Category: Poetry

  • Poem: ‘No animals died’

    No animals died

    Our research on toads and carabids
    considered predator and prey.
    Japanese toads and bombardier beetles
    were ‘introduced’, let’s say.
    The relationships were explosive –
    but complied with current laws.
    We intend to show you footage.
    Please, hold your applause.

    Our methodology? Each beetle placed
    in tongue’s reach of a toad.
    Each swallowed.
    Chemical explosions soon showed
    toads bulging, swelling,
    changing shape –
    till finally, through emesis,
    they let their prey escape.

    Our results? All beetles were ejected –
    and survived. No toads died.
    We timed explosions, measured vomit,
    observed from every side.
    We’ve now described how toxic creatures
    can avoid digestion.
    Ah yes sir, at the back there,
    do you have a question?


    Reference
    Sugiura, S., Sato, T. 2018 Successful escape of bombardier beetles from predator digestive systems. Biol.Lett. 14: 20170647. http://dx.doi.org/10.1098/rsbl.2017.0647

    Feature Image: Japanese Common Toad by Yasunori Koide.

  • Poem: Vincent in Hiroshima

    Vincent in Hiroshima
    “A work of art is a corner of creation viewed through a temperament.”—Emile Zola

    I.

    Daubigny’s Garden, a late
    masterpiece of Vincent van Gogh,
    painted in July 1890 (the same month he died),
    now hangs in Hiroshima. Talk about
    ghosts of the blast. Beauty clings
    to Horror, and still clings, even when
    it let’s go; just as we suspected:
    Siamese twins.

    II.

    Glimmer at the edge of fog.
    Sphinx at sunset, red paws.
    Oval flocks of moons while drunk.
    A bow of measure in a coffee spoon.
    The way her delicate lips pucker
    while thinking of yesterdays
    you never entered. 

    III.

    Back to Vincent in Hiroshima.
    Back to the gravity of collage. How each day
    slips into the groove of whirling
    months. How the garden

    swirls with flowers and a church
    tower in his final summer. How
    Vincent’s last words were:
    “I wish it were all over now.”

    How the true page is never printed. How
    the puzzle we call history shrinks
    as the world grows into one
    piece of a larger puzzle.

    Feature Image: Vincent Van Gogh’s ‘Daubigny’s Garden’

  • Poem: ‘Oblique Landscape’

    Oblique Landscape

    JP Jacobsen, I read your poem
    of a boundless heath with mossy stones
    where you were born and where you returned
    with the tungsind poet
    that ‘died the death, the difficult death.’ 

    Shadowgraph naturalist, translator of Darwin
    enduring sufferer of tuberculosis
    who loved six enraged steadfast women
    for the poet to tune the mood to its core. 

    JP Jacobsen, can you tell me of my oblique landscape?
    the thick darkness envelopes the drastic day
    I am visited by the Intelligent Angel,
    the Neutral Angel, and the Terrifying Angel
    each one brings a gift impossible to decipher.  

    Follow the footprints.
    We are walking.
    Let us be crooked once again. 

    The trembling question is asked
    whether the fourth New Angel is
    localized or metastasized.
    Generalizations are for the Devil. 

    Let’s focus rather on the moment:
    see the spider on the web
    listen to the rain on the window pane
    let’s be wildly polylogic
    my soul-explosion expands in laughter
    and expounds out onto outrageous love. 

    This walk is not straight
    it is a crooked tale
    my feet and fingers wander wayward
    isn’t it good to be lost in the wood?
    with the mind’s ears and eyes of darkness
    the screech owl glides through the dusk
    searching for philosophers who have gone blind
    madness is a forgotten way
    so let us be crooked once again.  

    Pay attention.
    This is my dialectic. 

    Meeting a badger for the first time in the midnight rain
    loping between the wood and the retreating road
    before descending into the multi-chambered sett
    hearing the magnificent frog
    croaking on a leaf in the tepid pond
    then leaps down diving into another world. 

    JP Jacobsen, can you hear me still?
    this is my diremption
    my broken middle
    forever dwelling in the contradiction.

