Category: Literature

  • Getting Away

    Margaret didn’t like Walls, so why had she agreed to go walking with him in the mountains, and afterwards for a drink in a remote hotel bar? She had no self-control, she broke all her promises, she was weak and gormless. Flaws she contemplated, unlacing her boots at the fireplace.

    “You should take off your socks too,” said Walls. “So that your feet dry off properly. Hang them off the mantlepiece, here.”

    “Can we just do that?”

    “Do you think we have to behave ourselves in this dump?”

    Margaret smiled with warm disapproval. It wasn’t a dump, but she liked that he wanted better for her. She felt nice; she felt a sense of belonging. It was the end of December and it was a strange, antique hotel – empty, save for some old people at the collapsing little bar. The chairs shook. The evergreen strung along the mantlepiece looked feeble, picked clean by time, and even the fish in the boxes on the walls were dead.

    “Evening.” A narrow-faced unsmiling man lowered a tray of hot ports to their table.

    “Thank you, Sir,” said Walls. “Hits the spot – we feel we deserve it, too. We were out at Glendalough today, hillwalking with the best of them. Busy, here, this time of year?”

    As the men found things to say Margaret cupped the port in her hands and dipped her nose to the bitter scent of liquor, lemon and cloves. She took a long drink, gazing affectionately around. The empty floral armchairs sat facing each other, backs reclining, arms outstretched as if caught in a ghostly confab. A grandfather clock sounded. The clock was strict, censorious, like a clacking tongue.

    “It’s just so pleasant here.”

    “It’s a nice place to come and disgrace yourself anyway.” Walls picked up The Shooting Gazette and read from a story about gundogs and winter grouse, making Margaret laugh. He propped the ankle of his desert boot up on his bulky knee and leaned back, testing all the strength of his chair. His legs were long and sturdy. How much were the rooms here anyway? She didn’t have to decide on anything yet. Margaret gulped her port, sinking back, sinking further inside an evening she’d never imagined she’d agree to.

    On Christmas Eve she’d sat on a kerb on Dawson Street with her bags of shopping spread around her and into her phone typed: “Not only do I not love you, I don’t even like you, now get away from me.” She sat in the sleety cold, reading back through all their texts: the block paragraphs of his voluble accusations alternating with her neatly edited retorts. She did not feel safe. The shadows of ruthless passers-by bore over her, feet thumped, her ass froze on the cold stone.

    Margaret pressed send, then put up her furry hood and fled the streets. Their love was over, and it hadn’t even been. On Christmas day, she kept her phone switched off for discipline with the benefit of also torturing him. On Boxing Day, she turned back on her phone to face three new emails from him. One sad belated Groupon offer for ice-skating – even the offer had expired. A press release for a pantomime, subject headed ‘Matinée with me?’ Then a sonnet, typed into the body of his email and evidently authored by him too in some dismal late-night rage: the couplet ended with the words ‘dishonour!’ and ‘suicide?’. (His punctuation).

    Then on the 27th of December, she wrote that she hoped he had had a good Christmas. He wrote back that it was awful. ‘Awful’, he wrote. ‘I’m sorry,’ she replied, not knowing what for. On the 28th they chatted all day about themselves. Now we find the former soulmates on the 29th December in a hotel with buffalo horns displayed in the creaking hallway – something about the Boer War, the unsmiling concierge had told Walls – and sullen photographs of aristocrats in sporting gear. Why had she come all this way? Because that morning she’d opened her curtains to a bright winter sky booming down on her. ‘Beautiful day’, she texted, and exactly an hour later she pulled into the traffic island opposite Donnybrook church, grinning and waving at Walls as if he was a friend. He got into the car, bulky and ungainly as the wrong jigsaw piece. He looked so suspect, checking around him – always guilty, stigmatised by some certain yet unclear wrongdoing. She liked the boyish glint, the boyish smile – he was terrible, incorrigible – he was her punished pupil. They got along well. They both liked walking in the mountains, they liked wine, books, planes. He liked politics, man’s worlds. Both liked the idea of causing trouble – of escalating something, shocking other people. He edited a little online magazine in his spare time and she’d been his intern and his girlfriend the past year. His protégée, unpaid apprentice, the weirdo in the corner of his study eying him while he worked, blushing at his glances, her amorous eyes – though never undressing him there and then. Their fantasies remained just that, ethereal, abstract ideas transacting between them, through a fug of newspapers, laptops, coffee cups, vape and sandwich wrappers. All physical sex was had after dark and in the dark. About once a week, or twice a week, one of them would say something pointed and disruptive and they would argue. Arguing would last hours or days. Arguing became yelling, slamming, became toxic waste – life was flammable and unhinged, something she couldn’t control. Once, on holidays abroad, he drove her drunk late and night and told her he had the power to kill the both of them. He speeded up the car and scared the shit out of her. Then he slowed down the car. She never asked him about it afterwards, she told the story only to herself, she reasoned with its oddness; it was all bluster, wind-up. A joke – just a stupid joke.

    At Glendalough, the surrounding hills were plush and velvety with deep colours, and snow lit up the mountain peaks. The cold air blanched her face as the soles of her shoes gripped the railway sleeper tracks along their path. They chatted happily, normally, like decent people, offering nods to ruddy-cheeked women and their dogs. The sky grew dark and the hikers dispersed, leaving them alone in the mountain ranges. She felt shy and elated; she wondered if they would touch. When her ankle turned on a rock along the track, she almost fell, but he grabbed her wrist and held her glove, looking at her with tender fright. After that she let him hold her ungloved hand.

    The man came carrying two more ports, and a Christmas cake, encased in white marzipan, with little mince pies in paper cases laid out on a doily, their pastry tops dusted with icing sugar. Margaret spooned whipped cream all over a mince pie and ate it.

    “I adore whipped cream! I think whipped cream must be my greatest pleasure. If I had cream every night I’d be happy for the rest of my life.” She licked her lips of cream and sugar powder.

    “We could actually eat before we go,” he said.

    “We could. But the ice. Would the ice be dangerous?” She had no interest in the answer to her question, a formality in the resistance she would need to provide. Her limbs felt heavy, her skin baked in the heat of the flames.

    “They have a table, if we want.”

    “Oh, you already asked them?”

    She tilted her head as if she was considering something. “I suppose I am very hungry.”

    The grandfather clock ticked, jaunty, like horses galloping. Tick-tick-tick-tick-tick-tick-TICK, it went. So percussive, so repetitive it couldn’t possibly signal change, or progress.

    “Leave your boots.”

     

     

    The dining room was a solemn rectangle with every table set and nobody there. Serviettes were ironed into fans, candlesticks loomed unlit. Margaret admired a very big fork, and touched the white table cloth as if it was a sheet of gold. “This is all so nice!” She gave a histrionic shiver and at this cue, Walls took off his suit jacket and tossed it on her shoulder. The jacket buried her in warmth, and as the chill eased from her body a big bottle of red wine came. The bottle did seem bigger, fatter than an average bottle, and she assumed it was expensive. Getting home was going to be impossible, though they both had a history of reckless driving – she was chaos, did not take care with things. Food arrived with the rapid pace of an establishment with very little to do: scrolls of ham with out-of-season melon cut in half moons, thick slabs of game terrine. A blue fish with a crispy eye was placed in front of Walls and for Margaret, a duckling’s breast stewed in dark juices.

    “How are we going to make it back? I’m so tired for driving,” Margaret announced after a time.

    “Look, the rooms are fine, if you want.”

    “You think.” She let her voice trail off – she would not contribute any more to this discussion.

    “Only €75 a head, dinner included,” he said. “And it’s on me.”

    “You don’t have to.”

    “I owe you anyway.”

    “That’s separate.”

    “Sure.”

    He must have been referring to the fee he normally paid for two articles, for which she had invoiced him, and which he still hadn’t paid her for. She sliced a piece of meat in two and ate quickly and unhappily the morsels on her plate. Next week, she’d have to send him the invoice again, for the third time. They sat in silence for too long. Walls sloshed wine into her glass, and she drank as much as she could in a mouthful.

    “Let’s order dessert. Apple and rhubarb pie, sticky toffee pudding, blancmange, or – oh goodie. Baked Alaska. Or did you see the cheese on the trolly earlier? I think I saw cheese.”

    The door brushed over the carpet, and in came the serving lady and behind them, a tall fair-haired couple in handsome coats. Margaret’s head lifted and turned as the man and the woman crossed the room. Her eyes were tugged, locked, as the man pulled off his hat to reveal a face that was as familiar to her as it was intimidating, in its classic lines of beauty and clear, healthy skin. His name was Antonio, and he was the tech millionaire who had taken her to the party where she first met Walls. Millionaire, or billionare. Secret investor – someone of great worth, great wealth. She didn’t care about wealth, but. Antonio, she knew, moved easily in the world, had experiences. He had fulfilled more of his dreams than, for instance, Margaret.

    Walls was saying something.

    “Sorry, what?” she was dazed. “Sorry – It’s – did you see, who just came in?

    Antonio and the woman had seated themselves at the furthest corner, leaving a barricade of empty tables between them and the suddenly inferior, suddenly scruffy Walls and Margaret. Margaret touched her hair, damp and unbrushed, and seized a silver spoon to check her reflection – she had the face of a bumpkin, nose, lips, eyes blown up. She tilted in her chair, trying to catch Antonio’s eye while also paying Walls extra attention.

    “Did you see the dessert menu?”

    “All I saw was you staring at him.”

    As ever, it came in a single rough blow.

    “I wasn’t – ”

    “You were.”

    “But – ”

    “You were staring at him like a little girl in a shop window.” Her cheeks were hot, and her heart beat in a way that hammered, weighted her. Superglued to where they sat, stitched into the furniture, she felt that life would run on, this way, facing Walls, answering to Walls. She looked around her, so as not to have to look at him, and Antonio turned around just in time.

    “Ah!” He said, and stood from his seat.

    Both men faced each other, chests puffed as they shook hands. Antonio kissed Margaret’s cheek, and the other woman and Margaret kissed politely. “Pearl,” she said. “Pearl,” Margaret said, forgetting, for a moment, her own name. Pearl and Margaret talked for a few minutes about their jobs.

    “I’m hoping to specialise in equine law,” Pearl finished.

    Margaret dropped into her chair to see puddings and cheeses all laid out in front of her.

    “This is really great” said Walls. “I’d have to say the food has really been first class, you wouldn’t have thought it.” Hunched forwards, he sawed into his tart. “Taste, here.”

    Margaret recoiled. Like a child she shut her lips to the advance of his laden fork.

    “What? Oh, are you annoyed or something? Because I teased you for looking at Antonio? Come on, weren’t you? Don’t tell me you weren’t staring at him doe-eyed – don’t tell me you’re not mesmerised. I don’t blame you – he’s a handsome guy. You know, who cares. I’m not annoyed with you. Are you? Are you annoyed with me or something?”

    “No.” Margaret smiled politely, and then did something strange. She asked the serving lady for the bill, and she paid it using her credit card. She zipped up her wallet, threw his jacket on his lap.

    “That was very generous,” he said.

    “I’m feeling generous.” An eerie pause. She started to laugh. “Because I’m so happy. Really, you have no idea how happy I am. Because I remembered something, just there. I’ll never, ever have to do this again. I’ll never have to see you again. You have nothing to do with me anymore. You are a hole – you don’t exist. Oh, this is a relief” She tore a handful of grapes off a branch and popped the grapes between her laughing jaws. “And you know maybe I was looking over there. Maybe I wasn’t. I can actually look at people, ha ha, I can look at whoever I want, whenever.”

    Margaret hacked out a wedge of yellow cheese and lined up three crackers. “And you know I will think about all these other people, other men maybe. I might even kiss them too, on the lips.”

    “Yeah!? he goaded.

    “Yeah! I will probably go to bed with them!” Margaret flashed her eyes at her defeated lover. “And then, well, who knows what might happen? Once I’m alone with them.” She leaned over a debris of cheese rinds and blue crumbs and broken biscuits. “I’ll take my clothes off, everything. One by one. Down to my underwear, and then I’ll sit on the bed, with no clothes on, and they will look at me. Oh! I am so young, and you are not. I am so young and free, and you are so irrelevant!”

    Should she go on. Tell him all the things that she could do, with these imaginary men, or just carry on insulting him, get all the bile out on the table. No, someone had to drive them home. Margaret was over the limit. And she knew enough not to eliminate the fear that he could try and kill her, or at the very least, threaten to do so, which is also blood-chilling. She drew in a series of deep, imperious breaths, then picked up the wine bottle and upturned it in her glass. She drank the rest and sat up.

    “I’ve to go.”

    “Go,” he repeated. “Just go, just like that.”

    “Yes, now.”

    “And you probably want to go home without me, do you.”

    “Oh god yes.”

    “I booked a room. But you don’t care.”

    “Nope.”

    “That isn’t very nice – I thought we.”

    “Nope. Cut it out now. I want to go. Now. And you should drive, because I’m too drunk. And I don’t feel like driving.”

    Margaret handed Walls the key to her car, or rather, her mother’s car.

    In the dark of the courtyard, he turned the key. The engine breathed, and omitted a lengthy energetic death rattle, then cut out. He tried again. It cut out again.

    “Look,” he said. “I know you think I was out of order –”

    “Start the car.”

    “I was just going to say.”

    “Start the car.”

    He stamped his foot and the sound of pumped gas wheezed, then thinned into the night air. Tree branches crouched behind them.

     

    Later, under her duvet, fully clothed and shivering with adrenaline, Margaret’s head raced. With outrage, disbelief. Revulsion. She felt excited by the hate in her, enriched with its potency. She was free and alive, shot of him – what had she been thinking; of course, he never would have killed her, not like that.

    New year came, like a homecoming, a beneficent place of safety. And as the years passed, she still triumphed in the afterglow, the feeling of survival. But he came with her, he lived in her. His voice was in her mind, talking and lecturing and murmuring and making her laugh. It was his face that hovered in her dreams, his eyes that spotted her in a crowd, or narrowed on her in quiet moments. ‘Get away from me!’ But he wouldn’t get away. She couldn’t get away. She couldn’t get him out.

  • Homer

    He who fights with monsters should look to it
    that he himself does not become a monster…
    when you look into the abyss the abyss also
    gazes into you.
    Friedrich Nietzsche

    Day 1.

    On the question of the one against the many, as opposed to the many against the one, White was decidedly with the former after having proven, to himself at least, that his poor father was a lost one without any direction having given himself to the latter and now, after spending his life among his own, was fundamentally on his own more than ever, isolated more so than White himself was, for whereas White had taken the conscious decision to oppose the many by choice, thus accepting to lead a life of solitude, whereas his poor father by accepting to choose a life among the many, sharing their so called ‘core values’, White’s father, all his life, would go on and on about shared values; now, at the end of the day, nearing his end, ironically he was perhaps more alone now than he ever was! This was something that White, to a certain degree, could take satisfaction in. The fact that no matter what way you decided to lead your life, in the end, you always ended up on your own. Solitude was, in this sense, always the end result. Of course, this is something that White had always taken into consideration. It is, you could say, the reason why he chose to accept a life of solitude in the first place. If the truth were known, White was always intensely anti-political, which is why he hated groups. He always had. So, the idea of any kind of group consensus was anathema to him. Family being the first! The first group. He had always hated being apart of it, at least since he started to see through it. That is to say when he first started to question it when he was a very young man.

