Category: Literature

  • The Communist’s Daughter

    In the morning before waking, I dream of vast empty plains of flatland and red undulating weather systems in the far distance. It is a dream I have often which leads me to wake with a nameless anxiety, and while the images quickly dissipate like dreams do, the nervousness persists. It is before dawn and I lie there on the couch for an hour, before rising and dressing without showering because I have resolved to leave for the office alone, but Tadhg appears in the doorway of his bedroom before I can make my exit.

    “Well Senan, how’s the head this morning then?” He asks in his meek manner which belies his Corkonian extraction.

    “Same as.” I tell him as I strip the sofa of bed sheets.

    “Ah man it’ll get better.” He says.

    “It will.”

    I check my phone for messages from Anaz but there are none since last night when she broke the silence which has existed between us for the past week and suggested we meet this evening for drinks. I check Instagram as well but little has been updated since I last checked it at about 2AM.

    “I’ll make us some coffee and we’ll head.” Tadhg says.

    I want to respond. Tell him that I’d rather make my own way to the office this morning, but I can’t put the words together. Instead I feel irritated by his presence, even though it is his flat I am staying in. I fold the sheets and leave them on one side of the couch, as if in anticipation of another night which will be spent there, and sit. Tadhg, still standing in the doorway, watches me do this, and after a beat when it becomes clear that I am no longer present, he moves to the coffee table in front of me and clears it of the cans and full ashtray that I left there the night before, despite his request that I not smoke inside. In the kitchen I can hear the coffee machine gurgle and spit, and the cans being crumpled one by one and binned. I consider just walking out the door while he is occupied, but checking my phone again I am reminded that I may need his couch indefinitely, so I stay where I am, staring vacantly into the screen of my phone, scrolling aimlessly and without register, down the endless feed of Instagram. Already new stories are appearing from people I barely know and I tap their smiling icons and view their manicured nails, brightly coloured and bedazzled, gripped around cardboard cups or tilting towards the small lens on their phones a plate with muffins of seed and bran and obscure berry or grape, and infused with cinnamon or pumpkin spice even though it is now November and not October, and the rain outside has turned cold and the air heavy, but all the pictures are warm and dry, and yet somehow still frigid and empty. After what seems like a long time but is likely only a few moments I am returned from my uneasy reverie by Tadhg planting a cup in front of me and falling heavily on the couch to my left, both his hands holding his own cup close to his lips as he blows on the steam that rises from it, and it is only then that I notice the cold of the room. The damp feel to it that I hadn’t felt before, and the dull throb of a hangover rousing behind my eyes.

    “Are you gonna see Anastasia later then?” Asks Tadhg.

    “I am.” I answer, though I don’t remember discussing with him my arrangement with Anaz. But then, I don’t remember much from last night.

    “You sure that’s wise?” He asks with only a hint of incredulity.

    “We share an apartment, Man.” I respond, and then after a beat, “And Buddy.”

    “This isn’t the attitude you had last night,” Tadhg says.

    “Well, I was drunk last night.”

    “I can see that,” he says, drinking his coffee now.

    “How many more did you have after I hit the sack?”

    “Not enough.” I respond.

    “Right.” He says, and a silence descends.

    “Look, I know I need to end it,” I concede. “It’s gone fuckin’ toxic.”

    “It’ll get better, Man.” He repeats.

    I pick up my phone again and open Instagram and refresh the feed. A new story from Anaz appears at the top, her icon a smiling glittering visage cuddled up to the dog we share, Buddy. I tap the icon and Buddy appears again, at the end of his leash which trails back up beyond the camera’s sight, and ahead of him is the public park which is across the street from our apartment building. The grass is an almost luminous green, the cloudy sky not grey but bright, and the caption reads “Out for a walk with my little man!”, with the sunglasses emoji. I lock my phone and put it down again and drink the hot coffee, its taste bitter and sickening.

    Tadhg is moving around his small flat, wiping down the coffee table and coming in and out of the living room from his bedroom in increasing states of dress. The place is tiny, the kitchen a cove, shared with an oversized washer-dryer that he was bragging about having bought, about never having to go to the launderette down the street again. The TV is too close to the couch, the coffee table too close to my knees, and the couch too low, old and impacted. I put down the cup of coffee and finish dressing by grabbing my tie, still tied from yesterday, and noosing it around my neck.

    “Not gonna finish your coffee?” Tadhg asks, a look of concern, or perhaps irritation, on his face.

    “I’ll grab one on the way to the subway station sure,” I say, before adding, “Thanks though, it was… decent.”

    From the street the sky is a huge churning spectral mass of grey which cascades over the roofs of the differently crested buildings of downtown Toronto. We walk the short distance to the subway station in silence and I am tempted to put my headphones on now rather than when we get on the train. I hold off and tell Tadhg that I am running into Tim Horton’s to grab a cup of coffee, but he follows me into the shop and stands with me after I order.

    I check my phone again for messages from Anaz, or anyone, but there are none. There are numerous new stories on Instagram, mostly of coffee cups and allegedly healthy breakfast choices. Anaz has posted a picture of a cardboard coffee cup and the yogurt and granola pot that she likes but always says is too expensive. I study the photo closely but there is little more info I can glean from how the picture is cropped. When I receive my own coffee, without thinking, I hold it out in front of me and open the camera function on Instagram.

    “Are you taking a photo of your coffee?” Tadhg asks me, laughing.

    “No.” I mutter, quickly locking my phone and putting it back in my pocket, disturbed by the apparent instinct of my own action. Tadhg continues laughing at me and despite the fact that he is probably my best friend in this country, the desire to walk away from him and put my headphones on is intense, and the knowledge that this reaction is merely a projection of other feelings does not quell the almost overwhelming impulse.

    I walk out of Tim Horton’s and make a beeline for the entrance to the subway station, holding my coffee in my right hand and pulling my wallet from its pocket with my left. At the ticket barrier I stop and struggle with one hand to remove my subway pass. Tadhg sees this, and his own pass already in his hand, takes my wallet and removes my pass and hands it to me so that I can easily go through the turnstile.

    “So where is it you’re meeting her tonight?” He asks me when we’re both on the other side, Tadhg this time holding my coffee cup while I put the pass back into my wallet.

    “The Communist’s Daughter,” I tell him, before adding, “Ossington.”

    “Ye seem to like that place, you go there so often,” he says, “I’ve still never been.”

    Redundantly I reply, “We don’t go there that often.” Though I find myself thinking about this point as we descend the city and catch a train that’s already waiting at the platform.

    At lunchtime I don my Bluetooth headphones again and hit play on a new episode of the podcast I’ve been listening to which is about an Irish serial killer who murdered his victims by pushing them in front of tube trains in London. I manage to duck out of the office unnoticed and make my way to the underground concourse 70 stories down and walk past a small second hand electronics store which is run by a short, crippled Asian man, past a dollar store where I bought a red rubber spatula when we first moved into our apartment, and through the link corridor. Then past a chain clothing store which reminds me of Dunnes Stores or Marks and Spencer or something of that ilk from back home, but is far more expensive just like everything is here. Past an LCBO which if I’m honest is located too close to where I work, and around the corner past three different Canadian banks, to the food court. I follow the kiosks which circle the seating area, reading the menus of each – Falafel, bagels, Indian, Chinese, Italian, Burger King, A&W Burger, Sushi – but I become aware that the seating area is full and bustling which will make it difficult to sit alone and away from absolutely anyone else, so I make a snap decision to leave the shelter of the concourse and take to the street.

    The clouds still hang low and swollen and ominous, and though the pavements are stained damp it does not appear to have rained again since last night. I walk steadily along the footpath, dodging some people and overtaking others, passing different shops where I could take a look at the lunch options but am put off entering either by the crowds or by the glimpse of my own haggard and tired reflection in the windows. Persistent, the hangover has abated to something more familiar and manageable, but my mood is a strange amalgam of weariness and restlessness. Tired and tense at the same time. Muscle memory leads me to subconsciously take out my phone yet again, and by the time I realise what I’m doing I’ve already unlocked it. So I relent and go through the process of checking everything: messages from Tadhg and Aidan and Freddie and Harry asking where I disappeared to and if I’m free for lunch; a missed call from our apartment building manager; an email from my bank offering me increased credit and an additional credit card; countless emails from Linkedin even though I have unsubscribed numerous times, and Facebook even though I deactivated my account months ago; nothing from Anaz. Instagram consists of stories depicting what people are actually watching on TV at any given moment and  posts about the colour of the clouds, or about how rain cleanses everything and how we should feel positive about this: “Positive vibes only”, followed by love heart emojis and the sun wearing sunglasses, probably expensive ones.

    I’ve walked as far as the shop fronts go before they turn into condo building entrances, so I enter a Loblaws and absently wander the isles not focusing on what I might eat for lunch but thinking instead about the last time Anaz and I were together.

    Despite a barrage of texts from Anaz asking where I was, rather than go home that evening, I had been out drinking with Tadhg and Aiden. I let myself into our apartment as quietly as I could so as not to set the dog off, or Anaz. But she was up.

    “Do you realise we don’t had sex in two weeks more than?” She said from the shadows before I saw her on the couch eating caprese salad in red lace underwear and a halter top. Her trousers, shoes, socks and jacket were strewn to various different points throughout the apartment, which was lit only by the sprawl of the city shining through the floor to ceiling windows in sharp spears of light. I wondered briefly if she had been alone the entire time. Whether she had removed her clothes herself, but before the thought could fully form in my mind she spoke again, “Where the fuck were you?”

    I digressed to the fridge and grabbed a beer, trying to remember what excuse I had made up, before finally settling on, “I told you, I was having drinks with clients.”

    “Sex,” she said again, not listening to me, lifting above her head a slice of tomato with a generous sliver of mozzarella cheese heaped on top of it, and a leaf of basil, and then lowering it, craning it, slowly into her mouth, and then shutting her eyes tightly and clenching her fist with pleasure. It was a display I had observed before, and had previously found strangely arousing, but in that moment I was so utterly repulsed by the show that I felt like weeping. Instead I did as I always do and opened the beer and downed it while standing at the kitchen counter.

