Category: Literature

  • Poetry Recording – Paul Curran

    Try mph

    To Payney, Tinpan, JJ, Tom P., Tom C., Col, Ry, Peewee

    I know the car I would most love to own:

    Well red, early seventies TR6,

    That beautiful, British-built, roadster mix,

    Boldly bearing the boxed badge of renown –

    Great jewel in Triumph’s commercial crown –

    Two point five litre, manual, straight-six,

    Mint restored, flying new like a phoenix,

    To be roared, roof down, roared round my home town.

    Not for the dropping into overdrive –

    Instrumentation alive on the dash –

    Nor for near-by-gone auto heritage.

    More for the pace and the raw expressive

    Chase and catching of oneself off guard – Flash! –

    Much unfussed by life’s high, rising mileage.

    Paul Curran was born in Stratford-upon-Avon in 1975. He holds a degree in English Language and Literature from the University of Oxford and a Masters Degree from the Royal Central School of Speech & Drama. He has worked widely as a professional actor. His Only Sonnet loosely follows the pattern of the seasons, comprised of 100+ ‘alternative’ sonnets; Repeat Fees and its 80 sonnets and longer poems was published in July 2017.

  • Poetry – Kevin Higgins

    Advisory Epistle From Literature Quangocrat
    after Alexander Pope 

    About my person, I at all times carry
    a bowl of re-heated cocktail sausages
    and a completed application form asking
    that I be better funded next year. I only read novels
    which interrogate the relationship
    between gout and Islamist terrorism,
    translated from the obligatory French;
    and poets whose words make me sink
    more comfortably into
    my brown swivel chair.

    It’s taken five hundred thousand Euro
    strategically invested by a range
    of government agencies
    over the past three years to give
    the literature loving public
    me sitting here in this office, knowing
    the name of the third most
    popular poet in Mongolia;
    a country I had to visit
    three times last year,
    at your expense, to ascertain
    the correct pronunciation
    of said verse-maker’s name.

    My most ardent followers,
    a hairy-palmed crew
    of professional online smoochers
    who append themselves to me
    on the off-chance, like maggots
    around an untreated wound,
    each with an avant-garde masterpiece safely
    locked way inside his or her head.

    My own favourite writers? By far
    those who are on nobody’s
    side but their own.

  • Poetry in 2020: ‘Dream and so create’

    At the end of 2019, I wrote:

    In these times it is perhaps inevitable that people will want to write poems about climate change, or Twitter and politics. But poetry knows in its heart, what has already ended inside your consciousness, to which you and the world are gradually catching up.

    In the greatest poems I have read, an old man or great lady has already died, to be reborn inside my imagination at the dawn of a new reality. That essentially linguistic act, or border experience, at the heart of poetry, means that this art is perennially relevant, or always ahead of its time.

    The poems to which a few will continue to return must be in some way about the experience of being able to write to them from out of eternity, which is always to be found in the future.

    And it is in times like these that we need to listen to a still small voice that speaks from that revelatory moment when poetry completes the eternal act of creation in its own last judgement. Like the ancient scripture of different traditions, the poet knows we are living in an iron age, or Kali Yuga, and in his or her work, we come to withstand the day or night when the son of man is revealed.

    As W.B. Yeats declared in The Tower (1928), ‘Death and life were not | Till man made up the whole, | Made lock, stock and barrel |Out of his bitter soul’; the world can only end were we to vanish from it; ‘And further add to that | That, being dead, we rise, | Dream and so create | Translunar Paradise.’

    Thoor Ballylee in County Galway, Ireland: Yeats’s ‘Tower.’

    New Year

    At the beginning of 2020, I’d still stand by those high-sounding words, but I would like to add that we have plans to make recordings of the poems we publish.

    Poetry may well be all that I have said it is, but it is also a deeply compelling, sometimes scandalously illogical, thing that exists in the ear as much as on the page.

    A revelatory moment for me in my twenties was listening to W. B. Yeats read ‘The Lake Isle of Innisfree’ and other poems on a 1930s radio broadcast. The slightly cantankerous old poet said that he would begin with this poem from his youth ‘because if you know anything about me, you will expect me to begin with it.’

    One senses here a Yeatsian slight disdain for a modern radio audience. Or could he have felt as George Orwell imagined the poet feels ‘On the air’: ‘that he is addressing people to whom poetry means something’? Surely, Yeats cannot have hoped that his ideal reader or audience would be listening, that freckled fisherman in grey Connemara cloth whom he imagined in ‘The Fisherman’ (1919): ‘A man who does not exist, | A man who is but a dream’.

    What struck me most about Yeats’s reading was its incantatory style. Before he started, he was careful to explain: ‘I am going to read my poems with great emphasis on their rhythm and that may seem strange if you are not used to it….It gave me a devil of a lot of trouble to get into verse, the poems that I am going to read and that is why I will not read them as if they were prose.’

    I can’t imagine that many poets today would read with quite Yeats’s emphasis on the rhythm, and even a hundred years before Yeats’s reading, William Hazlitt in 1823 could express suspicion of ‘a chaunt in the recitation both of Coleridge and Wordsworth, which acts as a spell upon the hearer, and disarms the judgment. Perhaps they have deceived themselves by making habitual use of this ambiguous accompaniment.’

    That said, I was at first somewhat disappointed when I heard Seamus Heaney read out his poems in such a casual, almost faltering, manner, at a literary festival to which I was once taken in my youth. It didn’t quite match my expectations from the work I had read alone to myself, and it was certainly nothing like the crackly elevated recordings I had heard of Wallace Stevens, or even Tennyson and Browning, which retain something of that still, small voice I seem to hear in the poems I love.

    It was also something of a revelation working with Paul Curran a couple of years ago, making a recording of him reading out some poems of mine for a radio documentary. As we sat under duvets in the improvised studio of a back bedroom of the producer’s house, I was taken aback by the care with which Paul was able to draw out nuances of meaning during repeated takes of the same poem. I knew I would have to smarten up my act at future poetry readings.

    But, then, Paul Curran is an actor as well as a poet. You should be able to hear him read a couple of his poems on the Cassandra Voices website soon.

    To be honest, I am slightly suspicious of the strongly performative element of a lot of contemporary poetry. Poetry is not quite rap or folk song. And why get some actor to read out your poems, when it’s so endlessly fascinating to hear the poet herself read her work?

    I would say that my work’s shape on the page is as important as its shape in my ear as I mumble it out during the often-long hours of composition. Its heritage is, after all, a literate and courtly one, when manuscripts might be passed around a small readership, to be read aloud perhaps in coterie groups. Of course the roots of that tradition are ultimately in folk song and ancient incantation.

    I wonder how much of what I have now said will be applauded or deplored by the poets we have already published on Cassandra Voices. In any case, I am delighted to say that over the course of 2019, we published the following poets: Michael O’Siadhail; J.P. Wooding; Quincy Lehr; Alex Winter; Bartholomew Ryan; Edward Clarke; Sammy Jay; Alberto Marcos; Navlika Ramjee; Nance Harding; Ben Keatinge, Mark Burrows, and Daniel Wade.

    These join a list from 2018 comprised of: Chris Robinson; Ned Denny; Ernest Hilbert; Paul Curran, J.D. Smith, Jamie McKendrick; Anthony Caleshu; Timur Moon and Paul Downes.

    All poems are complimented by compelling imagery, mostly from the photographic library of Arts Editor Daniele Idini, and I am looking forward to hearing many of these poems, hopefully, read out or recited by their poets so that we can make audio files available for you too.

    Edward Clarke is Poetry Editor of Cassandra Voices. To submit a poem for consideration e-mail Edward@cassandravoices.com

    Cassandra Voices Poetry 2018-19:

    Psalm 70 by Edward Clarke

    Psalm 95

    The Firstborn

    Demon Cum

    LA RÉSISTANCE

    Double Take

    From Psalm 119

    On Suicide

    Poetry – Out Walking

    Poetry – Daniel Wade

    Poetry – Mark Burrows

    Poetry – Ben Keatinge

    The Sunset Drive-in Cinema

    White Woman Brown Heart

    Visita de obra

    Carbon Negative

    Forest

    BREXIT – A Poem

    From Psalm 119

    Two Poems

    RAT RUN

    Two Poems

    Twinned

    Nonetheless

    Gitanjali – after Rabindranath Tagore

    B Road Blues

    Visitations

    Blaze

  • Poetry – Daniel Wade

    Rooftop Blues

    I could go for a quick smoke on the roof,
    the steel vent pipe snaking
    its lobed edges toward the window,
    hear the incidental music of engines snarl up
    from Richmond Street, relentless as diesel.                    
    Maybe, just maybe, I see people for what we are
    and want no part in it? Spilled lighter fluid,
    a puddle of technicolour, swirls like marbled
    paper where a lit match was dropped, and where
    flames now spasm. A dove, olive branch
    gripped in its beak, is shot down by tracer-bullet
    in the lull of sundown, and, like me, bouncers
    light up down laneways. Beats from a DJ throb
    from an emergency exit to remind me that escape
    is no longer possible, not now, then or ever,
    and that I am moored, permanently, to here.                           

