Tag: culture

  • LONG READ: The Sleep of Reason I

    It is a notable feature of the prevailing world order that citizens of Western states, in particular, are significantly ill-informed and mis-informed of the past and present contexts of either their disadvantage or their comfort. For centuries the corporate/political/church covenant (imperialism) has sucked the earth of its bounty, dissipated its coherence, shattered communities and brought it to the edge of ruin. It accomplished this through the exploitation, enslavement, dispossession, degradation, starvation and murder of countless millions of fellow human beings.

    Upon this base history and its persistence rest our affluence and our inequalities, the persuasive delusions of Western civilization (“our values”), its obtrusive superiority and an unrestrained financial sector that through the extension of rentier/monopoly/surveillance capitalism has all but established a global imperium.

    Moreover, this supranational dominance has a forceful ally in its dis-integration of the world in the mis-conceived dogma of scientific materialism that reduces life to matter, minds to brains, whole self-organizing organisms to constituent parts; that effects the enclosure of everything spontaneous, primary, vital, and has generated a bio-tech industry determined to exploit the common process of becoming as if it was just another thing.

    During a period of lockdown, I reopened a book on Goya[i] that I hadn’t read for many years.  Any study of Goya is likely to reproduce his etching, The Sleep of Reason Produces Monsters. This was intended as the frontispiece of Los Caprichos, a series of 80 etchings published in 1799 that were a cutting satire of Spanish society at the time.

    What gave rise, at fifty-eight years of age to the sudden disillusionment of the successful court painter has long been a matter of speculation. A serious illness in 1792 had left him permanently deaf and he was overworked, trapped by too many commissions. Burdened by demands, constrained by compromise and impelled by a maturing self-realization, creativity and assertiveness, his social position was becoming precarious and the conflict was perhaps too much to bear. Thankfully, he still had thirty years ahead of him and these years freed him enough to become the artist so admired today.

    The usual reading of this striking work (published as Capricho 43 and replaced on the title page by a self-portrait) is that without reason we are susceptible to the naivety, superstitions and ignorance of our irrational impulses. It is a common theme of Enlightenment thinking, central to its comforting tale of intellectual and cultural progression, and it underpins the white-supremacist ideology of Western imperialism, as we shall see.

    And fair enough, the reforms of Charles III notwithstanding, Spain at the time was   the Spain that endured for so long – stuck in its ways, morally enervated and restrained by the barbarity of the Spanish Inquisition. That Goya was eventually appalled at the indolence and hypocrisy of Spanish high society and the regressive influence of a hidebound clergy is not surprising.

    However, it is also a simplistic narrative which I’ll return to later, but to be clear, no one can be sure exactly what Goya was trying to express when he conceived the image. In any case, the purpose of this essay is not to put Goya on the couch, so to speak, but to explain why I found Capricho 43 such an arresting image at the height of the COVID panic and to pursue the train of thought that it provoked.

    It is not the least of the failings of much social and political commentary these days, especially in the mainstream media, that history begins with the latest headline; that, as it has been said, “it is all text and no context”. To this end we need to go back in time.

    Almost exactly two hundred years before Goya published Los Caprichos, Don Quixote de la Mancha rode out like an epic hero of old to confront “at least thirty outrageous giants” that ranged before him and his squire, Sancho Panza, on the plain of Montiel. Impelled only by his own will and disregarding his squire’s assurances that they were windmills, Don Quixote spurred on his horse till he came before his foe. Then, “covering himself with his shield and couching his lance,” he charged, plunged it into the unrelenting sail…..and was tossed aside by the great machine.

    “Mercy on me, cried Sancho…did I not tell you they were windmills, and that nobody could think otherwise, unless he had also windmills in his head”. To no avail.

    Don Quixote by Honoré Daumier (1868).

    Tilting at Windmills

    And so his adventures proceed. This celebrated episode, though it only takes up a couple of pages near the beginning of a book of approximately 750 pages sets the tone for the rest – by part tragic, comic, ironic.

    Deluded clown, romantic idealist, assertive self-hood: all this and more have been read into the character of the famous knight-errant. That Cervantes intended it as, in some sense, a parody of the chivalric tale seems to be so. But, perhaps most importantly, as the diverse interpretations of the work themselves might indicate, it is a compelling portrait of an individual caught between two worlds.

    It was written at a time when the long transition from the Middle Ages to the modern world was reaching a conclusion. The trappings of the centralised state: bureaucracy, social control, militarism and an economy favouring capital accumulation – all so familiar to us now – were being established at this time.

    The sixteenth century opened with death, destruction and unparalleled savagery in Central and South America. It was accompanied at home by large land enclosures and dispossession. And witch trials, actually an occasional occurrence in the Medieval Period, proliferated throughout Europe.

    The seventeenth century continued the pattern with a huge growth of standing armies; the Thirty Years War that decimated Central Europe; genocide in South and Central America repeated in the North; the transatlantic slave trade; and, crucially, the establishment of the world’s first joint-stock company (forerunner of the modern corporation) in Amsterdam.

    As Fabian Scheidler argues in his succinct history of our capitalist civilization,[ii] European economies had developed into what was essentially a circular war economy. European states borrowed enormous amounts of money to finance wars  at home and exploitation abroad. The riches they acquired were largely used to  repay banks, who, in turn, lent more money and so on.

    It was a system that made “entrepreneurs”, war-profiteers, and banks extremely rich, but shattered communities and beggared populations at large. The physical power of the state was indispensable to the project, but the state’s role, it is important to note,  was not in the first instance to extend its power, but to facilitate capital accumulation by a privileged few.

    This, then, was the social environment in which that other pillar of the modern world arose. The development of science is portrayed as the triumph of rationality over irrationality, verifiable knowledge over superstition, and more. But the actual science that developed resulted from an evolving sense of individual autonomy and mathematical clarity and, for reasons to be discussed, it generated an ideology favoured by the forcible socio-economic power structures of the day.

    Furthermore, this type of science did not so much replace religion as the ideological basis of society as extend its dualistic thinking to the relationship between humanity and the natural world – from God versus man to man versus nature.

    To be clear, the problem is not with science per se, but with the reductionist worldview that underlies it and the vested interests that support it. That we should look at the world without pre-conceived ideas or doctrinal certainties and let it speak for itself is fine. And it would be ridiculous to disavow astonishing discoveries in  every field and technological achievements in engineering, medicine and so much more. While the many social advances that would eventually arrive in the wake of modernity can hardly be disregarded – although we in the West are mostly indifferent to the exploitation on which our complacency rests.

    And it might be added that the values of justice, freedom and equality which are the hallmarks of a liberal democracy are routinely circumscribed by class. Laws may be inscribed, but bias is ingrained.

    This is not intended to establish some imagined pre-modern, universal state of nature, but the mutual emergence in this period of a strict rationality in both science and a system of market economics, whereby the intrinsic, or use-value, of material necessity and nourishment is subordinated to its exchange-value in the capitalist marketplace, was problematic from the outset.

    Since the introduction of double-entry bookkeeping in the fourteenth century, income and expenditure could be formulated mathematically and profit or loss calculated accurately. Increasingly, the focus of trade became profit: to repay lenders if finance had been required and to accumulate money.

    Ted Dace has described the outcome of this process clearly: ‘As the basis of economics becomes the trade itself and not the tangible thing exchanged, money is transformed into an all-consuming monster. No longer bound up with the limitations of actual land, people and resources, it springs to life, an abstraction with a will of its own.’[iii]

    By now it is our most pressing need and its acquisition has become an urgent necessity for the many, superfluous wealth for the few; it delineates the structural hierarchy of class and serves as a measure of human worth generally. But, as Ted Dace cautions, ‘sooner or later abstraction runs up against reality.’

    Meanwhile, the real economy of everyday life has been all but consumed by the predation of finance capitalism and corporate monopoly. And the basic needs of a sustainable life for so many people have become subservient to a parasitic imperative of making money out of money, out of you.

    Nicolaus Copernicus.

    Like Clockwork

    When Copernicus turned cosmology on its head in 1543 he began a process, unimaginable then, that would in time overwhelm God himself. The mathematical precision that astronomy seemed to reveal encouraged the idea that all physical interactions on earth could be so understood.

    Thus, Johannes Kepler wrote in 1605: “My aim is to show that the celestial machine is to be likened not to a divine organism but rather to clockwork ….. Moreover, I show how this physical conception is to be presented through calculation and geometry”.

    A few years later Galileo was unequivocal: “When God produces the world, he produces a thoroughly mathematical structure that obeys the laws of number, geometrical figure and quantitative function, Nature is an embodied mathematical system.” And even more emphatically: “Reality is that which can be described mathematically. Everything else is illusion.”

    In the Medieval period and, as a general rule, most human cultures that ever existed or survived outside the modern age, the world as a whole was organic and alive, to a greater or lesser extent indivisible, and sustained by an animating principle – God, Spirit, Soul, or the many poetic metaphors of world mythology.

    This philosophia perennis, so-called, is an expression of experience rather than ideas. It is a philosophy, or understanding, of our inner nature and the common experience of being. And, perhaps for this reason, the archetypal symbols  generated by it are recognizably similar across many outwardly diverse cultures.

    And considering that the deep reality of being is beyond intellectual grasp, scriptural certainty, and social constraint, it relies on mythopoetic metaphor and the affective power of ritual to express what is essentially ineffable, and to relate it to the cycle of daily life.

    Portrait of Giordano Bruno.

    Giordano Bruno

    The introduction of the heliocentric model by Copernicus, and its determination by others, so stormed the citadel of belief the full weight of The Inquisition bore down on Galileo – who wavered. The recalcitrant Giordano Bruno supported Copernicus, but his philosophy cut much deeper.

    Bruno and others before him had regard for these words from a twelfth century hermetic text, The Book of the Twenty-four Philosophers, “God is a circle whose centre is everywhere and circumference nowhere”. But if the very idea of centre has no meaning, as this suggests, then the fixed framework, a sort of cosmic theatre of space and time in which the universal process unfolds – and on which a mechanistic science depends – means nothing either. With it goes anything fundamental and we are left, it would seem, with no ultimate principle or recourse.

    Yet Bruno’s view of the universe was far more profound than anything Galileo could ever have observed through his telescope. All Galileo could see was the inflexible authority of a mathematical system – that must definitively exclude the possibility of an evolving cosmos. And vindication would arrive three hundred years later when Einstein established relativity as a scientific principle.

    Nonetheless, we are all here, alive, and conscious of our continuing existence. Being is absolute; our presence is substantial. For all the relativity of physics – and quantum uncertainty – the daylight world of consciousness is whole, it is now, it endures. Life is immanent, some process is generating it, and experience is real.

    This, of course, is a great mystery that wells like a spring within each of us and the world in which we live. At the same time, it is beyond us, beyond apprehension and the linear logic of language. The mystery is us; for which reason we cannot know it objectively.

    Bruno had much else to say about doctrinal matters, the function of a church and its undesirable interference in philosophical or scientific inquiry. Refusing to recant and pursued around Europe, he was eventually cornered in Venice and spent eight years in the dungeons of the Inquisition in Rome. Still obdurate, condemned and consigned to a foretaste of the flames of hell, he spoke these telling words: “You pronounce sentence upon me perhaps with a greater fear than that with which I receive it.”

    In this tumultuous period, the authority of Catholic dogma was losing its grip as science and philosophy advanced, and no amount of bible thumping could secure it. An existent mythology or set of beliefs cannot prevail when there is no consent to meaning. In fact, no established canon can remain consistent with the evolution of experience and understanding. Although the dead weight of its persistence can overwhelm the embodiment of a new sensibility at the heart of an emergent culture.

    Bruno’s pointed accusation largely explains the deranged reaction to his ideas and the science of Galileo and others. The suppressive resolve of the Inquisition was frantic and irrational, but the leading lights of the Reformation clung even more tightly to the Bible. Martin Luther let go of it occasionally to fling his ink pot at the devil but was otherwise unrestrained in his invective against Copernicus and his followers.

    Bruno, for all his profanities, still had God on his side, so to speak, but it couldn’t save him from the intense conviction of The Holy Office of the Inquisition. Neither science, philosophy, nor the evidence of the senses could be permitted to challenge the insistent truths of Holy Scripture and that was final. The authenticity of individual experience was no match for the infallible authority of “revelation”, and another way is intolerable when conduct is prescribed on tablets of stone. Such is the power of The Word as all good book-thumpers, from St. Paul to Chairman Mao, to neo-liberal economists know well.

    But mere obedience to a precept could never be said to awaken the soul to the redemptive power of a mythic or religious tradition. To interpret its symbolism as literal and historic is to profoundly misunderstand its character as an evocation of our inner nature and the mystery of becoming; and to miss entirely the deeper meaning it holds within its poetic folds for the cosmological, sociological, and psychological orders of existence.

    Biblical literalism and Pauline universalism are the solid ground of our presumptive superiority and missionary impulse. For centuries they have been both pretext and apologia for white-supremacist imperialism. Unparalleled in its destructive violence throughout the long history of humankind; and all the more menacing because the espousing nations have managed to persuade the greater part of their populations that its cruelty and its condescension are the precise opposite of this reality. We are really impelled by the best of intentions.

    The only thing to add to this continuing horror story is that, as Fabian Scheidler has emphasised, the missionary zeal of a church, now in decline, has been assumed by the high- priests of globalist organizations such as the WTO, the IMF, and the World Bank. And an amoral cabal of investment banks, hedge-funds, corporate raiders, property speculators and sovereign bondholders (to list only the most obvious) feasting on unearned income from monopoly rights, speculative gains, political favour, and predatory credit.

