Who Let the Dogs Out? A Review of Babygirl

If you count my two unsuccessful (all cough no high) undergraduate attempts to smoke weed and the later (nominally) more successful fractal bits of gummy I consumed (once) at a wedding reception, you must grant I possessed sufficient knowledge and experience with recreational imbibing to feel I was setting myself up for an evening of … Read more

Covid-19: ‘The North Began’ Part II

Northern Ireland has already conducted a statutory inquiry into how Covid was managed. In contrast, the Republic is set to have a ‘review’ without statutory powers to compel witnesses to attend. This despite the Republic having had both a relatively high fatality rate and punitive restrictions that don’t appear to have worked. Maybe there is … Read more

Michel Houellebecq’s Annihilation

Michel Houellebecq’s latest novel Annihilation offers a lengthy (526-page) disquisition on the journey to death, which is life itself, in all its tragedy and absurdity. In particular, the novel unfolds the preoccupations of an individual coming to terms with his impending demise. There is also a searing critique of prevailing cultural and institutional attitudes towards … Read more

Public Intellectuals: Fyodor Dostoevsky

In an age of unrestrained Russian-bashing, the figure of Fyodor Dostoevsky might seem a provocative choice for this Public Intellectual series. He remains, however, in my view, the greatest writer of prose fiction who has ever lived. His greatest novels The Devils/Demons (1872) and The Brothers Karamazov (1880) are, frankly, unsurpassed in world literature. As … Read more

“We Bury the Funsters” – Lethal Weapon Revisited

With Christmas fast approaching, a familiar debate will resume in homes, offices and their Zoom equivalents as to what constitutes a legitimate Christmas movie. Much of the banter will centre on Die Hard as the preeminent example of an action movie which has legitimately crossed into the holiday season category. Some may even cite it … Read more

Still Life: Photography Competition

Cassandra Voices is delighted to be collaborating with the charity Collateral Global on a photographic competition depicting life under lockdown, open to professionals and amateurs alike. It will culminate in the production of a photography book to be published under the Cassandra Voices imprint. The winning entry will receive a first prize of €1,000, with … Read more

Managing Risk in Psychedelic Assisted Therapy: Lessons from Adventure Sports

I spent twenty years working as an adventure sports guide.  In my early twenties, I was a whitewater guide on rivers like the Zambezi and White Nile in Africa. In my thirties I worked as a mountain leader, guiding trekking expeditions to Kilimanjaro,  Everest base camp, the Andes and the Himalayas. While it may seem … Read more

The Greatest Troubadour: Jacques Brel

In search of the my favourite troubadour all roads lead to Flanders, Belgium, then on to France and French Polynesia. There, in the obscure cemetery of Atuona Hiva Oa – alongside the impressionist Paul Gaugin – rests the mortal remains of Jacques Brel. Aged just forty-seven, Brel had been under a settled expectation of death … Read more

The Nascent Age of the Self -Involved

One must begin by asking a begging question: is literary criticism, in Ireland, dead? Recently, reading Susan Sontag’s 1966 essay ‘Against Interpretation’, this reviewer noticed the absence of the pronoun ‘I’, which has become ingratiated in the ‘I’ singular, the most fantastic, the singular phenomenological self-view. The singular ‘I’ – the Me, Myself, and I … Read more

Kneecap – Don’t Look Back in Ongar

Out with the old, in with the new. In the same month that Don’t Look Back in Ongar (2024), the final (27th) instalment of the Ross O’Carroll Kelly fictional autobiography was published, the Irish-language musical comedy Kneecap (2024) quickly became the year’s highest-grossing cinema release. The differences between these two are more than apparent: the … Read more