     

    Rope Jockey

    A text from the agency tells me
    when and where to be
    and what tools to have on-site
    (though I know that already):
    harness and gloves, high-viz
    and hard hat. On the Luas,
    I watch Dublin hunker in March rain,
    her blue-black skyline tightened like a toolbelt
    and head into the site at 7 on the dot,
    with an Americano
    from Frank and Honest
    and a heart attack sandwich
    (that’s a breakfast roll to you)
    to keep me going.
    The site is knotted, impassable as a jungle:
    a cluster of skeletal cranes loom
    in the sky, statically iron,
    set in stone or steel, balanced against all weather,
    jibs shredding cloud as the wind’s high grip
    rattles through bony lattice
    and chain-sling as they slowly swivel
    to lift granite slabs to the roof:
    pulleys and outriggers and bolts set in a concrete base,
    concrete vomited from mixers, giant rust-
    scuffed boxes stacked high
    with rollers and chains, corrugated ridges.
    I wonder how soon it’ll be
    before funding gets pulled and it’s left derelict,
    not even a quarter of the way finished:
    the rich weight of industry, injurious as scorn. 
    Secretly, I’m grateful for the job,
    that I get to work on this building
    destined to be a hotel
    or some tech firm’s HQ,
    I.D. card swinging and bleeping me in,
    my serial number memorised like girl’s name.
    Rung by rung, I climb 
    as if towards heaven, past girders and I-beams
    slung low in ruled, russet mesh,
    my wings soaked in caffeine and blood,
    numb to the view 
    nestling far below me, steel-grey morass
    of roofs and webbed pavements, traffic
    an arterial drip-feed. I sit in the cab controls
    like a pilot becalmed in mid-air,
    grip the levers and manoeuvre the crane into life,
    harnessing it to come ‘round full circle,
    as if in slow motion
    with a conclusive thud. Load follows load,
    lb follows lb, and I’ll do
    as many as thirty, forty lifts a day
    if I have to, the back jib
    and counterweight locked in their waltz,
    ’til a voice on the radio confirms:
    “Yeh, she’s all clear, boss.”
    And time isn’t measured by my watch
    but by the rise and sink of the sun,
    a solar disk in tiled and black in slow hurtle
    across the glass cages,
    reddening my face by degrees. It’s mad
    how dark it gets in the space of a few hours,
    how much the city looks like a crime scene,
    how unstoppable it all seems.

     

    Daniel Wade is a Dublin-based author. He was awarded the Hennessy prize New Irish Writing in 2015, and his poetry has appeared in over two dozen publications. Follow his progress on Facebook, Instagram and Twitter.

  • Poetry – Out Walking

     

    Sammy Jay, 30, grew up in Oxford and in Ireland by the sea. He works as a rare book dealer with Peter Harrington of London, tending to their literature department with an interest in poetry in particular. He has been writing since he can remember, and is working on his first collection.

  • Garden of Forgetting

    Back in the 1990s, you may not believe this, even if you actually lived through that decade it’s hard to believe it now, but people went about in all kinds of crazy outfits: fake fur, feathers, sequins, lycra, metallics, colour-change intelligent fabric, you name it. Not for Pride or a summer festival, but for everyday.

    This one dude I knew used to go out dancing with a pair of wooden shades on his head. I’m telling you. Solid wood, no glass at all, just slits carved across for him to see through.

    Amazing face on him, sharp ebony cheekbones, hyper-alert like he was going full tilt at some secret mission no one else would ever get the point of, but he didn’t mind, he was damn well going to get through it anyhow. An odd sort of perfectionist.

    And he didn’t look stupid at all in his wooden shades, I swear, he was the coolest dude ever. Coulda been a rapper but he was teacher by day, part-time DJ by night.

    Back then everyone under thirty wanted to be a DJ, but in his case it was true. I asked him once how could he even see the turntables through those shades, and put out my hand to try them on. He shook his head, said I’d have to make my own. But he did tell me this:

    The weird thing about wooden shades is, your vision compensates: once you have them on the wood disappears, your eye registers only the view between the slits.

    It’s all so far off now, the 1990s. Almost further off than the 1950s. Just barely the far side of the millennium, a time when everything was on a roll — music, fashion, economy, peace, technology — it seemed every new thing was the coolest thing on the planet. We had no idea then that a load of less cool stuff was just over the horizon.

    All we wanted was to be at the best party, to dance all night and through the sunrise, to get a pair of those silver throwaway glasses in time so we could watch the next eclipse without going blind.

    For half that decade we didn’t yet have email and the idea of usable mobile phones was like something off Star Trek.

    Back then, climate change was called global warming and was just a significant maybe that we still hoped was not true — not the inconvenient fact that today burns down homes, villages, forests and fields, spawns hail drifts at the height of summer, sweeps people and cars away in flash floods.

    When the internet arrived, a glitchy as yet unpopulated net full of holes and white error space and ‘did-you-means’, we welcomed it and cherished its absurdly clashing links, not knowing this http://wwworld wide web kkshhhhhhteeupppoppmeeeia would lure us in with anarchic, random amusements, then trap us in a life governed by algorithms. That it would force us to fill in online forms, accept cookies to track our every move, offer no safe return to the out-of-date earthly world.

    And now? Now that the Nineties are a long way off, yet their legacy still with us. Or we buried in it? I can’t explain. My brain goes fuzzy at the left temple when I try to get it straight. Somehow it’s linked to the wooden shades worn by my DJ friend, because it seemed after a while that we were all of us permanently wearing sunglasses.

    Not the old kind which made reds go brown and the sky turquoise instead of blue, so you knew you had them on. These shades were different. Smarter. They made everything so clear, so colourful and so detailed, you could keep zooming in and in, from coastal map to city street, from exterior to interior, from the human standing in front of you right in close on the iris and the clouds reflected in the gaping pupil. If you looked carefully you’d see a camera reflected there also.

    A mechanical eye as witness to your own, and vice versa, so at the point where your gaze ended and the digital image or electronic gaze began, no join was visible. This was the infinite excitement of digital, a playground of looped possibility, invisible glasses producing such perfect images of the world, we forgot they even were images.

    Reality, though. What is it really? A warm summer night spent tossing and turning because things are not going as you hoped. The knowledge that ‘warming’ does not necessarily translate to sunnier  weather.

    Reality tonight is knowing you are alone, either because everyone you know is asleep, or because you have gradually let go of your friends, avoided their birthdays after birthdays, their need (like your own) for a repeat audience to hear old stories.

    Reality is the cool touch of shadow on skin, walking from the coffee shop to the unfinished building that is home. A space where energy is diminished, where it costs more and its use makes you uneasy.

    Reality is hearing from Athens that Nea Demokratia won the election, and knowing ‘new democracy’ in this case means Old Fascism. A trend pinging round networks and nations, improbable yet seemingly unstoppable, because it’s hard to chase a thing without a physical presence, hard to stop an online joke that suddenly is no joke at all.

    In a mundane world, humans (s)elect the bizarre. Election by algorithm. Reality can be all kind of goodness but right now this is not the case. Truth refracted through digital is squashed, re-versioned, bounced through the parabola and comes out the far side as untruth. This is not reality. Not the reality you want to inhabit.

    Or is it up to us where we look, what shades we choose to wear? Reality might be a warm hand in yours, unfiltered voices, music. Yes, maybe reality is music. We lost the beat is all, are having trouble finding it again. We must try a little harder, gather up the strings and feathers we threw for fun into the sky while dancing, which now lie scattered on the sands. Bring them together.

