{"id":14380,"date":"2022-11-04T10:56:36","date_gmt":"2022-11-04T10:56:36","guid":{"rendered":"https:\/\/cassandravoices.com\/?p=14380"},"modified":"2022-11-04T10:56:36","modified_gmt":"2022-11-04T10:56:36","slug":"dust-in-your-eyes-war-and-its-image","status":"publish","type":"post","link":"https:\/\/casswp.eutonom.eu\/index.php\/2022\/11\/04\/dust-in-your-eyes-war-and-its-image\/","title":{"rendered":"Dust in your Eyes: War and its Image"},"content":{"rendered":"<p><span style=\"font-size: 12pt;\">The bomb might be dropped any time soon now, apparently.<\/span><\/p>\n<p>The end of all ends, a nuclear war, looms among the narratives of where Ukraine and Russia&#8217;s war might end. Timothy Snyder warns in this regard that a nuclear bomb \u2018<a href=\"https:\/\/snyder.substack.com\/p\/how-does-the-russo-ukrainian-war\"><span style=\"color: #0000ff;\">would make no decisive military difference<\/span><\/a>\u2019; adding that looking at &#8216;the mushroom cloud for narrative closure, though, generates anxiety and hinders clear thinking. Focusing on that scenario rather than on the more probable ones prevents us from seeing what is actually happening, and from preparing for the more likely possible futures.&#8217;<\/p>\n<p>As much as we can agree with this statement, and as much as it is nothing but a prediction for one of the possible futures, other geopolitical analysts such as the <a href=\"https:\/\/be.la7.it\/otto-e-mezzo\/video\/lucio-caracciolo-preoccupato-situazione-puo-portare-alluso-della-bomba-atomica-07-10-2022-454916\"><span style=\"color: #0000ff;\">Italian Lucio Caracciolo<\/span><\/a> warn of the ease with which the nuclear option has entered public discourse, the talk shows <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.politics.co.uk\/news\/2022\/08\/24\/truss-nuclear-weapons\/\">and political debate<\/a><\/span>.<\/p>\n<p>What now seems evident after Ukraine&#8217;s successful counter offensive in the north, and the ongoing systematic bombardments on its energy infrastructure, is that hostilities are continously escalating and we should prepare for a new phase in this war. If the unspeakable does happen, it will coincide with a new era of warfare. Maybe the last.<\/p>\n<p>How we develop historical awareness, and a particular narrative, depends more and more on which side of the Iron Curtain 2.0 we fall. For all our apparent enlightenment, time and again, we show ourselves incapable of building diplomatic bridges without brandishing the Sword of Damocles.<\/p>\n<p>The Bomb might be dropped anytime now. But a cultural bomb, the<span style=\"color: #0000ff;\"> <a style=\"color: #0000ff;\" href=\"https:\/\/www.limesonline.com\/lombra-della-bomba-il-numero-922-di-limes\/129550\">normalization of the possibility of nuclear war<\/a><\/span>, has already dropped from the virtual skies that we carry in our pockets; conveying an endless stream of images, produced by and for everyone, but curated and filtered by a few.<\/p>\n<p>No one can say when it started dropping. Maybe with the invasion of February 24, or maybe 2014. Some say even 2001. Regardless of the date, we join other<span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.nytimes.com\/2022\/10\/05\/opinion\/ukraine-russia-nuclear-war.html?smid=tw-nytimes&amp;smtyp=cur\"> generations of humans<\/a><\/span> that must now worry about the existence of nuclear weapons; of the apocalypse.<\/p>\n<p>The first shockwave comes in the form of war\u2019s inevitability as soon as Russia&#8217;s tanks began rolling down towards Kiev; until the last moment many, including me, were unconvinced the troops amassed at the border would ever march. The taboo of a land war directly involving nuclear superpowers was still intact.<\/p>\n<p>We are generally shielded, or not even exposed, to pictures revealing the true horror of warfare. For the most part, what is put in front of us depends on the political agenda of warring superpowers or various forms of commodification of suffering. One wonders whether we are now even capable of autonomously creating our own memories; or freely perceiving the present and past, never mind the future under such conditions of conditioning.