“Trump Inhabits Trumpistan”, writes Chris Agee in his rampaging poetic satire, Trump Rant: “Trump Is the Wolf of Washington”. Written over a four-year period from 2017 onwards, and arranged as an expanding series of mock-newspaper headlines, Agee’s book begins as an act of stinging personal portraiture and ends as a thorough-going investigation of America itself – which appears, over the course of the poem, as both an empire in decline and a dysfunctional democracy in crisis. “Trumpian Fever”, Agee writes, “Continually Reminds Me of the Civil War Build-up of the 1850s”. As Agee recognises, and as Mark Twain likewise knew, the past and present have a habit of rhyming through the flux.
A US-born Irish citizen, based in Belfast, Agee is singularly sensitive to the totalitarian impulses and tribal resentments that the title-figure – a “Beacon of Malevolence” – has proven adept at mobilising, both in and out of political office. “Trump Is Ten Times Worse Than Nixon”, he insists, reminding us that the current Republican nominee for president “Openly Supported the Kenosha Shooter”, Kyle Rittenhouse, in 2020. Such precedents alter the civic atmosphere, toxifying public politics, possibly beyond repair.
The Trumpian era, Agee suggests, is defined by ruthlessness, for “Trump” at heart “Is a Political Cutthroat”: a charismatic leader with brash demogogic tendencies, brazenly echoing white nationalist discourses in his bloated ascent to political power. “Trump Is Malcolm X’s “American Nightmare””, we’re informed: a proposition that feels at once historically grounded and chillingly prophetic.
In this respect, the Rant may bear a resemblance to the work of Allen Ginsberg, combining oratorical force with a deep-running sense of cultural urgency. “Trump Is the Real Plot Against America”, Agee declares, “Trump Is a Mouth Who Loves Mouthing”. It should be said that part of the appeal of Trump Rant – what stops it from being merely abrasive and makes it, instead, thought-provoking and often funny – is its fizzing sense of how ludicrous Trump can be. It’s possible, indeed, that when faced with the former president’s one-man circus-show, laughter may be the sanest response. “Trump Is Impossible To Imagine as a Scuba-diver”, Agee quips, and any honest observer would struggle to disagree.
“Trump Speaks No Languages (Not Even English)”, he continues, and we begin to understand the complex blend of fixation and anger that propels Trump Rant along its hurricane-course. Whereas Trump wields language like an ugly weapon, scattering falsehoods and distortions whenever he speaks, Agee, a poet, is using his words to hold up an accusing mirror to power itself. “Trump”, he suggests, “Is The Corrupted Dream”. The Rant, by contrast, might be thought of as a visceral attempt to re-galvanise the original promise – of language as a mode of truthful speech, and of the United States as a vibrant democratic republic (or what Langston Hughes called, with painful justice, the “land that never has been yet”).
With his Democratic rivals staunchly committed to neoliberalism at home and genocide abroad, and his own party plunging ever deeper into a sludge-pit of weaponised nativism, toxic conspiracy culture and personality-worship, as a political figure Trump in 2024 seems as peculiarly emblematic as he has ever been: both homegrown product and representative man, incarnating the feral aggression and strange emptiness of American capitalism. “Trump Is a Tacky Gatsby Bamboozling the National Nick (We’ve Read It All Before!)”, Agee writes, and the tarnished nature of America’s self-mythology seems all the more polluting; the rot too rampant to be reversed.
For all its declarative zest and referential range, Agee’s book is saturated with political dread: we read it in the shadow of things to come.
Feature Image by DonkeyHotey – Donald Trump – Caricature, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=66578850
Few writers can do grief and loss like John MacKenna. He is, without question, the John McGahern of the ‘Ancient East’. Where McGahern has put the villages and drumlins of Leitrim along the inland cusp of the ‘Wild Atlantic Way’ at the heart of his writing, the landscape of South Kildare, and its surroundings are integral to MacKenna’s works and that is no different in Father, Son and Brother Ghost where place is the sorrowful score to MacKenna’s libretto.
Unravelling grief is the strange, poignant music of the heart: If ‘grief is the price we pay for love’ MacKenna paid that price. All MacKenna’s fiction revolves around Castledermot, The High and Low Terraces of Abbeylands where the MacKennas lived: The rivers Lerr and Barrow, Mullaghcreelan Woods, Kilkea, Athy, Carlow, the Sliabh Bloom mountains and the midland bogs looming beyond are accomplices in what becomes a landscape of bitter-sweet melancholy. This memoir, mimicking the prayerful intonation ‘Father, Son and Holy Ghost’ is a hymn to MacKenna’s older brother, Jarlath whose untimely death at 62 in 2005 left the writer so bereft that he has been writing and rewriting this memoir for seventeen years between various other pursuits, not least a plunge into psychotherapy as he told a packed audience at its launch recently in the library in Athy.
Jarlath spent the bulk of his working life as a doctor in North Carolina. In this moving memoir, landscape and place become sites of consecration to a lost brother, evoked through fragments of joyful memories, where often, more harrowing family anecdotes and memories interpose – his mother’s tears when the family were leaving the Low Terrace for a larger house on the High Terrace because she was leaving behind three still born babies buried there at the bottom of the garden.
The sometimes distraught attempt to recover this lost fraternal connection reaches back into his parents’ own history, and the increasing friction and disappointment between them, caused, it appears, by Jack MacKenna’s increasing dependence on alcohol. But if Jack MacKenna was an alcoholic, he was a highly functioning one. John, as the youngest child of three, experienced these tensions more intensely, as he was like an only child because his brother and sister were away at boarding school. They were all, to different degrees ‘survivors of their own small carnage’ but he ‘didn’t know it at the time’. Set apart from their neighbours by being the school mistress’s children, the yearning for belonging abides.
Ten years younger than Jarlath, MacKenna is first separated from him when his adored older brother is sent to boarding school in Limerick while the younger brother is still an infant. In the escalating tensions of the home, Jarlath became John’s rock and anchor and his sense of abandonment in the older brother’s many absences is a source of anguish.
It seems the younger brother only realised when Jarlath died that he had never overcome these earlier losses due to their many separations. The severances are amplified, not just by the large age gap, but by the fact that Jarlath spent his summers working in England during his college years when he first studied for an arts degree followed by a H. Dip in Education and then went on to study medicine.
During these periods, Jarlath’s trips to Castledermot were brief but they are jealously recovered here. In choosing to pursue his medical career in America, the miles of the Atlantic Ocean eventually stretched between them, keeping the brothers geographically apart as adult men.
Unsurprisingly, MacKenna conveys a sense of betrayal by all these ‘sunderings’ culminating in his brother’s death from motor neuron disease a few days after he visits him. They are only spared one last night together as Jarlath deteriorated unexpectedly. All this pours forth in torrents of ‘unending loss’. Loss is ‘the tiny, pitched hole in the sky at night or the sun’s hesitation about rising at dawn’. It is ‘a grief that has been given two decades to condense but it remains’.
With incredible skill this ceaseless grief, punctuated by cherished memories is movingly retold – snatched scenes during school and Christmas holidays, pranks played, photos of the three MacKenna children on swings, at picnics, on car bonnets – photos, not provided in the book but described in the minutest detail. In this, intense nurturing of memory, MacKenna manages, not just to keep his absent brother present but to evoke both brother and disappointed father with immense love.
MacKenna’s despair was so all-consuming that he lost his second marriage amid the wilderness of the fallout from his brother’s death and for this, he is not easy on himself. Fats Domino, Buddy Holly, the Beatles, the Beach Boys, Simon and Garfunkle, Elvis, Mozart and even prayers become accessories in recovered memories – every child of the 60s will identify with them and the same goes for the rosaries and the stations of the cross. The smell of polish, beeswax and lavender evoking back-to-school nostalgia are experiences all those of MacKenna’s generation will easily identify with and they are all tinged with a hint of the sanctified.
Equally, we all knew a Lal McKenna – his single aunt whom, not unlike the heroine of Joyce’s ‘Eveline’, sacrificed her own prospects of love and marriage to care, first for her younger siblings and after that, for her sister’s children in Athy where she lived-in with the family, and also served in the shop. We all know too of the shoe-box coffins where dead and premature babies, excluded from ‘consecrated ground’ for not being baptised were, instead buried in old, abandoned graveyards or other local hallowed spots.
Jarlath’s kindness to the brother, ten years his junior are emotionally recalled as numerous amputations – the ‘tearing apart of what was their brotherhood.’ An image of their father, Jack leaning on a spade at the opening throws a shadow over the pages – a shadow ‘that reached back into the past eight decades’.
The narrative is not chronological but rather moves joltingly from different decades and places – itself evoking loss and dislocation. We are plunged into Jack’s own displacement when, after his mother died soon after he was born, he and his siblings were moved to his grandmother’s house in Celbridge. When his father remarried, Jack McKenna and his siblings were moved back to Bluebell Cottage in Athy where his father, a train driver, was based. Jack McKenna followed his own father into work on the railways and eventually becoming a signalman and foreman in Athy. ‘We are a railway family’ MacKenna informs the reader and his father was an exemplary worker. MacKenna’s earliest dreams was to be a railway worker too.
This beautifully crafted memoir on a grief that brings the writer to the edge of self-annihilation is full of hope too. We are ‘not just the people our parents make us but what we make of ourselves’ and we can ‘all if we are lucky, venture down the road of understanding and mercy’. Like his masterful debut novel The Last Fine Summer (1997) this memoir marks MacKenna out as a dazzling virtuoso of the poetics of love and loss.
It should be a source of embarrassment that in Ireland we still have had no public inquiry into the State’s response to the COVID-19 pandemic. Despite talk of terms of reference, nothing has materialized, and nor does this situation seem likely to change during the lifetime of new Taoiseach Harris’s government.
The mainstream media, which received millions in advertising revenue throughout the pandemic, would appear to have no interest in searching questions being asked. It may not be appetising to recall overwhelmingly uncritical coverage; placing the daily tally of new cases and deaths on their front pages news for almost two years; seemingly oblivious to everything else happening in the world.
Nor does the main opposition party in Dáil Éireann, Sinn Féin seem gung ho for one either. During the pandemic, they failed to interrogate adequately the domineering, even dictatorial, roleof Chief Medical Officer Tony Holohan in particular, or the runaway budgets that developed in that period. Despite this spending, our health service appears to be no better equipped to deal with medical emergencies.
In my view, Sinn Féin (and other opposition parties) should reconsider this stance as it hands a huge political opportunity to opponents on the far right as we enter a period of elections. The Irish people require accountability on this era-defining response.
For all its faults, and failure to interrogate basic premises, the U.K. Covid inquiry is at least holding power to account. That inquiry implicitly acknowledges that extraordinary and unprecedented measures were taken, undermining basic civil liberties, and causing grave harms, including to children denied education and those caught in situations of domestic violence. The damage to our collective mental healths may be more difficult to quantify.
The pandemic experience in Ireland
Kevin Bardosh sits down with Frank Armstrong, Editor of Cassandra Voices, an Irish public intellectual forum and online news source, to discuss the pandemic experience in Ireland and what we can expect from a possible Irish Covid Inquiry.… pic.twitter.com/m9xme5z5Gu
— Collateral Global Charity (@collateralglbl) May 15, 2024
A self-fulling prophecy
Writing for the Irish Times on May 23 2020 clinical psychologist and author Maureen Gaffney reckoned that ‘Covid-19 has scored a direct hit on our most basic psychological drives.’ She seemed oblivious, however, to how statements such as her own that ‘the consequences of the coronavirus pandemic may have changed life more permanently’ might have been contributing to the anxiety of her readers.
The direct health impact of what Peter Hitchens acutely described as ‘the Great Panic of 2020’ are fairly obvious. But the ripple of psychological effects is less easy to assess. Psychological injury, or so-called nervous shock, is difficult to quantify in law. A successful claim requires reasonable foreseeability, and the presence of a duty of care.
Dr Gabor Maté, in particular, has pointed to the effect of stress and trauma on our health. Thus, if a national leader with a duty of care says that thousands of people are likely to die from a deadly disease and imposes a stay-at-home order for an indefinite time period, serious collateral damage in terms of stress and even trauma is reasonably foreseesable. Unless they are working from a firm evidence basis and/or a robust rational, political leaders should exercise great caution in making such pronouncements or laws.
A 2017 study demonstrated that people who feel lonely report worse cold symptoms than individuals who are not. The exacerbating factor of loneliness on Covid symptoms may be just the tip of the iceberg.
In 2020Dr Marcus de Brun highlighted in this magazine how psychological stress would be a major determinant in one’s experience with Covid-19: ‘Psychological stress is (medically speaking),’ he said, ‘a self-fulling prophecy. People who are most anxious about becoming ill are most likely to become ill. If you ask yourself often enough whether or not you have a headache, you will eventually experience one.’
By early March a few cases were being recorded in Ireland, the media went into hysterical frenzy, almost shaming the inevitable innocent cases.
Then I got an email to say that my next project was now cancelled. Devastated, I went for my usual swim, sometimes the magic water doesn’t work, it didn’t that day. I came home frozen, riddled with fear, no work, fear of how to pay my rent; suddenly I became unwell. A sore throat and mild fever, paralysed me, as I lay alone on my sofa.
But no cough. Back then the only symptom mentioned was the hacking cough. I checked my phone and there was now talk of Ireland entering lockdown around St Patrick’s Day. Armageddon was arriving Supermarkets running out of food, even fucking toilet paper. I was now in a delirious state of panic.
The next day the fever went, but I still had the sore throat. On the Monday I tried phoning my Doctor; no answer; permanently engaged or just automated messages to contact some new HSE hub.
