; width: 100%;\">\n<tbody>\n<tr>\n<td style=\"width: 50%;\">\u2018<span style=\"font-size: 14pt;\"><a href=\"https:\/\/www.eventbrite.ie\/e\/the-battle-of-kildare-place-tickets-370345351917\">The Battle of Kildare Place<\/a>\u2019<\/span><\/p>\n<p><em><strong><span style=\"font-size: 12pt;\">Cast<\/span><\/strong><\/em><\/p>\n<p><em><span style=\"font-size: 12pt;\">Darina Gallagher<\/span><\/em><\/p>\n<p><em><span style=\"font-size: 12pt;\">Sinead Murphy\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><em><span style=\"font-size: 12pt;\"><strong>Director<\/strong><br \/>\n<\/span><\/em><\/p>\n<p><em><span style=\"font-size: 12pt;\"><strong>Costume Design<\/strong><br \/>\n<\/span><\/em><\/p>\n<p><em><span style=\"font-size: 12pt;\"><strong>Photography<\/strong><br \/>\n<\/span><\/em><\/p>\n<p><em><span style=\"font-size: 12pt;\"><strong>Graphic Design<\/strong><br \/>\n<\/span><\/em><\/p>\n<p><em><span style=\"font-size: 12pt;\"><strong>Creative Producer<\/strong><br \/>\n<\/span><\/em><\/p>\n<p><em><span style=\"font-size: 12pt;\"><strong>Written by<\/strong><br \/>\n<\/span><\/em><\/td>\n<td style=\"width: 50%;\">&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><em><span style=\"font-size: 12pt;\">Meadhbh<\/span><\/em><\/p>\n<p><em><span style=\"font-size: 12pt;\">Gr\u00e1inne<\/span><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><em><span style=\"font-size: 12pt;\">Michael James Ford<\/span><\/em><\/p>\n<p><em><span style=\"font-size: 12pt;\">Bairbre N\u00ed Chaoimh<\/span><\/em><\/p>\n<p><em><span style=\"font-size: 12pt;\">Keith Jordan<\/span><\/em><\/p>\n<p><em><span style=\"font-size: 12pt;\">Gavin Doyle<\/span><\/em><\/p>\n<p><em><span style=\"font-size: 12pt;\">Colm Maher<\/span><\/em><\/p>\n<p><em><span style=\"font-size: 12pt;\">Emma Gilleece &amp; Michael James Ford<\/span><\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 12pt;\">The personalities of the women are informed by their namesakes, two formidable Connaught <em>Q<\/em>ueens of lore; the real life pirate Queen Gr\u00e1inne Mhaol, and the warrior Queen Meadhbh from the <em>T\u00e1in B\u00f3 C\u00faailnge<\/em> (Cattle Raid of Cooley).<\/span><\/p>\n<p>The play is set in present day Dublin with Gr\u00e1inne, the elder sister, played by Sinead Murphy, flying in from London for this rendezvous after an absence of three decades to discuss the potential erection of a plaque in honour of their late father.<\/p>\n<p>As he died at the height of Covid-restrictions, Meadhbh, played by Darina Gallagher, feels her father has been cruelly robbed of the send-off he deserved, with only twenty-five mourners allowed at the funeral.<\/p>\n<p>She believes his renown merits the erection a plaque for a lifetime of activism attempting to save Georgian Dublin, including the <a href=\"https:\/\/www.rte.ie\/archives\/exhibitions\/894-house-and-home\/139159-hume-street-occupation\/\"><span style=\"color: #0000ff;\">Battle of Hume Street<\/span><\/a>, which the play pays tribute to in its title. Meadhbh is frozen in a state of unresolved grief with a thirst for justice for her father\u2019s legacy, as witnessed in \u2018Electra\u2019 or \u2018King Lear\u2019.<\/p>\n<blockquote class=\"twitter-tweet\" data-width=\"500\" data-dnt=\"true\">\n<p lang=\"en\" dir=\"ltr\">Andrea Reynell mourns the loss of numerous Irish historic buildings, and considers how we may better engage with and protect our heritage.