    Bartholomew Ryan is the author of Critical Lives: Fernando Pessoa (Reaktion Books, 2024).

    www.bartholomewryan.com

  • Poem: Lovely Dead

    Lovely Dead

    If I were to let you go
    who would I show this garden to;
    who would be there to tell me ‘no’
    it’s not enough to say it’s blue

    in June, when echiums greet the bees
    (just as later they give finches seeds)
    and turns yellow in summer sun,
    burns to red with heleniums

    in autumn. I leave their raw
    shaggy stems all through winter now —
    food and shelter for birds and mice,
    hope and remembering too — but more
    for the texture they bring to cold light;
    though to say it’s not enough, I know.

  • Poem: ‘Where beckons the quiver…?’

    _        Where beckons the quiver…?

    Are there no spirits moving in the air
    _                       ruling the region between earth and sky ?

    And do you shine from the sky
    _                       goddess in decay,
    _                                   as respite from the spit of day ?

    For this world could not hold you ?

    Whose arm twitches with your pulse,
    _                       as your ghost drifts through the lining
    _                                   of the throat ?

    Whose voice crackles as it shouts,
    _                       Whose chest wheezes like a blade of grass,
    _                                   split for air to move through ?

    Were they torn by tongues of anguish,
    _                       the remnants of your melody,
    _                                   stretching a voice into a cry
    _                                   thwarting the borders of a heart ?

    You leave behind that crumpled piece of paper,
    _                       Not the wrinkles of your face.
    If language should leave you,
    _                       alone to the touch,
    where beckons the quiver of
    _                       ageless almighty ?

    Each one of us a teardrop,
    _                       enters the world’s heart chamber
    _                       and congeals before your eyes?

    Do you kiss the half-flown ivory tongues
    _                       that swipe across the many lips ?
    And do the stars cluster,
    _                       as though gulls in search of comfort,
    _                       their screams of spirals broken,
    _                       their feathers like stilled flames ?
    And were eternal chasms or a breath
    _                       to fill the shells
    _                       of their lost melodies ?


    Paul Downes’ latest work
    Towards a Concentric Spatial Psychology for Social and Emotional Education Beyond the Interlocking Spatial Pillars of Modernism (2024) is an open access book.

    Feature Image: The Flammarion engraving, c.1888.

  • Poem: ‘A Chapter in the War’

    A Chapter in the War
    Appian, 95-165 CE

    Under orders from Octavian, the hardened captains – Pansa,
    Carfulenus – patrolled the narrow pass they had determined to defend,
    with the Martian legion and half a dozen cohorts in their train.

    Surrounded all about by mulling marshland, heavy bogs,
    eight miles south-east of Mutina, their suspicions
    as they carried on were roused on either side

    by movement from the rushes; softly here and there a shield
    or helmet seemed to glint, a fog of shining apparitions.
    Suddenly the Antonian praetorians appeared, in grim array.  

    Having nothing in the way of tactical advantages
    or spaces to maneuver, the men instructed new recruits
    to linger at the rear, lest they lose or hamper the attack.

    Then spreading through the swamp, the veterans
    unsheathed their blades and readied for the fray.
    The massacre was brutal – for these were brotherly

    antagonists, Roman known to Roman, lethally opposed.
    Worse by far than war itself, a savagery incarnate,
    is the rending of a nation from within, neighbour

    killing neighbour – the enmity unending. On this occasion,
    the Antonians resolved on rooting out the ones
    they called defectors, in the name of the republic;

    the Octavians believed themselves entitled to revenge
    for the calamities inflicted at Brundisium. Thus
    the armies clashed ferociously, in silence: because

    of their experience, the soldiers never raised a cry,
    knowing their assailants to be seasoned, unafraid.
    No sound was heard but metal in the mist, the guttural

    alacrities of flesh. Since the sodden ditches offered little hope
    of charging or retreat, the soldiery were locked as in a pit
    together, limb to limb, dealing death between them.

    When one fell downwards, blacking out, another instantly
    stepped up into the gap. None had any need of bidding
    or encouragement, for all became their own commanding

    officers in battle. They fought with the intensity
    and muscled grace of dancers, in a muggy April sun
    that never broke. The novices, obeying their instructions

    from the start, watched in wonder as the butchery continued,
    with everywhere an eerie quiet hovering, a shroud.
    Having gained the upper hand at last, the Antonians caroused

    along the avenue, relieved. But history is fickle as a breeze.
    When Hirtius had word of the catastrophe, from Mutina
    he led a squad of legionnaires in haste, and tracked

    the weary victors down the road. He killed them all,
    methodically reversing the result. Octavian was cheered
    by the intelligence. He slept, that night, as gently as a babe.