I was now in a state of constant anxiety, with no food in the house, and yet I couldn’t leave home. and I live alone.
I phoned my ex wife. She kindly said she’d shop for me. On St. Patrick’s Day Leo made his grim, great speech. I still felt he knew something that he wasn’t telling us. Maybe this virus was as deadly as the Spanish flu of 1918-20 that killed up to fifty million, including my grand-uncle aged just nineteen. Death figures of 85,000 were being predicted in Ireland by our Fear driven media.
All that week I had an intermittent sore throat, but still could not get in contact with my Doctor.
The thing to watch for was the breathlessness I had heard. This was what caused the dangerous pneumonia. On the Saturday night I went to bed early alone, and suddenly had problems breathing. It being Saturday I could not disturb my Doctor, nor did I want an ambulance arriving to take me to quarantine in hospital, where I’d be met by Hazmat-clad Doctors and become Patient No. 3. Laid low by fear and shortness of breath I could not sleep. By 5am I made a decision to complete my final book, Americans Anonymous and get my things in order in case this was it.
Barry’s panic is likely to have been replicated across the population.
The pandemic experience in Ireland
“Ireland is an unusual country; instinctively perhaps anti-English would often be the reflex.”
“When the pandemic began, people were glued to their television screens like everybody else around the world. They were observing what Boris Johnson… pic.twitter.com/TxrJhxVtba
— Collateral Global Charity (@collateralglbl) May 15, 2024
Around for a lot longer than initially understood
Yet Covid-19 had been around for a lot, lot longer than we imagined by the time in February 2020 it was presented to us as a SARS-like illness. Indeed, Spanish virologists found traces of the novel coronavirus in a sample of Barcelona waste watercollected in March 2019, some nine months before it was identified in China, according to the University of Barcelona. Similarly, a study by the National Cancer Institute (INT) of Italy found that it was circulating in Italy in September, 2019.
That patient presented himself at Cork University Hospital on February 29th, 2020, days before the first confirmed case (via a PCR test) of COVID-19 in the Republic. Analysis later established the particular strain in his case showed ‘very little difference’ from the original strain from China’s Hubei province, and had none of the characteristic mutations found in strains then prevalent in Bavaria or Lombardy.
The man, however, had no epidemiological link to any area where the virus was prevalent at the time or any link to a confirmed case.
All this vindicates Oxford’s Professor Sunetra Gupta, assessment from the outset that Covid-19 had been circulating for months prior to the imposition of lockdowns, and was far less deadly than assumed by Imperial’s Professor Neil Ferguson in his famous paper. Tellingly, it was hardly registering in our hospitals in the winter of 2019-2020.
The pandemic experience in Ireland
“I found the ‘Zero-Covid’ movement quite absurd, but it really was popular.”
“Ireland traditionally is quite a catholic country. The ‘Zero-Covid’ movement was a sort of Holier movement than even the mainstream.”
— Collateral Global Charity (@collateralglbl) May 15, 2024
Long Covid
It may be that many of the symptoms associated with Long Covid or ‘long haulers’ as sufferers are known in the U.S., are the product of that collective panic; a combination of disease and trauma locked bodies over months of painful lockdowns.
In March 2021 Adam Gaffney, an assistant professor in medicine at Harvard Medical School, argued for a more critical appraisal of Long Covid. Having expressed scepticism around a condition characterised by symptoms such as ‘brain fog’, he recalls being contacted by a journalist who said: ‘I’m asking as much as a person as a journalist because I’m more terrified of this syndrome than I am of death.’
Gaffney acknowledges ‘myriad long-term effects, including physical and cognitive impairments, reduced lung function, mental health problems, and poorer quality of life’ from severe bouts of COVID-19 – long recognised as post-viral syndrome – but cites a survey showing two-thirds of ‘long haulers’ had negative coronavirus antibody tests, and another, organised by self-identifying Long Covid patients indicating around two-thirds of those surveyed had undergone blood testing reported negative results.
He asserted: ‘it’s highly probable that some or many long-haulers who were never diagnosed using PCR testing in the acute phase and who also have negative antibody tests are “true negatives.’ In other words, for many this may have been a disease with a psychological origin, which Gaffney attributes to ‘skyrocketing levels of social anguish and mental emotional distress,’ referencing a paper showing that about half of people with depression also had unexplained physical symptoms.
The pandemic experience in Ireland
“The structure of the Irish economy is dependent on a number of large multi-nationals who operate in the country including Pfizer, other big pharmaceutical companies and big tech due to the low rate of corporation tax.”
— Collateral Global Charity (@collateralglbl) May 16, 2024
Class Action?
Investigating the consequences of that social anguish may, in fact, be one of the less contentious matters which any COVID-19 Inquiry in Ireland would consider, as members of the government could reasonably point to the global hysteria, in large part generated by social media.
What is likely to have deterred the government from setting up an inquiry in the first place is a fear of a class action from relatives of care home residents, who seem to have died unnecessarily: Ireland experienced the second highest proportion of care home deaths in the world, during what is called, inaccurately the first wave, of spring 2020.
Throughout, Irish people were effectively lied to, via a compliant media, regarding the nature of deaths from COVID-19. Thus, the Central Statistics Office (CSO) adopted WHO guidance listing COVID-19 as the underlying cause of death when:
confirmed by laboratory testing irrespective of severity of clinical signs or symptoms.
diagnosed clinically or epidemiologically but laboratory testing is inconclusive or not available.
Chief Medical Officer Tony Holohaneven acknowledged a remarkably low threshold in April, 2020: ‘Clinically, the “index of suspicion” for the disease would be “a good deal higher” than would normally be the case for flu.’
Our democracy demands an inquiry into what led our government to take many of their decisions. Was it simply a lack of expertise that led the State to adopt flawed policies, or did they know more than we have been told?
How is it possible that decision-making was almost entirely devolved to the Chief Medical Officer (CMO) Dr Tony Holohan in 2020?
We must also scrutinise the manner in which subsequent decisions were taken on masks, further lockdowns, and perhaps most insidiously, vaccine passports.
If indeed we are to prevent the precedent of the COVID-19 response changing life more permanently, questions need to be answered. It is incumbent on the main opposition parties, Sinn Féin to demand this of the government, and promise one to the electorate if they come to power. If not, I suspect the far right will continue to make inroads into their support.
These are extraordinary times. Last month serial sexual abuser Harvey Weinstein, had his 23-year sentence squashed; a Channel 4 documentary aired new sexual misconduct claims against Kevin Spacey, and Woody Allen and Roman Polanski are feted at the Venice Film Festival. ‘Hiding in plain sight’ – and having ruthless lawyers – still seem to work as a treat in the misogynist’s playbook.
Let’s take Woody Allen. These days Woody Allen looks like someone’s favourite teddy that’s been savaged by a pitbull, but don’t be fooled – he’s as unrepentedly misogynistic as ever. And just as keen to claim his innocence: No Court Ever Convicted Me.
Some days it feels as if #MeToo had never happened.
So Woody is the guy who, since the very beginning of his career, made films about older guys glomming onto young women. Very young women. Mariel Hemmingway, in everyone’s favourite Woody movie, ‘Manhattan’, was sixteen-years-old. Sixteen! Being drooled on by a 40-something Woody Allen.
When shooting wrapped on ‘Manhattan’ Woody drove her to her parents mansion and suggested she run away to Paris with him, where he would make her a star. Would there be separate bedrooms? Asked the kid. Eh, no.
Praise the Lord (and pass the ammunition), that was the end of that.
But Woody went on to make more, and more, movies featuring older men – very often himself – and younger, much younger women.
Emma Stone, Allen, and Parker Posey at the Cannes Film Festival in 2015
Cultural Icon
Part of the blindness to this carry on arose of course from Woody being a ‘cultural icon’ for millions of Boomers. The softly-spoken, wonky-specked hero of their fav films, could do no wrong. Woody was their very own ‘Lovable, Neurotic Nebbish’.
As Steven Kurutz of the New York Times wrote that Woody was the litmus test for all things groovy: ‘E. E. Cummings, Paris, 1930s jazz and the sophisticated, cultured world his films came to represent.’
Apart from a few sharp eyed critics like Joan Didion who said Mariel Hemingway in ‘Manhattan’ was ‘another kind of adolescent fantasy, a high-school senior with perfect skin, perfect wisdom, perfect sex, and no visible family’, or film critic Pauline Kaelwho asked, ‘What man in his forties but Woody Allen could pass off a predilection for teenagers as a quest for true values?’
Most people played along. It was just Woody, playing out his ‘predilections’. Hahaha. Then came real life.
It turned out it was the same Woody Allen who groomed, seduced, and had a secret affair with his and Mia Farrow’s sixteen-year old high school daughter, Soon-Yi. A young woman whom he had been de facto father to for thirteen years. A young girl, chauffeured to him in his apartment still in her school uniform.
When confronted by a horrified Mia – she’d found the pornographic photos he had taken of Soon-Yi on his desk – Woody went full DARVO. Deny. Attack. Reverse Victim and Offender. Who cared if he destroyed his family and his partner Mia in the process? Certainly not Woody.
He denied Soon-yi was his daughter, that he had been in loco parentis for over thirteen years. Denied grooming her. Denied that Soon-yi, a Korean street child, surviving on trash until adopted by Mia and then husband Andre Previn, was peculiarly vulnerable, having never even had a boyfriend until Mr Specs moved on her.
No no no, wrote Woody. ‘Here was a sharp, classy, fabulous young woman: highly intelligent, full of latent potential, ready to ripen superbly’.
“Ready to ripen superbly.”
Woody Allen and Soon-Yi Previn in Venice in 1996
Worse to come
During custody proceedings it turned out, as Dylan would testify years later in her open letter to the New York Times that Allen had groomed her, and abused her, ‘doing things to her that she didn’t like’ for ‘as long as she could remember’?
Immediately, the vast army of lawyers, PR wonks, ‘experts’ employed by him to destroy Mia Farrow and allow him ‘have’ Soon-Yi, switched their attention to destroying the evidence of his then seven-year-old daughter, Dylan.
In a classic Toxic Dad move, Woody lodged a legal appeal to gain custody of his and Mia’s three younger children: Moses, Dylan and Ronan, saying Mia was an unfit mother. A harridan. A bully. A crazy person. Whom her children hated. That these ‘false allegations’ of abusing Dylan were manifestations of Mia Farrow’s ‘festering anger’ against him. Part of a ‘bitter custody battle’.
Woody was the first to bring up the toxic ‘Parental Alienation’ defence now poisoning thousands of custody cases in both America, the U.K., even here in Ireland, whereby abusive fathers can get full custody of children when their lawyers assert the Mums have ‘alienated’ them against the same abusive Dad.
According to one top US lawyer, it’s ‘easier for the Courts to grant custody to an abusive father than to believe the mother’. Thousands of women, and children, have suffered terribly. Little comfort to them that the guy who dreamed up this latest patriarchal wheeze hacked himself to pieces in his kitchen with a carving knife as local deputies moved in with child abuse charges.
As Woody’s attacks on Mia as ‘harridan’ were amplified by an adoring press, lapped up by fans, interview after sympathetic interview was conducted with our man, ‘as New York as the Statue of Liberty’. It was box office. Who doesn’t love to see a super-rich, beautiful blonde with a large, multicultural family, taken down?
Luckily, Woody overplayed his hand. The seven week-long custody case didn’t go his way. The judge, to Woody’s and his expensive lawyers evident astonishment, denied him custody. In case anyone was in doubt as to why the Judge spelled it out: ‘Mr. Allen’s resort to the stereotypical ‘woman scorned’ defence is an injudicious attempt to divert attention from his failure as a responsible parent and adult.’ Hurray!
Mia Farrow at the 2018 Pulitzer Prizes awards ceremony.
No Criminal Conviction
Sadly, attempts at securing a criminal conviction against him for the sexual abuse of Dylan foundered.
First, the New York hospital who conducted ‘interviews’ at Woody’s behest with seven-year-old Dylan, destroyed all their evidence, then claimed she had either been ‘coached’ or was ‘deluded’. Before any judicial process could take place they allowed Woody Allen to hold a press conference on the hospital steps to ‘proclaim his innocence’.
The New York Prosecutor was apoplectic. But hey, Woody was Woody. He brought millions of dollars into New York, right? What was a seven-year-old’s ‘discomfort’ compared to that?
A young NYC welfare officer who interviewed Dylan separately, believed her. He was ‘instructed’ to find her allegations ‘unfounded’. When he refused, he was fired. His superior said: ‘The elite do whatever they want to do. There are no consequences’. She resigned.
Meanwhile in separate proceedings in Connecticut where Mia and the children lived, another prosecutor believed there was ‘probable cause for a criminal case’. But it was this prosecutor and Mia Farrow who reluctantly decided to call a halt to further legal proceedings as putting a traumatised seven-year-old through any more of this brutality would be too much.
Woody held another press conference: he was clean! More parties! More cheering!
And he continued to make films, play jazz, and yes, actually get married to Soon-Yi. He was sixty-two, she twenty-seven.
Most importantly, he got to keep his precious status as an ‘auteur’ and ‘proven genius’. One of the ‘greats’ of Western cinema.
Ronan Farrow.
Post Traumatic Stress
He almost got away with it.
His victims, daughter Dylan and partner Mia Farrow – though all the children in the family were affected – were left with the pain, post-traumatic-stress, years of self-loathing, anxiety and depression, while he partied on.
As Dylan wrote, ‘Sexual abuse is a life long sentence. It never goes away’.