    Furthermore, since 2008 it has been clearer than ever that those who command capital control the world; that the present system secures the concentration of wealth into fewer and fewer hands; and that its beneficiaries have forgotten, if they ever knew, the theme of countless tales and fables the world over – that to have everything is to have nothing.

    The interior of Kaiser Steel mill in Fontana, California.

    The Metaphor of the Machine

    Science, as we know it today, developed in a world in which capitalism was well established, accustomed to quantification and already defined to some extent, therefore, by mathematics and the ‘laws’ of the capitalist marketplace. In other words, a strictly rational tone was already sounding when Kepler and Galileo began their inquiries.

    Under the sway of mathematics everything becomes a number. The world is what can be measured, and measurement defines reality. The moral power and mechanistic bias of science would confirm the imperialist/capitalist dream. Everything, including all that lives and all that sustains life, could be abstracted, quantified, and assigned an exchange value. Whether a bushel of grain, a slave in the fields, or a cog in an industrial machine, all were just so many commodities to be used, abused, bought, and sold.

    Just as our privileged position at the centre of the universe was being usurped by the Copernican revolution and Bruno’s relativism, the organic worldview of tradition was being steamrolled by the metaphor of the machine.

    But if Kepler and Galileo saw an image of the machine and the unerring mathematics of clockwork in the orbits of celestial bodies and in physical processes on earth, Descartes, Hobbes, Newton, and others later extended the metaphor to include living organisms. And the science that developed from this radical epistemological shift would shape both society and human consciousness and establish a scientific orthodoxy that has survived to the present day.

    That authoritarian states and capitalist elites with imperial interests and ambitions would welcome these reductionist assertions and favour the scientific consensus that advanced them is no surprise. Class warfare at home and genocide abroad are less troubling with convictions like these. A machine, after all, is determinable, controllable, and dispensable.

    It should be said that these early mechanists were still devout. But the world was no longer alive. It was now thought of as inanimate matter, designed by God but governed by fixed mathematical principles. In a sense, then, the scientist was extending God’s work on earth, and in such a way the quasi-religious status of science began to emerge.

    For Francis Bacon (1561-1626), in whom the notion of a scientific priesthood was first conceived, the development of Western civilization would be a scientific and engineering project defined by his slogan, “knowledge is power”.

    God would be a bystander, but we were doing his work. With God on our side and the power of science the world would lay itself open and there would be nothing we couldn’t know or conquer – a presumption of omniscience that still prevails in the scientific community.

    It should also be said that dissenting voices were raised. Not all scientists were prepared to degrade life to this extent. But the church itself had mastered its alarm and ceded worldly matters to the domain of science, while it would continue to look after our souls and prepare us all for Paradise.

    That art, science and philosophy were now free to pursue their own interests without having to look over their shoulder at the stern face of one of God’s representatives on earth, or his legion of scriptural zealots, is one of the boons of modernity, unquestionably. That these three branches would in time diverge and simply feed off themselves would become a significant problem. But, meantime, a modus vivendi had become established; and that such an arrangement would be uncontentious is largely due to a shared dualism.

    Religion and science were agreed: the spiritual and material realms were separate and distinct – God above, humanity and the world below.

    Up to this point, three orders of existence were recognized: body, soul, and spirit. Our bodies were connected to the spiritual realm through our souls – the ‘rational soul’ of man, in Christian theology and the equivalent, to all intents and purposes, of the human mind, which was, as yet, regarded as immaterial.

    Mechanistic science may have removed soul from nature but, since human beings (well, cultivated minds at any rate) considered themselves a cut above brute existence they were still thought to have souls (or minds, or free-will) through which they interacted with God and put themselves in line for eternal life. But all the rest, the whole ecology of living, was mechanical, purposeless, and determined. And our disconnection from nature and more holistic modes of understanding sank into the culture with ruinous consequences.

    As dispiriting as this might seem, we could still rely on our God as ideological support, dispeller of doubt and final consolation. But his days were numbered. The convenient accord with the church was never going to survive the rapid progress of science and the no doubt exhilarating sensation that “knowledge is power”. Every advance would endorse the swelling authority of science and install reliable principles such as Newton’s deterministic laws of motion.

    This burgeoning faith in science, reason and human progress is what we know today as The Enlightenment. Edge God aside and it is the prototype of contemporary secular humanism.

    “The Blue Marble” is a photograph of the Earth taken on December 7, 1972, by the crew of the Apollo 17.

    From ‘Believe in God’ to ‘Trust the Science’

    A machine requires a maker and God made the world we were taught. But the more science discovered about the world-machine the more it became clear that, once set in motion, further divine intervention was unnecessary. Towards the end of the eighteenth century, it was also evident that there was no scientific rationale for God either. Fifty years later conspicuous atheism would provoke no censure and materialism was a firmly established tenet of scientific endeavour.

    In the orthodox view the universe is composed entirely of matter. The energy that activates it is also material, or physical. It operates according to fixed laws that can be observed, measured, and formulated – and it is fully determined by them. Like a machine it is a hierarchy of parts right down to the “ultimate building-blocks” of sub-atomic particles and chemical molecules. Even biology is reducible in this way, and in the end, there need be nothing we cannot know.

    Of course, if these are a priori assumptions then complete knowledge is indeed possible – it’s a foregone conclusion. That actual science has long since swept many of these assumptions aside has not radically removed them from the core belief system of scientific dogma and, crucially, from its day-to-day application.

    As a firmly entrenched belief it has replaced religion as the authoritative voice in contemporary society. The peremptory watchword “believe in God” has been superseded by “trust the science”. Its dogmatic purpose is no different and it was used to effect during the pandemic as a marketing slogan for social compliance and pharmaceutical profit.

    In any case, the injunction to “trust the science” simply points up the conventional morass into which scientific orthodoxy has sunk. Science is supposed to be about open inquiry, not a defence of “the science” as if certain matters were resolved beyond question just like old-style religion.

    Science prides itself on its empiricism and its positivism. Fair enough; it has undoubtedly been an effective strategy and the basis of unprecedented technological development, but all experience must now defer to the “scientific method”.

    The objective world of facts: length, height, weight, motion, capacity, etc., from the stars to sub-atomic particles, is the real world. A world objectively apparent, but devoid of meaning, purpose, or self-existence. Moreover, it disallows subjective experience (reality for most of us) and diminishes your creative presence to the point of disappearance.

    Excluded from the terms of the world-machine are those elusive qualities of existence that make us feel alive. Whole organisms are more than the sum of their parts and it is this ‘more’ that is forever beyond the materialist’s scope.

    Science can tell you all about life, but it cannot tell you what life is. It can describe the surface of things, but not their substance. The scientist may well stand to one side (in a confusion of subject and object) and probe every inch of you, but life will not be pinned.

    Scientists can’t seem to start with a whole organism in its environment and develop a methodology to understand it in these terms as a living phenomenon, in a way that does not involve objectification and dissection – even though it is instantaneously apparent to direct experience.

    And one viewpoint need not necessarily delegitimize the other. One could accept both as two sides of a coin, but science insists on its “truth” as superior.

    Thomas Jones, The Bard, 1774.

    Romanticism

    The idea that science alone could define our world was challenged with great energy by the Romantic movement in the late eighteenth and early nineteenth century. It left its mark but was no match for the brutal industrialism and economic liberalism of the Victorian era, that explicated Bacon’s rationale.

    That said, it would be some time before some scientists would dare to insist that manifest qualities of human nature are illusory; that even the sense of our own being is delusional; that nihilism would be celebrated in literature and philosophy and disintegration of form become the measure of art. And it will perhaps be a little more time before ‘intelligence’ is boxed and the scientifically emancipated individual of the Enlightenment will be, finally, almost fully dehumanized.

    But hands up how many of you feel like a machine (as opposed to perhaps being treated like one!). The very idea is clearly nonsensical. In short, a machine is lifeless so how on earth did it ever come be identified with life. It’s hard to imagine even the most ardent materialists can really regard themselves as glorified machines and the world as clockwork, but their science is conducted as if universal existence is material, mechanical, mathematically determined and nothing else.

    For Descartes, humanity was uniquely raised above this perfunctory level by the human mind, or soul, which is immaterial and part of our ‘higher’ or spiritual nature. Today’s materialist can invoke no such redemption since the mind has been reduced to the brain – which marvellous (and perplexing) organ has itself been reduced to a personified data processor and control centre.

    And while on the face of it, religious creationists and scientific materialists seem at opposite extremes, they in fact make common cause, both in their determinism and their appeal to either an external deity or some deus ex machina such as genetic programs, or ‘laws’ of nature.

    Set against both the religious duality of God and humanity, spirit and matter, and the reductive objectivity of scientific analysis and its duality of subject and object (a make-believe world constructed from without) is the immediacy of feeling. The world before our eyes, present to the senses; the sublime plenitude of life, its constancy, its astonishing detail, process within process; a universal accord that could only have evolved as an integrated whole.

    There can be moments in life when we forget ourselves, captured by the intensity of experience. Moments of rapture or clarity, free of distraction or intent, that feel complete, and doubt and endeavour dissolve in the pure sensation of being alive. Typically, these moments are fleeting, not a state of permanent bliss. Nor should they be. The everyday is normal; there is a living to be progressed. But they reveal an immediate reality beyond cold hard facts.

    The philosopher Alan Watts once joked that in sober society, it seemed, normality was the world seen on a wet Monday morning. The daylight world of consciousness  is inescapably the plane on which our daily lives unfold. But science has extended its scepticism to the ‘childhood’ of our religious beliefs to anything beyond its scope. God is not a testable hypothesis, but neither is the very real sensation I’ve just described.

    Image Daniel Idini (c)

    A World of Things

    Science is decisive: the limits of its application define our worldview and determine its commonplace expression. But it generates a world of things, a world without context or meaning. As a consequence, we now live in a forest of facts and can’t see the wood for the trees.

    This objective world of facts and things seems real and obvious, which it is, and most of us aren’t bothered by post-modernist allegations that it’s all just interpretation. But at a deeper level there is no such thing as a thing. Which is simply to say that no-thing can exist as an isolated entity apart from other things.

    A tree, for instance, seems unequivocally present and specific, but it can only arise and endure as a system of transpiration, photosynthesis and more, supported by an underground universe of micro-organisms. In other words, a tree is more properly thought of as a process. A process, what’s more, that is inextricably interdependent with our own continuing existence through the interchange of carbon dioxide and oxygen.

    It follows that every other thing (and this includes us) is also a process that can only exist within the greater process of life as a whole. It is this essential truth of being, not sentiment or scientific necessity that commits us to earth, water, fire, and air. We are nature. Consequently, any de-spoilation of the world or nullification of others is an offence against our selves.

    But the language of science is definitive. It supports a methodology that sets the world apart and fails to see that the objective distinction of things is by convention only: that the everyday world of material culture is real at that level, but that a deeper unity underlies it.

    The stupendous diversity, adaptivity and integrity of our world – our being – evolved without direction or external law. That is to say, “laws of nature” are implicit. What makes life consistent is that, as it appears in the moment and evolves over time, it establishes patterns. And what makes a pattern a pattern is that it repeats (becomes a “law”). More than anything else living organisms are habitual. As they reproduce and grow and reproduce and grow, they follow well-worn paths. And old habits die hard. Apples can’t be oranges. The young cuckoo abandoned in its egg flies south in autumn.

    Habitual behaviour is unconscious. A couple of cells grow into ten trillion. That’s ‘easily’ explained. A ‘genetic program’ underlies it biologists assure us; even though they can barely define a gene and the complexity of cellular development is impossible to fully describe. But a living organism has been formed: one that for the duration of its life is present, constant, adaptive, and purposeful. Try explaining that.

    How genes alone could have the determining power of organic development is a modern mystery. How can genes, chemical molecules in the nucleus of a cell, be purposive while the whole organism is mere machine and fully determined?  The soul, Rupert Sheldrake suggests, has been resurrected in the genome.[iv]

    The expectations of The Human Genome Project have not been realized; in fact, many were confounded. Sure enough, DNA keeps yourself to yourself so to speak, but suddenly everything was ‘genetic’. The cause of all disease and even aberrant human behaviour, not to mention your very appearance (good, bad, or indifferent) was hidden in those helical strands.

    We were to finally uncover “the secret of life”. Just as in physics, the atom, and then sub-atomic particles (hundreds now and counting – if they hang around long enough) were thought to constitute the ultimate building blocks of matter, so human biology could be reduced to the molecular level. Our lives are just a matter of physics and chemistry.

    What was actually discovered was incalculable complexity, so intricate it resists scientific analysis. Mechanical explanations fall far short. Whole organisms can never be explained in terms of their parts (if you could even isolate parts in this case). And yet an industry has been capitalized as if, and has stepped, like a bull in a china shop, into a dynamic, balanced process common to all life with who knows what consequences.

    Furthermore, that such prodigious expansion of interconnected and interdependent life since ‘day one’ could be solely due to the random mutation of genes favoured by  natural selection; that integrity in the whole could be produced and sustained by chance in the particular (as is current mechanistic orthodoxy), is a stroke of luck so far beyond calculation as to make the proposition meaningless.

    It is also at odds with Darwin himself, in whose view it is the organism that adapts to environmental pressure, and those adaptions are then inherited by its progeny.

    The inheritance of acquired characteristics is not easily understood, certainly. But there is no evidence it is genetic. Since genes only exist as integral parts of a whole organism, it is only within a machine theory of life they could be said to determine organic formation or carry that ‘information’ from one generation to the next.