    “Why we don’t had sex?” She repeated.

    “Because we don’t even like each other, Anaz.” I muttered to myself.

    “What?”

    “Where’s Buddy?” I asked her.

    “I walk him and feed him and now he sleep in the bedroom, where you think, Senan,” She answered me with a calculated bite.

    “You supposed to walk him,” She continued.

    “I walked him this morning, like I do every morning.”

    “Oh ya!” She scoffed.

    “Why are we fighting Anaz, it’s Friday and we’re both drunk. We should be happy,” I said tiredly to her. To the empty apartment.

    “Why you don’t come home?”

    “Drinks. Clients.”

    “Bullshit.”

    Had I not been drunk I may have considered the fact that she was right, I was bullshitting her, and had done so countless times before. Had I not been drunk I may have contemplated the possible reasons I preferred not to go home to our spacious apartment in leafy midtown Toronto, where I had a beautiful girlfriend and a dog and a future unfurling. But rather than think I drank, and I don’t remember who initiated it or how and I don’t remember desire awakening in me, and I don’t remember but I must have joined her on the couch, and I must have allowed my eyes to trace up the silken sheen of her sallow-skinned legs, crossed and toned and elevated on the coffee table, to her underwear delicate and transparent. I must have because an image of it lingers even now. So too lingers the fragrance of sex, still in my nostrils. The smell of stale cigarettes and liquor and caprese salad. The taste of her mouth in mine. The sensation when her teeth broke the skin inside my lower lip, and the sight of blood, black in the dark, marked on her chin. The taste of it when my teeth and tongue followed the line it had traced. My hands as they held her hips and her waist. My fingers when they found the flesh under her top and drew up to her arms and threaded her fingers held high above her head. Then her underwear torn away and my trousers unbuckled and lowered just enough. The impatience we shared as we both tried to ease me into her, our hands wet with spit. The image of a tug at the corner of her mouth forming a sinister grin which I should have paid more attention to as I held her arms down with one hand and arched a leg with the other, blood smeared on her face, dripped from my lip tense with intent. The image of her legs locked around me as they negotiated a rhythm. The memory of her words of goading in the guise of encouragement. The tightening of her legs around me and the slow inward rise of an orgasm. The memory which is trying to bury itself of her holding my hands to flesh under her hips, of her holding me there, inside her. The memory of her intent. The memory of my words of caution turned pleads, turned echoes unheeded.

    The whole scene replays before me as I stand in front of single serving plastic containers of red and green salads, of triangular sandwich boxes, or wraps, or veg sticks and fruit cups. I haven’t eaten since lunchtime yesterday and though I feel empty and depleted, nothing in the array of options in front of me, anywhere in this shop, appeals to me. The disembodied voice of the Irish serial killer, gruff and slurred, brags in my ears about how many people he pushed in front of oncoming trains, how they were all ruled just suicides, and he repeats those two words several times, “Just suicides”.

    Still standing in front of the lunch options, as if to break the trance I’m in, I take out my phone. Another missed call from our apartment building manager. Instagram stories from people back home, coffee cups and porridges with seeds and honey, salads of avocado and lettuce with tomato and egg, and complaints about the cold and the wind and the rain and “It’d be a grand aul country if you could only move it har har!”. A picture of a dazzling warm sunset posted by my sister in Australia with a caption about there being “A grand aul stretch in the evenings”. So many different emojis plastered over every picture that I can’t fathom what I’m supposed to feel at all. And a reminder that a friend’s birthday is tomorrow, which I dismiss.

    I grab a sandwich and slalom the isles again, unsure if the sandwich will suffice or if I’ll need something more, something other.

    At the dairy freezer I stop and peruse the different cheeses, all of them foreign to me and expensive, like everything is here. I pick up a cheese that Anaz likes. One we eat with crackers in front of the TV. Aged Five Years is advertised on its red ribbon emblem, and without looking around me, I open my jacket and slip it into the inside pocket, and walk to the checkout where I purchase only the sandwich, before leaving the Loblaws and without thinking, without giving it any conscious consideration at all, acting purely on some sort of toxic instinct, I walk out into the middle of the street, traffic coming in both directions, and I cross the road and walk into a Firkin Pub which has a John Cleese silhouette on the wall ascending the steps, and I sit at the empty bar and order a pint of Moosehead and a shot of Jameson, and when I’m told that I can’t eat the sandwich that I bought in the Loblaws, I ask what sandwich. The bartender actually has to nod at my hand before I realise I’m still clutching the sandwich box tight, crushing what’s inside, so I ask for a food menu as well and end up ordering a Classic Poutine which I don’t initially think I’ll eat but end up devouring.

    Back in the office I spend the afternoon sending emails to clients: millionaire hedge-fund managers, managing billions of dollars worth of wealth. I send them short snappy missives which emphasise how I know how precious their time is and assuring them that I’m not in the business of wasting it. How their quarterlies show good numbers while many of their competitors are sliding precariously into the red. “It was my robust macroeconomic advice which assisted this, and with year end approaching I hope I can count on your business for what I’m sure will be another successful year. Kind regards, Senan O’Sullivan”. Then I avoid all calls and scroll Reddit and Instagram for hours until my neck and shoulders begin to ache. Anaz has continued posting stories throughout her day, of her yoga mat laid out in our apartment which she refers to as “My place“. Of Buddy at the obliterated end of a chew-toy even though it is usually me who plays those games with him. Of the view from our balcony which looks down the long stretch of Yonge Street to the city, broad and still at a distance. I am still scrolling Reddit when I leave the office, and still when I am waiting for the elevator, and still when I am riding it down the throat of the building. I am so engrossed in the variety of nothingness reeling before my eyes that I do not notice that Tadhg has gotten on the elevator as well and is speaking to me. I have to ask him to repeat himself twice before I can register that he is asking me about sleeping on his couch again tonight.

    “You’ve been pretty out of it all day.” Tadhg says to me with a forced kind of humour.

    “Have I?” I feign. “Just tired.”

    “And will you be needing the couch?”

    “Probably…” I tell him, wanting to form more words, to give him an answer more certain, but I am just breathing audibly on the verge of a panic attack. He stares at me puzzled until the elevator doors open on the ground floor, where we exit to the lobby and walk together to Bloor subway station.

    The sky is now a disintegrating black horde manifested on the street as the heaviest rain I have ever seen, and we run through this along with hundreds of other people finishing work at the same time and descending from their offices in the sky and following the same routine. Cars and buses and taxi cabs blast their horns and make their presence known but otherwise there is only the sound of the falling rain and then the squeak of rubber soles on tiles as we enter the shelter of the concourse. At the ticket barrier Tadhg turns to me and says: “Let me know then, I’ll be downtown having a drink but the couch is there for you if you need it.”

    To which I nod and respond: “Grand, I’ll let you know.”

    And I’m thankful to him for being a friend, and I want to articulate this but instead we separate, going in different directions on the subway lines.

    When I arrive in Ossington the neighbourhood is drenched in the light of the city, the streets shimmering back at the night sky like a warped mirror. I’m early and I stand for a time under the awning of a restaurant in the style of an American diner on the other side of the street from the small speakeasy bar that reads above its door The Communist’s Daughter.

    It has been five years since I met Anastasia Smirnov on that curbside one sweltering summer night. Four years since I moved here to be with her. Three we have lived together. And two that we’ve shared Buddy. Each year marked by some type of progression or milestone or marker. Red Toronto streetcars pass me and chime at clocklike intervals. I take out my phone and text Anaz to say that I will be a little late, and then turn around and enter the diner restaurant and take a booth by the window facing across the street, and when the waitress comes by I order a gin and tonic off the bar-rail menu. In my ears ring the unsubtle hymns of Arcade Fire, and for the first time all day I feel tranquil.

    Anaz texts me back to say she will be there in the next ten minutes. I respond sarcastically that I’ve been enjoying the stories she’s been posting all day, but I realise the subtext was lost when she says she has been able to relax and think. That she has tomorrow off work so we should put some wood on the fire tonight and enjoy ourselves. Adding wood to the fire is something she has always said: that our fire will die if we don’t add to it.

    Instead of waiting just a little longer to speak to her in person like I know I should, I type out the message:

    “Are we just going to ignore what happened the other night?”

    “Ignore what Baby?” She responds a little too quickly.

    “That you made me finish inside you,” I write.

    And then immediately on top of that: “I wasn’t wearing a condom.”

    “No Baby, you didn’t pull out because you were drunk.” She immediately responds again.

    “Anaz, you wouldn’t let me pull out.” I tell her.

    “No Baby, it was you.”

    “Anaz, we were drunk but I remember,” I write, the memory of my rising panic giving me a sudden jolt.

    “I wasn’t drunk.” She says.

    Minutes pass and I don’t respond to the last message. I replay in my mind the events of the night as I remember them, only now I doubt myself. I doubt what I know is true. The minutes stretch and a directionless anger rises within me. I finish my gin and tonic and order another and while the waitress is walking away from me, I find myself typing: “The thing I’ve come to realise about you Anaz is that you are undeniably beautiful… but only on the outside.” I read this message over and over trying to calculate its effect before my fingers delete it and instead type and send:

    “Did you take Plan B?”

    “Yes Baby.” She says.

    “How can I know that’s true?”

    “Well you’ll see in 9 months when I don’t give birth.” She tells me and I can’t know if this was meant as a joke or not.

    Another expanse opens between us, the only sound the din of shifting metal cutlery and ice in glasses like a death rattle. Anaz has posted a picture looking out of a bus window at the rain with the caption “Date night!”, and the drinks emoji. When I look up from my phone I can see her across the street finishing a cigarette outside The Communist’s Daughter, and as always I am struck by her beauty, and the night maps out in front of me coldly.

    I will go over to her and we’ll order drinks, perhaps beers to start with but then we’ll move on to cocktails and we’ll definitely do shots, and then we’ll probably move on to another bar somewhere. Maybe we’ll take a cab back downtown, and maybe we’ll score some coke and then we’ll go home, possibly with some random people in tow, and the night will blur and we’ll never address that night or our problems directly, but we’ll take some wonderful pictures and videos and we’ll post them to our Instagram accounts and we’ll call them the memories we’ve made together, and people back home will comment on them saying how great I look and how happy we seem, and I’ll like the comments and respond with emojis which will assure everyone of my complete and utter contentedness.