    Even White’s friends, some of whom were considered to be quite wild, were shocked by White’s initial coldness. White would refer to certain animals who would leave the family to fend for themselves. Why did humans insist on remaining in contact with their parents? Out of all the animals on the earth, only humans, as far as he could see, remained in such close proximity to their parents, and at what cost?

    Of course, White’s whole vision of the world had been profoundly altered or shaped by the tragic death of his brother. His brother had committed suicide when White was still a very young man, and this act had such an incredible knock-on effect on everything that White would do. This act had fundamentally altered White. Utterly, you could say. It wasn’t the only act to have had such a powerful effect on him, there was another, but it was the first event rather which was to have such a radical impact on his whole worldview, if one could say that White did have such a thing, a view of the world, as it were. I should probably say what the second event was now after having already alluded to it and in this way setting out the trajectory of the present tale. Building up the horizon, as it were.

    The second great event to influence White, after his brother’s suicide, was when he eventually was to separate from his wife, whom he was to eventually divorce. This was the second great event in his life. The second of the great Ds. So, first Death and secondly Divorce. Life was made up of a series of Ds, White had noticed. The 3 Ds, he called them. White being Irish, alcohol, or Drink, was the 3rd. It was a so- called coping mechanism. The results, of course, were disastrous as a man who has already been struck by two of Life’s greatest events, Death and Divorce, to then resort to Drink to get over them is simply asking for even more trouble, and of course this is what this story is all about. Stories all involve trouble, the interesting ones at least.

    I’d like to get back to White’s father now, after having presented you, the Reader, with an overview of the overall substance of the narrative of the following tale, having thus fulfilled, to a certain degree, the duties of the Author – ha, dead me arse!

    If there was one person in the world who was to have such a singular effect on White, apart from his late brother and former wife that is, it was the old pater familias. God, what an absolute cunt! A curse on his kind, indeed, as that is in fact what he was, White had surmised. The Patriarch! The cunt! The superlative arsehole of the Universe! The sum total of all his woes! As when it came to the Patriarch, the many were truly the One. They all conformed to the same depths of depravity. Hitler being the superlative. You had to nail your colours to the mast.

    Because of the dire nature of White’s relationship with his father, to a large degree White’s relations with men in general were pretty shitty. Indeed, it was rare that he actually liked one. Though not an impossibility too, having said that. He had had great friendships with some men, over the years. But, in general, White was more a Woman’s man than he was a Man’s man and this was primarily to do with the whole very complex relationship that he had had with his parents. White’s poor mother, for example, had been a martyr to all women as she had come from that very particular generation of women in Ireland who simply stood by their men, come hell or any amount of assorted high water! High water indeed, the expression was literally true now, now that they were all expecting a biblical like deluge to submerge them all due to global warming. Patriarchy and Fossil Fuels, now how many academic papers were headed in such a way in Humanity Departments in progressive universities all around the world?

    One could dream of Noah and his drunkenness. White saw again Uccello’s depiction, all cascading in glorious Rouge, or Reds….

    The fact of the matter was, no matter how you wished to look at it the situation was truly awful. The man had been the worst possible fucking cunt of his kind. There were no redeemable qualities, the more he looked the more shit was uncovered. How many could say the same? These shits, shits of their kind, this kind, this kind of shit kind, the shitty fucking shit kind, the kind of shitty fucking shit that you wouldn’t want to shit next to nor sit beside mind, that kind, mind your backside! The fucking shitty shitters and their fucking shitty shitting shits! Those kind of shitty fucking shitters… That Kind!

    End of Day One!

    Day 2

    Now White hadn’t always been an aggressive son of a gun. He had become one. His nature then was historic, you could say. Informed as it had been by the unending deluge of experience that had gone on over his time in the world. Planet Earth. What they had done to it! It was nothing short of disastrous. The so-called strong men. What a bunch of dipshits. Strong men my ass. Show me a man and I’ll show you an ass, that is what White would say. As he had lived with one. Oh yeah, he had survived him too. Mister Universe spinning around in his tight leopard skin briefs. Bikini briefs! God forbid. It was infectious. The briefs that is. “Be brief!” Puts a whole new context on it…

    When he thought about his childhood, which was rare, White remembered particularly the long torturous dinners which went on in the depths of winter. The family, all six of them, surrounded the table upon which the food had been placed. Every Patriarch worthy of the name has his place at the table and mealtimes are a particular pleasure for control freaks of this nature as these events allow for a certain element of theatricality and ceremony. Placing people at the table involves a whole network of categorisation. Hierarchy within families, for example. Directors on Boards. They all involve systems of power, and so invoke a little ceremony.

    White, for example, used to sit at the head of the table directly opposite his older brother who eventually committed suicide. White was the second in command, following the patriarchal hierarchy. His sister sat beside his mother on the left side, important detail, as you came in the door and then on the right- hand side sat the Father and on his right side his youngest son whom neither White’s older brother nor sister could stand. He was the porte parole while the eldest brother was the weakest link. White could see it all, how he had been set up to fail. As he was not a natural leader, White’s eldest brother. This had been his great tragedy and which was to kill him, literally, in the end. It would have been better, in many respects, if White had been the eldest as he had leadership qualities but then they had been acquired by White from a sustained practice of observation. This is how White seemed to have learned everything, from the point of observation. Seeing how Not to do something, typically then in everything in later life also the very point of departure.

    White could remember the hours spent at the kitchen table listening to the voice of God drone on endlessly about some subject matter. Omnipotence. This was a key idea in the pater familias. The all seeing all knowing One, like the Sun. The King without a throne. The King looking down at his subjects, all knowing, all condescending! And oh God how he would go on and on and on and on and on and on and on…in a monotone.

    Of course, the atmosphere around the table would be unbearable. I have read accounts of Hitler at the dinner table, apparently he gave these endless monologues talking for hours and hours and hours and hours. Omnipotent. All knowing, addressing all kinds of subjects. Not really knowing all of the subjects at all, and so talking absolute horse shite half of the time. Can you imagine it? One of the World’s Most Important Figures Talking Absolute Horse Shit. And for hours!

    Yes. In retrospect, White had been well prepared. All his life. For his Life. LIFE. In screaming capitals. He could take great pleasure in that fact. That it had all, all the horror, all the boredom, all the manic pain and apparently pointless suffering. It all had some kind of purpose, in the end! It was preposterous, really. And for what? By what grand design had it all been arranged for?

    Were there reasons for it all, after all? Some universal truth? There in the great black firmament, shot through with countless stars for millennia, in the great abstraction of the night of the cosmos was there, after all, some kind cosmic arrangement where the infinitely, infinitely small and inconsequential, most insignificant of beings finds a place after all in the great scheme of things?…

    No answer. Silence. The kind of silence that could sink whole nations. A Black Hole. You are on the event horizon. Don’t fall in. Or perhaps we are already in and have come out the wrong end? That would make sense.

    Platitudes

    The people who live here will never get bored with the beautiful views
    The truth is they do, and this kind of explains the whole god-awful mess.
    Whether it is the young man who, having finally won over his ‘beautiful
    Princess’, starts focusing now on her bad breath and tiresome habit of
    Complaining already after only two years in and who will,
    After breaking up with her one year later, dreams only about bottling that
    Same horrendous breath and keeping it as a heady perfume
    To remind him of his most cherished memories.

    Loss, that great Optician, Loss, and absence its partner,
    Are the great rose-coloured lenses that truly help us to SEE
    The many-splendored colours of the world.
    Seeing through the cracked lens offers alone true vision.

    (There’s one  for SpecSavers!)

    Day 3.

    White never actually liked his parents, if the truth were known. How could he? His mother, after all, was not very intelligent. She was smart, and quite pretty. Actually, very beautiful when she was young, but she was also extremely subservient, not very curious, she could be a real bitch and was not at all tactile, so not prone to showing any kind of affection to White nor his siblings. This was hardly surprising considering the fact that her mother before her was a horrible woman who was hysterical, fanatically religious, cunning, cruel, malicious and spiteful. In fact, whenever White did think about her, which was rare, ugly was the word he would use to describe her. Such were his memories.

    As for his father… It was even less pretty, the picture. He was a profoundly vain and ignorant man and it was this twin display of vanity and ignorance that were particularly horrendous to behold; the latter of course cancelling any reason for the former to exist, you would think! But no, the ignorance was such that it apparently clouded all judgement in the so-called thinking subject, as it had no awareness of its own faults, and what was even worse, if it did, and sometimes it seemed to show some inkling of awareness (For example, when it was eating at the dinner table, it had the habit of chewing its food with its mouth open, a truly odious habit, and then, seeing that White was actually observing it, instead of closing its mouth like any normal person would, it instead continued to masticate its food in an even more exaggerated manner like some ghoulish creature, which is why I am speaking about it as opposed to him.) but even so continued its ghoulish behaviour nonetheless. That is when White started to think of his father in terms of the mythic creature fabricated by Homer.

    The Cyclops was, at least for White, the most truly amazing poetic metaphor in all of western creation. White never ceased to be amazed by Homer’s creative genius when he did think about it, which was a lot due to his particularly horrendous relationship with his father. White wondered was he alone, in this, and, by the fact that Homer’s metaphoric beast was being re-invented time and time again for generations and generations of people down through the millennia so that they too could understand the truly epic horror show that they were dealing with which was, in a word, PATRIARCHY

    There it was. The bullet stopped here. This ten- letter word fell off of the pen or the tongue with all of the monumental obstinacy of the one-eyed monster himself. The cave dweller of old, horribly blinded by the clever and equally intelligent Odysseus himself. It is this twin pillar of cleverness And intelligence that had made Odysseus the truly remarkable hero that he is and again this is a further testament to Homer, or the Greeks, their incredibly astute insight into man’s nature. In other words, what it meant to be a Man. A Real Man, that is, as opposed to some One-Eyed King of some barren cave dwelling along the coast. You could of course say, perhaps must, here we have the two kinds of man, in the end. The Cyclopean Monster, or what we would call in modern parlance – The Narcissistic Toxic Male. TNT M. Nietzschean dynamite. All metaphors being carved specifically from the finite, as good old Friedrich knew.

    Back at the kitchen table, White could only look upon the creature before him as the Cyclops personified. There before him, that grotesque vision of the creature masticating on the meat before him. Contemptuous, almost, of him. The beastly couldn’t give a FUCK look of him. I AM THE KING. The Cock-eyed face of power on him. Tunnel vision. Hence the voice. HMV. His Master’s Voice. Lacanian. Tripping on the Real. The lexical field filled with metaphors is far more really lasting then the mere sports field with all its associated bruises and weather stains, for they will all be memories. Whereas, the symbolism will reign eternal. Such then is the very potent power of poetry. This is why the intelligent princes feared it. Not only the Greeks but in every culture.

    White saw again his Irish Master incontinent with piss- stained grey pants, his face a travesty of a man. More a Terminator in decline, his rusting member leaking out like some old oil well. Grotesquerie. For teenage boys a male mockery.

    White would go home alone and strip and slip into his mother’s room would steal, like countless boys before him, tights and underclothes. Fetishes that he would take away to his cave where he would sit alone unmanned and Freudian.

    Enter the imagery of Salvador Dali. The Great Masturbator. Eros and Thanatos. Sex and Death. Such were the twin pillars guarding the Exit, from the mad man’s lair. Such was the wonder of her hair. The other worldly feminine. That offered some kind of safe-haven. From IT. From Him.

    Enter then the Muse.

    Feature Image: The blinded Polyphemus seeks vengeance on Odysseus: Guido Reni‘s painting in the Capitoline Museums.

  • Three Dystopian Poems

    Somatotropism

    My lungs were out of helium, so I wandered out of my anti-memory cell to buy some freedom vouchers. The land, its never-satisfied lips… I remembered every man was his dog (and a mad Englishman.) I remembered being a bumblebee in milk. Agony and honeysuckle. Was I vaccinated against imprisonment? Was I immune to the moon?

    A man was carrying his presence towards me. His haemoglobin eyes… We prayed unto unentanglement. We sang, “Don’t wasteland me! Teach me how to live inside the waiting.”

    The guardians of sociability descended on us from a Times New Roman cloud. We pleaded guilty to togetherness. They later indemnified us for the loss of our identities.

    This smell of undocumented thoughts, the South of my drowning voice… Sing the restricted body, whisper to an unrestricted mind. We always have a choice between not dying and not living.

     

    Disaster

    As I was leaving the museum of names, I noticed that I had lost my number tag. Now I can’t sip taxes or sculpt coins. I have to play a cross-check game with the Department of Streamlined Health that likes eschatology, September snowflakes, and the Nebraska samurai. Not necessarily in this order.

    There’s no return to what has abandoned you. I’ve learned from a birch how to jive. My cat has taught me some Descartes. Can I solve the mystery of “me” in the garden of sculptures? If I get there, how am I supposed to pose?

    Opinion drones are out to get me. I have to hide now; I may join a non-prophet organisation and appear, disguised, in their grotto photos. I’ll need to know my nameless, numberless self the way a camel knows the geometry of the desert.

     

    Body and Mind

    A railway station, splinter-European. The sky in black and white. The lounge lit with blue Plexiglas eyes. A preacher of health peeps in through every window. “We can all be safe,” his parrot parlours. On the neighbouring bench, somebody has his hose amputated. His showerhead bleeds incongruous truths.

    A woman takes a back seat inside my eyes. “My name is Deci-belle,” she addresses the pigeons behind my back. “Sorry about the dehosement; you weren’t supposed to be in such proximity. I am just a denouncer; this was nothing of my doting.”

    The clock blinks 66.31. The absence of train arrives – its own stationmaster, a hyperbola shading in its innards. A tannoy splashes the brain symphony. The preacher swallows his badge saying “Your body, our choice,” and begins lizarding between ministerial decrees towards radio clarity.

    Image: (c) Daniele Idini

  • Death by Drowning

    The Death By Drowning Of Twenty Seven Migrants
    In The English Channel on Wednesday

    It could have been twenty seven Cliff Richard fans
    who quite like that Boris Johnson really;
    twenty seven Noel Edmonds lookalikes
    whose wives stimulate themselves with The Daily Express;
    twenty seven former double glazing salesmen from Folkestone, Kent
    who blame everything on the French;
    twenty seven members of the Murdoch family
    (including Jerry Hall);
    twenty seven known business associates of the Duke of York;
    twenty seven potential Archbishops of Canterbury;
    twenty seven people with Allegra Stratton accents;
    twenty seven arthritic comedians who spent
    four years making Diane Abbot quips;
    twenty seven logical positivists
    who get their political philosophy from the tweets
    of Right Said Fred, Joanna Lumley, & David Baddiel;
    twenty seven OBEs, MBEs, and Commanders of The British Empire.

    Tragically, it wasn’t.

    Featured Image is of fencing in Calais (VOA/Nicolas Pinault).