<\/p>\n<p>The effect of an endless flow of images, tailored and auto-curated to arouse emotions \u2013 residing alongside our most intimate obsessions \u2013 requires acknowledgement. Their capacity to induce fear and trigger desire are the preferred tools of contemporary propaganda and such tools are used by both side of the Iron Curtain 2.0.<\/p>\n<blockquote class=\"twitter-tweet\" data-width=\"500\" data-dnt=\"true\">\n<p lang=\"en\" dir=\"ltr\">Even the posture he had to adopt to do so was symbolic. He had to bend down, to lower himself, in order to commit the ignominy of his seeing his own face \u2026 the creator of the mirror poisoned the human race.&quot;<a href=\"https:\/\/t.co\/gtJMu7XUA3\">https:\/\/t.co\/gtJMu7XUA3<\/a><\/p>\n<p>&mdash; Frank Armstrong (@frankarmstrong2) <a href=\"https:\/\/twitter.com\/frankarmstrong2\/status\/1567553363759271936?ref_src=twsrc%5Etfw\">September 7, 2022<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p><strong><em>Global Civil War<\/em><\/strong><\/p>\n<p>The political consequences of a lack of cognitive freedom in response to weaponized imagery and information are not new in history but, as with every historical constant, is a question that ought to be explored.<\/p>\n<p>The times we live through are what the philosopher Franco \u2018Bifo\u2019 Berardi calls the Global Civil War, where:<\/p>\n<p>\u2018[\u2026]<em> relations among individuals are wired and subjected to automatic connections: political power, therefore, is replaced by a system of techno-linguistic automatisms inclined towards the automation of every space of life, cognition and production.<\/em>\u2019<\/p>\n<p>For example, how we react to the pictures of Nord Stream II\u2019s bubbles or the Crimea Bridge strike, depend mostly on which conveyer belt of opinions and positions (\u201c<em>the techno-linguistic automatisms<\/em>\u201d) we find ourselves exposed to.<\/p>\n<p>The same goes for how we perceive the veracity of the images of the <a href=\"https:\/\/www.nytimes.com\/2022\/05\/19\/world\/europe\/russia-bucha-ukraine-executions.html\"><span style=\"color: #0000ff;\">massacre of Buch<\/span><\/a><span style=\"color: #0000ff;\">a<\/span>, as well as Russia\u2019s depiction of neo-Nazism in the Ukrainian armed forces, which was previously <a href=\"https:\/\/www.youtube.com\/watch?v=fy910FG46C4\"><span style=\"color: #0000ff;\">extensively covered in our media<\/span><\/a> as well.<\/p>\n<p>Voraciously consuming images of war \u2013 of a particular war \u2013 I often consider the extent to which images are being used to perpetuate suffering rather than end it.<\/p>\n<p>Just like in the times of COVID-19 \u2013 if your memory stretches back that far \u2013 it now takes a great deal of discipline to regulate the right dose of news consumption, as the induced anxiety can be overwhelming. Never mind the moderation necessary to digest and discuss it; or put ourselves in another\u2019s shoes.<\/p>\n<p>With a diabolical enemy in our sights, such as our culture demands, as well as a defined timeline of events, wherein we struggle to look past February 24, 2022, we weary of discussing strategic failures \u2013 reckless dependence on Russian gas \u2013 and broken promises \u2013 <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/natowatch.org\/newsbriefs\/2018\/how-gorbachev-was-misled-over-assurances-against-nato-expansion\">NATO\u2019s expansion eastwards despite undertakings<\/a><\/span> \u2013 over the last two decades by Western governments.<\/p>\n<p>Are we capable of comprehending and reconciling Russia\u2019s (not just Putin\u2019s) very real phobia around encirclement \u2013 something that history teaches us is hundreds of years in the making \u2013 alongside <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/cassandravoices.com\/current-affairs\/global\/travels-in-ukraine-2015\/\">Ukraine\u2019<\/a><\/span>s legitimate path to independence, which also goes back centuries? Is there now scope for <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.indcatholicnews.com\/news\/45166\">rational dialogue<\/a><\/span>?