{"id":15341,"date":"2023-06-15T11:35:12","date_gmt":"2023-06-15T10:35:12","guid":{"rendered":"https:\/\/cassandravoices.com\/?p=15341"},"modified":"2023-06-15T11:35:12","modified_gmt":"2023-06-15T10:35:12","slug":"musician-of-the-month-garrett-sholdice","status":"publish","type":"post","link":"https:\/\/casswp.eutonom.eu\/index.php\/2023\/06\/15\/musician-of-the-month-garrett-sholdice\/","title":{"rendered":"Musician of the Month: Garrett Sholdice"},"content":{"rendered":"<p><span style=\"font-size: 12pt;\">Earlier this month I released <em>The Blue Light<\/em>, a selection of solo piano and chamber pieces spanning the last decade, performed by pianist Michael McHale and musicians from Crash Ensemble. The album offers a range of sound-worlds, and I like to think that I am open to the possibility of my music changing, but I realise that there seem to be some constants in what I am doing: I want to create highly concentrated, meditative \u2013 even ritualistic \u2013 experiences. Maybe I always will.<\/span><\/p>\n<p>In 2006, I co-founded a record label and music production company called <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.cmc.ie\/content\/ergodos\">Ergodos<\/a><\/span> with composer Benedict Schlepper-Connolly. We have co-curated dozens of projects together, and my work as a composer has often involved composing for specific contexts (such as, e.g., the Ergodos Musicians project <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/ergodos.bandcamp.com\/album\/i-call-to-you\"><em>I Call to You<\/em><\/a><\/span>). For <em>The Blue Light<\/em>, my first solo album, I wanted to try to keep a sense of curated \u201ccoherence\u201d across the record, even though the album is essentially a compilation.<\/p>\n<p>The album opens with a solo piano piece composed last year: <em>Und weinen, und l\u00e4cheln<\/em>. This short toccata takes its inspiration from &#8220;Des Fischers Liebesgl\u00fcck&#8221;, a song by Franz Schubert with words by Karl Gottfried von Leitner. The final stanza reads: \u201cUnd weinen \/ Und l\u00e4cheln, \/ Und meinen, \/ Enthoben \/ Der Erde, \/ Schon oben, \/ Schon dr\u00fcben zu sein.\u201d An English translation: \u201cWeeping, \/ smiling, \/ we think \/ we are relieved of the earth, \/ and are already up above, \/ in another place.\u201d<\/p>\n<p>Audio embed: use code below to embed &#8220;Des Fischers Liebesgl\u00fcck&#8221; by Franz Schubert from Spotify<\/p>\n<p><iframe loading=\"lazy\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/track\/7gKaDXAcJ1ZwqtyYsvgIh2?utm_source=generator&amp;theme=0\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Audio embed: use code below to embed <em>Und weinen, und l\u00e4cheln<\/em> by Garrett Sholdice from Bandcamp<\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2345984096\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=4124778205\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/ergodos.bandcamp.com\/album\/the-blue-light\">The Blue Light by Garrett Sholdice<\/a><\/iframe><\/p>\n<p><em>St Dunstan-in-the-East<\/em> for piano, two violins, viola &amp; cello was also composed last year, although the idea for the piece was sparked several years ago, whilst visiting London. St Dunstan-in-the-East was a church on St Dunstan&#8217;s hill in the City of London. It was mostly destroyed by bombing during the Second World War. After the war, the decision was taken to turn the ruins into a public garden. The space is unassuming and beautiful.<\/p>\n<figure id=\"attachment_15345\" aria-describedby=\"caption-attachment-15345\" style=\"width: 597px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-15345 size-full\" src=\"https:\/\/cassandravoices.com\/wp-content\/uploads\/2023\/06\/St_Dunstan_in_the_East_13.08.2014_12-55-19.jpg\" alt=\"\" width=\"597\" height=\"899\" \/><figcaption id=\"caption-attachment-15345\" class=\"wp-caption-text\">St Dunstan in the East, City of London.<\/figcaption><\/figure>\n<p>My piece <em>St Dunstan-in-the-East<\/em> represents an attempt to create meaning out of fragmentary materials, perhaps in a way that is resonant with the idea of transforming a ruined building into a public urban space. Looking back over the notebook I used whilst sketching the piece, I noticed the following entry: \u201cwhere is it going \/ what is it made from \/ why is it here \/ thick \/ thin \/ husks \/ the beauty of damaged, fragmentary things\u2026\u201d<\/p>\n<figure id=\"attachment_15346\" aria-describedby=\"caption-attachment-15346\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-15346 size-full\" src=\"https:\/\/cassandravoices.com\/wp-content\/uploads\/2023\/06\/thebluelight.png\" alt=\"\" width=\"1200\" height=\"1031\" \/><figcaption id=\"caption-attachment-15346\" class=\"wp-caption-text\">Sketches for St Dunstan-in-the-East, from the composer\u2019s notebook, 2022.