Woody said it was all ‘stupid’, ‘silly’. There was nothing he could do. And, magic trick!, no court had convicted him. He was clean.
Luckily, just when you think you’ve killed it off for good, the truth has a nasty habit of reappearing.
It was the lionisation of her father at the Golden Globes in 2014 that drove Dylan, now a beautiful young woman in her twenties, into offering that open letter to the New York Times:
For as long as I could remember my father had been doing things to me that I didn’t like…
I didn’t like how often he would take me away from my mom, siblings and friends to be alone with him. I didn’t like it when he would stick his thumb in my mouth. I didn’t like it when I had to get in bed with him under the sheets when he was in his underwear. I didn’t like it when he would place his head in my naked lap and breathe in and breathe out. I would hide under beds or lock myself in the bathroom to avoid these encounters, but he always found me.
Woody’s obsessive grooming culminated in taking the little girl to a ‘crawl space’ in the attic in the family home in Connecticut, making her lie on her tummy and watch her brother’s train set go round, while he touched her private parts, then penetrated her with his finger.
He told her it was ‘their secret’. That one day he would take her to Paris and make her a movie star.
Horribly, the exact same line he’d used on Mariel Hemingway.
Dylan’s letter to the New York Times was a bombshell. Twenty-two years after her mother’s initial disclosure of abuse, cultural indulgence towards male abusers had chilled. Significantly.
Dylan’s younger brother, Ronan Farrow, who Allen had offered a ‘comfortable life’ to in return for speaking out against his sister and his mother, was developing a successful investigative journalism career. His eyes were on that other elephant in the room of abuse, Harvey Weinstein.
Crucially for Dylan, and for their mother Mia, Ronan became an ally.
At first, he admits he was horrified at his sister’s public re-announcement of their father’s sexual abuse. He begged her not to. ‘It was the last association I wanted’. A bonfire in which friendships, powerful allies and those all-important connections would get burnt. Where Woody Allen’s ferocious spin machine would go into overdrive once more.
Thankfully the #MeToo Movement was sweeping through the ‘entertainment world’.
Woody’s ‘this is all too silly’ schtick began to look threadbare.
Ronan’s book on the Harvey Weinstein scandal,Catch and Kill became a Pulitzer Prize-winning best seller. Hachette, poised to publish Woody’s memoir under the same imprint, pulped Woody, and championed Ronan. Amazon cancelled a four film-deal.
The Tables Turn
The coup de grace was a four-part HBO documentary aired in 2021, ‘Allen v Farrow’ made by Jane Doe Films. The details, painstakingly put together, paint an utterly damning portrait of an decidedly not nice little guy.
Woody began to sound less sanguine, dismissing the actors who dared refuse to work with him, with: ‘That’s how actors and actresses are, denouncing me became the fashionable thing to do, like everybody suddenly eating kale.’
As if kale had anything to do with justice. With little ones being abused.
Rather prophetically justice has come for Woody and his ilk, Harvey Weinstein etc., via the media. The same media these men manipulated, for years.
Far from being a ‘Trial by Media’ as these scions of the patriarchy like to characterise it, for abused women, going to the media, taking the fight to Twitter, or TikTok, or the New York Times, is a ‘form of rebellion’. It is a way, said Baroness Helena Kennedy QC. with regard to yet another alleged sexual abuser, Russell Brand, for abused women to ‘throw a brick through the windows of the Criminal Justice System. A way of saying: You Have Let Us Down’.
Throwing bricks through windows has a venerable feminist history. Smashing the windows of shops in London was an effective tool in the Suffragettes armoury. Not listening to us? How about this: Crash! Bang! Wallop! And down came the huge plate glass windows in cascading showers of splinters.
The sexual exploitation and abuse of women by powerful men is still endemic in our culture. However it is called out – through film, documentaries, social media, by incredibly brave young women like Dylan Farrow, by throwing bricks through windows – it is our way of saying ENOUGH.
Rationalism is a psychosis; a dissociation of intellect and feeling; the suppression of our intuitive, emotional, and sensual being (the heart’s domain). Enlightenment thinkers wished to replace the credulity of religious compliance with reason. They put their faith in human progress and an expansive intellect – and some, it should be said, in a deeper and more natural spirituality.
They thought they could reform society, but radical social reform has rarely, if ever, been generated by external pressure. It arises when an established worldview reaches the limit of its credibility and its possibilities.
For all the fine words and egalitarian instincts, what emerged was a restricted and abstracted rationality, blinkered by the narrow focus of scientific empiricism: a civilization devoid of core significance that was to become a kind of megalomania. Mathematical abstraction, reductionist precision and the crushing urgency of capital accumulation could never have generated a benign culture.
Without consent to meaning and an imaginative response to the innate feelings that evoke a deeper sense of being, Western civilization will continue its fragmentation and decline until it succumbs to incompetence, overreach, and inner contradiction.
At this point, Goya’s Capricho 43 comes to mind once more. There he sits, Goya himself, slumped over a table, looking like he has the whole world on his shoulders and wishing it would all go away.
However, the words on the panel are stark: “The sleep of reason produces monsters”. And the owls, bats and lynx are generally presumed to symbolize a resurgent irrationality always watching for reason to lower its guard – a clear expression of Enlightenment values. It is balanced somewhat by the caption for the print: “Imagination abandoned by reason produces impossible monsters; united with her she is the mother of the arts and the source of their wonders”.
This is fine so far as it goes, but it ultimately amounts to the same thing. It implies that you can’t trust imagination without reason to almost police it. But in art – so in life generally – the imaginative impulse is primary. It is not going to lead you down the road to ruin as in some Victorian morality tale.
Imagination is the indispensable quality, a benign compulsion in an unfolding life. A creative leap, the capacity to conceive the new, is essential if life is to evolve rather than merely repeat.
Even mathematics, the very rock on which the rational world is built, is itself a brilliant act of imagination; an original, symbolic system, independent of life as lived, and that may in turn be applied to our practical engagement with its process.
Reason elaborates the idea in a kind of inner dialectic that bridges the gap between inspiration and cultural expression, between the imaginative realm and the everyday. In practice, this is an indivisible, spontaneous process – not linear and mechanical – and its accomplishment is a sensitive art.
However, we can’t really be sure what Goya meant. He was unhealthy, overworked and disillusioned. But the sleep of reason is not loss of control; the sleep of reason is rationalism, reason without heart.
"The peremptory watchword "believe in God" has been superseded by “trust the science”. Its dogmatic purpose is no different and it was used to effect during the pandemic as a marketing slogan for social compliance and pharmaceutical profit."https://t.co/QtqRvZn2Co
Looking at Capricho 43 with the Covid pandemic at its height, the bats were insistent. Their association with the new disease was a topic of speculation. A global panic was underway; the threat index was rising, and we were at war with a virus. The response to this “existential” threat (yet another) was employing the standard rhetoric of the war machine. Civil liberties were suspended; a crusade was launched; “trust the science” was on the banners; and facts and figures were deployed like heavy artillery.
If your attitude to the world is purely rational, your actions – both the action itself and the manner of its effect – will reflect the sense of separability and isolation that characterizes it.
Notwithstanding the fact that we humans have co-evolved with viruses, that their presence is vital, even if some are potentially harmful, a program of total suppression was begun. At least until a vaccine (a “magic bullet” that would stop Covid dead in its tracks) could be developed, we were told.
Since the time of Edward Jenner in the late eighteenth century it has been known that a small piece of a virus or bacterium can stimulate an immune response. The technique has been used to prevent many common diseases ever since.
A corona virus tends to generate variants liberally and is not so susceptible to a traditional vaccine. For the biotech industry, which had struggled after the financial expectations of The Human Genome Project were not realized, and the difficulty of meeting regulatory requirements, its moment had come. They were now cast as world saviours and the whole force of a global pandemic was behind them.
To put it very simply, gene-based vaccines cause your own cells to produce a spike protein – essentially a piece of the virus – which, like a traditional vaccine should then provoke an immune response. All very well if you “trust the science”.
In this case it meant trusting a pharmaceutical industry with a long record of disregard, deception and harm and allowing them to manipulate, or ‘program,’ your own cells.
But no scientist can assure the outcome of speculative interference in the elusive and dynamic process at the heart of, and common to, every living system. A cell is a cell: nucleus, cytoplasm, membrane, and the tiny world within continuously generating growth. All cells share the same structure; all life is cellular; and all life is interconnected. What could possibly go wrong?
Just to add that claims for efficacy went all the way from “magic bullet” to balm and Covid is still with us, vaccinated or not. And, I almost forgot, a few more billionaires now grace the earth.
In our latest podcast Sunetra Gupta recalls her role as the "anti-lockdown Professor" & explains her work on developing a universal influenza vaccine. She's still awaiting an apology from her opponents such as George Monbiot. Listen to the Full Pod on https://t.co/56pM7rEj94pic.twitter.com/DJp1JuaUaH
The publication of Los Caprichos marks the opening of the nineteenth century. In Spain, the war with France and years of political upheaval would follow. Goya reflects the disorder in his strikingly expressive work of those years until his death in exile in 1828.
By this time Europe and North America were on the verge of a world that would seem very familiar to us now. Both electrification and the internal combustion engine arrived in the 1880’s, and the subsequent years are known as La Belle Epoque in Europe and The Gilded Age in America.
The conspicuous affluence these terms betray rested on a period of intense industrialization and exploitation, during which the British Empire was the great world power. By the year of Goya’s death economic liberalism was about to reveal its most brutal aspect.
In Britain the new poor laws were enacted to starve masses of the underclass into wage slavery. Without support millions more were plunged into sea of destitution. Included in this purgatory of despair were tens of thousands of women and girls forced into prostitution and an early grave. This was the social catastrophe confronted by Charles Dickens and Karl Marx.
Across the seas, India and China (and countries in between), two ancient and distinct civilizations – their history, social structures and trading patterns rent – were forcibly conscripted into a global trading and financial system to their utter detriment, and to the enrichment of an elite group of financiers, industrialists and Western powers who controlled it.
Further south, the scramble for Africa would soon open the gates to yet another prolonged exhibition of colonial barbarity.
One appalling outcome: the instability and structural disintegration wrought by this interference in traditional systems of land use, production and trade left them unable to deal with the consequences of a prolonged drought in the 1880’s. (A phenomenon not unknown and provided for by tradition). As in Ireland a few decades earlier, famine ensued. It is estimated that between Asia and Africa perhaps as many as fifty million may have died.
The unspeakable horror of all this is chronicled in detail in Late Victorian Holocausts: El Niño Famines and the Making of the Third World by Mike Davis, in so far as words or even pictures can convey the terrible suffering of fellow human beings on such an immense scale. Its full effect requires an imaginative capacity typically repressed in the cultivated mind by the assumption of superiority.
In the words of Mike Davis, ‘What seemed from a metropolitan perspective the nineteenth century’s final blaze of imperial glory was, from an Asian or African viewpoint, only the hideous light of a giant funeral pyre.’[i]
Listen to our podcast with Toby Green as he discusses the effect of Covid lockdowns on Africa, which was largely unaffected by the disease, and the intellectual failure of many on the left. https://t.co/EsbBdkq4xr@toby00green@battleforeurope @SunetraGupta @KevinBardosh
For all the achievements of Western civilization in science and the arts the dark side of our history is actual. Moreover, it still resonates around the world in conflict, poverty, migration, and debt.
It is critical that we should acknowledge our defects now that, so we are told, we are once again standing at the edge of fundamental change. The transition to a post-carbon future will not forestall dire predictions without a radical shift in perspective and it remains ‘business as usual’.
Unrestrained capital accumulation, open-ended economic growth, finance capitalism and the rigged marketplace are entrenched. Bacon’s slogan “knowledge is power” still drives and validates the scientific ideology that underlies it all. Together they perpetuate a toxic system to which the question of how it is fuelled is almost incidental.
In addition, the corporate sector now has the ‘sustainable’ technology supposed to save us firmly in its grip; ‘saving the planet’ is a heaven-sent marketing strategy; and the promise of a ‘just transition’ has becomea sickly green joke.
A cursory analysis of the crisis we are facing would reveal the dynamic driving it. That it has done so for almost half a millennium is why the crisis is so acute and why its cause should be so obvious.
That there are limits to growth is axiomatic. And it should also be apparent that renewable technologies could never equal the energy potential of fossil fuels. The dispersed energy of wind and solar and the second-hand energy of biofuels, even without the problem of intermittence, could only possibly match the concentrated energy of fossil fuels – discounting the growth imperative – by an expansion of its technologies on such a scale that this factor alone would be problematic.
In any case, highly complex renewable systems present their own difficulties. Every method of energy production requires energy to support it: for mining coal, pumping oil, or the massive resource extraction demand by renewables and the ‘smart’ technology that enables it. This requirement has initiated yet another round of colonial exploitation and despoilation.
Also, known reserves of many essential minerals are deficient. And resource scarcity is insurmountable; what doesn’t occur cannot be conjured into existence. A finite world has bio-physical limits: as its resources are subject to exhaustion, so our ambitions are subject to restraint. Our centuries long escapade is being constricted and the problems of over-development and over-complexity cannot be solved by more of the same – more regulations, more laws, plans, targets, goals, reproof, and penalties.
Image: Aleksandar Pasaric
What use is a carbon-free future if our rapacious civilization continues as is? Biodiversity loss, degradation of soils, deforestation, plunder of the oceans, toxic pollution of every kind: all these are just as malignant, if not more so. Degradation and degeneracy cannot be ameliorated by new technologies. And it is delusional to hope that ‘sustainability’ can somehow allow us to defy some of the most fundamental realities of being.
