Category: Literature

  • Banned

    “I couldn’t care less!” announced Roger, sucking down the last drops of champagne from the flute, fashioned of Baccarat crystal, he held fast before refilling it.

    “But what did you do to be banned from the restaurant? ” asked Tanya.

    “I simply said the music was too loud, and the paintings were not up to scratch.”

    At this, Tanya eyed him with some suspicion.

    “I guess they are getting all high and mighty,” she said.

    “Perhaps I said it twice.” Offered Roger, in a lower voice.

    To herself, Tanya thought, “Only twice? That would be a first.”

    “The Contessa was with me. She saw the whole thing. All I said, was that the music was too loud, and then I saw the band leader come over to thank Nick.”

    “What do you mean, thank Nick?”

    “What the fuck do you think I mean? The band leader walked right over, and thanked him…”

    Roger’s famous temper was flaring. Again. His face turning red and blotchy.

    “And after all the business that you brought them…”  said Tanya, in a conciliatory tone.

    “The Contessa is my witness. She saw the whole thing. All I said, was that the music…”

    “I heard you, Roger. The music was too loud and the paintings were crap. I got it.”

    “The music was deafening. You know how loud it can get? Well, it was even louder than that, and the band leader came over to thank Nick…”

    “So…Nick was doing him a favour ? Letting him play that loud, and blast the place to hell?” she didn’t quite comprehend.

    “What’s wrong with you? I’m just telling you that the band leader came to thank him.”

    “Right…” Tanya knew better than to point out a few historical facts. Why risk it?  But recently she’d noticed that his manner, always exaggerated, even grandiose, was becoming more erratic. Ordering a cappuccino at the local cafe, he’d begun to wag his finger at the waitress in a peculiar way. Incapable of self-reflection, Roger was oblivious to the abrasiveness of his own comportment and consequently, the now resentful waitress’s  scowl.

    Tanya concluded it’s better to be banned from your favorite restaurant than to admit you are an arsehole after all. Next time they had a coffee at the cafe, when he wagged his finger, she joined in with him, wagging her finger at the waitress too. He laughed at that and even the waitress smiled.

    She didn’t remind him that a month earlier, he’d gotten drunk and shouted abuse at Nick. What would be the point ? She could predict what he would say. That one event had nothing to do with the other. After all he’d been back to apologise and his apology had been accepted. Done and dusted.

    He couldn’t see that the magic was gone. Once someone saw the ugly side, they couldn’t unsee it. It was unforgettable. Up until that point, he’d been like the Godfather. Sitting at Nick’s restaurant, at a corner table, with a bottle of champagne, or at the bar, greeting his friends and looking so important. Everyone thought he was “someone,” because he behaved like he was “someone” and maybe he was. The facade was convincing and it had worked for so long.

    That bad temper. It was always there. No one was more familiar with his temper than Tanya, and until now, it had been reserved for his nearest and dearest. She wondered if the famous facade  was crumbling, due to old age. There were now holes in the fence and the world was watching what before only Tanya saw. The flaws, that for so long, she had bent over backwards to hide.

    “Even this year you introduced new customers to Nick’s place, and they’re serious spenders. You can be sure he’s shooting himself in the foot.” Tanya foretold.

    “I don’t care.”

    “Nick must have taken this personally.”

    “All I said was that the music was too loud….”

    “How many times are you going to repeat that? I told you, I got it the first time.”

    “I don’t usually repeat myself. You are the only one that I have to repeat myself to.”

    “So what will you do now?”

    “I’ll go to the restaurant next door. I’ve never gone there before, but I guess I’ll go there now. “

    It’s happening, she thought to herself. The choices are being made for him because of his misbehavior. He’s not a bad person. It happens because he doesn’t question himself. He is so sure of himself. He has convinced himself that he is beyond reproach. He is certain that everyone else is at fault, not him. Or else it’s the opposite. He fears that he is a fraud and is afraid of being found out.

    “Actually, I prefer it at Freddi’s Bistro. The room is just as nice, and the food is better.”

    “Nick is just an ordinary Joe. He’s no loss to you.” She was saying something she didn’t mean, to see where it would lead. How could she convey that he was cutting all his lines loose ? And if he wasn’t careful, he’d soon be adrift and all alone. But maybe, just maybe she had it all wrong. Maybe it had all happened as he recounted. Maybe it was Nick who was going through a midlife crisis. All the same, and here she felt quite vindicated, he was out of order, like a geysers shooting up, frequently with no pressure at all.

    What amazed her most, was how he continued to find new people to admire him. They’d get taken in by the front, the impressive walls and large gate, and that distant look that implied I’m beyond your understanding. I am a man of substance. I am thinking lofty thoughts. Don’t take me Lightly. Sucking down his booze with the kind of dedication that would shame a baby.

    But is it so? Is there a palace behind the impressive gates, or is it a decaying dump? Tanya couldn’t make her mind about that. Though she could read his mind, did she really know him ? And if not, was that important? He was a human being, full of flaws like everyone else.