     

    Feature Image: Augustus of Prima Porta, 1st century

     

  • Poem: Rental

    Rental

    Motes swirled in windows
    like stars in The Starry Night.

    Water stains framed
    mirrors in bursts of gray-gold.

    The landlord’s lips were thin,
    her lipstick coral.

    She braved the tropical storm
    to unlock closets:
    her Waterford crystal.

    Branches needed pruning
    but all I seemed to do

    was dream of Heathcliff.
    I never scrubbed

    or mowed enough.
    I leaned my bike—created tracks—
    against the accent wall.

    She said No.
    No need to search

    for my replacement.
    She’d done living with my choices.

    Feature Image: Daniele Idini

  • Poetry: ‘hospital suite’

    From hospital suite

    One

    no matter
    how

    the oak ward
    is word-less

    the light buzz
    of a garden

    through terminal
    windows

    without logos

    _    rationalise

    brother
    at rest

    _    through doors
    _    down corridors

    _    the sheen of
    _    sterile floors

    feet walking away

     

    Two

    angel
    _    blue light

    so
    _    far

    angel
    _    night-blue

    giro-phar
    _    your star

    is

    a light
    _    lightly here

    a light thing
    _    to bear –

    a way

     

    Three

    man seeks terminal
    illness for

    brief but
    arduous journey

    _    must like people
    _    must have own transport
    _    staying power
    _    clean license

    Damien Lennon was Cassandra Voices Musician of the Month in July, 2020.

    Feature Image: Daniele Idini

  • Poem: ‘If I Could Only’

    If I Could Only

    I dream of roses blooming in the sky,
    of boys with guns, of body parts slung
    over broken toys in some unholy rite.
    And through mind-searing noise, I hear
    the  wail of mothers keening for their young.
    I dream of hell.

    But when dawn breaks,
    I wake to find that, silently,
    a veil of snow has fallen in the night.
    No severed limbs,
    no sightless, disembodied faces.
    Just snow.
    Its cooling calm fills all the small, slight
    spaces where, yesterday, deep shadows
    seized the waning light.

    No bombs. No blood.
    Here every twig is dressed in vestal white;
    and even while the cold-eyed, brooding
    dawn still dawdles into day, the sky is bright
    with snow, caught by its primal purity –
    the indrawn hush.
    This lustrous, arcane alchemy:
    the mint-ness of a clean-wiped slate.
    It seems a consecration, soft as
    the laying on of hands. It bears the grace
    of prayer – an urgent dream for respite
    everywhere.

    If I could only catch it up, reach out
    and gather in this white of new-washed
    sheets, flung over fields and trees;
    garner it in, then loose it on the scorching,
    hope-burned world. Stifle the fires and guns,
    the screaming drones. Re-write the
    countless stolen, rubbled lives.

    If I could only soothe this quenching
    silence over all the weeping and the
    wounds; make real this gift of new
    beginning. Of absolution.
    This unflawed state of grace.
    If I could only.

    Feature Image: Francesco Goya, Y son fieras (And they are fierce or And they fight like wild beasts), c. 1810.

  • Poem: Krismastime

    Krismastime

    It’s Krismastime
    Get confetti
    Slug wile
    Midnight
    Fly heights
    Seeing worlds beam by beam
    Don’t be a revolutionary,
    Be a revolution.
    Rise of the mind
    Ascension time
    Compassion is the fashion
    Send the bird
    With the scrolls in his talon
    Falcons mean business
    Business means fun
    How to game the game and crush a few outmoded systems at the same time?
    Don’t ask me
    I just twerk here
    Moonless
    Goonless
    Step free
    I exited the mind
    Fundamental
    Chronic got me healing
    Got me happy
    Got me rapping
    Why wait for daytime
    Moment is right now
    How long can it stretch?
    Til we spun and run out all the decks
    Oh, there goes the hex.
    3rd eye runs shit
    Left eye got infrastructure inside
    Yes it’s Styles Time
    Rhyme spree
    More Eiffel Tower than plastic marquee
    Good vibes
    No end of faces
    To clock the other times
    Moment is iconic
    We all got cured by bubonic
    Thanks gang
    8 billion
    We got one thing in common:
    Wuhan