<\/figcaption><\/figure>\n<p><iframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2345984096\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=169179871\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/ergodos.bandcamp.com\/album\/the-blue-light\">The Blue Light by Garrett Sholdice<\/a><\/iframe><\/p>\n<p>The next work on the album, <em>Das blaue Licht<\/em> for two violins, viola &amp; cello dates from 2013, when I was based in Berlin. The title (which means &#8220;the blue light&#8221; in German) refers to the luminous blue of the sky above Danziger Strasse in northeast Berlin, during the hot July weeks in which I wrote the piece. The first part of <em>Das blaue Licht <\/em>features intricate pizzicato \u201chocketing\u201d: a brief (ec)static dance. In the second part a series of chordal \u201cbreaths\u201d eventually lead to a gentle song inspired by Javanese gamelan.<\/p>\n<figure id=\"attachment_15347\" aria-describedby=\"caption-attachment-15347\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-15347 size-full\" src=\"https:\/\/cassandravoices.com\/wp-content\/uploads\/2023\/06\/Danzinger.jpg\" alt=\"\" width=\"1200\" height=\"800\" \/><figcaption id=\"caption-attachment-15347\" class=\"wp-caption-text\">Berlin, Danziger Stra\u00dfe.<\/figcaption><\/figure>\n<p><iframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2345984096\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=377512167\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/ergodos.bandcamp.com\/album\/the-blue-light\">The Blue Light by Garrett Sholdice<\/a><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2345984096\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=2411301026\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/ergodos.bandcamp.com\/album\/the-blue-light\">The Blue Light by Garrett Sholdice<\/a><\/iframe><\/p>\n<p>Often, at the ends of my pieces, melodies emerge as if finally remembered or unearthed. (This can be heard in the second part of <em>Das blaue Licht<\/em>.) I think this comes from my earliest musical experiences as a boy chorister in St Patrick\u2019s Cathedral, Dublin, where sung melody was a daily experience. It was here that I first got to know choral music of the late Renaissance, such as William Byrd and Thomas Tallis. The weaving of melodic lines in this music always seems somehow miraculous to me.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/pZI9oUSHdZI?start=412\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>At the beginning of the Tallis excerpt above, the soprano part (\u201cS. P.\u201d = \u201csexta pars\u201d) and alto part (\u201cSup.\u201d = \u201csuperius\u201d) are both \u201cdivided\u201d into two, a technique known as \u201cgymel\u201d in Medieval and Renaissance vocal music. This technique was the inspiration for my viola and cello duet,<em> Gymel<\/em>, composed in 2018. In my piece, the cello and viola begin in unison, singing as one. This unison line then bifurcates, and the individual personalities of the two instruments emerge.<\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2345984096\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=3729203083\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/ergodos.bandcamp.com\/album\/the-blue-light\">The Blue Light by Garrett Sholdice<\/a><\/iframe><\/p>\n<p>The album closes, as it opens, with a solo piano piece: Prelude No. 12, composed in 2017. This is a soliloquy: just me, spinning out a single unbroken melodic line. The American poet Frank O\u2019Hara talked about writing \u201cpersonal poems\u201d; this is maybe a \u201cpersonal piece\u201d. When I wrote it, I prefaced the score with these lines from his poem, \u201cTo Gottfried Benn\u201d: \u201cPoetry is not instruments \/ that work at times \/ then walk out on you \/ laugh at you old \/ get drunk on you young \/ poetry&#8217;s part of yourself\u201d.