    Unless he was an alien. He could be so heartless, so programmed, so circular in his dialogues. Repetitious, as a broken machine. Or was that his most human trait? There was a terrible aggression in repetition, like hammering nails into a wall. It drove her insane with a rage she had to swallow each and every time. You can’t have two people living together and both losing their temper with each other. They wouldn’t be living together for long. One of them would have to be a wonderful person. God knows, it takes stamina to be wonderful. To eat humble pie. To be bored out of your mind. And well, blow me if the other half doesn’t go and congratulate himself for having survived so long.

    “What are you thinking?”

    “Oh…Nothing.” she said, somewhat distracted.

    “What did you say?” he insisted.

    “Nothing. I didn’t say anything. Since when are you interested in what I think?”

    “I am interested. Of course I am. It’s just that you always interrupt me.” Roger corrected.

    “Right. Anyway, Charlie says that it’s a badge of honour to be banned from “Nick’s. His wife agrees about the noise. They are all fed up with the noise.”

    “So you told Charlie, did you?” Roger sprinted to accuse.

    “It’s not a secret is it?” asked Tanya.

    “It’s none of your business. It’s my business. It’s up to me to tell.”

    “I’ll keep that in mind. Must be a coincidence but Nick’s has been quiet since you’ve been banned.” Tanya confided.

    “I don’t care one way or another. I don’t wish them any ill will.”

    “And Tanya knew he was telling the truth. Roger really didn’t. His outbursts were brief and tempestuous, but once vented, they blew over, as if nothing had happened. It was only the people on the receiving end of them that obsessed about his tantrums. Tanya contemplated the question… Can a brilliance simply disappear? Be hidden, forgotten somewhere, deep in someones mind? Would that brilliance, dying to break loose, remain forever locked in, because of a simple lack? The ability to let it find it’s way out?

  • Poetry: Alex Winter

    AREOPAGITE

    The cloud moves, low, across the landscape,
    leaving a slick of rainwater on the backs of cows.
    It passes through the mind of a priest
    and into the eyes of a fourteen year old girl.
    It is a pestilence.  A curse upon the territory.

    In the villages they are rasping for bread.
    No chickens hobble through the shit-strewn lanes.
    Damp is a curse which slowly infiltrates
    clothes, rafters, firewood, children’s skin.
    The crops are sunk. The sheep are full of worms.

    You dole out sermons on disintegration.
    An aged woman is driven from her home
    and burnt to cinders on a makeshift pyre.
    The chancel windows cast brightness inward,
    towards the stunted candles of the choir.

     

    THE RAM IN THE THICKET

    It was a boutique hotel in the Dolomiti
    and each door could be locked from inside by a golden key
    and each key was hung with a sculpted animal.
    Hummingbird, hedgehog, fox or snake.
    The hotel offered a view across the lake.

    My room was cramped.  Pushed up against the table
    was a bookcase which was nearly waist high.
    In it stood a copy of Fear and Trembling.
    The pale lettering along the spine reminded me
    of the ubiquity of schizoid features.

    I took it with me to the loo.
    Outside the rain was spitting.
    The lake surface was thatched with miniature waves.

    As I read about Isaac being tied down by his dad,
    I heard an angel bellowing from heaven,
    “Abraham, ease off, untie the boy.”

    There was a denouement, there on the mountain.
    The angel came down. The angel flew.
    A sharpness in my intestines.

     

    PLAN FOR THE FUTURE

    I’ve worked it out and we’re going to be just fine.
    Your job will pay for mango and mine for baby wipes.
    My heart throbs dyspeptically when I think of our son.
    Where is he now? Does he wear leather and carry a scar?
    I’m less than a man.  I don’t even know how to drive.
    On the other hand I’ve worked out how to arrive on time.
    I was sobbing all morning as my heart went out –
    unlike the flames on Grenfell, which raged until lunch.
    Inside the staircases, lift shafts, flats, nothing withstood.
    Tears became gas.  Screams caught fire and burned.
    Everything that wasn’t blame became ersatz.
    It’s hard to stay focused.  Our dreams are so grotty.
    And the housekeeper creaks on the upstairs floor.
    I picture her stroking her long Hispanic body,
    which opens, closes, then empties itself completely.

     

    SICKERT

    My arm across your body.
    These fingers ending in a brush.

    How the light falls on my shirtsleeve,
    causing the outline to crackle.

    In the background a green overcoat
    hangs from a glass

    partly obscuring your neck and shoulder.
    It’s mine.  I’m clothing you.

    You turn steadily toward me,
    like a satellite dish

    hacked into
    by enemy agents.

    What, I wonder, do you withhold?
    And how do I prise you open?

     

    HIATUS

    Death coiled in one lung.
    (Don’t cough!)
    Like a tilted ampersand
    in a bed of alveoli.
    Breathe gently.

    A skull beside an inkwell.
    Not quite an ‘objet’,
    but artfully positioned.
    We look back.
    Tick… tick…

    Primo goes to it.
    Mounts the handrail.
    96.5cm.  For a short man,
    navel height.
    To fall he has to climb.

  • Poetry – Fintan O’Higgins

    Natural History Museum, Dublin 

    Necrophorus investigator bears
    The dead and follows in their footsteps. Moths,
    Beetles – anaspis maculata: stained,
    Unshielded – big names, small lives; thoughts
    Made real, embodied in machines. The spare
    Crater of earth, when all earth’s blood has drained,
    Will hold its arc and torque, all else being lost.