<\/p>\n<blockquote class=\"twitter-tweet\" data-width=\"500\" data-dnt=\"true\">\n<p lang=\"en\" dir=\"ltr\">Frank Armstrong recalls his travels through Ukraine in 2015 with words and images, at a time when the drumbeat of war was already evident.<a href=\"https:\/\/t.co\/gky3z3ajZN\">https:\/\/t.co\/gky3z3ajZN<\/a><a href=\"https:\/\/twitter.com\/broadsheet_ie?ref_src=twsrc%5Etfw\">@broadsheet_ie<\/a> <a href=\"https:\/\/twitter.com\/BowesChay?ref_src=twsrc%5Etfw\">@BowesChay<\/a> <a href=\"https:\/\/twitter.com\/mattchristmas?ref_src=twsrc%5Etfw\">@MattChristmas<\/a> <a href=\"https:\/\/twitter.com\/WhistleIRL?ref_src=twsrc%5Etfw\">@WhistleIRL<\/a> <a href=\"https:\/\/twitter.com\/danieleidiniph1?ref_src=twsrc%5Etfw\">@danieleidiniph1<\/a> <a href=\"https:\/\/twitter.com\/j_reilly33?ref_src=twsrc%5Etfw\">@j_reilly33<\/a> <a href=\"https:\/\/twitter.com\/danwadewriter?ref_src=twsrc%5Etfw\">@danwadewriter<\/a> <a href=\"https:\/\/twitter.com\/KevinHIpoet1967?ref_src=twsrc%5Etfw\">@KevinHIpoet1967<\/a><\/p>\n<p>&mdash; CassandraVoices (@VoicesCassandra) <a href=\"https:\/\/twitter.com\/VoicesCassandra\/status\/1500093662004486146?ref_src=twsrc%5Etfw\">March 5, 2022<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p><strong><em>Filo-Putinisti<\/em><\/strong><\/p>\n<p>Recently, one of Italy\u2019s most prominent newspaper, <em>Il Corriere Della Sera<\/em>, <a href=\"https:\/\/www.corriere.it\/politica\/22_giugno_05\/rete-putin-italia-chi-sono-influencer-opinionisti-che-fanno-propaganda-mosca-fce2f91c-e437-11ec-8fa9-ec9f23b310cf.shtml\"><span style=\"color: #0000ff;\">published the names<\/span><\/a> and pictures of \u2018influencers\u2019 who, allegedly, the Kremlin benefit from. Labelled \u2018<em>filo-Putinisti<\/em>\u2019, among these are independent journalists, academics and politicians, treated as \u2018enemies of the people&#8217;.<\/p>\n<p>It is not very different to how Clare Daly and Mick Wallace have been treated by the <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.irishtimes.com\/news\/world\/how-clare-daly-and-mick-wallace-became-stars-of-authoritarian-state-media-1.4854028\">Irish Times<\/a><\/span>.<\/p>\n<p>To call for a strategy that would include negotiation with Putin\u2019s regime would be to go against what Italian journalist <a href=\"https:\/\/nicopiro.it\/\"><span style=\"color: #0000ff;\">Nico Piro<\/span><\/a> calls <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/nicopiro.it\/2022\/03\/21\/il-pensiero-unico-bellicista-fa-male-alla-democrazia\/\">the \u2018<em>Pensiero Unico Bellicista<\/em>\u2019 (Unique Bellicose thought current). <\/a><\/span>Unequivocaly taking NATO&#8217;s side is what counts. Whoever doubts the legitimacy or even the sanity of \u2018interventionism\u2019, even in the closet, is accused of aiding and abetting the enemy.<\/p>\n<p>How is it that we have been shielded from what has been happening in the Donbass since 2014?<span style=\"color: #0000ff;\"> <a style=\"color: #0000ff;\" href=\"https:\/\/www.crisisgroup.org\/content\/conflict-ukraines-donbas-visual-explainer\">Fourteen thousand died<\/a><\/span> in brutal trench war raging at the edge of Europe. Now, suddenly, we feel the heat of the battle across Europe, and simultaneously wonder whether we will have sufficient energy to heat our homes.<\/p>\n<p>Let\u2019s keep pretending Putin\u2019s invasion came as a surprise. Countries don\u2019t invade each other anymore. Nuclear superpowers don\u2019t engage in land wars anymore. Right?<\/p>\n<p>The mnemonic silence over the war in Donbass, has morphed into a cacophony of coverage in the wake of a fully fledge invasion, filling, for months, the void left behind by the receding pandemic, as ominously <a href=\"https:\/\/www.politico.eu\/article\/europe-american-president-paradox-ursula-von-der-leyen\/\"><span style=\"color: #0000ff;\">Europe faithfully follows the dictates of a declining US Empire<\/span><\/a><span style=\"color: #0000ff;\">.