<\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2345984096\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=896493102\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/ergodos.bandcamp.com\/album\/the-blue-light\">The Blue Light by Garrett Sholdice<\/a><\/iframe><\/p>\n<p>For me, as a composer working with notation in the classical tradition, the score is not the music \u2013 only the performers can create this. It has been my good fortune to work with such extraordinary performers for this record: pianist Michael McHale, and musicians from Crash Ensemble \u2013 violinists Diamanda La Berge Dramm and Larissa O\u2019Grady, violist Ed Creedon and cellist Kate Ellis. The sensitivity with which they interpreted these scores was more than I could hope for.<\/p>\n<p>Similarly, I am in indebted to the most diligent and incisive audio team: assistant producer Caterina Schembri, recording and post-production engineer Eduardo Prado, and mastering engineer Christoph Stickel. Often, for my music, the challenge is to somehow translate the atmosphere of a live acoustic performance experience into a digital recording. Thanks to this team, the intimacy and ritual of live performance comes across on this record.<\/p>\n<figure id=\"attachment_15348\" aria-describedby=\"caption-attachment-15348\" style=\"width: 960px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-15348 size-full\" src=\"https:\/\/cassandravoices.com\/wp-content\/uploads\/2023\/06\/BlueLight.jpeg\" alt=\"\" width=\"960\" height=\"960\" \/><figcaption id=\"caption-attachment-15348\" class=\"wp-caption-text\">Album cover for The Blue Light by Garrett Sholdice, featuring a watercolour by Neil Sholdice. (<em>C\u00e1b\u00e1n i n-aice na coille, Loch Coirib<\/em>, 2019)<\/figcaption><\/figure>\n<p><em><strong>Garrett Sholdice is a composer and a co-director of the Dublin-based record label and music production company Ergodos. See <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/soundcloud.com\/garrett-sholdice\">https:\/\/soundcloud.com\/garrett-sholdice<\/a><\/span> and <a href=\"https:\/\/ergodos.ie\"><span style=\"color: #0000ff;\">https:\/\/ergodos.ie<\/span><\/a>. His album The Blue Light is available to purchase (download \/ CD) from <a href=\"https:\/\/ergodos.bandcamp.com\/album\/the-blue-light\"><span style=\"color: #0000ff;\">https:\/\/ergodos.bandcamp.com\/album\/the-blue-light<\/span><\/a>.<\/strong><\/em><\/p>\n<p><iframe style=\"border: 0; width: 350px; height: 654px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2345984096\/size=large\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/ergodos.bandcamp.com\/album\/the-blue-light\">The Blue Light by Garrett Sholdice<\/a><\/iframe><\/p>\n<p><iframe style=\"width: 100%; max-width: 660px; overflow: hidden; background: transparent;\" src=\"https:\/\/embed.music.apple.com\/ie\/album\/the-blue-light\/1691469022\" height=\"450\" frameborder=\"0\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\"><\/iframe><\/p>\n<p><em><strong>Feature Image: Ne\u0301stor Romero Clemente)<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Earlier this month I released The Blue Light, a selection of solo piano and chamber pieces spanning the last decade, performed by pianist Michael McHale and musicians from Crash Ensemble. The album offers a range of sound-worlds, and I like to think that I am open to the possibility of my music changing, but I [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":15342,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[2421,3006,3590,3592,3593,3594,3595,3596,3597,3598,6263,6310,6325,8355,8597,8922],"class_list":["post-15341","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-des-fischers-liebesgluck","tag-ergodos-i-call-to-you","tag-garrett","tag-garrett-sholdice","tag-garrett-sholdice-cassandra-voices","tag-garrett-sholdice-composer","tag-garrett-sholdice-ergodos","tag-garrett-sholdice-musician","tag-garrett-sholdice-musician-of-the-month","tag-garrett-sholdice-the-blue-light","tag-month","tag-music","tag-musician","tag-sholdice","tag-st-dunstan-in-the-east","tag-the"],"_links":{"self":[{"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/posts\/15341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/comments?post=15341"}],"version-history":[{"count":0,"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/posts\/15341\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/media?parent=15341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/categories?post=15341"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/casswp.eutonom.eu\/index.php\/wp-json\/wp\/v2\/tags?post=15341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}