    The hinges in fleas’ legs, then, or the fascia
    Of armoured woodlice, or the spastic spring
    That spins itself in helical countertwists
    Of muscle in shark or frog: the coil of nature,
    Barely substantial, sustains and persists
    In solid flesh, in every blooming thing;
    In neural galaxies, in our behaviour,

    In helter-skelter shells, and seeds and petals;
    In honeycombs, in choufleur romanescu,
    In hips and waists and golden ratios,
    In ratios contrived of other metals;
    In pentads, heptads, hexagonal sections;
    In blurts of pulsing, liquid shapes or gaseous,
    In every shape in every fruit in Tesco.

    The Victorian whorl of iron, wrought or cast
    Tendrils, poised above a chessboard plot
    Staked out in dominion’s rectilinear pitches
    Like America in barbed wire; or the glass
    Holding still and fast those deep-sea creatures
    Part  water and part number, and those insects
    Obedient in angles, lines, and dots,
    Curlicue in generation’s syntax.

    If necessary shapes, not beautiful
    (Beauty being willed, exalting submission),
    Atomic and autistic, are fragmented
    Blasted, involved, in fraction not in fission;
    Then names are feathery fascinators, spells
    Whose quivering thrum resounds upon the lips
    Cross-hatches nooks in pathways where demented
    Buzzings may refer to but do not tell
    The true ring of the neurocalypse:

    The veil of nerve, the net with which the moon
    Drags heaving tides in black full swag of night,
    The filter distilling thought from spinal twitch
    The measured tension climbing to attune
    Itself to the Fall, constructing absence which
    Strobes from stencil to template, stasis and flight
    Taut as a tent, and black and high as pitch:

    The stillness in the flutter of fern fronds,
    The still of distant waters’ frothing crust,
    The clench and follow of a striking lance
    (Not real ones, though; these days there’s no such thing)
    The uninflected bow, the arc, the string
    Invisible but present in stone or bronze
    The heel of Philoctetes poised in dust
    The tension in the stone of David’s sling.

    That heroes are absences, in corridors
    Leading to chambers where no gods are housed,
    Makes words of footfalls echoing on the floors
    Creaking on wood or clacking on stone tiles
    Pronouncing sentences and syllables
    Along a winding torchlit pagan course
    Where leisurely visitors curiously browse
    And wryly nod with educated smiles;

    And turn and ask if there’s a coffee place,
    Declining middleclass children working class sugar
    And glance but do not meet the dusty eye
    Of long dead bird, or butterfly, or cougar.
    But with the trail of syllables and scents
    Drop iterations of the shapes that figure,
    As whirligigs and maelstroms live and die,
    A small eternity of absolute stasis

  • Victor

    How I learned to love and obey the rules of the world

    You have to keep the white button pressed down, not the red one, the red one is the mains switch for all the electricity. We decided to put it up here out of the way when grandma started to touch everything. Come on, I’ll show you how to get up there. First, put your foot on the edge of the chest freezer, good […] that’s right, then lever yourself there on the barbell, and there you are. Now trust me, let yourself fall against the wall. Why are you shaking? Trust me, I’ll hold you from behind. No, the other one. Don’t shake, you’ll lose your balance. Have confidence in your legs. You’re nearly there. One last push. Not the red one, that’s the mains switch […] now press it again. What d’you mean it doesn’t work. Of course it works. Do it again. Fuck. Wait, come down, I’m going to try to get up there. You have to be more relaxed, one foot here, your arm here to lever yourself up, a little thrust with with your hips. See? What does daddy always tell you? Control over your movements is the first step towards knowing ourselves. See? There is no room for out of place objects in the world. Did you see how daddy did it? Victor, you must have noticed that it works like this at school too, try again. Up with the left then rest your right arm there, good boy, now press the white button. Remember, the first step towards success lies in the preparation of your movements. You must have an awareness of all of your surroundings […] fuck. What do you mean you felt yourself sliding backwards? Don’t worry, daddy will do it today. Click. You see the garage door opening? Listen to how quiet it is. Can you feel the harmony? No, don’t cry. Crying will make you lose your balance. You mustn’t cry, don’t listen to those people who say it is only human, or “cry and let it all out”. Crying is for the weak. The weak are like they are because they aren’t in harmony. No, not that one, that’s the hammer drill, leave that one alone […] they can’t find their place in the world and so they are angry with the world. It’s stupid, Victor. Do you remember what grandpa used to say when he started to not remember where he was? He used to say I want to die before I start wetting myself. Tears are the weewee of the eyes. So you mustn’t cry. You have to face the world with your brightest smile my little man, straight back, stiff upper lip old boy. Why’re
    you making that face? Don’t you like my upper crust accent? Do you want to try to turn the switch on? Ok. Think about the movements you have to make, about your body moving through its surroundings harmoniously. It has to be the projection of yourself through the world. Ok, perfect […] fuck. Let daddy do it. Click. You see, now the garage door is closing. Click. Like this it opens again. Victor, do you remember, here hold daddy’s phone for a moment, do you remember when daddy explained to you what a curriculum is? It’s when you introduce yourself to the world and say, “yes, I am a body who knows how to move harmoniously.” Life is a collection of curricula, because you don’t want to spend your whole life with the same people do you? No, Victor, once you get to know someone it is already time to get to know someone else. That’s why you always have to have an up-to-date curriculum, my little man. Do you remember the three little rules? Hold on to my vest for a moment, please. No, not like that, don’t drop it, it’s dirty in here. First of all […] let’s say it together:

    One: use one, or two sheets of paper at the most, because nobody has time to waste.