<\/span><\/p>\n<p>Actually, it seems that as much as rest of the world is preoccupied and even annoyed with Putin\u2019s invasion, it is now <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.theguardian.com\/world\/2022\/may\/04\/brazil-lula-zelenskiy-blame-war\">giving the finger to the West<\/a><\/span>, after centuries of exploitation.<\/p>\n<p>It seems incredible how the US, apparently so tired of being an Empire, and on the retreat elsewhere, is still willing to unleash the most pervasive and subtle of propaganda campaigns, suppressing dissenting opinions in countries it sees as vassals, perhaps in order to preserve itself, or what is left of its power.<\/p>\n<p>This is no time for negotiation is the message, or better still, there was never time for any. Negotiation cannot occur with a genocidal dictator, <a href=\"https:\/\/www.nbcnews.com\/think\/opinion\/joe-biden-visits-saudi-arabia-bow-reality-rcna38419\"><span style=\"color: #0000ff;\">or can they<\/span><\/a><span style=\"color: #0000ff;\">?<\/span><\/p>\n<p>The propaganda operates not just to change the narrative of the past; it makes one forget that there was a past; or that the past is always brought to us through competing narratives on the battlefield of time and discourse.<\/p>\n<p>Now, with our sense of time destroyed, and with that an opportunity to discuss, and possibly negotiate, we become more and more ready, and even eager, to kill one other. This is the paradox of a time we had dared to call the &#8220;End of History&#8221;.<\/p>\n<p><em><strong>The Dust<\/strong><\/em><\/p>\n<p><em>To remember is, more and more, not to recall a story but to be able to call up a picture.<br \/>\n<\/em>Susand Sontag<em>, Regarding the Pain of Others <\/em>(2003)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-14471\" src=\"https:\/\/cassandravoices.com\/wp-content\/uploads\/2022\/11\/th-3749089990.jpg\" alt=\"\" width=\"203\" height=\"300\" \/><\/p>\n<p>As Susan Sontag remind us, representations of war and suffering have a long history and contain codes of production and consumption: From Goya\u2019s print series The Disasters of War; to Fenton\u2019s Crimean war pictures; Picasso\u2019s Guernica; and pictures of the 9\/11 terrorist attack exhibited in the exhibition \u2018Here is New York\u2019.<\/p>\n<figure id=\"attachment_14472\" aria-describedby=\"caption-attachment-14472\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-14472\" src=\"https:\/\/cassandravoices.com\/wp-content\/uploads\/2022\/11\/ZMPfcu54q0H3l3BWW0OFDHM83CVVJZLF0GMiVpJj.jpeg\" alt=\"\" width=\"1200\" height=\"675\" \/><figcaption id=\"caption-attachment-14472\" class=\"wp-caption-text\">Francisco Goya Disasters of War &#8211; Museum Boijmans Van Beuningen<\/figcaption><\/figure>\n<p>Nonetheless, exposure, or really, the immersion in the infosphere, where the weaponization of images and messages is unprecedented, cannot be compared to any of the previous decades of warfare.<\/p>\n<p>There is now an overwhelming revival of violence in this all-pervasive info-sphere. The message of its inevitability seems a deliberate imposition to distract us from those past and present voices with a lot more to say than a fleeting frame destined to be rapidly replaced in our compulsive doom-scrolling.<\/p>\n<p>At the same time, it devalues those frames, often taken by the rare photojournalists who are able to go where it really matters \u2013 at great risk to their lives \u2013 and actually convey what their subjects are unable to. Often because they are dead.<\/p>\n<p>The curated, over-mediatic exposure of one tragedy instead of another is not really a novelty in the way we use and experience imagery of a current context of interest, but, as well explored in a recent <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.economist.com\/ukraine-osint-pod\">podcast by the Economist<\/a><\/span>, we live in a radically more transparent battlefield.<\/p>\n<p>The abundance of what is called Open Source Intelligence data, of which photography is a key component \u2013 its democratization as with the <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/cassandravoices.com\/current-affairs\/global\/shameless-women-of-iran-unite\/\">latest Iranian protests<\/a><\/span> \u2013 is to be welcomed, even if it is a double-edged sword.