  • Poetry: Ciarán O’Rourke

    Dutch Masters

    An age away, the scented evergreens
    are still, a lucent wave commits
    to hush, the sun emits a breath,
    as the noon-deep
    labourings commence:
    the slender, severed necks
    are tossed, the throttled mouths
    are mounted in the heat,
    and inch by inch
    the fragrant earth is stripped
    of human foliage, an
    evacuated island
    glinting in the sun,
    whose high, in-
    sinuating witness, too,
    is whittled down
    by windy-deep sea-distances
    traversed by golden ships,
    the agony
    drowned out,
    the heady deaths annulled –
    a complicated commerce
    that finds its second lustre here,
    in the satin cheeks
    and quiffed moustache
    of the Laughing Cavalier,
    the fluorescent cuffs
    and florid sash
    a single flow and glimmering,
    his canny, quiet eyes
    a-gleam, two tiny pools
    of blue and black,
    pricked
    by the light of the world.
    Featured Image: The Laughing Cavalier (1624) by Frans Hals
  • Poetry: Peter O’Neill

    Spring
    For
    Lois P. Jones  

    I

    The gentle discord of rainfall,
    its alternating static dance are
    Reeds of air in suspension
    before the corona of sensation.
    A droplet splashes and trickles
    along your neck,
    its joyous grief
    is welcomed by you with a shudder.
    The courage of the leaf
    passes beneath the banks of cloud,
    the burnishing lustre blossoming
    upon your limbs,
    the flowering sounds
    of the sun’s brassy trumpets
    illuminate the oracle of the hills.

    II 

    The space between the words
    Is akin to the space between the rain;
    This is syntax –
    The syntax of the rain.
    Each word, each drop,
    With its cohesion of letters
    Is an alphabet written in water
    Pooling in language.
    The liquidity of words.
     Your waters fall like rain,
    Their quiet sudden declensions thunder
    With an astonishment of showers
    Light and gentle as thought’s forgotten tributaries
    Brining relief from the tropics,
    The tropics of the spring.

    III 

    The distillation of the night
    ferments the dawn,
    minute revolutions of uninterrupted
    sleep; night being a dark day
    for things that silently creep.
    Out of such stuff things bloom!
    The leaf of thought could fill a room
    With the bestiaries of the night.`

    IV 

    Upon the crest you cycle
    With the Black Hills as register.
    Sheepless and quiet.
    The dissemination of clouds
    Pass, yet you are the only witness
    To such wonder.
    Accompanying all with aural springs
    Cadence and rhythm pick up
    With the invigoration of muscle.
    Thought’s labour on the passing of the evening
    Still clinging to the web of sleep
    Like the silken trail of a woman’s stocking,
    While banking on your side
    Sheer locomotion shunts
    Fabulously across the morning.
    A thousand hermaphrodites
    Lie slain and severed upon the heath,
    Yet not a sole is being recorded.
    While placed religiously upon the library shelves,
    A hundred almanacs of the tides!

    V 

    Along the footpaths, trees stand erect
    As arrows, Virgilian sentinels
    To patrol the fingerless dawn.
    Wisps of Rose.
    Cotton fields upended.
    The fields are aliens reflected
    In the lagoons filled with
    The mythology of both Roman and Norsemen.
    Out by Lambay their ghost’s hover.
    Fingal’s cave but a haven for 19th century
    Smuggler.
    There is ruin and mail under the watery skin
    Of every wave. Gut its belly,
    Debone and scale the morning.
    The electric prophets prophecy nothing.
    Mendacity is cultural.
    Aural pollution is on the wing.
    Emissaries of the void would but spill.
    Frustrate them.
    Offer other flavours of the evening.
    The evenings where shapes still bring
    Mythologies as finely wrought
    As summer dresses
    Garlanding the superb limbs
    Of the approaching Amazons.
    See there!
    Now, they come…

    VI. 

    The elemental walk of the Vitruvians,
    Divinely proportioned,
    Aqueous folds cocooned in the lithe
    Expansive limbs of the morning.
    Flesh burnished by a billion suns,
    Atomised to the core; Bataille’s erotic
    Solar economics beats all Keynesian excess.
    Even pedestrian they Kill, for She is slow.
    Her cadence and rhythm shift in shapes
    Of undulating, mesmerising patterns.
    You follow her like a servant, reciting some lost phrase,
    Bringing to her the garlands of the morning.

  • Gull

    Try to envisage Odysseus, on stiff headland, on the Western Atlantic coast of Ireland, tilling the soil with an ancient looking hoe. His hands are dry, chapped and his thick fingers curled around a parched shaft, steady palms supporting the implement, with which he works effortlessly. The slap, jut, and pull of the short blade into the earth turns up an odd purple worm which twists its belly upwards to the hot palpitating sun; and a hessian sack, half-filled with grass seed ready for planting, is slung over his back; its strings stretched across his well-defined, sinew-led, shoulder. Small dragon neck swathes of lime-coloured samphire shoots slowly emerge in sandy verges of the high field where he works. There is not a cloud in the endless ream of blue sky.

    When he spreads grass seed, as he has done in the past, many times, the canvas bag becomes a sail and his hand arcs as minuscule seedy flints shoot out over fertile mother earth and come to land among waxy ribbons of grass.

    The man looks now over a fluttering Atlantic Ocean, and it could almost be the Aegean Sea. It roars, breaks, and shatters into lucidity and calm, with white horses crashing on out further, out towards the ellipsis of the infinite horizon of his gaze. Gleaming, smooth black cattle, way off to his right, graze in a greenfield, in a verdant county. A county older than the Celts. Even Mother Nature does not know of its name. The herd, glistening, serves as a bovine footnote of nature’s essayistic form. They bellow and holler at each other with an incongruity that floats on the air. A brocade of whitethorn keeps them penned in. The enigmatic cattle are dark forms, staples of a slowly sifting tenure and lenient to the west’s wilder ways and moods. It suits them to bellow here in the hull of infallibility, amid the streaming whitethorn, sea Campion, and sandwort. The whitethorn is in flower, billowing, and its scented blooms are carried by the wind.

    Atop these cliffs, sat Eoghan whose hands were worn, he rubbed the soil and clasped his hands together to smell the earth, the olfactory bulb flickers, antediluvian and almost pristine in a broken social world. He drew a deep draught and took in the living earth with one unbroken breath. These were the elements, indeed, the pastures of his making. After a few minutes of solitude, he heard the scrunch of footsteps on seashells and sandy screed in a lane nearby. Eoghan turned his head to see a girl in her early twenties walking towards him.

    “Hi-yah”’ she called out as she approached. He cleared his throat, smiles, and replies,

    “Hello there; nice day…”

    “Oh, aye, it’s a grand one, that’s for sure…”

    Coming closer, he noted her translucent plastic sandals, linen-white shorts and a sleeveless t-shirt of navy blue with white stripes. Her auburn hair, worn in a ponytail, danced and bounced as she walked in the golden sunlight. She studied him and then cast a glance at a shred of olive green kelp which had blown up from the shore and was now stuck to the barbed wire fence on the headland.

    “Bladderwrack… I believe they call it,” he said mildly.

    She turned to him with an almost startled look, her tawny eyes furtive and her lips thinning, then biting her bottom lip she said,

    “That’s a rare auld name for some seaweed, isn’t it now?”

    Eoghan nodded and smiled up at her in the summer sun. She dropped down onto her knees just in front of his sitting position.

    “I remember, the other morning, on Inch Island, disturbing an old heron that was in a settled way…” he began.

    “What happened?” She exclaimed, looking at him more attentively.

    “I was just walking past when he looked at me,” he continued in a quiet voice, “and rose, languidly, from a clutch of rushes and off he took, one foot trailing behind the other slightly and flapping away towards Lough Swilly.”

    “Sure. It must have made a good picture. Did you upload it on to Instagram?” She asked smiling.

    “No.” He replied, softly, “No Instagram.”

    “Then what use is that?” she said, giving him a look of yearning.

    “Mother Nature has the table ready and all we have to do is go and eat. When I rise very early in the morning and go out to nature, I like to immerse myself in the landscape, to see the countryside come alive and open up in front of me; to see bright buttery gorse flower flourish, to smell honeysuckle; to smell wild garlic in woodland, Nature’s larder.”

    She was quiet, looking nonplussed and uncomprehending. An uncomfortable silence then passed between them.

    “Are ya on Snapchat or Twitter?” She asks her voice suddenly brightening.

    “Twitter?” He tentatively queries.

    “Yeah.”

    “No.”

    “Why? Are you eighty, like?” Her teeth glittered with the brightness of the sun as her mouth curved into a cynical smile.

    Eoghan looked down from the headland towards the sea; the sea breeze caught his thoughts and corresponded with the ripples in the blue torn water. He drew a deep breath as if to acknowledge her persistence.

    “Well, I guess, I just don’t really like this modern stuff …is the honest answer,” He replied turning his blue eyes back on her hazel brown ones.

    “We live in an age,’ he began again, but looking at her, taking stock, he realised he did not know her name. She comprehended this and gave him the thought he was seeking.

    “Aoife.”

    He smiled.

    “Aoife, we live, as I say, in an age known to thinkers, and to those logical enough to figure things out, as Neoliberalism. In an age of instantaneous gratification, of wishes granted instantly. And this is a kind of curse, this culture is a throwaway culture, and it’s not really for me that stuff…these belief systems.”

    The imbroglio of her young mind sent her into a dream state. Yes, she thought this young man, this guy was, “Oh, Janey-Mac, pure gorgeous,” but she was still on the faltering line between being a young girl, and the precipice which would send her into womanhood, and which had not yet been delivered fully formed to her feminine threshold. Just then her phone buzzed. She shook off her teenage sensibilities and looked at the phone’s screen.

    “I have to go,” she said, looking back up to him. “Me Mam wants me to look after our Daniel, a wee dote.” And she took off, saying as she went, “Hope to see you around sometime,” smiling. He smiled as he watched her disappear into the horizon.

    Early the next morning, very early, before any hint of daybreak, Eoghan was at the water’s edge in Inishowen, by Inch Island. He was in deep silence as images entered into his consciousness: yew trees; blue milk; a honey drop caught in pure amber sunlight, wheat-chaff which dances away in a furmy haze; three girls were strolling across a golden beach, past a wooden curragh laden with salt and beginning to crumble into wisps of wooden flakes that disintegrate in the hand. Insects given a firmer design by ancient runes with Neolithic symbolism, crawl, swirl and settle down to become geometrical shapes and patterns, known as Celtic Art. They retire and pass into the art and geometry of stone. A cow’s loin and flanks turn on a spit over a fire pit in the hill fort, Grainán of Aileach. The creature’s dead eye, bulbous, staring, almost bull-like, reminded Eoghan of the tearful eyes of sage storyteller, Paul Auster. Whose gaze could strike the bullseye of fear and desire among those he knew with big, wet eyes, like he had been crying. Bull-eyes.

    A crowd of screaming dark crows broke from branches where there was no tree trunk or tree and scattered across the immediate skyline of his memory’s eye. A spearhead of mackerel which were shifting and turned in a giant ball in the ocean; the sky darkening and rabbits and hares quaking in laneways; stars agleam in a bowl of night water strewn with a garnish of seawrack, seaweed, a mermaid’s shawl.

    He exhaled for a long moment and slowly opened his eyes; the sun continued to traverse its solitary hike towards the noon-time hour. He was down upon his haunches, almost kneeling, but had begun to rise. Feathers grew over his skin like a soft suit of pallid armour. He rose from the reeds, water dripping off his golden, feathery membrane, and gave out a loud piercing squark. He took off towards the beckoning sun which knew the bipedal, avian shapeshifter. This majestic bird that was soon flying high and then gone. Unwatched by man.

  • Poetry: Carmen Palomino

    Ace of Wands

    Fire & Desire
    And then, at the right time
    from the heat of our hands
    a love that was old and new
    lit up like a torch
    burning from the depths
    like fire to the turf.

     

    Eight of Wands


    BOOM!!
    Someone’s heart whispered:
    Boom!!!
    And everything blew up

    The Earth stopped moving
    and when the dust settled down
    the two lovers stood naked alone
    hand in hand, in a desert land

    Isn’t that scary?
    Would you still like to try?

     

    Queen of Wands


    Bracken
    You smile and beam
    like a young maid
    when the wind
    whispers your name

    Rain sings
    the tales of the Earth
    to your soft green
    ferny flesh

    Ancient sap knows its way
    up from the hidden rhizome
    nourishing your spiral sons
    curled foetal croziers

    Axis stretching out
    trough blade and frond
    Sorus keep your secret
    eternal life spreading spores

    You are precious and wise
    as you are old.

    Six of Cups


    My Naoise

    My Naoise,
    don’t you know
    I only have eyes for you
    even if I look somewhere else
    I can only see your face.
    If the raven shows up
    in its black plumage
    it reminds me of your hair
    When you smile at me
    the world is gone
    and only you exist, my love
    And when you touch me,
    My Naoise,
    warm blood melts the snow
    and we live inside a legend
    a thousand years ago.

     

    Page of Cups


    Ganymede Ascending

    You picked the snow goose feather for your quill pen
    to write poems about me
    You feel my breath burning in your human heart
    but my essence is too subtle for your mind to grasp

    You thought you were in Love
    while it was Love that was Love in You

    You’ll make immortal the beautiful young one
    When the Eagle calls,
    the sweet cup bearer who made you drunk
    will be pouring mead on your cup

    Don’t search for clues or reasons
    Don’t dwell on platonic delusions
    Don’t cry for what you think you’ve lost
    For you have only won

    Look inside you now

    Love Loves You
    You are Love.

     

    Knight of Cups


    White Heart

    Some people
    with their panoptic, utilitarian minds
    claim that Love is a choice
    As if you could just choose to love anyone
    They say there’s no special chemistry
    “That’s not Love” -they say-
    “That’s just Lust”

    Well, if it’s Lust
    then I lusted you deeply and truly
    I lust you so much
    and I’ll lust you till the end of Time
    I lust for the beat of your white heart
    in the palm of my hand.

     

    Ace of Swords


    Truth

    It is the truth now coming
    I’ve been deliberately blind
    amidst the fog of many Sundays
    It is the truth I avoided
    The comet following
    its interstellar track
    The heavy ball in the bowling lane
    speeding up towards me
    like an unstoppable slap
    It was here inside me
    and it was true all the time.

     

    Two of Swords


    To my Future by the Ocean

    You and I cannot claim a future
    all we have is this slippery moment
    nearly out of our grasp
    I wish this could be us
    so in dreams I track back
    scattered spaces and words dispersed
    to find the thread, something to reel in
    but nothing comes out
    I’m out of wisdom
    Silent drops and white mist
    drifting over green ground
    I stare at the Ocean
    and I’m no longer me
    I’m a hermit troglodyte
    who never uttered a word
    or was able to share
    some unsophisticated thoughts
    but feels that primal longing
    while trying to make sense
    of this inscrutable immensity
    and another day is dawning.

     

    Queen of Swords


    What She Said

    What she said
    she had said it to herself
    a million times before
    It was a vagrant thought
    which didn’t want to be called
    and when she said it
    it was words made birds
    flying from her throat
    wrung and tightened
    like a burning knot
    it was her last resort
    to make the clock stop,
    their universe implode,
    to bring the story to a close,
    cyclic patterns to an end,
    to blow the gateways
    that balanced the river flow

    What she said
    was nothing to retract from
    it wasn’t meant to hurt
    but to free them both.

     

    King of Swords


    Gemini

    Looking through the window
    Night sky stuffed with cotton clouds
    I can feel them sparkles cruising
    though I cannot see their light
    I miss the beauty of that moment
    when I felt so alive
    Flying dreams disintegrating
    as they touched land
    My spaceship keeps orbiting Earth
    like a homeless satellite
    I could even cry if I just wasn’t so,
    so very tired
    And one last time I imagine
    Gemini reflecting in your eyes.