    Anaz vanishes briefly into the darkness of the bar but reappears when she takes the booth in the window box which is the best table in the place, and I become aware that all I need to do to break this cycle is to not join her tonight – that on some unconscious level I already knew this and took the first steps by entering the restaurant and not the bar.

    I chew the ice at the bottom of my glass.

    I tear a napkin to shreds.

    I watch the waitress meander about the tables filled with the frivolous Friday nighters.

    I order another drink.

    The rain outside has started up again and I watch her over there, as she removes her red beanie hat which through the two water streaked windows that separate us looks like an undulating beacon, warning me, while always drawing me in.

  • Head Shop

    Tedium was tip tapping on the pane of Gibbo’s day, the hours slouching into another shite night alone, like the slow but certain, annihilating course of ink on blotting paper. A visit to Tosh in the Head Shop “Happy Daze” on George’s St might just resurrect the dregs, if not by consuming a selection of the products for sale there, then at least by listening to Tosh describe them and the effects they’d produce, the feelings and sensations they’d induce once ingested.

    The shop was dimly lit like one of those places that sell lizards as pets to stoners; it smelled of stale joss sticks and half eaten Govinda take away trays. Dub reggae oozed like liquid hemp from two battered vintage speakers that stood at either end of the glass cabinet containing all the pills, powders and shrooms, which looked like the moist, fecund sex organs of alien amphibians. And then there was, Tosh.

    Some people become caricatures of themselves but Tosh took it to another level entirely, becoming a parody of the caricature itself. He was pencil thin and tall enough for half of his body to be in an entirely different, Himalayan weather system, to the rest of him. He didn’t wear clothes; they hung from him like sheets of washing out to dry. The brown, round neck Aran sweater that he wore like a second knitted skin, billowed at the slightest twitch of his body.

    He had that wizened pirate look that comes from years on the high seas of late nights, rolling spliffs in other people’s kitchens, at parties that always ended with dawn breaking on crushed green cans that spread like metallic spawn from butt soaked sinks.

    Of course he had a benign, pointed satanic beard too! And he wore an earring that was given to him by a German girl he’d spent the night with after seeing Marley in Dalymount Park, years back. Everything was “Years Back” with Tosh except for his eye brows which were fierce as fresh printed font. He wouldn’t have looked out of place on the cover of “Mojo” magazine talking about his comeback album but he had little to come back from, other than his greatest hits played in the kitchens of Dublin where he’d roll the best numbers while talking about Syd Barret,  arcane sub clauses in the Brehon laws and mumbling something about the Tuatha De Danann being connected to the Mayans.

    “Ah Gibbo, my man! How are we today? Are ye in for a buzz or a chat or a bit of both? I’ve got some crackin’ new stock in from a warehouse in Budapest. I’ll talk ye through it in a minute but c’mere, how did ye get on with them ones I sold ye last week?

    Did you do as I told ye?

    The cheeky half, chased by a full one just as the half is settlin’ in nicely, then when you’re tilting full gear on the whole one, drop the last half, see, that’s how ye play a two pill game!

    D’ye remember I wrote it down for ye? Like how to take them properly, in the right order, there’s no point in double droppin’ these, that’d just be bein’greedy and ye wouldn’t be lettin’ them tell their story, it’s a three act thing, ye got yer intro, yer crescendo and yer beautiful sunrise fade. Apart from the obvious whack off them, did ye get any of those subliminals, I’was tellin’ ye about? There’s a nuance to them, like they’re not in yer face, but they’re all over ye at the same time.

    So Gibbo, I have another fella like yerself who comes in most Fridays, now, he loves his food, he’s all culinary, mad into his ingredients, would know his way around all them African spices on Moore St, so, when I’m talkin’ him through the pills I go all Master Chef with me metaphors but you’re a man like meself who’s into his tunes  so I’ll keep it musical for ye, so ye get me drift, I love doin’ the R+D on this shit, I take it seriously, I want me good customers like yerself to know what they’re getting’ into and always remember Gibbo, when ye feel yer bowel howl, ye’ll know they’re kickin’ in, c’mon, are ye ready?

    These ones here I call Kittsers, after yer man David Kitt, half an hour or so after takin’ the first half, ye’ll feel a warm acoustic vibe comin’ over ye, a half full but well in to it crowd in Whelan’s buzz, but ye’ll feel a slight stitching of electronics studded around the hinterland of things, I don’t wanna say “a glow” but ye get what I mean, the Kittsers aren’t too strong though, when ye drop the full one, it’s more of a Boutique festival vibe, like Whelan’s morphin’ into a Body and Soul stage and it goes on like that a while, a more genteel “Gloaming” vibe than yer urban “Lankum” trad, they’re smooth, the muchies with these pills are organic, d’ye get me, I found them a bit shite in the end to be honest, like being at some gig in the Iveagh Gardens and ye wonderin’ how ye ended out there?

    Nah, I like a bit of grit in me pills.

    These ones here are more like it, though may I say, they are strictly for well-seasoned travellers like yer self. I call them, “The Gaffs”.

    About twenty minutes after taking the first half, remember yer maths Gibbo, half + full + half, the only way to do it, the narrative, the flow, that’s what yer after,

    It’ll start to feel like there’s a house party in yer head, a good one with all yer mates there, you’ll feel them coming in, a mad rush at the front door, swingin’ bags of cans, it’s not Whelan’s anymore man, it’s a stairwell full of people ye hardly know, that you’ve never seen in yer house before, one of them nights that’s goin’ to swell, it has its rough edges too though when ye start comin’ up proper, a Garda siren lickin the walls blue and white, ye might feel a tremor, a panic but it’ll pass with a rattle of worry farts, when ye drop the full one it’ll be like the house has been dipped in spirits and torched with new beats you’ve never heard before, some Brazilian dude is DJ-in in yer front room, Favela-Fuckin’-Chic, wadin through a block party, a carnival and a  sudden flash of asphalt wasteland in the room, there’s no lettin’ up with these ones, pure ritual,

    ye’ll be all alone but surrounded by people, nice bit of hallucinatin’ on these too, the party will become external, people will leave yer head and pour into the kitchen, ye’ll meet people there ye haven’t seen in years, ye’ll feel the erotic rush of a whole house heavin’ with the dance, like a greedy snort of Pentecostal Poppers,

    the colour range on these is like a serious fuckin’ festival rig, ye’ll end out focusin’ on the colour of the kitchen door for way longer than’s natural, ye might even feel a Oneness with shit that’ll make ye oblivious to all the other shit around you,

    ye know like when all of life’s asteroids are comin’ at ye, thick n fast and ye do a Han Solo on it and go straight into Spiritual Hyper Space, bypassin’ all the mundane crap that brings ye down, it went like that way for me anyway,

    these really are quality pills, all the colours get like a Biblical Dulux paint catalogue, ye’ll start makin’ connections between things that’ll fade as soon as ye try thinkin’ of them again, ye’ll remember nothin’ later, yer mind’ll be like The Shining maze, bein’chased by half formed feral sentences, ye’ll wish ye had a brain stenographer with ye to record yer thoughts, ye’ll think they are important but they might just be shite but who’s to know,

    they’re roarin’ “Tune” in the front room, ye’ll have strobe light black outs on the dance floor, not knowin’ how ye arrived into the glare of the kitchen light, ye’ll feel epic and loved, all the walls of the house throbbing like a heart pumpin’ speed, the kitchen and the front room will seem like they’re different hoods in some huge smudged metropolis that yer racin’ through now, high as some released captive thing, a vertigo in your stride, fearless, ye’ll have flashes of being all alone because you are all alone, reality sneaks in the fuckin’ cat flap the odd time with these pills, like morning light torn from a drawn curtain, a prison break on the dance floor,

    there’ll be a blonde PR bird at yer living room door with a clipper board, askin’ ye what guest list yer on, ye’ll have to choose carefully or ye’ll be fucked out high as a kite cut loose, tremblin’ alone on the quays, freezin’, neon taxi slur in the puddles, ye’ll look back at the entrance to The Liquor Rooms and ye’ll realise it’s yer own gaff, the door into yer own livin’ room and everyone there is bein’ sliced by strobe, tribal Batucada Beats, and the bird who had the clipper board has lassoed you with her eyes, ye’ll get a lust rush but it’ll be a brain boner, yer lad will be limp as a droopin’ glove, ye’ll think of Lou Reed, “between thought and expression there lies a lifetime”, the music will go all,

    ah- whacka-whacka-whacka, ah-whacka-whacka-whacka,

    ye’ll get down on yer hands and knees and try crawlin’ away from the echo but soon enough ye’ll surrender to it sweatin’, relieved that it’s yer new Master.

    these pills can have quite a rough come down, the worst kind of psychic turbulence but they’re worth it for their plasma screen clarity and the integrity of their buzz, when ye come down proper, all the people who weren’t there will have gone but ye’ll be glad ye met them anyway.

    Are ye with me Gibbo? Am I givin’ ye a few ideas for later? C’mon, I got a couple more to show ye.

    I call these pills “The launches”, they’re cunnin’ little bastards, the first half comes on all warm like yer at some art openin’ in a warehouse, somewhere in the Batter, NCAD heads wearin’ vintage gear, some lad in a knit wear bobble hat, stooped over a lap top playin’ Ricardo Villa Lobos minimal techno, craft beards and shite lager but it’s free, so ye dive in and talk crap about the installations, ye’ll get these comin’ up jitters, feelin’ that what yer sayin’ about the installations isn’t the right thing to be sayin’ about them, like yer out of yer depth at a party full of those Irish Times “ 50 People To Watch in 2009”, ye know the fuckers, video sculptors ‘n vegan choreographers.

