Category: Literature

  • Niall

    Dublin, 2015

    Four hours after his head gets kicked in, he’s wheeled into the A&E on a gurney. Splayed, supine, he looks like a crash test dummy; blood soils his tracksuit. Only the saliva oozing from his lower lip tells them he is human.

    His breathing is shallow but steady, hence why none of the nurses see him. They think he’s sedated from the morphine. He is still dazed, but resurfacing. He keeps his eyes shut and listens, sneaking the occasional glance around the room to which he’s been brought. Best not draw any more attention, he tells himself.

    The corridor they leave him in reeks of piss. He reckons it always does. Dried pools of blood splatter the floor; someone has recently tried to haphazardly mop them up. Bodies and scarring lie in both directions; from outside, the wail of sirens say yet more will soon come crashing through the door, battered and gory as he. Wearing blood-speckled gloves, nurses ricochet between patients, administering drugs and wrapping bandages. He hears a shrill bleeping noise followed by a monotone voice crackle over the intercom: “D reg to resus, please.” Passing around packing gauze or tubes, orderlies and paramedics shout to one another. A girl lies on the gurney next to his, frayed mini-dress blanketing her fractured limbs and her face smeared in mascara. On the other side, a man is awake, his shirt torn off and draped in IV wiring, a white tube bandaged to his wrist; he looks as if he is doing his best not to scream. Opposite them are a pair of lads covered in blood; some aul’ one wailing that she wants to go home, the drunk in the next stretcher making stifled gurgles, while a phlebotomist with panic in his eyes works hard on pumping his patient’s stomach. Wailing fills the air as a senior doctor stands at the centre, clipboard in hand, under the laser-like arc lights.

    He doesn’t expect anyone to take much notice of him, because in the grand scheme of things, his injuries are minor. He’s probably one in a thousand that night at St. James’ Emergency Ward, and with a number like that, far more pressing concerns than his bloody mug go on around him. In rooms like this, blood is everything. It has to be preserved, or rinsed clean of whatever disease threatens to pollute it. And yet, for the nurses and medics, like antibiotics or stale coffee, it remains just another part of the job.

    He must’ve been unconscious for hours. At first, he wonders what difference the initial injection makes. He is quiet, probably the only quiet patient in the entire ward. The pain, an insistent throbbing in his head, thuds at a low intensity, unlike before, when it had been the sun and the moon, the sum of all life, a rogue wave flooding his body, burrowing into every limb and pore, robbing him of even the sense to scream out. Or was that just his hangover, stinging vestiges of the cider he’d skulled back at the hall? But to be able to breathe normally again was a relief.

    Niall Keane remembers nothing since he left the Dark Horse Pool Academy. He wasn’t brought here in an ambulance; that’s dead certain. Someone drove him here, in a van; someone whose face he can’t quite recall. No one knows he’d been out at the Dark Horse; not his ma or brother, nor even any of his mates. It might have been one of them who’d driven him here, someone who bolted the second they pulled up. But he shrugs that thought off.

    The hospital personnel aren’t worried about him dying. If they were, they’d have seen him by now, wrapped his head in fresh bandages like a teenage mummy, and sent him home. That’s a good sign. He thinks.

    He feels in his pocket; the solid square lump of his phone is a reassurance. Ma’s going spare, he just knows it. He sees her compulsively dialing his number and, once it goes to voicemail, leaving nervy, sob-wrenched messages for him to call her. The sound of his voice will calm her down, but only for a sec; she’ll bombard him with questions about where he is, and he’s in no humour for that.

    All the same, as he takes the phone out, he curses under his breath: the black screen tells him the battery is gone. More so than letting ma know his whereabouts, he wonders again who dropped him off here in the first place.

    Unmoved by all the chaos whirling around her, the senior doctor flip through her clipboard,. She has her eye on him. And with one eyelid open, Niall watches her turn to stride out toward the waiting room. None of the nurses seem to notice her leave. His vision is blurred; everything is unclear, fog-bound. Maybe she didn’t leave; maybe she hadn’t been there at all. He looks around; though he’s sure the noise in the room was close to operatic, he barely hears anything. Every agonized wail, every shout, every door-slam or slapping footfall from out in the corridor, amounts to a garbled drone in his ears.

    How the fuck did y’end up here, Horsebox? Who brought yeh?

    His brain swirls. He can’t concentrate; flares of light and sound, voices and faces he doesn’t recognize, drift and tangle through his skull like kelp, before sinking back into the ghostly murk of his subconscious. He’s unsure if he’s thinking to himself or babbling aloud.

    Well, sure, in a place like this, does it really bleedin’ matter?

    Damo’s voice rustles in his head. As it always does in moments of crisis.

    He wonders how many people in the ward will die tonight. No matter how hard the medics try, how much they inject or cut or bandage, he knows he’s sharing a room with a few soon-to-be corpses. Perhaps the nurses and medics know who’s doomed and who isn’t before they even set to work on them.

    But we’re all soon-to-be corpses, Horsebox. No-one gets a pass from tha’ queue.

    Rapid and fleeting, a shiver of panic, cuts through him: will he die as well? Can you die from a headwound that isn’t a bullet?

    So I believe, Horse. Depends on how much blood you’ve lost.

      How many others in the room have head wounds like his? Is he the worst to roll into the A&E that night? No, he couldn’t be. At least he’s sentient. He hasn’t forgotten his name. He’s not knocked out cold; the concussion didn’t kill him. But he’s going to vomit any second.

    It’s then that he remembers how he ended up there.

     

    *

     

    The usual shite of a Wednesday evening kicks off, but in a different place this time. The place being the Dark Horse, the time being after dark. It’s one of those pubs tourist manuals make a point of ignoring. Every county in Ireland has at least twenty of them. The boozers that time forgot.

       It’s a kip, an ancient kip. Despite the smoking ban, a tang of stale nicotine still ghosts it. Niall’s been inside three times already. It huddles at the end of Talbot Lane, an unwashed relic refusing to die well into the new millennium. Walking through its doors is like entering a filthier end of recent history, when people were masters at being skint and cheerless. The same five or six aged pissheads sit slumped over their pints, on any given night, with only the ticking of a clock for company. Des, the place’s lone, unsmiling barman, eyes all newcomers like he’s a hawk. The Clancy Brothers or Wolfe Tones or something similarly lachrymose blare harshly from the antique jukebox. Beams of dusty, slender light ooze through the lace-curtain window. The cigarette machine by the jacks glimmers for a euro. Cracked photos of everyone from Connolly and Pearse, Michael Collins, JFK, Archbishop McQuaide and Yeats, along with grainy, archival shots of Dublin from the early twentieth century, clog the wall like a hall of withered fame. There’s no cash register; an old jam jar half-full with coins and rumpled banknotes, placed beside the beer taps, waits for the night’s earnings.

        It doesn’t even have that aura of dangerous glamour that such places reputedly have; it’s just a kip. ‘Strictly over 21s!’ reads the sign above the entrance, but no-one’s ever bothered asking for his ID. One look inside tells him that things like late licenses and IDs aren’t a major priority in the Dark Horse.

        The more Niall is warned against going in there, the more his curiosity grows.

       It’s the pub’s poolroom, below in the converted basement, that gets him. It’s where the younger crowd goes; it’s where the billiards and dartboard are. They stay here after hours. They congregate at the table, arrange the red and yellow balls in a perfect triangle under the lamp.  Once the cue clacks off the white ball to scatter them, the game starts in earnest. Of curlicues, ricochets and pensive maneuvers, scores are vigilantly kept. Like sharks in a tank, you and the lad you’re playing against circle each other, choosing your targets, knowing the others will watch your every move. Every time you sink a ball or miss a shot, roars of approval or mockery bounce off the walls like a war-cry. But pool isn’t a yob’s game – you need to have a plan. The games usually go on long after midnight, closing time is never too strictly enforced, and there are usually girls around.

       No girls tonight, sadly. On a Wednesday, there never are. Felt most keenly by the lads, their unaddressed absence is an overwrought dearth that sinks into each boy’s bones, sullying the air like the cigarette smoke they exhale.

       Niall’s surprised there is no Garda van parked out across the way. Though he’d never admit it, the lads intimidate him with their pugnacity, their arch and profane banter, their predatory laughter at seeing him in their zone. They’re not unlike the lads at school; but these are men. Lords of the late hours, afraid of nothing and no-one. They make most of the cunts he has to call peers look like choirboys. Under their words seethes real danger, and he wants to join in. Finally, he dares himself to head out there, slipping down the laneway like a man going undercover.

       On a crisp March evening, bag sagging off one shoulder and resolve in his eyes, he stalls it into town on a DART. He gets off at Tara Street and shapes across the river to the northside, cutting down the side street which winds past Marlborough Lane, gulping from a can of Karpackie. Sporting his hoodie and Reeboks, he looks as dodgy and feral as any seventeen-year-old with no street smarts can hope to, in that part of the city. His phone’s switched off and no-one knows he’s here. The few mates he does have probably think he’s at home, spliffing it up by himself. His ma thinks he’s at evening study; she’s better off being left in the dark.

       In a week’s time, he’ll be sitting the first of his mock exams for the Leaving Cert; he’s done fuck-all study, and has fuck-all intention of starting. The life’s being slowly but surely sucked out of him with each day he spends hunched over one of the flaked and graffiti-slathered desks, trying to get his head around maths, geography or whatever they advise he fills his brain up with, in order to pass the year. Evening study, past papers, CAO applications; his head is wrecked by it all.

       Mainly, he does it for his ma,; to keep her happy and off his case. But if he were honest with her, in a way he knows he never can or will be, he’d say he wants out, that school’s a waste of time, that he’d just love to get hold of an Uzi and several pipe bombs and detonate the place, teachers and students alike, out of existence. He loves his ma, but since Damo fucked off to Australia, he’s now the centre of her world. All her hopes and dreams rest on his shoulders.

      “When you’re older, son,” she’ll say, eyes proudly glazed, “you’re goin’ to be huge. Brains to burn, so y’have.” And the way she says it, elated and satisfied, as if she’s witness to a heaven-sent miracle, really gets on his wick. Like it’s a sure thing, done and dusted. If he’s heard her say it once, he’ll hear her say it until his ears bled. These past two years, she’s been like an Antichrist about the whole thing. 

      Her thinking is, he’ll go on to pass his Leaving Cert, then get into college and earn a degree guaranteed to land him a good job, with generous wage packets and a good pension at the end of it. If this happens, he’ll be the first in the family to ever go to college. What he’ll actually study when he gets there, he hasn’t a clue, and nor does she. English or Art or History, maybe, because they’re the only subjects he’s ever been any good at; they’re also the three most useless degrees he can hope to pursue. Or so Damo always tells him. Better off doing Engineering, or Computer Science; at least they’ll get him somewhere job-wise. 

       But Niall doesn’t want a job. Or good marks, or a decent Leaving, or prospects, or any of that shite adults keep insisting he should want and have. He’s a different future lined up for himself.

      He isn’t like his brother Damo, who left school in fifth year and immediately went to Sydney for work. Ma had high hopes for him, too; but Damo was too thrill-seeking, too hungry for adventure to  remain in Ireland and was always more outgoing, more eager to throw himself into the scrum of life than Niall had ever been. He probably laughed to himself when the recession hit; the only man in Ireland to do so. It gave him the perfect excuse to get out. Most of his mates expected him to leave soon; and Niall was no different.

        After overstaying his visa, Damo was living illegally in Sydney for two years; he’d ended up doing three years on FIFO work in Perth. A few of his mates had already been arrested and flown back to Ireland when their own visas were overstayed. 

        Most of this he told Niall late at night over Zoom; Niall’d watch the fuzzy image of his brother on the laptop, the day-glo sheen of Damo’s work-jacket stinging his eye. At the other end of the world, his brother is just up and getting ready for work. The conversation always ends with him having to leave. Damo treats these sessions like he’s a Delphian master-guru, sacred and sage, and Niall is a pilgrim seeking his counsel. 

       “I don’t wanna come back, man. It’s buzzin’ down under,” he’d declare, in the cheerfully defensive tone he took when trying to avoid explaining himself. “I’m free out here. And sure look, you’re wasted on the aul’ 9-to-5. ’Course, the aul’ 9-to-5 doesn’t even exist anymore, but how and ever. Y’aren’t meant to be bolted up in some shithole office, firin’ emails back and forth all fuckin’ day. That’s just the dead end, man. No, you’re better and smarter’n tha’. Smarter than me, you. Better off bein’ your own man. There’s fuck-all else y’can ever be.

       “Lemme ask yeh somethin’, Horse,” he says, lacing up his work boots. “You’re a big boy now. Have y’no plans for yourself, no? No job lined up for the summer, even?” 

      “Ah, man, don’t start this again, I’m not in the humour,” Niall wants to snarl, but even over the crackly monitor, Damo’s stare commands a response.

       He says, “Dunno what I want to do. Maybe head out there and join yeh. Lookit, I’m just tryin’ to keep Ma happy. It’s not like she’s got anyone else. I’m goin’ for the grant to get in as well –”

       “Y’are in yer bollocks,” Damo cuts him off. “Ma lives in a fuckin’ dream world, man. They’re only exams, like. They won’t get yeh anywhere, not anymore. I know they tell yis all this, that yis need to get by in life. Believe you me, they fed us the exact same shite in school, but lookit. I’d no Leavin’ comin’ out here, but here I am, workin’ away in the sun with any number of mots to ride on any night of the week. Spendin’ cash like a mad thing, me. Would y’not join me, Horse?”

        Niall peers at the screen. “Y’know I would, man. But Ma needs me around.”    

       “Y’need to break free of her. For yourself, like.”

      “Ah, but I am. I’ll be headin’ off to college, sure. It’s what I want to do.”

     “Is it, though? Or has Ma just been drillin’ into your head all these years that it’s what y’want?” 

      Niall’s teeth clamp. Deep down, there’s a germ of truth to what Damo says. But Niall won’t give him the satisfaction of staying quiet. He tries to keep his voice even and low, so as not to wake his Ma in the next room.