     

    Swans and stones

    you with your white hair and your negatived face, with your quick words and quicker laughter, your voice in the idiom of my youth. perhaps not particularly _your_ voice, perhaps it could be any dublinish voice, belong to any one of thousands of people, but yours is the voice I hear and it transports me in and out of that time. and later, in and out of a time and place made with you

    something here about time travel – being kidnapped by or in time. silvery anthropoid outlines on a spaceship transporter. gaps in the  continuum. moving through time on the USS Ellipsis…

    glitches

    the timecode on the video fucked. randomly disintegrating or  scratched up on purpose, it’s hard to tell

    time displaced

    until i read, in a book on time called pip-pip about a language spoken on a remote island, that this language uses the same word to mean both time and place. think also of the greek kairos we spoke of, which if we had it right is time as season, the perfect moment for a thing. those messages are gone now. deleted, or lost in the old phone. what remains suggests perfect moments are easily missed

    something feathery re-tunes the white noise and flaps into frame

    a man found a swan on a dublin street and wrapped it in his jacket, carried it back to water. someone put up a photo on the w-w-web, and the man was that day’s social media hero in minutes… how embarrassing all that for the swan, i am sure there’s a perfect explanation if we only got swan point-of-view, and besides we are the ones who put all that concrete in the swan’s way. who tamed it with stale crusts, left it to swim with cars for company on a straight-edged codicil to some long forgotten river

    is it this swan i’m seeing, or is it a group of swans? 

    the swans photographed in the garden that day when the guards ripped my film from the camera and exposed it to the sun’s slant rays. hard to unremember that moment, it stole some fragile link to the garden’s long-ago use as a corral for dublinish rebels

    sunken concrete garden that today’s dubliners hurry past, drone of traffic surrounding it, iron railings hiding it in plain view

    garden of forgetting

    since the arrest there’s been no point going back there, no point walking past the water and up the steps to the tall dark metal swans

    before, standing there made me one of them

    one of four swans circling back to a land known before we were banished to the cold seas, four swans changing back into children, our put-on feathers leaving us, and after our feet touch down we get old in sudden bursts like time-lapse until we are four white-haired children a thousand years old, our lives all used up in faraway places, happy now to be touching down on solid ground for one last sped-up, blood-warm moment

     

     

  • SEVEN VIVID UNINTERRUPTED DAYS

     

                                             Translation By Sally McCorry

     

    January 1st

    The first of January is always a special day. It’s as if everybody is suffering from a delicious jet lag to enjoy slowly. I, on the other hand, left my house at eight thirty in the morning, I don’t know why. Perhaps I just wanted to do things I’ve never done before. So I looked for a bar that was open. The only one I found was the Tropical Paradise, a bar owned by Chinese people. When I went in two Chinese children stared at me with wide eyes, I smiled at them and they carried on staring at me. I waited for a few interminable seconds for something to happen, then the larger child – he could only have been seven or eight – said ‘coffee.’ I nodded. The coffee pot was too high for him to get at properly, he could only just reach to fill the moka. Then he said something to the boy, who I think was his little brother, he helped him clamber on to his shoulders, and they got busy around the coffee pot. At a certain point the smaller child overbalanced backwards, and they both fell to the ground. I was worried for a moment they had hurt themselves, but then, as if nothing had happened, the smaller child pulled himself back up onto the shoulders of the larger one. After a few minutes the kids gave me my cup of coffee. It was disgusting, full of lumps, I don’t even know how that was possible. They, on the other hand, looked pretty pleased with themselves. The smaller one even gave the other a pat on the shoulder. I left them a euro and I didn’t want the change. It was just half past nine, and I didn’t know what to do. I left Tropical Paradise and waited for something to happen, but sometimes, truly, nothing happens. I could at least have had a bit of a headache, but no, nothing. So I promised myself again that I would count how many cigarettes I smoked. I didn’t want to smoke more than five a day. I went back home. G told me I was a bollocks because I woke her up. John Connor was snoring peacefully, you could hear him from the living-room. I settled down on the sofa pretending I was processing the jet lag that I didn’t have. By midday I already had three smokes. Then I went to sleep so I couldn’t smoke any more. I dreamed I had won the Olympic bronze medal for the 200 metre backstroke. I was thrilled and didn’t want to wake up. John Connor woke at five in the afternoon. He couldn’t speak and his hair was all messy and standing up, stiff with gel. ‘Que mierda,’ he slurred as soon as he saw me, and dived into the shower. Afterwards he put more gel in his hair and went back to sleep. G, in the meantime, was staring out of the window. ‘Where is everyone?’ she asked me. ‘I don’t know,’ I answered. I cooked a plate of pasta and olive oil. In the evening I watched that documentary by Herzog, the one with airplanes taking off and landing under the sun of Sub-Saharan Africa. I found it really moving. It had got dark outside. G and I screwed – actually I screwed while she lay unmoving, thinking about something else. ‘S,’ she said to me, ‘I don’t want you to take me for granted.’ We fell asleep in each other’s arms.

    Total cigarettes smoked: 6.

    January 2nd

    G and I went to IKEA. Outside it was drizzling sadly. I scraped the side of the car along a fence when I parked. I didn’t get angry though, I didn’t feel the need. Inside IKEA everything looks like it works really well, we take for granted that man has become definitively free. G wanted to buy a lamp. I was confused, why would she want to buy a lamp? I felt somehow inferior so I tried to be ironic. I started speaking in a Scandinavian accent. ‘Will you stop that,’ G asked me. I stopped that. We left after four hours with an energy-saving light bulb, a sofa cover with a moose on it, a kind of folding structure that was supposed to be a lamp, and potato fritters that I didn’t have high hopes for. I spent forty-five euro fifty cents altogether. On the upside I only smoked three cigarettes. I saw an old man fall over in the car park. He tripped all by himself and fell flat on his face. When he got up again he reassured everyone, ‘I’m fine, I’m fine.’ He actually looked a little bit dopey and fell over again not long afterwards. G told me she thought what had happened to the old man was a solitary flashmob or something like that, only we didn’t know the context or the finale. Maybe he only wanted some attention. ‘Our generation is too shrewd,’ I said to her. G told me she felt like part of a mechanism that carried on going round even if everything was out of kilter. I told her I didn’t understand, even though really I totally understood.

    John Connor was still recovering at home from the drinking session two days ago. ‘Que mierda,’ he said, then ran into the bathroom to vomit. He came back into the living room and we assembled the lamp thing we had bought. It took seven hours because John Connor reckoned he knew alternative methods. He phoned IKEA but of course they couldn’t understand each other. Whatever, in the end it worked, well, the light turned on. We stood and stared at it in silence. We ate boiled potatoes watching that lamp, as if we had done something great for all humanity. I had smoked twelve cigarettes by eleven that evening , it was probably the lamp’s fault. I fell asleep watching the documentary about the airplanes landing and taking off. It was less interesting from an intellectual perspective, yet I was struck by the colours of Sub-Saharan Africa. In the end it wasn’t exactly an intense day, from any standpoint.

    Total cigarettes smoked: 13 + half a joint.

    January 3rd

    G and I packed our suitcases. I wanted to go away for a while. I told her I didn’t want to see the sky through the window any more, and she said, ‘so let’s pack our bags,’ so we packed our bags. I thought we could go into the mountains. She, on the other hand, had only been packing her bag to humour me. ‘I thought you’d get it out of your system,’ she told me candidly. I didn’t speak to her again all day and I went back to looking out of the window. In the meantime John Connor burnt himself on the radiator. I don’t know how he managed that. Now he is lying on his bed crying with a wet towel on his back.

    G stopped taking the pill recently, she says it makes her arse too big. Right now I really want to screw. So I went to buy condoms, I always look for Skins or Ultraslim rubbers like that because I usually feel fuck all with a condom on. However, we screwed even though the condom was too tight and it dried out almost immediately. At one point I was on top of her and really couldn’t feel anything. I was thinking about other stuff I realised. I was thinking about football and Torino’s midfield. ‘Don’t you like me any more?’ she asked, a little out of breath. ‘No, I like you.’ And I carried on pushing mechanically, like an unsatisfying and repetitive job. ‘Fuck it,’ I said to myself,  peeled off the condom and went on without it. I came on her belly and fell asleep. That’s all. G wouldn’t let me watch the documentary with the airplanes landing and taking off, she insisted on watching a Virzì film. It wasn’t bad but I would have preferred to watch the documentary with the planes landing. It was one of those days where you feel you have to try and work out whether or not you did something wrong.

    Total cigarettes smoked: 9.

    There was some space left over so I glued in this picture of the poster for the film with the airplanes taking off.