    Ye won’t feel like yer one of them, me and you Gibbo never make it on to them lists, but once ye drop yer first full “Launch” ye’ll feel better than all them cunts collaged together

    You’ll feel like you’re the artist, that it’s your launch, you’ll have interviews about your work runnin’ through yer head, ye’ll feel like ye own the room, on top of yer mad out of it game, ye’ll see yer self on the box talkin’ about yer difficult second album even though you’ve never played a note in yer life, it’ll be like ye become whatever music yer listen’ to, it’s so real, ye’ll feel ye’ve got the fingerin’ all sorted on the tenor sax yer mimin’ the fuck out of in the mirror, ye’ll see posters for “An Evenin’ With Gibbo” flappin’ on the lampposts in yer twisted, head fucked streets, you’ll believe you’ve really gone and learnt an instrument, then the most fucked up, loved up shit kicks in,

    Yer playin’ stadium concerts now, yer the lead singer or the guitarist, ye can be whoever the fuck ye want to be, snortin’ lines of adulation, ye grab yer crotch and gurn, “I am Live Aid. I am Freddie Mercury”, a Nuremberg crowd rush of pure fuckin’ love, the best gig ye ever gave to yer reflection in the mirror, yer all alone and shittin’ yerself, a stab of the fear, but ye mange to pull yerself back into a pub sized gig, yer listenin’’ to Howlin’ Wolf, built for comfort, “300 Pounds of Joy”, it’s Walters in Dún Laoghaire and ye command the room, ye’ll see everyone ye knew there when ye were young and they’ll love ye, ye’ll feel Savoy 1 screen stretched, everythin’ about ye will feel epic, it’s the maddest rush.

    I, like, became Marley in Dalymount an’ I seen meself singin’ as Marley to me younger self and the German bird that gave me the earring, fuckin’ multiple identity trippin’

    The come down from these is smoother than you’d than ye’d think, like a class of farewell tour, a “for one night only” vibe, ye’ll see posters for yerself again but they’re smaller, ye’ll be back to playin’ Whelans, but it’ll be a good crowd, when ye come round ye’ll have forgetten all the interviews ye gave but ye’ll know ye did give them,

    ye won’t even have a ticket stub to one of yer own gigs.

    The rest of the gear I got is natural, herbs and shrooms, Inca gear, it’s not really party gear, it’s all about foliage and mad ancestral voices,

    These first two herbs work in seconds, they both wreck yer sense of time, one makes nine hours seem like it’s just two minutes that’s passed and the other stretches two minutes into what seems like nine fuckin’ hours, so, you choose dependin’ on how yer fixed for time, both have the same immediate effect of ye seein’ foliage growin’ on yer walls, it’s Amazonian, the green is so deep ye could swim in it.

    The Shrooms are ancestral though, I got an intense Ogham Stone vibe off them, like I was rubbin’ my hand up one of them and understandin’ this 8th century braille that was chipped into them by some mad mason monk years back before, like when ye know some of the Brehon Laws were still standing, I felt like a kind of gutter with all this mythology streamin’ through me, playin’ me Bothy Band and me Ó Riada sa Gaiety albums backwards and hearin’ messages from The Tuatha, ancient secrets that would make Fatima blush, d’ye get me, I had some experience of knowledge, somethin’ unbroken, like I was totally plugged in to the whole meaning of shit, like, I saw through it all, connected it all up, wrote a new fuckin’ alphabet and found a story way out of it all, I was it all, I had Prophet deliriums, I sweated two languages and learned a third, I tied myself to a post and crawled through centuries to tell people what I’d learned , the further I went the less I remembered until I had no idea where I was or what I was doin’ and I’d forgottin’ what I was supposed to tell them and they didn’t like me for that.

    Ye just don’t know what portals the shrooms are goin’ to open up for ye Gibbo.

    Are ye with me Gibbo?

    So, what’s it goin’ to be? A bit of herb and nine hours of Kittser?

    A mad one or a quiet one?

    You tell me.

  • Poetry: Chay Bowes

    Three Miles South of Carlow Town

    Walk with me. Don’t speak.
    Come to the place where the walls and stones
    Yield their shameful secrets.
    Listen. Listen.

    Stand and hear the black earth shifting,
    As she did then, to deny him his succour,
    And as she did when he slipped into her inky embrace.

    Three miles south of Carlow town.
    In the Lea of the silver stones,
    Latched together when we had the strength,
    That small hollow where we submit.
    Where a whispering call gave way,
    To a silent deafening tide,
    And where we fade into the geography,
    Of this holy ancient place.

    This inky earth,
    Thick with the toils of a thousand years,
    Will now gladly hold this pale handed child,
    In its dark embrace.
    Only the hunger of the earth
    Surpasses that of her children.

    Three miles south of Carlow town,
    A Holocaust reflected in the silent slate grey sky,
    The amputation of all kindness screamed,
    In a lone mother’s last breathless farewell;
    “Golden haired child,
    Son of the earth and wind itself.
    The black turf is no cradle,
    The rush and reed no shawl”

    Come walk with me.
    Don’t speak.
    Come to the place where the walls and stones yield their secrets.

    There is buried treasure three miles south of Carlow Town.
    Listen. Listen.

    Feature Image: Dublin Street, Carlow c. 1900.

  • L’Homme et … la Merde!

    For the purpose of perspective, I should like to carry out a short comparative study of two poems treating the subject of the sea. The first poem I should like to focus on is the great sonnet by Charles Baudelaire L’Homme et la Mer, whose composition dates back to 1852. The second poem is a poem I wrote sometime last year, L’Homme et la Merde, in which I use the poem by Baudelaire, as an obvious starting point, in order to attempt to underline the epic social and ecological shifts which have occurred in the time frame of the composition of both poems.

    So, to be absolutely clear, the period of time that separates both poems is one-hundred-sixty-three years. Without further ado, here is the poem by Buadelaire, followed by my transversion into English of his great poem; ….[1]

    XIV. – L’HOMME ET LA MER

    Homme libre toujours tu chériras la mer !
    La me rest ton mirroir; tu contemples ton âme
    Dans le déroulement infini de sa lame,
    Et ton esprit n’est pas un gouffre moins amer.

    Tu te plais à plonger au sein de ton image;
    Tu l’embrasses des yeux et des bras, et ton cœur
    Se distrait quelque fois des sa propre rumeur
    Au bruit de cette plainte indomitable et sauvage.

    Vous êtes tous les deux ténébreux et discretes;
    Homme, nul n’a sonde le fond de tes abîmes ;
    O mer, nul ne connaît tes richesses intimes,
    Tant vous êtes jaloux de garder vos secrets!

    Et cependent voila des siècles innombrables
    Que vous vous combattez sans pitié ni remord,
    Tellement vous aimez le carnage et la mort,
    O lutteurs éternels, ô frères implacables!

    XIV. –  Man and the Sea

    Man, free, you will always cherish the sea!
    The sea is your mirror; when you stand before it
    And contemplate your fate, before its infinite movement,
    Your poor mind, brine wracked, couldn’t be more bitter.

    Yet, you enjoy plunging into the heart of yourself;
    Distracted by the immensity before you, and which
    Makes you forget, momentarily mesmerised by such
    Sheer force, your own apocalypse riding before you, wave bound.

    You are both just as dark and fathomless;
    Man, like the sea, nobody has reached your depths, yet;
    Both of you guard jealously your great secrets,
    Which you both refuse to give up, without some savage consequence.

    For innumerable millennia you have both now been struggling
    With one another for survival, both just as pitiless,
    Both of you loving, as you do, carnage and violence.
    O you two blood brothers, eternally vying…

    Baudelaire’s poem has all of the hallmarks of late nineteenth century romanticism, written as it was just one year after the publication of Herman Melville’s Moby Dick (1851), and just forty-eight years after Beethoven’s composition of the Pastoral (1804) , his symphony number six. All three works are primarily concerned with man and his extremely precarious place in nature.

    Ahab’s apocalyptic fate in Melville’s epic account of the hunt for the great white whale has become emblematic of humanity itself, in our own relentless pursuit to harness nature for our own ends, without thinking about the consequences. Beethoven’s storm in the sixth taking on a very ominous nature when listened to today, as our own climate continually shifts into  extremes as a consequence of the impact of our society on the planet, and particularly so within the time frame of the last fifty or so years.

    Image: Daniele Idini.

    Indeed, today we are aware of the extremely negative impact our collective behaviour is having on the planet; be it as a direct or indirect consequence of global deforestation, industrial waste (atomic or other) or the continuing emissions from fossil fuels. We are now all collectively responsible for the state of both the immediate world in which we find ourselves living in today, in other words our own particular microcosm, as well as the greater macro-environment which we communally share, for as long as we humanly can. And, of course, this is the huge question looming over us all today:

    If we continue living as we are without each of us making dramatic changes to our lifestyles in terms of how we eat, spend etc. these so – choices we make every second of each day – how much longer will the Earth be able to support us before we are all completely annihilated?

    In order to frame the question better, I should like to introduce the second poem now L’Homme et la Merde, which I wrote shortly after having been diagnosed with chronic ulcerative colitis early last year.

    For the purpose of clarity, the medical condition known as colitis is a terrible affliction caused to the intestine and the bowels, in which the sufferer loses all control of their system, causing unimaginable horror and distress. It is classified as a disease and it is on the increase in countries all around the Western hemisphere; interestingly in Asia, where people have a radically different type of diet, and lifestyle, people suffer from it far less. In my own case, the elimination of gluten is what stopped, eventually, the horrendous impact that this sickness was causing to me and my family.

    I wrote a lot of poems of a very scatological nature, while suffering from colitis, although the poem L’Homme et la Merde is, without doubt, the most troubling of them. This poem reflects an apocalyptic vision of the future of our seas, if we do not do something now to change the way in which we are living.

    This can be indicated quite simply. For example, one June weekend, here in Skerries, north county Dublin, the front beach had to be closed to swimmers due to a possible leakage of effluents into the sea. It was a terrible thing to experience, as the sun was out that June weekend, and people had come from all parts of Dublin, and possibly beyond, to enjoy a day by the sea. Instead, they had to be informed by the lifeguards that if they wished to swim in the sea, they would be putting themselves at risk of getting very sick due to the effluent which was now polluting our once beautiful coast.