All this prowess we’ve engineered over time seems to have convinced too many of us that men are gods. And challenging the Gods never ends well. Hubris is followed by nemesis – inexorably if we can’t break through the bounds of scientific rationalism. And the stimulus for such a profound shift in consciousness cannot be prescribed; it can only arise organically. Whether from disillusionment, decline, crisis, chaos, or common sense remains to be seen.
The ground of this dilemma was prepared during that long period of transition from the Middle Ages to the modern world: when the dominance of capital was extended, scientific inquiry established the mechanical worldview, and the hegemony of humanity over nature began its destructive course in earnest. If only Galileo could have seen the future through his telescope.
It was at that time of change, about the year 1605 – just five years after Giordano Bruno was tied to the stake and the breadth of his perception went up in flames with him – that Don Quixote first set forth. Caught between these worlds, his adventure in a sense exemplifies dilemma. The changing conditions were presenting a choice: between faith and belief – and the new belief; between metaphor and fact; between self-realization and passivity; between the individual subject and the social object; and for Don Quixote himself perhaps – depending how you read it – between the way of a (wise?) fool and the way of conviction.
Adventure is a disorder, a disruption of the everyday. The quest is, in part, a dissatisfaction in the everyday, a compulsion to discover its deeper reality. In the mediaeval epic the hero and the epic plane are coincident, so to speak. “The men of Homer belong to the same world as their desires”, to quote Jose Ortega y Gasset.[ii]
But Don Quixote is at odds with his world. In this he is probably the first hero of the modern age – an anti-hero, if you will – not borne by the established manner of a chivalric tale, but impelled by his own will, along “the trackless way”, in Joseph Campbell’s words,[iii] of his unfolding life; and creating in his wake his own ‘mythology’, by his own heroic self-realization in a world at variance with his inner being and feeling – as individual integrity will be in an abstract world of facts and figures.
Capital and the new science were breaking the world apart. The organism was torn from its environment, but the soul craves reconciliation and unity. The pathology of progress – distraction, addiction, obsession, emotional disorder, and mental distress to the point of psychosis – all those cries of pain and anguish resound because the world is no longer whole.
And when the prevailing culture is a secular, socio-economic state and no more, to which art and philosophy are peripheral (and largely commodified), it cannot set the terms for a necessary transformation.
To be convinced – whether by religious or scientific dogma makes no difference – is to set yourself at naught and passive in a world always active and renewed. Self-realization, the search for meaning within a prison of abstraction and global assent is, in consequence, only possible in the individual psyche and through the daily heroism of each one of us.
The reign of Gods, Goddesses and our own Christian God was over, or coming to an end. If, on the other hand, the cosmic mystery is implicit in every individual existence – plant, animal, or human – then the poetic imagination, art in its broadest sense, out of which the mythic realm was born and which gave form to its cultural expression, could turn its gaze to the metaphysics – indeed the miracle – of being in every one of us.
And would it be too much to hope that it could then transform everyday life through the reconciliation of the spheres of night and day, of the timeless, or momentous, process of creation and its manifestation in time – and so of reason and authority, the heart, and the head.
But now the giants are on the march again; thousands of them ranged across land and sea. Transformed into windmills, not now by the necromancer, Freston, as Don Quixote once suspected, but by vicissitude and the main chance. Aloof, pristine, impertinent, enormous, their alien presence and baleful monotony is an affront to the vibrant landscape – each one a great counter calculating a return. For every turn another dollar.
The old gods would be in turmoil: the wind harnessed to the strategic avarice of a corporate machine. For what? To ‘save’ a world that the Megamachine (to borrow Fabian Scheidler’s term) has itself constructed and put at risk?
And so also the sun: once raised variously to the status of God or Goddess, powerful mythological symbol, the vivid nucleus of a living cycle that would every dawn dispel the dark. It, too, is to be committed to the same end. That their potential falls short I have already discussed; that even the most critical demands of our current over-consumption can be met is doubtful. But it must now also power the banal syllabus of cyber mania.
Socially destructive global monopolies are eager for every megawatt to propel their program of corporate dominance. The digitalization of the world is an imperial project of unprecedented ambition. A counterfeit world is being prepared. Uniformity of thought, action, experience, and expectation is promoted – autonomy would disturb the shallow manner of digital exchange.
The pioneers of science would be amazed. After all their hard work the earth is becoming flat again. The individual is fading away. Apparently, our lives are to be run by corporate favour and AI. Wow! Our common heritage, from the production of food to our very biology, is to be appropriated by an affected concern and handed over to ‘experts’.
Thankfully, an authentic humanity will not easily be overcome by technocratic pedantry, and we should all have enough experience of bureaucratic and executive stupidity to expect the project is delusional and self-defeating. After all, if they kill the goose, what then?
Unfortunately, it has the potential to further the cause of technocratic governance by a coterie of corporate behemoths who have made no secret of their anti-democratic and anti-social resolve, even as they cloak it in the sweet-sounding words of beneficial intent. And there appears to be no limit to their field of operation, or the level of enforcement through sophisticated systems of surveillance and control.
The intemperate pushing of AI omnipotence has some of the characteristics of mania about it. With any luck it may be destined for the same fate as other notable examples of this recurrent phenomenon. In the meantime, let’s be clear: artificial intelligence is what it says on the tin. It is fake in the same way that artificial flowers are fake. In other words, it is no more than an imitation of intelligence; or rather it purports to be since its proponents have a much- reduced understanding of intelligence in the first place.
The only way a digital system could seem analogous to intelligence is if human beings have been persuaded that they themselves are analogous to machines.
For all the accomplishments of computer science, computers still lack resolve. No computer can make an autonomous decision and no idea can arise unbidden in its electronic circuitry. The data it contains has been handed to it and its operative rules are pre-programmed in algorithms and codes. So-called ‘generative’ AI, so far as I understand it, is simply an intensification of the basic on-off electronics and the yes-no, if not this-that, and, or, both, neither, binary mathematics of existing systems.
To assert that the voluntary and boundless nature of mind and intelligence can be fully represented by a symbolic mathematical system of 1’s and 0’s is absurd – to any thoughtful person. But, of course, if in the first instance you define ‘intelligence’ by what can be contained in its restrictive code then you have AI.
The computer is an ingenious machine, without doubt, a remarkable tool as it stands, but for some reason its potential has been dressed in vainglorious exaggeration from the outset. The haughty claims for AI are no different today than fifty years ago, although confident prophecies of omnipotence still await fulfilment.
That more and more aspects of living and our thought processes can be formulated digitally, and that the programs (the preset rules of the game) are run at breakneck speed is what makes it so impressive. But whereas endless variation and repetition are possible, and answers (largely based on past conclusions) can appear as if by magic, without a non-material imagination, new ideas cannot emerge from old data.
There has been much excitement over the ‘existential’ threat of AI. Indeed, in the hands of the corporate sector, it is busy constructing its own reality with the callous logic of the machine. But there is nothing new here either: apocalyptic alarms have always been associated with the disruption of custom and loss of confidence. If it comes to it, wild forecasts of digital conquest can be countered by simply pulling the plug. The real worry is what on earth has humanity come to that it can so easily imagine subordination to its own technology, to the extent of its own obsolescence – that some would even welcome its approach.
That it is already secondary, to some extent, has nothing to do with the superiority of AI, but is entirely due to our significant distance from the profound coherence of being.
But with so much money at play, the industry is oblivious to either temporal limits or harm. And the next step in the construction of an omniscient computer system – always a goal – follows sensibly enough in the reasoning of scientific materialism.
If the mind has been reduced to the brain, and the brain itself is analogous to a data-processing, memory storage device, then why not build a ‘cognitive’ system that exceeds the intellectual capacity of any human; that would, in turn, design a new improved machine and so on. An “intelligence explosion”, until hey presto! the Singularity is reached – ultra intelligence, omniscience, omnipotence, virtual Godhood!
As fantastical as all this might seem to anyone with their feet still on the ground, there’s more. The geeks among us don’t rest easy. If you’re interested in fantasy, it’s all gathered under the acronym Tescreal. Just be aware that the principal actors here are over-exalted, self-regarding white males in the main, and a forceful eugenicist agenda (a ‘more enlightened eugenics’ apparently) runs through it.
If partisans of AI infallibility were left to stew in the juice of these absurdities within the techno-utopian compound of Silicon Valley, and certain university departments, they needn’t trouble the lives of ordinary decent people. But unfortunately, they command limitless capital and the insatiable dreams of monopolists. Ah, but their intent is to save the world. It’s more likely that an unholy pairing with messianic pretensions will pave the road to hell.
And not only do they appear to be living on another planet, they actually think we can. In this respect, it is a point worth making that no man ever set foot on the moon, and no man or woman ever will, unless they want to bring their life to a painful conclusion. Man reached the moon by bringing his earth environment with him in a spacecraft. An ingenious accomplishment, undoubtedly, but a miss is as good as a mile. And because what is contained in the spacesuit, spacecraft, or space colony for that matter, is clearly partial rather than whole, prolonged existence in it is simply impossible, either physically or psychologically – unless, of course, you’re a machine, or a posthuman!
Given the wonder of existence in the first place, the greatest marvels of being are mind and consciousness, memory and ideas. Any degree of self-awareness should open us to the profound mystery from which they arise. That anyone could make of this ineffable experience nothing more than a mechanical process to be downloaded into a plastic ‘chrysalis’ full of semi-conductors, switches, and silicon chips; and to then emerge as a kind of super-intelligent, posthuman immortal shows just how far from any real sense of our creative presence some of us have drifted.
Every day now, it seems, we are subject to reproof. Signs of crisis are insistent and portents of doom pressure us in a seemingly chaotic world. This essay has attempted to set a wider context; to highlight the critical issues; and to point to the obvious fact that if the corporate/political/ideological covenant responsible for our present state is being relied upon to provide solutions we are going nowhere.
For all its achievements to date, it is now becoming clear that scientific materialism and the single-minded logic of its methodology is reaching the limits of its efficacy; even as materialist anticipation is reaching for its apotheosis in the extravagant representations of AI – the ultimate expression of its reductionist worldview.
And it is possible to see on the wildest shores of this ‘promised land’ a kind of hysteria in the face of diminishing returns, and the desperate resuscitation of a fading ideology.
But the piling on of the past will not work. With increasing complexity every solution begets more problems. It’s a vicious circle, such that at this point many of us might be beginning to feel Sancho Panza’s reproach – windmills in the head is right! How to step off the treadmill is the crux of the problem, although it is also all too clearly the solution. And in the absence of another world to step on to we are hooked by a kind of compulsion neurosis.
A more benign world will require a new morality in its broadest sense; it will not arrive ‘off the peg’, so to speak. ‘Smart’, ‘sustainable’, ‘clean’, ‘green’, the defining terms of our post-carbon future, are a cruel deception if their only purpose is to keep the machine in gear.
Strangely, the very ideology that defines the world will not recognize its material constraint. It still relies on the illusion of superabundance and the invocation of technological superiority in a world struggling for breath.
And where – is it ever asked – is our humanity in this brave new world? The whole drama of a single life, a sort of flourish upon the oceanic well of time and creation; and the billions of us marooned in an abstract world of facts and figures. How do we dignify our lives in a world in which fire has been quenched?
Corbusier’s ‘machine to live in’ is realized in the technological dependence and the spick and span aspect of the all-electric house. But there was a time when the hearth was symbolic of the Navel of the Earth; when fire, the Goddess of the hearth, symbolized the presence of the divine. The hearth and its home were explicit symbols of implicit unity: the invisible or immaterial realm made visible in the material culture.
Such sensibilities are long gone, of course, and unity and meaning must be sought in the human heart – as they should be at this stage of our cultural evolution. But what if the heart itself is cold? What if the material culture is destructive or merely bland?
We now live in a manner without discernment or reserve, informed by opinion and the ubiquity of the market. Jesus drove the moneylenders from the temple; a second coming would be welcome in the face of an ill-considered, commercial culture of unprecedented shallowness. Its dominance and its demands, and its impression upon all is turning hearts to stone and our world into a wasteland.
It is true that most people’s lives are enriched and gain meaning in the ordinary communion of family, friends and community; and perhaps in the practicalities of daily life. But there is a wider world, and in the minds of capitalists the end always justifies the means. In their calculations you don’t count – the phenomenon of your being, that is, not your efficiency in the economy of capital accumulation.
In the everyday language of economics. the economy appears to be an almost perfect mathematical system independent of human history – an abstraction isolated from reality as a whole. In the extremism of neo-liberalism its jurisdiction has neither moral, social, or cultural bounds and it now regulates the global like a detached and senseless Victorian viceroy. To the extent that our lives are decided by it, the social context will be inhumane, and inadequate to our potential and imaginative capacity.
Life in the shallows of economic determinism soon exhausts itself. There is an emptiness at the heart of contemporary culture that will not be filled by the ‘green agenda’. The post-carbon future, as currently outlined, exemplifies the metaphor of the machine no less than its antecedent. Technological solutions will only perpetuate our insulation from the vibrant process of creation. And ‘smart’ technology, let us be clear, does not run on fresh air. On the contrary the magnitude of its energy demand may be unprecedented in industrial history.
The real world arises organically as a self-organizing system, whole and complete at every step of its evolution. That is to say, it is incomparable – it’s what it is and what we are – and may be benign or destructive as we might inhabit it. A bio-physical system is ‘limited’ by the very interdependence of its diverse elements, such that individual behaviour is always governed by a superior context.
Scientific materialism and the pathology of dissociation have led us astray. “For there is in the universe neither centre nor circumference”, wrote Giordano Bruno, “but if you will, the whole is central, and every point may also be regarded as part of a circumference in respect to some other central point”.