      “It’s far better than fuckin’ off to Australia when things get rough.”

      “Here, I’m glad I fucked off! I’m after makin’ a shaggin’ life for meself, Horsebox. What was I at before this? Beyond pissin’ about on the streets of Dublin? No cash. No future and no fuckin’ prospects. You tell me what’s worse, yeah? Gettin’ the fuck out ’cos there’s nothin’ to live for, ’cept waste away on the dole, maybe?” 

       His breathing crackles over the monitor. Niall gives him a moment. “So why’d y’leave?”

      “To improve, why’d y’think? For the fuckin’ scenery?”

      “Well, no, but – ”

     “Everyone I was in school with either fucked off like me, or else stayed back there to rot. Hopelessness, man, it’s a disease. Bad as the fuckin’ cancer. I was browned off in Dublin; I felt like an eejit with no life. I was an eejit with no life. And I wasn’t alone, believe you me. People act surprised that the suicide rate’s goin’ up. Doesn’t surprise me at all. Y’lose hope, so y’do. Ma’s kitchen knife starts to look like the right answer when y’can’t see nothin’ ahead. But not me. I didn’t want to rot at home, hopin’ things’ll get better, ’cause we both know they won’t. I’ve more experience now. And you should start doin’ the same.” Then, before signing out, he flashes a gleeful little smirk and asks: “So, ’mere to me, Horse: how’s the oul’ LC gettin’ on? Studyin’ hard, yeh?”

      This time, Niall decides to cut him off. He leans forward and says, casually as he can: “Tell us, d’you know where I can find Oren Collins?”

      The smirk disappears. “Whajusay?”

     “Where’s he? I’ve a thing I’d like to run by him -”

     “Here, you’re not to be hangin’ ou’ with him. He’s a fuckin’ dirtbird, tha’ chap!”

     “I thought he was yer mate.”

     “Yeah, was me mate! ’Til I got wise to him. Man, look, stay away from the likesa him. He’s not worth the shite on your boot heel!”              

      It’s at that point that Niall hits the ‘end call’ button and logs out.

     

    *

     

    “D’yeh know who he is?”

    “No. Never seen him before. He’s just some kid’s after ambled in. Shouldn’t’ve even been there, like.”

    “But y’brought him here in the van.”

    “Course I did. Coulda been my kid, man. Or yours, or anyone’s. Couldn’t just leave him there to bleed, like.”

    “Yeah, true enough.”

    “But man, every night in tha’ fuckin’ place, a few digs do be always gettin’ dished out.”

    “Who else was there?”

    “Oren fuckin’ Collins. He did this.”

    “Well, of course he was, and of course, he did. Holdin’ court, as per fuckin’ usual.”

    “And sure, when is he not? Only the king of tha’ kip, so he is.”

    “Not after tonight, he won’t be.”

    “He’s been in a bad way recently, from what I’ve seen. Ever since his brother died.”

    “Mmm. Heard abou’ tha’. Topped himself, didn’t he?”

    “He did, yeah. And it was Oren who found the body.”

    “Hard thing to do. To bury someone tha’ young, I mean. Wouldn’t wish it on anyone.”

    “Doesn’t excuse any of this, though.”

    “Jaysus, no.”

    “Gas thing is, he says he’d be doin’ fine, though, tryin’ to just get on with it, y’know? Not that I’d ever ask him about it, mind.”

    “That was how long ago now?”

    “The funeral was only a few months back. He wasn’t at it, I heard.”

    “Fuck. And how was he tonight?”

    “Ah, sure, y’know Oren. Full of piss and vinegar. Givin’ it loads tonight, so he was. More’n usual, if I’m bein’ honest.”

    “How do you mean?”

    “Well, he was playin’ against Niall, and he must have missed a shot, ’co Niall started takin’ the piss out of him. Only havin’ a laugh like, anyone could see tha’. But, before y’know it, he gets a dig in the head with the bottle.”

    “Fuck. Are y’serious?”

    “Yeh.”

    “That’s just not on.”

    “I know. Oren’s after goin’ too shaggin’ far this time. He was always well able to look after himself, but it’s not a man he’s after bottlin’ here. It’s a kid, man! And that kid’s now lyin’ in that A&E over there, with his head in fuckin’ bits.”

     

    *

     

    His arms shake in tiny, fitful jolts. He can’t stop or still them – they move on their own, mutinying against the rest of him. Niall’s blinks are rapid, in an attempt to clear his vision. Again, his skull has begun to boil and, as if in time to his ever-quickening heart, that  scar on his cranium throbs threatenening to unsew the crumbly, discoloured stitching that like a track-mark, trails down his face. Along with his body, the gurney’s rocking slightly as his fingers quicken and curl into claws.

    Now unglued, Niall swims  in and out of an ether where colour and noise bubble and erupt at him. If he was even able to scream out, in fear, more than any kind of pain, he  doubts it’d make any difference.

      Say that again, y’little shitebag. I fuckin’ dare yeh.

      He knows that voice, and never wants to hear it again, least of all in his head. Reaching  up, he  runs a shaky finger over the wound where his flesh was punctured. Beneath the gauze, he feels the dried crust and somehow, the bandage has come undone so that the blood is soaking through. Life is seeping out of me, he thinks. Like bilge from a ship, torrents of vitality ooze down his jaw, in oily teardrop, and with every heartbeat, another wave of it leaves him.

    I’ve no problem breakin’ your skull, pal.

      Fighting isn’t his bag, and, he reckons, never will be.  He’s always known better than to fire his gob off. Enough lads in his year have gotten their heads kicked in for less. He keeps to himself. For the full six years he’s been there, school is still a jungle. The lads rule the tarmac roost, smoking out in the lane and getting their pick of the girls. During lunch, when they’re all off playing football on the waste patch behind the prefabs, he retreats to the library, barricading himself among the shelves and dust-gathering spines where he knows no-one’ll find him. A will to survive drives him to do this, hammered into him by years of taunts, threats and clenched fists. He knows what an easy target he is, what ripened prey he makes for the hounds. He’s sick to his back molars of being afraid, of walking the gauntlet formed by their stinging tongues and casual cruelty, of always falling for whatever wind-up they drop. He’s determined to demonstrate, if only to himself, that he can run with the lions. The real hard men, the ones that even his schoolyard tormentors fear. Any funny looks and they’d gladly dance on your head. All of them sound as a pound one minute, raring to hit you a box the next. Too much hassle hanging out with them, his mates’d say. Fuck them all, he thought. Half of them’ll be locked up or dead before they reach thirty.

    Do yourself a favour, son. Don’t slag off a fella y’don’t bleedin’ know.

    What the fuck did he say to set him off? Had to have been something. Niall knew he wasn’t being cheeky; he hadn’t been trying to make a show of Oren, he was only having a laugh. Oren had a temper, but he wasn’t a headcase. At least, not before tonight he wasn’t. Niall knows none of the lads really like Oren very much, but Des lets him hang around the Dark Horse because he keeps them in line. Des is a decent skin. No way would he have let Niall lie there and bleed.

    By now, the ether is rolling over him. The nurses don’t notice him drift off. He wonders if Oren even said half the things he remembers him saying.

     

    *

     

    More than anything, he could do with a spliff. His brother’s words thud through his skull. He clears his throat.

         “Fuck up, Damo,” he says aloud.   

       His nerves crackle steadily; he wishes he’d a few cans more. The Karepckie wasn’t enough. He suddenly remembers to slow his footsteps, let his arms hang more freely by his sides, and loosen his schoolbag’s buckle. Even with the gargle in his veins, he doesn’t feel any braver.

      Down the lane, the Dark Horse looks like it’s waiting for him. A red-gold neon shimmer bleeds from the doorway, flanked by garish signs of ‘Strictly Over 21s!’ and ‘BYOB’. Niall is glad no smokers huddle outside. His eye is drawn to a battered Honda 600, padlocked to a nearby pole. He knows that bike; knows better than to go near it. 

      The hand painted sign tacked to the entrance grabs his eye: a horse’s silhouetted head against a burnt-gold background, flanked by two pool cues crossing one another, and the place’s name stenciled in bulky, Germanic lettering: Dark Horse Pool Academy. The low pulse of grind music throbs in his ears, like a heartbeat. It gives him little spur to linger.  

       Niall glances up and down the lane, alert for anyone. He makes for the door, aware that somewhere above him, a security camera is monitoring and storing away his face, his clothes, his shuffling movements, before he stops in his tracks.

      He finds himself standing there for a long time. He keeps his eye off the bike. Once or twice, someone walks down the opposite direction; seeing him on his own, in the soiled flicker of the hall’s entrance, and they pause, before carrying hurriedly on. Each time, he tries to catch their eye and hold it; they glance warily at him before quickening their pace. A junkie shambles past and eyes him for a second before shuffling back off into the nighttime crowds.

      He’s prepared for tonight. As Damo’d say, “Never go anywhere without a plan.” There’s only one way to get in with Oren – shoot a nifty game of pool. Niall knows he couldn’t play pool or hit the rails for shite, but that’ll soon change. With more dedication and enterprise than he’d ever shown in his life, he gave himself a month to hone his skills. Then he’d seek out Oren.

       The excuse he spins his Ma is, he’s either still at evening study, or else staying over at his mate Dalty’s gaff. During that full month he claims to be studying for his mocks, he’s trawled the halls, every evening and weekend  well spent sharpening his skills. A quick google search tells him where all the best tables are to be found. He’s played pool in Ryan’s, Fibbers, and even the Hideout – but the Dark Horse is where the real action is.

      He keeps an eye on his phone, so he can get home in time without arousing suspicion. Away from her prying eye, he’d wander in and see who he could get. The money she gives him for food ends up going on a game or a practice session – if there were any takers to his offer. He just hopes she doesn’t get worried and ring up the school to see where he is – that’ll be the end of him.

      Both games and practice are vital. He found he enjoyed pool; took to it more naturally than anything else in his life. Most of the lads he played against were men, with jobs and lives and experience, some of them just in for a quick after-work gargle and a game. He ran balls, sussed out which tables were good for a hustle. At the very least, it was better than being trapped in evening study or gurning over Facebook at 3am.

      The owners realized he wasn’t looking to get served or even cause hassle, just to shoot a good game; they left him to it, mostly. Niall didn’t drink when out there – he knew better than to expose himself. Kept himself confined to Cokes or Fantas. He had to, especially in the Hideout. The men who played there took full advantage of the BYOB policy, downing several cans to his single coke. Niall noticed this made them less steady on their feet, and no matter what their billiards skill was, less capable of pocketing balls with quite the same level of dexterity. He knew better than to feel shame if he lost – everyone likes a graceful loser, after all – and it wasn’t as if they were playing for champion-hood. If anyone got suspicious, he could run for cover elsewhere. Better off if he stayed quiet. 

       Gradually, Niall began playing a better game. His natural reticence allowed him to sharpen his eye to an opponent’s skills: his means of maneuver with a cue, the speed of his hits, how he handled defeat or the fact that he was losing to a kid. Soon he was playing as many as five, six or seven games a night, and winning most, if not all, of them. They were quiet games, and he knew better than to bet with cash he didn’t have or to shoot his gob without being able to back up his claims. He learned and memorised both the written and unwritten rules of 8-ball and 9, one-pocket or bank. The glare of overhead lamps. 9-foot-tables. A ball that isn’t struck by a cue tip meant a foul. Feel free to shark if you want your head kicked in.

        He wasn’t aiming to be champion – it was just a means to an end. 

       Still, Niall knew staying quiet meant they’d distrust him – the fact that he looked younger than he was, not even shaving yet, still made them write him off. Anywhere else, this would have melted his head – but in poolrooms, it could be underestimated and used to his best advantage. Once or twice some hothead he’d just bet hauled him off the floor by his shirt-front, and others rushed to his defence.     

        Finally, he pours the dregs of his can into a drain, throws his shoulders back, and heads inside.

       There’s no-one behind the bar. The pissheads don’t look up; he trundles past them to the door at the far end, down the narrow stairway leading to the poolroom, Reeboks clumping on each steel-edged step. Music rises to meet him, Dropkick Murphys blaring raucously from a jukebox somewhere. He pushes open the door. 

       Standing in the doorway, carrying a tray loaded with empty pint glasses, is Des.            

       Niall halts.

       Des the barman doesn’t even blink as he takes him in. Of everyone there, he doesn’t look like he belongs. Niall expects any employee of the Dark Horse to be a tattooed, anabolic-fuelled gouger at the very least, with a hurley stick at the ready for anyone who dares order a white Russian, not this lean, balding fella of nearly sixty, wearing a black work shirt with the hall’s logo stenciled on the breast, who strains a little under the weight of his tray and stares hard at him and his schoolbag. Des’s specs make him look more like a scholar of Jesuitical philosophy than the night manager of a northside shithole; half-moon, they catch the dim light. Just over his shoulder, Niall sees the place’s logo again, the silhouetted horse and crossed cues, framed and nailed to the far wall. A pool table stands in the centre of the room, like an altar. Suspended above it is a low-hanging lamp, spilling a harsh radiance over its green, faded cloth. A cluster of lads are gathered at it, talking, laughing, sculling pints. Two are engrossed at the baize, several rounds in. Their abrasive chatter eddies in a cavernous, nonstop clamour.

      “Here, what’re you at?” Des barks.

      “I… I’m just here for a game,” Niall replies.

      “No games for y’tonight, kid. G’wan home to yer mammy.”

      Niall looks at him, hating the feeble, snivelling quality his voice has taken on. “Here man, I only want to have a game, like. Could y’not gis a chance, no?” 

      Des jerks his head with a sage click of the tongue. “Y’shouldn’t be down here. There’s nothin’ for you, kid. ’Mon, out.”

      “Ah, man, are y’serious?” 

    Out, now! I won’t tell y’again.” The sudden ferocity with which the bald, spindly man speaks is quite jarring.  