    In fact, in Skerries it is a well- known thing – the risk of contamination – as for a couple of years now the town has lost its blue flag due to such incidents related above. But this is just one story, and on a local level. Now add to it every coastal town in the inhabited world, as you can be sure that we are not alone. Imagine the collective damage that is being done?

    Why, during the twenty first century, are we still allowing sewage, and other toxic matter, to be pumped into our seas? This is just a basic question, yet which needs an immediate response. Particularly when one considers how the harnessing of bacteria, found in faeces, can create biofuels potentially saving billions; plans are already afoot in Washington D.C. in an attempt to create alternative ways of making energy in order to generate electricity in the city, using faecal matter![2]

    And that is besides poisoning ourselves: our bodies are not designed to tolerate enormous quantities of gluten. What hope do we possibly have of saving the planet around us if we cannot preserve our own health?

    Ignorance, it would appear, is our greatest enemy. And, here is the hope, as this is something we can all start changing, immediately. All we need is the desire.

    L’Homme et la Mer-de 

    Sheep, a ghastly consommé, to the swirling form of cupcakes.
    These vertiginous constellations, floating like malignant nebula
    In the solid throne at the end of your hall… Shit, excrement, stools,
    Call them what you will. Yet, these grotesque floaters

    Will be the very last trace of you. How apt, being a member
    Of a species which would appear to be shit-infected.
    Le mot de Cambrone; MERDE
    Le merde qui est partout.

    The shitty structures which we maintain and perpetuate.
    Up to our necks in it. Won’t be happy till we’re literally
    Drowning in it.

    “Now man,” through these sweetened dumplings
    Nature seems to be whispering to you, “Embrace
    The imperium of your turbulent, khaki -coloured oceans.”

     

    [1] O’ Neill, Peter: The Enemy, Transversions from Charles Baudelaire, Lapwing, Belfast, 2015.

    [2] Shaver, Katherine ( 2015-10-07 ). “ D.C. Water begins harnessing electricity from every flush”. The Washington Post.

  • Winter When Thy Face is Hid

    I was so tired, Tuesday night. Don’t sleep well when I get that tired. I have obsessive dreams and wake up later than usual. And sleeping in always makes my head hurt. I was clumsy tired, where you bump into things; and getting into bed, I whacked it. The big clunky picture frame hanging over my headboard.

    I like the picture a lot. That’s why I put it there. Bruegel’s Hunters in the Snow, it looks so cold and ancient, a somber blackish sky, intrepid hunters with their intrepid dogs, and the polder lakes below dotted by tiny skaters. On hot August nights I switch on the lamp, look at it, and feel cold enough to sleep.

    But Tuesday night, hanging there, that painting wasn’t a positive presence. I hit my head on it. Which hurt until I fell asleep. And in my sleep, how aware I was of this thing dangling! Over me. Waiting to drop, and in the process, dash my brains out. Quite a long time ago, while I was away from home, a wooden bracket, bearing a ceramic vase, tumbled on to my sleeping head, and that incident is probably what made me so preoccupied by the painting. Much later, in a dopey semi-consciousness, I began groping at the wall above my head, trying to protect myself from the picture’s pointy frame.

    Of course, I only managed to whack it again, so hard it swung wildly on the nail, and suddenly I was wide awake. Something cold had fallen on my neck.

    I pawed the wet substance off: crystalline, frigid, and unmistakable. Put some in my mouth. Snow. In a sealed bedroom. In May. Wallowing upright, I clutched the side of my neck where the last tiny flakes were with every instant turning to water, and reached for the lamp. In its gift of sight, I looked left, right, up, and down, finding no possible source for the little flurry, until I became aware of an icy draught behind my shoulders.

    Twisting round, I discovered, with a glee I only hope to feel again at Resurrection, that the draught was puffing out of the Brueghel picture.

    The inner edges of the frame were furred with hoarfrost, and on the carved outer face of the lower frame, slush fused into bright drops from the room’s warmth, remnants of the snow-flinging disturbance that had awakened me. I was now aware of a curious low, broken whistling that I mistook at first for wind. Then a sharp little bark undeceived me. It was in miniature, the far-off baying of those hunting dogs. The three dark figures of hunters, against white snow, moved with hampered steps, leaving profound footprints, to the brow of a steep foreground hill, and in their descent slowly disappeared, followed by their entire pack of restless dogs, whose howls and deep barks diminished. The party left only churned, dirty snow. My gaze sought other figures, distant peasants around a bonfire in the left mid-ground; they moved rhythmically, poking at the blaze, sometimes pausing to hold hands toward it. I could just hear their minute voices in sporadic, unintelligible exchanges, by leaning very near the frame. On the far-removed polder lakes, skaters rotated, flailed, traversed the slate-grey ice in total silence.

    My first wild yearning was to climb into it. This proved undoable: the cold breathing from the frame was so intense, it had me goose-fleshed in my underwear; and its frame was too small to admit me, unless I broke it. Somehow, I feared losing the whole scene if I did that. My second instinct was to tell some other human what was happening, make someone else believe it, so that I could. There was no second thought as to whom I would tell: my high-school art instructor, Dick Carey.

    Enthusiastic, but an astute reasoner, good-natured enough to answer the phone in the middle of the night, he was batty about the Flemish Masters, and also the man who had introduced me to Bruegel. I still had his number. Feeling for it in my jeans, I pulled my cell phone from a pocket.

    “Hello?” He didn’t sound sleepy at all. Probably up reading art criticism at this unearthly hour.

    “Hi, Mr. Carey?” (I’ll never have the gall to call him Dick.) “I’m sorry to disturb you so late. Something weird has happened. With a Bruegel painting.” There, now I had him. He didn’t interrupt me once as I described the phenomenon.

    “Mr. Carey, did this… I’m not pulling your leg. Have I ever pulled your leg before? Is this happening? Is this real?”

    I heard that little rumble in his chest. Anyone who’s ever been in his classes knows that that rumble means an avalanche is coming, an avalanche of rock-like reasoning and information. I held the phone tight to my head, feeling glad. And warmer.

    “You wonder if that can be happening. You’re not the only one of us who’s wondered! You’re questioning empirically what I’ve questioned in the abstract for decades. But you’re the only one still wondering. Listen. Bruegel was a realist, a representationalist. I’ve always respected them most, always will. Shakespeare said the purpose of art is to show reality to itself, “Hold up the very mirror,” of reality. He did it so well, his work is still blurring the line between representation and reality, people are still literally living his work in order to touch and understand life itself! Now, Bruegel… he’s a kind of Shakespeare, I’ve always maintained that. Not just because they were contemporaries. The work of a realist, listen, is to reproduce life, more accurately, and more accurately, and always more accurately. The mistake of art criticism is to suppose the process endless, with infinite space for improvement. But, technically, it has to be finite. That’s what I figured out. There is an end to that quest, anyone can see, the goal is reality itself. Now, if such huge strides can be made toward that goal, like the stride between say, late Medieval manuscript illuminations, and Bruegel, think about that contrast! Do you realize that the stride between Bruegel and reality itself, is smaller?”

    I felt quivery and shaky, the more so because this thing behind my back was still exhaling below-zero air at me. “Why… Why is it happening to me?

    “Ha! Because… If you were a Polynesian who’d never seen either snow or people in full clothes, would you believe Hunters in the Snow depicts something real? Probably not. Recognizing realism in art has a huge component of belief. Now you, you’ve lived with that painting for years, you say, and it’s become internalized with you, love is the first part of belief… and now, in a state of impaired consciousness, you encounter it again, and wham, your defenses are down, you believe, and Bruegel, the last person to believe it, finally has a successor, an understander, and his vision is seen.”

    “Th-thanks,” I breathed. “Mr. Carey… if you’ll excuse me, I want to be alone with it.”

    “I understand. Wish I was you. It’s alright. I’ll see Bruegel one day.”

    But when I was alone, I was afraid to turn around and face it again.

    Every waft of cold on my back was joy. How could this be! How marvelous!

    … But why was I so happy? What did this mean, for me, or anyone? A great barrier had been crossed. But what barrier? And was its crossing a good thing?

    What barrier, but that mankind had never been able to create before, only manipulate the already-created. Now a man with a marten-hair brush had removed a thought from his head, and look, the thought was real; not an imagined form transferred to preexisting objects, but the imagined objects, themselves, stood in the round.

    Previously, only God could do that.

    ‘Well, they used to say angels were the only rational creatures that fly, and now people can fly,’ I said to myself. ‘That was a good thing. And this is a good thing.’

    But this was a different thing.

    ‘A barrier is broken. The realists, in every form of art, have been trying to break it since time began. Now it’s broken, and… what does it mean? Are we any nearer to the fulfillment of every wish?’

    But wishes could be divided, I thought, into two types—wishes that were part of maintaining life in the body, and wishes for the thing that made life worthwhile. Wishes to live, and when alive, wishes for love. And no earthly love could ever meet all those wishes, that was why people became religious. And this thing behind me, spewing cold air, was not a direct path to the end of all wishes, but a round path going nowhere: because it did not go to the God they say is love, but bypassed him. Man could create.

    I pulled the blanket over my head, to protect myself from that kind of cold.

    I woke up late, and my head hurt from sleeping in. Behind me on the wall was a somber, dingy old print of a flat painting, with flyspecks on the snow. I grabbed the cell phone and looked through Recent Calls.

    No outgoing call to Dick Carey last night. Of course not. Carey had been dead five years.

    Te Deum Laudamus.

    Featured Image: Pieter Bruegel the Elder – Hunters in the Snow

  • La Petite Mort

    Hannah sat deep in thought waiting for the reception room’s red light to turn green indicating she could open the door to Dr. Dysart’s interior space. She was trying to decide what to talk about – the love bombing or green. Green was her favorite color and had been ever since she had learned the word verdant was a variety of green. As in lush. She was feeling lush and new and full of herself this sunny spring day.