Each one of us, then, is centre; each one of us manifests the whole, to put it another way. It follows that every identity is ‘I’; and in this sense there is no ‘you’, no other.
In the face of this reality, capitalism rewards one at the expense of another, the few at the expense of the many. In the interest of accumulation, it externalizes costs – to the individual, society, and the environment. It is dehumanizing, anti-social, toxic, ultimately self-destructive, and now global.
We are preoccupied with solutions; but the critical choice is not between fossil fuels and renewables, but between a narrow rationalism and an expanded consciousness, between the sleep of reason and integrity. The crisis we are facing is not, in the first instance, a problem to be solved, but a failure to clearly perceive its cause.
In the words of Jose Ortega y Gasset, “we do not know what is happening to us, and that is precisely the thing that is happening to us – the fact of not knowing what is happening to us”.[iv]
[i] Mike Davis, Late Victorian Holocausts, Verso, London, 2001, p 8
[ii] Jose Ortega y Gasset. Meditations on Don Quixote, quoted in Joseph Campbell, The Masks of God: Creative Mythology, Penguin, London, 1976
Toby Green also wrote, along with Thomas Fazi, The Covid Consensus: The New Politics of Global Inequality(2023). This latter work engages with the impact of lockdowns on African countries which were, for the most part, unaffected by the disease itself.
In this podcast, Green discusses the application, more widely, of a form of authoritarian capitalism that lingers to this day, with the onset of perma-crises, continued restrictions on civil rights, and the ascendancy of techno-billionaires.
He also points to an intellectual failure on the part of many on the left, who failed to recognise there were two versions of accumulation in conflict, one representing traditional forms of small businesses reliant on in-person contact, the other the monopolies which digital capitalism has favoured and whose power is now far, far greater.
Frank Armstrong previously reviewed The Covid Consensus for Cassandra Voices.
The track which features in this episode is Kurfewture (2021) by Shakalak:
It is a notable feature of the prevailing world order that citizens of Western states, in particular, are significantly ill-informed and mis-informed of the past and present contexts of either their disadvantage or their comfort. For centuries the corporate/political/church covenant (imperialism) has sucked the earth of its bounty, dissipated its coherence, shattered communities and brought it to the edge of ruin. It accomplished this through the exploitation, enslavement, dispossession, degradation, starvation and murder of countless millions of fellow human beings.
Upon this base history and its persistence rest our affluence and our inequalities, the persuasive delusions of Western civilization (“our values”), its obtrusive superiority and an unrestrained financial sector that through the extension of rentier/monopoly/surveillance capitalism has all but established a global imperium.
Moreover, this supranational dominance has a forceful ally in its dis-integration of the world in the mis-conceived dogma of scientific materialism that reduces life to matter, minds to brains, whole self-organizing organisms to constituent parts; that effects the enclosure of everything spontaneous, primary, vital, and has generated a bio-tech industry determined to exploit the common process of becoming as if it was just another thing.
During a period of lockdown, I reopened a book on Goya[i] that I hadn’t read for many years. Any study of Goya is likely to reproduce his etching, The Sleep of Reason Produces Monsters. This was intended as the frontispiece of Los Caprichos, a series of 80 etchings published in 1799 that were a cutting satire of Spanish society at the time.
What gave rise, at fifty-eight years of age to the sudden disillusionment of the successful court painter has long been a matter of speculation. A serious illness in 1792 had left him permanently deaf and he was overworked, trapped by too many commissions. Burdened by demands, constrained by compromise and impelled by a maturing self-realization, creativity and assertiveness, his social position was becoming precarious and the conflict was perhaps too much to bear. Thankfully, he still had thirty years ahead of him and these years freed him enough to become the artist so admired today.
The usual reading of this striking work (published as Capricho 43 and replaced on the title page by a self-portrait) is that without reason we are susceptible to the naivety, superstitions and ignorance of our irrational impulses. It is a common theme of Enlightenment thinking, central to its comforting tale of intellectual and cultural progression, and it underpins the white-supremacist ideology of Western imperialism, as we shall see.
And fair enough, the reforms of Charles III notwithstanding, Spain at the time was the Spain that endured for so long – stuck in its ways, morally enervated and restrained by the barbarity of the Spanish Inquisition. That Goya was eventually appalled at the indolence and hypocrisy of Spanish high society and the regressive influence of a hidebound clergy is not surprising.
However, it is also a simplistic narrative which I’ll return to later, but to be clear, no one can be sure exactly what Goya was trying to express when he conceived the image. In any case, the purpose of this essay is not to put Goya on the couch, so to speak, but to explain why I found Capricho 43 such an arresting image at the height of the COVID panic and to pursue the train of thought that it provoked.
It is not the least of the failings of much social and political commentary these days, especially in the mainstream media, that history begins with the latest headline; that, as it has been said, “it is all text and no context”. To this end we need to go back in time.
Almost exactly two hundred years before Goya published Los Caprichos, Don Quixote de la Mancha rode out like an epic hero of old to confront “at least thirty outrageous giants” that ranged before him and his squire, Sancho Panza, on the plain of Montiel. Impelled only by his own will and disregarding his squire’s assurances that they were windmills, Don Quixote spurred on his horse till he came before his foe. Then, “covering himself with his shield and couching his lance,” he charged, plunged it into the unrelenting sail…..and was tossed aside by the great machine.
“Mercy on me, cried Sancho…did I not tell you they were windmills, and that nobody could think otherwise, unless he had also windmills in his head”. To no avail.
Don Quixote by Honoré Daumier (1868).
Tilting at Windmills
And so his adventures proceed. This celebrated episode, though it only takes up a couple of pages near the beginning of a book of approximately 750 pages sets the tone for the rest – by part tragic, comic, ironic.
Deluded clown, romantic idealist, assertive self-hood: all this and more have been read into the character of the famous knight-errant. That Cervantes intended it as, in some sense, a parody of the chivalric tale seems to be so. But, perhaps most importantly, as the diverse interpretations of the work themselves might indicate, it is a compelling portrait of an individual caught between two worlds.
It was written at a time when the long transition from the Middle Ages to the modern world was reaching a conclusion. The trappings of the centralised state: bureaucracy, social control, militarism and an economy favouring capital accumulation – all so familiar to us now – were being established at this time.
The sixteenth century opened with death, destruction and unparalleled savagery in Central and South America. It was accompanied at home by large land enclosures and dispossession. And witch trials, actually an occasional occurrence in the Medieval Period, proliferated throughout Europe.
The seventeenth century continued the pattern with a huge growth of standing armies; the Thirty Years War that decimated Central Europe; genocide in South and Central America repeated in the North; the transatlantic slave trade; and, crucially, the establishment of the world’s first joint-stock company (forerunner of the modern corporation) in Amsterdam.
As Fabian Scheidler argues in his succinct history of our capitalist civilization,[ii] European economies had developed into what was essentially a circular war economy. European states borrowed enormous amounts of money to finance wars at home and exploitation abroad. The riches they acquired were largely used to repay banks, who, in turn, lent more money and so on.
It was a system that made “entrepreneurs”, war-profiteers, and banks extremely rich, but shattered communities and beggared populations at large. The physical power of the state was indispensable to the project, but the state’s role, it is important to note, was not in the first instance to extend its power, but to facilitate capital accumulation by a privileged few.
This, then, was the social environment in which that other pillar of the modern world arose. The development of science is portrayed as the triumph of rationality over irrationality, verifiable knowledge over superstition, and more. But the actual science that developed resulted from an evolving sense of individual autonomy and mathematical clarity and, for reasons to be discussed, it generated an ideology favoured by the forcible socio-economic power structures of the day.
Furthermore, this type of science did not so much replace religion as the ideological basis of society as extend its dualistic thinking to the relationship between humanity and the natural world – from God versus man to man versus nature.
To be clear, the problem is not with science per se, but with the reductionist worldview that underlies it and the vested interests that support it. That we should look at the world without pre-conceived ideas or doctrinal certainties and let it speak for itself is fine. And it would be ridiculous to disavow astonishing discoveries in every field and technological achievements in engineering, medicine and so much more. While the many social advances that would eventually arrive in the wake of modernity can hardly be disregarded – although we in the West are mostly indifferent to the exploitation on which our complacency rests.
And it might be added that the values of justice, freedom and equality which are the hallmarks of a liberal democracy are routinely circumscribed by class. Laws may be inscribed, but bias is ingrained.
This is not intended to establish some imagined pre-modern, universal state of nature, but the mutual emergence in this period of a strict rationality in both science and a system of market economics, whereby the intrinsic, or use-value, of material necessity and nourishment is subordinated to its exchange-value in the capitalist marketplace, was problematic from the outset.
Since the introduction of double-entry bookkeeping in the fourteenth century, income and expenditure could be formulated mathematically and profit or loss calculated accurately. Increasingly, the focus of trade became profit: to repay lenders if finance had been required and to accumulate money.
Ted Dace has described the outcome of this process clearly: ‘As the basis of economics becomes the trade itself and not the tangible thing exchanged, money is transformed into an all-consuming monster. No longer bound up with the limitations of actual land, people and resources, it springs to life, an abstraction with a will of its own.’[iii]
By now it is our most pressing need and its acquisition has become an urgent necessity for the many, superfluous wealth for the few; it delineates the structural hierarchy of class and serves as a measure of human worth generally. But, as Ted Dace cautions, ‘sooner or later abstraction runs up against reality.’
Meanwhile, the real economy of everyday life has been all but consumed by the predation of finance capitalism and corporate monopoly. And the basic needs of a sustainable life for so many people have become subservient to a parasitic imperative of making money out of money, out of you.
Nicolaus Copernicus.
Like Clockwork
When Copernicus turned cosmology on its head in 1543 he began a process, unimaginable then, that would in time overwhelm God himself. The mathematical precision that astronomy seemed to reveal encouraged the idea that all physical interactions on earth could be so understood.
Thus, Johannes Kepler wrote in 1605: “My aim is to show that the celestial machine is to be likened not to a divine organism but rather to clockwork ….. Moreover, I show how this physical conception is to be presented through calculation and geometry”.
A few years later Galileo was unequivocal: “When God produces the world, he produces a thoroughly mathematical structure that obeys the laws of number, geometrical figure and quantitative function, Nature is an embodied mathematical system.” And even more emphatically: “Reality is that which can be described mathematically. Everything else is illusion.”
In the Medieval period and, as a general rule, most human cultures that ever existed or survived outside the modern age, the world as a whole was organic and alive, to a greater or lesser extent indivisible, and sustained by an animating principle – God, Spirit, Soul, or the many poetic metaphors of world mythology.
This philosophia perennis, so-called, is an expression of experience rather than ideas. It is a philosophy, or understanding, of our inner nature and the common experience of being. And, perhaps for this reason, the archetypal symbols generated by it are recognizably similar across many outwardly diverse cultures.
And considering that the deep reality of being is beyond intellectual grasp, scriptural certainty, and social constraint, it relies on mythopoetic metaphor and the affective power of ritual to express what is essentially ineffable, and to relate it to the cycle of daily life.
Portrait of Giordano Bruno.
Giordano Bruno
The introduction of the heliocentric model by Copernicus, and its determination by others, so stormed the citadel of belief the full weight of The Inquisition bore down on Galileo – who wavered. The recalcitrant Giordano Bruno supported Copernicus, but his philosophy cut much deeper.
Bruno and others before him had regard for these words from a twelfth century hermetic text, The Book of the Twenty-four Philosophers, “God is a circle whose centre is everywhere and circumference nowhere”. But if the very idea of centre has no meaning, as this suggests, then the fixed framework, a sort of cosmic theatre of space and time in which the universal process unfolds – and on which a mechanistic science depends – means nothing either. With it goes anything fundamental and we are left, it would seem, with no ultimate principle or recourse.
Yet Bruno’s view of the universe was far more profound than anything Galileo could ever have observed through his telescope. All Galileo could see was the inflexible authority of a mathematical system – that must definitively exclude the possibility of an evolving cosmos. And vindication would arrive three hundred years later when Einstein established relativity as a scientific principle.
Nonetheless, we are all here, alive, and conscious of our continuing existence. Being is absolute; our presence is substantial. For all the relativity of physics – and quantum uncertainty – the daylight world of consciousness is whole, it is now, it endures. Life is immanent, some process is generating it, and experience is real.
This, of course, is a great mystery that wells like a spring within each of us and the world in which we live. At the same time, it is beyond us, beyond apprehension and the linear logic of language. The mystery is us; for which reason we cannot know it objectively.
Bruno had much else to say about doctrinal matters, the function of a church and its undesirable interference in philosophical or scientific inquiry. Refusing to recant and pursued around Europe, he was eventually cornered in Venice and spent eight years in the dungeons of the Inquisition in Rome. Still obdurate, condemned and consigned to a foretaste of the flames of hell, he spoke these telling words: “You pronounce sentence upon me perhaps with a greater fear than that with which I receive it.”
In this tumultuous period, the authority of Catholic dogma was losing its grip as science and philosophy advanced, and no amount of bible thumping could secure it. An existent mythology or set of beliefs cannot prevail when there is no consent to meaning. In fact, no established canon can remain consistent with the evolution of experience and understanding. Although the dead weight of its persistence can overwhelm the embodiment of a new sensibility at the heart of an emergent culture.
Bruno’s pointed accusation largely explains the deranged reaction to his ideas and the science of Galileo and others. The suppressive resolve of the Inquisition was frantic and irrational, but the leading lights of the Reformation clung even more tightly to the Bible. Martin Luther let go of it occasionally to fling his ink pot at the devil but was otherwise unrestrained in his invective against Copernicus and his followers.