     

    Two of Pentacles


    Schrödinger’s Cat

    As I walk through Irish fields
    where Spring shines
    I wonder about Life
    Is this all an illusion
    This vibrant green is surely
    livelier than I am
    Aren’t we all death and alive
    at the same time
    Am I the cat who stayed too long
    inside the box and now I know
    I’ll never be more alive
    than the moment just before I die.

     

    Knight of Pentacles


    He came from Sirius B

    He came from Sirius B
    A galactic knight, mighty like a titan
    who could break your head and rip your chest
    to make bangles with your guts
    in the blink of an eye

    But he was vegetarian, so he couldn’t understand
    why baby turtles died with bellies full of plastic
    just a few weeks after their mum had laid the eggs
    in the warm sand

    He was the most evolved amongst all the creatures
    in any of Darwin’s islands
    And as he circled his garden of damaged human minds
    philosophising and beating the bush
    a star was dying in a cardboard sky
    and a young couple was making love
    in some sunny place in France
    but the only remarkable thing
    the only truth
    is that they were young.

     

    Queen of Pentacles


    The Golden Bear

    Just as the leaves fell away
    with the first Autumn winds
    so did the withered branch
    after a long drying time
    since the tree cut out the flow
    of its greenish vital sap
    in order to survive
    The Golden Bear tasted the cold on her snout
    she dug a cave for her Winter doze
    and prepared her body for that brumal slumber
    For dawns eight times eight
    she fought the river, carving its rocks,
    waiting still or dancing on tiptoes
    and sifting water through her paws
    to feed herself with fresh salmon and trout
    in order to survive
    the deep sleep before rebirth
    and the numbness in her bones
    until she wakes up from her torpor
    to find six daffodils
    and then she’ll know
    that Spring has come.

     

    The Hermit


    Midnight Lamp

    Tonight
    I’ll turn off my lamp
    until you return the light
    of your eyes to mine
    of mine to yours
    I leave you the dream
    that kept me floating
    across rhymed universes
    and oceans of hope
    The infinite sands
    of moments of thought
    The blank pages waiting
    will remain untouched
    Steal that story
    from the saddlebags of Time
    for us to tell again
    in another life.

     

    Temperance


    Orion

    I wish I could still dream
    a dream of you where I
    just find myself lost
    trying to find my guide
    in the milky way of your spine
    The ghostly desert of your skin
    wrapping me in soft warm sands
    I hear the hunter’s pulse in my dream
    and I wake up just when your name
    is about to leave my mouth.

     

    The Star


    My Star

    You looked pale and beautiful
    under the light of my star
    Like a silver beam

    of mystery and light
    reflecting all that I am

    You looked pale and beautiful

    under that cold night light
    but I could not follow you then
    so I followed my star.

    I.               The Sun


    Planet Nine

    I stare at you, my Love
    from a safe distance now
    Still orbiting your light
    Slowly freezing without your warmth
    Hundreds of millions miles away
    Past the Kuiper Belt
    I witnessed how
    Pluto fell from your grace
    I might still cause some stir
    on this circumstellar disc
    made of small remnants,
    past lovers of yours
    Some say I’m a perturber,
    a dark giant of face unknown
    Some others pretend
    I don’t exist at all
    And I say nothing
    my beautiful distant star,
    my beloved Sun
    I’ll just wait in the cold
    But I keep rotating,
    for with my every turn
    I can sometimes gaze at your face,
    beyond the Transneptunian wall.

     

    II.            The World


    Infinity Orchestra

    Across the galaxy
    in elliptical march,
    the stars, planets
    and satellites
    dance their eternal dance
    wearing spherical gowns
    to the rhythm
    of an infinite melody
    spreading mute,
    cosmic sounds.

  • Halloween

    I’m sitting down on the steps of an old derelict townhouse, across the road from what used to be my old local. I’m rolling a joint, a packed-out little pinner, and looking at the carrying on that is going on outside the pub. Three kids on bikes have stopped to get a buzz off a guy, probably in his late forties or early fifties, who’s pissed out of his head and is holding himself up by a lamppost, around which he is slowly spinning himself. The guy´s wearing a shiny grey suit that has definitely seen better days. His white shirt, open at the neck, has a dirty big half-pint of stout stain down the front of it. With one hand holding the lamppost, stretched out at arms-length, and his feet planted against the base, the guy is leaning so far out that he´s at a near forty-five-degree angle. He spins himself slowly, around and around the lamppost. Like Gene Kelly in “Singing in the Rain”.
    “I´m a dirty swinger, Lads!” the guy shouts.

    It´s getting late in the evening and Halloween is fast approaching. Bangers are going off, booming like bombs in the distance, sometimes closer, echoing and reverberating throughout the streets. High above the pubs, takeaways, bookies and closed-up shops, fireworks screech up into the sky, pop and fizzle out. Reflected in the third and fourth story windows opposite, I catch bits and pieces of the soft explosions. Pulsating yellows. Exploding whites. Terrific blues. Glittering greens. Fountain-sprays of red. The smell of gunpowder and the barks and yelps of terrorized dogs enliven the chill autumn air. Gangs of kids, sometimes ten or twelve strong, drag pallets down the footpaths and street. Cars blare their horns and swerve around them but the kids just throw the finger and let loose a chorus of profanities. Sometimes, when a car has gotten a safe enough distance away, an egg or two are thrown after it. Pagan mischief has descended upon the city again and taken over the streets. And the people in cars know better than to stop.

    “I´m a swinger, Lads!” the guy shouts again, turning himself around and around on the lamppost. “I´m a dirty fucking swinger!”

    But the three kids on their bikes have lost interest. They are looking in through the window of a Chinese Takeaway, Shangri La, at the little Chinese woman who sits behind the counter, her head hovering beside that little golden kitty which perpetually waves it´s pawl. It looks warm inside the takeaway. Every now and then I think I get a whiff of food when a customer or a delivery guy enters or leaves: Spring Rolls, Chung Po Prawns, Roast Duck in Plum Sauce. But the thought of all that greasy food makes me a little queasy. One of the kids gets up on his bike and starts circling around his two friends.
    “I speak Chinese now,” he shouts, “Kim Poo Kak! Po Cum Kim! Chong Chong Chiny Chong!”
    Another kid starts to mimic the golden kitty, levering his arm up and down, waving and staring in at the woman behind the counter.
    “Gizza look inside your fortune cookie!” he shouts.
    “Cum Young Son!” shouts the third kid.
    “I´m a dirty swinger, Lads!” the man spinning around the lamppost shouts again, “And I´m going to box the fucking head off the next prick I see!”

    The few people who are passing up and down the street are paying no attention to any of this. Those who do see what is coming up ahead of them have marked it as trouble and crossed over to the other side of the street in order to avoid passing the guy. He’s still swinging himself around this lamppost, and the kids on bikes are now blocking the footpath. People have become weary of this part of town. It’s been so for a while now. And people are especially weary when night is moving in, especially at this time of year.

    A Brazilian student arrives at the bus stop just in front of me. He has white earbuds in his ears and is texting on his phone. When he looks up from his phone at the bus stop’s electronic timetable and seeing that it has been smashed in, he shakes his head and moves on. I light my joint and take three quick puffs on it. From my inside jacket pocket, I take out my naggin of whisky, spin the cap and drink down a good, deep, gut-warming measure, recap it and put it away. I’m invisible to those across the street. I have willed it so. But that could all change in a split second. I´ve packed out the joint and after two more quick hits off it has taken effect. I take another enormous hit and hold it in. Playing traffic lights with myself, I wait until I´m nearly lightheaded before slowly blowing out the smoke. I pull my thick woolly hat down snugly on my head.

    With a sizzling sparkler in each hand, a tall, painfully thin girl comes skipping right past me. No more than ten years of age, she’s dressed all in black and her long blonde hair is tied up in a ponytail. I lean out from the steps and watch her as she goes by. Wearing a little black leather jacket, she launches herself into the air, landing and springing up again. Her ponytail lifts and falls above the back of her black leather jacket, where white Coca-Cola style letters spell out “Trouble-Maker” over a red heart pierced by an arrow. Twirling her sparklers, this little impish cheerleader of mayhem skips on down the street, slowing only to turn right at O’Mahony’s butchers. She disappears around the corner where, in black marker on the white wall of the butchers, someone has drawn a huge cock and balls complete with four lines for the jizz spurting out in a graceful arc. In red marker underneath it, and probably by a different hand, is written, “Mandy is a fucking tramp.” And beside that in black marker, “The Pope is a pedo.” Staring at all this, I’m convinced that none of it had been there twenty minutes ago.

    A kid comes stumbling down opposite side of the street. By the look of his Seventies getup, I figure that he´s come from the rock bar, The High Stool, just a few doors up. The High Stool is one of the last few havens for young bands to play in and they’re known to go easy on I.D. The kid has long, curly black hair, a light bumfluff moustache and wears a blue denim jacket with band-patches sown on to it, and tight grey jeans. He is no more than seventeen. The rocker-kid totters down the street and stops. He takes out a twenty box of Marlboro red from his jacket pocket, puts one in his mouth and drops the box back into his right-hand inside pocket. Swaying slightly, he tries to light his cigarette, flicking his lighter in his cupped hand, before tottering off again, oblivious to where he is.

    Having lost interest in the Chinese takeaway, the kids on bikes lean over their handlebars in quiet conference. They look over their shoulders, up and down the street. Finally, the young rocker gets his cigarette lit. He becomes absorbed by it, puffing at it, then looking at it, then lovingly puffing at it again. Throwing his head back, he exhales huge clouds of smoke.

    The swinger has switched gears, and now using his right hand, slowly winds himself counter-clockwise, around the lamp post. Just as the rock-kid comes within range and, without breaking the momentum of his turning or taking his hand from the lamp post, the guy tips his weight in such a way that he picks up speed and, in one fluid movement, comes back around and throws a thick, meat-and-bone fisted punch, landing it squarely on the right side of the young rocker-kids face. The sound of it carries across the street.
    “Whoa!”
    “Ho-ho!”
    “Wha´?”
    One of the kids has had his back to it all but he turns around just in time to see the rocker-kid, blind-sided and stunned, staggering backwards a good four-to-five steps before his legs buckle and give out from under him and he falls back, down on his hands and ass. I missed which way the cigarette flew from his mouth.
    “Down in one!”

    The kids on their bikes roar with laughter and the swinger doesn’t say a word. Just keeps turning around and around on the lamp post. Eyes closed, he smiles to himself, his face serene. Miles away now. He’s Elsewhere. The Champ. First round. K.O. Raising his belt for the world to see. But on his third revolution the smile was gone. Opening his eyes, he surveys the street before letting go of the lamp post. He walks over to where the kid is lying on the footpath, propped up on forearm and elbow. He swings a kick at the kid’s face, like his head was a football hovering in the air, begging to be volleyed. The sound this makes sickens my heart. Thrown back beneath the bookie’s window, the kid’s face is ghost-white now. He opens his eyes wide and blinks once. By the second blink his eyes are heavier. Blood pours from where his nose and mouth used to be. When he closes his eyes for a third time, they don´t open again and his head sinks down slowly into his chest. He´s either out cold, or dead.

    “Job oxo, Lads,” the guy in the grey suit says to the kids on their bikes. The kids look at him, each of them now standing up straight, hands gripping their handlebars. They watch him as he walks back into the pub, my old local. The kids look at each other, then at the rocker kid on the ground. One by one they get up on their pedals and go cycling out blindly on to the street. Cars blare their horns at the kids as they go racing down the road, zig-zagging each other, shouting and hollering.

    The last two hits off the joint burn my fingers and scorch my lips before I throw it away. My eyes feel hot and bloodshot. I take another big drink from my naggin, to steady myself, but make sure there is enough left for three or four big mouthfuls later. I pick up my rucksack, stand up, and swing it around my back and over my shoulders. My legs feel feeble. Car lights zip past on the road. There is no one around, just an old man, bent-double, with a walking-stick on the opposite side, down by the boarded up Centra on the corner. He’s so doubled over that he can only look at the ground. So, it will take him a good ten minutes to cover the same amount of ground it will take me fifteen seconds. Despite waiting for a break in the traffic I nearly get knocked down crossing the road.
    Making sure my back covers us from the road, I hunker down in front of the rocker-kid, without touching him. His head is still slumped into his chest. The blood gushing from his nose and mouth has covered his chin. Three bloodied teeth nestle in the folds of his faded black t-shirt now darkened, drenched with his own blood. Looking around, I reach into his inside pocket. And in that very moment, when my hand clutches the package of cigarettes, to pull them free, I´m waiting for someone to walk out of the pub and see us, or for a heavy hand to fall on my shoulder. But, no. No one comes.

    Hurrying down the street, I stride past the old, question-mark shaped man who can see nothing but the footpath, his feet and the end of his walking stick, dog-shit and broken glass. My heart is beating so hard I can feel it in my dry throat. But I´m out. I´m gone. I´m free. I squeeze the box of cigarettes in my hand and I can feel by it that it´s pretty much a full, fresh pack. It´s the best luck I´ve had all week.

    I pass by a boarded-up pharmacy, the graffitied hoardings of a closed-down sushi restaurant and an African barber. Being open, the barbershop is still lit up, but inside, every chair is empty. Only two cigarettes have been smoked from the pack. Sparking one up, I turn down a darkened side street, and slacken my pace. A few of the streetlights have been smashed. A row of brownstone townhouses are uninhabited, their windows black and For Sale signs displayed on every facade. Near the street’s end, I stop beneath the fitful flicker of a streetlight. Leaning against the lamppost I smoke and wait for the calm to return. For my hands to stop shaking.

    There´s a church across the street I´ve never noticed before. Looking at it, I consider going inside for a while. A few minutes of peace and warmth. Maybe some song. A choir. Some candles, some nightlights, might be got. A reading from the Book of Jeremiah. Ezekiel. Or Ecclesiastes. A reading from the Gospel of St. John. A fiver, or a tasty tenner passed around in the tray. When goods abound, my brothers and sisters, parasites abound. But I come among you to pray. To shake the warm and clammy hands of other weary sinners. To ask forgiveness. To confess and to repent. And be not lost. Lord hear us. In your grace, Lord, hear us. To sit in silence. Then kneel in prayer. Close my eyes. A God´s body dissolving inside of me. And hope that, in prayer, my mind might be drawn toward higher things.

    Curious as to the name of the church, I search for the sign and behind the spike-topped black railings, I spot it. Spade Enterprise Centre. In the windows I see the ghostly glow of two computer monitors, the green hills and blue skies of their screensavers. Disgusted, I flick away the end of my cigarette and keep moving.

    My boots crunch against shards of glass on the ground from the smashed-in windows of the Citizen Information Centre. Spray painted graffiti, cryptic tags and slogans, run the length of the building, jump onto the next shop-front, and the next, and continue on across the battered iron shutters of an old, burn-out Post Office. “Take Back the Streets”. “Vote Maybe.” “God is Love.” “Take Back the Streets.” “Live Dublin. Die Young.” “Let it Come. Let It Go.” At the top of Smithfield, a pink pram has been left on the street. An empty pouch of rolling tobacco and a black woolly hat on its seat. Two pieces of bloodied white tissue paper lay on the ground beside it.