    She had built her vocabulary by acquiring a new word or term every day, employing them with anyone she wanted to impress, and was determined to make an impression on her psychiatrist. Because she was in love. When the light turned green, Hannah inhaled, and turning the door handle, entered his office on the exhale.

    Smoking a Dunhill, Dr. Dysart sat behind the desk he had bought from a New Orleans antique dealer. He smiled and then pursed his lips releasing a ring of smoke that rose and settled above his head like a nimbus. And why not. He was her god. Hadn’t he performed miracles much like Jesus had done for Mary Magdalene, his most beloved disciple?

    “Why you look like a specter today, Dr. Dysart.”

    “I see we’ve learned another word, Hannah. Where did you find this one?”

    Sauntering over to her designated place on the couch directly across from him, she replied, “In some research for my Victorian lit class.”

    “What were you reading?”

    Hannah stood up from her seat and after an exaggerated curtsey, launched into a short recitation of a poem she had located in a nineteenth-century Ladies Home Journal called The Difference:

    Cried the grim spectre Death:
    “Time is a thief,
    Who, with each passing breath,
    Lightening grief,
    Takes from men all their fears.”
    Love merrily
    Laughed, “In a thousand years
    Time robs not me.”

    Imagining herself one of the literati, Hannah reversed her steps toward the couch with an unceasing stare. She might not be rich, but like any woman in her family, she was a reader. So, when she felt his sofa’s dark green damask caress the back of her calves, she asked, “What do you think about that, Doctor?

    The psychiatrist took a long look at his precocious patient and snuffed out the cigarette in a crystal ashtray. Without leaving her gaze, he walked from behind the desk to take his place on a wingback chair adjacent to the couch. This was one of his strategies for disarming an ego defense.

    He examined Hannah at close range. She was blonde and brilliant. Dangerous only to herself. He knew she was in love. This too was part of his strategy with histrionic patients. Especially a female one.

    Except this time, she did not giggle as she had done before. She stared back at him. And while the doctor settled in for their prescribed fifty-minute rendezvous, Hannah began to fidget with her shoulder bag, which he noticed she placed not beside her, but in her lap.

    “What’s going on, Hannah?”

    “Nothing special.”

    “What’s the fidgeting about, then.”

    Startled, Hannah willed her hands to stop, slipping the right one into the bag on her lap. Her eyes dropped down to fix on the various shades of green spirals in the damask upholstery. Verdant she thought, now letting her eyelids flutter closed.

    “Hannah…,” he whispered into her left ear. On the couch next to her now, Dysart had been waiting for this moment. She was calm enough and would permit him to say,

    “Come back to your body, Hannah.” As he spoke Dysart placed his hand on her thigh. “Come back to the present, Hannah.” She opened her eyes. Looking straight ahead and not at him, Hannah’s hidden hand tightened around the handle of a box cutter. A gift from her brother.

    Dysart’s hand moved up her thigh. Hannah closed her eyes and began counting her breaths as he had coached her to do when anxious. Inhale . . . one . . .two . . .three. . .four.  Exhale . . .one . . .two . . . three . . .four . . .five.  When his fingers reached the sweet spot, he felt her involuntary shudder. Dysart’s warm breath was on her throat before his lips landed there. He kissed the neck, making his way up to the cheek, and she turned toward him, her hand exiting from the bag to embrace him.

    His final kiss landed in full on her mouth. A vital force energy traveled up from Hannah’s second chakra to the third flying right by the fourth. Filling her throat, it formed and then released two words, petite mort.

    This experience of tantric love bombing startled both doctor and patient. Now drowning in Hannah’s wide open green eyes, Dysart did not move a muscle. A nanosecond into it, he could feel the cold sharpness of a box cutter’s blade penetrating flesh just above his carotid artery. “Hannah,” he whispered. “You don’t want to do this.”

    Deep in thought about where she might have heard petite mort, Hannah put the box cutter back into its hiding place without reply. Dysart’s apparent astonishment left her feeling like a mature woman. Casting one last look at the damask’s green spirals, she rose from the couch and strode for the door.

    Heading out of his office, Hannah reminded herself that she must go look up petite mort, and its meaning, in her French dictionary. She also wondered, Should I tell Mama about Dr. Dysart? About the love bomb and how much I love him. Or wait… to bring up in our next session? In the end, Hannah waited.

  • Poetry: Kevin Higgins

    ‘Liberals’ & ‘Death’

    Two words that strut confident of
    their own historical inevitability.
    Everyone in time meets them,
    though hopefully not both
    ringing your door bell
    the same day,
    unless your name is
    Nagasaki or Vietnam;

    or you’re the first village
    no-one’s ever heard of
    successfully abolished
    from thirty thousand feet
    by a transgender person
    pressing a button;

    or you’re the first Somali in history
    proudly turned into a pile of burning mince
    by a drone designed by a woman of colour;

    or you’re the wrong type of Australian
    whose computer told us the names
    of the obliterated
    and so can only leave prison
    in a fair-trade white cardboard box;

    or you’re me, delighted
    to expire unvaccinated rather
    than spark a diplomatic kerfuffle
    by sticking in my bicep
    something as sinister sounding as Sputnik
    without written permission from Brussels

    who’ll surely deliver
    a keynote speaker to my grave
    to thank my corpse for its contribution,
    and find a plausible way of saying:
    I’m down here, getting acquainted with the snails
    so they can be up there, polishing their idea of themselves.

    Feature Image: Original #banksy ‘Civilian Drone Strike’ in East London ahead of London arms fair opening.

     

  • Poetry – Elliot Moriarty

    Nicholas of Bari

    Another night fifth in a row
    unsettled but unfrozen
    thinking I get it I get it
    (I don’t, but I have skin and nerves):

    Whatever sustains someone doing what you do,
    I mean never mind the privations! that unseen hand,
    Shoulder cupped, steering towards the leper colony –
    the Big Bewk saints, the Seenitalls, Tell-you-what-I’d
    do-if-I-were-yous…
    (enthusiasts who sleep one to a room
    and who if we just roll up that sleeve
    for a couple hundred spare months)
    yes that too. If we just….

    And you break away and plod on
    As they foretell your grit will kill you.

    Well this too, a mile away: Perpetual Motion!
    Wind or tide or compressed chipboard or wherever they’re
    frisbeeing the tax breaks this current? cycle?
    into laps of pals slash creditors ABCing
    a redesigned polity, where battery tech –
    Sorry – Nology – excuseme, will…
    (impilmentated across the economy)
    Will save…

    The child in the lithium mine, fingers
    deformed, the first knuckle gone.
    Overheads, always overheads.
    But we’ll outsource to Europa
    when the talent pool is Exhausted.

    Which will take a while yet.

    Half a mile away:

    Our Vegan Monday grinners,
    Off setting off in the fake jeep,
    Eerie silence til the gas kicks in
    Over Charlemont bridge, arc of
    Our hero stolidly crossing,
    Dashboard screams, driver jolts,
    keels, (rest of car buried in phones)
    “Watch where YOU’RE going!” he starts
    To shout
    As the eyes turn
    the whole corpus twists
    toward him and through him –
    an air-conditioner chill then gone,
    no trace in the rear-view.
    He tells himself he dodged, but…
    This has been happening
    More often lately. Overtired, that’s all.
    Newstalk. And an early night tonight.

    They sleep eight hours.
    Belatedly, worry entered their guts
    once they had genetic skin in the game, but
    Ours will be fine: Business Cantonese, crypto,
    Young Scientist, fun size beers (better
    they’re in the house than eff-knows-where) and
    The Talk About…
    They sleep nine hours.
    A theatrical yawn.
    Back to the salt mine, conference call.

    I get it in the sense that I wouldn’t either,
    I think you’re right, and if I had your honed instincts
    and scalpel humour—
    But on days such as this, fifth and counting
    Surely a den of thieving fuckers is better
    than another wet gutter screaming match
    with a fifteen hour night?
    Husband your fuel and your wits. Arm yourself
    with a rock or a crunched up can
    in your goto pocket. Breathe out, finish anything you’ve left,
    stride towards the LED light.

    Don’t be late, they’ll lock you out to die.

    “you’ve made your point
    you holy few
    you’ve made your point!”

    Jesus Christ, like.

    I mean Jesus Christ, they’d fling you in
    the Liffey stamp “buried at sea” on the docket—
    Quickly – pick three: Psychiatric History, Known to Gardaí,
    Mintil Hilth™, Engagement Izzyous – which is why –
    Refusal, Reluctance, the cracks –  and again this is
    Again why – yet another – yet
    Another No Fixed Address – sponge, waste, nosh Abel
    for…For?
    Well, whether the brown liar was once his thing,
    He wasn’t using: he wins. He haunts at his pleasure.

    Remember that as ever decimating rootless scum
    was an inexpensive way to impress upon sit-in
    students down a year of Law, sneering at
    the empty Jay One cancellation threat: –
    “Australia America Canada New Zealand,
    we will see them all while you’re here minding
    Your handicapped kids, you inbred bogscum” but
    but what if – surely a contingent?:

    Cracks invisible under carpeted floors,
    The weight of Relying On You, son,
    And such a long way down.
    “We know you’ll get your act together.
    Perhaps you’re just overthinking, your—”
    Fogged vocation? or, The base fear:
    marooned and slowly draining amid the dying
    amongst the dying in between the bonesunk husks,
    our holy dying knackers dying at midday without a fuss,
    town on a weekday, going peaceful after years howling
    into their mobiles their streets those trams,
    dying for no reason, dying without ever even
    presuming to arrogate a version of what same
    Artsblock Stephen Heroes claim’s birthright
    to lose, yet perhaps too they’re just
    dying for a lungful of a dreamt cracked Rome:

    nicotine and subway vents and rumour.
    Harlem, The Bowery, The Hands That.

    Twenty years later the bootlace daredevils’
    Conspicuous Return: Lo! It Can Be Done Son, says
    the cute one, a quiet deal on a struggling licence
    (add strip lighting, carvery, Guinness mid-strentt’)
    While the others…

    Vanished Camden or Rockaway or Justfuckedoff,
    never left the tower no matter how far they fled
    from the ripped places those ripped up were next sent,
    those banished home staring at the wall of unsaid,
    sleepless over decisions unmade, failed
    stabs at intercession with mute smiling friends
    that went early on,

    back when the junk suddenly dropped from the sky
    like manna – sufficient for each day

    turns out most people don’t want to die,
    so explain it to me again.