Bruno, for all his profanities, still had God on his side, so to speak, but it couldn’t save him from the intense conviction of The Holy Office of the Inquisition. Neither science, philosophy, nor the evidence of the senses could be permitted to challenge the insistent truths of Holy Scripture and that was final. The authenticity of individual experience was no match for the infallible authority of “revelation”, and another way is intolerable when conduct is prescribed on tablets of stone. Such is the power of The Word as all good book-thumpers, from St. Paul to Chairman Mao, to neo-liberal economists know well.
But mere obedience to a precept could never be said to awaken the soul to the redemptive power of a mythic or religious tradition. To interpret its symbolism as literal and historic is to profoundly misunderstand its character as an evocation of our inner nature and the mystery of becoming; and to miss entirely the deeper meaning it holds within its poetic folds for the cosmological, sociological, and psychological orders of existence.
Biblical literalism and Pauline universalism are the solid ground of our presumptive superiority and missionary impulse. For centuries they have been both pretext and apologia for white-supremacist imperialism. Unparalleled in its destructive violence throughout the long history of humankind; and all the more menacing because the espousing nations have managed to persuade the greater part of their populations that its cruelty and its condescension are the precise opposite of this reality. We are really impelled by the best of intentions.
The only thing to add to this continuing horror story is that, as Fabian Scheidler has emphasised, the missionary zeal of a church, now in decline, has been assumed by the high- priests of globalist organizations such as the WTO, the IMF, and the World Bank. And an amoral cabal of investment banks, hedge-funds, corporate raiders, property speculators and sovereign bondholders (to list only the most obvious) feasting on unearned income from monopoly rights, speculative gains, political favour, and predatory credit.
Furthermore, since 2008 it has been clearer than ever that those who command capital control the world; that the present system secures the concentration of wealth into fewer and fewer hands; and that its beneficiaries have forgotten, if they ever knew, the theme of countless tales and fables the world over – that to have everything is to have nothing.
The interior of Kaiser Steel mill in Fontana, California.
The Metaphor of the Machine
Science, as we know it today, developed in a world in which capitalism was well established, accustomed to quantification and already defined to some extent, therefore, by mathematics and the ‘laws’ of the capitalist marketplace. In other words, a strictly rational tone was already sounding when Kepler and Galileo began their inquiries.
Under the sway of mathematics everything becomes a number. The world is what can be measured, and measurement defines reality. The moral power and mechanistic bias of science would confirm the imperialist/capitalist dream. Everything, including all that lives and all that sustains life, could be abstracted, quantified, and assigned an exchange value. Whether a bushel of grain, a slave in the fields, or a cog in an industrial machine, all were just so many commodities to be used, abused, bought, and sold.
Just as our privileged position at the centre of the universe was being usurped by the Copernican revolution and Bruno’s relativism, the organic worldview of tradition was being steamrolled by the metaphor of the machine.
But if Kepler and Galileo saw an image of the machine and the unerring mathematics of clockwork in the orbits of celestial bodies and in physical processes on earth, Descartes, Hobbes, Newton, and others later extended the metaphor to include living organisms. And the science that developed from this radical epistemological shift would shape both society and human consciousness and establish a scientific orthodoxy that has survived to the present day.
That authoritarian states and capitalist elites with imperial interests and ambitions would welcome these reductionist assertions and favour the scientific consensus that advanced them is no surprise. Class warfare at home and genocide abroad are less troubling with convictions like these. A machine, after all, is determinable, controllable, and dispensable.
It should be said that these early mechanists were still devout. But the world was no longer alive. It was now thought of as inanimate matter, designed by God but governed by fixed mathematical principles. In a sense, then, the scientist was extending God’s work on earth, and in such a way the quasi-religious status of science began to emerge.
For Francis Bacon (1561-1626), in whom the notion of a scientific priesthood was first conceived, the development of Western civilization would be a scientific and engineering project defined by his slogan, “knowledge is power”.
God would be a bystander, but we were doing his work. With God on our side and the power of science the world would lay itself open and there would be nothing we couldn’t know or conquer – a presumption of omniscience that still prevails in the scientific community.
It should also be said that dissenting voices were raised. Not all scientists were prepared to degrade life to this extent. But the church itself had mastered its alarm and ceded worldly matters to the domain of science, while it would continue to look after our souls and prepare us all for Paradise.
That art, science and philosophy were now free to pursue their own interests without having to look over their shoulder at the stern face of one of God’s representatives on earth, or his legion of scriptural zealots, is one of the boons of modernity, unquestionably. That these three branches would in time diverge and simply feed off themselves would become a significant problem. But, meantime, a modus vivendi had become established; and that such an arrangement would be uncontentious is largely due to a shared dualism.
Religion and science were agreed: the spiritual and material realms were separate and distinct – God above, humanity and the world below.
Up to this point, three orders of existence were recognized: body, soul, and spirit. Our bodies were connected to the spiritual realm through our souls – the ‘rational soul’ of man, in Christian theology and the equivalent, to all intents and purposes, of the human mind, which was, as yet, regarded as immaterial.
Mechanistic science may have removed soul from nature but, since human beings (well, cultivated minds at any rate) considered themselves a cut above brute existence they were still thought to have souls (or minds, or free-will) through which they interacted with God and put themselves in line for eternal life. But all the rest, the whole ecology of living, was mechanical, purposeless, and determined. And our disconnection from nature and more holistic modes of understanding sank into the culture with ruinous consequences.
As dispiriting as this might seem, we could still rely on our God as ideological support, dispeller of doubt and final consolation. But his days were numbered. The convenient accord with the church was never going to survive the rapid progress of science and the no doubt exhilarating sensation that “knowledge is power”. Every advance would endorse the swelling authority of science and install reliable principles such as Newton’s deterministic laws of motion.
This burgeoning faith in science, reason and human progress is what we know today as The Enlightenment. Edge God aside and it is the prototype of contemporary secular humanism.
“The Blue Marble” is a photograph of the Earth taken on December 7, 1972, by the crew of the Apollo 17.
From ‘Believe in God’ to ‘Trust the Science’
A machine requires a maker and God made the world we were taught. But the more science discovered about the world-machine the more it became clear that, once set in motion, further divine intervention was unnecessary. Towards the end of the eighteenth century, it was also evident that there was no scientific rationale for God either. Fifty years later conspicuous atheism would provoke no censure and materialism was a firmly established tenet of scientific endeavour.
In the orthodox view the universe is composed entirely of matter. The energy that activates it is also material, or physical. It operates according to fixed laws that can be observed, measured, and formulated – and it is fully determined by them. Like a machine it is a hierarchy of parts right down to the “ultimate building-blocks” of sub-atomic particles and chemical molecules. Even biology is reducible in this way, and in the end, there need be nothing we cannot know.
Of course, if these are a priori assumptions then complete knowledge is indeed possible – it’s a foregone conclusion. That actual science has long since swept many of these assumptions aside has not radically removed them from the core belief system of scientific dogma and, crucially, from its day-to-day application.
As a firmly entrenched belief it has replaced religion as the authoritative voice in contemporary society. The peremptory watchword “believe in God” has been superseded by “trust the science”. Its dogmatic purpose is no different and it was used to effect during the pandemic as a marketing slogan for social compliance and pharmaceutical profit.
In any case, the injunction to “trust the science” simply points up the conventional morass into which scientific orthodoxy has sunk. Science is supposed to be about open inquiry, not a defence of “the science” as if certain matters were resolved beyond question just like old-style religion.
Science prides itself on its empiricism and its positivism. Fair enough; it has undoubtedly been an effective strategy and the basis of unprecedented technological development, but all experience must now defer to the “scientific method”.
The objective world of facts: length, height, weight, motion, capacity, etc., from the stars to sub-atomic particles, is the real world. A world objectively apparent, but devoid of meaning, purpose, or self-existence. Moreover, it disallows subjective experience (reality for most of us) and diminishes your creative presence to the point of disappearance.
Excluded from the terms of the world-machine are those elusive qualities of existence that make us feel alive. Whole organisms are more than the sum of their parts and it is this ‘more’ that is forever beyond the materialist’s scope.
Science can tell you all about life, but it cannot tell you what life is. It can describe the surface of things, but not their substance. The scientist may well stand to one side (in a confusion of subject and object) and probe every inch of you, but life will not be pinned.
Scientists can’t seem to start with a whole organism in its environment and develop a methodology to understand it in these terms as a living phenomenon, in a way that does not involve objectification and dissection – even though it is instantaneously apparent to direct experience.
And one viewpoint need not necessarily delegitimize the other. One could accept both as two sides of a coin, but science insists on its “truth” as superior.
Thomas Jones, The Bard, 1774.
Romanticism
The idea that science alone could define our world was challenged with great energy by the Romantic movement in the late eighteenth and early nineteenth century. It left its mark but was no match for the brutal industrialism and economic liberalism of the Victorian era, that explicated Bacon’s rationale.
That said, it would be some time before some scientists would dare to insist that manifest qualities of human nature are illusory; that even the sense of our own being is delusional; that nihilism would be celebrated in literature and philosophy and disintegration of form become the measure of art. And it will perhaps be a little more time before ‘intelligence’ is boxed and the scientifically emancipated individual of the Enlightenment will be, finally, almost fully dehumanized.
But hands up how many of you feel like a machine (as opposed to perhaps being treated like one!). The very idea is clearly nonsensical. In short, a machine is lifeless so how on earth did it ever come be identified with life. It’s hard to imagine even the most ardent materialists can really regard themselves as glorified machines and the world as clockwork, but their science is conducted as if universal existence is material, mechanical, mathematically determined and nothing else.
For Descartes, humanity was uniquely raised above this perfunctory level by the human mind, or soul, which is immaterial and part of our ‘higher’ or spiritual nature. Today’s materialist can invoke no such redemption since the mind has been reduced to the brain – which marvellous (and perplexing) organ has itself been reduced to a personified data processor and control centre.
And while on the face of it, religious creationists and scientific materialists seem at opposite extremes, they in fact make common cause, both in their determinism and their appeal to either an external deity or some deus ex machina such as genetic programs, or ‘laws’ of nature.
Set against both the religious duality of God and humanity, spirit and matter, and the reductive objectivity of scientific analysis and its duality of subject and object (a make-believe world constructed from without) is the immediacy of feeling. The world before our eyes, present to the senses; the sublime plenitude of life, its constancy, its astonishing detail, process within process; a universal accord that could only have evolved as an integrated whole.
There can be moments in life when we forget ourselves, captured by the intensity of experience. Moments of rapture or clarity, free of distraction or intent, that feel complete, and doubt and endeavour dissolve in the pure sensation of being alive. Typically, these moments are fleeting, not a state of permanent bliss. Nor should they be. The everyday is normal; there is a living to be progressed. But they reveal an immediate reality beyond cold hard facts.
The philosopher Alan Watts once joked that in sober society, it seemed, normality was the world seen on a wet Monday morning. The daylight world of consciousness is inescapably the plane on which our daily lives unfold. But science has extended its scepticism to the ‘childhood’ of our religious beliefs to anything beyond its scope. God is not a testable hypothesis, but neither is the very real sensation I’ve just described.
Image Daniel Idini (c)
A World of Things
Science is decisive: the limits of its application define our worldview and determine its commonplace expression. But it generates a world of things, a world without context or meaning. As a consequence, we now live in a forest of facts and can’t see the wood for the trees.
This objective world of facts and things seems real and obvious, which it is, and most of us aren’t bothered by post-modernist allegations that it’s all just interpretation. But at a deeper level there is no such thing as a thing. Which is simply to say that no-thing can exist as an isolated entity apart from other things.
A tree, for instance, seems unequivocally present and specific, but it can only arise and endure as a system of transpiration, photosynthesis and more, supported by an underground universe of micro-organisms. In other words, a tree is more properly thought of as a process. A process, what’s more, that is inextricably interdependent with our own continuing existence through the interchange of carbon dioxide and oxygen.
It follows that every other thing (and this includes us) is also a process that can only exist within the greater process of life as a whole. It is this essential truth of being, not sentiment or scientific necessity that commits us to earth, water, fire, and air. We are nature. Consequently, any de-spoilation of the world or nullification of others is an offence against our selves.
But the language of science is definitive. It supports a methodology that sets the world apart and fails to see that the objective distinction of things is by convention only: that the everyday world of material culture is real at that level, but that a deeper unity underlies it.
The stupendous diversity, adaptivity and integrity of our world – our being – evolved without direction or external law. That is to say, “laws of nature” are implicit. What makes life consistent is that, as it appears in the moment and evolves over time, it establishes patterns. And what makes a pattern a pattern is that it repeats (becomes a “law”). More than anything else living organisms are habitual. As they reproduce and grow and reproduce and grow, they follow well-worn paths. And old habits die hard. Apples can’t be oranges. The young cuckoo abandoned in its egg flies south in autumn.
Habitual behaviour is unconscious. A couple of cells grow into ten trillion. That’s ‘easily’ explained. A ‘genetic program’ underlies it biologists assure us; even though they can barely define a gene and the complexity of cellular development is impossible to fully describe. But a living organism has been formed: one that for the duration of its life is present, constant, adaptive, and purposeful. Try explaining that.
