Category: Poetry

  • Poem: Luke 2:1-7

    Luke 2:1-7

    _           It was the time Augustus Caesar had cried pax
    As children used to do, and said the world must now be taxed,

    _           When Joseph, following the government decree,
    Went out of Nazareth and travelled down through Galilee.

    _           If words are put into a prophet’s mouth, and before
    He knows it, he’s uttered them beside the trembling posts of the door,

    _            Then Caesar’s made unwittingly an agent of God’s
    And Joseph’s destination is, against all the world’s odds,

    _            The one that destiny and Micah once decreed.
    Each little act they performed there becomes for us a deed

    _           Of great significance, but in the ancient text
    You’ll find no search for a place, no donkey, no Joseph vexed

    _           By three refractory innkeepers, no ass and ox,
    No treasured doll that’s laid inside a painted Amazon box

    _           And children crawling around as sheep, causing mayhem.
    We are just told it was, when they arrived in Bethlehem,

    _           That the days of Mary’s pregnancy came to a close
    And she brought forth her firstborn son, wrapped him in swaddling clothes,

    _           And laid him in a manger, since there was no room,
    No, not in Tyndale’s inn, or Virgil’s, or that of Jerome.


    Feature Image: A painting of Bethlehem by Vasily Polenov, 1882

  • Poem: ‘External Return’

    Eternal Return

    My sixteen year old daughter comes to me to complain about
    Patrick Kavanagh.
    O great irony, hardly are the words out of her mouth
    And I can see those fucking potatoes,
    The drills and the furrows of old bloody Monaghan!

    Why do we do it? Why does every generation get subjected
    To this kind of shit?
    Isn’t Life bad enough without having to force poetry
    About bleeding potatoes down their bloody throats!

    And then, just as I am almost in despair,
    And I’m a bloody poet myself,
    Her voice pipes up again, and she adds;
    “Although, Epic isn’t half bad, at least he mentions Homer!”

    And, I see again my reading of the poem through her eyes,
    When I too saw the ancient importance ricocheting
    In Paddy Boy,
    As she too recognised the importance of Homer
    And his epic take on Life.

    Staring across the kitchen table at her,
    With not a potato in sight,
    I somehow saw the great blind ancient hovering above us
    Monumentally human, whispering to us both
    Across the infinite.

  • Poem: ‘What comes to mind in Ireland’

    What comes to mind in Ireland

    What is black? An absence of light,
    the cassocks of parish priests,
    dark peat in an Irish bog.

    What is brown? A leather belt,
    decaying plants, veins of iron in stones,
    the layered bark of a log.

    What is grey? Lowering clouds,
    skies threatening rain over windswept water,
    the speckled muzzle of an old dog.

    What is silver? A crucifix round a neck,
    handcuffs and shackles, thirty shiny coins,
    a flash of light through heavy fog.

    Feature Image: Daniele Idini

  • Poem: Vitruvian Woman

     

    Vitruvian Woman
    For Laura
    A Poem for Halloween

    Svelte limbs, aquiline and flow, her enjambment;
    The whole pelvic girdle hypnotically balances,
    Famously compared to a serpent which dances,
    And which has all full-blooded heterosexual males entranced…!

    And, there you have it! The Feminists declare,
    “No more male gazing here!”
    Where are we? How did we get here?
    Whatever happened to coup de foudre, colpo di fulmine ?

    It was a Friday night, I had been sitting, drinking with colleagues,
    When you entered the public bar dressed in your finery;
    The cream- coloured micro-skirt, the flesh coloured tights,

    The pliant leather of your black knee high boots!…
    Colpo di fulmine!… my ass jumped off the bench, reflexively!
    We have known each other now for 25 Halloweens.

    Feature Image: Norbert Szomszéd
  • Poem: September is Here

    September is Here

    and I want to feel the tingle
    of autumn over the horizon.
    The palette of skies, laying themselves
    nightly before my eyes like Turkish
    carpets in the souks of Istanbul.
    I want to anticipate the nuanced change
    of the leaves, delicate as if the maestro
    himself draws them into the rising
    crescendo of the orchestra – slowly,
    softly, instrument by instrument,
    tree by tree, colour by colour
    until the cymbals clash and the double
    basses vibrate their music through
    the woods and lanes.