    And you have to be like a bolt of lightning out of the blue.

    Two: Use white or very light paper, good quality, plain.

    You have to keep your tears for yourself. No smudging. You are a harmonious individual.

    Three: Use the active voice. Why are you looking at me like that? It means nothing has been started and nothing has been finished, and you are a constantly updating curriculum.

    Remember this word, constantly. And seeing as you have a good curriculum, you know what happens afterwards? […] Victor leave the football alone for now. Do you know what happens when you have a good curriculum vitae? Well, it means the best companies want you. You know what a company is, don’t you? It is a collection of people who move together in the same direction to reach a common goal. Like birds migrating in search of food. All together, straight to the point, old man. What’s the matter? Don’t you like what I’m saying? The little birdies commanding the migratory groups all talk like that. In the companies there are also little rules to learn.

    Your look, Victor, look at me when I’m talking to you, […] your look is very important. Give me a hand with the barbell will you, please. Like that, bend your arm, but naturally […] you see, I was saying, you have to dress according to the context, casual, or elegant, but no flashy accessories. Flashy accessories scare the other little birdies. As soon as you arrive, smile, open doors with nonchalance. Manage your spaces, be ready. When you meet the group’s toughest little birdies, shake their hands with a firm grip, but not too hard. 
 You have to be careful about your body language, sit nicely on your chair, don’t touch your hair, don’t let your hands fiddle, don’t look closed off. Closed off is when you cross your arms, or lower your eyes. You are strong, you know it and you have to show it, but there is no reason to be mean to the other little birdies. Now do you understand what “harmony” means? You don’t have to do anything other than lean your little head on her soft tummy until she opens up, like flowers do in the spring, and you will be able to taste the flavour of her nectar. No, don’t cry. C’mon, remember what I told you […] dry your eyes, mummy is waiting to take us to karate. I like talking to you like a person, Victor, man to man. You are a beautiful thing.

    Translation by Sally McCorry

    Revision by Paul Gilgunn

    Walter Comoglio is an italian writer based in Dublin. This short story appears in his first book named “La sera che ho deciso di bloccare la strada”, published by Gorilla Sapiens Edizioni, winner of 2017 POP prize Italy as best debut.

  • A Slice

    Robbie was in what his friends referred to as “swaying tree mode”. This meant the slender greying hipster was pissed, his eyes barely open, and not engaging with anyone but moving slowly side to side, mouthing the lyrics to a song that wasn’t playing. He was tall but no one worried he’d fall over. His skinny jeans were tight enough to turn his long legs into pylons that served as a rock-solid foundation. The ritual had begun. Around 2am, the others’ attention turned to finding a few bags and a session, whereas Robbie exercised his right to abscond via an “Irish goodbye” without a word to his friends, stomach churning, in search of a slice.

    Leaving The Workman’s Club on Wellington Quay, the crisp air off the Liffey hitting his face was somewhat sobering and his eyes opened fully to admire the river’s glow. He stepped in to Di Fontaine’s, and was greeted with a smile from a familiar face, before leaving with an enormous pizza. Parking the big box atop a bin, he dug through his pockets for his headphones. It wasn’t far back to the apartment Robbie shared with his friend Barry, in the Liberties. Jaw clicking, he nursed his “walking home slice”  tearing at the doughy wedge, on the uphill walk past Christchurch, then downhill towards St Patrick’s Cathedral. Against the backdrop of these strikingly lit monuments, he hummed along to Handel’s “Arrival of the Queen of Sheba,” and commended himself for another flawless extrication. Once again he had dodged the eyebrow-licking, coke-fueled shite talk his mates had in store, and unlike them, Robbie would be fresh for training the following morning.

    His roommate, Barry, was probably out on the piss  with his own mates or the Tinder-date-of-the-week. An empty apartment was what Robbie needed. The love of his life was a gorgeous  grey feline. Grimes would be waiting at the foot of the bed, with a hypnotizing purr that would sooth him to sleep. Robbie could see Fallon’s bar on the corner of New Row South and although just minutes away from home, he began to doubt whether he’d make it in time. A nonnegotiable need to piss came over him. Prompted by the swelling between his legs, he scanned the surroundings for the least inappropriate place to have an urgent slash. Relieved that no one was sleeping rough in the alcove at the entrance to the Centz discount store, he seized the opportunity to avoid soiling in his favourite faded jeans. Placing the still warm pizza box on the ground and out of harm’s way, with his back to the road, he released a steady stream of steaming stinking piss.

    Retrieving the box, Robbie arose to meet the flinty eyes of two lads clad in tracksuits. The older one moved closer, mouthing something at him while the younger hung back, smoking a cigarette. Robbie removed an earphone.