    Smithfield Square is all lit up. A Third Reich modernity about it. The green light at the top of the distillery look-out tower. The huge light-standards all lit up red for Halloween. If only the flaming torches on top of them were lit. Triumph of the Financial Will. Hotel room lights all lit up. Apartment windows all lit up. All warm and lived in. All the windows look down on to the Square. Smithfield Square structures the night and holds it at bay. People walk about across the Square. Going out, coming home. Groups of friends, couples, clutches of tourists. Going out to pubs. Going out to restaurants. A Halloween Horror double-bill in The Lighthouse. “What are you having?” “What you wanna go see?” “I´m getting this one in, put your money away”.

    I stand and watch the revolving ads on the motorized billboard. “Tell your girlfriend to get stuffed. Chicago Take Away Pizza” “You got a big future ahead. D.I.T. Open Day 30th November – Sat. 1st of December” “It´s the blend that counts. Tullamore Dew”. There´s more in my naggin than I´d thought. I take another drink and go around to the other side of the billboard and watch the ads roll up and roll back. In dramatic, eye-catching, black-and-yellow bio-hazard style design “Renting and worried about losing your home”.

    Outside the Fresh Store a woman´s white-framed bike, with a wicker basket on front, is stood up on its kickstand in gentle repose. Unlocked. But I´m tired. And the thoughts of being chased exhaust me. When was the last time I was even on a bike? And a woman´s bike at that. Across cobbles stones too. And nowhere to go or to bring it. Forget it. I go over to the tiers of concrete steps on the Square and sit down. From my jacket pocket I take out my black fingerless gloves and put them on. I light another cigarette and I look up at the windows of the hotel rooms and the apartments. The cold is starting to bite. Like a vampire I have a lust. I have a need. I have a want to be invited in. See me. See me. Come to the window and see me.
    Look down and wave.
    Invite me up.
    Invite me in.

    I sat here one night and watched a Conor McGregor fight on about half a dozen huge, flat-screen TVs mounted up high on the living room walls, through a number of the windows of third and fourth floor apartments. A lot of people were out on their balconies before the fight. Talking, laughing, drinking, smoking. Taking pictures. I was so close to shouting up at them. I could have shouted up too. “Hey! Hey! Can I come up and watch the fight? Came down without my keys and locked myself out like a spa. I know. Sickened. Of all the nights. I got some coke!” They might have taken me in too. For the laugh. More the merrier. Just to watch the fight. And why not. Neighbourly neighbours. Ah yeah. Good souls. Good skins. And I had it all planned out too. Get in. Get to the kitchen. Dump out some coke. Rail it out. Generous like. Grateful. Gratitude. Get that immediate friendly welcome then. Comradery on tap. “Help yourself, Man. Happy Days. Thanks for having me. Yeah, can´t get a fucking locksmith ´til tomorrow”. Accept a beer. Take a shot. Compliment the gaff. Get to the bathroom then when they´re all roaring at the TV. One-minute shower. Nick bit of shampoo. Bit of shower gel.  I could do it in forty seconds. Dry off. Bit of toothpaste. No need to be a total scald. I have my own toothbrush and everything. No one would have copped it at all.

    But I left them to it and watched the fight through the windows instead. And I could see a good bit of it too. Few bumps of coke gave a fluency to my own running commentary. I had a great time. I felt capable and alive. Mercifully distracted from the sharp cold of empty hours.

    Two kids walk past. One with his hands down the front of his grey tracksuit pants. They slow down when they clock the unlocked bike. They take a quick scan around and they see me, looking at them. They keep walking and I flick the end of my cigarette away.

    Tied by a luminous green leash to the chalkboard outside of Fresh is a little dog so small that I hadn´t seen it when I first sat down. I get a rush of recognition when I see it. My stupid blood thrills at the sight of that little fucking dog. That´s Aido´s dog. Definitely. Little Jack Russel-Chihuahua. And the red and the black brace around it for the leash. It fuckin is an´all. No mistake. I take off my woolly hat and let the cold air at my head. I take a look at myself. A once over. I fix my hair and smell myself. I stand up and stretch the tension, the anxious anticipation, out of my extremities. I start a little pacing then, to and fro, in front of the steps.

    “Aido. How are things? Alright Aido. Long time.”
    Speech doesn´t seem slurred. A cold shiver runs up my spine and I shake myself. Giddy as a fuck. Thought you were done though. Thought you were done. But this is chance happening. Street Magic. I sit back down on the steps. My right leg is jigging up and down with a kind of sprung rapidity. I slide my rucksack off my back without taking my eyes off the door and place it down next to me on the left. From my back jeans pocket, I take out my little baggy and, holding in down in between my knees, I tear off enough for two fat joints from the pungent bud. I put the makings, loose, in my right-side jacket pocket and put the baggy back in the pocket of my jeans. I suck the taste from my fingers, fix my eyes on the doors of Fresh, and wait.
    Sure enough, out walks Aido carrying a bag of shopping. Tracksuit pockets bulging too. He leans forward, talking to his dog, unties the leash from around the chalkboard and starts walking away.
    “Aido!”
    He stops and turns around. He peers over.
    “Who´s tha?”
    “Andy, Man.”
    Tugging on the leash, he walks over.
    “Alrigh?”
    “Ye man. Good, good. Good to see ya man. Been ages.”
    “Been a while, alrigh.”
    “Hello Floopy. Haven´t seen you around for a bit.”
    “Ah yeah, was away for a bit.”
    “Ah right. I never heard. You back into it?”
    “Ah, doin a bit you know. Wha ya after?”
    “Meant to ask you. Did your sister-in-law ever do that exam?”
    “Christina?”
    “Yeah.”
    “Fucked if I know, Man. They´re gone to Canada.”
    “No way.”
    “Yeah, over in Calgary. Doin’ the business.”
    “Nice…just eh, remember that, when I said I´d do those classes with her…for free?”
    “When was tha? A year ago?”
    “About that yeah, I think.”
    Aido sniffs his nose and spits a tangley mess of phlegm up on to the grass behind me.
    “And…you remember I said…I said I´d cash in with you sometime, when I was stuck?”
    “Wha, you got nothing on ya at all? I´ve nice stuff there for a score.”
    “I´m skint man. But here. You´d be doing me a solid. I won´t ask again.”
    “This shit doesn´t run, Pal.”
    “That´s alright.”
    Aido looks down at me and changes the bag and leash, behind his back, to the opposite hands.
    “You sick for it these days or somethin’?”
    “No…not at all. Are you still smoking?”
    “Yeah, course. But there´s no green around here man. Nothing for the last two days. It´s a fucking joke, so it is.”
    “Here…I have enough for two nice big spliffs. I was gonna save it. It´s the last bit I have…”
    “Do ya yeah? Where´d you get tha?”
    “An old mate of mine, Phil, in town, there. He harvested a batch last month and that is the last of it. He´s not doing any more. He´s getting paranoid.”

    Aido moves and comes and sits down on the steps beside me. He smells fresh, of deodorant and aftershave, of warm spin-dried clothes. Floopy totters across and smells my boots, and the ends of my jeans.
    “Blue Cheese.”
    “Is it yeah?”
    “Fucking lovely stuff.”
    “Yeah, I´ve had it before. Throw it out there.”
    I put the bud on the ground between us. Aido picks it up and smells it.

    A big, round-bodied young woman comes out from Fresh, carefully carrying a big Halloween pumpkin under one arm. With her free hand she holds the door open behind her for a builder in a high-viz jacket whose going in to the shop. The woman shifts the pumpkin around to her front so that she can carry it better, in two hands, and heads off down Smithfield Square. Every now and then she looks down at the pumpkin, making sure it´s alright.

    “Cheers, Pal.”
    Aido stands up then and my heart sinks.
    “I´ll be getting tar in the day after tomorrow. Twenty-five a pop, alrigh?”
    “I´ll defo take two, three off you for sure man, nice one. And I´ll have the cash…could I just get that one off you now though…remember when I said –”
    “Yeah, yeah, yeah…fuckin memory banks here.”
    Aido sticks a finger into his mouth as though he were going in to pull out a rotten tooth. He throws it at me. It bounces off my knee and falls right in front of the dog. Floopy goes for it too. But before she can get her little nose or tongue to it Aido pulls at the leash, hard, and the little dog yelps and runs back behind her master´s legs.
    “Ya thick,” Aido says.
    I don´t know if he´s talking to the dog or to me.
    “Thanks, Man,” I say, holding the little warm wet ball tightly between finger and thumb. “Thanks a mill.”
    “G´luck.”
    “See ya…and…yeah, day after tomorrow too, right?”
    “Yup,” Aido says, without looking back. “Twenty-five.”
    “I´ll have it man,” I say. “Definitely.”
    I wait until Aido has moved on, then get up and split from the square.

    There is music in me now. I´m in tune with everything. I look up to the sky to thank the stars but see only heavy grey overcast cloud. Thank you, I say, quietly to myself. To the beneficent spirit who walks beside me. Shouts and screams up ahead, from the playground area. A woman shouting. That woman I´d seen. She´s shouting in Portuguese on her phone. Looking around her for someone to help. She points down to towards the Smithfield Luas stop. I look and see the backs of two, maybe three kids on bikes, zig-zagging each other, quickly disappearing out of sight. People pass by the woman, ignoring her distress. On the ground beside her, the smashed-in head of her pumpkin, it´s bright, orange, pulpy sweet brains a mess on the cold, dark cobblestones. I veer away.

    A huge black and white mural on the wall. Dublin, City of Homeless Families. The Council won´t be long in coming around to attack that with their cherry-picker and grey paint. Can´t be having that.

    At the end of Burges Lane, that tough-looking fucker I always see around is holding himself up with a hand against the wall, and is bent over, retching, hosing the ground good with cidery vomit. He´s always in the same pale blue jeans and black hoody with the tacky design on the back of it: the silvery mountain wolf howling at a blue moon. When he finishes, he pushes himself back off the wall, wipes his mouth with his sleeve and stumbles backwards, staggering, cock-eyed. Hasn´t a clue where he is. He holds his arms out, then folds them around a body of air, as though he were embracing an invisible dancing partner. He staggers backward, waltzes around and around, babbling about something I can´t make out. He continues to stagger backward and is nearly clipped by a Luas too as it goes by, its bell ringing, its windows all lit up in the dark. The last three carriages of the Luas are all splattered and splashed with vivid pink paint.

    Down Coke Lane, I keep my eyes on the ground. One night, I found an eight of hash down here. Another time, two twenty-euro notes, folded into one another. Thought it was just the one. Double score. I scan the ground. Wide-eyed. Avid-eyed. Seeing all that I can see. If there´s something here I´ll see it. My eagle eyes are notorious. I´ve got this intuition. Divining senses. A compass. I can feel it. A magnetism for all the lost and forgotten things.

    Up ahead the red neon of Frank Ryan´s pub. People sitting at two cheap pine picnic tables, drinking beer and eating pizza from the pop-up, stone-bake oven housed inside of a brightly lit smoky white gazebo. Three people who look like they´ve been here since after work are drinking beside the big potted shrub. A guy stands on his own under the awning, smoking, looking down into the glow of his phone. I smell weed, not as good as mine, as I pass by and head straight in the backdoor.

    The old warm boozy tavern air hits me with a bang of beer, sweat and incense. Blues music plays loudly through the speakers. The place is dark. It is always dark. Save for the classic canopy light pulled down low over the pool table. This is the brightest part of the pub, just inside the back door. This pub is always dark and loud around this time. That´s why I like it. Drinkers sit around small tables and have to sit close in together, intimate like, to hear themselves talk over the music. The candles on the tables dazzle their tipsy, glassy eyes. Whether amorous or platonic, a little dancing shadow and candlelight on the face is seductive. It keeps them blinkered.

    What happened took no more than four or five steps to accomplish. My wits lit up the second I crossed over the threshold. No one, thankfully, had been playing pool. A couple were in the corner at the far end of the pool table, too busy canoodling to see anything but themselves. Their pool cues discarded on the table. On the right, as I walked in, were three empty bar stools at the wooden counter. Its own little alcove. Two near-empty pint glasses and a full glass of red wine.

    I don´t look out of place in a pub like this if I keep moving. Just passing through. Don´t catch the bartender’s eye. I narrow my way past people, polite and smiling as I go, standing back at times to let others pass by me. I set the now empty wine glass back down at the end of the bar, and follow a young guy out the front door who, without looking back, holds it open for me. The door bangs shut behind me, unexpectedly, and it makes me jump. A little red wine dribbles from my mouth down to my chin. Quickly across the road, between traffic and blaring car-horns, I am past the Dice Bar and half-way down Benburb Street before I swallow the last of the wine. They´re just lucky they didn´t leave a coat or a bag or a phone behind them. I look around behind me but I know I´m safe. And what of it? Five fifty. Six fifty a glass. Put the next round on your card. Not looking where I´m going I nearly trip over the stripped skeleton frame of a mountain-bike that, still chained to a lamp post, is lying dead on the ground. With a quick step and a skip, I right myself and look around. But no one has seen me. Goodnight, Ladies and Gents. Thank you and goodnight.

    When I get back to the bridge, I see that the light above the door of James Joyce House is still on. I´ll have to wait a while longer. I take up my place on the concrete seat in the middle of the bridge, look down into the river, at the ghoulish green lights under the arches of Queen Street bridge, and wait. I squeeze the pack of cigarettes in my hand in my pocket. Press my elbow against me to feel the naggin, still safe in my inside pocket. In my jeans pocket, I roll the little ball of powered warmth and comfort between my forefinger and thumb. Eyes become unfocused. I zone out. Soon the world and I within it become a seamless, pointless blur…

    This bridge over the Liffey, and this long stone seat upon it, is the day-time seat of the Dublin City Shadow Council. Each morning, between seven and eight, Franky, Charlie and Des appear, take up their seat overlooking the river and wait for the off-licenses to open. They buy what they need, then reconvene to the bridge again and are here, usually, and without interruption, until their curfew at six in the evening.

    Franky is the biggest one and the most silent. He looks like a medieval executioner who has lost his black hood. Not five minutes pass in the day that he doesn´t get up off the stone seat on the bridge and start looking down on the ground around him for something he seems to have lost, before sitting back down again and taking a worried drink from his can, squinting at the brightness of the day. Franky´s huge, about six foot three, fat, and has long black hair, balding on the crown. A big black grizzly beard hides most of his face apart from his brow which is smooth, pale, unfurrowed, unblemished, almost babyish. His t-shirts never come all the way down over his big pale beer-barrelled belly and, when he walks, it seems like he is being lead in every direction by his belly, behind which the rest of him must slowly follow. He´s gone through at least three pairs of cheap black runners that always seem to burst at the front so you can see his dirty socks, or sometimes his big, rusty brown-nailed toes.

    Charlie is smaller, about five four. Under his faded navy corduroy paddy cap, squats his small, soured, red face and those hard, bitter, pale blue eyes. A thin, little black and grey moustache. He walks stiff-legged, bowlegged and with the help of a brown walking stick. His clothes are always a motley combination of charity shop donations. Purple cardigans, grey jumpers, and dark blue jeans. He looks a little like Charlie Chaplin. All he needs is the bowler hat.