    *Concurrent to the events depicted in noted docu-drama Rambo III, western cities were flooded with cheap Afghan heroin. Dublin – largely unfamiliar with opiates –came out of it badly.

    Feature Image: Daniele Idini

     

     

  • Lent

    The poor auld Bunty Mac was a great friend of mine back in the late 70s and early 80s. We being young men taken to the sup, what you might call drink. Bunty Mac was the Doc Holliday of Longford and well, I was the Wyatt Earp of Westmeath. The Bunty was a poker shark and every one knew he cheated, but no one could ever catch him out. Not even meself. It wasn’t quite like the film, but it wasn’t far off it, and we always came out on top, or on top more times than not. It funded the lifestyle we choose to live at that time.

    At the poker schools, we took large sums in winnings off the lads. I’d have the Bunty run out a door or window, any exit he could get through. Carrying the cash. That’s when the lads would get mad and start a row. No matter what, Bunty never looked back, because the wad of cash was more important than me. Sure manys the swinging match I had to face while the Bunty made his escape. It was the toss of a coin if you boxed the heads off a lad or two, or they boxed the head off of me. Sure, I didn’t care about them things. I saw it as part of the game.

    One time and we lodging in Harlesdon North London. Big Phil from Cork was our landlord, and a real gentleman he was. Came from money and wealth, and had grown up in a very different situation to the Bunty Mac and meself. But we were great friends in those days and Big Phil would love to come around for the chat and the craic.

    “Bejaysus Lads,” Big Phil would say, “Never a mad pair of hoors like yous pair did ever I see. But yous are great craic, the happy madness.” Poor auld big Phil talked us into giving up the drink for Lent, and he a religious man. Sure the Bunty looked over at me, and says he,

    “We have as much chance of climbing mount Everest in our bare feet, as give up the porter and poker for Lent.”

    It so happens in those days neira mobile phone or social media was come about.

    “What yous boys should do is find two nice girls to straighten yous out. Sure, I looked at the Bunty Mac and says I,

    “There as much chance of that, as climbing Mount Kilimanjaro, in a pair a high heels and suspenders.” After a lot of persuasion, he got us to write to the pen pal club and find ourselves two dacent women to straighten us out.

    As the weeks passed and we climbing the walls for a pint, their letters began to land on the mat. Two fine dacent young ladys began to correspond, and with pictures we got to see what they looked like. After a round of letter correspondence, we made the phone call, and arrangements be made for to meet a first date.

    The Bunty Mac had lied to impress herself, saying he was a business man from Piccadilly instead of a wild hoor from Harlesden, a working class spot. We met them the same night and mine was at Northwood station. His at Piccadilly.

    When she turned up I got the shock of my life, and she had aged 30 years since she sent me her picture three weeks before.

    “Be Jaysus says I. You’re auld enough to be me mammy. What happened to you in the three weeks since past?” She lit me a smile, and asked,

    “Am I still staying at yours?”

    “Be Jaysus, you’re not, Missus!” and I ran like a blue hoor.

    No sooner I be home, and who lands in the door but himself. On his lonesome. Surprised, says I, “Well where is herself, Bunty Mac?

    “Be God, Nicky Feery, You never guess what! A grand posh wan she was, and as she landed on the platform. And me stood there, grinning with a bunch of roses. Says I, to herself, ‘Well Hello Sweetheart, and welcome to Pickladdiki.’ The word came out all wrong. Be Jaysus, if she only walked by me. Her head in the air, like I wasn’t even there. An over she goes to the next platform. Boards a train back, from the direction she came.”

    “Sure,” says I, “I faired no better. T’was the auld mammy she sent, or by Jaysus, she aged shocking in the three weeks since.”

    So, that was the last time we gave up the porter for the duration of Lent.

  • Toblerone

    When you hear the phrase, “Subtropical paradise,” Longford is probably not what springs to mind. As children, we were taken to Center Parcs, over in the UK. Thirty-degree weather year-round, with palm trees, pools, slides and rides, all housed beneath a glass dome. There’d been great excitement in the family following an announcement of a new landmark Irish resort, only now it would largely benefit my sister’s little lad. All the same I was feeling nostalgic. My wife wasn’t coming.

    On day one, without bothering to unpack our bags, we headed to the dome for hours of swimming and sunbathing. Saddling me with an infant nephew, my sister and her husband walked away, hand in hand. They looked relieved to steal even half an hour to themselves. I resented their freckled Eskimo kisses and skipping steps off to the jacuzzi. A glass of wine wouldn’t have hurt. Of course, the imitation bamboo bar didn’t carry prosecco, never mind champagne. I eyed up a little carton of apple juice poking its ear out of the corner of the cooler bag, but couldn’t bring myself to disturb the little one. I considered the bloated bodies and sad eyes I’d see in the supermarket next week. Those young parents living without the luxury of a holiday like this.

    I was prepared for Christopher to start bawling the second my sister was out of eyeshot, but he didn’t. With my hands under his armpits, I bounced him gently up and down, muttering baby gibberish. Elastic strings of dribble descended from his mouth. They were pure and transparent. Like him. Looking in his clear, guiltless eyes I found some hope to quell that nagging uneasiness.

    When he started to whimper, I put his downy head on my shoulder and rocked him. I felt the eyes of a flock of fathers on me as they rocked their little criers and imagined they must be thinking, “This guy hasn’t a fucking clue what’s ahead of him”.

    In unison, their faces softened and rearranged with a concentrated indifference, their growling arched eyebrows conformed back into flattened bushy lines, in poor attempts not to cross…a line. A group of teenage bikini bums passed, and the fathers’ split-second double takes passed under the subtle scrutiny of their ever-vigilant spouses, keeping score and collecting ammo for the invariable fights to come, who were otherwise occupied breast feeding second sons. Every sucked-in gut flopped back out, as the parade of teens turned the corner, heading towards the lazy river.

    I thought about Portugal. Heather’s bum in her black bikini, on our first bit of real sun away together, where I’d proposed on the beach, like a fucking dickhead. We’d mused about how in our first six months together, we’d achieved a level of connection that other couples took years to get to or never achieved. It felt right at the time. That was the last I saw of it, the bikini that is. I recall that for subsequent aquatic adventures, like at Seapoint with her sisters, the charity swim on Christmas day in Sandycove, and even a mid-week spa day in Seafield, the one piece had resurfaced. There’s nothing inherently unsexy about a one piece. But I had to conclude that the same certain behaviors one can comfortably engage in abroad, you might never dream of doing at home. Then I sang to Christopher,

    My girl, my girl, don’t lie to me

    Tell me where did you sleep last night

    In the pines, in the pines

    Where the sun don’t ever shine

    I would shiver the whole night through

    Holding Christopher in my arms, I executed light-footed pirouettes, feeling the warmth of his skin on mine. One tiny hand gripped my chest hair and his breathing calmed as he began to fade. This tender display attracted much attention from a cluster of mothers. The rigid smiles they wore were more a reflex than genuine emotional response before each face rearranged to focus on her respective husband’s hairy tattooed shoulders. Christopher’s small head on my own shoulder, his drool cooled, before running down my back.

    My sister and her husband returned right around lunchtime and passed me a cold beer. But when I handed the little guy back, he reached for me with his wrinkly, doughy hand, and I heard myself say, “He was no trouble at all.”

    I must have read the same page ten times. Peeling myself off the plastic pool lounger each time I reached for a sip of beer, I became hypnotized by their rituals. The unpacking of sandwich bags, the spreading of butter, the squeezing of baby food and the spilling of apple juice. Without a word exchanged, but informed by nods and glances, their Formula 1-style, precision clean-ups ensued. All that munching, crunching, screaming, and soothing seemed like white noise to these parents. Watching the breathless fathers’ pregnant bellies heaving made me feel ill again. Those teens were parading past us once more, which prompted the tired women to brave pleasant expressions and adjust the colorful cover ups with which they concealed their sagging tummies, stretchmarks, and cesarean scars.

    Heather was away on a work trip to Amsterdam. Her company holding its annual conference, essentially a glorified, networking piss-up justified by some scattered workshops and team-building exercises.

    Things had not been good between us. Our relationship strained by living married life in the box-room of my parents’ house. The first-time buyers’ lament pulsated through every minute of every day as we awaited construction to begin on our forever-home, which at that juncture was nothing more than a giant puddle. The show house had seduced us. It would be worth the wait, we thought. However, the reflection in that puddle had turned to that of those who were no longer having fun.

    Heather had fun when she went out with her work friends. On the rare occasion I was invited along, I’d see her smile, laugh, cackle even, and look beautiful. But, whenever our eyes met across the bar, her entire demeanor changed. As if my face forced her to forget who she was. Only on the taxi ride home would her cheekbones rise again, in the glow of her phone, as she scrolled through her past.

    After the subtropical paradise, we went to the fake village for an authentic Italian dinner. My mother inhaled her wine, while Dad picked his teeth. I batted a half-eaten meatball back and forth across a stain of sauce, just to watch my nephew’s eyes swing like a cat’s. Back at the cabin, and much to my brother’s annoyance, I went to bed early. Well, after one whisky over a hand of cards. This left him to suffer our half-cut, maudlin parents, solo. I heard my bleary mother slur about how proud she was of him. Dad’s face would’ve reddened, and his gaze grown more distant, as he mused about being sixteen in the sixties, batin’ around on his Honda 50.

    “He’s probably just missing Heather.” My mother speculated, in what she imagined was a hushed voice. I could almost feel her spit landing intermittently in my brother’s ear.

    At last in bed, thanks to the crappy signal on my phone and the distracting chatter from the kitchen, I couldn’t get hard enough to knock one out. Not even conjuring a casual exchange with an attractive mother I’d seen by the pool, leading to an impromptu segue to one of those convenient family changing cubicles. Close, but it was no use.