    January 4th

    G woke up irritated because she couldn’t access Facebook. Actually, last night I told her she was like a sister to me and I think she was offended. Whatever, it is sunny outside and I decided to go cycling in the hills. I sweated a lot. When I came back G was trying to change the settings on my computer, I don’t know why. We have all been a bit nervy this week. This evening is John Connor’s big moment, he will be on the television programme A Minute to Win on RAI 2.

    From what I understand, he has a minute to play some stupid games and if everything goes well he will win 500,000 euro. John has spent the last month practicing, doing things like popping the top off a bottle and making it land directly in the waste paper basket, or building pyramids of glasses, or putting a biscuit on his eye and, without touching it, flipping it into his mouth. Before leaving for Milan he hugged me. He was sure that somehow he was going to turn his life around.

    G and I sat down in front of the TV at nine sharp: John Connor was the first contestant. The first challenge, for 500 euro, was easy. He had to unwind twenty metres of paper tape with his arms. He managed it with ten seconds to spare but he looked strained. Then he started dancing to We Are The Champions with Nicola Savino. It’s one of those shows where you take your friends to be part of the audience and John had taken two of his brothers. I asked G if she knew how many brothers he had. She just said, ‘lots, I think.’

    The second challenge, for 1,000 euro, involved landing three coloured rings on the prongs of an upside-down horseshoe. My first thought was that he was going to have some problems, but he started well, in thirty seconds he had managed two out of three. The problem was the last one wasn’t having any of it. He kept trying while Nicola Savino did the countdown. Nothing doing. He lost a life. His second attempt didn’t go much better, he actually got jumpy and couldn’t even get one ring in place. He began muttering and looked irritated. His last attempt was a disaster: after twenty seconds he started shouting and throwing the rings too hard. Nicola Savino told him to relax. After that I don’t know exactly what happened but Nicola Savino kept talking, telling him to calm down while continuing the countdown, even though it was clear he was never going to win the challenge and immediately after the gong sounded, John Connor threw himself at Nicola Savino who kept shouting, ‘it’s only a game, just a game, calm down.’ G covered her eyes. I watched it all. While he tried to protect himself, John Connor kept punching and kicking Nicola Savino. Then a group of bodyguards from RAI got up onto the stage, with technicians and cameramen trying to block John, but his brothers came to defend him and the TV channel went for an ad break.

    ‘How much has he won?’

    ‘Five hundred euro I think, but he made so much trouble, I don’t know if they’ll give it to him.’

    ‘Why does everything always go to shit?’ I didn’t know what to say. Stupid day. I’ve started smoking hard again today, around 15-20 cigarettes + a number of joints.

     January 5th

    I woke up early when everybody else was still asleep. I have the constant feeling I am wasting time, as if time is something that gives life quality, that’s why I wake up early. My cousin called me. He has hooked up with a Finnish girl, he told me she is regularly trying to kill herself and he can’t cope with her any more. He asked for some advice. I told him to take her to the seaside. He was bringing her to lunch at our house instead he told me, maybe talking to other people would do her good. So I made ragù.

    For some reason I expected her to be tall and blonde, but she was minute with long black hair and a pale face. She wasn’t exactly full of vitality or shining with friendliness, she was like a crow. She started crying as soon as she sat down on the sofa. G tried to ask her something, but she just shook her head.

    ‘What’s her name?’

    ‘Tulla I think, or Lulla, something like that,’ my cousin replied.

    Naturally, Tulla ate fuck all, she rocked on her chair facing her plate making strange wheezing noises. I asked my cousin if everything was alright. He said there was nothing to worry about. We finished and Tulla went to the bathroom. Not long afterwards I heard shouting. She was trying to slit the veins in her wrists with a razor blade, only the blade was blunt and she didn’t look very capable of doing it. My cousin looked at me like someone who had been expecting this moment to come. I felt responsible somehow and slapped her but she grabbed my arm and started trying to bite me. There was blood all over the floor. We took Tulla into the living-room.

    G started to clean the blood from the floor while my cousin caressed Tulla who, incredibly, started laughing. At that moment John Connor came in. I hugged him instinctively and he hugged me back hard. Then, I don’t know exactly why, John started behaving flirtatiously with Tulla and she seemed to enjoy it. My cousin confessed to me that he didn’t want her on his conscience and so if John Connor wanted her he wouldn’t object. He looked relieved.

    ‘I knew you would help me,’ he said. Suddenly, Tulla and John Connor went outside and G, my cousin, and I stayed at home drinking.

    ‘Why does she want to kill herself?’

    ‘I don’t know, I think she’s missing Finland.’

    ‘So why doesn’t she go back there?’ G asked.

    ‘I think she hates her parents.’

    We got drunk and fell asleep. I woke up at about eleven in the evening. I went out for a walk. This city makes you feel lonely. Then I went home and started watching the documentary with the airplanes landing and taking off in Africa. Definitively beautiful.

    Total cigarettes smoked: between 15 and 20.

    January 6th

    Yesterday evening I left the shutters open so I woke with the first light of dawn. G was curled up in a foetal position and the expression on her face showed she was satisfied with her sleep. I decided not to wake her up. My cousin is on the sofa sleeping, fully dressed. He wakes up and says when we were small we used to spend more time together, and asks me if he can have a shower. I want to listen to some music but I don’t want to wake everyone up. The only answer is to go out. My cousin says he feels he needs to go out too. So he does, following me. There is a strange smell of damp trodden-on leaves. I think it’s probably easy to catch some kind of fungal infection. My cousin thanks me for what I have done with Tulla, right then and there I want to say I don’t know what he is talking about, but it would take too long, so I just say, ‘you’re welcome.’ We stroll along the avenue and he confesses his problems relating to his son, he hardly ever sees him and when he does he is overtaken by a desire to do too much and he ends messing up. He fears his son may think he’s a bit of a dickhead. I say something about simply being himself, and if you’re a bit of a dickhead, whatever, but he replies, quite rightly, that I couldn’t possibly understand. Then he says that soon we won’t see each other again because he is going to Brazil. I let the conversation drop. When we get back home John Connor is making coffee, when he sees my cousin he sniggers. My cousin looks at me, he thinks the snigger is aimed at him and says, ‘fuck you laughing at?’ John Connor, who is excitable, loses control of what he is doing and spills coffee all over his trousers and starts swearing. G wakes up, opens the door, and tells us not to wake her up again for any reason and that she is going back to sleep as soon as she can. When John Connor asks her what the matter is, she says, ‘what’s the matter with yous?’ and slams the door going back into her bedroom. I still want to listen to some music, but I leave it. Around two in the afternoon my cousin says, ‘Let’s go out and have a drink.’ I agree and light my fourth ciggie of the day. My cousin orders two dry Camparis at the first bar we come to. The sun begins to hide, and a dumb grey breeze blows in our faces. We drink another two vodka lemons, then my cousin hugs me and says he feels safe at last. Then we grab a kebab that we eat in the car. He asks me if I can go with him to pick up the kid as he doesn’t feel up to it on his own so I say yes. We stop in another bar and he offers me a Sambuca, a vodka lemon, a Borghetti, and then another vodka lemon, a beer, and finally, a Fernet-Branca for the road. Darkness is beginning to creep in. We are still rotten drunk when we get to his wife’s house. My cousin can’t find anywhere to park, so he gets out and tries to move a municipal rubbish bin, but its wheels are locked, he pulls too hard towards himself and ends up tipping it all into the street. ‘Help, S,’ he says, ‘I’m fucking up again.’ His wife comes out to see who is making all this noise.

    ‘Hi Laura,’ I say.

    ‘Is he drunk?’ she asks me.

    ‘No, he’s just really wound up.’

    ‘Drive slowly. No, actually, you drive.’

    ‘I’m drunk.’

    ‘Then don’t go anywhere for a bit.’

    My nephew must be about eight or nine, he is blond and has a baby face. I don’t think he is stupid, but to tell the truth I’ve never really had the opportunity to talk much with him. When my cousin sees his son, he pulls himself together, and runs to hug him.

    ‘Dad, you smell of alcohol!’ He says, and tries to wriggle out of the hug.