      Before he can answer, Niall hears the squelched gurgle of a toilet flushing, as one of the lads skulks out of the jacks, wiping his hands on his trousers. He clocks Des at the door and pauses. He sees Niall, narrows his eyes.   

      “Here, are you not Damo Keane’s brother? Fuck me, y’are! How’re y’keepin, kid?”

      Niall looks up at the newcomer.

      “Alrigh’, Oren. Whatsa crack?”

      He doesn’t notice Des’ head whip back to Oren, nor does he see his look of concern as Oren approaches Niall, pumps his hand up and down in a single grasping shake.             

      “Jaysus, man, lookat ye. All grown up since I seen y’last.” Oren’s teeth flash. “Yer a right little hard man now, wha’? Last time I saw yeh, y’were barely outta yer nappies. Niall, isn’t it?”

      “It is, yeah.” Though he’d never admit it, a flicker of pride that Oren remembers his name hits Niall.

      “Nice one, kid, fair fucks. Great t’see y’doin’ your brother proud. So what’sa story anyway? What has y’down these parts?”     

      “Well, thing is, I was lookin’ to head down and just, y’know, have a few games. Don’t think yerman over there wants me in, though.”

       Oren stares at him for a second and then at Des, who’s watching with stern-faced discontent, and smirks: “Don’t mind him, man, y’can have mine, sure. And anyway, no better place for a game than here. I’ll be shootin’ a few balls meself with onea them tossers now in a sec. ’Mon over, sure, let’s get mouldy.” He turns to Des: “Here, Dessie, bring us down two pints there, will yeh?”

        It’s a command and not a question. Des walks upstairs, shaking his head. 

       “There’ll be some craic had tonigh’ kid, donchu worry.” Oren steps in, prowling for the table. Niall scuttles after, nearly tripping over a loose shoelace as he goes.

      “Gis a shot of yer cue there,” Oren barks at no-one in particular. One of the lads promptly hands him the one he was using.

     

    *

     

    “So, what happened after?”

    “Well, Oren stood over him, breathin’ hard like he was after runnin’ a marathon. He stared at all of us, and at Des. Next thing y’know, without a word, he drops the glass and legs it outta there like a hot snot.”

    “Yis were all reelin’, I’d say.”

    “Man, no joke, I kept askin’ meself, did he just do that? I mean, it just happened so fuckin’ fast, like. And lookit, I’ve seen Oren do damage before, but this is diff’rent.”

    “Then what?”

    “Well, Des, fair play to him, was the first to snap out of it. He checked Niall’s pulse and then he told me to put him in the van and bring him out here. No time to call an ambulance. Your man’s pumpin’ blood out’ve him like a mad thing. I was too in shock to say no. And anyway, if Des gives y’an order, y’ don’t be askin’ questions, y’just work away and do it.”

    “Well, fair balls for mindin’ him. And y’didn’t just fuck off after y’left him?”

    “Well, how could I, man? I’ve to make a statement of some description soon enough.”

    “Will the guards be in, d’yeh think?”

    “They will, yeah, for all the fuckin’ good they’ll be. They’re great for the aul’ secrets in that kip. I know I won’t be sayin’ a word to them.”

    “Will y’be here for much longer, d’yeh think?”

    “I’ve to make a statement. For when the guards arrive, like. And it’ll take a while. I just know it, man.”

    “Fuck’s sake…”

     

    *

     

    Oren slips a twenty-cent coin into the table’s side-slot and presses it. There’s a hollow rumble as the balls slide up to the return box from the collection chamber. Rollie tucked behind his ear, Oren reaches gently inside, the leather stitching on his forearm twisting as he draws the balls out in twos and threes, like plucked fruit. As he racks them up, Niall can’t help but notice he’s grinning at him, a whetted incisor jutting over his lower lip. In the lamp’s buttery glare, Oren looks like a leering, unshaven prince.

       “So tellus, how’s yer bro? Been fuckin’ yonks since I seen him last.”

       “He’s sound,” says Niall.

      “He still down under?” 

      “He is, yeah. Fucked off to work out in Sydney. Might end up havin’ to follow him out there someday soon. Leave this fuckin’ kip behind.”

       “But he’s never been back since, no?” says Oren, frowning. “Not even to visit, like?”

       “If he has, no-one told me.”

      “He still bummin’ lads?” Oren peers at him and grins, but a nasty crease tugs at his mouth. He snorts. “’Monly messin,’ Soldier. He’s sound, your brother. Always was.”

      “So I believe.”

      “And so, c’mere, it’s just you and him, yeah? You’ve no other brothers, sure y’don’t?”

      “I don’t, no. Just me and Damo flyin’ the flag.” 

      Oren smirks. “Good man. And c’mere, how long’s it been since I see y’last?”

      “Few years now, it’s been.”

      “’Wan outta tha’.” 

      Oren is on the reds, and he’s soundly beating Darren, the fella whose cue he took, who now leans on his own, keeping watch. Oren stoops warily over the top rail, elbow drawn back as he readies his shot. The cue strikes the ball in a clean, straight hit; there’s a clack and the ball rolls from the left cleanly into the corner pocket. Oren throws his arms wide messiah-style.

      “Ah, fuckin’ whopper!” he howls.   

      “Nice one, Oren, fair play to yeh,” Darren, beaten, says timidly.

      “Skills, bud. They can’t be bought,” Oren replies, moon-dancing back and forth.

      “Yeah, good man, Oren,” Niall tries calling out, but no-one’s listening.

      The others give various approving grunts and mumbles as Des returns with Oren’s round. Oren hands him a folded-up tenner as he places two frothing pints on the rail.

      “’Man, Des, you’re a star,” he says. “Dig in, Young fella.”         

      Niall takes his pint with both hands, ignoring Des’s owlish glance. So far no-one’s said a word to him, or even made anything of his presence, but Niall’s fully confident that, from now on, getting served in here should be a doddle.

      The poolroom smells of disinfectant, with the residual reek of BO hovering in the air. Des keeps the place in good nick. Every square inch is scrubbed and polished to the point of sparkling. From doorway to table rail to ‘Exit’ sign, there’s no dust or spillage, not a hint of a stain anywhere. Even the scuffed floorboards are well-swept.

        Niall sips his pint, grimacing at the creamy flow of wheat on his tongue. One or two lads, he notices, look his own age, which boosts his confidence a bit, but not too much. He listens to scraps of conversation: one of them loudly boasting about some Estonian bird he claims to have shagged in a hostel down in Kerry, another talking bollocks about joining the Foreign Legion, hardest bastards in Europe, maybe the world, while his mate scoffs and tells him to fuck off with himself.

      They shoot pool like they’re born for it. Some for cash, others for pride or thrills; there’s no sole reigning champion. Anyone might wear the crown. And if girls are there, which may well be the case later on, the stakes are acutely higher for everyone.

       Niall keeps an eye out, but especially on Oren. He’s dangerous, his own man. Always has been, ever since he hung out with Damo in school. Oren was in Damo’s year, but got expelled long before he even did his Junior Cert. Ma never liked him.

      Them and their mates used to get gee-eyed on cans up in Damo’s room. Niall remembers lurking out in the hallway, feeling puny and inane, wishing he could join in, the scent of hash and the sound of lads’ stoned grunts seeping from under the door as they played Xbox to the hammering boom of Tupac or NWA or The Game, or else madouaveh in the field behind the estate.

       Oren owns the Honda parked outside, but Niall remembers him tearing up and down that field on his old scrambler, a mucky roostertail spurting up from the grass behind him, its abrasive buzz echoing for miles. Now, it seems, he’s graduated on to even louder, shittier things.

      Oren was a mad cunt, even then; in the breadth of a spark, things’d go from grand to haywire whenever he was around. There were lads four, five, six years older scared of him. The few times Niall met him, he always seemed to have a new black eye. Once, he saw Oren headbutt one of his mates just for asking if he’d a spare smoke. He didn’t know if it was the lads’ tense laughter, or the blood jetting from your man’s nose when he finally picked himself up off the floor, that shook him more. The last Niall saw of him was at Deco’s going-away piss-up before he left for Australia, three years back; he ended up getting barred from the pub they were in, for hitting the bouncer a dig. A few months ago, Niall friended him on Facebook, purely, he’d told himself later, on a whim. That was how he first heard of the Dark Horse.

      Most lads in Damo and Oren’s year ended up either on the dole or jabbing their veins full of gear; Damo got out by going to Sydney; Oren somehow avoided it. Throwing shapes and headed nowhere fast, he couldn’t give a single flying fuck. In fact, right now, he’s sucking diesel. When in the Hall, he always is, but everyone knows not to set him off. The lads surround him while he hogs the table and banter, scabbing smokes or coins and always at the top of his lungs. He’s the closest the place has to a bouncer. Even when standing still, he’s either tapping his foot or darting his eyes around the room.

      Whatever deformed home life he comes from, he makes sure only his most trusted mates know. No Leaving Cert, no qualifications. He works part-time as a bike courier for one of the smaller city-centre firms, whenever he’s not happily pissing away his dole on mots, pints or the Dark Horse.

      And he’s only just in from work now: his biker jacket still clings to his torso like armour, even though the Hall’s roasting; his helmet rests on a stool.

      Niall takes a longer sip. He gasps and splutters, grips the bar to steady himself. Oren suddenly notices and eyes him with malign glee.

      “Here you, Youngfella, d’yeh fancy a game?”       

      All conversation dies down; it’s as if the volume of the place has been suddenly shut off.

      “Yeah, no bother,” Niall says, doing his best to sound nonchalant.

      “Fuckin’ whopper,” replies Oren, handing him a cue.

     

    *

     

    “Darren, is it?”

    “Doc, howiya. ’S he alrigh’?”

    “He is alive, fortunately -”

    “Ah, thanks be to fuck.”

    “- but I’m afraid he’s still falling in and out of consciousness. We’ve notified his mother and she’s on her way down here now.”

    “Ah, Jaysus. D’you know when he might wake up?”

    “I’m afraid there’s no telling with this kind of trauma. He took a fairly hard blow to the head.”

    “I know, sure. Wasn’t it me who brought him here?”

    “Well, yes, of course. Anyway, I just want to inform you that you’re not yet free to go. I have a few forms I need you to fill out first.”

    “Will the guards be along, d’yeh reckon?”

    “They usually are, in cases like this. They’ll want a statement off you.”

    “Ah, here. They’ll be a long time waitin’.”

    “Why’s that?”

    “I was just told to bring him here. I saw fuck-all with what happened him.”

    “But weren’t you on the premises when it happened?”

    “I was, yeah. But I was in the jacks. I saw nothin’ after tha.’ I swear.”

     

    *

     

    “Alrigh’ Ginger, how’s tricks?” one of the lads slurs in his direction as he pockets a yellow ball. 

      “Grand, y’mad cunt, and yourself?” he hears himself holler back. The words just slip from his lips, clean and blunt and natural, as if he’s been one of them all his life. He doesn’t bother waiting on the surly reply; he’s not going to prance in and fire his gob off right away.

      Meanwhile, Oren’s giving it loads, his concentration divided between the game and the row he’s having with Darren about recent Irish history. He’s switched from Guinness to cider, and talking faster and louder. Niall chalks his cue, waiting for his shot. His own half-drunk pint, gone flat, lingers on a nearby counter. So far, Oren’s barely acknowledged him throughout the game, instead addressing the entire room. 

      “The Irish brought terrorism to the fuckin’ table, boys. Invented it, we did. There’s ragheads out in the middle of the desert right now usin’ Irish methods of blowin’ shite up.”

      “Yeah, themselves,” some other cunt says and they all laugh.       

      “Fuck up, you. Here, it’s my shot.”

      Oren takes his measure. He shoots well, with the cheery confidence of a victor. He’s impossible to shark. Knows every trick, and how to counter them. Even when arguing with Darren, he sinks balls with a fluid, crackshot ease. For his part, Niall reckons he isn’t doing too badly himself. Still and all, he’s happy to let Oren win. If only this once.

       “Two shots to you, soldier,” Oren says grudgingly, as his shot misses.

      Niall steps over, sees a stray yellow ball that lies over the right. He knows to keep his eye on it, but he’s more aware of Oren circling nearby, about to abruptly laugh or whistle or break into harsh, tuneless song. He leans in and cuts it. The ball reels in a slow, steady arc, somehow doesn’t collide with any of the others, and plunges headlong into the right side pocket. He gives himself a second before leaning back, his face calm.

      “Good one, man,” says Darren.

      “Yeah, fair play to yeh,” one of the others says.

      He doesn’t know if they’re acknowledging a decent shot or muting their approval, but he does his best not to grin.

      Then he hears his own voice, reedy and alien in his ears, say: “The mighty Oren Collins, gettin’ his arse handed to him by a kid. Never thought I’d see the fuckin’ day.”

      There’s a split second of silence. Oren’s jaw hardens. And then, out of nowhere, the others break their shites laughing.

      “This the beginnin’ of the end, boys?”

      “Didn’t see tha’ comin’.”

      “Won’t be showin’ his face in here again, that’s for sure,” giggles a fat lad seated at the table’s far end.  

      “Shuddup you, y’thick,” Oren spits. “Sure y’can’t even hit off that shaggin’ rail, never mind get the hole!”

      “Oh, d’yeh mean like when y’got your hole with tha’ fat bird outside the Czech Inn? Lovely big tits on her, and tha’ was it. Must’ve been like ridin’ a fuckin’ whale, man!”

      “’Least I got me hole that night. Couldn’t get yer hole in a room full of halves, you!”            

      The others laugh, but Oren’s eyes shimmer dangerously. Then, out of nowhere, he smiles.

      “He’s righ’, though, boys. Even great generals have their defeats. Must be losin’ me touch after all, wha.” 

      He turns to Niall, who stays quiet. Darren’s eyes dart between them, and round the back, Des stops whatever he’s doing and paces warily out from behind the bar, his mouth tight. The laughter dies down.

       But all Oren does is grin, and hit Niall a dig in the shoulder, a little too hard.

      “Nice shot, Soldier,” is all he says, and angles his cue back over the rail.