<a href=\"https:\/\/t.co\/dTOJEbINwD\">https:\/\/t.co\/dTOJEbINwD<\/a><a href=\"https:\/\/twitter.com\/broadsheet_ie?ref_src=twsrc%5Etfw\">@broadsheet_ie<\/a> <a href=\"https:\/\/twitter.com\/Andrea_Rey48?ref_src=twsrc%5Etfw\">@Andrea_Rey48<\/a> <a href=\"https:\/\/twitter.com\/ARTSOVERBORDERS?ref_src=twsrc%5Etfw\">@ArtsOverBorders<\/a> <a href=\"https:\/\/twitter.com\/CSBlenner?ref_src=twsrc%5Etfw\">@CSBlenner<\/a> <a href=\"https:\/\/twitter.com\/cathmartingreen?ref_src=twsrc%5Etfw\">@cathmartingreen<\/a> <a href=\"https:\/\/twitter.com\/CllrEoinOBroin?ref_src=twsrc%5Etfw\">@CllrEoinOBroin<\/a> <a href=\"https:\/\/twitter.com\/RMcGreevy1301?ref_src=twsrc%5Etfw\">@RMcGreevy1301<\/a> <a href=\"https:\/\/twitter.com\/NMcDevitt?ref_src=twsrc%5Etfw\">@NMcDevitt<\/a><\/p>\n<p>&mdash; CassandraVoices (@VoicesCassandra) <a href=\"https:\/\/twitter.com\/VoicesCassandra\/status\/1326148154216108033?ref_src=twsrc%5Etfw\">November 10, 2020<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>Gr\u00e1inne implores her sister to separate the legend of the activist from the realities of the absentee father, while pointing out that bad fathering isn\u2019t synonymous with being a bad person.<\/p>\n<p>The play is written by architectural historian Emma Gilleece and actor Michael James Ford, who is also director. Now based in Dublin, Emma grew up in Limerick city and completed a BA in English &amp; History and an MA in History of Art &amp; Architecture, followed by an MSc in Urban &amp; Building Conservation.<\/p>\n<p>Michael was closely involved in the genesis of Walkabout Theatre last year in association with Colm Maher, the creative producer for Bewley\u2019s Caf\u00e9 Theatre.<\/p>\n<p>It came about in response to Covid-19 restrictions and the first season featured four new plays presented in historic Dublin locations.<\/p>\n<p>The team of actors, writers and directors relished the challenge of outdoor performance \u2013 competing with inclement weather, traffic noise, wildlife, buskers and rogue cyclists. Walkabout enjoyed capacity audiences and popular and critical acclaim and was subsequently nominated for an <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.irishtimes.com\/culture\/stage\/the-irish-times-irish-theatre-awards-and-the-nominees-are-1.4859263\">Irish Times Judges\u2019 Special Award<\/a><\/span> for \u201creturning audiences to live performances outdoors in 2021.\u201d<\/p>\n<p>As another example of how limited circumstances can actually foster creativity, it was Emma&#8217;s brainwave to use Kildare Place as the setting on the back of a tour she gave.<\/p>\n<p>\u201cI was invited by the Irish Architecture Foundation to do an twentieth century architectural bus tour, as part of Open House Dublin last October, and my tour had to be along the bus company\u2019s established tour routes with one of these being Kildare Street\u201d, Emma explained.<\/p>\n<p>\u201cMy Open House Dublin tour touched on the vulnerability of our twentieth century building stock, and ironically there is currently planning permission sought to demolished Stephen Court on Stephen\u2019s Green by architect <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.dib.ie\/biography\/devane-andrew-andy-a2546\">Andy Devane<\/a><\/span> which was part of the tour\u201d.<\/p>\n<p>Running parallel to this battle of two sisters exploring unhealed childhood wounds is a debate regarding Georgian Dublin accommodating twentieth century insertions. Was this progress or destruction?<\/p>\n<p>Meadhbh follows in her father\u2019s footsteps taking up the baton for preserving eighteenth and ninetheenth century Dublin, while Gr\u00e1inne is more forward-looking, arguing that demolition and rebuilding is just part of the life-cycle of a city, asserting the merits of iconic buildings such as Liberty Hall, the former Central Bank and Phibsborough Shopping Centre, amongst a list of familiar divisive buildings.<\/p>\n<blockquote class=\"twitter-tweet\" data-width=\"500\" data-dnt=\"true\">\n<p lang=\"en\" dir=\"ltr\">Neil Burns takes issue with the &#39;artsy sentimentality&#39; of those objecting to James Joyce&#39;s &#39;Dead House&#39; on Usher&#39;s Island being converted into a hostel.