    Yesterday, around lunch time, Charlie was lying on the footpath, on the corner of the bridge, at the junction on the quays, right where people usually pause to press the button on the traffic lights and wait for the traffic to stop. A young guy in his mid-thirties, in a business suit, was standing over him and talking on his mobile phone. He was calling an ambulance, or the police. Charlie´s walking stick was lying on the ground beside him. As I walked past, I heard Charlie whining from the ground. “It´s shit. It´s all shit…and I¨m shit too.” And I kept on walking.

    This afternoon he was back on the bridge, sitting on his seat overlooking the river, a can of cider in one hand, his other hand balancing and steadying himself on his walking stick between his legs, his eyes tightly closed, and he was belting out a song I didn´t recognize. A middle-aged, curly red-haired woman was sat beside him with a freshly swollen black-eye that looked like a plum. She was singing too. They were having a great old time. Franky was sat beside them, squinting at the river and beside him was Des.

    Des is tall and thin. He never changes his clothes. He wears a faded black wax-jacket that´s covered in slobber and stains. Beneath his wax-jacket he wears a faded black suit, faded black trousers and his old black shoes are stained too. He has sore-looking red and brown-green scabs on his head and the few spare teeth he has are surrounded by browned and blackened tarry gum-holes. Des doesn´t drink. He sits cross-legged and chain-smokes rollies. He rolls them with too much tobacco. His shaky, agitated, black-nailed spidery fingers are smoked-stained, orange and burnished yellow. He never uses filters. He slobbers the end and puffs in silence. He usually throws half of the rollie away…and starts rolling again. Over the course of a day Des will usually only ask two questions. “Cigarette?” and “What time is it?” He will usually answer yes to any questions. “Are you cold Des?” “Yes.” “Are you tired Des?” “Yes.” “Are you alright Des?” “Yes.” By way of conversation, he may say. “I´m tired.” The most he´ll say is. “They should let us sleep on in the morning. Six a.m. Too early to be woken up.” Throughout the day, as the rest of the city goes on living busily around him, he´ll frequently say, to no one in particular, “I´m tired.” Sometimes he´ll stop smoking, lean forward and hold his head in his trembling hands. Des looks like a mortician that is slowly turning into a corpse.

    And so, if it´s company I want during the day, this is the company I keep. It´s the most regular company I have. It´s enough to come and sit among them. As long as these meetings of the Dublin City Shadow Council can continue each day, that they’re allowed to sit here, unmolested, and are allowed to continue their sessions, I can feel as though the balance in the world is being upheld.

    But this afternoon there was a new addition, someone I didn´t like. A properly dangerous fucker. Young fella. Shaved red hair. Vicious scar down the side of his head. Hate-filled-killer-eyes. One of his legs was gone at the knee. His tracksuit was rolled up and tied in a knot so it looked like a cocktail sausage. He had crutches, crossed over his lap. When I came and sat down, he was changing his sock. He balled up the old one and threw it over the bridge and into the river. As he was putting on a fresh sock, he took one look at me and said “Oi. Casper. Roll me a joint.”
    “I don´t have any.”
    “I know you do, you rangy fucker.” He took up his crutch and pointed it at my face. “I won´t tell you again. I know what you have. Roll me a fucking joint.”
    “I don’t have anything.”
    “I´ll cut your fucking leg off!” The sudden force in his voice and his look made the blood turn cold in my guts. I got up and walked away. He threw his crutch at me and hit me lightly on the back of my legs. “You´re fucking dead!”

    But I kept going. I wanted to go back though. Pick up his crutch and beat the fuck out of him. Continue what the scar had started and crack the rest of his fucking skull in. Force my thumbs in through his eye sockets and wriggle the jelly about inside. But I knew, just by looking at him, that he was connected to a network of murderous fuckers. That look he gave me stuck to me. It followed me across the road and into the Spar. Before I knew what I was doing I was back out of the shop and walking away from the bridge, down the quays, drinking from a naggin of whisky. Arming myself for a fight I didn´t want.

    A massive explosion in the distance shakes me out of my thoughts. The quarter sticks of dynamite are out now. The stone seat I´m sitting on is cold again. The light in the James Joyce House is still on. Another huge explosion in the distance. Kids are starting to put bangers in glass bottles, putting them out on the streets or up on walls and lighting them when they see people coming. Little fuckers have graduated to roadside bombs. IEDs. Some kid running home screaming, a hand covering his face, blood and burst eyeball gore streaming through his fingers. Happy Halloween.

    I look over at the house again and stare at it.
    That´s the security light that´s on.
    No one is in there.
    No one had been in there all this time.

    I get up off the concrete seat and leave the green-lit arches of the bridge and the lonesome cold of the night.
    “It´s shit like this that´ll do you in in the end…stupid prick…pay attention…fucking pay attention…or that will be the end of you…Do you hear me…? Pay-a-fuc-king-tention… Stupid shit.”

    I jump the spiked black railing at the James Joyce House and disappear down the iron stairs to the basement, out of sight from the streets. Doesn´t look like anyone has been down. Nothing seems to have been disturbed. That won´t last. But for now, it´s good. For now, it´s still mine. I start to get the place ready for the night. I cleaned up the mess that was down here. Spent a good long time at it too. Must be two weeks ago or so. Just before dawn and worked ´til the afternoon. Got two big black bags from the Brazilain guys over at the Spar. Filled them bags full of crushed beer cans and energy drinks. Plastic bottles and spirit bottles. Crisp packets and sweet packets. An old mangled umbrella. Two rancid condoms. An old weathered, sad-looking, mildewed, black Converse runner-boot. An old filthy election poster. Maire Higgins. Vote Labour. It took me a long time. Worried about getting spiked by a dirty needle, I went slowly through the carpet of refuse, picking up everything, carefully, between forefinger and thumb. Pulled up weeds too from out of the ground that had grown through the concrete and from out of the walls. Above my head, as I worked, morning traffic had picked up on the quays. People passing on their way to work. No one stopped to ask me what I was doing. A glimpse down might have suggested a landscaper, or a volunteer. I never turned my face to look up. Few people, if any, saw me. Maybe no one saw me at all. I had willed it so. Don´t see me. Don´t disturb me. Leave me be. Let me work in peace. I kept my eye on the prize. A clean, concealed space of my own. Off the streets. Easily overlooked.

    Got rid of the black bags into a skip in Burges Lane. Skip full of smashed concrete. Old cream-coloured computer monitors and keyboards. Old fire extinguishers. Telephones. Stacks of expired Yellow Pages still wrapped in plastic. Everything I needed and more. All on my doorstep too.

    After the big clean up, I was even able to get a loan of heavy yard-brush and dust-pan from the mechanics a few doors down. It was the mechanic’s mother who loaned them to me. Elderly woman, salt of the earth Dub. She reminds me of my grandmother. I´d known her to see. Out every morning, afternoon and evening, in her navy diamond quilted vest jacket, sweeping the ground outside of their garage. She keeps the place spotless. When I returned the brush and pan, she had a cup of tea and a ham sandwich waiting for me. She told her son, who was working under an old black Honda with white racing stripes on it, to let me use the toilet to wash my hands. “Go on” he said, without looking back at me. He wasn’t at all pleased.
    When I came out, he was standing under the car, working it´s oily guts back to health. I sat with his mother on one of the two seats she had brought out and set just inside the big, open, double doors of the garage. I took off my rucksack and sat beside her. I drank my tea and ate my sandwich, watching the traffic pass by on the quays outside. She didn´t pry. She didn´t look for reasons or explanations. She just knew. She just sat there in a way that let me knew that if I wanted to speak, or say something, that I could. But I had nothing to say. Despite myself I could still hear myself rehearsing responses, like “This crash was worst the last.” And, “I mistook myself for an exception.” She did say one thing though. “It´s a crime,” she said, “what they´ve done to this country…it´s an absolute disgrace.”

    After she had finished her tea, the old woman, I never did ask her name, got up and put her cup down on the chair, then took her brush that I had returned from behind the door and started sweeping the already spotless, smooth garage floor. I was careful not to get any crumbs on the ground around me or let slip any of the big slices of ham from out of my sandwich. I was careful too not to spill any of my tea. The cup of tea in my hands was like a warm prayer.

    I sat there, just out of the daylight, out of the fresh autumn sunshine and slowly made my way between my sandwich and my tea. Another small bite. Another few small sips of the good warm tea. I listened to the loud, short bursts of drilling coming from under the car and to the sound of the rough bristles of the heavy yard brush sweeping the smooth concrete garage floor. It was good to be indoors for a bit, with my bag off my back and sitting down. I made it last.

    “Thank you very much for the tea and sandwich.” “You’re welcome,” the old woman said, looking down at the brush as she continued to sweep. “You’ve been very good to me.” I knew she could tell something more was coming. “I was wondering, if by any chance, you might have some tarpaulin, or a heavy plastic sheet or covering…where I am at the moment, it’s a bit exposed…I just want to try and stay dry…I’m sorry for asking.” “Paul…Paul!” The drilling stopped under the car. I looked down at my boots. “Tarpaulin?” “What about it?” “Do you have a bit to spare?” “You serious?” I could feel them looking at each other. “Out back.” “Out back,” the old woman said, and she started sweeping again. “Thank you.” Paul disappeared again under the car. The clicking of bolt tightening began as I ghosted past him.

    Out back was a small concrete yard. High grey breeze-block walls crowned with loops of razor-wire. The yard was full of old dead car parts. Axels, exhausts, engines, batteries. Tall columns of thick black tyres. The shell of an old windowless and doorless rusty red Hiace van. Old signs from years ago that used to hang over the garage doors, propped up on their ends, leaning against the walls. An old, green, paint-peeled shed. It´s two windows covered over with black bags. The ground was strewn with rusty bolts and strews, nails and springs of various sizes. Some of the springs were huge. Heavy rusty springs with a deadly pointed sharp end that would do some serious damage.
    I found some tarpaulin behind the back of the shed, in the tight space between it and the wall. I pulled it out. It was grey and heavy and dry. It didn´t look old or dirty or torn and there was plenty of it. The fact the Paul hadn´t told me where it was and the fact that I had found it myself made it feel like it was now rightfully mine. I flung it out, like a bedsheet, holding it by the two corners, with my arms fully stretched and flapped it once, twice, and then laid it out on the ground. I couldn´t help but admire it. I squatted down and moved around it, smoothing it out as I went. The sun was warm on my back and my shadow was beside me, working with me, keeping me company. It was like laying out the groundsheet of my tent on the first day of a music festival.

    After a full and thorough inspection, I managed to fold the tarpaulin up and compress it so that it was no bigger than a suitcase under my arm. It was important to me that it looked neat and that I looked like I knew what I was doing. On my way back through the noisy, cool gloom of the garage, I was nearly back out of the big open double doors, after stopping to pick up my rucksack and sling it over my shoulder, when the work under the car stopped and I heard the heavy ratchet being put down on a stainless steel tray. My plate and cup had been taken from the chair I had been sitting on and the chair had been put away. The yard brush was stood up against the wall, just to the side and behind the garage door. “Here.” I stopped, turned around, tightened my grip on my tarpaulin and walked back to Paul. “Thanks very much for this Paul…I didn´t…” But I stopped when I saw the look on his face. Paul, the mechanic, walked right up close to me. “Listen to me carefully and keep your fucking voice down when you answer me, alright. Nice and soft, like I´m speaking. Do you get me pal? “I do”. “If I ever catch you in here again…or if I hear you´ve been coming round…I´ll cripple ye…do you hear me? Do you?” “Yes, I hear you. I wouldn´t…” “Shut the fuck up and let me finish…if you ever try and lift anything out here, I swear to God, I´ll burst you´re head open for ye. Do you hear that too?” “Yes, I hear you.” “Good. Now fuck off and don´t come back.”

    Bedding down now for the night inside my little compact tarpaulin hut, cosy in my cock-pit, my fox-hole, my bunker, now it´s all set up. I found two planks of wood down here when I was cleaning up so I kept those. I stash them close, lie them down on the ground, up against the street-side wall so no one can see them. I prop them up then every night I come down, stand them up and lean them against the wall. Then I take out the tarpaulin from out of a little hole in the stone wall, just under the iron stairs. It´s dry in there. I put the tarpaulin over the two planks of wood. There´s enough tarpaulin to give me a wall of it behind my back. Protection. Between my back and the stone wall. There is a little left over too to cover the ground so I´m not sitting on the concrete. There is just a flap then for the door, on the right hand side. The tarpaulin doesn´t reach all the way to the ground. Try and fix that tomorrow. Maybe redesign the whole layout. That´s where the cold gets in. And it is getting colder. But I´m off the streets. Out of sight. Down here in the shadow and the protection of the cellar of the gaunt, neglected house of The Dead. Natural shelter. Above my head, outside my little hut, sparse night-time traffic rolls by. Cars, buses, articulated trucks. But it´s getting quieter now. Dying down.
    I have a red bicycle light. Click once for red light, click twice for blinking red light, click again for darkness. I keep the red light on. Makes the place look like an underground club. Or a dark-room. Everything red and black. Warm colour tricks the brain. And my woolly hat too. It´s good enough. Sleeping bag on the ground under me. My rucksack to my right to block the draft and cold coming in from the door. I go through my bag every night. If I remember. If I´m able. I forget about half the shit I have sometimes. I go through my bag and keep one ear with me all the time while my other ear is up there, out on the street, keeping sus. Listening.

    Gloves to the left. Pack of Marlboros. Sixteen left. Lighter. The last of the naggin. My little bit and my weed. My own pack of rolling tobacco. Skins and filters. That´s all there. All sorted. Nice little pile. Still have my little handy length of wood. My beating stick. Don´t like knifes. Can´t stand them. Hate the thought of having to drive a knife into someone. Or getting stabbed in the side, up under the ribs. Or into the chest. Or having my neck slashed. Or my face. I prefer the stick. It´s heavy enough too. If there´s trouble I run. But down here I´m cornered. One on one, ok. Two on one, maybe. Three on one, I´m fucked. Has to be the stick though in all cases. Has to be fast and brutal. But not fatal. Well. That will depend. Three black t-shirts. Can´t smell them but they seem clean enough. One long white-sleeved t-shirt. Old red jumper. Two pairs of boxers. Three. Four pairs of odd socks. Toothbrush. Toothpaste. Need to get more. Deodorant too. And candles. Do all that tomorrow. Put all that shit over there for now. Copy of Dracula. Four euro eighty. From the Secret Book Store. Promised myself I´d read it before Halloween. Good edition too. Oxford World Classics. Nosferatu on the cover. Following the shadow his clawed hand up the stairs. Looks even better in this red light. Notes at the back. An Introduction. It passes the time. Going through my bag. Something about it I like. Something military about it. An orderly inventory. This is my bag. There are many like it but this one is mine. No bookmark in the book. No dog-eared pages. “…modern subjectivity, mysterious to itself, labyrinthine…” No. Save it. But read it this time. Sit in the park tomorrow with a coffee and read it. All of it. The whole way though. Start to finish. Don´t use it for bog-roll. Jesus, that was rough. Still. Had to be done. What one was that? Was that not newspaper? Torn up, shit stained pages. Here´s another one. William James? On a Certain Blindness in Human Beings. Jesus. Where did that come from? Lovely little book. Where the fuck? Hodges Figgis price tag. Six eight. No idea. Five little essays. “Is Life Worth Living?” Page thirty-three. “…to the profounder bass note of life. Let us search the lonely depths for an hour together, and see what answers in the last folds and recesses of things our question finds.” I need a pen. A pencil. Do I? No. I do. Front pocket of the bag. I´ll study this. But for now, put it to the left. What else is there? Pair of jeans. Raincoat. I have loads. More than most.
    “Ah! No way!”
    Kinder Egg. Nice! Bit melted. Bit dented. But still good. Forgot about that too. Found that, must have been the day before yesterday. On the ground, behind the Four Courts. Little surprise inside. Breakfast tomorrow. First thing when I wake up. Little mascot then. Hope it´s one you put together. Little robot or something.
    Bottom on the bag now.