      Niall stays quiet. He’s resolved to keep his mouth shut from now on. But he might be accepted, almost like one of them. He just doesn’t hear Darren’s sharp exhale of relief, or see Des upend one of the fake leather stools over the bar and fix one of its fractured legs with wood-glue, eyes narrowed to the task. He does it freely; no more pints ’til the game ends.     

      Oren’s gone back to laughing and slagging, but his eyes are still lit.

      Des disappears down to the cellar to change kegs. Now that he’s gone, the lads’ voices grow louder than they had been, their banter more urgent. Last call isn’t far off; a crackle of resolve sizzles in the air. One or two have since left in order to catch the last bus or LUAS home; but most stay, eager for whoever and whatever the night might bring. The Guinness and cider roil through his belly, and all Niall wants to do is gulp down more. Wherever the boys are heading off to next, he’s determined to follow.

      AC/DC’s ‘Hells Bells’ plays; its snarling riff twitches at his muscle memory. He jerks his head back and forth in rhythmic, mesmerized bobs. Oren just sips generously from his Bulmers, mouthing the words. The final shot’s now in sight. He draws his right arm back in a triangle, his left stays even and parallel to the cue. Once more he leans over and sends the white rolling to strike the last red. It misses by an inch and recoils back towards the centre. Oren grits his teeth. Niall avoids his eye.

      “Listen, c’mere to me,” Oren says, out of nowhere. “Be thankful for Damo, yeah? Be thankful he was there. We don’t all have brothers. And yours was a decent skin. D’yeh know what I’m sayin’, like?”

      It occurs to him that Oren is far drunker than he realized. He wears a feral expression, eyes radiant and bulging and locked on Niall, and his knuckles have paled as he grips the table’s upper rail. He breathes heavily, grunting almost, as if working himself up for something.

      Niall realizes he’s waiting for an answer, and tries to conjure up a quick reply.                

      “Cheers, man, thanks. That means a lot. Really, it does.” 

      “Yeah, no bother,” Oren slurs, softly. His eyes drop to the floor.

      The others ignore them. Oren is the only man speaking softly amidst a sea of shite-talk and invective. And right now, Niall’s in no humour for solemnity. He doesn’t know what’s come over him, but he suddenly takes a step forward, throws a laddish arm around Oren’s shoulder and cackles in his face:      

      “And, sure look, Damo always said y’were a shite pool player, anyway.”

      He turns away and sees Des, who has since re-emerged from the cellar, gawp in sudden alarm, his half-moon specs glinting as he sees something beyond Niall’s shoulder.

      But Niall doesn’t turn around in time, and he doesn’t see the others freeze in shock, or Daly’s head snap up in confusion from his phone. All he hears is glass shattering and boots thumping clumsily as Oren cracks his Bulmers over the table and charges. He hears the brief interim of silence as ‘Hells Bells’ finishes and ‘Unforgiven’ by Metallica starts up. He doesn’t see Oren, broken pint glass in one hand and a mouth full of venom, roaring at him to say what he just said again. The glass clouts off bone, Darren blurts out the single word “Jaysus!” and silence wafts like mist through the Dark Horse Pool Academy. All Niall sees is a brief, blinding starburst of light as he hits the floor.   

    Image used by kind permission of Graeme Coughlan (graemecoughlan@yahoo.co.uk)
    www.graemecphotography.com

  • Poetry – Kevin Higgins

    Tribute Acts

    Each witch hunt is a tribute act to the last.
    There is always a committee of three.
    The gravity in the room is such
    they struggle to manoeuvre
    the enormity of their serious
    faces in the door.

    Except in the TV version,
    there is hardly ever a microphone.
    Though they will usually give you
    a glass of water and, if you ask,
    tea in a slightly chipped cup.

    The better quality of witch hunt
    will provide you with a plate
    of sandwiches which, these days,
    would likely include
    coeliac and vegan options.

    One member of the panel interviewing you
    is always a man with a shaky voice
    who obviously doesn’t know what he’s doing.
    His wife thinks he’s at the garden centre.

    Another is a woman trying
    on a posh accent for size
    who looks like she’s dreaming
    of killing you
    in some way that would give her
    special pleasure.

    It is written,
    somewhere deeper than law,
    that no such committee
    shall ever be constituted
    unless it contains
    at least one ex-hippy.

    There is always the moment
    when a pile of typed pages emerge
    from an already opened envelope,
    and one of them asks you:
    how, then, do you explain this?

    And the three of them sit there,
    pretending it’s a real question.

    And you realise this committee is history
    paying you the huge compliment
    of making you (and people like you)
    the only item on the agenda;

    that in asking you about what you said,
    did, or typed on the mentioned dates,
    they reveal themselves
    like the black tree at the bottom of the garden
    that only shows its true self in winter.

  • Jerry’s Dead

    By the time I got to Lenny’s place he was pacing up and down out front; his unusually frantic movement a poor advertisement for the stuff he was peddling; the stuff I was there to collect. He had his navy blue Boy Scout shorts on with a sleeveless t-shirt that allowed tanned biceps to stick out. His sparklingly clean teeth screamed ‘fake’, and his slightly balding black hair was gelled back so he could just as easily pass as a mafia boss as a guy working in hotel estates maintenance with me. When he walked his feet stood out ever so slightly, pointing to the left and to the right. For some reason my lateness, by perhaps ten minutes at most (deemed pretty acceptable where I was from), was stressing Lenny out beyond what I would consider normal. He really didn’t want to be considered a drug dealer. The house that he shared with his partner was at the end of a long row of typical island dwellings, two story detached wooden houses inclusive of a big porch out front; where the inhabitants could sit and relax in the evenings. A traditionally wooden white garden fence was just beyond the porch, decorative more than functional. A section of scorched grass lay underneath the fence, peppered by spurts of water from a nearby sprinkler. I strolled down around the corner to the house. Lenny slipped over, pushed his hand through his hair and said:

    ‘Where in Hell’s name were you? You should have been here ten minutes ago.’

    https://www.youtube.com/watch?v=InUzFclYD00&fbclid=IwAR2fa3RLwvWa91d9RPpq9Qd0Gw2kaWSVcWvy9D32lwCVsQK8hTxdBwSJqo0

    There was sweat dripping from my forehead – the August so oppressive even in such close proximity to the sea – I exuded near monuments of it. That whole morning had been spent slouching from one end of the island to the next on various errands, the sweat from my bones burning in the summer sun. Taken aback by Lenny, I just replied,

    ‘I was hitchhiking over. Lifts were slow today. I didn’t think you’d sweat it.’

    I was attempting to calm the air. But Lenny was still pacing up and down the path, the frantic movement that confronted me only slowly beginning to ease. He was chewing gum intently, biting into his mouth like crazy, before finally slowing down. He then walked around to the garage at the side of the house, swung the door open and ushered me in; slowly closing the garage door so that a bright sun gave way to a fully darkened room. Bits of storage stood out behind a small ford coupe car on which a number of boxes were left. The car had put been away for summer. Lenny grabbed a box from one of the top shelves and carried it down. He lifted a bunch of old newspapers that had become browned around the edges and left them on the ground beside the car. He mooched around with these for a few minutes, before taking out a small translucent bag, filled with dark green bundles of grassy textures. A waft of marijuana filled the room. He opened up the bag and took out a sticky bud. ‘Feel the stickiness on that one Dara,’ he said; the tension that had resided now flittering away in the stuffy garage air. Lenny’s disposition changed when the black bud was held up to his nose. ‘Look at the tentacles, he said ‘little beauties. Real Chappaquiddick Green.’

    I took the bud and held it up to my nose, the little black squidgy form like a spider out of which red tentacles protruded towards me. The plant was so exquisitely tender and beautiful it seemed – at once – cruel to have to actually smoke it; its poignant odour so carefully organic while – at the same time – intrinsically seductive. ‘Wow, that’s lovely,’ I said to Lenny as he leant back, a horticulturalist’s gleaning grin making its way across his face like a Cheshire cat. I could see that my comment brought instant gratification; a certain pride in having procured this planted product bursting through his smile. Again, his hand pushed back through his gelled balding hair, and his teeth – no doubt false – glistened like they were commissioned for a new Colgate ad. I decided, given the degree of satisfaction he was receiving from holding up his product, to massage his ego even more. ‘So, you’re one of the main growers behind Chappaquiddick Green, number seven in The High Times list of top ten variants US weed? I’m impressed.’ Lenny has been telling me all summer about the plant he grew every year on the small island of Chappaquidick. He told me he just sprinkled the seed in an area of wild overgrowth only to return sporadically to water it throughout the summer months, when the drought hit. He harvested his plant in the final weeks of July. The island, whatever the geographic specificity, was particularly fertile, unearthing a potent strain of weed known far and wide across the United States. Chap green, he called it. I gave him fifty bucks in exchange for the luxurious product.

    I was handing over the dough when Lenny pulled back the bag and reverted momentarily to his earlier frantic self. Jitteriness returned; the momentary calming of mood offset by the powerful odour of the product. This Irish kid he was selling his dope to could end up putting it in whiskey, getting so fucked up on it he’d need ferrying to hospital on the Cape. How could he be sure the kid wouldn’t smoke himself into such a slumber the cops would be called and the trail would make its way back to Lenny? ‘Lenny, relax,’ I said, trying to calm his nerves, ‘I’ll whack it into a bong and avoid any cookies, or any of that shit. You don’t have to worry. I’ve smoked a lot.’ But it didn’t seem to work. He remained beyond edgy. He started pacing around the garage again, banging into boxes, and knocking over old discarded items. ‘What the fuck was he giving me? Mango juice shit,’ I thought to myself glancing at my watch, wondering about my schedule for the rest of the day (meet Don, get home, get bombed, meet Sarah, get home again, get bombed again). I didn’t have time to calm the dude down; whatever the reason for his overly zealous jitteriness. ‘Calm the fuck down Lenny. I’m meeting my sister’s friend for a Chinese. My friend can’t get off work. She’s coming from Boston for a night to see her brother. We’ll eat and grab a beer. I’ll smoke a joint, play some pool. Nothing too far off the charts.’ It worked. He looked at me, and seemed, for a moment, properly relieved. ‘Ok, ok, man’ he then replied, moving back to his Lenny-is-a-bit-chilled gear, and then confirming that my attempts to assuage his many-years-smoking-weed induced paranoia seemed to work.

    I worked with Lenny and his boss Sandy in the Harbour View Hotel in the village of Edgarstown that summer, doing maintenance around the estate. I got some standard Mexican weed off Lenny after a few weeks into the job. Lenny had no problem supplying the commercial Mexican stuff. But he kept waxing lyrical about the stuff coming down the line: the real stuff. Once that fancy stuffy arrived, so too did his paranoiac alter-ego, mistrustful of the same Irish kid he had worked with all that summer. I drifted away from his garage that day excited by the potential thrashing to be had from the infamous Chappaquiddick. I had a full schedule ahead. I had to get back to meet Don, give him some of the green, and find out where to meet his sister. Then I had to make my way back to the house, have a shower, get changed, returning again to Oaks Bluff to meet Sarah, show her around a bit, before making it back home. I had to be up early for work the following morning, so the level of blastedness had to remain low. I hitchhiked back from Lenny’s place, wandered up the main street of Oaks Bluff to drop off some stash to Don. He was dressed in his geeky Subway gear when he came out to meet me. I told him Lenny was more edgy than normal when making the pick up so he should try not to overdo getting heavily baked at work; who knows what might happen? He just replied ‘Jerry’s Dead.’ A whole street of kids standing outside shops had given a carnivalesque atmosphere to the village’s activities. The summer was really starting to kick off, and humidity levels were rising. ‘Jerry’s Dead’, what the fuck is he talking about? I thought before asking to elaborate.

    ‘Jerry who?’ I asked.

    ‘Jerry Garcia, one of The Grateful Dead. They’re a band, apparently.’

    ‘Never heard of him or them,’ I said, realising that there was more to it than a rockstar dying and that Don was somewhat perturbed.

    ‘You wouldn’t believe it man. Jamie and Shaun rang in to say they were out for a week. That depressed this dude is dead. It’s JFK levels of impact. I’m not shitting you.’

    ‘A week? What the fuck?’

    ‘Yea. It’s like their fucking mother died. Left in the dock. I’m practically on my own here.’

    ‘This Garcia dude. Some kind of Jesus figure or what? A whole week because he died?’

    ‘Yeah. Weird. Apparently, they’ve been deadheads for years…Some fan cult thing. Can you make sure to meet Sarah tonight? And I’ll see you tomorrow? Don’t forget?’

    ‘No problem, man. It’s all on the itinerary.’

    I handed a nugget of Chad G from the bag Lenny had given me earlier, and began to make my way back along the country roads to the trailer park where we were staying, the stultifying humidity causing spots of sweat to burst into lathers of salt; white lines marking the blue t-shirt I was wearing that day. I took off up through the country roads, up through the part of the island where workers and all year-round inhabitants lived. Beyond the huge, ostentatious mansions, the billionaire estates, was the other part; the part of the island where those who had given their life to the island lived.  Once beyond the sumptuous coastline, making your way into the inner beast of the vineyard, a distinctive odour washed over you; the smell of the large population of skunks that had become endemic on the island. When I got to the trailer-house I had a quick shower, and noticing no one was around, got the first bong of the day in order. I pulled the curtains, whipped my top off, and ploughed into the big bottle of murky smoke that hovered in the bottle as the water spilled out from the sides. Then, watching the water trickle out, the smoke hovered like a volcano about to erupt.  The sweet smell of sumptuous marijuana filled the room. As I stood watching in my underpants, the smoke filtered out across the room like a genie freed from a bottle; floating up into air, sun rays cutting through it as little patterns of smoke dissipated in the light. The hit was inhaled deep into my lungs, the smoke soothing my senses.