    “Giz a slice of yer pizza, Man” the older one demanded. The younger lad laughed at the hipster, blinking and cornered. “Go on Man, don’t be a scabby cunt, just giz a lil’ slice, for fuck sake.” Before Robbie could find any words, the young lad lunged forward, flicking the lit cigarette with precision directly into Robbie’s face, its red embers bursting upwards and into his eyes. The older brother smacked the pizza box out of Robbie’s hands, which opened up, sending several slices and two sealed plastic cups of garlic dip spiraling down to land on the urine-soaked concrete. The guy then grabbed Robbie by the throat, pushing him up against the shop’s metal shutters.  The young one then snatched Robbie’s phone from his hand, severed it from the headphones with a tug and took off running towards Kevin Street.

    Along with a proclivity for skinny jeans, craft beers and ridiculous mustaches, the modern-day hipster harbors a penchant for watching and practicing Mixed Martial Arts. Brazilian Jiu Jitsu in particular. Robbie, being no different to his cohorts, trained quite a bit. Once acquired, the mechanics of locking up, taking an unsuspecting cunt down, and chokeholding him into submission was no problem at all. Even for a gangly chap like Robbie. Drunk or not.

    Now on the ground, and with arms flailing wildly, the older brother blurted out threats about how Robbie was going to get “fucking sliced up.” A serenade made brief, once Robbie’s legs and arms hooked in, and he applied enough forearm pressure to choke out the threats, which went from barks to hardly audible gurgles to silent gasps.

    When the guy stopped struggling, Robbie allowed him enough of an airway to breathe. “I’m fuckin’ sorry man…Let me go, and I’ll get your phone back.” His pleading went on for a while and Robbie half expected him to start crying, but he didn’t. It was cold, very cold, and the puddle of piss crept closer.

    A passing couple were kind enough to ring the Guards, but they didn’t care to stick around. Within a couple of minutes the squad car pulled up, and its flashing blue light gleamed across the surface of the puddle, just as Robbie rolled the guy over in to it, face first.

    A female officer cuffed the shivering suspect. “Up to your old tricks, Damien?” asked her senior officer with a smirk. “C’mon O’Reilly, I’m not into anthin’ anymore. This lad fuckin attacked me!” answered the detainee, now in custody and being packed into the back seat of the squad car. O’Reilly turned to Robbie, “Garda Keogh here will take your statement. Have you been drinking, yourself?” Robbie admitted that he had and after giving his statement, Garda Keogh instructed him to present himself at Kevin Street Garda Station, the following day.

    Damien and his brother were known to the Guards, who upon entering the nearby family home, found a bedside locker drawer full of phones and other contraband, in a room the brothers shared. Robbie’s phone was returned to him, as it matched his detailed description. He was advised that he could press charges if he liked, but unless he was hurt, it wasn’t worth the bother. The younger brother was a minor, but Damien awaited sentencing for a slew of more serious offenses.

    Robbie didn’t venture out the following weekend or the one after. He offered no excuses for his absence, nor did anyone ask. When he did eventually resurface, so did the ritual. At least it seemed so, to his mates, but Robbie had employed some imperceptible changes. He became conscious of leaving before getting “too-too” pissed, and he skipped the pizza. Hands free, he walked with only one earphone in, listening to Wagner’s “The Ride of the Valkyries.”

    The little bump of coke he had done was keeping him alert. Barry’s black leather studded belt had been left in a pile of clothes in their laundry room for weeks. It’s buckle featured a removable set of fully functioning brass knuckles. Barry wouldn’t miss them.

    Grinding his teeth, Robbie felt his knuckles pop as he gripped the brass in one sweating palm, jammed in his jacket pocket. He was looking over his shoulder with every couple of paces and distracted by a group of lads crossing the street behind him, he smacked right into someone at the corner of Kevin Street. It was Damien.

    Out of his pocket came Robbie’s fist, cocked and ready to rain down. For weeks he had fantasized about the sound of Damien’s bones crunching, and now he saw one side of Damien’s face was bruised in healing hues of yellowish green. On the other, was a fresh slice. The  pink scar bubbled up and ran diagonally down his cheek.

    Recognizing Robbie in an instant, Damien clocked the gleaming knuckles before shielding his face and screaming, “I’m sorry man, I’m sorry…Sorry!” When Robbie hesitated, Damien dashed down the street, running at an incredible pace.

    At home, Barry had a little session brewing. There were a load of people drinking and smoking weed on the balcony. Grimes was asleep on the couch, unperturbed by the speaker’s base or the voices raised over it which carried through the sliding door someone left ajar. Retrieving her would have drawn unwelcome attention, so soundlessly, Robbie made straight for his room.

    How much debt would you need to be in before a dealer would cut your face, Robbie wondered examining his own mug in the bedroom mirror. Then he conjured a similar scar and finally decided his dilated pupils made him look like an alien. Burying the brass knuckles deep in his sock drawer, he put in earplugs, and switched off his bedside lamp. He tried to have a wank for some relief to calm down but couldn’t stay hard. Robbie was not used to coke.