    I want to watch the swallows gather
    on the telephone wires, line upon
    line, their eyes on horizons I cannot
    even imagine; waiting for the wind
    to call them, the stars to set their orbit
    across the world.
    I want to see the berries fall
    ripe and rotten into the hollows of
    the hedge, so unseen creatures
    can have their bacchanal,
    their last fling of the  season, then
    reel home through the undergrowth
    replete and tipsy, to sleep the winter away.

    I want to walk to the shore and hear
    the waves rising up in anger,
    beating back the beaches,
    sucking up the stones and hurling
    them at the cliffs in fits of
    equinoctial rage.

    Most of all, I just want to feel
    vibrancy, not deal with autumn playing
    fast and loose – doling out fitful sun,
    welters of drab rain; gales that blow
    and pause and then roar in again, battering
    my garden of deceased flowers and sad
    stalks bent double with despair,
    rotting where they fall. And all
    in light that barely lifts its head,
    light that is just a brief apology
    for being short and low and hesitant;
    no longer flaring with summer’s lusty
    fervour – breaking in and waking me
    at 4am just to whisper sweet nothings
    through the chink in the curtains.

    I want something other than
    the torpor of half-arsed endings.
    What happened to mellow fruitfulness?
    Give me liquid golden light that makes me
    look up, look out; something to cradle
    in my mind through winter. Give me
    that wild transition I know this season
    keeps secreted up its sleeves, to
    compensate for all the untold things
    summer always snatches as she leaves,
    like a jilted lover.
    So autumn, please, no fickle
    promises of crisp, cold days that don’t
    materialise. Step up; pull your finger out –
    go French – Italian – go Portuguese;
    bring on the colours and the lights,
    run your hit show again. You can do it.
    Don’t tease, don’t cheat by sneaking limply
    past, skulking like a thief between the hot
    dog days and winter’s sharp retreat.

  • Poem: The Revolutionary

    The Revolutionary
    Andrée Blouin, 1921-1986

    A hungry child can never truly sleep. In the orphanage
    for sinful offspring – our fathers white, our mothers
    African – the nuns were merciless, severe. I shook
    by night inside a narrow, iron cot, aware only
    of my body’s hunger, a heavy shadow
    shuttering my limbs. I prayed for pity
    in the nothing-blue that slowly turned
    to grey – another dawning misery. My later
    love for liberty began beneath the weight.
    Softened after rain, I ate the red-mud bricks
    that walled the yard in fingerfuls, to ease
    the ricket-sting within my belly. Eventually
    I sickened; a nurse and officer appeared
    to valuate my case; the reverend mother
    eyed me down. Knuckle-tough, the holy
    order washed their fists of me, like dirt.
    Cruelty, you see, ensures reiteration:
    the orphanage and colony were images
    of one another, their legatees incurably
    suspicious, incapable of kindness
    to the Africans they ruled. Sickly, sore,
    dispatched away, my life began again
    in freedom: mending coverlets and dresses
    for imperious françaises, plantation wives
    intent on delegation. I worked, in truth,
    unendingly, determined to survive:
    my labour served me well. When
    Guinea first, and then the Parti Solidaire
    demanded heartened soul, unstinting
    dedication, day and night, I gave my all,
    humming like a never-empty engine
    of vivacity for Africa, my nation. Long
    debased, the cresting Congo filled
    my veins with euphony and joy – a song
    of jubilation, born of fire, tears, and blood,
    now winnowed to an ache. I strode as one
    among the risen generation. Possessed
    of an uncommon poise, Gizenga always
    seemed at home in quietude: the Belgians
    feared his silence, knowing him a strategist,
    percipient and fierce; he listened like a man
    in meditation, untroubled by the fray
    to which he nonetheless devoted
    both the clarity and passion of a saint.
    Struggling together, comrades in the fight,
    I considered him a friend. And dear Patrice…
    as if in fever, I recall his grace, the easy
    trust he held in those around him, and
    the smiling way he seemed to bless
    the people he addressed, gliding
    lightly when he stepped, alive to hope,
    assured of the integrity of service
    to the cause: the Congolese empowered
    by the Congolese themselves, the copper-
    hearted mercenaries tossed into the tide.
    A dignified idealist, he radiated calm.
    Assessing the equation, the European
    lackeys sprang a trap: the president
    renditioned, his body would be cut
    in blocks, and dipped in acid
    swilling in a barrel. They burned
    the living trace of him to vapour, ordering
    the rest of us to leave or disappear.
    They kept a single tooth for decoration.
    His dream and he are vivid to me still.