    And then nothing happened. I sat on the bed, feet sticking out, bong in hand, sweat dripping down from my hair onto a near naked body. ‘Lenny, talking shit, as usual,’ I thought to myself, plucking a significant portion of the black bud with the sticky red tentacles and readying it for another hit of the bong. Five or possibly ten minutes passed, most of it spent cursing Lenny for bigging up the product to such dizzying heights. I lay back on the bed, head resting against the wall, angry that someone had duped me who I had come to regard as a friend. ‘Fuck you Lenny,’ I thought again to myself, ‘you’ve stung me for half my wages for this powerdust.’ In it went again, folded neatly into the foil wrapped around the bottle neck, the water beginning to gush out again from the bucket, smoke hovering around the depleting watermark before – in one big breath – I sucked deep it into my lungs. Coughing and spluttering, I pushed the smoke out into the stuffy humid air. Again, there was nothing of significance. I waited. I waited more. And still, nothing of significance came to pass.

    ‘Fuck him,’ was the lurid expression of choice to curse my newly perceived conman workmate, as I dressed myself at the speed of Superman, checked my wallet for cash, and took to the road. It was a about a twenty-minute walk to Oaks Bluff where I would meet Sarah, take her out for a Chinese and a beer afterwards. I was hoping the bong hits would relinquish any residual social unease, so that the evening would flow. Tasked with entertaining my friend’s sister, a professional and holidaying banker, I need to be suitably caned for the occasion; to lighten the mood accordingly. Instead, I was deliberating on the non-effect of the previously purchased weed. It wasn’t working. I was down half a week’s work on a fucking placebo. I got to the Chinese, met Sarah and we started talking incessantly about the island. Then, as I was about to order noodles or something to that effect, I took a blow full blast to the back of my head from some imaginary psychedelic tennis racket, such was the speed which all sense of reason and normality evaporated from my reckoning. ‘It just creeps up on you, and then boomp’ were words trickling out from my increasingly fractured consciousness, a brain with which it was more and more difficult to maintain any rational contact. I stood up, dizzy and lacking in motion control, stuttering in Sarah’s direction ‘back in a sec.’ It was probably forty minutes since I had wandered skeptically from my digs, cursing Lenny for the low-grade product he passed off as high grade. Rushing out the door of the restaurant, I began cursing him for precisely the opposite reason: not informing me of the potency of the product. I began to see colour vibrations everywhere, waxed out collages on vineyard specific shop designs.

    Beside the harbour where ferries pull in there was a restaurant I worked in, one that specialised in ripping off tourists before returning to the mainland. It sat beside a nicely engineered boardwalk; a buffer zone between Martha’s Vineyard and the Cape.  Leaving the restaurant in a mess, I looked to dip my head in the seawater beside the restaurant; a last gasp attempt to push back the slow unraveling of my brain. There was no way I could conduct a civil conversation with Sarah, serious intake of food or not. The immersion of head in water, a head that seemed to be slowly severing from its body, was offered as the perceived panacea to newly ingrained paranoia.

    I arrived as a mass of energy, stumbling from the street where the restaurant was situated, sound and vision forming symphony of its own accord, to the sea. In it went. The water ebbed and flowed, trinkets of foam pushing up from the sea onto the lathered wood of the boardwalk. Past, present and future were no longer distinctly discernible as moments giving rise to others, but one long durational flow. I lay down on the boardwalk, my hands withholding my body mass from slipping into the water. In it went again; immersed in the cold saltiness of the water.  Out it came. In it went again; before the rush of the marijuana induced caning slowly subsided. But not gone.

    Not gone. Instead, it mellowed to a manageable state, defined by the slightly less crazy universe my head emerged back into. Time became a lovely fuzzy concept. Brain fog gave way to a sudden appreciation of my surroundings: the beautiful sunset in the distance, the sound of families nattering to one other; holiday time emerging in its essence. Newly self-baptized, I stumbled back towards the restaurant, ringing the water from my shortly cropped hair; a hardly noticeable after effect of the immersion.  Sarah’s laugh made for a mutual laugh, as the night began with noodles and chat.

    We finished the Chinese with some sort of weird oriental ice cream and then made our way to a pool bar on the main street, where – in typically American fashion – we shot pool. We ordered a tray of bottles of Bud, before a feeling of breezy elation carried me through the two or more hours we spent there. Like a living replica of the Paul Newman hustler in The Color of Money, every shot I hit seemed to hit its target. The earlier discombobulating unease surrendered to merry exultation. I moved around the room with a swagger, the exuberant array of colours generated from the lighting that fell on the red-carpeted pool tables, giving an intense aura to the balls that lay upon on it.  By the time we said goodbye, Sarah still brushing off the final traces of jetlag, the sun was setting outside, and the sea was calm. The boats moored at the harbour were lying motionless, a pink afterglow over the setting sun making for a serenely painterly affect. I sat at the edge of the seashore, and smoked a one-skinner joint of pure Chap Green. Darkness came in in a blanket of incursions; my head pushed back upon the wooden boardwalk as I imagined hugging roguish Lenny; a person I had since given his VIP status; most important work colleague in the world.

    I still had to get home: the morning promised a wholly different experience cleaning up recently let condominiums. My second job was usually undertaken in the throes of a mind-numbing hangover, brought on by the reliably miserable quality of bar tap beer. The weed was proving itself to be all things Lenny had promised: slowing time down so that my presence alone seemed to sync seamlessly with the island’s inchoate rhythms. Once I said goodbye to Sarah, a moon began to shine upon me; ushering in all sorts of strange prisms; its rays no longer extraneous to nature’s form but part of a mysterious essence; the universe clicking into being as a monolithic life force. It was a force slowly propelling me back towards the trailer where I left the main stash of luscious Chad, a piece of which was nestled in my pocket. Darkness slowly introduced itself, and the trees that line the road reached out to say hello. I moved back and forward across the road with trucks steaming past, lights momentarily blinding me before pushing off into the night. Dogs barked from the back of trucks, echoing like drum beats from an evolving consciousness. I passed through the ever-changing shadows; the smell of the unseen community of skunks one of the island’s unyielding mysteries. I was about to skip over to the other side of the road when a long, elongated Cadillac came around the corner, driving at the speed of a casual cyclist, before brushing up towards me. Once lit up by the moon, I could see the spray-painted gold surface of the old, yet well-kept automobile, flowers decorating its surface along with a load of signatures written with permanent coloured markers. The Caddy had been custom designed, like some trace of a forbidden past; parsed with an accumulation of markings of a once forgotten land. I struggled to adjust my eyesight to the newly arrived vehicle, struggled to account for an intrusion of immense colour upon the dusty island road. Trees shepherding the walker from swirling Atlantic winds cast shadows all around. A man resembling Arthur Lee from the sixties psychedelic band Love, hair banded in the same manner, smiled up at me from the driving seat, before declaring – punctuating the slow drone of crickets nestled invisibly somewhere in the roadside ditch –  ‘Ok, brother. Jerry’s Dead.’ I stopped in my tracks, the spoken words echoing some earlier moment that day – travelling from a past that existed only as memories rolling along the surface of a disaffected consciousness. ‘Jerry’s what?’ I said, trying not to attract undue attention in response.

    ‘Jerry’s Dead,’ he replied again, the Caddy glistening in the heavy moonlight. A big flower was painted on the gold-sprayed bonnet, under which the words ‘The Bad Cat’ were lightly scrawled. My eyes squinted to recognise the driver in profile, but as soon as I did I could see that he was the same guy tourists gathered around on sunny days, when he drove his Caddy slowly through the island villages. Throngs of tourists would gather around his car, looking to make out the myriad of famous signatures that adorned its sides and rear. Bill and Hillary Clinton, Robert de Niro, James Taylor and Carly Simon, Spike Lee, were just a few of the famous autographs that people spoke about as they walked around the Bad Cat’s Caddy. Every time I had tried to get near, tried to nestle up beside the fawned over Caddy, I was usually brushed aside by over eager tourists. ‘Rick, aka The Bad Cat’ he said to me, one hands lying over the side of the car. Before I could get my bearings, light piercing my vision, I heard the words ‘hop in.’ I pushed my body over the side of the car, as we journeyed into the night. ‘Jerry’s Dead’ the Bad Cat said again, words to which I muttered some episodic sense of affirmation, before passing through the island’s belly like surfers cutting into the sea.

    Suddenly, the Bad Cat, who was by then smoking a joint he quickly passed back to me in the rear, took a turn down a small road where a white-sanded beach lay empty in the sullen moonlight, small waves trickling in upon the shore. It was a picture of exotic serenity, so unlike the tourist hotspots adjacent to the island’s main villages, most notably The Inkwell Beach in ear shot of Oaks Bluff. We swooned down upon the white fluffy sand where the wetter sand glistened in the sumptuous moonlight, the smoke from the final embers of the Cat’s joint lingering in the sea breeze before drifting off into some alternate stratosphere. Very little was said as the Caddy pulled in at the dunes. All that was felt between us was our mutual recognition of the night; an ostensible collective hymn to the legacy of a dead man. ‘What’s happening?’ was the question that first left my lips, as the Cat walked around to attached massive audio wires to the car stereo. He opened the boot and then proceeded to take out two considerably sized speakers. ‘The music of the spheres,’ he remonstrated smiling in my direction, my head fizzing as the beach at night began to open up and entice us in. I was standing in the presence of a stranger, but the pulses of time were moving to a kind of rhythm. ‘Muzak,’ I spluttered, still unsure as to how the night had taken its turn; wondering if the Cat was an hallucinogenic vista or a dream I had come upon walking home; my brain’s unfettered response to the mysterious impact of the Chad G. ‘Yeah, cool,’ I said, ‘put on some tunes.’ Then the Cat placed the two speakers on the bonnet of the Caddy, just above the painted on pink and yellow flower. He then rumbled around in the glove compartment, before producing an old battered cassette.

    At that point the night began to calm. Lights began flickering on the horizon, fireflies buzzing in the moonlight sky, waves dancing along the shore. Sand bugs jigged around at our feet. The Cat blew the dust off an old cassette that he took from the glove compartment, that he then pushed above him in order to see the title. He glanced over at me and smiled, whispering the words ‘music.’ Before I got a chance to respond in any way he declared aloud ‘I’ll play you two songs before the other cats arrive.’ My mind seemed to slow to nothing, before I eventually asked ‘what other cats?’ still piecing together the prior events of the night to include the present destination. Any trace of linearity had banished, time taking the form of a continuum of moments, a seemingly never-ending present. I still struggled to respond to his statement. ‘The deadheads, who else?’ he said; fiddling with the cassette player. He then walked over to the car bonnet, before throwing a warm Pabst in my direction.

    The slow silence that followed ended with music spilling out from the attached speakers like sun piercing through drawn curtains, drumming a mysterious essence into the warm summer night. A fast-paced bluegrass beat began to play as the Cat suddenly jumped up onto the bonnet of the Caddy and shouted out the words ‘Cumberland Blues.’ He started to sing along to the beat, stamping his feet to make a clanging noise on the bonnet. The last thing I expected was a rush of energy propelling me onto the sanded area in front of the Caddy. Before I knew it, the Cat was jumping liked a lunatic, singing the words ‘I can’t help you with your troubles, if you won’t help with mine.’ As his arms and legs splashed out in all different directions, he bellowed out the refrain ‘I GOTTA GET DOWN, I GOTTA GET DOWN.’ I looked over to see his whole physical demeanour transforming in an instant. He leapt up and down at rapturous speed; his whole life looking to depend on making as big a movement as possible, pushing out the words into the hazy night sky.

    Soon my heels could be felt skipping to the beat with him, with each verse accompanied by the refrain ‘I GOTTA DOWN.’ A baseline arrived, making our bodies more susceptible to the pulsating rhythms of the night. The Cat jumped down on the sand again, syncing movement to the pervasive rush of a banging refrain ‘I GOTTA GET DOWN.’ As the song pushed to a close, the Cat leaned over to press stop on the stereo, before a short monologue ushered from him. ‘Now, listen sir,’ he began. My t-shirt was ripped at the side, so as to reveal red lines of sunburn. My converse runners had begun to tighten around my ankles, their sides filling up with sand. Then it suddenly dawned on me that I had hardly spoken with the Cat; that he was on some sort of night crusade; that he barely asked my name. He was staring into the night sky, over across the Atlantic, his baggy trousers accompanied only by near worn out sandals. His hands were pushed in front, his tie-dyed t-shirt a perfect match for the loose headband that was now used to keep his Afro in place. Then he spoke:

    The mines man. All fuckin day. The government owned mines. You work all day. You know nothing different. And then the light. You see the light. You dig? You can’t not see it anymore. You dig? Fuck Cumberland. You’re not going down anymore. Jerry knew that man. He knew it in his heart. I gotta get down…a double fucking metaphor man. You dig. I gotta get down the mine. And I gotta get down..you know.. You know like get the fuck down…I gotta get the fuck down.

    He began bopping his head up and down, waving his hands waving around like some manic preacher, spelling out the words ‘I gotta get down’ over and over again. ‘I never heard of this guy Jerry. I never heard anything about this guy before today. I only heard he died from my friend earlier,’ I shouted back, yet he was oblivious. The Cat kept shuffling around; looking so unconvinced that I had never heard of the band. The Cat simply wasn’t buying my protestations; such was the impression his body gave off of sheer and utter disbelief. I gathered myself to pluck out the ends of a joint from my pocket, before playing around with it for a few minutes and then passing it towards the Cat again. ‘Rickie’ I said, ‘he was obviously some kind of Dylan dude?’ For whatever reason, once the song ended time seemed to stagnate, with just the waves crashing against the shore a sign of the island’s intrinsically calming force. The Cat still wasn’t offering to answer my question; his mind seemingly elsewhere entirely. Raising his finger to his lips to make a ‘ssshhh’ noise, he leant back over the windscreen of the Caddy and pressed play on the stereo again. At that point, I considered running back home so as to make it to work the following morning, but I couldn’t just leave. It would be so unmannerly to go. But then a punchy base line pulsated through the speakers the Cat had placed on the sand. My body began to jerk in all directions, to a rush of harmonic vibrations. A luscious Hammond organ echoed in the night, before an electric guitar solo intervened and the refrain rang out. All I could hear was the Cat singing along to the song, bellowing out words to the effect of ‘China Cat, China Cat;’ instruments meshing into an cacophony of sonic commotion.