    ‘We’re going to go bowling,’ my cousin says. Then insists on driving. At the second roundabout we hit, just outside of town we end up on a flowery ‘welcome’ message planted in the middle. My cousin reverses and then drives on. ‘I am extremely calm,’ he tells me. I feel like I’m about to vomit. He puts Shine On You Crazy Diamond on really loud and starts shouting something about Pink Floyd before miming a series of instruments I can’t identify. At least we are listening to some music though. Then, as he is very emotional, he pulls into a lay-by in tears to sing Wish You Were Here. He tries to get my nephew – whose face at this point is showing a mixture of terror and embarrassment – to join in. At ‘Swimmininafishboooonnneee’ he drops his head on the steering wheel. I decide to take over the driving. ‘Thanks, Uncle,’ my nephew says. It’s such a sweet thing. In the first town we reach my cousin pulls the handbrake. ‘There’s a bar,’ he whispers. We go in. I don’t feel well so I order a tonic water, Ivan wants nothing and my cousin can’t make himself understood. We get back into the car and my cousin insists on driving again. At the first right curve, he slides off his seat and lands on top of me, and we end up in a field. The kid and I just about manage to get the car out and back onto the road. ‘I’ll take you home to sleep,’ I say.

    ‘Thanks, Uncle,’ still so very sweet. When I get home it must be about two in the morning. G is asleep. I decide to do my very, very best not to wake her up. I can’t watch the documentary about airplanes because my head is spinning too much.

    Total cigarettes smoked: about sixty.

    January 7th

    This morning I woke up with a certain degree of impatience. I quickly started making coffee while G was still asleep then I went to the bathroom. Halfway through I remembered about the coffee and ran back into the kitchen. The coffeepot was gurgling like a baby trying to swallow processed food or something. I was just in time to pour some burned coffee into a small cup while the pot agonisingly continued to spurt coffee in bursts. Some coffee dribbled down the side of the pot. It made me dry-heave. Then I went back into the bathroom.

    I woke G up, she wasn’t happy about that. She confessed that for the last couple of nights she had dreamed about her uncle but didn’t want to go into it. She got up and we decided to reorganise our bedroom. At first I tried to move a sort of wardrobe with shelves. It seemed to have got stuck in the gap between one tile and the next. I tried lifting it. I tried pushing harder, but nothing, no movement. I checked nothing was blocking the wardrobe then I pushed again, still nothing. At this point John Connor came in and offered to give a hand. I think he loves doing these things so he moved me aside confidently, pulled up his sleeves to his shoulders and started pushing, telling me to do the same. We got to a stage where the whole operation had taken on an air of mystery. Then, after a push that wasn’t even that strong, the wardrobe slid along the tiles as if it had wheels. An electric cable wound around one of the wardrobe’s legs was the key to the conundrum. By freeing the wardrobe, we wrenched the cable from the wall basically, wrecking the whole electrical system in our room. John Connor hurried to say sorry, then his dismay turned into anger against the electrician who conceived of a system like this.

    I told G. She said that in that case she may as well just go back to sleep. It was about midday. ‘Exactly,’ she said, ‘so I can think about uncle.’ I didn’t answer.

    John Connor and I went out. We started walking alongside the river in complete silence until he said, ‘me and Tulla want to get married.’ In answer to my consternation, he said that it was all happening too quickly but in his situation, he could understand fuck all so he decided to only make clear-cut decisions, such as marriages, homicides, ejaculations, or fights.

    We carried on walking until we reached a wider part of the path where around fifty South Americans were playing football.

    I told John Connor he was right.

    We joined the game. Twenty-four players on their team, twenty-three on ours. At one-metre-seventy-nine I am the tallest and most powerful and so I play centre-forward. The game develops into a complex web of sideways passes, kick-ups, pointless back heels, and incitement from the women at the edge of the pitch, until someone tackles his opponent and finds himself wedged between a sequence of double-tackles and is forced to kick the ball long. We had been playing for forty minutes and I touched the ball once – with my head – during one of those long kicks out of defence. No one had scored yet.

    Then one of the blokes, about sixty, keepy-uppying the ball in front of me, instead of passing it to a dwarf nearby, trips, and leaves it unguarded. I pull back my left foot immediately and kick the ball full force. The ball hits the left goalpost half-way and it’s in. There is a roar immediately. On the side of the pitch the women are hugging each other. My twenty-two teammates start run towards me and I am submerged. Someone tries to kiss me in the confusion of bodies. Apparently no one had scored a goal in ten or eleven matches. According to them it was because of their excellent defence. Only I, being a strong European, could breach it with my accurate kick. They started calling me ‘Bomber.’ There were no more opportunities to score after that.

    The match ended at sunset.

    At the final whistle, John Connor came to me and said I was a really tough European. I wasn’t sure what to say to that, so I thanked him.

    We rolled a joint sitting on the edge of the pitch, as the sharp cold of the evening massaged our sweaty backs. I let myself fall, land backward on the hard, almost-icy ground and for a moment I felt sheltered.

    Total ciggies: no clue.

    Walter Comoglio is an italian writer, currently based in Dublin.

    This short story appears in his first book named La sera che ho deciso di bloccare la strada, published by Gorilla Sapiens Edizioni, winner of 2017 POP prize Italy for best debut.

  • The November Events

    What is it they say about going bankrupt? Slowly at first, and then all at once. As we crossed the precinct yard and I saw the scale of the operation in real terms, the vehicles crowded into rows, still more throbbing outside, as I heard all those boots, I knew the slow part was coming to an end.

    I stood at the car as the others loaded up. The late afternoon light hummed something to me about the absurdity of the local force leading out this mission of supposedly unspeakable importance. The light’s inclusion was as chance as ours, it seemed to say, our roles entangled, a collective witness, it the light and we the eyes. My colleagues called from inside the car and I stooped in and shut the door.

    We rolled past familiar sights, the rusted gates of old mills, the sagging roofs of tanneries, the husk of the shoe factory that defied demolition, tattooed with graffiti inside and out. We beheld them in glassy eyes, our thoughts communal. All the bristling and division of the previous weeks seemed redundant, replaced by a palpable relief to be so far down the clearance list, so removed from the frowning, pacing people we’d watched through the blinds of the chief’s office. The weight they bore, the towering science irreducible to anything we could be expected to understand. And yet, we surely sensed the change, as intangible as ownership, rippling out in waves as our convoy carved a line between before and after. Our little town would not sleep that night.

    [Fig. 7 – Remains on ice rink. Barton Thewes, Toronto, Canada, 1997]

    Our other car peeled off west on a decoy run to divide unwanted attention. Who and what was in the trucks rumbling along behind us, half of which turned off after our other car, it was not our job to know. Maybe our car was the decoy. Of all the deflections and analogies they’d used, none worked better for me than referring to the whole thing as an ‘operation’. It most certainly resembled surgery, an intrusion under the glare of lights, of figures moving in and out of focus, beyond awareness, of terminology shared behind masks.

    We gazed out the windows, wary, our sense of place in soft dissociation. The looming slant of the train station, the red-bricked menace of the old hospital reconciled into quiet obsolescence as we moved forward, dragging the future behind us. As we approached the broad river channel, I closed my eyes against the swathe of sunlight. I didn’t need to look around me. Our town wasn’t exactly a place people visited, but there was this view up and down the river between bridges, a reflection of a brief golden age, a blip of prosperity our forefathers had chosen to enshrine in oddball architecture. The turrets of slick, green tiles with the round windows at the top, the mosaic of battlements and hanging balconies, where the men behind these buildings, owners of mills, tanneries and shoe factories, could stand and admire themselves in the warp of the river below. As kids, we’d learnt to be charmed by this fairytale skyline. As teenagers, we learnt to squint and spit at its small-time vanity. By the time we were adults, it was a reminder that a short-sighted, grandiose artistry ran within us all. To think big, but not too big.

    The sun was blocked off again and I opened my eyes and the people on the footpaths swam in the blue shade, watching us obliquely like fish on a reef.

    [Fig. 4 – Taxi stopped in traffic. José Almeida, Buenos Aires, Argentina, 1999]

    We headed south along the avenue. I was glad I’d been assigned to this car. LKJH was in the other. I knew his leg would be twitching, that he’d be taking notes, still urging the others to think, to ask themselves why things were happening the way they were. This was our town, he’d be saying, and we were its local police. There would be no peace, however brief or superficial, in that car. Someone would surely have had to tell him to stop, to just let them be.    