    In other words, evolution is a creative process, not a blind mechanism; a sensual interplay of organism and environment, in a world, not determined but open, and committed to its fulfilment – whatever that might be – only as the seed is committed to flower.

    Feature Image: The Sleep of Reason Produces Monsters, Francisco Goya, c.1799, Etching, aquatint, drypoint and burin, Collection of the Nelson-Atkins Museum of Art.

    [i] Gwyn A. Williams, Goya and the Impossible Revolution, Penguin Books, England,1976.

    [ii] Fabian Scheidler. The End of the Megamachine, Zero Books, England, 2020.

    [iii] Ted Dace, Escape from Quantopia, Collective Insanity in Science and Society,  Iff Books. UK and USA  2014. p.208.

    [iv] Rupert Sheldrake. The Science Delusion, Coronet, England, 2013.

  • Freebirthing in Ireland

    It’s Mother’s Day morning and I am on the brink. Desperate, determined, exhausted and certain all at once. I have passed an eternal night trying to push out a child, with no apparent progress.

    I don’t have a midwife gently coaching, or calling the ambulance, as the case may be.

    I am freebirthing.

    ‘Is that like a home birth?’, people would ask, when I told them of my birth plans. ‘Yes, only without a midwife,’ I would say. ‘Oh,’ they would respond; an ‘oh’  loaded with ambiguity. Because, in fairness, it doesn’t sound ideal.

    Most Irish women choose to give birth in hospital because they think home birthing with a midwife is a riskier option. This is a view promoted by every medical professional in the country. However, some reading of alternative birth experts soon reveals the best kept secret in the Coombe: a woman’s body is designed to give birth unassisted.

    Known as a physiological birth where each biological process activates the next in a delicately balanced sequence, it is the origin of the hypnobirthing image of the unfolding lotus, petal by petal. The most dangerous thing one can do at a birth is interfere with this process.

    Modern obstetrics which is based on the ‘active management’ of birth, is the petal plucking inverse of this ideal. Drugs to induce and speed labour and pain medications which stall labour, are standard interventions in normal hospital births. These then lead to ‘emergency interventions,’ such as antibiotics, episiotomies, foreceps and Caesarean sections (c-sections).

    In effect, obstetricians are busy ‘saving’ mother and baby from the complications they themselves created.

    From the perspective of physiological birth; modern obstetrics is akin to a sexual violation of women. It is predicated on ‘getting the baby out alive’, an approach which traumatizes and damages the long-term health of both mother and child.

    Most obstetric staff have never even witnessed a physiological birth. Midwifery training in Ireland takes place in a hospital setting only, and most will have never witnessed a home birth, and could be more accurately called obstetric nurses.

    As Irish hospital policy is increasingly determined by insurance liability, where the proof ‘we did all we could,’ is the best defence against malpractice suits, there is a corresponding rise in the national rate of c-sections.

    So, in the medical paradigm, which expectant Irish mothers are forced to occupy, for lack of an alternative, where home-birthing is risky, freebirthing would be considered reckless.

    And we all know what happens to reckless mothers: They get Tusla called on them.

    A HSE homebirth

    I applied to the HSE home birth scheme for my first birth in 2018. But the community midwife serving West Kerry had retired one year previously and had yet to be replaced.

    There are about twenty community midwives serving the entire country – and the HSE insurance requires that at least two midwives attend each birth. As there is no community element in midwifery colleges in Ireland, our national home-birth scheme relies entirely on midwives who have been trained abroad. Little wonder then that just 0.4 per cent (approximately 280) of births in Ireland occur at home.

    So, despite occupying an entirely different health paradigm; the hospital was the only option available to me. And then I discovered freebirthing.

    After reading Laura Shanley’s Unassisted Childbirth, which lists the myriad ways that medical intervention causes birth complications, I decided to birth at home, without a midwife.

    But with the combination of a long labour, doubtful doulas and a fretting family, fear overtook faith. In the early hours of Little Christmas, we drove from our home on the Dingle peninsula to Tralee hospital, naively thinking we could get checked out, allay our fears and be on our merry way.

    We hadn’t accounted for the Hotel California door policy of the Irish maternity ward. Labouring women can check in any time, but security locked doors ensure they cannot leave. ‘For our own good’ presumably.

    And there in the belly of the beast, I fell foul of the highly medicalised birth policy, which allows a woman just 18 hours to deliver her baby from the time of her waters breaking before emergency intervention. In the U.K. birthing mothers are given at least 24 hours before ‘emergency deliveries’ are considered.

    So, despite the fact that first time births can take up to forty hours to deliver, mine was treated as an emergency and my refusal of syntoconin (a drug to speed up labour) infuriated the obstetrican. The umbilical cord was cut immediately after birth, still pulsing full of blood. The child was pulled from my breast, even as he began to grub for colostrum and taken next door to instead be given a shot of glucose for pacification, as the paediatrician syringed a vial of blood from his tiny veins.

    My refusal of ‘precautionary’ antibiotics on the grounds that it would destroy my son’s virgin microbiome precipitated a stand-off in which we were threatened with a court order, the Gardaí and Tusla. The Tusla officer was almost embarrassed, being called to ‘investigate’ and indeed intimidate the only woman on the ward who was breastfeeding.

    There followed three arduous nights in hospital in which my son’s sugar and salt levels were monitored, each day bringing new threats to my hopes for a natural beginning to his life: ‘If you don’t get those levels up, we’re going to have to give him formula.’

    That was my trauma. Minor compared to most, but it radicalised me, made me an advocate for birthing reform and affirmed my position outside the system. But Life will always buck an affirmed position.

    For my second pregnancy I was even more determined to birth at home. But at thirty-six weeks, after a heavy, heart-wrenching bleed, I went for a scan that showed placenta previa, where the placenta is encroaching on the perineum and obstructing the safe exit of the child. Though the child’s head could nudge past, it’s a high risk one, even for a fervent opponent of the system like myself.

    So, again I was bound for the belly of the beast and Eirú, my daughter, was delivered by c-section. And I saw the medical maternity machine from the other end of the spectrum. As a birthing mother not wanting intervention, I was treated as a pariah, but as a birthing mother needing intervention, I was treated as a queen. As in this way, I made my peace with these two faces of the Irish medical industry; a merciless machine staffed by heartfelt humans.

    But, though tempered, my view was unchanged. Previa affects 0.2% of mothers. And the national rate of c-section is 30% and there is a chasm of accountability between the two figures.

    Third time lucky

    So here we are in 2024, pregnancy number three and we are older and wiser and much less furtive than we were as first time parents. Now we are open about our plans to freebirth. The pregnancy is fully ‘off grid’. I don’t even feel the need to visit the G.P.. My dates are sure. My pregnancy is healthy.

    Having gone through the rigorous and ambiguous process of ‘getting signed off’ for a HSE home birth previously, I knew my designation as a geriatric VBAC (meaning a forty-one-year-old vaginal birth after c-section) would eliminate me from the narrow confines of ‘low risk’. So, I spared myself and the child the bother of engaging with a ‘care system’ that would reduce me to such terms.

    A doula with a doppler the week before gave me the reassurance I needed that the placenta and baby were in a good position. I’d read the freebirth manual twice over; I was packing shepherd’s purse tincture for post-partum haemorrhage, clary sage and castor oil to stimulate the uterus, chilli tincture for the child’s respiration and I had the numbers of a few good women that I could call for advice in a pinch. Ready as I would ever be.

    The bull jumping ceremony of the Hamar tribe in Ethiopia.

    The Initiation

    To become a mother, a woman must shed aspects of her youthful self that would create chaos for herself and her new child. So Nature, in her infinite wisdom, made birth a rite of passage. An initiation into motherhood.

    Initiations are characterised by endurance. Birth is not painful per se – a contracting uterus after birth is usually more painful – though birth ‘complications’ can be very painful indeed, but it is intense – earth-shatteringly, butt-rackingly intense.

    The initiate must undertake a journey into the unknown, meet her limits and transcend them. She is shown the insubstantial nature of her persona and must rely on the felt experience of her body and access the instinctual wisdom of her mammalian brain. The two aspects of her self will grapple, the little and the large, the personal and the impersonal taking turns to lead. Her fear will do battle with her trust.

    I cannot say for certain that my faith was stronger than my doubt or that my courage prevailed over my fear. For there were times in those eight hours of the most intense pushing sensations, in which every fibre of my being shuddered and squeezed with the effort of expulsion; pushes so magnificent as to be worthy of the crowning glory of a head; only to succeed in squeezing out yet another tiny piece of shit – which my faithful partner faithfully wiped away; the orgasmic foreplay of pre-labour forgotten in the less pretty reality of active labour – that my weakness and doubt did prevail.

    Between these surges, I sometimes collapse weak on the bed taking the minutes of reprieve to drift into a semi-conscious nap. But it was no power nap. On the contrary, using the intervals in this way left me ill-prepared for the violence of the surges and less than aware riding them.

    In the other times, I breathe and remain alert and rise like a disciple to meet those waves as they roll my body; and those waves I rode. So, on I go through the night like a surfer, catching a few and getting wiped out in others as my strength gives out; my pre-labour thoughts of Macha, the horse goddess, running a marathon in childbirth, gone as I half roll on the bed baying like the cow goddess Boann.

    Transferring to a hospital is as inconceivable as it is impossible in my current state in which all that exists is me riding an ocean of sensation.

    Sometime, about half-way through the storm; Diarmuid drills a hook into the ceiling and hangs an extension cord from it that I could bear down on it.

    Image: Nicky Manosalva

    Alien Cow Goddess

    Eight hours of eternity passed like this. Me and Doubt and Faith and Baby and the rest of the Gang going up and down. Diarmuid keeps vigil on the periphery. The children sleep soundly next door.

    Then there is birdsong and dawn light. Morning arrives but the baby does not. From the frontal cortex of my brain comes the thought (for I now occupy the recesses) occurs: ‘I don’t want the children to witness their mother as an alien cow goddess’.

    The children wake and Diarmuid goes out to them. I stay in the room, baying through the surges and I hear Eiru start to cry at the strangeness of the sound.

    My instinct says there is nothing wrong, but here I am again in a labour that is taking ages.  Patience. Tenacity. Endurance. The words rise from my subconscious as guidance. But my frontal cortex says: ‘Diarmuid, It’s not progressing, we have to call someone.’ Something for him to do. He’s on it.

    I emerge from the bedroom to reassure my daughter, my body a boiling ocean.

    ‘Mammy when I woke I thought there was a cow in the room,’ my son says. Amused, I feel the wave building inside me again. I hug my anxious daughter quickly, ‘Mammy’s good, baby will come soon;’ as the wave towers over and in me, about to break. I step out of her embrace and into the toilet, close the door, sit on the bowl in a sequence of seconds.

    And the wave breaks.

    Only this time, unlike the hundreds or thousands of other times throughout the night, the wave carries a little body in it and pushes it all the way down the birth canal.

    ‘Diarmuid’ I croak, with jubilation and anxiety and blood all mixed. And he is there. ‘Oh thank God, the head.’ And he calls out to our six-year-old: ‘Uisne, take your sister into the neighbours, I’ll come soon’.

    ‘Dig deep, one more push,’ he says, not knowing that I am being dug, I am being pushed. But I follow his instruction anyway, like a robot. And a big slippery child comes out. And we catch him between us.

    There is blood; looks like a lot of blood. How much is too much? We don’t know. But seven drops of shepherd’s purse tincture under the tongue should be sufficient. Is he breathing? I suck mucous from his nose. Yes, he is. Oh, sweet slippery baby. Diarmuid tries to carry me to the couch, but the domesticated mammal bridles at the prospect of getting blood on the couch. So, I sit in a pool of blood on the floor. Looking every inch the warrior. Bruised and weeping, utterly spent and victorious.

    We haven’t been out in public yet. We are resting. I am writing. We are content. I tend to his umbilical cord myself. I treat my hemorrhoids with frankincense and aloe vera and look at my cervix with a hand mirror and great fascination. I am my own healer, calling on fellow warriors for advice.

    He has not been outside yet, felt the spring on his silken skin. But I will not rush him, I wish for his separation to be as gentle as possible.

    Some authority that had been taken from me at Uisne’s birth by coercion, at Eiru’s birth by fate. It has been restored by this home birth; this freebirth.

    Maternity Rights

    I represent a growing number of Irish women who have an ‘alternative’ approach to health. My faith in modern medicine is limited to its functionality in diagnostics, bone setting and some emergency interventions. That’s it. I don’t believe it has any real role in solving chronic illness, which cancer would be, and I most certainly don’t think it has any role to play in 99% of births.

    From this worldview then, giving birth at home is a ‘no-brainer’, except that it’s also a ‘no goer’, for many Irish women, who, either through age or some perceived health issue, (i.e. low iron, vegetarian diet or high blood sugar) or geographical reasons, do not have access to the very limited HSE home birth service.

    In 2008, community (home birth) midwives were compelled to sign very restrictive memorandum of understanding with the health service. Midwives became obliged to transfer birthing women to the hospital in scenarios previously considered normal, such as heightened blood pressure or a delay in labour, or risk losing their licenses to practice.

    The U.K.-based Private Midwives Ireland operate under a slightly less restrictive insurance requirements, but the cost of €6,500 to €10,000 precludes many women.

    So, into the barbarous hospitals we go. Or not. Freebirth is our bright shining alternative.

    The highly medicalised maternity model in Ireland is compelling Irish women to give birth unassisted by midwives at home. And though this may sound like a dangerous scenario to the uneducated; the experience has been both empowering and healing for a growing number of Irish women, many of whom are now sharing their stories on social media.