    Still there. Still safe. Still wrapped in the Lidl bag. The old glasses case. Fresh works and the rest. Fucking Aido and his shit that won´t run. God bless M.Q. And the three other little baggies. Looking especially passable in this light too. And nothing but torn up, shredded Yellow Pages. Crazy how much it looks like fluffy weed. Learnt that from three Mexicans that ripped me off in Seattle. Years and years ago. Drunk of course. Downtown at three a.m. looking to score something. Anything. One of them had a bandage around his upper arm. “New tattoo?” “Got stabbed ese” He actually said ese. They seemed legit anyways. Hooked me up too. Took myself back to the Motel. Baggie all fluffy and soft. That was with Fergus. London Fergus. Lying on the other bed drinking gin and tonic and watching TV when I came back in. “We´re smoking tonight amigo.” “Fuck off. You actually found some? You fucking mad man!” Sat at the table, at the little desk in the motel room, and got everything ready. Then just looked at it. Properly. Stumped. Burnt. But impressed. “What´s up?” I looked at the stuff. Unrolled a soft shred of yellow-green something. Saw printed numbers and a dash. Looked like a bit of a phone number. “Well played lads. Well played. That´s actually fucking genius. I bet they call them tourist baggies. It´s Yellow Pages dude. Fucking torn up, shredded bits of Yellow Pages.” I threw the shit in the bin. Fergus was hysterical. Too right in fairness to them. Back when I had money to blow. But now. For me. That´s anything from a hundred to a hundred and fifty quid right there. My rainy day fund. Still a few more full pages folded up in the bag somewhere too. I can make what, a few hundred quid if I´m lucky and smart and space it out over the next few months. Can´t be going around flooding the market with Yellow Pages. Know my face. “That´s the guy!” Funny though how it always plays out the same way. The script and the product, in fairness, are golden. At night, under the street lights, to drunken eyes, it looks like weed. And to tourists. Only to tourists. Never hit the locals. Dame Lane is good. Andrews Lane. Down on the boardwalk. I´ll start varying places soon. “Should be fifty, Man but I have to get rid of it. Got mad bulk delivery and have to shift it. You´d be doing me a favour…Well, what can I say? You caught me in a good mood tonight. I´m feeling generous. Spread the wealth right. Can do it for twenty-five actually. Fuck it. Just need to get some cash to get a cab home. Fucking lost my wallet somewhere tonight. Come on we walk this way. Think I recognize some plain clothes there.” Quick exchange. Can´t be beat. But it´ll catch up with me one day. Always sprinkle a little bit of my own shit on the top. If they go sniffing while I´m still there with them. “Yeah man. Blue Cheese. Go easy on it man. Mad shit…Enjoy…Have a good night.” I´ll get something anyway for Halloween. Replenish the funds. Fifty to Aido and get that tar. Twenty-five walking around money. Sorted. Now. Everything back in the bag. One by one. This is a happy bag. This is my bag. Full of tricks and treats.

    Packed-out pinner rolled and put behind my ear for later. Cigarette behind the other. Nothing on my sleeping around me now. Just the naggin, pack of cigarettes and gloves. All belted up. Didn´t want to be back on the spike again and needle dancing. Fucking Aido and his shit. Fuck it. Still a bit shaky. Giddy hands. Giddier veins. Chill. That injecting workshop in M.Q. probably saved me from a few trips to A&E anyways. Or worse. Never knew you could shoot it up your arse. Don´t see that in the movies. Could try that with the tar. Bit of a waste though. This shit won´t be worth it, I´d say. But. If you´re gonna to shoot up, learn to shoot yourself. And if you´re gonna shoot, always, always, shoot in the direction of the heart. Right. Fuck it. Half. And see. Then half again. If you can. It´s been a while. Right. Might want to look away…just…ah…haha…o-kay…fuck…sweet Christ on a bike…Fuck me…quick…click of the light…dark…

    I´m standing with two or three or President Lincoln´s advisors by the window of a pinewood cabin. Out the window I can see a coastline far below. Two Pterodactyls fly over the surf in the distance. One of the advisors turns to me and says “Ah, I see the sharks are back…”

    I´m in an outdoor food market. Through the crowd I can see two old friends, Phil and Jo. Phil is wearing a black velvet jacket and old-fashioned grey tweed trousers. Jo is wearing a purple dress. They have bags of shopping and look like a couple out enjoying the weekend markets. When I see them through the crowds, I´m happy but feel embarrassed too, for some reason. When I get close, we greet each other and I say, “Don´t worry, I wasn´t following you…”

    I´m with someone´s father. I know he is anxious about his son. I know the son is in trouble. I know that the trouble is that the son is suicidal. I´m helping the father search a house. It´s day time. We move from room to room. There is a feeling, like a hum, a strange ominous hum in the atmosphere all around us. In every room. We go up the stairs and into another room. It feels like a new room, recently added to the house. It´s a big room. Bright. Out the window, I can see green trees. I can tell that this room is to be used as a walk-in closet. On the threshold, we hear movement inside. The son is in there. “We´re coming in,” the father says. “Don´t point the gun at us” I say. “And don´t point it at yourself, ok? Don´t point the gun at flesh.” The father follows me into the room. The room is bare besides the carpet. New, baby blue carpet. From behind an alcove the son walks out backwards, a rifle held in his two hands, one down on the trigger and one around the barrel. The barrel is pointed into his open mouth. We freeze. He walks backwards and stops. His head doesn´t move but his eyes look at us. He pulls the trigger. Nothing happens. But on the sound of the click his father beside me faints and falls to the floor.

    I wake up cold in the darkness…a sour reek of vomi
    …don´t know where I am…
    …voices…above my head…
    …up on the footpath…
    …three of them…
    …talking…
    …I hear them…
    “You say there´s anyone down there?”
    “Where?”
    “Down there. Look.”
    “Oh shit! Yeah! Look at that! Fucking hell man, it´s getting worse and worse around here, isn´t it?”
    “Come on to fuck will ye. It´s fucking freezing out.”
    “No. Hang on a sec.”
    “Shhh. There might be someone in it.”
    “What you mean shush? I hope they can hear me…Hey! Hey! Sleepy head! Wakey wakey!”
    “Dave, Man, shut the fuck up will ya and come on.”
    “Nah, hang on. Is there someone in it?”
    “Hey! Come here! Look! We´re after winning big in the casino tonight…we´d like to share our winnings with you…yes, You. You down there…come on out…I´ve enough here for you to buy yourself a big warm jacket…maybe up-grade you to a tent…No? No takers? Alright. Suit yourself…”
    “They´re going to be building a new treatment centre next to us here”
    “Another one?”
    “Triple the size of the one already there.”
    “For fuck sake!”
    “There goes the neighbourhood. That´ll bring down your value, won´t it?”
    “Maybe. I don´t know. Tenants are having an emergency meeting about it next week.”
    “Lads, there´s no one down there. Let´s go.”
    “I fucking bet there is man.”
    “Could be a fucking psycho, Man. Come on!”
    “Hey! Come on out! Don´t be scarred! We´re your friends.”
    “Lads, I´m going…”
    “Alright, alright.”
    “I´d say there´s two scaldy heads inside, sleeping together in their own filth.”
    “That´s rotten.”
    “´Member the one we saw outside Dara´s gaff? The silver paint all around her mouth from huffin´ and she was taking a shit outside his gaff…manky granny fanny on her…”
    “And the long pair of shitty granny knickers there on the street for weeks.”
    “The hack of her.”
    “Ah lads, for fuck sake. Will ye come on? I´m headin´.”
    “Come on, we all hop down and take a looksy. We´ll call down for a cuppa, a night cap, with our new neighbour…Here! Slap on the kettle down there will ya?”

    …I touch the place around me…through the darkness…feel the sleeping bag…feel the wet…I can´t…I wouldn’t be able to…my bag…where is it…no…be still…there is nothing down here….no one…nothing but peace…and stone…and darkness…nothing…emptiness…

    “Will we jump down?”
    “Nay, fuck that man. Come on. We´re just around the corner here.”
    “Finally!”
    “Alright alright…just give me a second…”
    “What are you up, Man?”
    “What the fuck, Dude?”
    “Are ye not recording this?”
    “You´re fucking tapped man.”

    …I hear it start to rain…raining on my tarpaulin…just above my head…pouring rain…pissing rain…it´s hosed down on top of me…he´s making sure he´s covering as much of the area as possible…up and down…and all around…foul musical rain…he must be writing his name…drawing shapes…piss-painting…a smiley face…marking his territory…it streams and flows and drips down outside on to the concrete…close to me…all around me…it sounds like another joins in…
    “Don´t cross the streets man! Don´t cross the streams!”
    …their piss thunders down aggressively…the force of it concentrated just above my head…I close my eyes and slowly…slowly…slide down onto my side….and slowly turn onto my back…I fold my arms like an X over my chest…like a vampire…palms flat…fingers touching my shoulders…I lie still…dead still…silent…and invisible…

    …´tis the season…for pissing on graves…smashing headstones…for general desecration…I bare my teeth…a quiet snarl in the darkness…I can barely hear the rain…
    …I´m drifting…
    …falling…
    …slowly dissolving…
    …behind my eyes I see fireworks exploding…colourful…dazzling…sparkling arrays…burning up bright in a night sky that only I can see…terrific blues… exploding whites…pulsating yellows…glittering greens…fountain-sprays of red…fizzling out…fading away…
    …just let me lie here…
    …let me sleep…
    …but come find my corpse…
    …on Halloween…

  • Icarius’s Daughter

    Introductory Note

    “Icarius’s Daughter” celebrates Penelope, Odysseus’s wife and heroine of Homer’s Odyssey.

    In the Odyssey, two narratives are woven together by means of changes of scene and frequent flashbacks. In the first strand of the plot, Odysseus has many dire adventures as he makes his way home to Ithaca from the siege of Troy. In the second strand, covering events on Ithaca, Odysseus returns in secret, reveals his identity, and overcomes the Suitors. In the very last four lines of the epic (24.545–548), the goddess Athene reconciles the factions on Ithaca and restores peace.

    The Suitors are wealthy hereditary lords. They mix competition and cooperation as they pursue Odysseus’s wife, waste his resources, exploit his workers, and plot against his son Telemachus. Unlike Odysseus, who was a good king, the Suitors have nothing to offer the people of Ithaca.

    Today we might describe their regime using two Greek words: oligarchy and kleptocracy. That Odysseus has a home, an estate, and a kingdom to return to, and that a path remains open to legitimate government, is thanks to the role played by his wife Penelope. In a striking passage in the Odyssey, Penelope is compared to a good king.  In a roundabout way, she becomes an icon of good governance (19. 107 – 114).

    At the centre of the story is that Penelope, under tremendous pressure, has promised to marry one of the Suitors as soon as she finishes weaving a burial shroud for her father–in–law Laertes.  Her plan is to keep unravelling her own work by night, thereby keeping everything open for a while longer. This ruse is finally exposed as the epic moves towards its climax.

    Penelope’s courage through the years of uncertainty and despair is rooted in her love of Odysseus – and also in her loyalty to the values of her upbringing.

    The Odyssey was composed (possibly) around the year 700 BCE.  Penelope, a Spartan princess, reminds me of the epitaph for the Spartan “300” who went to their deaths at Thermopylae in 480: “Go, stranger, and tell them in Sparta that we lie here having kept faith with their laws” (my translation of Simonides).

    The Bible was rendered into Greek in the 3rd century BCE. The New Testament is written in Greek. The early followers of the “way” of Jesus needed to make sense of the Greek literary tradition. A view emerged that in Greek literature we find seeds of a fuller truth revealed subsequently in the New Testament.

    The present poem tries to take this insight further.  I assume that there are “structural” questions about human life that arise independently within all traditions.  A reasoned examination of these questions is part of what we call “revelation”.  Homer’s portrayal of Penelope’s faithfulness anticipates in important respects a Christian conception of vocation.

    “Icarius’s Daughter” is constructed out of building blocks of three kinds: a single, brief proem or introduction; “real–life” scenes based on incidents or images in Homer; and sequences in which we hear the inner voice of Penelope. Penelope is intended to represent any woman who acquires a coherent view of life through long experience.

    The proem has eight lines. Each of the ten stanzas that follow is in sonnet form. I leave it to the reader to discover where scenes from life segue into the meditations of Penelope. In many stanzas, the octet is the scene from life, the sestet a soliloquy.  In stanzas VII, VIII, and IX, we hear Penelope’s voice throughout. In stanza X, the scene and the soliloquy merge.

    At the end of this document, I offer some notes on the background to each part.  Readers may wish to review these notes briefly before reading the poem itself.

     

    Icarius’s Daughter

    For Darine on her 60th birthday

    Proem 

    Donne ch’avete intelletto d’amore:
    The women who have come to know love’s meaning
    Were Dante’s team. They helped him to ignore
    Some things and do others. And so, Darine,
    To mark your birthday, a wise, loyal wife
    Inhabits this verse; famous, too, for coping
    With crises patiently. Dante’s New Life
    Depends on the women–artisans of hope.

    I

    Those powerful men, grim in their cross–purposes,
    View and review her. Their adulterate eyes
    Fix on a face and figure. Who she is,
    Where she will turn – this she can dramatize,
    Acting her chosen part. They imagine her theirs.
    They bond, amid the clattering cups and cheers.
    A fold falls by her cheek. She climbs the stairs;
    Collapses, an unwanted puppet, in tears.

    So many things are matters of the will:
    That put–up job, night after night; forgiveness;
    How even today, each day, I’m scheming still:
    I shelve the toys of memory, to live.
    My glory was never the shine in others’ eyes.
    Nor in my own. Mine is a greater prize.

    II

    There in the harbour, an apron of dressed stone.
    Odysseus is tossing orders to his men.
    The urgency of doing has outgrown
    All the old doubts. “They may come not again
    From Troy, these long–oared ships.” She could have died
    Right on the spot. “Await me until the day
    The beard has come to that child’s cheek.” That child.
    “Then marry well.” And still he’s looking away.

    Waiting for sleep, my thoughts were numerous
    As notes the nightingale produces, lonely
    In darkness. Laneways near my father’s house
    Entered my dreams. Each morning there was only
    Ithaca. The vague mist, the barren scree.
    I too have wandered a weather–beaten sea. 

    III

    “Others besides Odysseus were lost in Troy.”
    As if the memories his mother stored
    For all their sakes stood in his way. A boy
    Essaying the sharp impatience of a lord.
    An instant destiny, to have a son.
    Abyss of love and dread, all your life through.
    The nothing you would ever leave undone,
    Weighing against the nothing you can do.