    The instrumentation and chorus reached a near transcendent crescendo only for the sound of numerous cars on the dunes above us to interrupt the scene. Flashing lights arrived with the cars, piling along the road towards the beach where we parked. The Cat was pushing his arms up in the air, as a mass of bodies, all with similarly styled hair – all wearing black t-shirts with a skull like form just about discernible in the flittering darkness. There must have been twenty or more in the crowd of people who made their way from the number of cars that had suddenly arrived, quickly descending onto the beach and forming a crowd of people around the Caddy and the Cat. The Cat jumped onto the car’s bonnet again and screamed out ‘the Dead!!’ Like a murmuration of swallows that had descended from rooftops on a warm spring evening, a crowd of people – impossible to discern as individuals in the dark – formed a circle around the Caddy and the speakers. Once a lone voice singing out the words ‘China Cat’ in a moonlit sky became upwards of twenty people in a group that moved only in rhythms; an inchoate meshing together of people into a singular multiplicity.

    ‘China Cat’ was the last refrain to stick in my head as we danced until darkness was slowly swallowed by the dawn. As the sun rose over the sluggishly beating waves, my head spun off into a distant universe; the once shadowed figures who emerged from the series of cars at the side of the beach – the vast array of Deadheads as the Cat called them – suddenly emerging as individuals in a drug and booze haze. As the dial on my hand watch edged towards ‘4 am’ I made my way through a crowd of people all wearing black t-shirts with a variation of skull illustrations, perhaps grieving but joyously celebrating the life of a once great American icon. There were a number of small stalls, put together with pieces of board and collected beach pebbles, selling off juice drinks and long elongated mushrooms, various strands of weed and homemade beer. It was like a little festival had initiated itself around me, the exact point of installment a mystery from the night that had engulfed me. The Cat was no longer at his Caddy. He was with a group of oblivious Deadheads. When he saw me alone, he stood up, brushing the sand off his shorts and t-shirt, smiling over in my direction. He was no longer delirious with excitement, but calmer in his demeanour. The night had moved on and the Caddy’s sound system had played a significant part. A bright red glow of a newly arrived morning sun, appeared to cast its rays onto a glittering sea, marked the transition from night to morning; the point when time would remerge intact. I was about to leave the last remnants of the party, the words ‘Jerry’s Dead’ still echoing in my mind, when the Cat put his arms around me and said ‘One minute, good sir.’ He began walking me over towards the Caddy, where the shiny gold spray paint adorning it could be seen clearly in the light. There were loads of signatures written in permanent black marker along the sides of the automobile, some even on the boot. The Cat pointed to a scrawl from which, once focused on, the words, ‘Hi Rick, thanks for the ride, Bill Clinton’ appeared. He smiled to say ‘here last summer.’ Then he spent a few minutes eyeballing the other side, pushing his nose up against the panels to make out what I presumed was another signature by some visiting celebrity.

    Standing back, he pointed his foot again at another scribble. ‘Hey Rickie, thanks for the ride, Jerry Garcia, 94’ was a near illegible scrawl, the Cat proudly asserting ‘he sat right where you sat.’ I tried to reciprocate his enthusiasm; such was the considerable distinction of fan revealed to me over the course of the evening. Nodding in affirmation, my feet still dragging in the sand, I again moved to get away. But before I could turn around to begin the slow walk home, with two or possibly three hours sleep beckoning, the Cat made his way to the other side and began pushing me down towards the shore. The speakers had all but silenced, although people’s voices could be heard speaking in hushed tones against a mellowed-out flutter of psychedelic guitars and singing voices; the tempo of the music altered to fit the sun’s morning glow. ‘I want to tell you something before you go,’ he said. He began to walk again towards the sea, turning around and nearly tripping himself on the soft sand. His baggy pants were hanging down by his sandals, and a tie-dyed sleeveless t-shirt that reflected the early morning sun revealed an array of colours: yellow, pink, and mauve.

    I stumbled along the sand wanting to initiate the conversation that hadn’t taken place when the Caddy pulled up beside me the previous evening; memory that now seemed liked a scene from a television series I had somehow played a starring role in. The connection between then and now was a blur; like two islands separated by a vast sea, not unlike the sea that had confronted me walking with the Cat. Like the post all night partying Marcello who stumbles on the seashore in Fellini’s La Dolce Vita, when an amorphous sea creature confronts the unsavoury hedonist, I staggered in a disheveled state down towards a lightly trickling sea upon a cleanly kept seashore. The small granules of crushed seashells mixed in with the sand were like diamond crystals reflecting back the low din of newly expressed sunlight. In the distance was a glimmer of sunny haze, lights that speckled out upon the skyline like the morning dew in a garden when the party is over and daylight penetrates the newly evacuated space.

    ‘Look out over there,’ the Cat said, pointing out at the sea, towards the glimmer of light that shimmered against the dawn signaling another island day. ‘America,’ he said, pointing out again. Feeling a new brush of sobriety, the wind pushed through me, my words trickled out from a newly alerted consciousness ‘this is it, Rickie. The real America. This reason I came here. Jerry is the Elvis I never knew.’ The Cat went quiet all of a sudden, his silence a cue for me to leave. But on turning around, hoping to avoid another soliloquy about a song, I was soon sucked into another chapter in a night in thrall to the shape-shifting legacy of the band. I had to wait, had to listen, and to hear. Just as the capricious residue of night began to lose sway in the chirpy magnitude of an incoming morning, the Cat lost all sense of reason. ‘This isn’t America,’ he began shouting, suppressing the sound of music still loudly discernible from the Caddy parked at the other end of the beach. ‘This isn’t America, you fool, how can you think that?’ echoed out like trinkets across the island bay, cutting through the temporary lull. The changed atmosphere hit me straight away. He kept shouting out the words, more animated with each passing gesture. ‘This isn’t America,’ he raged, wagging his finger around. And then, pointing to the sea, towards the Cape I imagined was the repository of light sparkling against the shedding glow of the moon, he shouted out ‘that’s America, over there. That’s America.’ When he spoke, white froth began to build at the sides of his mouth, fury spat out into the wind.

    An eerie quiet descended from all directions, the Cat’s once serene behaviour relenting to the inchoate ramblings of a megalomaniac. The need to stop him – to avert the look he directed at me – penetrated my own illusory attempt to cut through the malevolent anger; anger that seemed to be a cosmic corrective to the tantric balance of the previous night: the return of some deeply repressed energy to the world’s wholeness. ‘Look Rickie,’ I muttered, the sound of the music tempering – somebody had obviously turned it down – ‘I’m just saying thanks. I’m only here, on the island, in America, for a few months. A J1.’ A flock of seagulls swooned down from beside a small group of rocks at the edge of the shore, before some litter blew from one of the groups of people still huddled together in the aftermath of the party; a party that seemed like a celebration and a wake. The Cat began to hyperventilate as soon as I said this to him, becoming more and more animated in the interval between my words leaving my lips and gathering relevant meaning for him. ‘I didn’t mean to upset you,’ I rushed out in an instant, a futile attempt to calm his nerves. But then he shouted out ‘this isn’t America,’ before pointing out again towards the sea, at the flickering lights in the distance that intimated a remote otherworld, ‘that’s America.’

    Morning’s arrival saw the lights fade on the horizon; curious markers of a land of which the island was a surrogate child. The distant lights were the embers of another universe; an affirmation of a distant elsewhere. The Cat fell to his knees holding his head, screeching the words as before ‘this isn’t America.’ And then, with the aura of the previous night dissipating into the morning light, he held his hands out crying ‘Jerry’s Dead.’ He bellowed out the words with such force that his whole body was thwarted on the sand. Some of the deadheads careful not to interrupt the discussion until then dropped everything and rushed from the congregations on the beach. A bunch of them ran down to the seashore in a desperate attempt to help the Cat to his feet. They came to form a circle around him as he shouted out the words again: ‘Jerry’s Dead.’ I took a chance to run back to the Caddy, along the road we had driven the night before, when we travelled to the beach for the first time. The mood, by that point, had changed. There was no longer any mysteriousness to the day. I skipped out along the road with my thumb held out, hoping to hitch a ride to Oaks Bluff to begin a new workday. Some semblance of music tickled my consciousness. But it was impossible to know if it was real or my hallucination. Perhaps it really was music emanating from another cosmic dimension; the hidden recesses of a new America.

  • Poetry – Luke Stromberg

    The First Obscenity

    Before we turned our eyes from nudity,
    Or banished certain words, death was the first
    Obscenity—the one from which the rest,
    In time, would find their way. The first
    To make a joke of life. The first
    To show us what may come of children’s games:
    A skull left caked in mud, the slicing rain.
    What is a rude word if not a reminder
    Of the grave in which one’s coffin will be lowered?
    An old man’s kiss upon a young girl’s navel
    Would not be possible if not for death.

    Dressed up in our Sunday best, our deaths
    Seem almost hypothetical. They’re not.
    Plastic surgeons, age-defying creams,
    Air-brushed waistlines on the cover of Cosmo
    These prove our distaste. Death’s in the ghetto.
    But only look out past your green kept lawn,
    And there it is, unfazed, a grinning fact.

  • Poetry – Kevin Higgins

    The Joke
    after Walter Benjamin

    A barrel of industrial waste poured into a suit
    donated by a casino owner who knows people
    with a tangerine tea towel tossed strategically on top
    because it was the only available metaphor for hair
    was running for re-election as CEO of South Canadia
    against an old coat with holes in it.

    The barrel of waste was trailing
    histrionically among professors emeritus
    whose brains were in the process of being dismantled
    by lethargy and time, and among those
    who, as and when the stock market permits,
    take a year off to celebrate their dividends
    by doing good works among brown people in far countries
    not lucky enough to have stock markets or dehumidifiers.
    Such people agreed with each other that the barrel of waste
    made the raging boil on the nation’s privates
    way too obvious, and hoped by throwing
    the old coat over it they could again
    forget it was there.

    The barrel of waste said the old coat couldn’t deliver
    on the promises he wasn’t making,
    and maintained good leads among morticians,
    pimps, and police informants
    and had the total bastard vote
    ninety nine percent sewn up –
    in essence everyone except the late John DeLorean
    and perhaps Alan Dershowitz.

    There was a minority faction who wanted the boil
    on the nation’s privates given free antibiotics, lanced
    with a big needle imported from Sweden
    and then cauterised. But most people found
    though they were in favour, in their hearts,
    of lancing the boil,
    in practice they were for
    allowing the boil to grow redder, angrier, more toxic
    under the old coat with holes in it.

    So the minority extremist faction
    who wanted the thing treated
    were sentenced to the echo chamber
    to argue about whether the old coat
    with holes in it really
    was the lesser evil.

    The midwife of history,
    grown bored with the year twenty twenty,
    had decided to play one of her jokes.

  • Poetry: Ernest Hilbert

    Spolia Opima

    Models, slender and famished as cheetahs,
    Shed their imperial haute couture
    Already in sweatpants, they hail their cabs

    Behind the Grand Palais before
    Applause dies down inside around
    The vacant runway. Afternoon sunlight’s

    Lambent overhead on friezes of Lutetian Limestone.
    Violinists grimace at their scores—
    Haydn, Hollywood, the B’s and Broadway hits,

    Rehearsal house-lights hard above,
    Rosin fine as cocaine settling on the boards.
    They’re not arrogant. They’re bored.

    They’re paid to make the beauty go.
    Why else? We all make beauty pay.
    Gourmands’ are all aglow as it arrives— 

    Voila, another flambé. Cherries, drenched
    In century-old brandy, burn like coals.
    The waiter itches to check his phone. He grins.

    I’m given to hyperbole, I know,
    But something’s got to me. It’s all around.
    You have to learn to make it pay you back.

    The bathroom’s OUT OF ORDER. Sewage seeps
    Into the restaurant. The manager’s
    Frantic, alone today. The line’s

    Become a mob. A voice from an SUV
    Barks at the drive-through speaker. In the back,
    Children cheer a whirl of color on a screen.

    I feel the boredom underneath the beauty.
    It’s weird, and getting desperate these days.
    In auction rooms, the arms go up. And . . . sold.

    The next exquisite investment’s on the block.
    The views—the hills, the seas—are still pristine for those
    Who can afford the heights. Who’s this beauty for?

    Beauty’s boring. I do go on and on,
    Don’t I? Oh, you have a nosebleed.
    Here, drip some in my drink. See this?

    Flick this switch. Now listen. Someone will scream.

     

    Crypt

    The cities burn above me as I sleep.
    I’m walled by trophies looted long ago
    Along the routes of conquest, centuries

    Of funereal remains, gold that’s dimmed
    By dust and bound by web, as valueless
    As the dirt that slowly takes it back again.

    I wake and wonder where I am. I move
    My arm and bottles clink. I raise my head
    Enough to see I must have drunk them all.

    I’m underground. I know because the light
    That works like stars in chinks is far
    Above me. Even in this dusk I find

    There’s something left inside a bottle here.
    Sitting up, I take a swallow and get it down
    Before I choke, and spit out warm urine.

    I half-remember falling off the edge
    Of the world. Then nothing else. I barely breathe,
    The air’s so thick and sapped of oxygen,

    A gas of churned-up worms and sporous loam.
    I want to learn the way back up. I try
    To name the things I see—sextants, I-Phones.

    An avian chorus summons me. What years
    Have gone? I fall toward sleep again. The soil becomes
    A lake that’s darker than the night. My dreams

    Are long as centuries, of wars and new words,
    All telling me “you are gone,” but I’m still here,
    Curled up, and cold, in my crown of amethyst.