<a href=\"https:\/\/t.co\/d3HPHAckUe\">https:\/\/t.co\/d3HPHAckUe<\/a><a href=\"https:\/\/twitter.com\/Andrea_Rey48?ref_src=twsrc%5Etfw\">@Andrea_Rey48<\/a> <a href=\"https:\/\/twitter.com\/FintanOHiggins?ref_src=twsrc%5Etfw\">@FintanOHiggins<\/a> <a href=\"https:\/\/twitter.com\/CSBlenner?ref_src=twsrc%5Etfw\">@CSBlenner<\/a> <a href=\"https:\/\/twitter.com\/broadsheet_ie?ref_src=twsrc%5Etfw\">@broadsheet_ie<\/a> <a href=\"https:\/\/twitter.com\/CllrEoinOBroin?ref_src=twsrc%5Etfw\">@CllrEoinOBroin<\/a> @wadeinthewate11 <a href=\"https:\/\/twitter.com\/IlsaCarter1?ref_src=twsrc%5Etfw\">@IlsaCarter1<\/a><\/p>\n<p>&mdash; CassandraVoices (@VoicesCassandra) <a href=\"https:\/\/twitter.com\/VoicesCassandra\/status\/1324749590315339777?ref_src=twsrc%5Etfw\">November 6, 2020<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>The nineteenth and twentieth century buildings of Kildare Street provide a four-sided stage. The architectural gems the audience are directed to include the Department of Enterprise, Trade and Employment (completed in 1942), the National Museum of Ireland (1890) and Agriculture House (1974).<\/p>\n<p>Being outside makes the audience feel like they are eavesdropping on two sisters meeting on a summer&#8217;s afternoon in the city. There are laughs, but also poignant moments where you can feel the actors dive down into a well of decades&#8217; old pain and disappointment.\u00a0Can these sisters find common ground?<\/p>\n<p>The Battle of Kildare Place runs from 6 -16 July, Wednesday to Saturday at 1pm and 3pm. Tickets cost \u20ac15 and booking is at <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.dib.ie\/biography\/devane-andrew-andy-a2546\">www.bewleyscafetheatre.com\/events\/the-battle-of-kildare-place<\/a><\/span>.<\/p>\n<p>For enquiries call 086 878 4001.<\/p>\n<div><em><strong><span style=\"font-size: 12pt;\">Feature Image of Darina Gallagher and Sinead Murphy by <\/span><span style=\"font-size: 12pt;\">photographer Keith Jordan.<\/span><\/strong><\/em><\/div>\n<div><span style=\"font-size: 12pt;\"><em><strong>We are an independent media platform dependent on readers\u2019 support. You can make a one-off contribution via <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.buymeacoffee.com\/cassandravoices\">Buy Me a Coffee<\/a> <\/span>or better still on an ongoing basis through <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.patreon.com\/cassandravoices\">Patreon<\/a><\/span>. Any amount is really appreciated.<\/strong><\/em><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>There is no fiercer battle than that between sisters. The sibling tension is ever-present in \u2018The Battle of Kildare Place\u2019. This comedic play is a two-hander between two sisters: a corporate older one married with two children, and a ditzy, free-spirited younger one eking out a living as a proprietor of a small flower shop [&hellip;]<\/p>\n","protected":false},"author":25,"featured_media":13903,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[341,540,843,949,2104,2404,2672,2673,2944,3684,3809,5249,5509,6099,6428,7265,8837,8922,8946,9350,9501],"class_list":["post-13901","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-agriculture-house","tag-andy-devane","tag-battle","tag-bewleys-cafe-theatre","tag-culture","tag-department-of-enterprise","tag-dublin-architecture","tag-dublin-architecture-debate","tag-emma-gilleece","tag-georgian-dublin","tag-grainne-mhaol","tag-kildare","tag-liberty-hall","tag-michael-james-ford","tag-national-museum-of-ireland","tag-place","tag-tain-bo-cuailnge","tag-the","tag-the-battle-of-kildare-place","tag-theatre","tag-trade-and-employment"],"_links":{"self":[{"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/posts\/13901","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/comments?post=13901"}],"version-history":[{"count":0,"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/posts\/13901\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/media?parent=13901"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/categories?post=13901"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/tags?post=13901"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}