    Sometimes, you smile.  One day, a meowing sends me
    Into the yard. The trough. More wild contortions.
    Knowing that seconds count, I move. A frenzy
    Of mother–love surrounds a half–drowned morsel.
    A cleavage in the clouds. A quick reaction
    Wrenching the wheel of nature off its axle.

    IV

    Hours given to her son were never wrong.
    Like this, as a young girl, she would sit and spin,
    Delving in the unwoven stuff of longing,
    Trusting in life. Like this, as years close in,
    Ageing, unkempt Laertes is content.
    His vines and orchards give him a new prime,
    Far from the palace and old arguments.
    A mind at play knows no hard edge of time.

    That his lost father would come back to us,
    Here to our home, away from the world’s harms,
    Is what I was praying for, for Telemachus.
    Acting the hero in a goddess’ arms,
    Odysseus yearned for this hearth, mortal embers:
    That brush with human love a man remembers.

    V

    So deep is their embrace, it seems that Dawn,
    collusively, holds back.  “Our wedding gifts,
    I polished them last year until they shone,
    Which pleased the older servants.” Her man shifts
    To face her. “Look, we’re winning. That’s why
    Tomorrow I move inland to find support.
    Later, we know it from a prophesy,
    There’s one more journey. Of a trickier sort.”

    Daybreak. I stir myself in the chill air.
    The maids and I are getting his trunk ready,
    His practised voice is carrying everywhere.
    I think of our immoveable carved bed.
    Here will I lie. Wherever the wind blows,
    It starts from here, this life that I have chosen.

    VI

    “The junction of this world with the unreal
    Or real world of life after death. The queen
    All empathy as I deliver my spiel.
    Achilles, a shadow of what he once had been.
    Ajax, with whom I clashed in life, estranged,
    Unwilling to accept a simple hug,
    Once, twice, three times. No gleam, even of danger,
    For thwarted Sisyphus. Eternal fug.”

    Odysseus bounces back to his round of tasks.
    “As long as the sun shines, I must be active.”
    Within, like a sustaining loaf and flask,
    I hear a softer voice. Your gifts are intact.
    Now take your way towards measurable good
    And testify to all you have understood.

    VII

    I often think back on my hard departure
    From home and my poor father, Icarius.
    Once that idea of our living in Sparta
    Failed, as I knew it had to, he would fuss
    Endlessly over our going; day by day,
    And almost hour by hour, he would alight
    On gifts or tokens for my going away.
    If candles could bewitch the encroaching night!

    Inevitable that Antinoē,
    My maid, should quit her outhouse in the palace,
    Not for a man, but to accompany me.
    This was our law, which we termed “natural”.
    Ordained for servants by all–seeing Zeus.
    Or un–thought out, impersonal, abusive?

    VIII

    Eumaeus would point out that they dispensed
    With everyday skills: building, ploughing, planting.
    This he compared to their indifference
    To children and the homes they took for granted.
    The suitors had been lifelong specialists
    In power and unearned income. Towards the poor,
    Their laws on property were like closed fists.
    All eyes were dazzled by the cult of war.

    Odysseus facing Scylla. Long acquainted
    With conflict, his one tactic was to fling
    Spears even at ogres. Our wide planet painted
    By poets is hungry for a homecoming.
    Facing time’s monster, we unfriend our peers.
    Angry and small and armoured, we wave spears. 

    IX

    So much was there on that one perfect morning
    In Pylos. I remember the well–built
    Citadel empty. A session on the shore
    Of the whole populace. The ample, gilt
    Wine–cups. The welcome. Joy, to have our fill
    Of sunshine and good food. In this equation,
    Prayers to the gods were ineliminable.
    The way we shared our time was a libation;

    In the dark forest of a leaden Age,
    A glade of peace.  No staked–out paradigm
    Or single rule explains events. To gauge
    What’s going on within some frame of time,
    And where the meaning is gentle, to take part
    Trustingly, equally, is the great art.

    X

    The walk to the old quay is getting too steep.
    Besides, no ship will come now. She mutters,
    Daylight is not forever, we fall asleep.
    It’s time I gave my fine possessions to others.
    Helen went out and came back. Calibrated
    Poorly, in some dark hour, inscrutable signs,
    For all it matters now. I wept and waited.
    My modesty in presence of the Divine.

    Beneath the landscape of our daily hurt,
    All broken down into particulars,
    There runs the constant river from which blurt
    Fountain–like moments, juxtaposed like stars.
    I am resolved, whatever the future brings,
    To thank God for my being and for his things.

    NOTES ON THE BACKGROUND TO “ICARIUS’S DAUGHTER”  

    Title and images

    In Greek legend, Icarius was Penelope’s father. They lived in Sparta around the time of the Trojan War.  Penelope’s relationship with her nymph–mother is less well defined in the stories than her relationship with Icarius.

    Helen (“Helen of Troy”) was Penelope’s first cousin. In Homer, Penelope is aware of the very different trajectories of her life and Helen’s.

    The first image (title) of Penelope is a painting by Domenico Beccafumi from c. 1514. Penelope contemplates her loom, as if to invite reflection on her character and capabilities. For nearly thirty years, Beccafiumi directed work on the pavement of the cathedral in Siena.

    The second image is another early 16th century painting from Siena, Pinturicchio’s work of 1509 known as “The Return of Odysseus.” We see Penelope, the returning Odysseus and the displaced Suitors. As in Beccafiumi’s painting, Penelope’s use of the loom is a key to understanding her character. On the cathedral pavement, Pinturicchio’s representation of two Greek philosophers at the summit of the “Mountain of Wisdom” is a significant statement about the relationship between Christianity and classical culture.. 

    Proem

    A proem (Greek: pro–oimion) is the introduction to a song.

    Donne che avete intelletto d’amore (which I translate in line 2 as “women who have come to know love’s meaning”) is a line from one of the poems woven into Dante’s short prose work Vita Nuova (“New Life”). The Vita Nuova is quasi–autobiographical. Dante comes to accept that his love for Beatrice will never lead to a relationship or to marriage. Instead, Dante is drawn, through Beatrice, towards a vision of human life in the round. Dante the troubadour becomes the philosophical poet of the Divina Commedia.

    The “wise, loyal wife” referred to here is, of course, Penelope.

    Stanza I

    A fold falls by her cheek: “the daughter of Icarius, wise Penelope” makes her first appearance in the Odyssey (1. 329) when she descends from her upstairs room to face the suitors. With two maids in attendance, she takes her stand by a pillar, drawing a fold of her headscarf across her face. Finally, she returns to her room and collapses in tears (“she wept for Odysseus, her beloved husband …”). As we move with Penelope to the bed chamber, Homer notes the continuing noise from below, from the men who wanted to sleep with her (1. 365). 

    Stanza II 

    Await me until the day …:  these eight lines are based on a flashback (18. 259) in which Penelope describes the circumstances of Odysseus’s departure many years before.  In the sestet, the image of the suffering nightingale is borrowed from Homer (19. 518).

    The urgency of doing has outgrown / All the old doubts. One tradition tells us that Odysseus initially tried to avoid joining the expedition to Troy. In the Iliad, the Greeks’ motives for fighting are ambivalent. This is brought out early in the poem when Thersites accuses the leaders of the expedition of being interested mainly in booty. There are misgivings on the Trojan side as well, centred on the never fully tested possibility of negotiating an end to the siege.

    Stanza III

    Others besides Odysseus …: Telemachus rebukes his mother in this way in the first scene in which we see them together (1. 354). Telemachus’s coming–of–age (and growing assertiveness) is an important theme in the Odyssey. In this stanza, the “scene from life” occupies only four lines. The remaining ten lines of the stanza are devoted to Penelope’s memories and reflections.

    Stanza IV

    The first eight lines picture three forms of contemplative or creative activity. The “young Penelope,” imagined in line 2, is based on the portrait of the princess Nausicaa in Odyssey, Book 6. The determined gardening of Laertes, Odysseus’s widowed father, is described in most detail in the last book of the Odyssey (24. 226).

    We know from the Odyssey (23.333) that Odysseus spoke to Penelope about Calypso.  At the beginning of the Odyssey, we find Odysseus entrapped by Calypso, a beautiful goddess, on her remote island.  So far from taking advantage of Calypso’s promises, Odysseus longs to see again “even the threads of smoke rising from the homesteads of his own country” (1. 58).

    Stanza V

    Dawn,/ Collusively, holds back: in Homer, the surreal holding back of “rosy-fingered dawn” by the goddess Athene prolongs the great recognition scene in which Odysseus and Penelope fall into one another’s arms (23. 239). Odysseus almost immediately starts to talk about his future plans. These include a mysterious journey he must undertake before his old age. We first learn of this additional tasking of the hero in Book 11 when Odysseus meets the prophet Teiresias at the edge of the underworld.

    Our immoveable carved bed: Odysseus’ and Penelope’s carved bed was immoveable because it had been constructed (by Odysseus himself) around a living olive tree (23. 190).

    Stanza VI

    The queen/ All empathy as I deliver my spiel:  the queen is Queen Arete of the Phaeacians. Odysseus is reliving for Penelope the presentation he had made at the Phaeacian court. The pinch of salt implied in the word “spiel” is already there, I feel, in Homer.

    The junction of this world with the unreal/Or real world of life after death: as a prelude to making his way home and overthrowing the corrupt order that has developed in Ithaca in his absence, Odysseus is obliged to travel to the edge of the known world to a place where it is possible to meet with the souls of the dead. These encounters seem to me to shape the “existential” context of the whole story.  There is life after death. The gods are concerned with justice. On the other hand, life in the “other world” is much inferior to life in this world.  What happens after death is difficult to understand, interpret, or rely on. This sense of the inaccessibility of ultimate truth is reinforced by Homer’s technique. Odysseus’s experiences of the “beyond” or near “beyond” are narrated not by the inspired poet (“Tell me, Muse …”) but indirectly by Odysseus himself as a character in the poem.

    Like a sustaining loaf and flask: when the prophet Elijah loses confidence in himself he awakes to find a loaf and a flask at his side. A voice instructs him to resume his work. In the Odyssey, a divine influence can help us get through what might otherwise be too hard (cf. the daimōn or spirit in 3.27). The sestet in the stanza reflects Penelope’s inner thoughts on hearing Odysseus talk about God.

    Stanza VII 

    In this stanza and stanzas VIII and IX, there is no observed event or scene from the Odyssey that triggers Penelope’s meditation. We hear her own voice throughout.

    That idea of our living in Sparta: in the Greek literary tradition, Icarius was heartbroken that Penelope was leaving Sparta. However, his plan to persuade Odysseus to set up home in Sparta was unrealistic. Odysseus was an ambitious king whose base was in Ithaca.

    Antinoē:  Antinoē is one of several slaves mentioned by name in the Odyssey.  Eurycleia, Odysseus’s old nurse, and Eumaeus, the swineherd, were born in freedom. They are victims of raids (like St. Patrick at a later period) and of the slave–trade. Laertes never exercises his prerogative, as master, to sleep with Eurycleia when she is a young woman (1.433). Eumaeus is cared for by Odysseus almost as if he were his own child (14.140). Neither Eurycleia nor Eumaeus fits the profile of the “natural slave,” whose limitations and unavoidable dependence on others supposedly justify the institution of slavery.

    Eumaeus makes a couple of comments that are significant in this context. In book 17, he states that “all–seeing Zeus takes half the virtue out of a man on the day when he becomes a slave” (17.322) – in other words, what might be thought of as poor or dependent behaviour in a slave is shaped by the harsh treatment he has received. Eumaeus also states (13.59) that “it is the dikē of a serf to live in fear.” Dikē appears to mean something like “lot in life” or “place in nature.” Homer engages with the institution of slavery and understands the perspective of slaves, serfs, and the abject poor (ptōchoi, a word that recurs in the Sermon on the Mount).

    The Odyssey provides a solid background, I would argue, to the last three lines I give Penelope in this stanza, including line 12: “This was our law, which we termed ‘natural’.”

    Stanza VIII

    They dispensed/ With everyday skills: this phrase is based on a conversation in Book 14 of the Odyssey between Eumaeus and Odysseus. Posing as a stranger (the scene is marked by dramatic irony), Odysseus describes a certain type of privileged person (male) who despises the skills and virtues necessary to create a good home. The central word is oikōpheliē (14.222), derived from two words meaning “household” and “help”. In Homer, perhaps the most attractive feature of Odysseus’s elusive personality is his mastery of all kinds of skills such as carpentry, agriculture, seafaring, and even public performance. In this, he is very different from the elite warriors of the Iliad, who do no work other than fighting. In lines 1 – 4 of the stanza, I imagine Eumaeus drawing on his conversation with the disguised Odysseus in a subsequent discussion with Penelope about the suitors.

    Odysseus facing Scylla: in Book 12 of the Odyssey, Odysseus must sail past the whirlpool Charybdis and the monster Scylla. Scylla uses her six heads to seize six men (or given time, twice six) off every passing ship; she is violence personified, her mother’s name, Cratais, suggesting “force”.  In common with some other dangers faced by Odysseus on his journey (the Sirens, the Cyclops), Scylla and Charybdis cannot be faced down by organised military strength. Circe is explicit in her advice to Odysseus: deeds of war  (polemēia erga) will achieve nothing against Scylla (12. 116). Odysseus disregards this warning. He puts on full armour, grabs two spears, and stands on the forecastle deck as the ship sails between the whirlpool and the monster. Acting according to the instincts of a warrior, Odysseus is powerless. Scylla seizes and gobbles up six of his comrades.

    We unfriend our peers.  Odysseus fails to forewarn his comrades about Scylla (12.223).  His guile has a purpose, to ensure that his men keep rowing and are not distracted by fear. Perhaps the posturing on deck with the spears is intended to serve a similar psychological purpose.

    Stanza IX

    This stanza draws on two religious ceremonies in Pylos described in Book 3 of the Odyssey. The first takes place on a beach in the early morning and involves all or most of the citizens of several towns. (Did this inspire Keats? What little town by river or seashore …) The second ceremony, inside the palace, includes Nestor’s daughters and his sons’ wives. Women are not mentioned as being present in Homer’s account of the liturgy by the seashore. However, they are so obviously part of the second liturgy that I find it reasonable for the Penelope of my poem to recollect a ceremony by the sea. My account is intended to carry a small echo of the miracle of the loaves and fishes.

    A leaden Age. In Hesiod, phases of history are identified, symbolically, with reference to metals. The Golden Age is the  ideal.

    Stanza X

    In the final stanza, I take one last look at Penelope “from outside,” picturing her in old age, probably widowed, as she takes her regular walk to the pier in the bay from which Odysseus set out for Troy so many years before.

    In some dark hour:  for Penelope, Troy is the “unmentionable place.” Nevertheless, Penelope’s unjudgmental and even kindly attitude to Helen is true to Homer (23.218).

    Modesty in presence of the Divine: according to a later author (Pausanias), Icarius, on Penelope’s leaving home, raised a shrine to Aidōs in her honour. Aidōs means “shame” or “modesty”. It refers to the disposition in a human person to respect the laws of God.

    Constant river: the image of a “constant river” surfacing here and there is inspired by the Greek belief that the fountain Arethusa in Syracuse sprang from an underground river originating in Arcadia in the Peloponnese.