    Behind closed eyelids, Robbie watched a woman crying. From the kitchen of a dilapidated Dublin flat, she peered out of the window into a littered courtyard, ashing in the sink and wishing her sons would come home. He still heard Damien’s nylon tracksuit swishing in the wind. Beautiful in a way, it was much like the sound of a serrated blade moving backwards and forwards through wood, or maybe bone. In the darkened room, Robbie raised his right hand, barely able to stare at his shaking fingers.

  • DUMAINE

    “I’m leaving.”

    “Oh?”

    “Yes. I’m moving on. Been puttin’it off, but gotta go today.”

    “Baggage ready?”

    “Gonna do that now because it’s getting late.”

    “Why don’t I pack you a tuna fish sandwich, just in case?”

    “Yep. Good idea.”

    In the bedroom, I flung the doors of all three floor-to-ceiling closets open wide, which were designed like the entrance of a cathedral, doors that for the greater glory of God, make man minuscule, put you in your place. The perspective of my many possessions purchased, carefully cleaned and stacked up high in an orderly fashion was somewhere between repulsive and overwhelming but mostly beyond my reach. I selected a few books and that fuzzy bear my parents brought back as a gift from Germany, but little else before closing the suitcase.

    She caught me off guard, intercepting me in the hall on my way out, to hand over a brown paper sack as promised. I’d forgotten she’d offered the favor. Preoccupied, I guess.

    “Listen, there’s a chocolate pudding and an apple in with the tuna fish sandwich too.”

    “Thank you.”

    “Okay, bye-bye”

    Glacial and dark by design, her house inhaled the heat if by the gliding open of a sliding glass door, its hermetic seal was compromised. And like a large lung, the house then exhaled a quixotic draft of cooler air, which carried me with it out on to the balcony. Before she’d bolted the door behind me, no matter how briskly, and believe me she was… The sweet swelter had swallowed me whole.

    Across the street, its source obscured by a high fence hugging lush foliage, smoke was rising. Must be the Mexicans. Like too many magpies, they gathered around their granny on her tiny purpose-built patio. No one was more thrilled than she to be grillin’ again.

    Yes, our side of Bayou St. John was on low boil, but the houses on its opposite bank undulated in a mirage. So I was leaning left, feeling in my bones, a future of possibilities and personal freedom lay that way. Right hand tightening its grip on the sweaty suitcase handle, I stashed the sack lunch under my moist armpit, elbow clamped in to keep it there and descended the wrought iron stairs. Pausing at the bottom, I opened the suitcase to put the brown bag in with the rest of my treasures. Now, really on my way, I was again delayed by the obligatory exchange of pleasantries with Steve, our landlord and neighbor below. As it happens he was walking his well-dressed Chihuahua whose name was N’est-ce pas which is French for “Isn’t it so?” Keeping in mind a direct question can indeed be misperceived by older gentlemen as intrusive, in a carefully modulated tone I dared ask,

    “Pardon me Mr. Steve, but why does your dog have on a colour coordinated raincoat and galoshes?”  At this juncture, in unison we surveyed the quivering creature sporting four knee-high Wellingtons on palsied paws.

    “Because it’s a brand new set I just bought that was too cute to leave in the closet even if there isn’t a cloud in the sky. You gone for good this time?” he answered, giving me the eye and theatrically inspecting my little luggage.

    “Afraid so. You two, do take care.” Turning, I saw mucho macho matching heads. The Mexicans were like one monstrous centipede, lined up as they were for a last look over their high wooden fence. We both yelled “Adios” and waved at them but they did not disperse. Didn’t move a muscle. The scorching sun on my scalp said, don’t take all day for this stand off. With better things to do, I would leave the bayou behind.

    I hadn’t got halfway when I spotted the strangers sitting on their front steps just as if they’d lived here forever. They were smoking those cigarettes that smell better than the store bought ones, but you have to roll them yourself. Though unknown to me and mine, these people were in a really good mood, so pleasant in fact that I paused. Especially on account of how thirsty walking with a heavy suitcase made me, and the hissing sound the ice cold can of Dixie Beer let out when they pulled the crackling metal tab stopped me in my tracks. Without hesitation, I held it to my forehead for a minute then next to my neck and drank it slower than heck, so as not to get one of those excruciating brain freezes, to which we Southerners are prone.

    The new tenants invited me inside. Said I could bring my suitcase with me and I did, gingerly placing it on the coffee table, which frankly it monopolized in an absurd fashion. I sat down on their silky soft sofa, but not before being welcomed to do so. Everything of theirs was smaller than ours, and they smelled strange, but were so nice to show interest in what I cared enough about to carry with me. They confirmed my bear was genuinely German. And though I knew every word in my books by heart, indeed they politely declined to borrow them, just as they didn’t care to share my tuna fish sandwich three ways. Said they’d just eaten and instead offered me one of their piping hot homemade brownies. After I don’t know how long, what most intrigued them was that a midget could memorize her digits. I proved my point by borrowing their pencil and a notepad of pretty purple paper to jot down my home telephone number.

    We were having such fun, I nearly forgot they were foreign. The shades were drawn, and I guess I’d been there a while, when one prolonged blast from the building’s main buzzer led to two terse raps on the first floor apartment’s soft hollow-sounding wooden door. Furthermore, when it swung open, you could’ve knocked me over with a feather. Glaring from the hallway, hands on hips, was Mom.

