The Secondary World

Christopher Tolkien, referring to his father, defined what J.R.R. called his ‘secondary world.’ He said ‘it is a world that cannot be seen, it cannot be found, it exists only in the mind.’[i] He goes on to say for many people when they first realise the existence of this place, this secondary world, they find … Read more

Scratch That: Taylor Swift is a Dime-Store Novelist

The poet Haley Hodges has recently written a winsome essay for Cassandra Voices claiming that the Galactic Empress, Her Swiftiness, Queen of Ubiquity, is our “greatest confessional poet.” Let’s leave aside that Tay-Tay isn’t a poet—that song-writing and poetry-writing are different games with different rules—she is certainly a confessional, and one in the terms Hodges … Read more

Taylor Swift is our Greatest Confessional Poet

Confessional poetry has had a haunted reputation from its post-war onset. The literary legacies of Robert Lowell, Sylvia Plath, Anne Sexton and W. D. Snodgrass—widely considered ground zero for the entire confessional school—are crucified at least as frequently as they’re praised, and a healthy allergy to what contemporary teachers of writing pertly refer to as … Read more

Michel Houellebecq’s Annihilation

Michel Houellebecq’s latest novel Annihilation offers a lengthy (526-page) disquisition on the journey to death, which is life itself, in all its tragedy and absurdity. In particular, the novel unfolds the preoccupations of an individual coming to terms with his impending demise. There is also a searing critique of prevailing cultural and institutional attitudes towards … Read more

Public Intellectuals: Fyodor Dostoevsky

In an age of unrestrained Russian-bashing, the figure of Fyodor Dostoevsky might seem a provocative choice for this Public Intellectual series. He remains, however, in my view, the greatest writer of prose fiction who has ever lived. His greatest novels The Devils/Demons (1872) and The Brothers Karamazov (1880) are, frankly, unsurpassed in world literature. As … Read more

“We Bury the Funsters” – Lethal Weapon Revisited

With Christmas fast approaching, a familiar debate will resume in homes, offices and their Zoom equivalents as to what constitutes a legitimate Christmas movie. Much of the banter will centre on Die Hard as the preeminent example of an action movie which has legitimately crossed into the holiday season category. Some may even cite it … Read more

Still Life: Photography Competition

Cassandra Voices is delighted to be collaborating with the charity Collateral Global on a photographic competition depicting life under lockdown, open to professionals and amateurs alike. It will culminate in the production of a photography book to be published under the Cassandra Voices imprint. The winning entry will receive a first prize of €1,000, with … Read more

Managing Risk in Psychedelic Assisted Therapy: Lessons from Adventure Sports

I spent twenty years working as an adventure sports guide.  In my early twenties, I was a whitewater guide on rivers like the Zambezi and White Nile in Africa. In my thirties I worked as a mountain leader, guiding trekking expeditions to Kilimanjaro,  Everest base camp, the Andes and the Himalayas. While it may seem … Read more

The Greatest Troubadour: Jacques Brel

In search of the my favourite troubadour all roads lead to Flanders, Belgium, then on to France and French Polynesia. There, in the obscure cemetery of Atuona Hiva Oa – alongside the impressionist Paul Gaugin – rests the mortal remains of Jacques Brel. Aged just forty-seven, Brel had been under a settled expectation of death … Read more

The Nascent Age of the Self -Involved

One must begin by asking a begging question: is literary criticism, in Ireland, dead? Recently, reading Susan Sontag’s 1966 essay ‘Against Interpretation’, this reviewer noticed the absence of the pronoun ‘I’, which has become ingratiated in the ‘I’ singular, the most fantastic, the singular phenomenological self-view. The singular ‘I’ – the Me, Myself, and I … Read more