How genes alone could have the determining power of organic development is a modern mystery. How can genes, chemical molecules in the nucleus of a cell, be purposive while the whole organism is mere machine and fully determined? The soul, Rupert Sheldrake suggests, has been resurrected in the genome.[iv]
The expectations of The Human Genome Project have not been realized; in fact, many were confounded. Sure enough, DNA keeps yourself to yourself so to speak, but suddenly everything was ‘genetic’. The cause of all disease and even aberrant human behaviour, not to mention your very appearance (good, bad, or indifferent) was hidden in those helical strands.
We were to finally uncover “the secret of life”. Just as in physics, the atom, and then sub-atomic particles (hundreds now and counting – if they hang around long enough) were thought to constitute the ultimate building blocks of matter, so human biology could be reduced to the molecular level. Our lives are just a matter of physics and chemistry.
What was actually discovered was incalculable complexity, so intricate it resists scientific analysis. Mechanical explanations fall far short. Whole organisms can never be explained in terms of their parts (if you could even isolate parts in this case). And yet an industry has been capitalized as if, and has stepped, like a bull in a china shop, into a dynamic, balanced process common to all life with who knows what consequences.
Furthermore, that such prodigious expansion of interconnected and interdependent life since ‘day one’ could be solely due to the random mutation of genes favoured by natural selection; that integrity in the whole could be produced and sustained by chance in the particular (as is current mechanistic orthodoxy), is a stroke of luck so far beyond calculation as to make the proposition meaningless.
It is also at odds with Darwin himself, in whose view it is the organism that adapts to environmental pressure, and those adaptions are then inherited by its progeny.
The inheritance of acquired characteristics is not easily understood, certainly. But there is no evidence it is genetic. Since genes only exist as integral parts of a whole organism, it is only within a machine theory of life they could be said to determine organic formation or carry that ‘information’ from one generation to the next.
In other words, evolution is a creative process, not a blind mechanism; a sensual interplay of organism and environment, in a world, not determined but open, and committed to its fulfilment – whatever that might be – only as the seed is committed to flower.
Feature Image: The Sleep of Reason Produces Monsters, Francisco Goya, c.1799, Etching, aquatint, drypoint and burin, Collection of the Nelson-Atkins Museum of Art.
[i] Gwyn A. Williams, Goya and the Impossible Revolution, Penguin Books, England,1976.
[ii] Fabian Scheidler. The End of the Megamachine, Zero Books, England, 2020.
[iii] Ted Dace, Escape from Quantopia, Collective Insanity in Science and Society, Iff Books. UK and USA 2014. p.208.
[iv] Rupert Sheldrake. The Science Delusion, Coronet, England, 2013.
For the Irish, living as we do on a divided island, the question doesn’t have to be facetious. As a negative example, to try to land on a positive answer, Northern Ireland comes to mind. Wherever that congenitally deformed statelet ends up, its passage through the twentieth century will form a storyline we will never stop arguing about. God bless us.
Lebanon, where I lived briefly from January 2011, is a mystifying and compelling organism.
Were it on the seafloor, it would be brightly coloured, shape-shifting and perhaps equipped with a defensive poison. A territory carved out of the Ottoman Empire via the secret Sykes-Picot Agreement of 1916 and the Paris Peace Conference of 1919, it formed with Syria the ‘French mandate’. It has held together against expectations, and enjoyed tangible golden ages through the same century-long lifespan as our post-colonial Ireland.
At the Beittedine Palace, 2011.
The local cultures, which still roughly map onto the religious arrangements of the confessional political system, have incredibly deep roots. I say ‘cultures’ and ‘roughly’ because this is a land where people will seriously make the case that they are the direct descendants of the Phoenicians, if not the Canaanites. Some of the ingredients here are antiquated enough to make monotheism look like a recent fad.
Other claims include references to identifiable cities and mythologized landscapes in ancient history that remain traceable today: the cedar tree that appears on the flag is of the stock used to build the Jewish Temple, and the forests are referred to in the Epic of Gilgamesh.
In cities like Batroun, Saida and Sur, the phantoms and visible stubs of Phoenician harbours can still be observed. Compressed between the plains and deserts leading to Mesopotamia, and the coastal route to the Nile and Egypt, it has produced merchants and travellers over the millennia. The Lebanese diaspora may number seventy million.
Beirut’s Green Line after the Civil War.
To live in Beirut at the time I did, was, I now realize, a taste of a brief golden age all on its own. One of the clichés that had to be learned was the fable of the glorious 1950s and 1960s: the period after the Second World War and before the domestic civil war, when the traditional merchant classes were joined by elite émigres from other parts of the defunct empire to create prosperity. They became ‘bankers to the Middle East,’ a role now occupied by Dubai.
Wealthy post-Ottoman families that retreated there included the Sursocks, who would form a link to Ireland, and Jewish families from Iraq and beyond. Nadim Shehadi, the guest speaker on our latest podcast, is a product of the cosmopolitan confidence of that time.
Sursock Palace before the explosion of 2020.
In 2011, the Arab Spring was triggered by events in Tunisia the week I arrived. Through connections, I had the opportunity to meet the renowned journalist Robert Fisk for coffee, and as we sat in a place on Sadat Street, the TV in the corner was flashing images of Mohamed Bouazizi burning. I had been reading about the story, and Fisk hadn’t, so for a few minutes I was the one explaining events to him.
My journalistic Larp brought me up and down the country. No-one ever called me out on it. I wrote one story for the Daily Star, the Saad Hariri-sponsored newspaper, about a scheme to write essays and theses for brattish students at the American University of Beirut. My real job was writing multiple choice questions for a rich private school and educational company.
I had a blast. Young and hopeful journalists were everywhere, and the dismal course of that profession, with Facebook annihilating the business side and ISIS looming into view with plans to cast them in their snuff movies, was not yet obvious.
One young English writer I knew noted that “the next few years are looking pretty good for work.” She might have been right, but that sort of attitude, shared by the foot soldiers of the international NGOs, was already watering seeds of uncommon bitterness among the Lebanese. Their rivers of trouble were sources of fresh water for well-paid and often decadent hordes of expats. One wonders how high the shoots might have grown by now.
At the moment of the horrific Port explosion of 2020, I was living in Paris. A Lebanese woman I knew there, a filmmaker[1] and activist, called me briefly, with her voice inflamed from sobbing. “Really Luke, what have we done to deserve all this?”
Sursock Palace after the explosion of 2020.
Add to this the financial collapse which wiped out savings and plummeted the domestic currency, the Syrian refugee influx which increased the population by at least 30%, the pandemic pains and now a very possible Hezbollah-Israel war, and you might have a country that even her most ardent lovers will leave. Who will stay, and who will join the seventy million-strong diaspora? What cause for hope might persist?
One of the characters I met during my time there was Nadim, during a dinner at the palace of the Sursocks in Gemmayzeh. With characteristic Lebanese curiosity and openness, he simply stayed in touch with me, a random person who had breezed through then strayed very far from Beirut, like most of our overconfident cohort running around at the time.
One also wonders, incidentally, whatever happened to all those little girls and boys?
[1]Of course she was, and is. Her first films were beautiful, artful, personal things shot through with a heatwave of avant garde, mostly concerned with her much-traumatized locality of the Shia south. Some recent work is here.
It’s Mother’s Day morning and I am on the brink. Desperate, determined, exhausted and certain all at once. I have passed an eternal night trying to push out a child, with no apparent progress.
I don’t have a midwife gently coaching, or calling the ambulance, as the case may be.
I am freebirthing.
‘Is that like a home birth?’, people would ask, when I told them of my birth plans. ‘Yes, only without a midwife,’ I would say. ‘Oh,’ they would respond; an ‘oh’ loaded with ambiguity. Because, in fairness, it doesn’t sound ideal.
Most Irish women choose to give birth in hospital because they think home birthing with a midwife is a riskier option. This is a view promoted by every medical professional in the country. However, some reading of alternative birth experts soon reveals the best kept secret in the Coombe: a woman’s body is designed to give birth unassisted.
Known as a physiological birth where each biological process activates the next in a delicately balanced sequence, it is the origin of the hypnobirthing image of the unfolding lotus, petal by petal. The most dangerous thing one can do at a birth is interfere with this process.
Modern obstetrics which is based on the ‘active management’ of birth, is the petal plucking inverse of this ideal. Drugs to induce and speed labour and pain medications which stall labour, are standard interventions in normal hospital births. These then lead to ‘emergency interventions,’ such as antibiotics, episiotomies, foreceps and Caesarean sections (c-sections).
In effect, obstetricians are busy ‘saving’ mother and baby from the complications they themselves created.
From the perspective of physiological birth; modern obstetrics is akin to a sexual violation of women. It is predicated on ‘getting the baby out alive’, an approach which traumatizes and damages the long-term health of both mother and child.
Most obstetric staff have never even witnessed a physiological birth. Midwifery training in Ireland takes place in a hospital setting only, and most will have never witnessed a home birth, and could be more accurately called obstetric nurses.
As Irish hospital policy is increasingly determined by insurance liability, where the proof ‘we did all we could,’ is the best defence against malpractice suits, there is a corresponding rise in the national rate of c-sections.
So, in the medical paradigm, which expectant Irish mothers are forced to occupy, for lack of an alternative, where home-birthing is risky, freebirthing would be considered reckless.
And we all know what happens to reckless mothers: They get Tusla called on them.
A HSE homebirth
I applied to the HSE home birth scheme for my first birth in 2018. But the community midwife serving West Kerry had retired one year previously and had yet to be replaced.
There are about twenty community midwives serving the entire country – and the HSE insurance requires that at least two midwives attend each birth. As there is no community element in midwifery colleges in Ireland, our national home-birth scheme relies entirely on midwives who have been trained abroad. Little wonder then that just 0.4 per cent (approximately 280) of births in Ireland occur at home.
So, despite occupying an entirely different health paradigm; the hospital was the only option available to me. And then I discovered freebirthing.
After reading Laura Shanley’s Unassisted Childbirth, which lists the myriad ways that medical intervention causes birth complications, I decided to birth at home, without a midwife.
But with the combination of a long labour, doubtful doulas and a fretting family, fear overtook faith. In the early hours of Little Christmas, we drove from our home on the Dingle peninsula to Tralee hospital, naively thinking we could get checked out, allay our fears and be on our merry way.
We hadn’t accounted for the Hotel California door policy of the Irish maternity ward. Labouring women can check in any time, but security locked doors ensure they cannot leave. ‘For our own good’ presumably.
And there in the belly of the beast, I fell foul of the highly medicalised birth policy, which allows a woman just 18 hours to deliver her baby from the time of her waters breaking before emergency intervention. In the U.K. birthing mothers are given at least 24 hours before ‘emergency deliveries’ are considered.
So, despite the fact that first time births can take up to forty hours to deliver, mine was treated as an emergency and my refusal of syntoconin (a drug to speed up labour) infuriated the obstetrican. The umbilical cord was cut immediately after birth, still pulsing full of blood. The child was pulled from my breast, even as he began to grub for colostrum and taken next door to instead be given a shot of glucose for pacification, as the paediatrician syringed a vial of blood from his tiny veins.
My refusal of ‘precautionary’ antibiotics on the grounds that it would destroy my son’s virgin microbiome precipitated a stand-off in which we were threatened with a court order, the Gardaí and Tusla. The Tusla officer was almost embarrassed, being called to ‘investigate’ and indeed intimidate the only woman on the ward who was breastfeeding.
There followed three arduous nights in hospital in which my son’s sugar and salt levels were monitored, each day bringing new threats to my hopes for a natural beginning to his life: ‘If you don’t get those levels up, we’re going to have to give him formula.’
That was my trauma. Minor compared to most, but it radicalised me, made me an advocate for birthing reform and affirmed my position outside the system. But Life will always buck an affirmed position.
For my second pregnancy I was even more determined to birth at home. But at thirty-six weeks, after a heavy, heart-wrenching bleed, I went for a scan that showed placenta previa, where the placenta is encroaching on the perineum and obstructing the safe exit of the child. Though the child’s head could nudge past, it’s a high risk one, even for a fervent opponent of the system like myself.
So, again I was bound for the belly of the beast and Eirú, my daughter, was delivered by c-section. And I saw the medical maternity machine from the other end of the spectrum. As a birthing mother not wanting intervention, I was treated as a pariah, but as a birthing mother needing intervention, I was treated as a queen. As in this way, I made my peace with these two faces of the Irish medical industry; a merciless machine staffed by heartfelt humans.
But, though tempered, my view was unchanged. Previa affects 0.2% of mothers. And the national rate of c-section is 30% and there is a chasm of accountability between the two figures.
A film looking at the way people give birth in Ireland, the system and how it should change.https://t.co/2ivReYmId1
So here we are in 2024, pregnancy number three and we are older and wiser and much less furtive than we were as first time parents. Now we are open about our plans to freebirth. The pregnancy is fully ‘off grid’. I don’t even feel the need to visit the G.P.. My dates are sure. My pregnancy is healthy.
Having gone through the rigorous and ambiguous process of ‘getting signed off’ for a HSE home birth previously, I knew my designation as a geriatric VBAC (meaning a forty-one-year-old vaginal birth after c-section) would eliminate me from the narrow confines of ‘low risk’. So, I spared myself and the child the bother of engaging with a ‘care system’ that would reduce me to such terms.
A doula with a doppler the week before gave me the reassurance I needed that the placenta and baby were in a good position. I’d read the freebirth manual twice over; I was packing shepherd’s purse tincture for post-partum haemorrhage, clary sage and castor oil to stimulate the uterus, chilli tincture for the child’s respiration and I had the numbers of a few good women that I could call for advice in a pinch. Ready as I would ever be.
The bull jumping ceremony of the Hamar tribe in Ethiopia.