    The chief had called myself and LKJH into his office a couple of weeks back and told us an international investigation of some sort had apparently identified our town as the most likely site for the next November event. LKJH began trembling, questions coming so fast he was unable to verbalise them. The chief asked if this was the same business our dads had had a thing for. We nodded. The chief sighed and said he’d never understood what they were talking about. He asked us to prepare a briefing for the senior crew. I could feel LKJH looking at me, but I didn’t look back. The chief rubbed his moustache just under his nose and asked if all this was real, if someone was really going to just. I felt LKJH nod. The chief leaned back in his chair and squinted at the wall.

    Outside, LKJH had hammered me with questions though I knew it was just to hear his own voice. What international investigation? When had that started? Who was behind that? How could they predict location? What parameters were they using? What sort of tech? He said crazy stuff about destiny, about the two of us as integral parts, how our whole lives had led us to that point. I stopped him there. I told him he was on his own. There was no ‘us’. But I don’t think he heard me. He was talking about calling by his mother’s place to get the stuff, telling me to imagine what our dads would have said. An event happening here. But I didn’t feel like imagining anything. Our dads were dead and gone, as was my interest in the events, as was my attachment to many things, I found right then as I tried to get myself away, as he followed me for a while, asking me where I was going, asking me how I could deny our destiny. But it wasn’t ‘our’ anything.

    [Fig. 4 – Armchair and fireplace bearing remains. Lukás Koller, Senec, Slovakia, 2000]

    Up a ramp off the national into suburbs that stretched before us into hills all the way up towards The Shoulder, the low mountain that rose before us. The wild green ruffles against a golden biscuit stone. A view worth considering too, perhaps, I thought, with our town’s stock about to rise. Someone said that one of our colleagues lived out this direction. After a moment, someone else asked why he’d said that, if that was important. We drove on for a while and the first said no, that just maybe that was why he was in the other car. Someone asked if any of us in our car lived out this way. No, we said, one by one. Again someone asked if that was important. The silence spoke for itself.

    I was two years older than LKJH. We’d gone to different schools and our dads had served in different units. If they hadn’t bonded over the events, then me and LKJH would probably have never even met as kids. We only became cops because that was what our city was like. The doctor’s kids became doctors, the shopkeeper’s kids became shopkeepers, and so on. Some didn’t, of course, but many did. Some specifically tried not to, myself included, but ended up doing so all the same. There was a saying in our city, or used to be at one point, that childhood was an apprenticeship.

    The radio bleeped, directions coming turn by turn, next left, second right, again and again, and each time we moved more slowly, more uphill. For security reasons, they’d told us, we couldn’t be given our destination. After every turn, the radio asked for our location and someone ran it off, we listened to our accent, its sound making more sense than all the procedural talk of this whole undertaking. These were the nice neighbourhoods, the places we were taught to aspire towards, places where we could quite literally look down on the rest of the town. I looked at the long, high hedges, the pedestrian crossings, the broad pavements, the cafés and florists, the jolly shop fronts and school railings, a cushioned playground where a swing trembled.

    [Fig. 5 – Office canteen showing event radius. Zhou Chen, Baoding, China, 2004]

    When the date came around each year, our dads held what they called an ‘observation’ in LKJH’s dad’s garage. Boxes of filings and photos taken down from the skewed shelves and spread across a workbench, a big old map hung in the corner, covered with pins and curling notes. The junk was moved back so our dads could sit in fold-out canvas chairs, with us two cross-legged on stinking upturned fruit crates. All in the light of a single candle lit for the latest victim. By the time we gathered there in the evening, the event had sometimes already happened, and our dads told us to do the paperwork, the logbooks, to stick the pin in the map. If it hadn’t happened yet, we sat in the stale, vegetable air and waited for the phone to ring. Our dads quizzed us, made us name the year, the victim, the location and circumstances. LKJH bouncing on his crate when I didn’t know an answer, as our dads urged me to think, told me it was easy. LKJH with his hand raised, punching the air, and it was always my dad who’d eventually ask him, and he’d get it right and all three of them wondered how I hadn’t known such an easy one.

    When our dads had drunk all their beer, LKJH’s dad would reach behind one or other pile of junk and produce a bottle, unlabelled and wrapped in a rag. They jokingly called it the ‘magic potion’. They passed the bottle and mulled over theories. They improvised freely. Talk always turned to speculation about an event occurring in our town. The intrusion from outside, our townsfolk forced to reckon questions without answers. LKJH sitting rapt. They grew less and less coherent, and spoke of rebirth in death, of the need for sacrifice. If someone had to go, they said, then why not one of us? If there was no way to avoid it, should it not instead be sought? The bottle passed like a pendulum between them, and each November, they reached the conclusion with the soft, malicious ambiguity our region is famous for, that it might have been the best thing that could happen to us.

    Eventually, the radio gave us an address. As we slowed and peered out for house numbers, the trucks swelled past us. They already knew where they were going, someone said. It was only the locals kept in the dark. Too close to be trusted. Why have us leading out then, someone else said. Why have us there at all? They fell silent then, aware that this was pretty much what LKJH had been saying for weeks, that we’d been told next to nothing, that our role in proceedings seemed little more than a front for something much deeper, much larger, and very far from random.    

    [Fig 29 – (c) Graph of Van Allen radiation belt and (d) SAA zone.]

    LKJH had taken care of the briefing himself. He’d set up the shaggy old map in the office, the tables spread with the files and charts. The senior bunch passed photos around as LKJH told them about Toronto. The ice hockey game. Local fan Barton Thewes, rink-side with his family. The event happened, all over the glass, all over the people around him, into the air, raining down onto the ice. It happened just off camera but the panic was live. An infamous image of steam rising from the bright remains on the rink. It was news for a while, though when investigations produced nothing, it was soon outpaced by other matters, and left to linger on hard drives, what they’d scooped from the ice kept in a forensic deep freeze somewhere. LKJH swept his hand across the map. Every event had been investigated thoroughly, but none had produced anything useful. The investigators were asked to confirm at least that the events were linked but from a strictly scientific perspective, successive teams explained, it wasn’t conclusive whether they were or not. Public records and chronicles were examined for inexplicable events, anything occurring on that date, parameters so wide there was any number of potentially linked events; sinking ships, disappearing livestock, strange lights in the sky.

    The senior bunch leaned, arms folded. So what you’re saying, someone said, is this is going to happen in our town? LKJH said that it was going to happen somewhere, but he didn’t know about any way of predicting an event with the local and temporal accuracy they were talking about. Then why, someone called up, was this international investigation saying it would happen here? LKJH shook his head, said it was the first he’d heard about it. There hadn’t been any interest at all for years, and nothing concerted or sustained. He had no information on who was behind it or how they were operating. But members of the international team were due any day, he said, and then we’d know more. He took his phone from the desk and poked at it with his thumb and chimes came from phones around the room. Some links, he said. Sites, more background, some thought. The senior bunch took out their phones, looked at screens. I saw how he savoured their downturned heads, as he watched them wonder what exactly was awaiting them.

    [Fig. 12 – Detail (6a) from Aboriginal artwork, The Kimberley, Australia. Detail (6c) from graffiti in Utrecht, The Netherlands.]

    In the back room at The Bell, where the wooden panelling shone, polished by generations of unofficial policework, the discussion grew heated. They demanded to know if it was happening or not, what exactly he was saying. I watched LKJH explain that no one actually knew when the events had begun. They might have always existed. There were holes everywhere in the records, years with nothing reported, other years with numerous conflicting accounts of disappearances. This was not the senior crew’s modus operandi. They opened the small hatch doors in the wall and bellowed for more beer. Why were they only hearing about this now? Why wasn’t this common knowledge? LKJH told them that was exactly what they should be asking themselves. Eventually, our malicious ambiguity emerged, that it was just one person, that it hardly mattered. Others nodded. Maybe, said LKJH, though what if it’s one of us? The frayed patience tautened again.

    The trucks gathered on a corner, where houses all around sat hidden behind hedges. We passed around the grid of coloured squares we’d been given back at the precinct. We found our space at the end and radioed in and sat still as other vehicles moved past towards their place. The radio crackled again, calling our car number, telling us to move out. We popped the doors and the air throbbed with engines. Someone said at least we knew who the decoys were. The biggest vehicles were stopped end to end, creating a sort of barrier around the corner. Still more pulled up tight, waved into place by back-pedalling figures. Any gaps were quickly filled with international troops in mirror shades, weapons high across their chests. Boots planted on tailgates as equipment was unloaded onto trolleys. We showed our badges and were directed to a channel between vehicles where a large white forensics canopy with zipped doorways was being erected. Technicians waved us on.