    Motor and Sensory Regions of the Cerebral Cortex.

    Instinctual Mammalian Brain

    The physiological unfolding of birth requires that a woman relax completely in order to occupy the instinctual mammalian brain that governs the birthing process. Anything that draws her into the frontal cortex is discouraged in this non-intervention, best practice birthing model. Hospitals then, are exactly opposite to the optimal environment for a birthing mother. This reality has been recognized in many European countries such as the Netherlands, which has an extensive national home birth service and birthing centres.

    Ideally, Irish mothers would be attended by experienced midwives who did not have to operate under such punitive criteria and the threat of losing their licences. But in the absence of this, giving birth at home under her own authority is one of the most liberating and empowering things a woman can do. Finally, I can testify to this.

    Life contrives to give us what we need. In the decimation of our home birth service, there is an opportunity for us to step into the gap ourselves alone. The rewards are great and many. And perhaps if enough of us step into that breach, the country’s health care professionals will be compelled to answer the call for maternity reform and give us the support in our own homes that we deserve.

    Follow Siobhán de Paor’s blog: http://insideoutpost.ie/

  • Applying Hitchens’s Razor: Jim Sheridan and Ian Bailey

    Jim Sheridan is a significant figure in the international film industry because of his creativity and talent. He has made an influential documentary, ‘Murder at the Cottage’, about the Sophie Toscan du Plantier case.

    In the recent Cassandra Voices Podcast, he explained why he believed Ian Bailey is innocent and much maligned.

    In a recent blog, I explained why I believe that the thought processes making Jim Sheridan such a gifted filmmaker may be unhelpful when seeking to find Sophie’s murderer. Here are two issues I raised in my blog: Hitchens’s Razor and the Myth of Bailey the Victim.

    Christopher Hitchens’s Razor

    The brutal murder of Sophie Toscan du Plantier is a fact, not a literary exercise nor a dinner party game where people share their theories of the crime. In the Cassandra Voices interview Sheridan spoke about his relationship with Bailey, explaining why Bailey was ‘tortured’ for twenty-seven years, and why he insists Bailey did not murder Sophie. The content was bizarre and told us much about the workings of Sheridan’s thinking, but little about the murder of Sophie.

    Topics included a child floating in amniotic fluid, the guilt felt by Jim’s mother over his grandmother’s death, the famine, a landlord during the famine being called Bailey, a tired old concept called tribal memory, scoring 180 in darts, the mis-attribution of a Life of Brian sketch, Michael Collins, and the killing of Irish people in Clonakilty.

    I am no legal expert, but am still certain none of this would be evidence introduced by either side in a murder trial for Sophie. It is irrelevant and a complete distraction from the seriousness of the case. One could have as easily brought up astrology, tarot cards, and reading the runes for consideration.

    When we apply Christopher Hitchens’s razor to Sheridan’s comments: “What can be asserted without evidence can also be dismissed without evidence.” – we see that all those interesting concepts contain no evidence concerning the murder. They can be dismissed. The stream-of-consciousness outpourings of Mr Sheridan are fascinating. We see how different personal and cultural themes may be woven into a beguiling and entertaining narrative. However, finding the murderer of Sophie is about evidence. There can be no room for the evidence-free assertions highlighted by Christopher Hitchens. This will not be the last time Hitchens’s razor will be applied.

     

    Ian Bailey’s many confessions

    Sheridan has dismissed each of Bailey’s 10-plus confessions. In the podcast, he focuses on one described by a senior journalist, Helen Callanan. Both she and Bailey have given several statements about a confession to AGS. Mr Sheridan was not present at that meeting. Mr Sheridan’s narrative is that Bailey learned he was being sacked, and he responded by using heavy irony: as he was a master of irony. Sheridan claims that the confession was ironic. He goes on to say when Callanan told her boss, Matt Cooper, about the confession he did not believe her.

    First, we are told Mr Bailey had been informed that he was being sacked. The implication is that the sacking was a trigger that provoked Bailey’s comments. This is not supported by evidence. Bailey was a freelancer, working from article to article or project to project. He may not be given further work but he could not be sacked. Furthermore, there is not a single reference to him being sacked in his statements nor those of Helen Callanan. Is the sacking an assertion without evidence or is their evidence that Mr Sheridan could share with us?

    Second, Sheridan insisted, “Bailey was English perfection in sarcasm and irony.” That is Jim’s opinion. It is an opinion that fits his Bailey never-confessed narrative. For a teller of tales that will suffice, but we need more than assertions. Is it true? What is noticeable about what Bailey has presented on social media, in written articles, and said in countless interviews, is that he is a man bereft of irony. There is no perfection here. Indeed, with Bailey, there is evidence to the contrary. There is no evidence supporting this assertion. He is dull, crude and infantile. The signed statements by Helen Callanan could not be clearer. She saw no irony in what was said. We know she was present, that Bailey was a liar, and Jim was not there … so who to believe?

    Finally, Jim Sheridan tells the podcast listeners that he doubted very much that Matt Cooper, Callanan’s editor, thought that Bailey had admitted his guilt to Callanan. I have never seen a statement from Cooper to that effect. We are not given any information about the alleged discussion between Callanan and Cooper. When Mr Sheridan says he “doubted very much” is that an assertion without evidence, or is there something more substantial?

    In The Murder of Sophie: How I Hunted and Haunted the West Cork Killer (2020), Michael Sheridan’s brilliantly detailed book on the case, there is no mention of any sacking nor of Matt Cooper. One can only hope that the source of these later iterations was not the pathological liar, Ian Bailey.

    As a story, Jim Sheridan’s narrative is engaging. It is both coherent and plausible. For a consumer of fiction, it works. However, a good story is not grounds to dismiss the observations of a capable journalist. If there is hard evidence to back his narrative, I hope Mr Sheridan will share it; if there is none he ought to declare it.

    Elsewhere Sheridan dismisses all the other confessions. The evidence shows there have been more than ten confessions made. From a teenager through to older adults, male and female, people with a range of occupations. The confessions were made with Bailey sometimes drunk, sometimes sober, and in a variety of emotional states. They are made in different ways. They are not all attributable to Bailey’s non-existent irony skills. There is nothing to indicate any of the statements about Bailey confessing were made by dishonest people with a vested interest in Bailey being convicted. However, the tired and emotional Bailey was repeatedly a dishonest man in the statements he made to vindicate himself.

    The myth of Bailey the victim

    27 years of torture  unable to move unable to leave, branded a murderer without charge.
    Jim Sheridan

    We know Bailey was charged and found guilty (in absentia) in France. Jim Sheridan asserts Bailey was tortured for twenty-seven years; that he was an innocent man, badly let down. We are told his life was miserable. All the time it is implied that he was a victim. Poor Ian.

    I do not believe for a moment Sheridan would give this foul-mouthed thug a free pass. It is more likely he did not take a close look at the way the man behaved when he was not on ‘best behaviour’ with Jim. I took a look at Bailey in my forthcoming book The Pervert in the Hills. The man was odious. A torturer, not the tortured. He inflicted pain for an exceptionally long time and kvetched when he started to get a little back.

    Is anyone feeling Ian’s pain? When you gather evidence on the man the notion of him being a victim is unsustainable. When Bailey is judged on actual long-term actions rather than short-term impressions it is difficult to feel sympathy for him.

    Jim Sheridan is in good faith seeking to understand what happened to Sophie. I do not think old historical events, a mix of disparate notions, evidence-free assumptions, or unjustified sympathy for Bailey holds the key to discovering the murderer. Thankfully a well-put-together circumstantial case has already shown us Ian Bailey did it. He was a despicable man. He was a foul, malignant narcissist who, I believe, murdered Sophie Toscan du Plantier.

    The Pervert in the Hills: How Ian Bailey, the monster at the heart of the Netflix documentary Murder in West Cork grew to hate me by J P Holzer on sale from April, 2024.

  • Feathers for Rosa – a tribute to Rosa Luxemburg

    To celebrate International Women’s Week, The New Theatre is presenting ‘Feathers for Rosa’ by Noël O’Callaghan and Douglas Henderson—an unusual tribute to Rosa Luxemburg. Centring on the poem ‘Du liegst | You lie’ by German-Jewish poet Paul Celan, it consists of a thirty-minute performance interspersed by three original songs. There is also an exhibition of paintings, an installation of a basket of white feathers from the Berlin canal swans, and a nine-minute experimental film and music video.

    The following dialogue is based on the film script: Speakers are Noël (N) and Douglas (D).

    N: I was once chased by an angry swan twice my size…

    Years and years of painting swans… this flock lives on the banks of the Berlin canal—the same waterway where the body of Rosa Luxemburg was thrown on January 15th, 1919 and lay for four months undiscovered…or was it?

    Did the swans floating above, perhaps the ancestors of this flock, discover it under the ice?

    Did the moorhens and ducks spread the news up and down the banks… there’s something in the weeds… something in the weeds… something’s caught.

    One day, he brought a poem into the studio…to set to music. It was called ‘Du liegst – You lie’ a poem by Paul Celan… about the murder… and about the body in the canal.

    The Flock.

    D: I found this poem in an email from my friend Alex. Its vividness and incantational drive seemed to drag me along in its wake. I was a bit surprised, since I associated this German-Jewish poet with poetry of the Holocaust and thought of him as somewhat impenetrable. Had complexity and interpretation veiled an evidently deep political commitment? Could it make a song?

    Du liegst im großen gelausche, umbuscht, umflockt

    You lie in the great listening, ambushed, flaked round

    N. A strange and powerful song emerged and, as we played it night after night, a vision projected itself onto the dark, studio walls… a drowned Luxemburg, disembodied, upside-down, surrounded, Ophelia-like by bushes and waterbirds (umbuscht, umflockt), manifested itself as a sort of stained-glass window… and I made the painting ‘Du liegst’. Was I thinking of Harry Clarke? Yes, I think Rosa should have a stain-glass window. Was I also thinking of Millais’s Pre-Raphaelite Ophelia or of Georg Basiliz’s upside-down portraits?

    D: The poem is a retelling of the brutal murder of Rosa Luxemburg and her political ally Karl Liebknecht… at times mimicking the sadistic language of her killers…Rosa’s body thrown into the Landwehr Canal… her political ally, Karl Liebknecht, riddled with bullets in the Tiergarten…

    der man ward zum Sieb, die Frau müßte schwimmen, die Sau

    the man became a sieve, the woman had to swim, the pig

    Sieve – screen grab from film.

    N: The poem is also an account of Celan’s last trip to Berlin just before Christmas 1967…the city in a state of political turmoil following the murder by police of the student Benno Ohnesorg during protests against the visit of the Shah of Iran. During his visit, Celan walked the banks of the Spree and Havel rivers and along the Landwehr Canal past the site of Luxemburg’s death. Further along the canal from here you reach the Hercules Bridge, and in a park nearby, there’s a statue of Hercules fighting a boar… a pig. 

    geh zu den Fleischerhaken,
    zu den roten Äppelstaken 

    go to the meat hooks,
    to the red apple candlesticks from Sweden 

    … the Nazi meat-hooks of Plötzensee prison, the Fleischerhaken… the apple candlesticks from Sweden seen by Celan at a Christmas market in Berlin, the Äppelstaken.

    Es kommt der Tisch mit den Gaben
    er biegt um ein Eden

    Here comes the gift-laden table,
    it turns around an Eden

    …Hotel Eden, where Luxemburg was held and tortured before her murder. 

    D: Candles were important for the Roman Saturnalia, the feast of Saturn, the precursor of Christmas. Hercules offered candles to Saturn in place of human sacrifices…honouring Saturn’s altar not by slaughtering a man, but by kindling lights… Sweden – the refuge of Willy Brandt, the architect of détente in Europe, who once said peace isn’t everything, but nothing is possible without it.

    N: Weisestraße in the Neukölln district of Berlin is a ten-minute walk from where we’ve both lived for many years. It’s a typical street for this area… many apartment buildings dating from the end of the 1800s… really nothing to distinguish it from other similar streets in the area… nothing that alerts you to the weight of history. It was here at house number 8 that Rosa Luxemburg, together with her political ally Karl Liebknecht, spent some of their last days before their brutal murder… hiding from fascist militias in the apartment of supporters. Here they held political meetings to discuss the failed January uprising, even read bedtime-stories to their hosts’ children, until, fearing discovery, they had to leave…

    D: We did some filming there one day in late December. There was a police raid on a nearby café because of an Instagram post supporting left-wing Palestinian resistance. We met some activists from the feminist anti-capitalist Zora collective who had been targeted there. They asked about our project and were delighted to hear that their name would be travelling to Ireland.

    N: Banks of feathers like snow (umflockt)… I started collecting them… apropos of nothing, really, other than their beauty… then thoughts of Emmeline Pankhurst intruded. Her hateful White Feather campaign to send men to their deaths in World War 1. To turn a thing of such beauty into shame… it’s evil. Luxemburg was so different. She urged soldiers to lay down their weapons, to desert… and to know their real enemy. She paid for this with her life…

    für sich, für keinen, für jeden

    for herself, for no one, for everyone

    The time has come to reclaim the White feather, to honour the Deserter…

    ‘I see them walking,
    walking back,
    back from the front,
    The walking wounded,
    The walking dead.’

    (from Woman of the Rubble’s speech – ‘Feathers for Rosa’ performance).

    Der Landwehrkanal wird nicht rauschen
    Nichts
    stockt. 

    The Landwehr Canal won’t rush.
    Nothing
    stops.