    “You were so, so protective of your little sister when she was young.” My mother crooned, slapping away at what I assumed to be my brother’s thigh. Tossing and turning, I imagined Heather out at a bar in Amsterdam, after a long day of corporate icebreakers, awkward talks and wandering thoughts. Who was she looking at? Probably someone less pessimistic. Taller too. Younger, in better shape, and clean-shaven. Maybe with a man-bun. His eyes would be all over Heather. She’d laugh and push the sandy blonde curls out of her face. In skin-tight jeans, he’d see she had hips and an arse to die for.

    We were fatigued. Both of us. Was a good fucking something she wanted? Maybe she would come back from her trip in better spirits after having that thrill, being tossed around a hotel room with the vigour I once had. She knew full well I’d never ask her. Cheating men always bring flowers; what was I to think if she returned with a Toblerone, bottle of Scotch and a big hug?

    I’d heard nothing from Heather all day. But that didn’t stop me from checking my phone every few minutes. I flicked away through our wedding album in the hope of something rousing; she really did look beautiful in her dress. But nothing came, bar a few streaking tears.  My brother stumbled in, with his signature simultaneous belching and farting. So, I rolled over, turning my back on him, and pretended to be asleep. The waft took me back to the bedroom we’d shared as kids. His heavy breathing somehow soothed me, and made me glad he was there. I felt less alone and managed to drift off, dreaming something I’d never remember.

    The following day we’d booked in to play tennis. We each did our part taking turns to rock Christopher’s stroller back and forth. My Metallica-styled rendition of The Wheels on the Bus got him giggling and he squirmed as I ate some of his delicious animal shaped biscuits. My brother-in-law Karl looked visibly uncomfortable as he restrained himself from admonishing me. But then again, Karl couldn’t tell me off in front of his in-laws, just as I couldn’t punch him in the throat on every occasion, he said something condescending. Or called me “Bud.”

    On the tennis court adjacent to ours, a five-aside soccer match was in progress. Boys versus girls. Judging by what I saw, there was obviously a transaction happening. I gathered the parents in each goal had taken one for the team, herding a crew of kids for the afternoon. This freed up other parents for some afternoon delight, while perhaps later, the goalies could have a date night. They looked like they needed a nap themselves, but in their laboured cheers and smiles I sensed some hope.

    Sweat poured off the bear-like dad in the goal nearest me. For a moment, I pitied him, doubting what energy he’d have for later that night. But when I looked down at his wife, it was myself I pitied, as she turned out to be that attractive mom from the day before. The one by the pool.

    With each successive smash, great return or strong serve that drew cheers from our side, she was paying attention and deciding I wasn’t half bad. Untying the jumper from around her waist, she tossed it aside to show off a Lycra sheathed bum and thighs. I read this display of plumage as a sign. I watched her ask someone to swap positions, take a turn guarding the goal, so she could hoof a series of goals past her bewildered husband. I could feel her glancing my way, when a timer sounded indicating one minute remained before the hour booked on both courts was up.

    Fingers clawed through the chain link fence, from eager tikes impatient to enter for scheduled fun. As the clock wound down, both within and beyond that fence, kid’s screams reached a fever pitch. In one last effort to underscore the girls’ dominance over the boys, this determined woman took a cross from her daughter down on her chest and volleyed the ball into the top right-hand corner of the goal. Pulling her top up over her

    head, she exposed a well-filled sports bra, flat stomach, and on the small of her back, a single Scorpio symbol tattoo. Origin: Ibiza, circa 200. To the applause of all those watching, she led a flying-V of girls in a victory lap around the pitch, singing “Champion-ay, champion-ay, oh-ay, oh-ay, oh-ay.” As she pulled her top back on, our eyes locked through her tousled hair, and the final clap was mine.

    We packed up our things, all leaving the courts at the same time.

    “Pretty feckin’ impressive out there!” I said to her as she passed, “Half expected a power-slide, but that AstroTurf is a bitch”.

    Her husband had gone ahead with an arm around a sulking son. But now craning his neck, he called to her, “C’mon Ciara, let’s get this lot cleaned up.”

    She smiled at me and said, “Oh, even if it were grass, I wouldn’t be doing much sliding at my age.”

    “I dunno, you looked pretty good out there to me” I said, instantly regretting it.

    Ciara laughed and said, “Thanks… I’d better catch up with that gang.” before jogging up to join her son and husband.

    My bones ached, watching her walk away. As Ciara tied up her hair, the sun caught the lightly freckled back of her neck and I could almost taste the salt. Tugging on her husband’s sleeve, the little boy in a Liverpool jersey piped-up, pleading with a cute-hoor’s precariousness rarely perpetrated by their class, to his father.

    “Please Damo, please!”

    “Only the winners get ice-cream Johnny. Thems’ the rules,” declared his dad.

    Only remembering this bet due to Johnny’s boldness, the rest of the boys swarmed, grabbing his hand here, snatching at his shirt tail there, and a chant broke out.

    “Damo! Damo! Damo!”

    He was loving it.

    Ciara caught up with them to shoo the boys away and reassert a girls’ victory. Her husband slung his arm across her shoulders. after she’d wrapped her arm around his waist, without a glance backwards. But I could feel her feeling my eyes.

    “C’mon Bud” my brother in-law called after me, breaking the spell, “We’ve a reservation at eight.” His presumptuous usage of “Bud” usually made my teeth grind. But in that moment, it barely affected me. I checked my phone. Nothing. I pictured Heather’s arse elevated. She’d be on a Segway, zooming around Amsterdam’s cobbled streets to see the sights, as part of a company sponsored scavenger hunt, led by Luuk, Daan, or some other handsome counterpart from the Dutch office. Heather’d have taken a selfie, eating a stroopwafel by the canal, before Google mapping the walking directions to Anne Frank’s house.

    Gazing at the two grey ticks beside my day-old WhatsApp message to Heather that simply said, “I love you,” the likelihood that I’d been muted almost sent me into a state of panic. But I was distracted by Ciara’s shriek. Damo was tickling her, and a playful chase ensued. When she halted him with whips of her jumper, her flushed face was fucking gorgeous.

    In those aerial shots you see in their TV ads, the Centre Parcs forest seems to span forever. But it’s really not that big. Everything is contained within an artificial central village and I was sure I’d see Ciara again. I found myself double-taking other women with similar body types, around the pool, from afar, or from behind. Figuring her daughter to be say, twelve, and her son maybe ten, I encouraged my family to book everything from archery, to kayaking, to feckin’ falconry. Any activities where she and her kids might be. I even volunteered to attend cupcake decorating class with my sister and Christopher when Karl wanted a break. But after spending more than a minute pondering the list and contemplating whether Ciara was more likely to gravitate toward Bollywood Dance or a Boogie Bounce, I drew the line. It was a slow week. One which passed painfully, and with no sight of her.

    Our last dinner was at the fancy place on the lake, Café Rouge. I was surprised to see Ciara there and gratified when she noticed me. With a pleasant nod she passed our table, as her family was shown to theirs. Damo remained engrossed in his phone, the glow of which illuminated his stubbled jowl.

    Wearing flawless make-up, Ciara looked perhaps only a few years older than me. Her faded Guns and Roses t-shirt could have been from the nineties; but was probably just a cool mom’s pick-up from Penney’s. In fact, Damo washed up well enough too. Belly hidden in an expensive-looking shirt, he was breathing easy, his thinning hair sculpted not without some expertise.

    Detecting the residual rugged handsomeness Ciara would have been attracted to, back when he was sliding in tries at Blackrock, I wondered if she still saw him like that. Or whether it took a bottle of wine. Being seated a few tables down allowed me an uninterrupted view of both Ciara and Damo’s faces. I ordered a salad. When what I really wanted was the steak.

    By dessert, he was scrolling endlessly on his phone again. It didn’t look like work. He wasn’t responding to critical emails. Damo didn’t type at all, and his eyebrows furrowed the way one might react to a series of surprising match scores. At one point, he even bit down on his tongue. Ciara contained her irritation by tilting her head to smile at passers-by, that and pushing that last profiterole around her plate.

    When Damo excused himself to make a call, he left Ciara a parting kiss on the cheek. Through the back of his shirt, a thin line of sweat had bled, and as he lumbered out of the restaurant, I wondered if I’d be able to take him down in a headlock.

    When Damo left, Ciara momentarily rummaged in her bag, then headed towards the back of the restaurant, clutching what appeared to be a pack of Marlboro Lights. After nicking my brother’s cigarette pack from the breast pocket of his coat, I followed her out of the dining room, and past the kitchen, to the smoking area.

    At the glass door outside, she flashed me a smile, and blew smoke out of the side of her mouth. I asked for a light. It was a small world. We didn’t live that far apart back in Dublin. We’d gone to schools near enough to each other and would’ve drank in some of the same pubs. Both of us feigned recognition. “Oh, I thought you looked familiar,” and “Yeah, I do know so-and-so.” She went to her pack for another, but was all out. I’d one left that she offered to split.

    She apologized for the duck-arsed fag. There was something intimate about the warmth of her saliva on my lips and it made my heart pound. After noticing my tattooed wrist, Ciara took hold of it, examining and running a finger along a blown-out line.

    “I wish I’d gotten more, if I’m honest.” she said.

    “It’s never too late.”

    Ciara gave her mouth a blast of a minty breath freshener.

    “Does he not know?” I asked her.

    She raised a thin eyebrow, as if to say, “Are you fucking joking?” before scoffing, “He wouldn’t notice if I shaved my head.” Before parting to head back to our tables, we formally introduced ourselves. First name. Last name. Handshake.

    The next evening, back in Dublin, I went to meet my wife at the airport. My WhatsApp messages went undelivered. Her phone had died. But when she finally appeared through the arrivals gate, she looked small and broken. I thought about the soccer match, our wedding photo, Christopher’s clear eyes and dribble-soaked chin. My heart squeezed closed like a fist and I knew we wouldn’t make it. Waving away like a fool from behind the barrier, I greeted Heather with a hug and took her bags. She didn’t have a Toblerone. Just a headache, and a cold sore.