    Inside was a generous, sloping, L-shaped garden with bark-chip paths and tiered flower beds. We went up three slate steps to where the house stood behind fan-like shrubbery, the broad front door under a dark wooden porch. From there we stood and looked back down towards the technicians bringing metal cases through the plastic portal and lining them up on the lawn. The engine throb, the distant pounding of boots, the close-up clack of the handles springing closed against the metal cases.

    [Fig. 14 – Japanese investigators bow at press conference, Yokohama, Japan, 1998]

    When the international team had indeed showed up at our precinct, accompanied by government officials who briefed us on our role, LKJH’s hand was up from the start. The officials eventually paused and LKJH asked if we were the first city the ‘operation’ was being conducted in, if this predictive model had been tried elsewhere. He asked who was behind the international team, why there was this sudden concerted revival of interest in the events. The chief told him to stop, but LKJH repeated his questions. The officials reminded him our full cooperation was expected, but he asked what exactly we were cooperating in. Why now? Why here? He began to quiz the international team in broken English, name the year, name the victim, the location and circumstances, till they shook their heads, and the man in charge, a tall, thin man they’d introduced as the ‘Doctor’, frowned at the government officials, who told LKJH to shut up, and when he didn’t, to get the hell out.

    Down at The Bell, some of them had a go at LKJH. Who the hell did he think he was with his raggedy old map and his photos? He asked them why he was the only one standing up to them. For all our badges and oaths, for all our local swagger, he said, we’d been silenced, made redundant, marginalised in our own town. He reminded us that we were police officers, and we should have been investigating, asking why all this was suddenly being treated so seriously, asking whose interests this whole international operation was serving. Did they really think it was chance that had brought them to our little town? Or did they think this was just what our town needed? A little sacrifice to get the blood flowing again. Exasperation became anger and voices were raised until the barman had to stoop to the hatch doors and plead with us to keep it down. It was up to us, LKJH said as he necked his beer and stormed out, meaning, once again, that it was up to him.

    When LKJH left, the senior crew asked me what his problem was. I shrugged. When they asked if I really believed an event was going to happen here, in our town, I said the only honest thing I could: ‘why not?’

    I didn’t tell them that one time during an observation our dads had made us fight. They said we had to toughen up and learn to protect ourselves. This was deep into the magic potion. I refused, but they goaded LKJH till he came squealing at me and hit me and both of them were bellowing at me to hit him back and even LKJH hung off a bit, waiting for me to do something. The intensity in his eyes, the fear, not of violence, but of disappointing our dads. I stood there lumpen as he tried a few more exaggerated, theatrical punches, his eyes swelling with mortification.

    [Fig. 9 – Wedding ring, flowers. Máire Donovan, Castlebar, Ireland, 2020]

    The chief called me into the office. He asked if LKJH was okay. I asked what he meant. The chief paused. Could LKJH be trusted, he wanted to know. With what, I asked. The chief squinted at the wall. LKJH was taking things very seriously, he said. Very personally. How was he supposed to take things, I asked softly, rhetorically. I liked the chief. He sat silently, focusing on a seemingly tiny but essential piece of the wall. He rubbed his moustache just under his nose. He said people were constantly telling him what a big deal this was for our little town. I shrugged. I said I didn’t know. The chief then said that people were calling for LKJH to be removed. Distanced. I asked if it was our people asking. There was a knock on the door then, and people came in, and we apologized to each other as I left.

    The observations were the first thing I rebelled against. One year, I said I wasn’t going. I can’t remember how old I was, but I was as tall as my dad. I told him the events were stupid. He asked if I was denying them. No, I said. He asked what was I talking about then. I couldn’t say what I meant. It was an affront to something I couldn’t define at the time, but I knew I was right and stood my ground and refused to go. The dads sent LKJH over to try to convince me to come. He said what they’d told him to say, tried to make it his own as they’d told him to. ‘Our little tradition,’ he said. ‘Our thing.’

    I told him to get real, that the events were trivia, for trivial people, that nobody else gave a shit about them. He went back and repeated that pretty much word for word, and I don’t think my dad ever really forgave me.

    The years went by and our dads retired, pottered around, grew slow, and died. LKJH had a son and a daughter who’d shown little interest in the events despite his best efforts. The older they got, the more they dismissed him, out in the garage, the sick photos and yellowing charts. They eventually used it against him in the custody hearing. For me, the events became all but forgotten, a low throb once a year when LKJH would find me, follow me down a corridor, tell me the details of the latest, letting me know me he’d update the records, gather some info. I’d nod till he went away and took his empty throb with him. Sitting alone in the garage, staring at the map, year after year. A single candle lit.

    Maybe I should have told the chief these things. He knew I had no kids, no wife to fight for them. He could have used this knowledge to frame my contributions, to temper the breach of confidence, staring at the wall as he factored them in, factored them out. Maybe I’d been distracted by what the chief didn’t ask; why I wasn’t taking it more personally. If he’d asked, I’d have told him something. But he didn’t. As I said, I liked the chief.

    [Fig. 7 – Forensics teams mark remains on rocks. Abidemi Eze, Enugu, Nigeria, 2018]

    From where we stood under the porch, I could see through a gap in the two houses opposite, a broad slice of our town below, a wedge of oblique, cryptic crossword dozing in the valley haze. This light of ours, I noted, that hung like kind, wise words, reminding us of the onset of dusk. The sun would soon dip behind The Shoulder and the valley would be left to measure itself against deepening shadow. We didn’t pay enough attention to our light, to its daily saga, to its glorious demise. We took nightfall for granted when we locked our doors and thought that nobody could hear us think. We yawned and lay down and dreamt of an innocent morning we never suspected might not come.

    Someone said listen up, that no matter what happened inside, we were going to The Bell afterwards, okay, just us lot, nobody else, that the first round was on him. We hummed agreement. Then someone else said sorry but if it was a child, he didn’t think he’d be able to. That he was sorry, but if it was a child, no way. There was no acknowledgement. The technicians stacked the last of the cases and stared back at us across the lawn.

    [Fig. 10 – Overlaid graphs of mean age, height, weight and blood type]

    Our colleagues from the other car came through the white portal into the garden. They approached up the steps, looking drawn. Someone asked what they were doing there. What was the point of a decoy if we all ended up in the same place? One gave a thumb over his shoulder, and said ask him, and we looked and saw LKJH enter, taking his time, turning, inspecting the rows of cases. When he reached the porch, he asked what we were doing. Someone said we were waiting for the chief to arrive with the first contact team. LKJH frowned and said they were already inside. Someone asked him how he knew that. Police work, he said. We stood and reckoned on this.

    Someone asked if that meant we were all decoys.

    [Fig. 11 – Aerial view of rioting in Lyon. Rochelle Ngogo, Lyon, France, 2022]

    To be approached one day at your own front door and have a local voice tell you were a key piece in an ongoing worldwide project. To be told its purpose was to discover something solid, something to confirm that a methodology was sound, that answers lay therein. To hear how profound a victory this would be. To be led back to your sitting room or kitchen and told that they needed you to be strong, needed you to trust them, and then to watch as they stood back to weigh your stammered confusion, to note how you searched their cold, foreign faces for impossible explanations.

    The trucks fell silent and we heard the sound of the forensics portal being zipped shut. The front door creaked open and we turned. The chief leaned out, gave us a soft nod, and went back inside, leaving the door open. LKJH swept past me and straight in. Troops stooped to the handles on the equipment cases. I looked across at the image of our town between the two houses, how snug it lay in the hazy lavender sunset, though for all my romanticism I knew news of this operation would by then be rushing through its veins, and would infect the oncoming dusk with a mental neon glow. I turned back to the gaping hole of the door and stepped inside.

    The first thing I saw was the photo hanging in the hall. Parents and kids. A family smile. Low curses from those who followed me. The hallway led into a broad living room, its thick carpet and mantelled, candlesticked table, where numerous people in fatigues or lab coats already moved around. The chief stood, absently rubbing his moustache. I went and stood beside him and he said something as light as breath that I didn’t catch. There was a man and a woman holding each other on a sofa. They looked up at the matt-metal cases, the uniforms and helmets in their living room. Technicians compared readings from hand-held devices, others set up tripod stands. LKJH crouched by the couple. I heard him telling them not to worry, that the local police had their back, that the whole thing was a bit of a mix-up. That it was an exercise. At best a simulation. The international community, he said, with a familiar malicious ambiguity. The couple held each other tightly. The chief called him back in a hollow voice. LKJH stood up again, hands on hips, labouring under the weight of the rest of what he wanted to say.