    ‘Feathers for Rosa’ is funded by donations through our gofundme campaign. Donors receive original watercolour sketches of swans made on the banks of the Landwehr Canal.

  • Jim Sheridan Authors Screenplay about Lockerbie

    In entertainment news, reports have surfaced that Jim Sheridan – who directed and co-wrote In the Name of the Father (1993) among other award-winning films – along with his daughter Kirsten Sheridan, have written the screenplay for a new five-part series based on the 1988 Lockerbie bombing. Filming is due to begin in Glasgow later this month

    Pan Am Flight 103 (PA103/PAA103) was a transatlantic flight from Frankfurt to Detroit, with stopovers in London and New York City. After taking off from London, at around 7pm on December 21, 1988 – while flying over the Scottish town of Lockerbie – a bomb exploded killing all 243 passengers and 16 crew.

    Parts of the aircraft also crashed on Lockerbie itself, killing 11 residents. With a total of 270 deaths, it remains, by some distance, the deadliest terrorist attack in the history of the United Kingdom. By comparison, 56 died in the 7/7 attacks on London in 2005, and 29 died in Omagh in 1999.

    Colin Firth is set to portray Dr. Jim Swire. Swire’s daughter, Flora died in the disaster and he, along with his wife Jane, doggedly pursued justice for her and other victims of the bombing.

    Following a long investigation, involving UK police and the FBI, arrest warrants were issued for two Libyan nationals in November 1991. Ultimately, in 1999, then Libyan leader Muammar Gaddafi handed the two men over for trial at Camp Zeist, the Netherlands. This followed protracted negotiations and U.N. sanctions.

    In 2001, Abdelbaset al-Megrahi, a Libyan intelligence officer, was found guilty and jailed for life for the crime. In August 2009, however, he was released by the Scottish government on compassionate grounds, after being diagnosed with prostate cancer. He died in May 2012. Al-Megrahi remains the only person to have been convicted for the attack.

    Then President, Muammar Ghaddafi accepted Libya’s responsibility for the bombing and went on to pay compensation to the victims’ families, although he maintained that he had never given the order for it.

    Throughout his long career, Jim Sheridan has combined the role of film maker and activist. In the Name of the Father, which he directed and co-wrote with Terry George, is an account of the Guilford Four, four men falsely convicted of the 1974 Guilford pub bombings. In 1989 they were cleared of all charges and released from prison after serving for nearly fifteen years behind bars.

    In more recent times, Jim Sheridan has taken a keen interest in the still unsolved Sophie du Plantier murder case, called. He recently made a series for Sky: Murder at the Cottage: The Search for Justice for Sophie.

    Viewers will be intrigued to discover what angle he takes on the events in Lockerbie.

    Feature Image: Bob Quinn

  • A Whistleblower’s Motive

    In a seminal scene at the end of the film Joker (2019) the eponymous character, played by Joaquin Phoenix, is being interviewed by Robert de Niro’s character, the TV talk show host Murray Franklin. The Joker asks: “What do you get when you cross a mentally ill loner with a society that abandons him and treats him like trash? You get what you fucking deserve!” before he shoots Murray Franklin in the head.

    My question is this: ‘What do you get when you belittle someone’s work ethic, demean their professionalism, turn it into a tick-box exercise, and laugh at their idealism. “You get a whistleblower.

    After it ended, in May 2023, I received one or two messages from former colleagues who referred to me as “brave” or indeed “very brave”. Honestly, I do not consider myself brave. Pig-headed, stubborn and naively idealistic would be a more accurate assessment; and it’s the ideals that sank me.

    Joaquin Phoenix as the Joker.

    Origins

    This story begins back in 2015 when I accepted a challenge from the daa’s (the commercial semi-state airport company that operates Dublin Airport formerly known as Aer Rianta) then CEO. As an employee of the daa I had been very critical of the behaviour of senior managers, especially the lack of value being accorded to employees. It was during one of these conversations that he challenged me to be part of the solution, rather than continuously carping. He asked me to help reform the organisation’s values.

    Having accepted the challenge, I worked with the newly formed values team/committee. A lot of engagement was undertaken to identify what staff valued and were looking for as values in the organisation.

    I now suspect it was all done for optics. This is because values only seem important for the daa as long as they do not impact on the bottom line. It is an organisation that seems to be run by accountants, who tend to be fixated on the budget statement at the end of each month. If they did consider values important they would surely have published their last substantive staff survey, conducted with Tower Watson in 2021/2022. That has been buried like it never happened.

    I felt that values in the workplace would improve with a more joined-up approach, where people understood how each department worked and that each was reliant on the other.

    The daa is a large organisation, reflecting the developing and existing culture of the wider Irish society. What the idealist in me failed to understand was that many people appear content this culture.

    Superannuation Scheme

    There were other impact factors, including the Irish Airlines Superannuation Scheme, long monopolised by Aer Lingus retirees, employees, and executives. I ran for election for one of four places on the Superannuation Committee in October 2008, receiving 1211 votes, 370 short of the last candidate elected, an Aer Lingus Representative.

    By this stage the issue of not paying enough into a defined Benefit Scheme had come to a head. This meant that we, as daa employees, like Aer Lingus employees, would become deferred members and enter into separate, defined contribution schemes. A pension product, unlike a defined benefit pension scheme, provides no guarantees.

    New entrants into this scheme received (or in some cases had not received) a financial contribution made by the company based on age and role. One such role was being a member of the Airport Fire Service. A medical waiver was required for firemen to benefit from the company’s individual contribution into the new defined contribution scheme.

    Having to sign this waiver did not sit well with some of the firemen. A handful refused to sign, and were very poorly treated by daa HR over their principled stance.

    Coincidentally, it was around this time that the introduction of the company’s new values initiative was to take place. Two of the values ambassadors were asked to present a short snippet to the fire crew, with the CEO and CFO in attendance. One worked in the daa internal communications team, and I was the other person asked to present.

    Sadly, to complicate matters, a senior fire officer rang across on the morning of the presentation to say that the crew were deeply hostile to this presentation and advised that the values ambassadors should not attend.

    I was then told that the communications team member would not attend due to this hostility, and was asked, would I? By this stage I had been an Airport Police Fire Officer for about sixteen years and had only recently taken up a full-time role in police training. I understood their anger, but to my mind that pension deal was done, and I was looking towards the future of an organisation aiming to become an aviation security and safety leader. That, at least, was the organisation I envisioned.

    So, I went ahead and gave my five-minute presentation. Before I spoke, however, one of the firemen muttered to me that “I would get lackery for this.” I never did, at least to my face anyway.

    I bumped into that individual recently, a few months before I was dismissed by the daa, in a coffee shop near Dublin Airport. He had just retired, and not in the manner he had wanted. He looked and sounded broken by the way it had ended. Worst of all, after so many years of spending time with his colleagues, he now had so very few people to talk to.

    Image Wolfgang Weiser.

    Values Journey

    As part of my values’ journey, I had been asked to attend a company seminar in the Radisson Hotel at Dublin Airport. The then head of airport security and I were interviewed on a stage in front of at least eighty staff, many of them management. I spoke about being ill and conducting a review of myself. I described it as like holding a mirror up to my face and being unhappy with what I saw.

    I compared this to the introduction of the organisation’s values assessment – holding up a mirror to the face of the organisation. None of us, I said, could be proud of how the daa had previously behaved, and this was an opportunity to move forward more positively.

    Sometime after this I was stopped by a HR manager who told me they loved my speech and analogy about the mirror. They said they had acquired a small mirror and placed at the edge of their desk so that people could see their reflections whenever they were in her office: “to make them look at themselves”, when she was dealing with them.

    Image: Daniele Idini.

    COVID-19

    2020 arrived bringing us COVID-19. Mentally, I was very stretched, having been separated for about a year, back living with my parents, and halfway through my first year studying for a Diploma in Legal Studies in the King’s Inns, which required attendance four evenings per week.

    As the country and aviation industry effectively closed down for the first lockdown at the end of March, 2020, I had just managed to get myself through a twenty-four-day course with four other police instructors in Tai Jitsu, conflict management, coaching/teaching, control and restraint and handcuffing techniques.

    I had had to book a room in the local airport sports complex – as the daa still has no dedicated facility for many of their aviation training requirements – in order to deliver the course and host the instructor from the UK. On another occasion our room had been double booked and we had to conduct this physical course on half of the usual floor space, as the rest had been set up for a wedding!

    When the lockdown led, inevitably, to a voluntary severance scheme, the atmosphere at work darkened. Only months before, staff had voted to reject a management proposal called ‘New Ways of Working’. Many of these conditions were now being foisted on us.

    It annoys me that people who want to benefit from a severance scheme get to vote on the terms and conditions of those who wish to remain at work. It was not, however, my fight. I was trying to look beyond COVID-19, having assessed it would take longer than six months.

    With that in mind, I asked my brother, a budding artist, to offer an artist’s impression based on what I had told him in a rough sketch. I wrote a one-page business idea, or hook as we call it in training, and argued that now was the time to build for the future of aviation.

    I sent these watercolours and the idea to the Chief People Officer in May 2020. The daa head office was based in the Old Central Terminal Building. I left the art work and letter with reception and waited. By this stage, many of the office-based staff had begun to work from home. Understandably, it took him two weeks to get back to me.

    He got back to me by email regarding my Aviation Training Centre proposal. I recall he said I had put a lot of thought into the idea and said he had asked one of his team to contact me to discuss it further.

    Marqette Food Hall and Bar, Terminal 1, Dublin Airport.

    “Oh that”

    I never heard back from that team member. A couple of months later, however, I bumped into her while she was queuing for a coffee in Marqette Café in Arrivals in Terminal 1. I said hello and she just about managed to say “Hi” in return. I brought up the idea for a training centre and asked whether she had been asked to speak to me regarding the proposal.

    “Oh that” was the response. With that she collected her coffee and walked away. “Oh that”. After all my effort.

    By this time I had decided I had had enough, and made a complaint of bullying against the Airport Security Manager. It was based on a number of incidents, which I regarded as an attempt to isolate me as the Police Training Manager.

    This complaint was brought to the attention of the daa’s Equality Officer, as my own HR business support felt unable to deal with it. She and the Chief People Officer pushed for an informal meeting to address my complaint after the Chief People Officer had first met with the Airport Security Manager. I agreed. No room was booked, instead a meeting was arranged over a cup of coffee at the AMT Coffee Dock on February 17, 2021. No coffee was bought.

    The Airport Security Manager attempted to dissuade me – in what I felt was an intimidating manner – from making the complaint. He stated that he would respond with compliance findings against me. In response, I said I would be continuing to pursue the formal complaint.

    I left the table and as I walked away he caught up with me. I felt something pushing into my side, which turned out to be his left elbow. I came to a stop and told him to “get his fucking elbow out of my side”.

    I let him pass across to my left and started to walk away. I heard him calling after me “bye Matt, see ya Matt”.

    I reported the incident to An Garda Siochana and a file was sent to the DPP. Sadly, I had no witness, and it was not caught on CCTV.

    I kept pushing the formal complaint, however, and the company hired an external HR consultant. We agreed terms of reference, one being that the investigator would circulate the completed report back to the Equality Officer, and that a full copy would be circulated to the respondents.

    The report confirmed there had been an affront to my dignity at work, although the allegation of bullying was not upheld. It also made three recommendations. However, the first recommendation was redacted by the daa in violation of the terms of reference.

    On March 15, 2023, while I was still an employee of the daa, the Chief People Officer sent three daa HR managers into the Workplace Relations Commission to have my referral over the complaint of bullying thrown out on a technicality. The adjudicator did not accept their argument and asked all three what was in the partly redacted report. All three claimed they did not know. The adjudicator requested a two week adjournment, and for the Chief People Officer, the Equality Officer and the Airport Security Manager to appear at the next hearing. That hearing has still not taken place. It has been included in my claim for unfair dismissal and penalisation in the workplace over my Protected Disclosures.

    A new date had not been agreed before daa HR seized on my email to the board on April 14 2023, expressing frustration at daa HR’s behaviour, claiming incorrectly that it was a letter of resignation.

    My frustration was based on the fact that a potential new employer had sought a reference from the Chief People Officer, which was not forthcoming. What did occur, however, was an attempt to file a disciplinary charge against me.

    Protected Disclosure

    On June 18, 2022, I wrote a letter which constituted a Protected Disclosure to the Minister for Transport Minister, Eamon Ryan. The primary issue was the security culture fostered by the Airport Security Manager and another senior security manager, which, I contended, was leading to a decline in security training standards.

    For twenty years, if a newly hired ASU (Officer with the Airport Search Unit) failed any of the screening exams twice they would not be allowed a third re-sit. Now, however, because of staff shortages, ASU trainees were being put forward – with the Airport Security Manager’s approval – for resits after two fails.

    This Protected Disclosure was handed to the Minister in the Dáil Chamber by Deputy Duncan Smith of Labour on the June 29, 2022.

    For a long time, I had observed the attitude within the daa deteriorate towards aviation security and safety. In my view, it had become a tick-box exercise, and led to a very toxic workplace.

    By this stage, in 2022, I had been with the organisation for twenty-four years, having joined the Airport Police in 1998. To remain working any longer in that environment would have killed me, as I had got nowhere with reforming the values of the organisation.

    I was to be left to rot, having been unjustly stripped of the rank of Inspector by another senior security manager. This happened, I was told by someone in the organisation because “I did not manage the people above me”. In other words, I did not tell them what they wanted to hear.

    For months I heard nothing from the Minister’s office. Then, on October 6, 2022, I emailed the office directly and received a reply from an official saying that although they did have my name, they had no way of contacting me and had decided the Protected Disclosure did not warrant further investigation.