  • Poem: Maldon days

    Maldon days

    hēt þā hyssa hwæne    hors forlǣtan,
    feorr āfȳsan,    and forð gangan,
    hicgan tō handum,    and tō hige gōdum.
    The Battle of Maldon (991 AD)

    Galvanized into action,   my companion horses neighed
    as they galloped to the woods,   riderless and rudderless.
    I turned back to my liege lord,   reluctant to retreat,
    but he waved me away from him,   although I was his steadfast steed
    who had taken him into battle boldly before   on many occasions.

    In the woods, we regrouped.   Ealdorman Byrhtnoth’s proud hawk
    circled and swooped overhead,   dismissed as we had been,
    uneasy as we were.   We faced out towards the riverbank,
    watching the fighting begin,   watching the ruthless invaders wreak havoc.
    We waited for the command to return   but it never came.

    I went down to the battlefield first,   saw my beloved ealdorman
    bristling with spears,   slaughtered alongside his faithful warriors.
    Leaving our heroes, our lords lying lifeless,   we trotted back to our stables,
    knowing that our return would herald the defeat,   set off the lamentations
    of the families left behind,   filling us all with sorrow for our great loss.

    Feature Image: Battle of Maldon plains.

  • JACK GILBERT WAS TOO HORNY TO BE A METAPHYSICAL POET

    JACK GILBERT WAS TOO HORNY TO BE A METAPHYSICAL POET
    not that sex and metaphysics cancel each other out—
    his was good news for Linda Gregg, until it wasn’t.
    Interviewer:
    Did you and Linda ever collaborate?
    JG:
    We were intertwined. We read each other’s poetry,
    appreciated each other’s poetry,
    discarded each other’s poetry.
    (Quick shout-out to the procreative urge.
    Are you gonna tell me the world doesn’t hinge
    and turn on it? I don’t think you are.)
    That desire is ungovernable produces—
    or should I say begets—fear. Also verse; some good,
    some not. Either way, learn to love that twinge
    in your loins. I don’t mean make it lord, I just mean
    bless it. Whatever else may be true,
    it has plans to prosper you, wants
    fruitfulness, wants multiplicity
    at least as much as God does,
    maybe more.
    I’ve inherited Jack and Linda’s lettered
    children. If you’re reading this,
    you have too.
  • Poem: Discovery

    Discovery

    Discovery are coloured dark deep red.
    I heard one falling as I brushed the tree —
    a startled bird troubling bushy leaves —
    but with more plummet, accelerated

    power, crimson sinker parting waves of green,
    descending progeny, seeds sheathed in a cream
    flesh, webs of genes cradling what could be,
    bound for the food waste bin, sequence

    on sequence of supercoiled code unread.
    But another journey took place instead
    ascent through sound, to ears, into words
    as you can almost taste that zingy first
    apple of the season, sharp on your tongue,
    sweet on your lips, parted and showing crimson.

  • Poem: And Me

    And Me

    Naked for you, beneath
    some moon somewhere, which sounds
    like an ending, unless you begin
    with it. White as a page, as a unicorn’s
    horn, some skin—all of mine. So stare
    down—star-down is how I want to lay
    with you. Come further up. Go
    further in. Night is falling with us.
    Night, the witch’s sweet-tooth craving—
    she can’t stop biting it, can’t stop licking
    out the hours. Don’t think about that
    just now. Don’t watch her. Watch me.

    Feature Image: Two Nudes in a Forest, Frida Kahlo 1939