<\/p>\n<p>On the one hand, we can say that we have never had as many tools available to us in the search for truth. On the other, the concept of truth, or what is truthful, has never eluded us to such an extent as in recent times.<\/p>\n<p>In an attempt to clear the view amidst the <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.imdb.com\/title\/tt0317910\/\">Fog of War<\/a><\/span>, we create individual, atomized fog, which follows us wherever we go.<\/p>\n<p>Little wonder that in our so-called liberal-democratic hemisphere we have no idea how to bring democratic oversight to social media platforms; even leading some of us to cheer on the idea of Elon Musk, the richest man on earth, taking control of such a decisive device for dialogue and confrontation as Twitter.<\/p>\n<p>No amount of moderation, fact-checking, algorithm-driven-filtering or surveillance, can keep pace with the endemic disinformation present in our feeds; as much as no amount of critical thinking, rational argumentation and corroboration can prevail over a propaganda machine built right inside our minds.<\/p>\n<blockquote class=\"twitter-tweet\" data-width=\"500\" data-dnt=\"true\">\n<p lang=\"en\" dir=\"ltr\">\u201cWe have no doubt we will prevail.\u201d As the war in Ukraine enters a critical new phase, the country\u2019s First Lady, Olena Zelenska, has become a key player\u2014a frontline diplomat and the face of her nation\u2019s emotional toll. <a href=\"https:\/\/t.co\/DCXWYnzAsK\">https:\/\/t.co\/DCXWYnzAsK<\/a> <a href=\"https:\/\/t.co\/wcaY5IFGHf\">pic.twitter.com\/wcaY5IFGHf<\/a><\/p>\n<p>&mdash; Vogue Magazine (@voguemagazine) <a href=\"https:\/\/twitter.com\/voguemagazine\/status\/1551901521180229632?ref_src=twsrc%5Etfw\">July 26, 2022<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p><strong><em>In Vogue<\/em><\/strong><\/p>\n<p>There\u2019s little doubt that photography carries the popular connotation of bearing truths: \u2018the image doesn\u2019t lie.\u2019 But we don\u2019t need not look too hard to work out how easy it is it for a photograph, and its caption, if not to lie, to deceive. If not to manipulate, then to be as alluring as a Vogue feature can be.<\/p>\n<p>Annie Leibovitz\u2019s photograph of Ukraine\u2019s First Lady Olena Zelenska before a grounded Antonov plane and surrounded by fierce special forces is, in my modest opinion, a photographic masterpiece.<\/p>\n<p>Having said that, going through <a href=\"https:\/\/www.vogue.com\/article\/portrait-of-bravery-ukraines-first-lady-olena-zelenska\"><span style=\"color: #0000ff;\">Rachel Donadio\u2019s piece, <\/span><\/a>and Leibovitz other pictures I recognise how instrumental this is to the current war struggles. Via the gloss of what many desire \u2013 to be a celebrity or to become a hero \u2013 the image of a presidential couple of a devasted country becomes something we aspire to.<\/p>\n<p>With each blast we feel more and more impotent at creating the conditions for dialogue to occur. Is it possible that neither Putin\u2019s Russia and his allies, nor the West, composed of thirty NATO members supporting Ukraine is willing to take a step back from the brink?<\/p>\n<p>How are we to create the conditions, if the dominant message is one founded on our utter impotence, because it\u2019s always the other sides fault?<\/p>\n<p><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/cassandravoices.com\/history\/public-intellectuals-hannah-arendt\/\">Hannah Arendt<\/a><\/span> remind us in her essay <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/archive.org\/details\/onviolence00aren\/page\/54\/mode\/1up?view=theater\">\u201cOn Violence\u201d<\/a><\/span> that<\/p>\n<p><em>It is often been said that impotence breeds violence, and psychologically this is quite true, at least of persons possessing natural strength, moral or physical. Politically speaking, the point is that loss of power becomes a temptation to substitute violence for power [\u2026] and that violence itself results in impotence.