The Initiation
To become a mother, a woman must shed aspects of her youthful self that would create chaos for herself and her new child. So Nature, in her infinite wisdom, made birth a rite of passage. An initiation into motherhood.
Initiations are characterised by endurance. Birth is not painful per se – a contracting uterus after birth is usually more painful – though birth ‘complications’ can be very painful indeed, but it is intense – earth-shatteringly, butt-rackingly intense.
The initiate must undertake a journey into the unknown, meet her limits and transcend them. She is shown the insubstantial nature of her persona and must rely on the felt experience of her body and access the instinctual wisdom of her mammalian brain. The two aspects of her self will grapple, the little and the large, the personal and the impersonal taking turns to lead. Her fear will do battle with her trust.
I cannot say for certain that my faith was stronger than my doubt or that my courage prevailed over my fear. For there were times in those eight hours of the most intense pushing sensations, in which every fibre of my being shuddered and squeezed with the effort of expulsion; pushes so magnificent as to be worthy of the crowning glory of a head; only to succeed in squeezing out yet another tiny piece of shit – which my faithful partner faithfully wiped away; the orgasmic foreplay of pre-labour forgotten in the less pretty reality of active labour – that my weakness and doubt did prevail.
Between these surges, I sometimes collapse weak on the bed taking the minutes of reprieve to drift into a semi-conscious nap. But it was no power nap. On the contrary, using the intervals in this way left me ill-prepared for the violence of the surges and less than aware riding them.
In the other times, I breathe and remain alert and rise like a disciple to meet those waves as they roll my body; and those waves I rode. So, on I go through the night like a surfer, catching a few and getting wiped out in others as my strength gives out; my pre-labour thoughts of Macha, the horse goddess, running a marathon in childbirth, gone as I half roll on the bed baying like the cow goddess Boann.
Transferring to a hospital is as inconceivable as it is impossible in my current state in which all that exists is me riding an ocean of sensation.
Sometime, about half-way through the storm; Diarmuid drills a hook into the ceiling and hangs an extension cord from it that I could bear down on it.
Eight hours of eternity passed like this. Me and Doubt and Faith and Baby and the rest of the Gang going up and down. Diarmuid keeps vigil on the periphery. The children sleep soundly next door.
Then there is birdsong and dawn light. Morning arrives but the baby does not. From the frontal cortex of my brain comes the thought (for I now occupy the recesses) occurs: ‘I don’t want the children to witness their mother as an alien cow goddess’.
The children wake and Diarmuid goes out to them. I stay in the room, baying through the surges and I hear Eiru start to cry at the strangeness of the sound.
My instinct says there is nothing wrong, but here I am again in a labour that is taking ages. Patience. Tenacity. Endurance. The words rise from my subconscious as guidance. But my frontal cortex says: ‘Diarmuid, It’s not progressing, we have to call someone.’ Something for him to do. He’s on it.
I emerge from the bedroom to reassure my daughter, my body a boiling ocean.
‘Mammy when I woke I thought there was a cow in the room,’ my son says. Amused, I feel the wave building inside me again. I hug my anxious daughter quickly, ‘Mammy’s good, baby will come soon;’ as the wave towers over and in me, about to break. I step out of her embrace and into the toilet, close the door, sit on the bowl in a sequence of seconds.
And the wave breaks.
Only this time, unlike the hundreds or thousands of other times throughout the night, the wave carries a little body in it and pushes it all the way down the birth canal.
‘Diarmuid’ I croak, with jubilation and anxiety and blood all mixed. And he is there. ‘Oh thank God, the head.’ And he calls out to our six-year-old: ‘Uisne, take your sister into the neighbours, I’ll come soon’.
‘Dig deep, one more push,’ he says, not knowing that I am being dug, I am being pushed. But I follow his instruction anyway, like a robot. And a big slippery child comes out. And we catch him between us.
There is blood; looks like a lot of blood. How much is too much? We don’t know. But seven drops of shepherd’s purse tincture under the tongue should be sufficient. Is he breathing? I suck mucous from his nose. Yes, he is. Oh, sweet slippery baby. Diarmuid tries to carry me to the couch, but the domesticated mammal bridles at the prospect of getting blood on the couch. So, I sit in a pool of blood on the floor. Looking every inch the warrior. Bruised and weeping, utterly spent and victorious.
We haven’t been out in public yet. We are resting. I am writing. We are content. I tend to his umbilical cord myself. I treat my hemorrhoids with frankincense and aloe vera and look at my cervix with a hand mirror and great fascination. I am my own healer, calling on fellow warriors for advice.
He has not been outside yet, felt the spring on his silken skin. But I will not rush him, I wish for his separation to be as gentle as possible.
Some authority that had been taken from me at Uisne’s birth by coercion, at Eiru’s birth by fate. It has been restored by this home birth; this freebirth.
Maternity Rights
I represent a growing number of Irish women who have an ‘alternative’ approach to health. My faith in modern medicine is limited to its functionality in diagnostics, bone setting and some emergency interventions. That’s it. I don’t believe it has any real role in solving chronic illness, which cancer would be, and I most certainly don’t think it has any role to play in 99% of births.
From this worldview then, giving birth at home is a ‘no-brainer’, except that it’s also a ‘no goer’, for many Irish women, who, either through age or some perceived health issue, (i.e. low iron, vegetarian diet or high blood sugar) or geographical reasons, do not have access to the very limited HSE home birth service.
In 2008, community (home birth) midwives were compelled to sign very restrictive memorandum of understanding with the health service. Midwives became obliged to transfer birthing women to the hospital in scenarios previously considered normal, such as heightened blood pressure or a delay in labour, or risk losing their licenses to practice.
The U.K.-based Private Midwives Ireland operate under a slightly less restrictive insurance requirements, but the cost of €6,500 to €10,000 precludes many women.
So, into the barbarous hospitals we go. Or not. Freebirth is our bright shining alternative.
The highly medicalised maternity model in Ireland is compelling Irish women to give birth unassisted by midwives at home. And though this may sound like a dangerous scenario to the uneducated; the experience has been both empowering and healing for a growing number of Irish women, many of whom are now sharing their stories on social media.
Motor and Sensory Regions of the Cerebral Cortex.
Instinctual Mammalian Brain
The physiological unfolding of birth requires that a woman relax completely in order to occupy the instinctual mammalian brain that governs the birthing process. Anything that draws her into the frontal cortex is discouraged in this non-intervention, best practice birthing model. Hospitals then, are exactly opposite to the optimal environment for a birthing mother. This reality has been recognized in many European countries such as the Netherlands, which has an extensive national home birth service and birthing centres.
Ideally, Irish mothers would be attended by experienced midwives who did not have to operate under such punitive criteria and the threat of losing their licences. But in the absence of this, giving birth at home under her own authority is one of the most liberating and empowering things a woman can do. Finally, I can testify to this.
Life contrives to give us what we need. In the decimation of our home birth service, there is an opportunity for us to step into the gap ourselves alone. The rewards are great and many. And perhaps if enough of us step into that breach, the country’s health care professionals will be compelled to answer the call for maternity reform and give us the support in our own homes that we deserve.
Follow Siobhán de Paor’s blog:http://insideoutpost.ie/
Jim Sheridan is a significant figure in the international film industry because of his creativity and talent. He has made an influential documentary, ‘Murder at the Cottage’, about the Sophie Toscan du Plantier case.
In the recent Cassandra Voices Podcast, he explained why he believed Ian Bailey is innocent and much maligned.
In a recent blog, I explained why I believe that the thought processes making Jim Sheridan such a gifted filmmaker may be unhelpful when seeking to find Sophie’s murderer. Here are two issues I raised in my blog: Hitchens’s Razor and the Myth of Bailey the Victim.
Christopher Hitchens’s Razor
The brutal murder of Sophie Toscan du Plantier is a fact, not a literary exercise nor a dinner party game where people share their theories of the crime. In the Cassandra Voices interview Sheridan spoke about his relationship with Bailey, explaining why Bailey was ‘tortured’ for twenty-seven years, and why he insists Bailey did not murder Sophie. The content was bizarre and told us much about the workings of Sheridan’s thinking, but little about the murder of Sophie.
Topics included a child floating in amniotic fluid, the guilt felt by Jim’s mother over his grandmother’s death, the famine, a landlord during the famine being called Bailey, a tired old concept called tribal memory, scoring 180 in darts, the mis-attribution of a Life of Brian sketch, Michael Collins, and the killing of Irish people in Clonakilty.
I am no legal expert, but am still certain none of this would be evidence introduced by either side in a murder trial for Sophie. It is irrelevant and a complete distraction from the seriousness of the case. One could have as easily brought up astrology, tarot cards, and reading the runes for consideration.
When we apply Christopher Hitchens’s razor to Sheridan’s comments: “What can be asserted without evidence can also be dismissed without evidence.” – we see that all those interesting concepts contain no evidence concerning the murder. They can be dismissed. The stream-of-consciousness outpourings of Mr Sheridan are fascinating. We see how different personal and cultural themes may be woven into a beguiling and entertaining narrative. However, finding the murderer of Sophie is about evidence. There can be no room for the evidence-free assertions highlighted by Christopher Hitchens. This will not be the last time Hitchens’s razor will be applied.
Ian Bailey’s many confessions
Sheridan has dismissed each of Bailey’s 10-plus confessions. In the podcast, he focuses on one described by a senior journalist, Helen Callanan. Both she and Bailey have given several statements about a confession to AGS. Mr Sheridan was not present at that meeting. Mr Sheridan’s narrative is that Bailey learned he was being sacked, and he responded by using heavy irony: as he was a master of irony. Sheridan claims that the confession was ironic. He goes on to say when Callanan told her boss, Matt Cooper, about the confession he did not believe her.
First, we are told Mr Bailey had been informed that he was being sacked. The implication is that the sacking was a trigger that provoked Bailey’s comments. This is not supported by evidence. Bailey was a freelancer, working from article to article or project to project. He may not be given further work but he could not be sacked. Furthermore, there is not a single reference to him being sacked in his statements nor those of Helen Callanan. Is the sacking an assertion without evidence or is their evidence that Mr Sheridan could share with us?
Second, Sheridan insisted, “Bailey was English perfection in sarcasm and irony.” That is Jim’s opinion. It is an opinion that fits his Bailey never-confessed narrative. For a teller of tales that will suffice, but we need more than assertions. Is it true? What is noticeable about what Bailey has presented on social media, in written articles, and said in countless interviews, is that he is a man bereft of irony. There is no perfection here. Indeed, with Bailey, there is evidence to the contrary. There is no evidence supporting this assertion. He is dull, crude and infantile. The signed statements by Helen Callanan could not be clearer. She saw no irony in what was said. We know she was present, that Bailey was a liar, and Jim was not there … so who to believe?
Finally, Jim Sheridan tells the podcast listeners that he doubted very much that Matt Cooper, Callanan’s editor, thought that Bailey had admitted his guilt to Callanan. I have never seen a statement from Cooper to that effect. We are not given any information about the alleged discussion between Callanan and Cooper. When Mr Sheridan says he “doubted very much” is that an assertion without evidence, or is there something more substantial?
In The Murder of Sophie: How I Hunted and Haunted the West Cork Killer(2020), Michael Sheridan’s brilliantly detailed book on the case, there is no mention of any sacking nor of Matt Cooper. One can only hope that the source of these later iterations was not the pathological liar, Ian Bailey.
As a story, Jim Sheridan’s narrative is engaging. It is both coherent and plausible. For a consumer of fiction, it works. However, a good story is not grounds to dismiss the observations of a capable journalist. If there is hard evidence to back his narrative, I hope Mr Sheridan will share it; if there is none he ought to declare it.
Elsewhere Sheridan dismisses all the other confessions. The evidence shows there have been more than ten confessions made. From a teenager through to older adults, male and female, people with a range of occupations. The confessions were made with Bailey sometimes drunk, sometimes sober, and in a variety of emotional states. They are made in different ways. They are not all attributable to Bailey’s non-existent irony skills. There is nothing to indicate any of the statements about Bailey confessing were made by dishonest people with a vested interest in Bailey being convicted. However, the tired and emotional Bailey was repeatedly a dishonest man in the statements he made to vindicate himself.
The myth of Bailey the victim
27 years of torture unable to move unable to leave, branded a murderer without charge. Jim Sheridan
We know Bailey was charged and found guilty (in absentia) in France. Jim Sheridan asserts Bailey was tortured for twenty-seven years; that he was an innocent man, badly let down. We are told his life was miserable. All the time it is implied that he was a victim. Poor Ian.
I do not believe for a moment Sheridan would give this foul-mouthed thug a free pass. It is more likely he did not take a close look at the way the man behaved when he was not on ‘best behaviour’ with Jim. I took a look at Bailey in my forthcoming book The Pervert in the Hills. The man was odious. A torturer, not the tortured. He inflicted pain for an exceptionally long time and kvetched when he started to get a little back.
Is anyone feeling Ian’s pain? When you gather evidence on the man the notion of him being a victim is unsustainable. When Bailey is judged on actual long-term actions rather than short-term impressions it is difficult to feel sympathy for him.
Jim Sheridan is in good faith seeking to understand what happened to Sophie. I do not think old historical events, a mix of disparate notions, evidence-free assumptions, or unjustified sympathy for Bailey holds the key to discovering the murderer. Thankfully a well-put-together circumstantial case has already shown us Ian Bailey did it. He was a despicable man. He was a foul, malignant narcissist who, I believe, murdered Sophie Toscan du Plantier.
The Pervert in the Hills: How Ian Bailey, the monster at the heart of the Netflix documentary Murder in West Cork grew to hate me by J P Holzer on sale from April, 2024.