    I challenged this and asked to see the initial review and to be provided with further evidence. I still have not seen that review.

    Department of Transport officials informed me on October 19, 2022 that the company secretary of the IAA was the prescribed person under SI 367/2020 who I should be dealing with regarding my Protected Disclosure.

    Dublin Airport.

     

    Landside Patrolling Risk

    Finally, on January 10, 2023, the Aviation Security Manager with the IAA emailed and we spoke. She and a colleague had been tasked with conducting the initial assessment into my Protected Disclosure. After agreeing terms, I met with them on January 30, 2023, and was interviewed for just over an hour.

    At this meeting I also provided and highlighted my concerns regarding the daa’s management of the Airport Security Programme, and how I felt that the failure to risk assess landside areas was a mistake. The landside area of an airport is where non-travelling members of the public have unrestricted access, i.e. before security screening. I provided the IAA with a landside risk assessment that I had provided to police management on November 22, 2022. Although acknowledged, it was ignored by the daa security team.

    On Friday, March 24, 2023, the head of policy and compliance for the Airport Police circulated an email to police management and sergeants stating that the IAA had issued an update to the National Risk Assessment for Dublin Airport and Airport Police patrolling, which specifically referred to the landside areas.

    I now know, thanks to Senator Tom Clonan, that the IAA commenced their investigation in response to my Protected Disclosure into daa security on March 23, 2023, the day before this email was sent.

    Image: Daniele Idini

    New Role

    As I have said, I planned to move on and had been under consideration for a job in a different organisation since January 2023. This role required an enhanced background security check, which in this State can take over fourteen weeks. And so the wait began.

    Senior management seemed to think that COVID-19 would give them the flexibility they were always arguing for when it came to regulation. I recall meeting a senior manager during that period in the Arrival’s Hall of Terminal 1. We were both looking at a very empty Arrivals’ screen, and I brought up the CAR (Commission for Aviation Regulation) thirty-minute queue requirement. I said now would be a good time to look at this – prior to re-opening.

    “That’s all gone Matt” was the reply. I asked him did he really think so, and he was adamant that it was gone. It hadn’t gone away, aviation safety and security regulatory requirements remained consistent, but the daa had simply stuck its head in the sand.

    I should add that I posted a number of thought-provoking pieces on the daa’s company social network, Yammer. One, on May 1, 2022, about leadership, elicited a query from the then CEO. I posted in exasperation at how I had been asked to step up to the mark on values, but had received no support; and another about how, in my view, the organisation had become so very fake, with employees viewed as the problem by an elitist management team.

    My last post was in response to the publication of an official report into the culture of the Irish Army. I posted it on Yammer on March 29: ‘Truly dreadful report published today regarding the degrading behaviour of Irish army officers. Thankfully we don’t have that culture or any of those traits in the daa.’ It included a hand on chin emoji, confused or pensive emoji, depending on how you interpret it.

    At around 9:30am, on April 12, I received a phone call from my former chief. He requested that I meet him in his office at 10:15am, and strongly advised I bring a work colleague or union official along with me.

    I asked what it was about, and he said my Yammer post of March 29. This was the morning that US President Joe Biden was arriving at Dublin Airport. I thought he would have better things to do and responded that it was very short notice; he replied: “I just need to get this done today.”

    As a friend put it: “someone else was blowing up his tyres.” I ended the conversation and emailed back, saying that it was too short notice as I could get no one suitable to attend with me. He rang back at 10:30 and apologised for any confusion, saying that it was not necessary for me to bring someone along, and that he only needed to speak with me for a minute. I asked then whether it was an informal chat. He would not admit that but insisted it would only take a minute.

    I felt I had done nothing wrong and called to his office. When I arrived he informed me that he was referring to my Yammer post of March 29 to HR. I asked why. He informed me that “it was offensive.” I asked, “to whom?” He informed me after a pause that he found it offensive. I said “you’re the manager, why don’t you deal with it.’

    He refused, saying it was going to HR. I replied, “well that is disappointing,” to which he relied “well people can be disappointed.”

    About twenty minutes later my prospective new employer emailed to say I had just cleared the enhanced background security check, and requested permission to contact the daa for a reference. Happy about this, I replied I would do so, giving them the Chief Police Officer’s contact details. I thought I was days away from securing the new position.

    The next day, the Head of Security HR, emailed to inform me that I was being brought before an investigative disciplinary meeting regarding my Yammer post. The post about the culture in the Army report must have really hit a nerve with daa senior management. Perhaps it was because the Airport Security Manager was a former Irish Army Officer?

    The following day, Friday, April 14, I hit back. I emailed the board of the daa, stating that after twenty-four years I intended to move on, but could not do so without a reference, which HR had not provided.

    I also stated that I was the one who had made the Protected Disclosure to the Minister, and that I had also been assaulted in the workplace by the Airport Security Manager. I further stated that in my view the daa HR team were untrustworthy and had acted maliciously. I also offered an exit interview as I wished to offer further insights into the daa.

    Before emailing the board, I read the company’s exit policy. It states very clearly that an employee resigns to his or her line manager, or HR business support, and is given a notice period based on their employment contract. I had specifically excluded HR or any local management from my email to the board on April 14.

    On Monday morning, April 17, 2023 my line manager arrived at my Office. “I hear you’re leaving,” he said. I asked him where he had heard that. “HR told me,” he replied. I asked him who told them. He replied that he did not know. I then held up a copy of the exit policy that I had printed off and said, “someone has jumped the gun here because I have not resigned, my emails to the board specifically excluded you and HR.”

    By then, HR had still not provided a reference. From April 12, until May 12 when I received an email from the Chief People Officer instructing me not to report for duty the following Monday, I, along with the SIPTU Sectorial Organiser, had repeatedly emailed to say I had not formally resigned.

    It was the company secretary who had taken my email from the daa board and provided it directly to HR. She informed me herself in an email.

    It is important to note that in or around October 2022, the company secretary had been handed a copy of the Protected Disclosure, my anonymity removed, by a worker-director and was directly involved with me on another internal Protected Disclosure which she was overseeing.

    Eternal Vigilance

    Since 2019 I have been a student of law at the Honourable Society of Kings Inns. I am in my final year as a candidate for the barrister-at-law degree. It is both an education and a professional qualification. The majority of tutorials take place in the Philpott-Curran Room located at the top of their building on Henrietta Street. John Philpott Curran (1750-1817) was a lawyer, orator and stateman who defended Irish liberties. He also defended United Irishmen, including Wolf Tone.

    As I sit and write, a portrait of Wolf Tone, painted by my mother back in 1991 taken from a secondary school history book hangs on the wall behind me. Life is a long and winding road and if you follow your heart you find steppingstones that put you on the right path. There are many famous sayings attributed to John Philpot Curran, one being: ‘The condition upon which God hath given liberty to man is eternal vigilance.’

    I wonder whether it falls to whistleblowers in modern Irish society to maintain that eternal vigilance – crucial to preserving liberty and democracy.

    Fact-checking is also surely part of that role. On July 27, 2023, the Irish Times published an article quoting daa sources to the effect that they had been found innocent of any wrongdoing by the IAA, and its subsequent investigation in response to the Protected Disclosure.

    This is inaccurate as the IAA amended the National Risk Assessment, in response to issues I raised in my Protected Disclosure, provided to the IAA on January 30, 2023 the day after they commenced their investigation. That issue is now the subject of another Protected Disclosure, one involving the Dáil Transport Committee and the IAA themselves.

    The second, partial at least, inaccuracy in that article is the claim that the whistleblower was unhappy over a pay claim. It does not provide context to this. I made the Protected Disclosure on June 22, 2022, and was in receipt of my first negative pay review in twenty-four years on July 26, 2022.

    Sadly, most Irish media outlets seem to have no interest in whistleblowers’ accounts. Perhaps they are the victims of bullying by vested interests themselves?

    Feature Image: Daniele Idini

  • Podcast: Believe Nothing Until it is Officially Denied! With guest Patrick Cockburn

    The first Cassandra Voices Podcast, hosted by Luke Sheahan, features a long form interview with the veteran journalist Patrick Cockburn. Patrick’s father Claud, a leading British Communist member and journalist fought in the Spanish Civil War and eventually settled in Ireland. Patrick says of his father:

    He used to say the big battalion commanders want to convince the small battalions, the weaker, the less wealthy that there’s absolutely no point in resisting the big powers, they might as well give up. Claude believed exactly the opposite, the big powers are always more fragile, that they had points of vulnerability and you can attack them, and that’s why I have just published this book, which will be published later this year which is a biography of my father which is called Believe Nothing Until it is Officially Denied.

    Following in his father’s footsteps, for fifty years Patrick Cockburn has been practicing the art of journalism with integrity and persistence: a specialist on the Middle East, he has written extensively on wars and political machinations from Beirut to Belfast and Baghdad.

    Within books like The Occupation and Saddam Hussein: An American Obsession (2002) (written with his brother Andrew), Patrick Cockburn has revealed the workings of Arab dictatorships and Western Imperialism alike. Over the last decade, he has also created a separate, no less distinguished profile as a memoirist: The Broken Boy (2022) describes his survival of a Polio epidemic in 1950s Cork, while Henry’s Demons (2011) co-authored with his son, immerses the reader into the pain of psychosis.

    For our conversation with Patrick Cockburn, we sought to sketch out the lives and work of two independent-minded writers: both himself and his father, Claud. As indicated, Claud’s fifty-year career brought him around the world, from Civil War Spain to Wall Street during the crash of 1929,  back to 1930s London, where his newsletter The Week both documented and fought the rise of Fascism. It was only after WW2 that Claud moved to Ireland, where Patrick and his siblings would be born from the 50s onwards.

    Making use of unclassified MI5 files, and an abundance of material directly remembered from his late father, Patrick spoke to Cassandra Voices as he was preparing the final manuscript of a new memoir, covering Claud’s life.

    Patrick also spoke out passionately about coverage of the war in Gaza:

    Evil becomes normalised … and a lot of the governments don’t want to recognise and the papers and those outlets that support the governments don’t want to go on about it. So it’s perfectly reasonable that we should have a big story about the Russians firing some rockets into a city in Ukraine and half a dozen people are killed and others injured. That is wrong and that gets a lot of publicity. Then several hundred people are killed in Gaza and that’s on the bottom of the page now, if it’s mentioned at all.

    The first part of the podcast is freely available. You can listen to part two by subscribing on Apple podcasts. We will also be sending the second half of the show to our loyal Patreon supporters in the next few days. The decision to charge for the second half comes from our determination to maintain our independence.

    Episode One: Believe Nothing Until it is Officially Denied! With guest Patrick Cockburn.
    Listen on Apple Podcasts or Spotify
    Host: Luke Sheehan
    Music: Loafing Heroes: ​​https://theloafingheroes.bandcamp.com
    Produced by Massimiliano Galli: https://www.massimilianogalli.com
    Feature Image: Daniele Idini

  • White Christmas

    Editor’s Note: Readers of a sensitive disposition may find aspects of this account of drug-taking and sex difficult to stomach, but we believe this is a story worth telling. Our mission is to provide a home for independent voices that inspire new thinking.

    *****

    I awake, into my usual morning of panic but today might be different. My first non-family Christmas. However festive, starting it is with booze first thing in Ireland, to pang off the alcoholism beyond in the making, it’s amazing in Northern California. I am so fortunate of the micro-climate of the Mission District here in San Francisco, and its extension to my locale of Bernal Heights. The tourist map doesn’t stretch as far as here, somewhat making me more of an authentic character in my adopted city,

    It is the ideal temperature for walking off a hangover.

    Third fag in the sun, having skulled a coffee, a beer, and sipping another of the latter in the pre-spring morning sunshine – I’m feeling pretty good all in all. It’s amazing how well you learn to ride out the cocaine heart failure in the making. I’m a lot tougher than I give myself credit for.

    Even that it gives you a nameable blight for these wretched feelings helps: you can blame it all on something rather than the general suffering of existence.

    A quick reboot of last night’s misadventure: the fuck buddy of sorts with odd strings dumped me again last night. She’s no doubt an attractive lady to anyone, but she’s more man than I’ll ever be. She’d mentioned the week or so previous, having a heavy period. I asked, “Are your hangovers not so much worse?” Legs spread, practically scratching her nuts, drinking neat whiskey, she cackled, cartoon-like fag hanging out of her mouth, ‘’Women are pussy’s’’.

    Our relationship, in its fast and loose umbrella, has more basis in a Jerry Springer omnibus than anything resembling love or how it’s sold. We’re short on domestic violence, as long as you don’t count hers on me, and I promise you, I bring it on myself. An uncivilized drinking partner that eats cunt like me is probably not without its charm.

    But don’t ever sit on my chest, rub one out till I break through the straps to devour the offerings, and expect me not to crack jokes. Assessment of the night before damage concludes with only Evelyn rightfully popping the dive bar lovers’ bubble.

    Until this morning, Christmas meant a tense mother slaving in the kitchen far too much, but refusing all help till she’s screaming, “No one helps her!” Similar to any bigger family meal, only exasperated by a dead god on this occasion. For reasons that make no sense to us secular, but we get dragged, come leap in, all the same.

    This is not isolated to this home economic task either. In all my youth and my on-and-off living with my parents, an always state of arrested development, I was never ever permitted to use the washing machine, even for my own clothes.

    Absorbing all this tension from my mother, about decades of meal times is likely where I have some flecks of an eating disorder to this day, which must be a riot to hear for anyone who can see my midriff.