     

    Apollinaris, Medicus Titi Imperatoris hic Cacavit Bene

    I check my e-mail. There’s nothing there for me.
    I check the wall. Not much, some recipes
    I’ll never cook, some boasts, some oaths, some jokes,
    Advice, little different from graffiti

    Scrawled on Roman stone two thousand years ago,
    Small bursts of unofficial human hopes,
    And on we go, unchanged, forever griping
    Era to era—it’s almost comforting—

    Election slogans packed in ash at Pompei,
    Billboards on the Temple of Bacchus at Baalbek,
    Winged lions tagged on the Great Enclosure,
    Signs of the Khufu Gang left in Giza,

    So many words, like air exhaled to air,
    Like tiny helium hearts escaping
    In a delirium of approval up a wall,
    Or displeased emperor’s thumb aimed down.

     

    Visit Ernest Hilbert

  • Poetry: Mischa Willett

    Medea’s Hymn
    from Ovid

    O guardian of the dark, keeper of creeping
    shadows, o night I’m standing in…
    And you, timid stars, who wait for her arrival
    to shine…

    And you, Hecate, Hecate, Hecate,

    who knows and keeps the herbal secrets,
    the potion’s potency, the rites of sorcery…
    And you, Earth, who grows the elements,
    you world of winds and waters, you gods
    of woods and watchers of the dead, I need
    you all.

    It is through your power that I have reversed
    the river’s current as the mute banks gaped.
    Haven’t we stilled the trashing seas,
    convened councils of clouds, bagged and shook
    out the very winds? With words I’ve split
    a writhing serpent, drawn down boulders,
    plucked an oak as easily as a flower. I can
    shake the very mountains and open
    the mouth of the ground in a groan. The shades
    I can make walk from their tombs. Even you,
    noon, I can drop in this stream like a white pebble.
    The sun, my grandfather’s carriage,
    I can sing pale. I can staunch the wound
    even of pink dawn.

    But it is you, who, helping me,
    tarnished the bronze of the bulls and bent
    their necks to plow. And you who tangled
    the serpent’s scions and saved my Jason
    in the ring. And it is you who, singing
    through him, put that watchful and wise
    beast to his first sleep, and so brought
    the golden fleece—power of powers—
    to Greece.

     

    In a Dark Wood

    Why am I so jealous of the duck
    That has been swallowed by the wolf?
    Because he has slippers
    and a peg on which to hang his coat
    and a rug on which to place the slippers?

    In the same way, I wish I was the bunny,
    always, but especially in Spring,
    because I think of his hook,
    and the tree he’s in
    and the snow outside
    and all the hawks he doesn’t
    hear hunting, until he does.

     

    The Holding Pattern
    “Just then a plane jumped up and ripped the sky to shreds”
    -K. Vonnegut

    The F-12 fighter jet jumps
    through a hole in the wall
    at the café, at the museum, at the lunch
    I am enjoying, at the moment
    I am thinking of saying the bit about
    my animal’s charging hard
    and my man’s restraining grip—
    the whip he uses to keep
    the beast at bay—
    how his forearms tire, how
    his fingers ply at the leash.

    The line was its own pastiche
    of images—the broken clause, dramatic
    pauses meant to make the thing sound
    ex temporae—like I hadn’t come
    up with it the day before, like I
    hadn’t been dying to say it for its sharp
    “ar” sound from “hard” and how that slammed
    into “charged” and made the thing
    sound sexed and desperate, as indeed,
    I meant it.

    This before the razor-winged marten
    whose dive-bomb corkscrew threw an element
    of reverie into an afternoon I’d mapped
    out as heartful, profound, became
    in the turn, her bright laughing’s
    little explosions on the ground.

    Feature Image: J. M. W. Turner’s Vision of Medea (1828).

  • Tina

    “Rrruth…Ruuuth…Ruthhh…Are you ok?”

    Her voice echoed, in ripples, wave after wave. Outside an open window, fronds of the palm tree danced.

    “Are you Ok? Here, Ruth. Drink that.”

    A pair of green birds chased each other flew past the Chinaberry tree. Laughing or fighting, their feathers were a lighter green against its dark leaves. I despised that tree. The cocksure way it seeded its poisonous self everywhere with impunity. It even flowered in a cruel way. A beautiful bunch of blooms, their purple eyes narrow with suspicion. Not a tree for a farm. And though Avram only approved of trees that bore edible fruit. Somehow this Chinaberry avoided detection, the sapling was tolerated, and survived.

    “Ruth, you should have eaten something. Here, have a date.”

    Those enormous eyes were looking at me, as I tasted something sweet in my mouth. I felt peaceful, but puzzled.  What were these tunnels? So dark. Deep. And the heavy blob of woman lying on the tile floor. Tiles that were grey and speckled with black dots now vibrating in and out of focus. A river of sweetness ran through me. Everything became clearer. More mundane. That blob on the floor was me.

    “What happened?” Tina smiled. Tender. Discreet. “You should have had something to eat”

    “Yes, I wasn’t paying attention. But, what are you doing here? How did you know?”

    “Rosie called. She was worried when you didn’t answer.”  Tina paused to pick up the fallen chair. “Can you get up? Slowly I started to… Didn’t really want to move. But I would have to get up sometime. Tina didn’t offer her hand in help, and I didn’t blame her. Too much of a challenge for her small size. This is not an age to take chances. She stood up, looking at me like an insurance assessor evaluates damage. I managed to sit up, on the floor.

    “No broken bones. Pain anywhere?

    I shook my head. We heard a car drive through the gate that should’ve been there. When it  came to a stop, the door slammed shut.

    “Are you expecting someone?” Tina went over to the window.

    “Who is it?”

    “Can’t see.”

    “Ooh, it could be Osher. For weeks now, I’ve been asking him to come and help me. Tina still peered out the window.

    “Yes, it’s Osher. What is he going to do?”

    “Ruth!” he shouted from below, “It’s Me. Osher!”

    Then his footsteps were climbing the stairs and the door opened. Osher didn’t conceal his surprise.

    “What happened?”

    “I fell.”

    “She fell.” echoed Tina.

    Osher crossed the room to help me up. Amazing, how strong young men are.

    “So… Why did you fall?”

    Tina’s face twisted in to a frown as she bent to pick up my errand slippers.

    “I just forgot to eat. So my blood sugar dipped. But I’m fine now. Want some

    coffee before you start?”

    “No time. I must get on with it. I can only spare a couple of hours.”

    “Gosh, you’re always so busy! Nobody has time anymore. How did we ever manage in the old days?”

    Osher was already bounding down the stairs.

    Tina asked, “Shall I make some coffee?

    “I better eat something more. Where is my syringe? I need an injection.

    “Good idea. Tina was already on the case. Osher is lovely, isn’t he?”

    “Yes. Good person. The only one who’d come and help.”

    “Why do you bother? No one else does”

    Tina was referring to the other widows who lived on our street. There must be at least seven of them.  It was rare to see them out. Instead, they each shuttered themselves from the heat, in cool dark houses. Watching TV I guess. All day long. Just like me. But I couldn’t let all these trees go to rack and ruin. Avram loved this place, and he would turn over in his grave if one  tree died. In truth, I love the trees too. Poor Avram. You know…I think he gave up and died because he couldn’t live with not working anymore. But fair due to Osher for always coming to help Avram. Tina busied herself as if she were burying a secret.

    “Have you seen Yvonne lately?”

    Yvonne Cohen was my next door neighbour and perhaps the first one to be widowed on our street. Not surprising. She was just a kid when she married a man already past his prime!

    “No one ever sees her. You know that,” answered Tina, putting a couple of glasses full of hot coffee on the table.

    “I don’t know what she does indoors all day long. Does she ever go out?”

    “I see Vera sometimes, when she goes to the shop.”

    Vera was the woman most recently widowed. She lived in the 5th house on the street. That is how it worked: the houses were in rows either side of the road, and the farm fields were behind each house.

    Some of the widows let their fields, to be farmed by some of younger men, who already had their own fields and were looking for more land. Doodi used my land and paid me peanuts. But that’s all he could afford in order to still make a profit. And a monkey can’t afford to sneeze at peanuts. Otherwise, all I’ve got is my miserly pension.

    “You’re so lucky to have your husband, Tina,” Nodding Tina sipped her coffee. She appeared pale and preoccupied. “You can’t imagine how lonely it is. When Avram died, it was like someone just switched off the light. I’ve no one to talk to. Nobody to cook for. I watch politicians argue on tv, and when I turn around to say something to Avram, he isn’t there!

    I wonder what Osher is doing?”

    I walked over to the window. He was pruning the lemon trees and watering them at the same time. “Osher! Don’t forget to do the pomegranates.” He looked up smiling.

    “If I have time…”

    “Time! Time! That’s all everyone talks about. No one has time except me!”

    “You said you were going to eat something, reminded Tina.

    “I’ll just grab a banana. I can’t be bothered to cook just for myself.”

    “I have some chicken stew and rice at home. I’ll bring you some later.” Tina decided.

    “No Tina, I’m alright. Tomorrow is Friday and Rosie is coming. She’ll help me to cook for Saturday and I’ll have loads for next week too.”

    Tina’s eyes seemed far away. She was somewhere deep inside herself. I felt that she saw me through a veil. The breeze wafting through the window was warm and the birds sounded so cheerful. Well, at least they sounded as if they hadn’t a care in the world.

    “My daughters want me to sell the farm and move closer to them.”

    “That’s an idea.” said Tina

    “I don’t want to. It’s home here. How can I leave the place where we lived and worked for sixty years. All the trees. The shrubs. These green birds…they’ve been here for years. Even the  traffic noise from the highway. This is what I’m used to.”

    “Home is where your family is. What’s the point of being here all alone. Cut your losses, forget all that you have planted. Life is short, but you still have time to enjoy yourself.”

    Tina spoke sensibly but also from a distance.

    “Thank God you are here. I said. What would I have done without you?”

    Tina stood up and went to look out. The afternoon was slowly becoming evening.

    “How about going for a walk tomorrow?”

    “I can’t say Ruth. I have to go to the hospital.”

    “What is it?”

    “Oh, just some tests.”

    “Is everything ok?” I was beginning to feel strange. Tina trembled a little, and I felt my heart dropping down to my ankles.

    “Ruth, I’m dying.”

    “What do you mean? We’re all on the way there…”

    “No. This is different. I’ve got the big C. I don’t have long.”

    I didn’t know what to say. I was numb. Not Tina. The only friend I have. I know, it’s selfish but right away I thought, what about me?

    “I’m sure the doctors will find a solution. They have new stuff coming out all the time. Don’t say that you are dying. Don’t say that.”

    Osher was running back up the stairs again, and in a flash he stood at the open door, with a smile. “I’m going now, but I did manage to do the pomegranates. I’ll try and come another day. There is just so much that needs to be done.” Turning to go he asked “Why the long face? Not happy?”

    “Yes, Osher, of course I’m happy.”

    “Well, you don’t look it,” he grumbled.

    “Some people are never satisfied. I’m going too,” announced Tina, “Or Albert will think that I ran away with the plumber.” Osher shrugged his shoulders and I felt better. At least she hadn’t lose her sense of humor.

    “Come back tomorrow!” I shouted after her. Startled, she spun around to remind me Friday was Rosie’s day, which allowed me one last whisper, “To tell me what the doctor says.”

    “I will. Don’t worry.” And with that, Tina was gone.

  • Homage to Henry Kissinger

    When Henry Kissinger again fails to die

    Another tree in the Central Highlands loses all its leaves
    A girl sits on a visiting diplomat’s lap
    Someone organises a Nelson Rockefeller look-alike party
    which Henry Kissinger attends
    An election result somewhere is declared null and void for its own good
    An interrogating officer switches on the electricity
    A government spokesman interrupts his denial to wish Dr Kissinger well
    Another tin of Heinz baked beans is sold in China
    and the CEO personally thanks Henry Kissinger
    A ginger cat named Agent Orange leaps down off the garden wall
    A baby slides from the womb with a surprise third arm

    When Henry Kissinger again fails to die:
    A ginger cat named Agent Orange leaps back onto its garden wall
    A government we didn’t like is overthrown in a military coup,
    welcomed by the European Union
    A hut is set on fire for the greater good,
    the European Union calls for an inquiry
    Someone dies of politically necessary starvation
    but that someone is never Henry Kissinger
    A bomb is dropped on someone whose name you’ll never have to pronounce
    because it’s not Henry Kissinger

    For its birthday, a baby gets Spina bifida
    A Bengali family have all their arms sawn off.
    Fifty bodies topple into the sea off Indonesia
    but none of them are Henry Kissinger
    Each time Henry Kissinger again fails to die

  • Talking Through Your Chin-Box 3.2

    Gasping for a hit, Carl made himself a fresh cup of coffee. But big-nosed and bat-eared, when he tried to slam it, the steaming brown liquid dribbled down his chin to piddle over his pink tie and white shirt. His accountant’s uniform.

    ‘Fuck!’ He’d forgotten the stitch-up already. His lips weren’t even that sore. His doctor had done a fine job. No gaps. Nothing could get into his mouth now. Not the normal way. Ingenious. Time was at a premium, that is if he didn’t want to be scalded. So with a tea towel, Carl did his best to sop up all the coffee off his face and clothes. Behind him, the door swung open. And from where, with a crash, the handle had hit the wall, some flaking paint fell to the floor. Looking down, before she stepped over it, in came his wife.

    ‘We have to get that door fixed.’

    She saw it. The gold thread razzle-dazzling his mouth. Extra strength.

    ‘So after I specifically told you not to, you went and got your mouth stitched up, didn’t you? Isn’t that right? You disgust me Carl.’

    Taking off his coffee-stained jacket and tie, he looked directly at Nicola, who mimicked a quite convincing fit of dry retching, and then said,

    ‘You’ll be sick now and have to swallow your own vomit. You’ve gone and done it, haven’t you? You’ve only gone and done it.’

    ‘Yes. I have gone and done it. I’m not getting the sack. No way.’

    At which, she jumped back from him.

    ‘What the hell sort of a sound was that?’

    ‘It’s my new voice. Rather thought you’d like it, Nicola. You were always a Columbo fan, weren’t you? Still are, far as I know. It’s the voice of Peter Falk, isn’t it?’