    Like stumbling on an oasis in the nick of time, an accidental magic had occurred. That haphazard ambience which happens in abandoned colonies with greater frequency than you might imagine. Well, that mystical moment had passed and with a firm grasp on my suitcase, Mom was on the march.

    “Step on a crack, break your momma’s back,” I sang real low, hopscotching on one foot, alongside her back to a home that in my eyes was about the same size as The Superdome. Right or wrong, now that meanders of mine are no longer confined, I see Herbsaint-soaked curbs cloaked in ceramic smiles, their teeth-like tiles intelligently fired in the truest hue of Belgian blue. They spell out street names like: D-A-U-P-H-I-N-E, D-R-Y-A-D-E-S, or D-E-S-I-R-E. But the four corners of a sublime world that will always keeps me squarely entertained are contained in time, and still say D-U-M-A-I-N-E.

  • Poems for Holy Week

    Poetry editor Edward Clarke selects poems from Paul Curran, Billy O Hanluain, Haley Hodges Schmid, Ned Denny and his own work to mark Holy Week.

     

    A corona Sonnet

    With no less haste than the crisis deserves,

    All faces one mask of consternation,

    We’ve learnt, through conversing in spikes and curves,

    This virus respects no race or nation.

    Virgil could not have foreseen the Tiber

    Would fill so fast with the fallen of Rome,

    Hospitals built with sinew and fibre,

    Children in hiding, on their own, at home.

    His toll’s still rising, but Death, if he could,

    Would make no attempt to keep numbers down;

    Warm April predicates wearing no hood,

    His scythe keenly sharpened shines like his crown.

    Unfasten quick this dead pathogen’s trick

    Lest lists of the late outnumber the quick. 

    April 4th, 2020

    Paul Curran was born in Stratford-upon-Avon in 1975. He holds a degree in English Language and Literature from the University of Oxford and a Masters Degree from the Royal Central School of Speech & Drama. He has worked widely as a professional actor. His Only Sonnet loosely follows the pattern of the seasons, comprised of 100+ ‘alternative’ sonnets; Repeat Fees and its 80 sonnets and longer poems was published in July 2017.

     

    Stock Pile On Hope

    Walk down the bare,
    trembling aisles of your
    self. Everything dispensible
    is now after its Best Before.
    Pass by the Two for One indulgences
    of fear and doubt. Shelves stripped
    of the superfluous. The tattered packaging
    of novelties that amused us
    fade behind their
    spent Use By dates. Remembered now
    as infatuations bought to distract us.
    Is it time to close shop?
    Turn out the lights?
    Time for the din and dirge of shutters?
    We are open twenty four hours
    and we must never close.
    No matter the Feast Day.
    The Plague or The Hour.
    Turn toward that aisle within,
    so often passed in the hurry
    of what seemed to matter
    there you will find the plenty that
    always was and will be.
    Load your cart, fill your bags,
    weigh your trolley down.
    Stock pile on hope!

    Billy O Hanluain works as a language teacher in Dublin. His work has appeared in The Village and The Passage Between. He frequently reads at open mic nights across the city and has contributed to RTE’S Arts Tonight and Arena. He is a DJ with a special passion for Jazz. He lives in Kimmage, Dublin.

    The Ape in the Meme

    Like those who crouch in a bird-catcher’s hide,
    _             He has put up and part-designed
    A shiny means of destruction online,
    Whose checkout page is set and open wide
    _             As all blind graves must look for business.
    And so he means to capture browsers and listeners
    _                            Like birds in a wicker cage:
    That ape who ate his stockpile in the meme,
    _                                           Or famous adage,
    Who licks his unclean lips and can’t be seen.

    He has become fat and sleek, yeah, he’s smoothed
    _             Out all anxieties we had
    About his bad business: he prospers at
    The expense of all of us who are sweet-toothed.
    _             A devastating and wondrous thing
    Is committed in our land and we all sing
    _                            Blindly its praises. No prophet
    Even prophesises and almost every poet,
    _                                           To no one’s profit,
    Tells tales of a life, but not as you’d know it.

    What will be the end of it? Just now,
    _             At the limits of the eye, just off
    The shore of the ear, that ancient boundary of
    The world, the world can’t pass, no matter how
    _             Hard it smashes its waves into it,
    Or coaxes endlessly: just there, I intuit
    _                            You are rowed out with your answer,
    And stand before the multitude on a sea
    _                                           Of radiant stanzas
    For those with eyes to hear and ears to see.

     

    Edward Clarke’s latest collection of poems, A Book of Psalms, has just been published by Paraclete Press. He is poetry editor of Cassandra Voices.

     

    ‘See now the bewildered Christ’

    See now the bewildered Christ
    In the empty streets of Jerusalem;
    The surefooted clip clop of donkey and colt
    Accentuated by this brimming vacancy,
    By this our iron-held breath.
    We are inside reading the news;
    We are stacked in buildings, racked
    With urban exodus and suddenly beset
    By the fragrance of country miles.
    Need bares her teeth at need—
    No hosanna can emerge, no palm
    Softens the anxious cobblestones.
    Christ passes unhailed through our midst
    With eyes downcast for love.