    The walk to the house we were celebrating in was brief. I’d been primed along the quiet streets that Christmas, for the most part, doesn’t really happen here, something I was fairly excited about.

    I’d some brain fog to match the city fog that late morning. Or early afternoon for the non-living for the weekend types.

    This winter was some of the hottest San Francisco gets, but today I was feeling the icy fog it’s known for, outside of the Mission District. Cooling my perspiration compared to my morning ritual, all the seasons in a day here are much more pleasant than in Ireland.

    All folk present had a mostly infectious festivity, likely though, was that none of us had work to go to for at least a day. Before I know it, it’s dinner time with my adopted family of ragtag heroes. Each one of them seems to be plucked out of a collection of good guys, the wild aces that could have gone the other way and sometimes ended up villains.

    This food is so far beyond my class. There’s cheese in front of me that retails for fifty dollars, and it’s only the size of the coked-up wank wad I’d be creating right now were not I here.

    I finally get the don’t cut the cheese joke but my initial thought is: “This smells like anal and I’m not convinced I want to be a part of it.”

    The crackers alone cost more than I’d spend on food in a given day.

    I got a great cop-out of what to bring to dinner, myself, and my primary guide-come shaman of the whole adventure, split the cost of the prime rib along with his brother, another home economically challenged come-lazy soul.

    With it’s roasting someone else’s responsibility, my sole responsibility to myself or anyone was not to drink so much that I couldn’t eat sufficiently. And I failed.

    I ate, sure, I even didn’t start the morning wrenching from alcohol poisoning – that being the common way to spoil this day, but I didn’t sufficiently consume my favourite meal of the year all the same.

    Me and Evelyn, the cheesy proprietor, exchange many an awkwardness in the run-up to our first chat of the day. I felt her pity for me made it challenging to tell me to feck off as harshly as I needed to hear, or her say it. I am like a puppy who needs a boot, but we don’t because of compassionate society and all that wank that will lead to China ruling us all.

    The booze pours festively and rapidly it becomes a whiter Christmas than I’ve ever known. I had nearly no experience with Peruvian powders two months ago now I’m hitting it with the power and comedy of a staged drunk on reality TV.

    You know you’ve a problem when the most degenerate drug user you’ve known the Christian name of says: “Jesus, O’Dowd! Go easy on the sneachta!”

    All my co-workers, and even suppliers, were Mexican so maybe I was Jeh-sus O Dowd

    ***BLACK***

    Around 18 hours later my investigative skills found me suddenly in a bad, bad dive bar. A menacing, not affectionately labelled dive. My resurface into consciousness is like coming up on psychedelics. But I’m by no means psychotic.

    I’ve an odd if valuable ability to for the most part know what’s real and isn’t, even when experiencing lots of unreal. Things here have a melted quality. Fortunate of my previous jaunts to this bar, I knew already it had a Lynchian, “between dream and nightmare” feeling to it mostly caused by how fucked up you have to be called to the district’s only 6 am opening bar.

    Cheese trader Evelyn is back and forth at the bar with a dealer trying to work herself up to the purchase. Women like foreplay. Men like a job done.

    I smack my glass hard on the bar, spilling it down to my hands about the base making a mess: “Mr barman sir, who sells sneachta in here?”, stressing a H sound like my Sligonian heritage demands of me.

    He smiles, like one does at a moron, and nods to some gentlemen playing pool. Remember those red and blue gangs who were all the rage in the 90s? Well, these were the reds, or at least pretending to be.

    The meaner looking of the two with the facial artwork brought me into the toilets, then the cubicle for the exchange. This was commonplace. I believe there must be a legality in no one actually witnessing the exchange.

    Even if everyone knows exactly what’s happening behind 35mm of chipboard, flashed with hospital baby blue laminate, certainly bought for a bargain. I request, with a combination of question, statement, and just general Celtic mangling of Germanic sentence structure: “Does he do 50 bags?”

    He appears amused by the utter shambles before him. He has the sorely required zip lock, out in a moment, while I’m pulling fistfuls of every denomination of US dollar out of every crevice I am aware of having on my person. I must flash 300 plus dollars in front of him.

    You’d be wrong to assume I was flush. This had to last me almost another month till my flight home. Why the hell didn’t he rob me? What sort of opportunist, outside the law, is he?

    He’s the reason China is our future dominant global power but bless his tear-drop tattoo heart all the same. Or maybe he cherishes this date more traditionally than I do. As I step out my dear friend Fionn steps right in. Evelyn looks rather peeved at this.

    ***BLACK***

    It’s suddenly many hours later, I’m in an Irish bar I know, but not this messed up. Certainly when I’m pretty sure there’s daylight out those windows. In all the years of it, I’ve never felt as scummy as being really impaired during daylight.

    There’s possibly latent Catholic guilt that I shouldn’t enjoy myself till all childer are in bed. Everyone present is new excluding Evelyn. Everyone including Evelyn is knee-slapping at whatever I am uttering.

    I can surmise she is her variant of back into me again, a token nod of hand deep in my inner thigh. It, however, would be a Christmas miracle for me to make any use of that scenario with the Colombian blizzard I have been battling through.

    ***BLACK***

    Some incalculable time later. We’re as naked as the bed, with no sheets, pillows, duvet, or comforter (when in Rome), about us. Illuminated by street lights coming in the window like a synthetic moon, all of our phones are dead, including my burner brick which I thought was immortal till now.

    Even the clock is dead. Is this a nightmare? She is freaked. You ought to be in your own gaff in this confusion, let alone next to me again. Why is the hair dryer broken in this room rather than working in the bathroom? Why does the house smell of piss? Why are our clothes all over the flat? Why is the shower broken?

    All I can do is offer to look at the shower and realise. I am not a man. I masquerade as a man, but I am no man. The last thing I fixed was a VCR which must have been in the 90s.

    She’s overdone now. This is too much for anyone without a lashing of “Mother’s Little Helper” to counter whatever chemicals we’re out of. She takes charge.

    “My folks are away,” she states, “we’ll go there and watch cable till we can handle the situation.”

    Pack up and go down the stairs to realise, she doesn’t have her keys, and she doesn’t know whose she has instead. We’re too distraught to deal with any of this. She’s going to have to replace both hers and her folk’s locks. For the second time. This winter.

    But these others obtained along the way are really getting her briefs in a braid. We decided to order a Chinese and survive one more day. This was the first, truly, deeply, menacing come-down I had experienced here. The first that mirrored true depression to the point I feared I might actually be depressed.

    Many friends, come-corrupted acquaintances, have asked me how I can hit, and hard, the class A narcotics when I suffer from a “medication for the rest of my days”, mood disorder. It’s nothing on real depression.

    You still have enough introspection, even after the unholiest binge, to know that this too shall pass. You don’t get that luxury with the real thing.

    With the genuine darkness reigning down on you, the best bargaining you can do with yourself is “this too shall pass.” With a firmer, maybe, “you fight”, entering your head. But even with manageable bouts of the garden varieties of utter despair, it will come back again. And again. Like Terminator sequels.

    It never truly goes away, it just leaves you for a holiday. This experience was that traumatic, we should have been soul mates after this. Alas, we’re not even friends who share memes

    I meet Fionn, the big spender, soon after for drinks. He seemed plenty chirpy till we began to converse in our cubby. I tell him how little I remember in a jovial way. His gate takes a shift downward. Around his eyes grows black, and baggy, skin turning jaundiced in pigmentation, losing elasticity.

    His voice cackles with a poor handle on his life. “You don’t remember, do you? Fuck you don’t!”

    Once we purchased our narcotics in the twisted dive bar, sometime the morning after Xmas dinner, we’re not so sure, we went out on the somewhat busy street to consume them with pinches and keys. Away in our world together we are shot back into the real world where the war on drugs is very, scarily, real.

    And suddenly, I too recall at least this brief window of time. Siren’s tear through the, I wish, night. Blue and red bounce about the nearer buildings Fionn pelts back into the bar in fits of internal shrieking. Chucks his big spender 100 bag under a stool, and hops on a chair in the farthest corner, knees to chest rocking and now audibly panicking.

    “Oh fuck I’m going to prison, I’ll never meet my daughter!”

    “Oh fuck, Brian is definitely going to prison, they’ll never stop raping him!”

    And I return to the busy bar to loudly proclaim,

    “FUCK ME THAT’S GOOD SNEACHTA!”

    Later that very night I got home and Evelyn called to fill me in on her recovered memories since we parted ways after the Chinese.

    Kenneth had rung her to apologise and tell her he was paying for a new mattress and whatever else, and it had all flooded back to her. More of a trickle for me.

    Deep in the darkness, engulfed in the memory bank, a mini party kicked off at hers at some stage, and Kenneth was put to bed as we went off gallivanting into whatever time of day it was. When we returned sometime later, Kenneth had pissed her bed and was trying to dry his jeans with the hair dryer. He burnt it out, trying to hurry through our giggles.

    When he left we had a deep meaningful conversation, which she thought would be better not to bring up, stated with a tone that meant never. I performed an act of great kindness on her there in the living area before bed, like the gentleman I am, and off to bed we go. But she can’t relax in the piss-soaked sheets, so we strip the bed and proceed to have sex in the shower

    Naturally, we break the shower, in what could only be awful, uncoordinated, glamourless, aqua-bonking. And the mystery of the keys is solved. Kenneth’s wife and Evelyn were powdering their noses in the deviant little girl’s room, and each of their keys wound up in the others’ bags. No need to change security systems after all!

    Nollaig bán shona dhaoibh

    Feature Image: Swing near the top of Bernal Heights Park, looking east.

  • False Prophecy

    Imaginative fiction offers invaluable insights into everything from national characteristics to institutional malaise and pathological violence. The musings of psychologists, philosophers and historians often appear clumsy and verbose beside the epiphanies that flow from the creative hand. Thus, the visions of long dead novelists continue to colour our understanding of who we are, and where we’re heading.

    We can draw a distinction between imaginative fiction and the fantasy genre. The latter according to Iain McGilchrist ‘merely recombines what we are already familiar with in a new way,’[i] (p.340) whereas works of imagination bring new experiences into being. ‘A defining quality of the artistic process’ he argues ‘is its implacable opposition to the inauthentic.’[ii]

    Authenticity should be distinguished from realism. Mythology and indeed allegory – as in the The Lord of the Rings – are distinct from fantasy. A myth is not a lie, as many, including our Taoiseach, seem to assume. Rather, as Northrop Frye put it: ‘It is obvious that the world we want to live in is mythological. That is, the world we construct is built to the model of a common social vision produced by the imagination.’[iii]

    Besides a lack of authenticity, fantasy does not reveal a common social vision. Usually, it aims at entertainment – a gripping thriller for example – often featuring cardboard cut-out characters representing a particular virtue or vice. At worst, we find simplistic manifestations of good and evil in a synthetic world.

    This review explores whether Paul Lynch’s Booker Prize-winning novel, Prophet Song (One World, London, 2023) belongs to the genre of fantasy. My motivation is to assess the artistic value of a recipient of a prestigious prize, and further examine why such an accolade might have been bestowed.

    Successively Increasing Violence

    The novel charts the struggles of a middle-class Irish family – seen mostly through the eyes of the mother Eilish – living under a far-right, fascist and, according to the headline writer in the Irish Times, totalitarian regime inhabiting what is recognisably Dublin. Here, constitutional rights no longer apply, and a malevolent Garda Síochana are imprisoning, without trial, opponents of a government we learn little about.

    Members of the family are subjected to successively increasing levels of violence perpetrated by agents of the state, beginning with the arrest of the father of the house Larry, a mild-mannered trade unionist. It is certainly not fantastical to assume that a trade unionist would be targeted by a fascist regime. During the 1930s many were imprisoned and sent to Concentration Camps in Nazi Germany, but especially under Mussolini in Italy ‘many even held key posts.’

    A more subtle, and perhaps credible, account could have explored how a fascist regime co-opts individuals in positions such as that occupied by Larry – or even Eilish, a scientist working for a bio-tech firm. Larry does not appear to hold particularly radical views. He comes from the same background as an interrogating Garda, who he claims to have played GAA against while in UCD (p.9). Foregrounding the character of a trade unionist seems like a device allowing the author to proceed with his gory account.

    Thus, we find police with batons ‘beating the marchers into grovelling shapes’ (p.30); ‘talk of internment camps in the Curragh (p.36); journalists being imprisoned (p.36); government control of the judiciary (p.58); and unmarked cars pulling up silently to lift people off the street (p.76).

    What is seriously lacking in the novel, however, is any attempt to portray the insidious soft power of a fascist regime, which historically appealed to a bourgeois desire for stability and prosperity. Subtle forms of this were evident under Salazar in Portugal, who demanded that literary works observe ‘certain limitations,’ and embrace guidelines defined by the New State’s ‘moral and patriotic principle.’

    Further, Nazi Germany’s Minister of Propaganda Josef Goebbels saw maintaining a feel-good factor as the essential role of propaganda. He did not want even der Fuhrer to appear in cinema news reels, believing that a subservient people should not be over-exposed to politics. Although conditions did worsen dramatically in Nazi Germany after the invasion of the Soviet Union in 1941, throughout much of their rule the Nazis maintained high living standards, only inflicting extreme cruelty on minorities and ideological opponents among the German people.