    ‘Trying to be funny Carl? Because I’ve a left foot here that’ll soon sort that out, when swiftly raised to your anatomy’s pendant parts.’ She said this, moving in towards him.

    ‘Hold on. See this pimple on my chin? Right in the middle? Come closer for a look, because it’s been fitted quite snugly.’

    ‘Yeah, I can see it alright. Wasn’t there this morning, when you left for the office.’

    ‘I know it wasn’t. Because it’s not a pimple. It’s the Chin-Box 3.2. Now that they’ve stitched my lips together, henceforward I’ll talk out of it. Oh, and I can tune it to any voice in the world.’

    Akimbo, Nicola stared into his talking Chin-Box 3.2, as she picked up his coffee cup. The hankie he handed her was for the dregs that dribbled down her chin, as in one gulp, she drained what was left.

    ‘You mean to say, out of all the voices in the entire world, you picked Peter fucking Falk from Columbo? Is that what you’re telling me through your Chin-Box 3.2, Carl? Well, is it?’

    To this, Carl said nothing, now unbuttoning his white shirt. He took it off, and Nicola watched his hairy chest throw the shirt, along with the pink tie, into the washing machine. His hairy spine then walked past her to the far side of their small apartment. Where, from the bedroom wardrobe, he took out a fresh white t-shirt which, in small print on the front read, ‘With Millions of Invisible Advertisements.’

    Returning to the kitchen, he answered, ‘Yes, Nicola. It is. That’s what I’m telling you. Through my Chin-Box 3.2. And as I said, I won’t be getting sacked any time soon. Now, the next time I sneeze, there’s no danger that my nose will fall off of my face. We’re ok for rent. Well, for the next while, at least. And for the foreseeable future, I’ll be talking out of my Chin-Box 3.2, so get used to it.’

    ‘Was that the actor, Leonardo Di Caprio just then?’

    ‘No. It was a mixture of 50% Donald Duck and 50% Bono. I think. I’m only getting used to the controls. Messing around a bit.’

    ‘Who knew that combination would sound like Leo Di Caprio.  I must have a look at how you did that. But you’re trying to play on my love of hip-hop. You’ll not get around me that easily. Did I not say to you, “Don’t get your mouth stitched up, Carl?” That it’s unproven in the fight against the Gordian Worm Virus? Didn’t I?’

    ‘Yes, you did. And your bat-eared boy didn’t listen. Because you’re wrong.’

    Stomping over to the other side of the kitchen table, Nicola fished around in her handbag for a small box which, in front of Carl’s big nose, she placed on the table.

    ‘Is that what I think it is, Nicola?’

    She pulled up a chair to sit at the table, and crossing her arms, looked him straight in the eye.

    ‘It is, Carl. In my view, the Eat-Babies theory is correct.  The Stitch-Your-Lips-Up theory is pure gastroenteritis. Inconsistent and dribbly, indeed. This here is a small box of baby G worms that I’ll eat, and in so doing, become immune to their poison. It’s like that old Turkish delight of a king, Mithridates of Pontus taking small amounts of poison. So many people wanted to kill him, but he developed an immunity. Quite ingenious really. Millions of years BC this was. And people were quite thick back then, relatively speaking. So that’s what I’m going to do, Carl.’

    ‘Won’t they just lay eggs in your body? And therefore those eggs will travel to your brain, hatch and lay more eggs. Hatch, and eventually, when you sneeze, your nose falls off. They’ll burst out of your head, leaving you completely sacked, forthwith.’

    ‘No Carl. They’re dead baby worms. Dead.’

    ‘Oh well. Dead babies. That makes it all right doesn’t it? Do you have any sort of conscience?’

    ‘No. They’re worms, Carl. Just worms. I can’t afford a conscience and by the way, neither can you. If it were otherwise, we’d all be sacked. Now, it’s your turn to get used to it. So please do. I’m eating worms. Dead baby G worms. And I’m making sure to chew each one at least twenty times before swallowing, as the very nice chap in the shop told me to do.’

    Around the wooden kitchen table, the two of them sat in silence, staring at the box before them. Inside the box, dead baby worms were floating in some kind of fluid.

    ‘You know Kevin, from downstairs on the second floor?

    Of course I do. You know I do, Carl. Nice man. He works for the Post Office or whatever it’s called now.’

    ‘Not any more, he doesn’t. His nose fell off last week. Got sacked before his two nostrils hit the ground. Seems they’re evicting him from the building tomorrow. If it hasn’t happened already. In the middle of the night. With baseball bats.’

    Nicola pushed back from the table. Her chair scraped noisily across the wooden floor.

    ‘What sort of a voice was that?’

    Carl was fiddling about furiously with the Chin-Box 3.2 controller on his phone.

    ‘70% Margaret Thatcher and 30% Ronald Reagan, I think. Might’ve been a bit of George Dubya in there as well. Thinking of using that as my new work voice. What do you think? It’d be great for any promotions coming up.’

    ‘I think if you’re talking like that, getting your lips sewn together with golden thread has done far worse things to your mind than ever having Gordian worms running wild about it. Like, how will you sleep in your condition?’

    I’ll sleep fine, Nicola. Don’t worry about that.’

    ‘No you won’t. I sleep beside you every night, and I know. You haven’t thought this through. Budgeting being your forte, you’re supposed to be an accountant for god’s sake. Even before you got your lips sewn together, every second night, religiously, at 3 am, you saw giant insects coming in through the bedroom windows. With less air getting in to your bunged-up mind, God only knows what you’ll see. With less and less circulating your head, by the end of the month, I’ll be married to a person whose brain is the size of an amoeba. Can’t believe those adverts finally convinced you to stitch yourself up. This isn’t on, Carl. You’re a fucker, and you know it. How will you eat?’

    Standing, he went to his light blue holdall. The one with the two gold stripes, which now matched the thread in his lips. His hands rummaged inside for a considerable length of time until, onto the kitchen table, he slapped something long and snakelike.

    ‘Via my Cheek-Tube, Nicola. That’s how I’m going to eat. Through my Cheek-Tube 400.’

    Backing away from him, she nearly collided with the door, shaking her head from side to side to side to side and foaming at the mouth.

    ‘So from now on, you’re gonna eat through a tube?’

    ‘Yes.’

    ‘A tube? Really?’

    ‘Yes. It’s the Cheek-Tube 400. Top of the range. I just insert one end of the tube into my cheek like so, where they’ve cut a small tube-hole insertion point, if you can see it, and then put the other end of the tube into my food, and press this button on the side, and hey presto Nicola, HEY PRESTO!’

    Selecting a breakfast bowl with rainbow butterflies on the outside, into it he put three Weetabix. And after an unstinting splash of cold milk, he pushed the appropriate end of the tube into the bowl. With no noise or effort whatsoever, up his Cheek-Tube 400, the Weetabix disappeared, travelling in a more mashed and condensed form, to the inside of his mouth. Then through theatrical ums, and ahs, while he was chewing, gulping, swallowing, and speaking in different voices, he said through his Chin-Box 3.2, ‘Watch this!’

    ‘I can chew, swallow and talk all at the same time. Look Ma! No hands! From now on, at work, my productivity will sky rocket. It’s a win-win for everybody. I won’t be able to sneeze anymore, because my lips are stitched together, Nicola. The World Health Organisation has stated quite categorically that before anyone sneezes they open their mouth and then a-tish-hoo a-tish-hoo a-tish-hoo. If you can’t open your mouth then no a-tish-hoo a-tish-hoo a-tish-hoo can happen, and therefore no sneezing ever again. This means my nose won’t fall off.  If, at any point, I’m infected with the G Worm virus, and forced by my boss, into a Pass-the-Hankie scenario, I’ll be able to blow at my own pace. Nice and slow. Or fast and furious! But my nose won’t fall off my face, because I can’t open my mouth. I’m back in complete control again! Cool Carl, your bat-earred boy wonder. Nicola, even if I do manage to catch the virus my nose won’t fall off. I won’t be sacked. Don’t you get it?’

    ‘I get it. It won’t work. But I do get it. The WHO are wrong. You will sneeze again. But if you believe in all that gastroenteritis hokey-cokey, well then that’s fair enough. I’m not arguing with you any more, Carl. Life’s too short. I’m tired. It’s a bollocks theory but go ahead, it’s your own life to live out how you please. I’m only your wife. Sure why would you even consult me? Eh? Why? I’m only a poor little know-nothing solicitor.’

    ‘Nicola, Eileen McCruddy’s nose fell off this morning. And so too did her husband’s. Do you know Sarah Mince?’

    ‘Yes.’

    ‘Well, her nose fell off as well. Do you know Tom Tiddle?’

    ‘Yes.’

    ‘Well his nose fell off three times this year already. He’s lost three jobs as a result. In the current recrudescence of the virus, it’s getting more and more expensive to get someone to sew it back on again. Do you know Marty Smarty?’

    ‘Yes.’

    ‘Well, his nose fell off as well. Yesterday.’

    ‘If this goes on much longer, we’ll have no neighbours or friends left. I’m scared, Carl. Everything is shit. So very shit. Fuck it. I’m doing it now. I have to go to work on Monday. I’m eating dead worms right this minute.’

    ‘Are you sure?’

    ‘No, I’m not sure about anything anymore, but I’m doing it anyway. I can’t get my mouth stitched up. I’d suffocate, I would. I’m not built like you. I’ve no other choice.’

    They sat back down, around the table.

    ‘Nicola, have you talked to Susan lately?’

    ‘Yes. We talk every day on the phone. Practically every three or four hours, these last few weeks, since I marooned myself temporarily into our apartment.’

    ‘I’m sorry, but I have to tell you.  Her nose fell off at the weekend. She lost her job on Monday, and she’s being evicted tomorrow morning.’

    ‘What? Carl, she has to come and stay here with us. Most law firms don’t accept no-nosers, even for their first offence. Why didn’t she tell me herself? I was only talking to her earlier this morning on the phone.’

    ‘She was afraid how you’d take it, in your current dread fear of contracting the virus hyper-hysteria. Nicola, are you sure you’re okay with letting her stay here?’

    ‘Of fucking course I am. You’re disgraceful if you think I’d have a problem with letting one of my best friends move in with us for a while. We were at law school together. Disgraceful. Do you have a problem with it? Do you, Carl? You fucker!’

    ‘No, of course I don’t. In fact, I’ve already arranged everything with Susan. She’s all packed and down in the foyer of our building. Just waiting for the okay to come up. Knew I had to check with you first. We’re living in a mad world at the moment. Nothing is certain.’

    Nicola rushed over to Carl and threw her arms around his shoulders. She started to cry.

    ‘I should’ve known you wouldn’t let me down. I love you, Carl. Thank you. Though she should have confided in me first. It’s dreadful she didn’t. Unbelievable really.’

    Putting her lips on his, she kissed him hard. Or tried to. Forgetting his lips were stitched up.

    ‘However golden and shiny the thread, kissing stitched-up lips is absolutely dehumanising. Carl, this has no feeling or warmth whatsoever. How will we survive as a couple without the comfort of kissing?’

    Plunging his left hand down his trouser pocket, he took out an apparatus.

    ‘These are my Loving Lips 4,000. They were included with my Stitch-Up bundle at the doctor’s. Seems I just attach them over my stitched-up lips and hey, presto! Kiss me and find out how good they are, Nicola. Come on. Kiss me! Kiss me! Kiss me! It has a robot tongue with AI.  4,000 wurps per second.’

    ‘You just made that up, didn’t you?’

    ‘Yeah. Yeah. I don’t know what the 4,000 stands for. Unfortunately, wurps don’t exist yet.’

    Tears streamed down her face, and with the hankie, dabbing at her eyes, she moved towards him. When he too, moved towards her, she closed her eyes and again they kissed. But this time, Kerboom! Bang Boom! Boom! Boom! Like Sidney Opera House fireworks. On New Year’s Eve.

     

    ‘These don’t feel, in any way, like your old lips. Nice though. I’ll give you that, Carl. Nice indeed. Wurps, eh?’

    They kissed again.

    ‘Can you kiss and talk at the same time?’

    ‘Of course.’

    ‘Do George Clooney.’

    ‘A bit old for you, isn’t he?’ said Carl, in a Donald Duck / Ricky Gervais melange.

    ‘Just do it, Carl. Do George Clooney. And stop trying to put me off my food with Ricky fucking Gervais.’

    ‘I don’t know if I’m comfortable with that. I’d feel a bit violated to be honest, Nicola.’

    ‘And mix it with Fred from the corner grocery store.’

    ‘He’s a bit young for you, Nicola. I’m shocked. Where has all this come from?’

    ‘Just do it Carl. Without telling me, you got your mouth stitched up. It’s gonna be for at least a year. You owe me big time. Just bloody do it!’

    ‘Ok. Ok. Ok.’

    The banging on their apartment door was Susan. Unable to contain herself any longer, she turned the knob and walked into their living space. The nose she’d already had sewn back on, was running quite badly. By the look of it, probably a backstreet job. She was sweating too. Shaking Carl’s hand, she said, ‘Thanks Carl and Nicola. Thanks so very much for letting me stay with you for a while. I owe you one. Will pay you back when I get another job. Promise.’ And with this, she sneezed. Twice. Into his face. By accident. At least her nose didn’t fall off. Even so, she looked mortified. Depending on how many times you’d already had it re-sewn beforehand, most nose-jobs lasted 7-8 weeks. But with these backstreet jobs, who knew?

    To reassure her, Carl put his right hand into the air to give her the thumbs-up. And in the Chin-Box 3.2 Tarantino voice, he said, ‘You see Nicola, I’ve still got my nose. As I speak, my stitch-up is already paying dividends. Just like the YouTube adverts said it would.’

    Running to the kitchen table, Nicola ripped open her box of worms, and forthwith, put two dead babies into her mouth. As directed by the very nice chap in the shop, she chewed twenty times, and then swallowing hard, re-joined the others.

    ‘Welcome to our home, Susan. Welcome.’