<\/em><\/p>\n<p>If we are actually talking about the possible, and rational, use of the most powerful weapon available it is exactly because power is slipping away from the Western alliance, as much as from Putin\u2019s regime.<\/p>\n<p>Nothing new in that as the re-allocation of power is one of the preoccupations of history itself, seldom unaccompanied by violence. But what does it mean when the existence of nuclear arsenals capable of causing our premature extinction are carelessly normalized as facts of life? Like any other storm. Like any other crisis. Like something we\u2019ll remember. You see the path? And where it leads?<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-14473\" src=\"https:\/\/cassandravoices.com\/wp-content\/uploads\/2022\/11\/299x.jpeg\" alt=\"\" width=\"299\" height=\"352\" \/><\/p>\n<p>In 1955, Bertolt Brecht published a book called <a href=\"https:\/\/sites.google.com\/site\/germanliterature\/20th-century\/brecht\/kriegsfibel-war-primer\"><span style=\"color: #0000ff;\">Kriegsfibel or War Primer<\/span><\/a>. It was a collection of photographs, cut out of newspaper and magazines, which he re-captioned with his own verses.<\/p>\n<p>Such a document now exists not only thanks to Brecht\u2019s artistic sensibility, but also because new generations survived to look at it again.<\/p>\n<figure id=\"attachment_14474\" aria-describedby=\"caption-attachment-14474\" style=\"width: 893px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-14474\" src=\"https:\/\/cassandravoices.com\/wp-content\/uploads\/2022\/11\/IMG_6187.jpg\" alt=\"\" width=\"893\" height=\"1300\" \/><figcaption id=\"caption-attachment-14474\" class=\"wp-caption-text\">&#8220;What are you doing, brothers?&#8221;-&#8220;An iron tank&#8221;.<br \/>&#8220;And with these slabs here?&#8221;-&#8220;Bullets that will pierce those Iron armors&#8221;.<br \/>&#8220;And why all this brother?&#8221;-&#8220;To live, nothing else&#8221;. From Bertolt Brecht&#8217;s Kriegsfibel<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The bomb might be dropped any time soon now, apparently. The end of all ends, a nuclear war, looms among the narratives of where Ukraine and Russia&#8217;s war might end. Timothy Snyder warns in this regard that a nuclear bomb \u2018would make no decisive military difference\u2019; adding that looking at &#8216;the mushroom cloud for narrative [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":14402,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[320,501,573,936,1128,1192,1483,2112,2192,2596,2600,2752,3130,3293,3446,3750,3978,4324,4662,4719,5293,5697,6671,6807,7607,7711,8773,8879,9038,9430,9954,10272],"class_list":["post-14380","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-current-affairs","tag-affairs","tag-and","tag-annie-leibovitz","tag-bertolt-brecht","tag-breaking-the-nuclear-taboo","tag-bucha-massacre","tag-cassandra-voices-ukraine-russia","tag-current","tag-daniele-idini-cassandra-voices","tag-donbass","tag-doomsday-machines","tag-dust","tag-eyes","tag-filo-putinisti","tag-franco-bifo-berardi","tag-global-civil-war","tag-hannah-arendt-on-violence","tag-image","tag-iron-curtain-2-0","tag-its","tag-kriegsfibel-or-war-primer","tag-lucio-caracciolo","tag-normalization-of-nuclear-war","tag-olena-zelenska","tag-rachel-donadio","tag-regarding-the-pain-of-others","tag-susand-sontag","tag-techno-linguistic-automatisms","tag-the-end-of-history","tag-timothy-snyder","tag-war","tag-your"],"_links":{"self":[{"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/posts\/14380","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/comments?post=14380"}],"version-history":[{"count":0,"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/posts\/14380\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/media?parent=14380"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/categories?post=14380"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/tags?post=14380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}