    In contrast, Prophet Song portrays a cascade of violence carried out by agents of the state in public spaces, alongside a rapidly failing economy, where food commodities run scarce. This culminates in what seems to be the wanton murder of the adolescent child Bailey: ‘The skin before her clouded with bruising, the missing and broken teeth… nails torn from his hands and feet … a drill through the front of his knee… the cigarette burns along the torso’ (p.272). The purpose of this horrifying sequence is unclear. Perhaps it reflects the author’s dark broodings on the latent malevolence of the human condition. Later, revealingly, we are informed that insurgents are ‘just as bad as the regime. (p.206)’

    True believers, such as Mrs Stamp (the wife of the nominatively determined Garda Stamp), are colourless stooges, while Eilish’s new boss, the Teutonic-sounding Paul Feisner speaks ‘not the company speak but the cant of the party, about an age of change and reformation, an evolution of the national spirit, of dominion leading into expansion.’ (p.71) These are formulaic utterances, anachronistically recalling the 1930s. However, we find none of the magnetic charisma we might expect in a fascist leader, or the stored-up resentment and scapegoating that fuel their rise.

    At best, we have Larry telling Eilish that ‘the NAP is trying to change what you and I call reality, they want to muddy it like water, if you say one thing is another thing and say it enough times, then it must be so (p.20). But we can only wonder why anyone would accept such lies. There is no evidence of the infectious cynicism that Hannah Arendt observes in The Origins of Totalitarianism (1951):

    The totalitarian mass leaders based their propaganda on the correct psychological assumption that, under such conditions, one could make people believe the most fantastic statements one day, and trust that if the next day they were given irrefutable proof of their falsehood, they would take refuge in cynicism; instead of deserting the leaders who had lied to them, they would protest that they had known all along that the statement was a lie and would admire the leaders for their tactical cleverness.

    Ignorant Savages

    Supporters of the regime are portrayed as ignorant savages: ‘tattoos emblazoning arms and throat … the man bringing down a bat upon the windscreen … [he] takes out his sex and urinates on the car, the apish laughing teeth as the man zips up and jumps down the gravel (p.139); who are barely literate: ‘the word TRAITER sprayed again and again in red paint.’

    Thus, we find support for the regime emanating from unfortunate people at the bottom of the social ladder: ‘Two civilians are helping to build the checkpoint and she knows one of them, an odd-jobs man from the flats nearby, an ex-junkie with hardly a tooth in his mouth.’ (p.187)

    There are suggestions that those in power are targeting minorities – such as when we learn that a certain Rohit Singh has been arrested – but no account is offered from the perspective of any minority group. A novel should not be an exercise in empowerment, but the prevailing cultural homogeneity in Prophet Song hardly diminishes the deadness of this account.

    There are also apparent endorsements of an Irish economic model that produces galloping growth rates amidst a housing crisis and rampant homelessness. A sign, therefore, of the country’s decline in the novel is where ‘every day another international firm closes its doors and makes its excuses’. (p.124) We must assume the presence of multinational corporations in Ireland is ipso facto a good thing, rather than underlying the development of a two-tier society, now generating serious social cleavages.

    There are nods to contemporary concerns, such as when Larry points to the ceiling and warns his wife to keep her voice down (p.5), but the characters rarely appear concerned about creeping surveillance, as violence is largely inflicted in random fashion.

    Raqqa, Syria.

    Depicting Another Country?

    Prophet Song is a novel that seems better suited to the depiction of a post-colonial country, where a distinct ethnic or religious group has assumed control over the levers of power and monopolises violence in a divided society. It might have been written about Syria, where army and state have long been dominated by a distinct religious group.

    It provides no insight into the insidious means by which a fascist government could take power in Ireland. The regime is a resident evil inflicting at times wanton suffering. Any such government would surely only appeal to the most base or desperate. This may reflect the author’s assessment of the human condition, but even if we accept there is a murderer in us all, it is surely incumbent on a fictional account to demonstrate how any diabolic metamorphosis occurs. Here the main characters are simply victims. In the absence of authenticity or a common social vision it should be consigned to the fantasy genre.

    I do wonder why the novel has received critical acclaim, and the accolade of a Booker Prize? Aside from a general neoliberal degeneracy now infecting most cultural organisations that place a higher premium on sales potential than artistic expression, the best explanation I can think of is that it reflects, and arguably exploits, the anxieties of the British cultural establishment in the wake of Brexit and Trump, making it ‘crucial reading according to the The Guardian.

    Essentially, it is a politically correct thriller ungrounded in political reality. Contrary to the feverish headlines, the November Dublin riot can be traced to decades of government neglect of the inner city; sporadic attacks on refugee housing do not reveal a broad-based political movement on the brink of power in Ireland. Perhaps the panel of Booker judges are oblivious to how – unlike many European countries – Ireland has not seen an upsurge in support for far-right parties. Even to suggest that we face the prospect of fascist, totalitarian governments across Europe stretches credulity.

    With shifts in technology, contemporary forms of totalitarianism may be very different to what we have witnessed in the past, which is not to dismiss the relevance of dystopian prophecies such as Alduous Huxley’s Brave New World (1931) and George Orwell’s Animal Farm (1945) and 1984 (1949). Sadly, Prophet Song offers no such timeless lessons.

    Why does any of this matter? In an interview in 1994 Harold Bloom argued that what he described as a school of resentment had destroyed the art of reading, marginalising three thousand years of imaginative literature. He added ominously that if shallow authors are promoted for political reasons you will not augment memory or cause the mind to grow and that ultimately this would impoverish our imaginations.

    [i] Iain McGilchrist, The Master and his Emissary (Yale, 2009), p.341

    [ii] Ibid, p.374

    [iii] Northrop Frye, Spiritus Mundi – Essays on Literary, Myth and Society, (Indiana University Press, 1976), p.89

    Feature Image: The Devil whispers to the Antichrist; detail from Sermons and Deeds of the Antichrist, Luca Signorelli, 1501, Orvieto Cathedral.

  • The Passing of Shane MacGowan

    I sat for a while by the gap in the wall
    Found a rusty tin can and an old hurley ball
    Heard the cards being dealt and the rosary called
    And a fiddle playing “Sean Dun Na Ngall”
    lyrics from ‘The Broad Majestic Shannon’ by Shane MacGowan.

    I wasn’t close to Shane – celebrity brings an understandable reserve – but he was someone I hung out with in latter years, travelled alongside, and helped take care for a short time.

    I have also been told he gave a typically back-handed compliment to an article I wrote describing his last trip to London for the launch of an exhibition of his art work: “God he’s a windbag, but then so was James Joyce.” Needless to say, I am still chuffed. Alas, he was rather less enamoured by my amateurish songwriting – which I recall later in this piece. This at least provides some reassurance that he wouldn’t give a compliment unless he meant it.

    Shane MacGowans funeral mass on Friday, December 8 might have re-awakened a Catholic faith in its most ardent opponents, while conservatives regard it as scandalous. Who else could have summoned leading mourners into dancing joyously before the altar, after a sublime ceremony that merged tradition with frivolity, and formality with raucousness? In death, as in life…

    Shane MacGowan’s Madonna.

    Holy Mary Mother of God / pray for us sinners / now until the hour of our death…

    In Shane’s mind, Mary was a powerful female icon. A warrior woman, ‘Calming her people’. He was capable of reconciling – as only a poet can – anger at the Church over covering up paedophilia, and what he viewed as a betrayal of the Irish Revolution, with a simple Catholic faith.

    As with many second-generation Irish emigrants, Catholicism seemed intrinsic to his identity. Importantly, this was a choice rather than an imposition. However, while his heart throbbed with a paradoxically profane Catholicism, this was not to the exclusion of other faiths and traditions. The array of deities, daemons and angels festooning his mantlepiece suggested syncretic beliefs. Spiritual nourishment was maintained by a steady supply of pre-blessed Eucharists, ferried up from Nenagh. Shane could always get his hands on the best stuff.

    Importantly, once the wild touring years with The Pogues had drawn to a close, he decided to move to Ireland to take up residence in his mother Therese’s (née Lynch) ancestral cottage in Carney Commons, County Tipperary.

    Having been born in Kent, he could easily have lived out his days in England, mournfully recalling the old country, but Shane remained ‘Loyal, true and faithful’; coming home like a Fenian prisoner ‘From dying in foreign nations’. Even the demise of The Pogues can partly be attributed to his insistent Irishness: creative differences emerged when others in the band, many of them with no Irish background, proposed moving beyond an Irish sound, as the documentary If I Should Fall From the Grace of God – The Shane MacGowan Story reveals.

    He returned, as he saw it, to Ireland when the Celtic Tiger was in full roar, restricting the pre-modern society he had encountered as a youth to the margins. It’s fair to say he struggled to reconcile himself to a brash, individualistic and increasingly homogenous society, but never departed.

    https://www.youtube.com/watch?v=LfEuXYpMIYc

    Patrician and Spailpín

    The Romantic poet W.B. Yeats and the Punk singer Shane MacGowan might be viewed as being at opposite points on a spectrum of Irishness: one epitomising a patrician Anglo-Irish literary tradition; the other a performer representing what Joe Cleary has described as the ‘spailpín [lit. ‘journeyman’] culture’ of ‘hard labour and hard living, of wandering and exile, resentment and loss … nurtured by two languages.’

    Thus, when declaring his will in The Tower (1928), Yeats portentously claimed to be one of the ‘people of [Edmund] Burke and of [Henry] Grattan’. He also scorned ‘Porter-drinkers’ randy laughter’ and the ‘base born products of base beds’ in his valedictory ‘Under Ben Bulben (1928).

    In contrast, Shane MacGowan explicitly portrays ‘the slaves that were spat on’ from the Tower in his song – based on personal experience – about rent boys, ‘The Old Main Drag’ where the protagonist is ‘spat on, and shat on and raped and abused’. His oeuvre positively celebrates intoxication and fornication, although he was in many respects even more of a romantic, as tracks such as ‘A Pair of Brown Eyes’ and ‘The Song with No Name’ attest.

    I heard Shane express his dislike of the Anglo-Irish poet – although he did record a version of Yeats’s anti-war poem An Irish Airman Foresees His Death. He preferred the aesthetic of Brendan Behan in particular.

    There is, nonetheless, a striking parallel. Both poets while living in London a century apart, consciously embraced their Irishness, which helped each of them develop distinctive voices. Yeats would no longer simply be a Romantic poet in the mould of Wordsworth: he forged a distinctively Irish Romantic tradition. Likewise, MacGowan would no longer be another Punk singer in the shadow of Johnny Rotten: he became an Irish Punk balladeer, and an inspiration to a rising generation of distinctively Irish song-writers.

    In his autobiography, Yeats describes walking homesick through Fleet Street in the 1880s and hearing a little tinkle of water, whereupon he saw a fountain in a shop window which balanced a little ball on its jet that reminded him of lake water. ‘From that sudden remembrance’, he wrote, ‘came my poem “Inisfree,” my first lyric with anything in its rhythm of my own music.’

    A body of water provides the title for perhaps MacGowan’s most poetic song, ‘The Broad Majestic Shannon’, which features an aging Irishman dwelling on his youth in County Tipperary after many years of living in London. The rusty tin can and the old hurley ball is Shane recalling his own childhood. It’s a song that also conveys homesickness, joining Shane MacGowan’s soul to the great river of Ireland flowing through Tipperary – where his ashes are to be scattered – just as places in Sligo will forever be identified with Yeats.

    Perhaps one day tourists will flock to The MacGowan county, just as they travel from far and wide to The Yeats County.

    Protest Song

    A few years ago a good friend of Shane’s and I took a song we had composed to him. It was a naive protest song about the government’s inaction on public transport that appropriated a melody from another song about trains popularised by Johnny Cash, called City of New Orleans. I added a few verses in a different key and thought perhaps it could work.

    I continue to maintain that my friend’s decision to bellow it a capela was fatal to its reception. A little guitar might have taken the edge off it. In any case, Shane became apoplectic, demanding he stop singing, and immediately identified the source of the melody.

    I guess you don’t become one of the leading lyricists in the world without having finely honed critical faculties. Having trawled my hard drive I can find no evidence of the recording I made of it, which is probably for the best!

    It would have been nice to sing more songs with Shane, but he seemed depressed a lot of the time, and expressed frustration at a writer’s block that was inhibiting him. At least when we were travelling to London there were a few sing-songs, but it was clear then that the isolation and inactivity of the Covid years had taken a toll.

    The scene before the funeral mass of Shane MacGowan in Nenagh.

    Regrets

    I hung on Shane’s every word, but he wasn’t the easiest of company. At times, I felt awkward about not being able to make out exactly what he was saying. A self-preservation instinct may also have inhibited me from being drawn too closely into his orbit. The atmosphere could be heavy and a bit self-destructive if you weren’t careful.

    It wasn’t that he was drunk all the time. As he once put it, tongue-in-cheek, on the Late Late Show when he was interviewed by Pat Kenny: “in England I’d be regarded as an alcoholic but in Ireland I am a sissy drinker”.

    He always seemed to have a drink in front of him, but was a sipper, abiding by certain rules agreed with Victoria. As she alluded to in her remarkable eulogy at the funeral, there are lessons on addiction to be drawn from Shane’s example.

    Being drunk – playing the fool – might also have been part of Shane’s public persona. Exhibiting intoxication could also mask the insecurities of a savant or autodidact, who was expelled from school in his early teens. His reading and creativity were haphazard and unsystematic, and worn lightly. I suspect he would have been intimidated by haughty scholars interrogating his work.

    Shane spent most of his final months in hospital, but I didn’t feel up to visiting him as my own father had passed away in the same hospital the year before. Anyway, I had the impression that a steady stream of friends and admirers were at hand.

    Eternal rest grant unto them, O Lord, and let perpetual light shine upon them. May the souls of all the faithful departed, through the mercy of God, rest in peace.