     

    Haley Hodges Schmid came from her native America to England in 2017 to pursue introductory theological study at the University of Oxford’s Wycliffe Hall. A musician by training, she is drawn to the intersection of theology and the arts and eager to explore themes like redemption, joy, and sacredness in her writing

     

    Iron Age

    When jail shines like a blue marble in space
    and masks of fear eat into the face
    and new strains of deceit are going around
    and the dead demand to be more tightly bound
    and they scramble nine jets at the sight of a dove
    and drive in the nails yet call it love
    and cameras watch live Eden’s knoll
    and separation is the protocol
    and the long war wears the look of peace
    and Medusa stares from a million TVs
    and the cure is seeded with wasp-eyed death
    and all I can trust is my own wise breath
    and misinformation’s the name for the Word
    and they tell the biggest lies this chained world’s heard
    and commit the greatest fraud hell’s ever seen
    and say the withered tree is green

    when a dragon is about to be crowned
    and streets are empty save for the drowned
    and the wolf has the lamb’s best interest at heart
    and to stay alive you stay apart
    and an hourly dose of dread sets the tone
    and the sun itself’s been turned to stone
    and the hungry ghost of the moon descends
    and the axle of the heavens bends
    and the stars disappear through chinks in a rock
    and the hands go haywire on every clock
    and a black horse rides upon manback
    and you still think you’re not under attack
    and they turn the key to “keep us safe” from the Lord
    and at certain times we all applaud
    and death is getting desperate and iron old

    a bird will sing dawn wield your gold

     

    Ned Dennys collection Unearthly Toys was awarded the 2019 Seamus Heaney Prize. B (After Dante), a version of the Divine Comedy, will be published by Carcanet this autumn.

  • Poetry – Radu Vancu

    Master of children’s small fingers
    & of the indestructible hair of girls
    & of the transparent shields of the gendarmes –

    today I saw videos of children with broken heads
    & fingers broken, I saw girls dragged by their shiny
    & indestructible hair by gendarmes with shields transparent

    as your indestructible light, I saw
    indestructible teeth broken, indestructible bodies
    shattered, I saw the blood made by you

    splattering in the world made by you
    & there was still so much beauty in it
    & it is exactly this that mashes me.

    Any amount of beauty mashes me.
    An indestructible beauty in a world blown into pieces –
    your cynicism is divine, indeed.

    I saw a dog licking the bleeding face
    of his mistress, collapsed under the boots of the gendarmes,
    careless to their blows which also crushed his ribs.

    He wagged so happily his tail
    when she raised her grazed hand & patted him,
    there was so much indestructible light around him,

    for him the evil only passed accidentally through the world.
    A cop with a high visor, a blond & pure child,
    came running & hit her again.

    Master, I sometimes tell myself you only passed accidentally
    through the history of the world you made, just as we pass
    only accidentally through the poems we write.

    And that it is of your indestructible & luminous beauty
    that the hardest transparent shields are made.
    And that the happiest of us are wagging our tails,

    licking the bleeding faces of our loved ones. Mashed
    under the boots of the seraphim rapid intervention units.
    Terrorized by the anti-terrorist units of the angels.

    Who to endure so much beauty
    – and until when
    – and why.

    You unbelievably gentle master, if I wouldn’t feel sometimes
    your harsh tongue licking my bleeding brain,
    if I wouldn’t see your furry tail sometimes

    wagging happily – everything would be easier
    & more unbearable. Don’t worry, we’re talking here
    between indestructibles.

    Listen to this poem in the original Romanian below.

  • Prescription: Isolation

    Prescription: Isolation

    No man is an island?
    Go to your room.

    Sweat for three days
    through your clothes, and gaze
    at the sky idling
    through its wardrobe.

    Wait, while species-wide delirium
    registers tremors in the earth’s heart.

    Dream, with Ravel, of the radio’s
    skirling fantasies, one ear awake
    to the bells tolling over Italy.

    Angels stand guard outside your door,
    and in the afternoon bring tea, hot,
    and cuts of melon, cold
    and sweet as spring.

    Tomorrow, you will get dressed,
    push yellow periwinkles and green sea-glass
    across the world of your desk,
    and be glad. Call home.

    So stilled, our hurtling souls
    forget themselves, and remember.

    Image from Quarantine by Patricio Cassinoni.

    www.instagram.com/patriciocassinoni

    https://www.patriciocassinoni.com/

  • Coronavirus – a Poem

    My life’s ambition is to write a poem
    For you to quiver in ecstasy,
    Transcending the storms that have become
    For us a weakly reminder
    That all is not as it should be
    For a generation to come
    All out of shape without
    Any need for eugenics,
    Or medical scapegoats,
    As my face takes on a comical twist,
    And the log fires send out particles,
    And governments negotiate continued support measures,
    While the weathermen occlude
    The longer stretch in the evenings,
    But I won’t cough,
    Lest it gives away the position,
    And we enter the sublime
    Reverence for irrelevance.
    It’s word play OK?
    Designed in their own way.
    I can’t wait for the pattern,
    Or the pull of Saturn.
    Enough, enough, enough,
    Your voice is increasingly rough,
    Hand us over a last puff.