    [Fig. 13 – Excerpt from the Popol Vuh. Guatemala, transcribed in 1550CE approx., from Mayan oral tradition]

    The white-coated team asked the man to make space as they worked around the woman, leaning her this way and that, whispering necessity, fixing a sensor to her temple, another on her neck. She acquiesced wordlessly. They slipped a small black ring onto her fingertip, a tiny red light with the rapid blink of her pulse. The process was distracting enough to allow her to look past them again, past us all, and just then there were muffled shouts and two little girls came running, squeezing between bodies, crying in unison, terrified. The team members who’d been assigned to them followed and reached, but stopped short as the woman took the children together, shushing and calming them, smoothing their hair. As they begged her to come, their mother’s voice washed over them, sound beyond words, a trembling melody to linger in their ears.

    At a murmur from the doctor, the minders stepped forward again and whispered the girls’ names and the crying grew intense, the strength of a child’s cling, the arms reaching for mama and papa as the minders worked on each grip, blocked and ushered the children out. The man on the sofa blinked red-eyed confusion. The little voices grew more desperate and even the closed doors and distance along the hallway couldn’t block the sound.

    They began setting up cameras on tripods and draped light plastic sheeting across the furniture, taping more to the ceiling and letting it hang. The woman asked why, and the man stood up, mouth hanging, overwhelmed, the creak of troops leaning in. The man trembled as he asked what they were filming and the doctor rubbed the point between his eyes and the man pushed back at the figures leaning in and limbs quickly tangled and he was shouting that he just wanted to hold her, that he wouldn’t leave her, that he would protect her, but she said no, no, to be calm, that he had to take care of the girls, that he had to go to them. He struggled against the words but she said again that it was fine. That it was just a simulation. The man’s desolate appreciation of her, barely resisting as he was taken from his own sitting room. He sobbed from the hallway that she’d be fine, that they’d all be together in no time. That the girls needed her. That he was blessed to know her. That they loved her so much.

    [Fig. 15 – Screenshot from redacted government documents, on Project Argus, London, UK, 2009]

    The doctor nodded and someone threw a switch and lights came on and the plastic glared and we all looked down. The small cameras were trained and technicians nodded to each other. Surrounded but alone, the local woman sat straight in her chair blinking through tears. She asked if we were recording and someone said yes and she stared into space, into time, and controlled her breathing and began speaking again to her absent girls. She told them she wasn’t afraid. Her trembling smile as she removed tears with the heel of her hand. She wasn’t afraid. It was an exercise. There was nothing to fear. We sat around and listened, in our big boots and bulletproof shields. The sound of tapping at a laptop computer, looping differently to the woman’s speech. She paused every now and again, as if to let it catch up.

    All through which, I kept my eye on LKJH as he paced about in a corner, as it all dissolved in his hands. He asked the chief what exactly the woman had been told. The chief shushed him but he asked again, and the chief turned a pained look and said please not now, but LKJH turned to the doctor and spoke in English, clear enough to make the tall man wince. LKJH turned back to us. She doesn’t know, he said. They didn’t tell her anything about the events. Voices of compressed urgency ordering him to stop speaking, but he turned back and stepped right into the doctor’s personal space and both troops and lab coats converged to block him. LKJH told the doctor straight to his face that he was full of shit. At the doctor’s terse, glassy patter, the troops grabbed LKJH and wrestled him swiftly towards the door. Gurgling through the choke-hold as they dragged him past, he locked desperate eyes on me and I thought he trying to say something about destiny, a disoriented final appeal to ‘us’. I hope all he saw on my face was that this had never been about him and he knew it. Then he was gone and we were left alone with the only sound in the room, the woman sitting on the sofa, speaking softly to her girls.

    I only became a cop because I rebelled against it so hard, threw myself into the wild life so completely that in the end it was the only job I could have possibly got. An apprenticeship of its own. It reached the point where my dad had left me flat on my back and leaned over me and told me I could either sign up or leave town. All those times I’d told my dad that the events were irrelevant, that more people died in their bathtubs, more were killed by their pets. Maybe it was all just because I knew I’d end up here.  

    White coats whispered things, called off numbers and letters. I heard one say something about contact and people grew utterly silent. In this room, in our town of all places, it was understood that something, no matter what, was favourable to nothing. It was nothing, essentially, that scared us more. Nothing wasn’t absence; it was totality, a reset to chaos every time. In that room, we understood that sometimes a sacrifice was needed.

    Should I have spoken out when I saw all the cameras were trained on her, as she sat alone, strong, beautiful beyond words? Should I not have asked for one camera at least to be turned in my general direction? Asked for a sensor or two? A ring for my fingertip? I began to feel a strange sensation of having reached some undeniable truth. A sense of completeness, of fullness, of being far too much for this little town.

  • Poetry – Mark Burrows

    The Resistance 

    I never knew what they really felt
    how they survived the one world
    we shared across layers of fear
    and indifference never grasped
    the bold grip of hatred that sears
    the eye and numbs the mind of
    the last shreds of decency never
    expected that the good would
    outlast all this in a world where
    the question of fair isn’t even
    mentioned in the interim report
    and could hardly imagine that
    despite all this greed would not
    have the last word in this life with
    its unspeakable joys and woes
    where the promise holds that
    the lost will somehow be found
    and the last impossibly first

     

    The Occasion

    —for Mark Jordan, with abiding gratitude

    What if beauty is a substance
    in this world of accident and remorse,
    finite and particular and dispersed
    like the sound of larks singing

    frivolously into the morning silences,
    regardless of audience or absence or
    any other need? What if our single
    purpose here is to seek what often

    falls into the crevices of disregard,
    gratefully reaching into the stream
    with dry hands and parched lips?

    And what if time is but the occasion
    for gathering these shards of loveliness
    into the heart’s hungry vestibule?

     

    The Work of Love 

    It is early, though the late night is still holding
    the long hems of darkness; dawn has not yet

    begun to imagine what the day might bring
    of shadows and of light, and those I love are

    still wrapped in the mantle of their dreams.
    But I am sitting here with a cup of tea cradled

    in my hands as I begin to bring forth the edges
    of a poem, drawing words and bits of song from

    the drifting play of dreams. And as I begin I’ve
    not yet made a single mistake; no word is out

    of place on the empty page, no thought has
    strayed into the cravings of jealousy or rage,

    and no good deed has been undone. It’s like
    this sometimes with art, as with the work of

    love, when the heart wakes to join the lark
    in her propensity to amazement and to song.

     

  • Poetry – Ben Keatinge

    Black Vulture

    You loom at Madzharovo
    then at Bosilovo
    roost at Kalanjevo.

    Black pilgrim
    cowl of the air
    crossing these skies,

    come, we are prone
    and torn, numbed,
    expecting your news.

    Cormorants at Dojran Lake

    The fisher Christs are drying their wings
    a great white pelican gawps
    and gives a wide September yawn
    a prudent heron heeds, and waits.

    The Tetovo Buzzards

    The Tetovo buzzards loop high and swoop low,
    they circle the plains across Tetovo,
    with the Vardar they bend, drift the ravines,
    wider and deeper, hunting in teams;
    the valleys are empty, the villages small,
    the fields unfenced and the minarets tall;
    did I hear one give a shriek-like ‘Shqip’
    when crossing the canyon next to Chiflik?
    Swinging from Saraj to Kumanovo
    they reckon the wind, climb as they go.

    Pelicans at Prespa Lake

    Some pelicans festoon the bay
    like summer boats at Howth or Bray
    here to forage, to fish
    and fly back across the spit
    like local geese as day grows late
    in Prespa or at Donabate
    who swoop on Sutton, or on Rush,
    then tail it to Achilleios.

    Benjamin Keatinge is a Visiting Research Fellow at the School of English, Trinity College Dublin. His poetry has appeared in Orbis, Eborakon, The Galway Review, Agenda and Flare and is forthcoming in Writing Home: The ‘New Irish’ Poets (Dedalus Press, 2019). He is editor of Making Integral: Critical Essays on Richard Murphy (Cork University Press, 2019).

    Pictures by Hristo Peshev. Bulgarian conservationist and wildlife photographer who works as field work co-ordinator at the Fund for Wild Flora and Fauna, Blagoevgrad, Bulgaria specializing in vulture conservation.